1 00:00:00,120 --> 00:00:03,880 Speaker 1: Happy Wednesday. It's the jam Nation podcast with Jonesy and Amanda. 2 00:00:04,000 --> 00:00:07,400 Speaker 2: We talked to meteorologists Tony Orden about the weather. We're 3 00:00:07,400 --> 00:00:10,360 Speaker 2: seeing a fade out of La Nina, but we're heading 4 00:00:10,400 --> 00:00:13,640 Speaker 2: back into a El Nino. What does this mean? 5 00:00:13,960 --> 00:00:14,680 Speaker 1: What doesn't mean? 6 00:00:14,720 --> 00:00:15,880 Speaker 2: We talk to him about all of that. 7 00:00:16,120 --> 00:00:18,600 Speaker 1: Harry Styles covering Darryl Braithwaite. 8 00:00:18,720 --> 00:00:21,160 Speaker 3: I wish Daryl covered himself when he took a picture 9 00:00:21,160 --> 00:00:22,720 Speaker 3: accidentally when he was on the toil. 10 00:00:22,880 --> 00:00:26,840 Speaker 2: Let it go, Brendan famous last words. The tribal drum 11 00:00:26,920 --> 00:00:30,680 Speaker 2: is beating for this and the pub test contrived reality 12 00:00:30,720 --> 00:00:33,760 Speaker 2: TV map's being fake. Does it matter to you? 13 00:00:34,080 --> 00:00:41,599 Speaker 3: That's what it is, because it's fake. Enjoy our podcast. 14 00:00:40,760 --> 00:00:45,080 Speaker 4: Everybody online. 15 00:00:46,360 --> 00:00:48,479 Speaker 1: I won't now about a miracle of recording. We have 16 00:00:48,600 --> 00:00:50,480 Speaker 1: so many requests for them to do it again. 17 00:00:50,600 --> 00:00:52,200 Speaker 5: Mistress Amanda's mis killer. 18 00:00:52,880 --> 00:00:54,480 Speaker 1: Amanda doesn't work alone. 19 00:00:56,240 --> 00:00:58,960 Speaker 2: Friend is inroom making the tools of the train. 20 00:00:59,040 --> 00:01:03,280 Speaker 1: I've heard them describe him as a drunken idiot, the 21 00:01:03,360 --> 00:01:04,080 Speaker 1: legendary part. 22 00:01:04,240 --> 00:01:06,160 Speaker 4: Jonesy, Amanda the. 23 00:01:06,080 --> 00:01:10,920 Speaker 2: Actress, Congratulations, we're right now, Jersey and Amanda. 24 00:01:11,000 --> 00:01:12,039 Speaker 1: You're doing a great job. 25 00:01:13,200 --> 00:01:17,200 Speaker 6: Anyone that selfie giant Now the good radio. 26 00:01:17,440 --> 00:01:23,800 Speaker 4: Sorry, but if a tongue tongue twist set Amanda's shoot. 27 00:01:23,680 --> 00:01:27,240 Speaker 1: Timy, we're on the air today. 28 00:01:27,400 --> 00:01:29,680 Speaker 2: Like your hair, I had my head on yesterday, looks 29 00:01:30,120 --> 00:01:33,399 Speaker 2: thank you, Brendan. My eyes weird today, what's the matter 30 00:01:33,440 --> 00:01:35,200 Speaker 2: with it? I was putting on some perfume or a 31 00:01:35,240 --> 00:01:37,680 Speaker 2: body spray this morning and I just spraying it down 32 00:01:37,720 --> 00:01:42,959 Speaker 2: my arm and the nozzle, unbeknownst to me, was pointed 33 00:01:42,959 --> 00:01:45,320 Speaker 2: the other way, a direct hit in the eyeball. It's 34 00:01:45,360 --> 00:01:46,920 Speaker 2: like you know when you're at a restaurant and there's 35 00:01:47,080 --> 00:01:49,760 Speaker 2: a lemon and he goes straight into the eye. 36 00:01:49,840 --> 00:01:50,520 Speaker 1: What are the chances? 37 00:01:50,520 --> 00:01:50,640 Speaker 7: One? 38 00:01:50,640 --> 00:01:52,920 Speaker 2: Are the chances? One hundred to one? This is what 39 00:01:53,000 --> 00:01:56,240 Speaker 2: happened to my eye. Perfume in the eye, And every 40 00:01:56,920 --> 00:02:01,600 Speaker 2: instinct I had my body was saying down, close your eye, 41 00:02:02,000 --> 00:02:05,360 Speaker 2: give it half an hour and you'll be all right. Instead, 42 00:02:05,400 --> 00:02:07,280 Speaker 2: I said, no, I'm going to get in a car 43 00:02:07,400 --> 00:02:09,639 Speaker 2: and drive through a storm and go to work. 44 00:02:09,919 --> 00:02:10,440 Speaker 1: Good on you. 45 00:02:10,600 --> 00:02:12,280 Speaker 2: I'm even going to attempt to put on a scar 46 00:02:12,600 --> 00:02:14,920 Speaker 2: and try and pretend this hasn't happened. As my eye 47 00:02:14,960 --> 00:02:17,440 Speaker 2: is just weeping and I couldn't see out of it. 48 00:02:17,520 --> 00:02:20,160 Speaker 2: So I was driving with one eye to get here, 49 00:02:20,200 --> 00:02:21,240 Speaker 2: And I just want you to know if you think 50 00:02:21,280 --> 00:02:23,360 Speaker 2: I'm winking at you, I'm not. 51 00:02:23,840 --> 00:02:24,600 Speaker 1: That you're winking it. 52 00:02:24,600 --> 00:02:26,720 Speaker 2: I just want to clear that up, Brandon, I'm not 53 00:02:26,800 --> 00:02:29,040 Speaker 2: winking at you. Clear I've just had an incident. 54 00:02:29,120 --> 00:02:31,040 Speaker 1: So you're going to do a range of nudge nudge, 55 00:02:31,080 --> 00:02:33,840 Speaker 1: wink wink shokes. Well I could if you like, we'd 56 00:02:33,840 --> 00:02:34,520 Speaker 1: appreciate that. 57 00:02:34,560 --> 00:02:36,919 Speaker 2: But everything and even when I was driving here, the lights, 58 00:02:36,919 --> 00:02:38,960 Speaker 2: I think I'll just close my eyes for a second. 59 00:02:39,000 --> 00:02:41,600 Speaker 2: I had to fight the urge to crawl into a 60 00:02:41,639 --> 00:02:44,040 Speaker 2: ball and cry and close my eye. 61 00:02:44,120 --> 00:02:46,280 Speaker 3: The perfect mind damage your eye, because that's why they 62 00:02:46,520 --> 00:02:48,160 Speaker 3: test it all on animals. 63 00:02:47,720 --> 00:02:49,840 Speaker 2: And stuff like that. Well, I would rather they hadn't 64 00:02:49,840 --> 00:02:51,760 Speaker 2: because I don't want monkeys to go through what I'm 65 00:02:51,800 --> 00:02:52,720 Speaker 2: going through this morning. 66 00:02:52,800 --> 00:02:55,240 Speaker 1: Some poor little monkey, guess they get sprayed in the art. 67 00:02:55,360 --> 00:02:57,880 Speaker 2: Some poor monkey had to be sprayed in the eye 68 00:02:58,000 --> 00:03:00,400 Speaker 2: and drive through a storm to an office to see 69 00:03:00,440 --> 00:03:01,240 Speaker 2: if it was doable. 70 00:03:01,400 --> 00:03:03,720 Speaker 3: You never saw that on the Impulse Pulse commercial. Did 71 00:03:03,760 --> 00:03:05,079 Speaker 3: you remember your Pulse commercial? 72 00:03:05,360 --> 00:03:07,840 Speaker 1: Always sexy? That the Impulse commercial. 73 00:03:07,600 --> 00:03:09,160 Speaker 2: You don't see the monkey's re enacting. 74 00:03:09,480 --> 00:03:11,959 Speaker 3: You saw a bit of side buzz in there, did you? Yeah, 75 00:03:12,080 --> 00:03:13,519 Speaker 3: a little bit of side, but you begin. 76 00:03:13,880 --> 00:03:16,799 Speaker 2: It's interesting when a man out of nowhere gives you flowers. 77 00:03:16,919 --> 00:03:18,000 Speaker 2: I say, you're a stalker. 78 00:03:18,040 --> 00:03:20,000 Speaker 1: I'm taking you to the pol was the thing, wasn't 79 00:03:20,000 --> 00:03:20,640 Speaker 1: when a straighten? 80 00:03:20,680 --> 00:03:20,959 Speaker 8: That was it? 81 00:03:21,240 --> 00:03:22,440 Speaker 1: When a stranger gives you. 82 00:03:22,480 --> 00:03:26,040 Speaker 2: When a stranger gives you flowers? Yeah, yeah, we wouldn't 83 00:03:26,040 --> 00:03:27,480 Speaker 2: do that, now would We just wouldn't do that. And 84 00:03:27,520 --> 00:03:30,480 Speaker 2: they also looking at the trope of of guys who 85 00:03:30,840 --> 00:03:32,680 Speaker 2: and this has been in a whole series of movies 86 00:03:32,720 --> 00:03:35,160 Speaker 2: and ads and film clips. A guy who's madly in 87 00:03:35,160 --> 00:03:37,000 Speaker 2: love with a girl and she says no, and he 88 00:03:37,040 --> 00:03:39,400 Speaker 2: won't take no for an answer. He plays the piano 89 00:03:39,440 --> 00:03:42,480 Speaker 2: outside a window, all these kinds of things, sleeps outside 90 00:03:42,480 --> 00:03:45,480 Speaker 2: her home. And we saw that as romantic and people 91 00:03:45,480 --> 00:03:48,160 Speaker 2: are going, actually, no, that's stalking. That is actually what 92 00:03:48,240 --> 00:03:48,880 Speaker 2: stalking is. 93 00:03:49,040 --> 00:03:51,400 Speaker 1: What do the kids do now? Get married on TV? 94 00:03:51,680 --> 00:03:55,440 Speaker 2: Get married without knowing someone. That's what's brendon. That's how 95 00:03:55,480 --> 00:03:55,800 Speaker 2: you do. 96 00:03:55,800 --> 00:03:56,960 Speaker 1: It, That's how it happens. 97 00:03:57,480 --> 00:03:59,800 Speaker 3: Got an actually pack shot and we're going to meteorologist. 98 00:03:59,840 --> 00:04:01,400 Speaker 3: You is on the shad today because I don't know 99 00:04:01,400 --> 00:04:03,880 Speaker 3: about you. But the weather patterns seem to be very odd. 100 00:04:03,960 --> 00:04:05,960 Speaker 2: We're going from London. We've only just learned to say 101 00:04:06,000 --> 00:04:08,800 Speaker 2: lundina in al Nino. We're going back to an al nino. 102 00:04:09,000 --> 00:04:09,720 Speaker 1: What's El Nino? 103 00:04:10,040 --> 00:04:14,320 Speaker 2: Dry? Hot bushfires. You know you're the person who says, 104 00:04:14,320 --> 00:04:16,800 Speaker 2: we live in Australia, get over it. But this is hard. 105 00:04:17,080 --> 00:04:20,520 Speaker 1: This is hard Australia beepsuckers that. 106 00:04:21,000 --> 00:04:22,640 Speaker 2: No, we're going to start the interview with that when 107 00:04:22,640 --> 00:04:23,920 Speaker 2: we talk to the meteorologist. 108 00:04:23,920 --> 00:04:27,080 Speaker 1: Well, that's what Australia is. I agree, But. 109 00:04:27,120 --> 00:04:29,599 Speaker 2: You know this is this is what climate change is. 110 00:04:29,680 --> 00:04:32,279 Speaker 2: It's more extremes. Yes, we have that weather, but there's 111 00:04:32,320 --> 00:04:36,400 Speaker 2: more extreme, more flooding, more cyclones, more heat with making 112 00:04:36,400 --> 00:04:37,360 Speaker 2: the country unlivable. 113 00:04:38,080 --> 00:04:40,599 Speaker 1: Keep a commune, hippie, don't. 114 00:04:40,440 --> 00:04:42,440 Speaker 2: Say keep it down. The commune drives me. 115 00:04:42,600 --> 00:04:46,320 Speaker 1: This is a conversation for I know, I know, I know, 116 00:04:46,520 --> 00:04:46,880 Speaker 1: I know. 117 00:04:47,160 --> 00:04:48,960 Speaker 2: Don't be bored. I wish I could be bored by it. 118 00:04:49,120 --> 00:04:51,719 Speaker 2: I wish I could get over it. I'm talking about 119 00:04:51,760 --> 00:04:52,240 Speaker 2: my eye again. 120 00:04:52,279 --> 00:04:54,120 Speaker 1: I want to spray more perfume in my eye. 121 00:04:54,160 --> 00:04:55,760 Speaker 2: At least this is the opposite of stink. 122 00:04:55,839 --> 00:04:59,560 Speaker 1: I we've also got instagrant for turning and we. 123 00:04:59,560 --> 00:05:01,080 Speaker 2: Gave a web thousand dollars yesterday. 124 00:05:01,120 --> 00:05:04,240 Speaker 1: The system works, it does work, it does work today. 125 00:05:04,279 --> 00:05:06,960 Speaker 3: It could be you that wins that. And the Magnificent Seven. 126 00:05:06,960 --> 00:05:08,680 Speaker 3: We can't do anything until we do that. 127 00:05:09,120 --> 00:05:12,760 Speaker 2: Question one, the Gibb Brothers form which famous group. 128 00:05:15,080 --> 00:05:16,880 Speaker 1: Podcast we have for you? 129 00:05:17,000 --> 00:05:19,920 Speaker 3: The Magnificent Seven? There are seven questions? Can you go 130 00:05:19,960 --> 00:05:21,880 Speaker 3: all the way and answer all seven questions correctly? If 131 00:05:21,920 --> 00:05:24,719 Speaker 3: you do that, Amanda will say, oh we I me I. 132 00:05:25,600 --> 00:05:27,599 Speaker 3: But it's bad getting questions seven? 133 00:05:27,680 --> 00:05:27,840 Speaker 1: Right? 134 00:05:28,360 --> 00:05:31,120 Speaker 2: Hello, Karen and Blaxland. How are you? 135 00:05:31,200 --> 00:05:32,400 Speaker 6: Oh, I'm good, I'm good. 136 00:05:32,800 --> 00:05:37,080 Speaker 2: Question one for you The GiB Brothers form which famous group. 137 00:05:38,080 --> 00:05:43,000 Speaker 3: Begs Flamenco dancing is associated with which country? 138 00:05:43,160 --> 00:05:46,120 Speaker 1: Karen? That'spaniola? 139 00:05:46,279 --> 00:05:48,720 Speaker 2: Which brings you to question number three? What's on the box? 140 00:05:50,800 --> 00:05:51,960 Speaker 5: I'll turn the box on? 141 00:05:52,279 --> 00:05:55,000 Speaker 2: Oh? I love this show. I'm obsessed with this show. 142 00:05:55,040 --> 00:05:56,640 Speaker 2: I don't know if you'll know this. I hope you do. 143 00:05:57,040 --> 00:06:01,279 Speaker 2: What TV show has this theme? There's a tower block 144 00:06:01,640 --> 00:06:02,359 Speaker 2: cover ahead. 145 00:06:02,760 --> 00:06:06,360 Speaker 1: Oh, you got your benefits and you're barely screaking by. 146 00:06:09,800 --> 00:06:10,560 Speaker 5: In this drug. 147 00:06:14,040 --> 00:06:17,160 Speaker 1: That's good. 148 00:06:17,240 --> 00:06:22,360 Speaker 2: I love this. Next line, narkis Bee Bump City. 149 00:06:22,560 --> 00:06:25,960 Speaker 3: Were the only thing that's pretty hard gees. 150 00:06:26,240 --> 00:06:28,400 Speaker 2: Now. The only thing that's pretty is the thought of 151 00:06:28,440 --> 00:06:31,520 Speaker 2: getting out. It's a police series, sa in, I think 152 00:06:31,600 --> 00:06:35,240 Speaker 2: that in the dark hills of Yorkshire. So good you 153 00:06:35,279 --> 00:06:35,799 Speaker 2: know the show? 154 00:06:37,640 --> 00:06:44,400 Speaker 6: Oh gee, I don't think so, say those Yorkshire people 155 00:06:45,040 --> 00:06:46,720 Speaker 6: all all, I don't. 156 00:06:46,520 --> 00:06:50,640 Speaker 2: Know the dialogue and it's great. I didn't say out. 157 00:06:50,880 --> 00:06:51,760 Speaker 2: I didn't say out. 158 00:06:52,080 --> 00:06:54,640 Speaker 1: They always have a cup of tea though, they always. 159 00:06:54,279 --> 00:06:55,640 Speaker 2: Have a cup of tea. And because this is a 160 00:06:55,680 --> 00:06:57,600 Speaker 2: police series, you know, in any other show, when they 161 00:06:57,600 --> 00:06:58,920 Speaker 2: walk in, can I get you a cup of tea 162 00:06:59,000 --> 00:06:59,359 Speaker 2: or coffee? 163 00:06:59,400 --> 00:06:59,520 Speaker 8: You no? 164 00:06:59,600 --> 00:07:01,120 Speaker 2: Thank you? Please say yeah, have a cup of tea. 165 00:07:01,480 --> 00:07:03,359 Speaker 2: Everything is solved with a cup of tea. The kettle's 166 00:07:03,360 --> 00:07:04,320 Speaker 2: always boiling. I love it. 167 00:07:04,400 --> 00:07:06,720 Speaker 3: Fred and Rosemary West when the cops went into that house, 168 00:07:06,800 --> 00:07:08,000 Speaker 3: cup of tea. 169 00:07:08,120 --> 00:07:09,520 Speaker 2: I have a cup of tea, I would say, oh, 170 00:07:09,680 --> 00:07:10,520 Speaker 2: I love a cup of tea. 171 00:07:10,600 --> 00:07:12,160 Speaker 1: What about these graves in the backyard? 172 00:07:12,200 --> 00:07:12,960 Speaker 2: What's this smell? 173 00:07:13,360 --> 00:07:14,360 Speaker 1: Gym's in spring work? 174 00:07:14,440 --> 00:07:17,760 Speaker 2: Hello, Jim, you guys very well. Do you want to 175 00:07:17,760 --> 00:07:20,760 Speaker 2: hear the song again? Just because it's good? Here you 176 00:07:20,760 --> 00:07:24,960 Speaker 2: go on, let's do there's a tower like cover ahead. 177 00:07:25,320 --> 00:07:28,600 Speaker 7: All you got your benefits and your Bailey street. 178 00:07:28,600 --> 00:07:33,440 Speaker 1: By in this truck. 179 00:07:35,000 --> 00:07:36,520 Speaker 5: Truck all. 180 00:07:43,440 --> 00:07:44,640 Speaker 1: Snarking bee bum. 181 00:07:44,600 --> 00:07:49,160 Speaker 7: City where the only thing that's pretty it's not get now. 182 00:07:50,320 --> 00:07:53,800 Speaker 2: That's pretty is the thought of getting out. And the female, 183 00:07:53,920 --> 00:07:56,600 Speaker 2: the lead female, is great. She's in her fifties, she's 184 00:07:56,640 --> 00:08:00,240 Speaker 2: slightly overweight. She doesn't pull any punches. It's so called. 185 00:08:00,280 --> 00:08:04,880 Speaker 2: Do you know the show Jim, my favorite new show. 186 00:08:04,960 --> 00:08:06,480 Speaker 2: I've been binging it. 187 00:08:07,720 --> 00:08:10,679 Speaker 3: What's the name of the caramelo koala on the wrapper 188 00:08:10,720 --> 00:08:11,480 Speaker 3: of chocolate? 189 00:08:11,600 --> 00:08:16,080 Speaker 1: Is it a Andy B Jack or C George? 190 00:08:16,080 --> 00:08:20,720 Speaker 2: I didn't know he had a name. George's George George? 191 00:08:20,920 --> 00:08:23,680 Speaker 2: Yeahim George. So now you know his name? Is you 192 00:08:23,760 --> 00:08:27,200 Speaker 2: rip his head off? Yum? Question five? 193 00:08:27,320 --> 00:08:30,520 Speaker 3: Sometimes I find the big caramelo is just circling back. 194 00:08:31,240 --> 00:08:31,920 Speaker 1: They're too much. 195 00:08:32,200 --> 00:08:33,080 Speaker 2: How BIG's the big one? 196 00:08:33,080 --> 00:08:36,400 Speaker 1: The big ones? It's about that. 197 00:08:36,800 --> 00:08:40,160 Speaker 2: The length of a pen. Yeah, that's too big, too much, 198 00:08:40,840 --> 00:08:41,560 Speaker 2: that's too much. 199 00:08:41,679 --> 00:08:42,880 Speaker 1: You know when you get a big oyster. 200 00:08:43,679 --> 00:08:45,719 Speaker 2: No, if you've got to, if you've got to bite it, 201 00:08:46,360 --> 00:08:46,880 Speaker 2: don't do it. 202 00:08:46,920 --> 00:08:48,160 Speaker 1: That's why we don't need appalaine. 203 00:08:48,360 --> 00:08:51,640 Speaker 2: No, no, please, It's like eating a surfboard. 204 00:08:52,240 --> 00:08:55,679 Speaker 3: Question five, George, I haven't eaten a surf like an 205 00:08:55,800 --> 00:08:56,839 Speaker 3: enormous cup of fish. 206 00:08:56,880 --> 00:08:58,439 Speaker 1: Jim, have you ever eaten a surfboard? 207 00:09:00,200 --> 00:09:03,520 Speaker 4: But I'll tell you what big too much? You gotta 208 00:09:03,800 --> 00:09:05,680 Speaker 4: either take a spoon of of ment or something that's 209 00:09:05,679 --> 00:09:06,520 Speaker 4: only a chocolate mate. 210 00:09:06,760 --> 00:09:08,959 Speaker 2: I know, but it is too much. The small ones 211 00:09:09,240 --> 00:09:10,960 Speaker 2: just the right amount. 212 00:09:11,280 --> 00:09:11,559 Speaker 1: Question. 213 00:09:12,559 --> 00:09:15,640 Speaker 3: That's why I don't want to eat a big caramelo Koala. 214 00:09:15,840 --> 00:09:19,439 Speaker 2: That's why they don't make marshmallows in giant blocks. Imagine that. 215 00:09:19,760 --> 00:09:22,400 Speaker 1: Yeah, that's why they're smallmell all right. 216 00:09:22,559 --> 00:09:25,280 Speaker 2: Question five for you, Jim, even though you've hard. 217 00:09:25,240 --> 00:09:27,400 Speaker 1: Hard man, Jim of Springwood eating a. 218 00:09:27,360 --> 00:09:31,079 Speaker 2: Big chocolate George Clooney is the face of which coffee brand. 219 00:09:32,760 --> 00:09:33,040 Speaker 1: Espress. 220 00:09:33,320 --> 00:09:35,800 Speaker 3: It is which one of the seven wonders of the 221 00:09:35,840 --> 00:09:40,760 Speaker 3: ancient world still remains intact today, Jim. 222 00:09:41,000 --> 00:09:43,280 Speaker 1: The pyramids, Yeah, that's a great pyramid. 223 00:09:43,800 --> 00:09:43,959 Speaker 9: Yeah. 224 00:09:44,000 --> 00:09:47,840 Speaker 2: Yeah, the old hanging pyramid, Yeah, the big one. 225 00:09:47,920 --> 00:09:48,160 Speaker 1: Yeah. 226 00:09:48,440 --> 00:09:50,320 Speaker 2: What were the other ones? Hanging gardens of Babylon. 227 00:09:50,440 --> 00:09:53,000 Speaker 1: Yeah, yep, the pink and white terraces in New Zealand. 228 00:09:53,000 --> 00:09:55,280 Speaker 1: But they went blowing in New Zealand. Yeah, they got 229 00:09:55,280 --> 00:09:56,280 Speaker 1: blood above volcano. 230 00:09:56,920 --> 00:09:58,920 Speaker 3: I know, hang on, that's the the new one is, 231 00:09:59,200 --> 00:10:02,360 Speaker 3: you know there was an ancient wonder there's the funny wonders. 232 00:10:02,400 --> 00:10:06,559 Speaker 2: There's so many wonders. Oh, I think actually Wonderland was 233 00:10:06,600 --> 00:10:10,760 Speaker 2: one of the wonders. Fine question seven. It all comes 234 00:10:10,760 --> 00:10:13,320 Speaker 2: down Jim. If you get this right. You know what 235 00:10:13,360 --> 00:10:14,040 Speaker 2: this means is. 236 00:10:14,160 --> 00:10:14,720 Speaker 1: A big fact. 237 00:10:14,840 --> 00:10:16,559 Speaker 2: I get some big fact and I'm gonna eat a 238 00:10:16,600 --> 00:10:20,439 Speaker 2: giant marshmallow. This Saturday, the Mardi Gras Parade returns to 239 00:10:20,480 --> 00:10:23,560 Speaker 2: a traditional form for the first time since twenty twenty. 240 00:10:23,640 --> 00:10:25,840 Speaker 2: Which famous street does the parade walk along? 241 00:10:28,480 --> 00:10:30,199 Speaker 1: Do you have the caromelo iguala? 242 00:10:31,040 --> 00:10:32,360 Speaker 2: Don't take it in all at once? 243 00:10:33,080 --> 00:10:36,080 Speaker 1: Don't don't? Oh, Jim could He's a big man. 244 00:10:37,200 --> 00:10:40,960 Speaker 3: You have no problem coup a concrete and likes all center. 245 00:10:41,160 --> 00:10:43,640 Speaker 3: Congratulations Jim, you won the jam pag inside the Double 246 00:10:43,679 --> 00:10:46,839 Speaker 3: past des ourl Braithway The Twilight at Toronto on March three. 247 00:10:47,240 --> 00:10:49,560 Speaker 3: Tickets Dot sale now from marsh Ticks A one hundred 248 00:10:49,600 --> 00:10:52,240 Speaker 3: and fifty dollars option to a Beauty. A Beauty the 249 00:10:52,280 --> 00:10:56,680 Speaker 3: world's go to curation of Australia's best beauty brands, and 250 00:10:56,760 --> 00:10:58,880 Speaker 3: Jonesy demanded character choose for the color and the state 251 00:10:58,920 --> 00:10:59,280 Speaker 3: of the pencils. 252 00:10:59,360 --> 00:11:00,600 Speaker 1: Jim, anything you will like to add. 253 00:11:02,520 --> 00:11:06,439 Speaker 4: I still think one dollars not too much, but the 254 00:11:06,480 --> 00:11:07,480 Speaker 4: way that's up to you. 255 00:11:07,520 --> 00:11:09,400 Speaker 2: All right, Jim, I think we're going to have to 256 00:11:09,440 --> 00:11:13,840 Speaker 2: agree to disagree. Let's end his friends though, thank you, Jim. 257 00:11:13,960 --> 00:11:17,760 Speaker 1: Not like juggling a chainsaw. I think I could do. 258 00:11:17,800 --> 00:11:22,120 Speaker 2: It, Thank you, Jim. 259 00:11:22,400 --> 00:11:24,440 Speaker 1: Poker face that's not nice. 260 00:11:24,440 --> 00:11:25,240 Speaker 2: That's not nice. 261 00:11:25,440 --> 00:11:29,080 Speaker 1: Rubber balloons WSFM. There it's jonesy de man. 262 00:11:29,200 --> 00:11:30,440 Speaker 2: I love it when you quote Benny Hill. 263 00:11:30,520 --> 00:11:31,400 Speaker 1: Thanks Tom W. 264 00:11:31,640 --> 00:11:37,240 Speaker 2: Sydney at a little a little it's quite the education 265 00:11:37,320 --> 00:11:43,920 Speaker 2: you've had. Let's explain the balloons. We're going to have 266 00:11:44,000 --> 00:11:47,520 Speaker 2: to man. Benny Hill is well, how does it go? 267 00:11:48,160 --> 00:11:51,160 Speaker 2: Is it a bus stop? And Benny Hill, you wouldn't 268 00:11:51,200 --> 00:11:53,199 Speaker 2: do this, now, would you. He's got a long overcoat 269 00:11:53,240 --> 00:11:55,800 Speaker 2: like an old flasher, and he's a balloon cellar and 270 00:11:55,800 --> 00:11:57,319 Speaker 2: he's walking along and he's saying. 271 00:11:57,480 --> 00:11:59,480 Speaker 1: And there's a lady that's passed out and all. 272 00:11:59,440 --> 00:12:01,199 Speaker 2: That though he's selling his balloons. 273 00:12:01,280 --> 00:12:03,880 Speaker 3: Yeah, and there's a lady that's on the ground, she's 274 00:12:04,080 --> 00:12:05,439 Speaker 3: fainted for some reason. 275 00:12:05,600 --> 00:12:06,440 Speaker 1: And again what do we do? 276 00:12:06,760 --> 00:12:09,400 Speaker 3: And this rubber hands, rubber feet, and then Betty walks 277 00:12:09,400 --> 00:12:10,320 Speaker 3: past and says its. 278 00:12:10,280 --> 00:12:13,400 Speaker 2: Rubber balloons, but you've missed. I think he starts the 279 00:12:13,400 --> 00:12:16,080 Speaker 2: whole sketch by selling his balloon, saying rubber balloons, and 280 00:12:16,120 --> 00:12:19,199 Speaker 2: then she falls over and he calls out rubber balloons. 281 00:12:19,600 --> 00:12:21,679 Speaker 1: Good times, weren't they good time? 282 00:12:21,800 --> 00:12:23,400 Speaker 2: Howmedy doesn't get better than that. 283 00:12:23,760 --> 00:12:25,559 Speaker 1: Does it? Or what about information? 284 00:12:28,280 --> 00:12:31,240 Speaker 2: It's the big bags and it's not crazy. 285 00:12:43,679 --> 00:12:46,000 Speaker 3: This is what happens when we wrap up the Magnificent 286 00:12:46,040 --> 00:12:48,560 Speaker 3: Seven early. We are going to insert something in here. 287 00:12:48,640 --> 00:12:51,400 Speaker 3: We all get punished bugging in palace has more than 288 00:12:51,440 --> 00:12:52,440 Speaker 3: six hundred rooms. 289 00:12:53,400 --> 00:12:54,600 Speaker 2: Don't tell me that's your fact. 290 00:12:54,720 --> 00:12:57,360 Speaker 1: That's it. Oh, come on, we'll do and not a 291 00:12:57,360 --> 00:12:58,760 Speaker 1: spare one for Andrew. 292 00:13:01,400 --> 00:13:08,240 Speaker 2: Like it, and it's not. You wouldn't have change the 293 00:13:08,280 --> 00:13:09,800 Speaker 2: sheets very often because it's sweat. 294 00:13:10,080 --> 00:13:12,240 Speaker 1: I'm reading Harry's book at the moment, I'm right into it. 295 00:13:12,559 --> 00:13:16,680 Speaker 1: I'm getting it. It's tough going. And I'll do a 296 00:13:16,679 --> 00:13:18,439 Speaker 1: bit of a review on Harry's book later. 297 00:13:18,360 --> 00:13:21,600 Speaker 2: Because this people have been reviewing this book for about 298 00:13:21,600 --> 00:13:24,400 Speaker 2: two months. You're late to the party. Why do we 299 00:13:24,440 --> 00:13:24,959 Speaker 2: read the Bible? 300 00:13:25,600 --> 00:13:27,240 Speaker 1: What we feel like? There's a lot of people haven't 301 00:13:27,240 --> 00:13:29,760 Speaker 1: read the book. They all judge Harry but they haven't 302 00:13:29,760 --> 00:13:30,560 Speaker 1: actually read the book. 303 00:13:30,679 --> 00:13:31,960 Speaker 2: Well, the ones who don't want to read the book 304 00:13:32,000 --> 00:13:34,120 Speaker 2: aren't going to and the ones that do have, so 305 00:13:34,160 --> 00:13:35,599 Speaker 2: maybe we just stop the conversation. 306 00:13:38,080 --> 00:13:40,320 Speaker 1: It's coming up to six thirty. 307 00:13:41,120 --> 00:13:42,120 Speaker 2: If you want to have your own. 308 00:13:41,960 --> 00:13:44,760 Speaker 1: Book club, well you won't invite me to your. 309 00:13:44,760 --> 00:13:47,280 Speaker 2: No, that's right, the Benny Hill book Club, Jonesy and 310 00:13:47,280 --> 00:13:51,240 Speaker 2: Amanda Podcast. 311 00:13:51,520 --> 00:13:55,680 Speaker 1: There's no sound I'm switched on. Oh silly me. 312 00:13:56,720 --> 00:13:58,199 Speaker 2: I'm going to flick through the Gentleman like a big 313 00:13:58,200 --> 00:14:01,320 Speaker 2: book of musical facts on this day. In nineteen seventy seven, sorry, 314 00:14:01,400 --> 00:14:05,120 Speaker 2: nineteen ninety seven, No Doubt went to number one on 315 00:14:05,120 --> 00:14:07,680 Speaker 2: the UK Singles Chart with Don't Speaks from the album 316 00:14:07,840 --> 00:14:11,720 Speaker 2: Tragic Kingdom was written by Eric Stefani and his sister Gwen. 317 00:14:11,840 --> 00:14:14,600 Speaker 2: I hadn't heard of Eric. Just after writing the song, 318 00:14:14,720 --> 00:14:17,119 Speaker 2: Eric left the band to be an animator on The Simpsons. 319 00:14:17,920 --> 00:14:20,960 Speaker 2: The song was meant to be a love song originally, 320 00:14:21,280 --> 00:14:27,200 Speaker 2: but after bandmate Tony Canal ka nal Canal exactly, that's 321 00:14:27,200 --> 00:14:30,600 Speaker 2: what Gwen said, because he dumped her. Tony dumped Gwen 322 00:14:30,760 --> 00:14:32,960 Speaker 2: and so it became a song about heartbreak. Bay said, 323 00:14:33,000 --> 00:14:34,720 Speaker 2: like Fleetwood mac All the comings and going. 324 00:14:35,400 --> 00:14:38,040 Speaker 1: Clip to it indicates that very much. 325 00:14:38,200 --> 00:14:40,360 Speaker 2: Does it, Brenda? Yes, let's listen now. 326 00:14:42,280 --> 00:14:44,720 Speaker 1: And looking forward to your birthday on Saturday, we're going 327 00:14:44,760 --> 00:14:46,480 Speaker 1: to go and see Cheer and for Sheer. 328 00:14:46,640 --> 00:14:49,280 Speaker 2: I'm so excited you and me, you and me on 329 00:14:49,360 --> 00:14:51,560 Speaker 2: a date going to see it Cheering because concerts usually 330 00:14:51,560 --> 00:14:54,120 Speaker 2: aren't on the weekend. Yes, so normally it's hard work 331 00:14:54,160 --> 00:14:56,120 Speaker 2: for us because we get up so early. So I'm excited. 332 00:14:56,360 --> 00:14:57,760 Speaker 1: I'm you going to sit on the shoulders again? 333 00:14:59,280 --> 00:15:00,880 Speaker 2: You can played last time? 334 00:15:00,920 --> 00:15:01,960 Speaker 1: Well, you're facing the wrong one. 335 00:15:02,000 --> 00:15:02,240 Speaker 8: I know. 336 00:15:03,080 --> 00:15:04,160 Speaker 2: He couldn't hear a thing to go. 337 00:15:04,240 --> 00:15:08,240 Speaker 1: Down the word itself and safety. I ed Shearing's in town. 338 00:15:08,520 --> 00:15:09,680 Speaker 1: He isn't he a nice guy? 339 00:15:09,800 --> 00:15:13,080 Speaker 3: Flew from Byron Bay down to Sydney in on the 340 00:15:13,200 --> 00:15:15,240 Speaker 3: old Vergin plane, no private jet food? 341 00:15:15,960 --> 00:15:16,160 Speaker 1: You know? 342 00:15:16,200 --> 00:15:17,880 Speaker 2: Did you see that? He caught up with Chris Hemsworth 343 00:15:17,920 --> 00:15:20,400 Speaker 2: and Byron performing in Queensland. 344 00:15:19,960 --> 00:15:22,560 Speaker 1: When you're in Byron, Yeah you got Hemsey insists on it. 345 00:15:22,840 --> 00:15:23,880 Speaker 2: He's the king of Bier. 346 00:15:24,200 --> 00:15:25,120 Speaker 1: You're in town. What are you doing? 347 00:15:25,160 --> 00:15:26,520 Speaker 3: You had to drop in and say hello, that's what 348 00:15:26,560 --> 00:15:29,360 Speaker 3: you got to do. What about Harry Styles over in Perth? 349 00:15:29,520 --> 00:15:32,480 Speaker 2: I love Harry styles he seems like a very nice 350 00:15:32,480 --> 00:15:34,000 Speaker 2: How old do I sound? He sounds like a very 351 00:15:34,080 --> 00:15:35,040 Speaker 2: nice man. 352 00:15:34,840 --> 00:15:36,640 Speaker 1: Even though he dress is like a nut. 353 00:15:36,800 --> 00:15:39,160 Speaker 2: Remember that thing we saw where he had the pearls 354 00:15:39,160 --> 00:15:41,520 Speaker 2: and the lacy collar and a jumper and someone said 355 00:15:41,560 --> 00:15:43,360 Speaker 2: it looks like he's put his pants and grandma's and 356 00:15:43,360 --> 00:15:44,400 Speaker 2: he's had to wear her clothes. 357 00:15:44,640 --> 00:15:45,840 Speaker 1: Here you go? Do you put this up? 358 00:15:46,000 --> 00:15:47,240 Speaker 2: Yeah? I still love him. 359 00:15:47,360 --> 00:15:48,960 Speaker 1: He's come to Australia and. 360 00:15:48,920 --> 00:15:50,160 Speaker 2: What about this? He's done a shoey? 361 00:15:51,040 --> 00:15:51,680 Speaker 1: Yep, he did. 362 00:15:51,720 --> 00:15:54,760 Speaker 2: How Australian We forced people to come here and drink 363 00:15:54,800 --> 00:15:55,840 Speaker 2: out of their own footwear? 364 00:15:56,160 --> 00:15:58,360 Speaker 1: Because the shoey came from Daniel Ricardo. 365 00:15:59,200 --> 00:16:00,880 Speaker 2: If you've been on stage agent before me, it's not 366 00:16:00,880 --> 00:16:03,920 Speaker 2: going to be pleasant, is it. But he also didn't 367 00:16:03,960 --> 00:16:07,280 Speaker 2: just do an Australian salute by doing a shoey. He 368 00:16:07,480 --> 00:16:09,960 Speaker 2: sang in his concert in Perth one of the most 369 00:16:10,120 --> 00:16:11,960 Speaker 2: iconic Australian songs. He sang this. 370 00:16:14,800 --> 00:16:31,280 Speaker 10: God inside that's pretty good. 371 00:16:31,880 --> 00:16:35,840 Speaker 1: That's poor quality, but not the visit Harry. 372 00:16:35,480 --> 00:16:38,080 Speaker 2: What a moment. I love that. And Daryl has responded. 373 00:16:38,880 --> 00:16:41,440 Speaker 2: Darryl Braithwaite, he gave a verdict. He said, well, done, 374 00:16:41,480 --> 00:16:46,960 Speaker 2: but on his yesterday different picture. This time he said, 375 00:16:46,960 --> 00:16:49,040 Speaker 2: welcome back, Harry, wishing you all the best for your 376 00:16:49,040 --> 00:16:51,880 Speaker 2: shows here in Australia. Thank you for your kind words. 377 00:16:52,160 --> 00:16:54,080 Speaker 2: I assume that if you have time, you might visit 378 00:16:54,120 --> 00:16:57,000 Speaker 2: your Ibis Styles Hotel in Mount Isa and he's included 379 00:16:57,000 --> 00:16:59,320 Speaker 2: a photo of the Ibis Hotel. I stayed there in 380 00:16:59,320 --> 00:17:01,600 Speaker 2: August for a week. Regards to Darry. 381 00:17:01,480 --> 00:17:04,840 Speaker 1: They're in August for a week. That's Daryl's joke. You 382 00:17:04,920 --> 00:17:07,840 Speaker 1: spent a week there one afternoon, shouldn't it be? 383 00:17:07,840 --> 00:17:10,359 Speaker 2: I stayed for a week in I stayed in August 384 00:17:10,359 --> 00:17:11,480 Speaker 2: for a week. I don't think it's a joke. 385 00:17:11,960 --> 00:17:14,560 Speaker 1: Jason, Now this is Daryn. You know when you go 386 00:17:14,640 --> 00:17:17,119 Speaker 1: to a quip, you go to a bad town. You 387 00:17:17,119 --> 00:17:18,760 Speaker 1: know I spent a week there one afternoon. 388 00:17:18,960 --> 00:17:21,040 Speaker 2: No, I stayed there in August for a week. I 389 00:17:21,040 --> 00:17:22,280 Speaker 2: don't think he's being iron. 390 00:17:22,160 --> 00:17:26,639 Speaker 3: Okay, Well, that's great that Harry's doing Aussie icons. 391 00:17:26,640 --> 00:17:28,639 Speaker 2: I love it. Come to Australia and build up the 392 00:17:28,680 --> 00:17:30,600 Speaker 2: Australian songs. Everyone can sing along. 393 00:17:30,680 --> 00:17:32,360 Speaker 1: We'd be happy for more. What about if he. 394 00:17:32,320 --> 00:17:39,200 Speaker 2: Did this, should I reckon? The whole crowd would go crazy? 395 00:17:39,280 --> 00:17:45,200 Speaker 2: If he did this one big sing along facts, Okay, 396 00:17:45,800 --> 00:17:47,280 Speaker 2: what about this for a triple play? 397 00:17:47,520 --> 00:17:49,960 Speaker 1: There was a red back with the toilet's see it 398 00:17:50,040 --> 00:17:53,960 Speaker 1: wasn't down. I was there last night. I didn't see. 399 00:17:53,760 --> 00:17:55,880 Speaker 2: Him, and I don't know if he's a shoe big 400 00:17:55,960 --> 00:17:59,840 Speaker 2: enough to drink out of when you sing those songs Bring. 401 00:17:59,520 --> 00:18:06,640 Speaker 3: A gum podcast. An awkward detailed in a Married at 402 00:18:06,640 --> 00:18:10,480 Speaker 3: First Sight wedding has fueled speculation about producers involvement in 403 00:18:10,520 --> 00:18:11,680 Speaker 3: the show's storyline. 404 00:18:11,720 --> 00:18:14,760 Speaker 2: He's at one of the weddings on Monday night. One 405 00:18:14,800 --> 00:18:18,560 Speaker 2: of the contestants, the female bride, was walking down the 406 00:18:18,600 --> 00:18:21,560 Speaker 2: aisle with a man, not a dad, just a man, 407 00:18:22,320 --> 00:18:24,360 Speaker 2: and there was an earpiece in his ear. 408 00:18:24,520 --> 00:18:26,520 Speaker 1: They call it an IFB in the trade. 409 00:18:26,760 --> 00:18:29,879 Speaker 2: It's been revealed that it was a producer. You can 410 00:18:29,920 --> 00:18:33,359 Speaker 2: see why parents sometimes wouldn't maybe aren't around, but some 411 00:18:33,359 --> 00:18:34,320 Speaker 2: wouldn't want to be involved. 412 00:18:34,359 --> 00:18:36,800 Speaker 1: What would you do, Jack or Liam go on Married 413 00:18:36,800 --> 00:18:37,640 Speaker 1: at First Site? 414 00:18:38,000 --> 00:18:39,560 Speaker 2: I'd find it very hard to sit in the front 415 00:18:39,600 --> 00:18:40,560 Speaker 2: row and be supportive. 416 00:18:41,560 --> 00:18:43,560 Speaker 1: Would you Yeah? 417 00:18:44,040 --> 00:18:45,960 Speaker 2: If Romany wanted to go I married at First Sight? 418 00:18:46,960 --> 00:18:48,879 Speaker 2: Would you sit there and go this is wonderful. We 419 00:18:48,880 --> 00:18:51,840 Speaker 2: welcome her husband with open arms. Yeah, well, you know 420 00:18:51,880 --> 00:18:52,840 Speaker 2: the rough rye she's in for. 421 00:18:53,920 --> 00:18:56,960 Speaker 1: They would get her out of the house though, fair enough, 422 00:18:57,119 --> 00:18:59,840 Speaker 1: so he had her. She does have a boy. 423 00:19:00,480 --> 00:19:03,440 Speaker 2: In some of the scenes, you can see the earpiece 424 00:19:03,440 --> 00:19:05,480 Speaker 2: in his ears. So she's been walked down the aisle 425 00:19:05,560 --> 00:19:08,679 Speaker 2: by a producer, by a producer who presumably has got 426 00:19:08,720 --> 00:19:11,359 Speaker 2: a voice in his ear in terms of where they 427 00:19:11,480 --> 00:19:13,640 Speaker 2: have to what the dialogue's going to be. Who says 428 00:19:13,680 --> 00:19:17,120 Speaker 2: what it's like a drama. It's like it's a drama 429 00:19:17,560 --> 00:19:20,280 Speaker 2: and other things have been revealed too, and maybe it 430 00:19:20,320 --> 00:19:22,680 Speaker 2: doesn't matter to you, but this isn't the reality show 431 00:19:22,720 --> 00:19:26,720 Speaker 2: we think it is. According to Michael Brunelli, he's engaged 432 00:19:26,760 --> 00:19:28,560 Speaker 2: to Martha. She's about to have a baby. They're one 433 00:19:28,600 --> 00:19:31,320 Speaker 2: of the success stories of She was the happy one. Hat. 434 00:19:31,440 --> 00:19:34,080 Speaker 1: She always wore a hat, okay, and it was kind 435 00:19:34,119 --> 00:19:35,080 Speaker 1: of ridiculous hat. 436 00:19:35,200 --> 00:19:37,760 Speaker 2: But he says, if you have a fight behind the scenes, 437 00:19:38,200 --> 00:19:40,240 Speaker 2: you have to pause and call a producer to come 438 00:19:40,240 --> 00:19:43,320 Speaker 2: and film it. This is probably a new contract, he said. 439 00:19:43,320 --> 00:19:45,080 Speaker 2: Contestants are told not to talk to each other when 440 00:19:45,080 --> 00:19:47,480 Speaker 2: the cameras aren't rolling. Really, if you have a fight, 441 00:19:47,520 --> 00:19:49,200 Speaker 2: you need to alert the producers quote, if you have 442 00:19:49,240 --> 00:19:51,320 Speaker 2: a fight, you have to stop the fight mid fight, 443 00:19:51,840 --> 00:19:53,680 Speaker 2: call the producer so they can bring the camera and 444 00:19:53,720 --> 00:19:55,880 Speaker 2: start recording. Then you've got to keep going with the fight. 445 00:19:56,320 --> 00:20:00,000 Speaker 2: What about that the weddings are filmed multiple times apparently 446 00:20:00,240 --> 00:20:02,080 Speaker 2: because you can see there's shots where the bride's walking 447 00:20:02,080 --> 00:20:04,679 Speaker 2: straight towards the camera. Shots here, shots there the bride, 448 00:20:04,840 --> 00:20:07,000 Speaker 2: so they have to film it multiple times. So when 449 00:20:07,040 --> 00:20:09,760 Speaker 2: you see the groom turn around to see his bride 450 00:20:09,760 --> 00:20:11,880 Speaker 2: for the first time, he may have done this five 451 00:20:12,200 --> 00:20:16,560 Speaker 2: not necessarily. They say that the dinner parties finish at 452 00:20:16,640 --> 00:20:20,520 Speaker 2: three am. They have to They get ready at midday, 453 00:20:20,960 --> 00:20:23,040 Speaker 2: they arrive at four pm, and they leave at three 454 00:20:23,040 --> 00:20:25,439 Speaker 2: in the morning. Michael Brunelli has also said what the 455 00:20:25,480 --> 00:20:27,280 Speaker 2: producers do is if they know you've got a problem 456 00:20:27,280 --> 00:20:29,840 Speaker 2: with someone and you're feeling emotional, well dure, they sit 457 00:20:29,920 --> 00:20:31,960 Speaker 2: you across from them. At the dinner party, everyone has 458 00:20:31,960 --> 00:20:34,480 Speaker 2: a few drinks, everyone gets tired and emotional, and hence 459 00:20:34,520 --> 00:20:37,479 Speaker 2: wine is caught on something. You ask, ye, yep, how 460 00:20:37,480 --> 00:20:41,880 Speaker 2: can you not be irritable? So you know, it's very strict. 461 00:20:42,000 --> 00:20:45,160 Speaker 2: The way this film is shows the same with Bachelor. 462 00:20:45,840 --> 00:20:48,960 Speaker 2: Those Bachelor rose giving events go to three in the 463 00:20:49,000 --> 00:20:51,920 Speaker 2: morning and everyone's drunk, and you're wonder then why people 464 00:20:51,960 --> 00:20:53,080 Speaker 2: have fights and get emotional. 465 00:20:53,160 --> 00:20:55,880 Speaker 3: I heard that they've got all these hall monitors because 466 00:20:55,880 --> 00:20:57,320 Speaker 3: they put them all in the one building. 467 00:20:57,359 --> 00:20:58,800 Speaker 1: It's like number ninety six. 468 00:20:58,960 --> 00:21:01,239 Speaker 2: Yeah, they say here that there are hall monitors. You're 469 00:21:01,240 --> 00:21:03,800 Speaker 2: filmed sixteen hours a day, and if you weren't filming, 470 00:21:03,840 --> 00:21:05,800 Speaker 2: you had to be in your apartment with your husband 471 00:21:05,880 --> 00:21:08,119 Speaker 2: or wife by eight o'clock, where there are hall monitors, 472 00:21:08,119 --> 00:21:09,639 Speaker 2: so you can't sneak out and do things. 473 00:21:09,760 --> 00:21:12,760 Speaker 3: We had the so called horny housewife on our show 474 00:21:13,600 --> 00:21:16,000 Speaker 3: at the start of the week, Melissa from Married at 475 00:21:16,040 --> 00:21:19,000 Speaker 3: First Sight First, and she gave us some really insight 476 00:21:19,080 --> 00:21:22,160 Speaker 3: into how she got her nickname Freak in the Sheets. 477 00:21:23,320 --> 00:21:25,840 Speaker 11: I like to see myself actually as a little freak. 478 00:21:25,560 --> 00:21:26,200 Speaker 5: In the sheets. 479 00:21:26,400 --> 00:21:28,280 Speaker 1: Was that you that came up with that or did 480 00:21:28,320 --> 00:21:29,439 Speaker 1: someone feed that to you? 481 00:21:29,560 --> 00:21:29,639 Speaker 5: No? 482 00:21:29,720 --> 00:21:32,359 Speaker 11: Yeah, So I was asked a question. We did a 483 00:21:32,359 --> 00:21:34,800 Speaker 11: two hour interview at my house. It was amazing about 484 00:21:34,840 --> 00:21:37,320 Speaker 11: life and love and why I'm on the experiment for 485 00:21:37,560 --> 00:21:39,080 Speaker 11: and then at the very end it was like, so, 486 00:21:39,200 --> 00:21:40,919 Speaker 11: how do you see yourself at eu Vanilla or a 487 00:21:40,920 --> 00:21:43,320 Speaker 11: freaking of sheets. So instantly I was like. 488 00:21:43,280 --> 00:21:44,920 Speaker 1: I'm a freaking sheet save nil. 489 00:21:45,000 --> 00:21:45,480 Speaker 2: Wow. 490 00:21:45,520 --> 00:21:48,439 Speaker 11: Well yeah, but then they did set me up with 491 00:21:48,480 --> 00:21:51,600 Speaker 11: someone very opposite, so it was we were just a 492 00:21:51,640 --> 00:21:53,600 Speaker 11: time bomb that was waiting. 493 00:21:53,320 --> 00:21:56,400 Speaker 1: To go off. Some big intel from Melissa there. 494 00:21:56,520 --> 00:21:58,600 Speaker 2: So the point of that too is that not only 495 00:21:58,840 --> 00:22:01,000 Speaker 2: was she painted in a way that's been dangerous to 496 00:22:01,040 --> 00:22:03,040 Speaker 2: her life now that she's out of the serious people 497 00:22:03,040 --> 00:22:05,240 Speaker 2: who you know, she said, she feels like a sex pest, 498 00:22:05,400 --> 00:22:07,960 Speaker 2: like that's how she's regarded. People come to her place 499 00:22:07,960 --> 00:22:10,199 Speaker 2: of work looking for her things like that. But she 500 00:22:10,240 --> 00:22:12,440 Speaker 2: also said that so much for them trying to find 501 00:22:12,640 --> 00:22:15,840 Speaker 2: love with these partnerships. She was going to be painted 502 00:22:15,880 --> 00:22:19,000 Speaker 2: as the and probably told to play the role of 503 00:22:19,280 --> 00:22:21,560 Speaker 2: someone who was sexually up for it or someone who 504 00:22:21,640 --> 00:22:23,760 Speaker 2: was free to talk about her sex life, and they 505 00:22:23,800 --> 00:22:25,280 Speaker 2: put it with someone who would have a lot of 506 00:22:25,320 --> 00:22:25,840 Speaker 2: issues with that. 507 00:22:26,000 --> 00:22:28,040 Speaker 1: Rea said, Christians set you. 508 00:22:28,080 --> 00:22:31,840 Speaker 2: Up not just to fail, but to make conflicting television. 509 00:22:31,880 --> 00:22:33,200 Speaker 1: I like that question you asked her. 510 00:22:33,480 --> 00:22:35,320 Speaker 2: Do you feel, Melissa, if there was a button in 511 00:22:35,320 --> 00:22:37,199 Speaker 2: front of you that says yes or no, would you 512 00:22:37,240 --> 00:22:38,480 Speaker 2: have chosen to go on this show? 513 00:22:38,520 --> 00:22:40,960 Speaker 11: What button would you press? No, Okay, Actually, Amanda, that's 514 00:22:40,960 --> 00:22:44,160 Speaker 11: a good question. Sometimes I say yes, but then sometimes 515 00:22:44,160 --> 00:22:47,080 Speaker 11: what I've seen last night, now I say no, because 516 00:22:47,720 --> 00:22:51,240 Speaker 11: they only show parts of what they want the public 517 00:22:51,280 --> 00:22:54,240 Speaker 11: to see. So now that you're portrayed as like a 518 00:22:54,280 --> 00:22:57,520 Speaker 11: sex pest or like, you just have to be look 519 00:22:57,760 --> 00:23:00,160 Speaker 11: anyone going on reality TV, you just have to be 520 00:23:00,560 --> 00:23:03,560 Speaker 11: sure and comfortable in yourself. I'm really strong because however 521 00:23:03,600 --> 00:23:05,720 Speaker 11: they're going to make it seem or only what they're 522 00:23:05,720 --> 00:23:08,240 Speaker 11: going to show is what you're portrayed to be. 523 00:23:08,760 --> 00:23:11,000 Speaker 1: That's it. I remember I was blown away when I 524 00:23:11,000 --> 00:23:11,560 Speaker 1: found out. 525 00:23:11,400 --> 00:23:14,400 Speaker 3: On Happy Days when they're eating the Sunday in an 526 00:23:14,400 --> 00:23:16,840 Speaker 3: Owl's diner there, it wasn't ice cream. 527 00:23:16,960 --> 00:23:19,640 Speaker 1: It was mashed potato with chocolate sauce. It wouldn't melt, 528 00:23:19,680 --> 00:23:20,400 Speaker 1: so it wouldn't melt. 529 00:23:20,440 --> 00:23:21,119 Speaker 2: You'd delete that. 530 00:23:22,920 --> 00:23:27,320 Speaker 3: The fauns as well, the condition was made of mashed potato? 531 00:23:27,920 --> 00:23:29,520 Speaker 2: Was he melt? 532 00:23:29,800 --> 00:23:32,960 Speaker 1: When he was around mississ c always trying to get in. 533 00:23:32,920 --> 00:23:45,680 Speaker 5: There and Amanda's. 534 00:23:43,760 --> 00:23:47,000 Speaker 3: Time to play Instagram Melissa yesterday she got a thousand dollars, 535 00:23:47,040 --> 00:23:49,520 Speaker 3: could have doubled the money, but chose to be safe, 536 00:23:50,080 --> 00:23:51,600 Speaker 3: stuck with a thousand bucks. 537 00:23:51,760 --> 00:23:54,240 Speaker 2: Well, I'm excited it happened. It's gone off. We want 538 00:23:54,240 --> 00:23:56,200 Speaker 2: to give money away. Let's hopefully we can do it again. 539 00:23:56,359 --> 00:24:00,000 Speaker 3: We had to rejig this competition a little bit. Ten questions, 540 00:24:00,080 --> 00:24:03,040 Speaker 3: sixty seconds on the clock. We put in the mum option. 541 00:24:02,920 --> 00:24:05,680 Speaker 2: Which is you can say pass, and you say pass 542 00:24:05,720 --> 00:24:07,640 Speaker 2: as often as you like, and if we've got time, 543 00:24:07,640 --> 00:24:09,639 Speaker 2: we come back and go to those questions again. And 544 00:24:09,720 --> 00:24:11,640 Speaker 2: because if you're wrong, you're buzzed out, and that's it. 545 00:24:12,160 --> 00:24:13,840 Speaker 3: If you get all the questions right, you win one 546 00:24:13,840 --> 00:24:16,600 Speaker 3: thousand dollars. But wait, there's more. If you get all 547 00:24:16,600 --> 00:24:19,439 Speaker 3: ten questions correct, you can double your one thousand dollars 548 00:24:19,520 --> 00:24:23,160 Speaker 3: with just one more question. Melissa's question yesterday was what 549 00:24:23,320 --> 00:24:24,120 Speaker 3: was babies play? 550 00:24:24,320 --> 00:24:26,200 Speaker 2: She knew it was a flower, but having said that, 551 00:24:26,359 --> 00:24:28,760 Speaker 2: she had already taken on thousand and run. Because if 552 00:24:28,760 --> 00:24:30,840 Speaker 2: you choose to double your money and you get it wrong, 553 00:24:30,920 --> 00:24:32,199 Speaker 2: you're out. There's nothing, but we. 554 00:24:32,240 --> 00:24:33,719 Speaker 1: Got a long way to go before we get there. 555 00:24:33,840 --> 00:24:35,440 Speaker 1: Jerry is in Penrith. 556 00:24:35,520 --> 00:24:39,119 Speaker 2: Hi, Jerry morning, good morning. How are you feeling. 557 00:24:40,440 --> 00:24:42,440 Speaker 6: I'm feeling good, like I'm about to be two thousand 558 00:24:42,480 --> 00:24:42,919 Speaker 6: dollars rich. 559 00:24:44,000 --> 00:24:48,000 Speaker 2: We like, let's do it okay, sixty seconds. Ten questions, 560 00:24:48,119 --> 00:24:50,080 Speaker 2: maybe eleven if we get there. Let's see how we go. 561 00:24:50,200 --> 00:24:54,800 Speaker 2: Question one? In which suburb can you find? Manly? Beach? Manly? 562 00:24:54,960 --> 00:24:57,600 Speaker 2: Question two? But a chicken is what kind of cuisine 563 00:24:58,600 --> 00:25:01,440 Speaker 2: in him? Question three? These is a breed of what animal? 564 00:25:03,480 --> 00:25:07,680 Speaker 2: Question four? What sport is Buddy Franklin Famous for All? 565 00:25:08,040 --> 00:25:12,520 Speaker 2: Question five? Lava comes out of what? Question six? Mister 566 00:25:12,560 --> 00:25:15,920 Speaker 2: potato Head is a character in which Disney animation story? 567 00:25:16,080 --> 00:25:18,439 Speaker 2: Question seven? What's the big parade happening this Saturday on 568 00:25:18,480 --> 00:25:22,480 Speaker 2: Oxford Street Mardi Gras? Question eight, Pino Noir is a 569 00:25:22,520 --> 00:25:26,600 Speaker 2: variety of what? Question nine? Who plays the main character 570 00:25:26,600 --> 00:25:31,359 Speaker 2: in the British sitcom Faulty Towers? A question ten? How 571 00:25:31,400 --> 00:25:33,040 Speaker 2: many times has Donald Trump been married? 572 00:25:35,840 --> 00:25:37,959 Speaker 1: Oh? 573 00:25:38,000 --> 00:25:45,960 Speaker 2: Twy, it's three times three? Oh? Porps Jerry, Jerry, And 574 00:25:46,040 --> 00:25:49,639 Speaker 2: it was John Cleese who played Basil Faulty and Faulty Towers. 575 00:25:49,640 --> 00:25:52,360 Speaker 2: Oh Jerry, Oh you had such a good run. I'm 576 00:25:52,400 --> 00:25:52,880 Speaker 2: so sorry. 577 00:25:52,920 --> 00:25:54,480 Speaker 3: Are you going to make it yet? Plenty of time 578 00:25:54,560 --> 00:25:56,560 Speaker 3: left there as well, Jerry? Oh? 579 00:25:56,680 --> 00:25:58,880 Speaker 6: Plus, oh, man, I could only know if I passed. 580 00:25:58,920 --> 00:26:00,240 Speaker 6: I went back to the same question. 581 00:26:00,160 --> 00:26:03,000 Speaker 2: That wasn't look we give you a hundred bucks to 582 00:26:03,000 --> 00:26:07,800 Speaker 2: pay your groceries this week. Jerry here, Oh Jerry, thank you. 583 00:26:07,880 --> 00:26:11,720 Speaker 2: Well that's how goes will play again tomorrow Instagram. So 584 00:26:11,920 --> 00:26:15,440 Speaker 2: Richard Beltzer a comedian, an edgy comedian, but he's also 585 00:26:15,560 --> 00:26:17,120 Speaker 2: known as an actor. He was in Laura and Order. 586 00:26:17,160 --> 00:26:21,040 Speaker 2: He played John Munch or Munch Munch. He died at 587 00:26:21,080 --> 00:26:22,840 Speaker 2: the age of seventy eight. I didn't watch Laura in Order, 588 00:26:22,920 --> 00:26:24,719 Speaker 2: so I know his face, but I haven't seen him. 589 00:26:24,760 --> 00:26:27,400 Speaker 1: I like Laura Order always gets a little bit too grizzly, though. 590 00:26:27,760 --> 00:26:29,679 Speaker 2: Well, it's about murders and these. 591 00:26:31,600 --> 00:26:31,960 Speaker 1: He was in. 592 00:26:32,080 --> 00:26:34,359 Speaker 2: He's had a variety of cameos in shows such as 593 00:26:34,560 --> 00:26:38,800 Speaker 2: X Files, Arrested Development, he was in The wire YEP. 594 00:26:39,359 --> 00:26:42,679 Speaker 2: So he's passed away, and his longtime close friend and 595 00:26:42,760 --> 00:26:45,560 Speaker 2: writer has said that he had a lot of health issues. 596 00:26:45,560 --> 00:26:49,960 Speaker 2: His last words were beep you mother, Beeper. I don't 597 00:26:49,960 --> 00:26:52,040 Speaker 2: know whether that's true. He and his comedic friend may 598 00:26:52,040 --> 00:26:54,239 Speaker 2: have had a vow that whoever dies say that they 599 00:26:54,280 --> 00:26:56,439 Speaker 2: were your last words. But we're often told that the 600 00:26:56,520 --> 00:26:59,639 Speaker 2: last words are beautiful and heroic. I mean, we spoke 601 00:26:59,640 --> 00:27:03,400 Speaker 2: about Chloe Latanzy this week. She said in an interview 602 00:27:03,720 --> 00:27:05,240 Speaker 2: her last words with Olivia. 603 00:27:05,880 --> 00:27:08,880 Speaker 8: Last word she could say to me was my sunshine. 604 00:27:08,320 --> 00:27:12,840 Speaker 8: And right before she lost her ability to speak, she 605 00:27:12,920 --> 00:27:17,399 Speaker 8: was making jokes. I'm very grateful for all of the 606 00:27:17,480 --> 00:27:21,440 Speaker 8: people who reached out to us and extended their heart. 607 00:27:22,000 --> 00:27:24,520 Speaker 2: So she said, my sunshine were the last words she 608 00:27:24,520 --> 00:27:27,000 Speaker 2: heard her mother say. And when we watch movies. 609 00:27:26,720 --> 00:27:31,520 Speaker 3: And people, no, but that's you never know that, queen. 610 00:27:32,000 --> 00:27:36,240 Speaker 2: When we talk about last words, we imagine that they 611 00:27:36,280 --> 00:27:39,040 Speaker 2: are going to be things like I love you, I'm 612 00:27:39,080 --> 00:27:43,080 Speaker 2: heading towards the light. But maybe they're things like can 613 00:27:43,119 --> 00:27:46,960 Speaker 2: you smell hot chips? Or I've left my shoes outside. 614 00:27:47,480 --> 00:27:50,080 Speaker 2: We don't talk about the everyday last words. We only 615 00:27:50,119 --> 00:27:53,679 Speaker 2: talk about the heroic ones. So the tribal drum is 616 00:27:53,720 --> 00:27:59,960 Speaker 2: beating for famous last words's last book in your family. 617 00:28:00,200 --> 00:28:02,800 Speaker 2: They may not have been big, famous ones might not 618 00:28:02,880 --> 00:28:03,600 Speaker 2: have been noble. 619 00:28:05,400 --> 00:28:07,320 Speaker 1: I said to my dad, I'll see it tomor right here, 620 00:28:07,480 --> 00:28:08,080 Speaker 1: right a mate? 621 00:28:08,640 --> 00:28:14,400 Speaker 2: Yeah, that's probably how that goes. Yeah, all right, famous 622 00:28:14,560 --> 00:28:16,960 Speaker 2: last words, the real ones. Yeah, what have you got 623 00:28:17,000 --> 00:28:17,320 Speaker 2: for us? 624 00:28:17,400 --> 00:28:20,000 Speaker 3: Thirteen WSFM? If you're out of the match, what about this? 625 00:28:20,119 --> 00:28:23,280 Speaker 3: A double pass to Pink, the one and only Pink 626 00:28:23,600 --> 00:28:26,520 Speaker 3: is bringing her some accountable tour to Ali on Stadium 627 00:28:26,680 --> 00:28:28,959 Speaker 3: February nine and ten, twenty twenty four. You can get 628 00:28:29,000 --> 00:28:33,080 Speaker 3: tickets at livenation dot com dot au or you come 629 00:28:33,080 --> 00:28:33,440 Speaker 3: to us. 630 00:28:33,520 --> 00:28:34,240 Speaker 2: We'll do it for you. 631 00:28:36,920 --> 00:28:40,680 Speaker 3: Podcast Famous last words the Tribal Drummer's beating for this. 632 00:28:41,960 --> 00:28:45,400 Speaker 2: TAMAS last book. The actor Richard Belzer, he has just 633 00:28:45,440 --> 00:28:47,880 Speaker 2: passed away. His friend said his last words were beep, 634 00:28:47,920 --> 00:28:52,080 Speaker 2: you mother, beeper. When my mum was towards the end, 635 00:28:52,120 --> 00:28:54,600 Speaker 2: she said, pay no attention if I say silly things, 636 00:28:55,080 --> 00:28:57,120 Speaker 2: because sometimes you're not in your own head. Towards what 637 00:28:57,200 --> 00:28:57,520 Speaker 2: if she. 638 00:28:57,480 --> 00:28:59,479 Speaker 1: Said, I'm going to give all my money to you 639 00:28:59,520 --> 00:29:02,520 Speaker 1: and not so I'll pay no attention. 640 00:29:03,280 --> 00:29:06,360 Speaker 2: Just sign here. We hear about the big and dramatic 641 00:29:06,400 --> 00:29:09,520 Speaker 2: final words, but in real life, what are the final words? 642 00:29:09,560 --> 00:29:10,560 Speaker 1: Wendy's joined us. 643 00:29:10,560 --> 00:29:15,120 Speaker 2: Hello, Wendy, Hello, good morning, good morning. What were your 644 00:29:15,160 --> 00:29:16,440 Speaker 2: mum's last words, Wendy. 645 00:29:17,520 --> 00:29:21,920 Speaker 12: Mom was very ill in the hospital and three days 646 00:29:21,960 --> 00:29:25,600 Speaker 12: before she died and before she could like speak. She 647 00:29:25,720 --> 00:29:28,960 Speaker 12: was always a very itchy person, and I loved having 648 00:29:29,000 --> 00:29:31,360 Speaker 12: a backscratch or a head scratch, and I often used 649 00:29:31,360 --> 00:29:32,800 Speaker 12: to do that for her, especially. 650 00:29:32,480 --> 00:29:33,280 Speaker 6: When she was ill. 651 00:29:33,760 --> 00:29:36,720 Speaker 12: And I realized later on the last words she ever said. 652 00:29:36,480 --> 00:29:38,080 Speaker 13: To me was scratch. 653 00:29:42,680 --> 00:29:44,040 Speaker 14: It was just like it was. 654 00:29:44,120 --> 00:29:46,040 Speaker 6: It wasn't until after she passed. 655 00:29:45,720 --> 00:29:47,600 Speaker 12: Away and I went, oh my god, that was the 656 00:29:47,680 --> 00:29:48,720 Speaker 12: last thing she said to me. 657 00:29:49,880 --> 00:29:50,440 Speaker 1: And that was it. 658 00:29:50,720 --> 00:29:54,040 Speaker 2: But what a showcase of your relationship. Scratch. 659 00:29:54,960 --> 00:29:58,160 Speaker 1: But she wasn't wasn't specific on what area to scratch. 660 00:29:58,240 --> 00:30:03,560 Speaker 2: Scratch, Just scratch scratch, right exactly. See, they don't make 661 00:30:03,600 --> 00:30:06,400 Speaker 2: films about people that just end their lives with saying scratch, 662 00:30:06,680 --> 00:30:09,160 Speaker 2: and they should because this is real life. That's real life, 663 00:30:09,160 --> 00:30:11,280 Speaker 2: all right, give us a call, famous last word. 664 00:30:11,400 --> 00:30:15,400 Speaker 15: Jonesy and Amanda Germ podcast. 665 00:30:17,880 --> 00:30:20,440 Speaker 5: You were the same, close as yesterday, same as yesterday, 666 00:30:20,600 --> 00:30:21,280 Speaker 5: same as. 667 00:30:21,120 --> 00:30:21,840 Speaker 9: The day before. 668 00:30:22,280 --> 00:30:24,360 Speaker 1: You would have seen Richard belts Aer around the place. 669 00:30:24,440 --> 00:30:28,440 Speaker 3: He famously was Laura and Order's detective John Munch, but 670 00:30:28,440 --> 00:30:30,680 Speaker 3: you would have seen him on arrested Development in the wire. 671 00:30:30,760 --> 00:30:31,800 Speaker 3: Is a stand up comedian. 672 00:30:31,840 --> 00:30:33,360 Speaker 2: You'd know his face, that's for sure. And it's just 673 00:30:33,400 --> 00:30:36,240 Speaker 2: passed away at the age of seventy eight. His close time, 674 00:30:36,280 --> 00:30:39,040 Speaker 2: his long time and close friend Bill Scheft, have said 675 00:30:39,400 --> 00:30:43,360 Speaker 2: that his final words were f you mother, Effer and 676 00:30:43,400 --> 00:30:45,320 Speaker 2: I think that's probably more on the ball than those 677 00:30:45,840 --> 00:30:48,560 Speaker 2: final words that we see in popular culture, in movies 678 00:30:48,600 --> 00:30:51,440 Speaker 2: and in books, which are always dramatic, succinct and insightful. 679 00:30:51,560 --> 00:30:52,760 Speaker 2: I don't think that's how life is. 680 00:30:52,800 --> 00:30:54,520 Speaker 1: I would have thought his last words might have been this. 681 00:30:56,720 --> 00:30:58,680 Speaker 2: I don't hate to think how he'd make that noise. 682 00:30:59,360 --> 00:31:02,680 Speaker 2: It's quite the quite annoyse. So the tribal drum is 683 00:31:02,720 --> 00:31:09,360 Speaker 2: beating four famous last words more like every day. Last week, 684 00:31:09,920 --> 00:31:15,760 Speaker 2: Dino has joined us. Good, well, whose last words are 685 00:31:15,760 --> 00:31:16,480 Speaker 2: we speaking of. 686 00:31:17,520 --> 00:31:20,120 Speaker 4: My father's who's just recently passed away last week? 687 00:31:21,360 --> 00:31:23,720 Speaker 2: I'm sorry, that's. 688 00:31:23,520 --> 00:31:27,640 Speaker 4: All good, thank you. They are in a nursing home. 689 00:31:27,680 --> 00:31:31,960 Speaker 4: He he has been into eight years. Yeah, passed away 690 00:31:32,040 --> 00:31:36,920 Speaker 4: last Well. Of his last words was he wanted some 691 00:31:37,000 --> 00:31:37,960 Speaker 4: fairy floss. 692 00:31:39,080 --> 00:31:42,160 Speaker 1: He liked fairy FLA No, not. 693 00:31:42,160 --> 00:31:44,840 Speaker 4: To my knowledge, He's never had fairy floss in his life. 694 00:31:45,040 --> 00:31:47,320 Speaker 4: He's never asked for fairy floss as far as I know. 695 00:31:48,120 --> 00:31:51,160 Speaker 4: But yeah, after talking to one of the other nurses 696 00:31:52,880 --> 00:31:55,920 Speaker 4: in the nursing home, her mother recently passed away as well, 697 00:31:55,960 --> 00:31:58,480 Speaker 4: and she mentioned something about fairy floss. 698 00:31:58,520 --> 00:31:59,880 Speaker 1: With fairy floss. 699 00:32:00,600 --> 00:32:04,960 Speaker 4: Yeah, So we've come to the conclusion that maybe something 700 00:32:05,000 --> 00:32:07,400 Speaker 4: to the sugars or it was eed to. They can 701 00:32:07,480 --> 00:32:10,840 Speaker 4: just put it in the mouth and it, yeah, resolves instantly. 702 00:32:12,120 --> 00:32:15,640 Speaker 2: Interesting, So it's not like they're reverting to a child 703 00:32:15,680 --> 00:32:18,160 Speaker 2: the idea of that, because fairy flus wouldn't have been 704 00:32:18,160 --> 00:32:20,520 Speaker 2: a thing for the older generation. 705 00:32:20,800 --> 00:32:23,120 Speaker 1: You would have had it rarely. The kids these days 706 00:32:23,120 --> 00:32:23,880 Speaker 1: they just live on it. 707 00:32:23,960 --> 00:32:26,720 Speaker 2: But yeah, maybe your body is craving sugar or something 708 00:32:26,760 --> 00:32:27,240 Speaker 2: at the end. 709 00:32:27,280 --> 00:32:28,680 Speaker 1: So just practically at the end. 710 00:32:28,800 --> 00:32:30,480 Speaker 2: And do you know our thoughts are with you, and 711 00:32:30,520 --> 00:32:31,719 Speaker 2: I hope you're feeling okay. 712 00:32:31,920 --> 00:32:32,720 Speaker 1: Thank you, thank you. 713 00:32:33,920 --> 00:32:34,480 Speaker 2: Thanks Dina. 714 00:32:34,920 --> 00:32:35,880 Speaker 1: Tricia has joined us. 715 00:32:35,920 --> 00:32:38,960 Speaker 2: WHI Trish, Hi, how are you going? Going very well? 716 00:32:39,120 --> 00:32:40,600 Speaker 2: What were the final words? 717 00:32:41,240 --> 00:32:44,080 Speaker 6: The final words are from my mum, Valerie. And she 718 00:32:44,200 --> 00:32:47,000 Speaker 6: was a kind of a she loved a good time. 719 00:32:47,320 --> 00:32:50,080 Speaker 6: She was at end of life. They had been battling 720 00:32:50,120 --> 00:32:53,960 Speaker 6: cancer and was in the pality care stage. And I 721 00:32:54,000 --> 00:32:56,000 Speaker 6: said to her, how's your pain going, mum? Do you 722 00:32:56,040 --> 00:32:58,760 Speaker 6: want a bit more and more shinge? And she just 723 00:32:58,840 --> 00:33:01,080 Speaker 6: looked at me, kicked her up in the air and said, 724 00:33:01,160 --> 00:33:03,840 Speaker 6: let's party hooked me up. 725 00:33:04,960 --> 00:33:07,880 Speaker 2: That's wonderful. That's a lovely last image for you. 726 00:33:07,920 --> 00:33:10,960 Speaker 6: To have ah it is it is she told me 727 00:33:11,040 --> 00:33:11,360 Speaker 6: how to. 728 00:33:11,320 --> 00:33:16,440 Speaker 2: Party, to say wonderful, well, thank you, let's go down 729 00:33:16,520 --> 00:33:19,240 Speaker 2: to Jonesy demand of arms, to the pub test and 730 00:33:19,360 --> 00:33:23,240 Speaker 2: today contrived reality TV, which is that past the pub test? 731 00:33:23,280 --> 00:33:25,400 Speaker 2: Particularly Married at First Sight. We touched on this earlier 732 00:33:25,440 --> 00:33:27,760 Speaker 2: in the show. There was a detail I Married at 733 00:33:27,800 --> 00:33:30,360 Speaker 2: first Sight last night that's made people going on a minute. 734 00:33:30,800 --> 00:33:33,000 Speaker 2: One of the bridess walked down the aisle by a 735 00:33:33,080 --> 00:33:36,120 Speaker 2: gentleman who had an earpiece in to been revealed that 736 00:33:36,160 --> 00:33:39,600 Speaker 2: this is a producer. So this producer has an earpiece 737 00:33:39,640 --> 00:33:44,120 Speaker 2: in as is directing traffic through the entire wedding ceremony. Apparently, 738 00:33:44,240 --> 00:33:48,120 Speaker 2: the weddings themselves are filmed multiple times a variety of 739 00:33:48,120 --> 00:33:51,400 Speaker 2: camera angles, so that first look where the groom turns 740 00:33:51,400 --> 00:33:53,080 Speaker 2: around to see the bride may not be the first look. 741 00:33:53,120 --> 00:33:57,160 Speaker 2: After all, we're hearing from Michael Brunelli, who with Martha 742 00:33:57,800 --> 00:34:00,000 Speaker 2: got engaged in is one of the longest staying relationship 743 00:34:00,080 --> 00:34:02,760 Speaker 2: ships of this history of this show. He said, if 744 00:34:02,800 --> 00:34:04,600 Speaker 2: you have a fight behind the scenes, you have to 745 00:34:04,960 --> 00:34:08,399 Speaker 2: pause and call a producer and then resume your fight. 746 00:34:08,560 --> 00:34:11,160 Speaker 3: Maybe I should do this at home if I'm having 747 00:34:11,239 --> 00:34:13,719 Speaker 3: a fight with Helen. I'll just say, hang on a minute, 748 00:34:13,800 --> 00:34:16,200 Speaker 3: let's just get the camera crews and I'll go and 749 00:34:16,239 --> 00:34:16,600 Speaker 3: get them. 750 00:34:16,640 --> 00:34:19,840 Speaker 2: They just walk away, never resolve the fight in any way. 751 00:34:20,480 --> 00:34:23,480 Speaker 2: They say that the dinner parties are manipulated because you 752 00:34:23,520 --> 00:34:25,800 Speaker 2: have to be there at lunchtime. You get ready at lunchtime, 753 00:34:25,840 --> 00:34:27,919 Speaker 2: you arrive at four, you leave at three in the after, 754 00:34:28,080 --> 00:34:32,040 Speaker 2: three in the morning, cranky. They seet you across from 755 00:34:32,040 --> 00:34:34,360 Speaker 2: people who you're having issues with, and they play with 756 00:34:34,400 --> 00:34:36,640 Speaker 2: alcohol and you're tired and you're over it. No wonder, 757 00:34:36,640 --> 00:34:40,399 Speaker 2: it's so explosive. So their lives are fully manipulated, as 758 00:34:40,440 --> 00:34:41,440 Speaker 2: are the storylines. 759 00:34:41,560 --> 00:34:41,799 Speaker 1: Yeah. 760 00:34:41,800 --> 00:34:44,239 Speaker 3: Well, we've talked to Melissa from Married to First Sight. 761 00:34:44,600 --> 00:34:47,279 Speaker 3: She's the so called freak in the sheets? But did 762 00:34:47,320 --> 00:34:48,800 Speaker 3: she come up with that name herself? 763 00:34:48,920 --> 00:34:51,400 Speaker 8: I like to see myself actually as a little freak. 764 00:34:51,120 --> 00:34:53,360 Speaker 1: In the sheets. Was that you that came up with 765 00:34:53,400 --> 00:34:55,080 Speaker 1: that or did someone feed that to you? 766 00:34:55,120 --> 00:34:55,200 Speaker 5: No? 767 00:34:55,280 --> 00:34:57,920 Speaker 11: Yeah, so I was asked a question. We did a 768 00:34:57,920 --> 00:35:00,359 Speaker 11: two hour interview at my house. It was amazing about 769 00:35:00,400 --> 00:35:02,880 Speaker 11: life and love and why I'm on the experiment for 770 00:35:03,120 --> 00:35:04,640 Speaker 11: and then at the very end it was like, so, 771 00:35:04,760 --> 00:35:07,320 Speaker 11: how do you see yourself, Evanilla or a freaking of sheets. 772 00:35:07,600 --> 00:35:11,960 Speaker 11: So instantly I was like, I'm a freaking wow. Well yeah, 773 00:35:12,000 --> 00:35:15,320 Speaker 11: but then they did set me up with someone very opposite, 774 00:35:15,440 --> 00:35:18,319 Speaker 11: so it was we were just a time bomb that 775 00:35:18,440 --> 00:35:19,319 Speaker 11: was waiting to go off. 776 00:35:19,719 --> 00:35:20,480 Speaker 2: What a surprise. 777 00:35:20,719 --> 00:35:21,160 Speaker 1: A surprise. 778 00:35:21,200 --> 00:35:23,560 Speaker 3: But I find this show when I watch it, it's 779 00:35:23,560 --> 00:35:26,040 Speaker 3: like watching Home and Away. I don't think you can 780 00:35:26,120 --> 00:35:29,319 Speaker 3: really be mad at these characters. It's like being mad 781 00:35:29,360 --> 00:35:30,840 Speaker 3: at the characters on Home and Away. 782 00:35:30,960 --> 00:35:33,440 Speaker 2: But we've sold that this is reality and these are 783 00:35:33,560 --> 00:35:37,080 Speaker 2: real people and real emotions and real feelings being manipulated. 784 00:35:37,520 --> 00:35:39,480 Speaker 2: Maybe it doesn't matter to you. That's what I'm interested 785 00:35:39,520 --> 00:35:44,239 Speaker 2: in finding out today. So contrived reality TV? Does this 786 00:35:44,280 --> 00:35:45,600 Speaker 2: pass the pub test? 787 00:35:45,640 --> 00:35:45,879 Speaker 7: TV? 788 00:35:46,040 --> 00:35:50,480 Speaker 3: Without the reality does it pass the pub Test? 789 00:35:50,880 --> 00:35:54,879 Speaker 2: Podcast? We've been experiencing some sweltering weather over the last 790 00:35:54,880 --> 00:35:57,799 Speaker 2: few days. With La Nina coming to an end. They 791 00:35:57,840 --> 00:36:00,560 Speaker 2: say experts are now saying we could be facing the 792 00:36:00,680 --> 00:36:04,799 Speaker 2: opposite later in the year when El Nino returns El 793 00:36:04,880 --> 00:36:08,560 Speaker 2: Nina remember old, good old El Nino to tell us 794 00:36:08,600 --> 00:36:10,880 Speaker 2: more about El Nino and what the weather could be 795 00:36:11,080 --> 00:36:13,719 Speaker 2: like later in the year. Meteorologists and seven News weather 796 00:36:13,760 --> 00:36:18,520 Speaker 2: presenter Tony Orden Tony, Hello. 797 00:36:16,920 --> 00:36:18,839 Speaker 16: Good morning Jones in the manner. I'm impressed with your 798 00:36:18,840 --> 00:36:20,880 Speaker 16: pronunciation of La Nina and El Nino. 799 00:36:20,920 --> 00:36:21,480 Speaker 4: You're doing well. 800 00:36:22,040 --> 00:36:23,800 Speaker 2: I like two Mexican puppets. 801 00:36:23,880 --> 00:36:25,279 Speaker 1: She knows the stuff. 802 00:36:25,480 --> 00:36:28,280 Speaker 3: Our first things first, Tony, have we officially said goodbye 803 00:36:28,440 --> 00:36:29,640 Speaker 3: to La Nina? 804 00:36:30,960 --> 00:36:33,760 Speaker 16: No, we haven't. We are still technically in La Nina. 805 00:36:33,840 --> 00:36:35,960 Speaker 16: It doesn't feel like it. Generally it's been hotter and 806 00:36:36,040 --> 00:36:38,920 Speaker 16: dryer for much of Eastern Australia, but still technically we 807 00:36:38,960 --> 00:36:42,600 Speaker 16: are there. The ocean temperatures of technically just pushed out, 808 00:36:42,600 --> 00:36:46,279 Speaker 16: but the atmosphere is still doing its thing. But as 809 00:36:46,280 --> 00:36:48,160 Speaker 16: I mentioned, off the back of that really really wet 810 00:36:48,239 --> 00:36:50,520 Speaker 16: year last year and wet winter with all that flooding, 811 00:36:50,840 --> 00:36:53,560 Speaker 16: what we're seeing is it's a weaker signal. What we're 812 00:36:53,560 --> 00:36:54,680 Speaker 16: getting is a couple. 813 00:36:54,400 --> 00:36:56,160 Speaker 14: Of storms and rate events here and there, but it's 814 00:36:56,160 --> 00:36:57,960 Speaker 14: all up in the tropics at the moment, apart from 815 00:36:57,960 --> 00:36:59,960 Speaker 14: those storms last night across Sydney as well. 816 00:37:00,280 --> 00:37:03,360 Speaker 2: And so as we start to phase out, then from 817 00:37:03,560 --> 00:37:07,200 Speaker 2: La Nina, our good old friend El Nino returns and 818 00:37:07,200 --> 00:37:08,240 Speaker 2: what does that mean. 819 00:37:08,120 --> 00:37:11,799 Speaker 14: For us, Well, that's right, most likely we will be 820 00:37:11,840 --> 00:37:14,600 Speaker 14: heading into El Nino. Having said that, the Bureau does 821 00:37:14,640 --> 00:37:16,920 Speaker 14: put a little disclaimer on the forecast at this time 822 00:37:16,960 --> 00:37:19,000 Speaker 14: of year that they're not quite as good. But I 823 00:37:19,000 --> 00:37:20,960 Speaker 14: think it's most likely where we're going to go into 824 00:37:21,000 --> 00:37:24,000 Speaker 14: a dry pattern of most probably Al Nino into next summer, 825 00:37:24,360 --> 00:37:28,000 Speaker 14: so that means obviously drier and hotter generally. I think 826 00:37:28,000 --> 00:37:30,360 Speaker 14: we've had minimal thirty degree days in Sydney in the 827 00:37:30,440 --> 00:37:33,120 Speaker 14: past few months. It's been obviously a very wet and 828 00:37:33,360 --> 00:37:36,400 Speaker 14: cool year relatively. The issue that we'll have if it 829 00:37:36,520 --> 00:37:38,560 Speaker 14: dries out is we've got a lot of vegetation right 830 00:37:38,560 --> 00:37:42,040 Speaker 14: across eastern Australia, So those three fairly wet years and 831 00:37:42,080 --> 00:37:44,920 Speaker 14: all the flooding, if that vegetation dries out and we 832 00:37:44,960 --> 00:37:47,279 Speaker 14: could be in for another big fire season as well. 833 00:37:47,360 --> 00:37:49,319 Speaker 14: So it's something to be wary of as we move forward. 834 00:37:49,480 --> 00:37:52,520 Speaker 3: So if we're having a barbecue gathering at your place, Tony, 835 00:37:52,800 --> 00:37:56,759 Speaker 3: and we're inviting Lan Nina and El Nino around, who 836 00:37:56,840 --> 00:37:59,400 Speaker 3: would you be happy to have around at your place? 837 00:37:59,440 --> 00:38:00,440 Speaker 2: Which would you? 838 00:38:00,440 --> 00:38:02,560 Speaker 3: We're out of the two brothers, you'd sit there and 839 00:38:02,640 --> 00:38:05,000 Speaker 3: go well, all sisters, sisters. 840 00:38:05,000 --> 00:38:05,560 Speaker 16: The it's actually a. 841 00:38:05,520 --> 00:38:07,840 Speaker 14: Brother and sister it's the blackld and girl child, so 842 00:38:07,840 --> 00:38:11,000 Speaker 14: it's one of each. Okay, what they literally means very 843 00:38:11,040 --> 00:38:11,720 Speaker 14: modern ya. 844 00:38:11,840 --> 00:38:14,839 Speaker 16: I'm a yeah. I'm a surfer myself. We generally get 845 00:38:14,840 --> 00:38:17,040 Speaker 16: more swell in Lunyinya's and I like the little bit 846 00:38:17,080 --> 00:38:19,439 Speaker 16: of extra rain to keep my lawn green. But having 847 00:38:19,480 --> 00:38:21,960 Speaker 16: said that, it's always a trade off of flood v 848 00:38:22,120 --> 00:38:24,759 Speaker 16: fire generally, and I think there's a few people out 849 00:38:24,760 --> 00:38:26,000 Speaker 16: there that might not be the same. 850 00:38:26,239 --> 00:38:28,200 Speaker 2: And it's interesting, as we say, y're sitting on the 851 00:38:29,520 --> 00:38:30,239 Speaker 2: won't it be nice? 852 00:38:30,480 --> 00:38:32,560 Speaker 14: I'm very much in the luny in ny case. I 853 00:38:32,600 --> 00:38:35,200 Speaker 14: appreciate there's a few people that have been flooded that 854 00:38:35,280 --> 00:38:36,440 Speaker 14: might not want the same again. 855 00:38:36,719 --> 00:38:39,279 Speaker 2: But also saying that you want some drier conditions, that 856 00:38:39,320 --> 00:38:42,680 Speaker 2: could mean disaster. I mean, this is hotter and drier. 857 00:38:43,000 --> 00:38:45,719 Speaker 2: The world is getting hotter and hotter the greenhouse gases, 858 00:38:45,960 --> 00:38:48,600 Speaker 2: So this isn't just a pleasant resetting of summer, is 859 00:38:48,640 --> 00:38:49,360 Speaker 2: it necessarily? 860 00:38:50,760 --> 00:38:50,960 Speaker 3: No? 861 00:38:51,000 --> 00:38:53,360 Speaker 16: Well, what we're seeing with that background changing of the 862 00:38:53,360 --> 00:38:55,480 Speaker 16: climate were warmed up almost one and a half degrees 863 00:38:55,520 --> 00:38:58,400 Speaker 16: in the past century or so, is that we're spending 864 00:38:58,480 --> 00:39:00,800 Speaker 16: less time in that sweet spot of new neutral conditions 865 00:39:00,800 --> 00:39:04,319 Speaker 16: and more time and severe end of the range at 866 00:39:04,320 --> 00:39:07,080 Speaker 16: the moment, so we can very quickly duck from flood 867 00:39:07,160 --> 00:39:10,320 Speaker 16: into drought. And we're seeing ground level moisture really dropping 868 00:39:10,400 --> 00:39:13,560 Speaker 16: very rapidly over Eastern Australia after the last few months, 869 00:39:13,880 --> 00:39:15,960 Speaker 16: so that means, as I said, there's that risk of 870 00:39:16,040 --> 00:39:19,040 Speaker 16: fire dangers, but we'll have to deal with that in 871 00:39:19,160 --> 00:39:20,399 Speaker 16: coming months and see how it goes. 872 00:39:21,440 --> 00:39:24,480 Speaker 1: May to me seems to be the perfect month made. 873 00:39:24,600 --> 00:39:28,080 Speaker 2: Around Eastern Well, let's hope that the people, the grown 874 00:39:28,200 --> 00:39:30,279 Speaker 2: ups are doing ground clearing and all that kind of 875 00:39:30,320 --> 00:39:32,880 Speaker 2: stuff so we're not taken by surprise when summer arrives. 876 00:39:34,440 --> 00:39:37,160 Speaker 16: Absolutely, it's a bit of common sense everyone around your house, 877 00:39:37,200 --> 00:39:39,879 Speaker 16: if you can do what you can. Obviously, authorities only 878 00:39:39,880 --> 00:39:42,680 Speaker 16: have a limited window when they can actually burn, et cetera. 879 00:39:42,800 --> 00:39:45,520 Speaker 16: So sometimes we could be hampered in that preparation, but 880 00:39:46,040 --> 00:39:49,120 Speaker 16: I think everyone's expecting it. Hopefully everyone can get planning 881 00:39:49,160 --> 00:39:51,480 Speaker 16: early and it may not be that bad, but we'll 882 00:39:51,480 --> 00:39:52,160 Speaker 16: have to be prepared. 883 00:39:52,200 --> 00:39:56,120 Speaker 1: Amanda's been firing up a backyard incinerator. Yes, that's burning everything. 884 00:39:56,120 --> 00:39:58,160 Speaker 2: I do it in the street and now I've put 885 00:39:58,160 --> 00:40:00,239 Speaker 2: it in my back he says. 886 00:40:00,239 --> 00:40:04,640 Speaker 14: It's in the gatterer anymore, I find you can call 887 00:40:04,680 --> 00:40:06,399 Speaker 14: it a five hit and have a glass of wine 888 00:40:06,440 --> 00:40:07,160 Speaker 14: in the neighbors. 889 00:40:08,560 --> 00:40:10,280 Speaker 2: With smoke out the neighbors. 890 00:40:11,719 --> 00:40:13,759 Speaker 3: Thank you for helping us keep up to date on 891 00:40:13,800 --> 00:40:15,680 Speaker 3: the latest weather on seven news. But he went a 892 00:40:15,719 --> 00:40:16,840 Speaker 3: bird avery or something. 893 00:40:18,320 --> 00:40:20,399 Speaker 14: Oh yeah, there's all kinds of wildlife here at the moment, 894 00:40:20,480 --> 00:40:22,200 Speaker 14: just out and about in nature at the moment. 895 00:40:22,200 --> 00:40:23,560 Speaker 1: This is Tony. This is what you do. 896 00:40:23,600 --> 00:40:25,279 Speaker 2: This is how you live your life, being picked to 897 00:40:25,320 --> 00:40:28,680 Speaker 2: death in a you bring, attacked by birds, Tony. 898 00:40:29,480 --> 00:40:31,400 Speaker 16: I'm doing some fuel research to see what the weather's 899 00:40:31,400 --> 00:40:32,040 Speaker 16: doing outside. 900 00:40:32,400 --> 00:40:33,880 Speaker 2: Fair enough. Well, thank you, Tony. 901 00:40:33,920 --> 00:40:40,440 Speaker 1: Great to talk to you. God. I want you to 902 00:40:40,440 --> 00:40:43,080 Speaker 1: get on right now. I'm taking pleasing. 903 00:40:43,239 --> 00:40:46,320 Speaker 9: Now go on your windows, op shit your head on 904 00:40:46,480 --> 00:40:47,040 Speaker 9: a yell. 905 00:40:48,200 --> 00:40:50,040 Speaker 3: Hell. 906 00:40:51,160 --> 00:40:52,799 Speaker 1: Down to the j and a arms for the pub 907 00:40:52,880 --> 00:40:55,719 Speaker 1: test today. He contrived reality TV. 908 00:40:55,880 --> 00:40:57,839 Speaker 2: People seem to be thrown on an episode of Married 909 00:40:57,840 --> 00:41:01,000 Speaker 2: at First Sight last night, where someone walking with one 910 00:41:01,040 --> 00:41:02,719 Speaker 2: of the brides down the aisle had an earpiece. It's 911 00:41:02,760 --> 00:41:05,600 Speaker 2: been revealed he's a producer and he's directing traffic. Then 912 00:41:05,600 --> 00:41:08,680 Speaker 2: we hear that other scenes are contrived. The contestants are 913 00:41:08,719 --> 00:41:11,600 Speaker 2: told to say things. They have to fill certain roles 914 00:41:11,680 --> 00:41:14,480 Speaker 2: within the show. I mean, are we surprised that these 915 00:41:14,480 --> 00:41:15,799 Speaker 2: things are produced? 916 00:41:16,680 --> 00:41:18,440 Speaker 1: That's what it is, That's what the show is. 917 00:41:18,440 --> 00:41:19,960 Speaker 2: Is that what reality TV is. 918 00:41:20,520 --> 00:41:22,360 Speaker 1: It's not our reality. 919 00:41:23,040 --> 00:41:24,560 Speaker 2: It's true, it's not our reality. 920 00:41:24,600 --> 00:41:26,800 Speaker 1: So the tripal, it's reality TV reality. 921 00:41:27,360 --> 00:41:30,719 Speaker 2: The tribal drum was beating for contrived reality TV? Does 922 00:41:30,719 --> 00:41:32,840 Speaker 2: it past the pub test? 923 00:41:33,200 --> 00:41:35,040 Speaker 16: I've been contrived reality TV. 924 00:41:35,440 --> 00:41:38,160 Speaker 13: Real Reality TV has not been a thing for a 925 00:41:38,280 --> 00:41:39,080 Speaker 13: very long time. 926 00:41:39,200 --> 00:41:40,319 Speaker 7: And if you're watching. 927 00:41:40,080 --> 00:41:43,880 Speaker 13: These those thinking that's reality, you need a reality chest? 928 00:41:44,000 --> 00:41:48,000 Speaker 7: Hello math What would life be without maths? Yeah, she's 929 00:41:48,160 --> 00:41:49,919 Speaker 7: definitely passes the club chest. 930 00:41:50,239 --> 00:41:52,240 Speaker 16: I love the drama because it makes. 931 00:41:52,040 --> 00:41:53,280 Speaker 13: Me if you're very normal. 932 00:41:53,360 --> 00:41:57,040 Speaker 3: It's got one word for it, capital N, capital O, 933 00:41:57,680 --> 00:41:58,920 Speaker 3: exclamation mark. 934 00:41:59,360 --> 00:41:59,960 Speaker 16: End of story. 935 00:42:00,800 --> 00:42:01,359 Speaker 1: What do you say? 936 00:42:01,640 --> 00:42:02,160 Speaker 2: What are you saying? 937 00:42:02,440 --> 00:42:02,640 Speaker 17: Hello? 938 00:42:02,760 --> 00:42:03,000 Speaker 9: Bleak? 939 00:42:03,040 --> 00:42:03,560 Speaker 2: What do you say? 940 00:42:03,640 --> 00:42:04,680 Speaker 1: We made the good old days? 941 00:42:04,680 --> 00:42:08,440 Speaker 3: What about Sylvania Wards? Remember Sylvania Wards? Remember the birthday 942 00:42:08,480 --> 00:42:09,480 Speaker 3: party episode? 943 00:42:09,719 --> 00:42:11,000 Speaker 7: For God's sake, he can have. 944 00:42:11,040 --> 00:42:12,600 Speaker 1: A bloody birthday cosse he came. 945 00:42:12,640 --> 00:42:13,320 Speaker 2: But he's just saying it. 946 00:42:13,320 --> 00:42:15,080 Speaker 1: They're all going to bring friends in the gowdy buddy 947 00:42:15,080 --> 00:42:15,680 Speaker 1: a million people. 948 00:42:15,840 --> 00:42:16,480 Speaker 7: We haven't got the. 949 00:42:16,600 --> 00:42:18,480 Speaker 1: M of course, we haven't done the read. 950 00:42:18,520 --> 00:42:19,560 Speaker 2: He's not stupid. 951 00:42:20,080 --> 00:42:20,960 Speaker 1: You heard what are you saying? 952 00:42:23,160 --> 00:42:26,000 Speaker 2: God straight, Laurie. One of these days I'll pack me 953 00:42:26,080 --> 00:42:29,120 Speaker 2: bloody bags and I'm coming out of here. Truly, there's 954 00:42:29,160 --> 00:42:31,719 Speaker 2: more drama living in this house than living out of it. 955 00:42:33,080 --> 00:42:35,799 Speaker 2: That was our first reality show, remember Sylvania Waters and 956 00:42:35,840 --> 00:42:38,560 Speaker 2: Australia was outraged because it held a mirror up to 957 00:42:38,640 --> 00:42:39,560 Speaker 2: us and we didn't like it. 958 00:42:40,080 --> 00:42:45,279 Speaker 3: They were in the shier Lely Wow loved it, said 959 00:42:45,320 --> 00:42:47,160 Speaker 3: the podcast Richard Belzer. 960 00:42:47,560 --> 00:42:50,600 Speaker 1: He was from Laura and Order. He played Detective John Munch. 961 00:42:50,920 --> 00:42:53,480 Speaker 2: He's died at the age of seventy eight and his 962 00:42:54,800 --> 00:42:57,960 Speaker 2: the time longtime friend, close friend, has said that his 963 00:42:58,080 --> 00:43:01,080 Speaker 2: last words were beep you mother beeper. And that's not 964 00:43:01,120 --> 00:43:02,879 Speaker 2: how it normally goes, is it. I mean, we heard 965 00:43:03,000 --> 00:43:05,880 Speaker 2: Chloe Latanzy just this week talking about her last words 966 00:43:05,880 --> 00:43:06,720 Speaker 2: with her mamm Olivia. 967 00:43:07,280 --> 00:43:10,520 Speaker 8: Last word she could say to me was my sunshine, and. 968 00:43:10,400 --> 00:43:11,200 Speaker 2: That's what we imagine. 969 00:43:11,200 --> 00:43:13,320 Speaker 1: It always translates to be you mother beeper. 970 00:43:14,040 --> 00:43:16,279 Speaker 2: No, I mean, but when we see last words in 971 00:43:16,320 --> 00:43:19,000 Speaker 2: popular culture, they're always very dramatic, telling you where the 972 00:43:20,320 --> 00:43:23,680 Speaker 2: treasure is buried, or telling you I love you, or 973 00:43:23,680 --> 00:43:27,120 Speaker 2: saying something insightful as you journey to the other Was 974 00:43:27,120 --> 00:43:27,840 Speaker 2: that ned Kelly? 975 00:43:28,160 --> 00:43:31,080 Speaker 1: But apparently he didn't say it right. 976 00:43:31,120 --> 00:43:31,759 Speaker 2: It's all made up. 977 00:43:31,760 --> 00:43:33,160 Speaker 1: I can't believe someone said that. 978 00:43:33,960 --> 00:43:43,000 Speaker 2: The day mail buckethead says such as life, what ned well? 979 00:43:43,000 --> 00:43:45,200 Speaker 2: The tribal drama, Let's get real, let's talk about what 980 00:43:45,239 --> 00:43:50,360 Speaker 2: really happens. Tribal drum is beating for famous last words, 981 00:43:50,400 --> 00:43:53,720 Speaker 2: but more like everyday last words? What has really been said? 982 00:43:53,880 --> 00:43:54,920 Speaker 1: Janine has joined us? 983 00:43:54,960 --> 00:43:56,920 Speaker 2: Hi, Janine Hi. 984 00:43:57,040 --> 00:43:58,400 Speaker 7: Hi jos Homanda? 985 00:43:58,520 --> 00:44:00,480 Speaker 2: Hello? What were the last words? Who's said them? 986 00:44:01,560 --> 00:44:01,759 Speaker 7: Oh? 987 00:44:01,800 --> 00:44:01,960 Speaker 8: Well? 988 00:44:02,000 --> 00:44:05,280 Speaker 7: It was my eighty nine year old Hungarian nana Eva. 989 00:44:06,760 --> 00:44:09,759 Speaker 7: She was in hospital, so I knew it was the 990 00:44:09,840 --> 00:44:12,360 Speaker 7: last time i'd see her. I was, you know, holding 991 00:44:12,360 --> 00:44:14,640 Speaker 7: her hand, telling her how much I loved her, and 992 00:44:15,200 --> 00:44:17,400 Speaker 7: I got up to leave, and the last thing she 993 00:44:17,440 --> 00:44:20,399 Speaker 7: said was to me, don't get fat. 994 00:44:21,360 --> 00:44:25,439 Speaker 2: And that's such a Hungarian grandmother thing to say. 995 00:44:26,840 --> 00:44:29,600 Speaker 7: I didn't know whether to laugh or cry. And I 996 00:44:29,760 --> 00:44:31,840 Speaker 7: was six months pregnant, so I was on, you know, 997 00:44:33,360 --> 00:44:40,719 Speaker 7: the biggest side, you're pregnant. She had some doozies, so 998 00:44:40,800 --> 00:44:42,640 Speaker 7: that was one of them. You know, she's telling me, 999 00:44:42,760 --> 00:44:44,120 Speaker 7: you know, don't get fat. 1000 00:44:44,560 --> 00:44:47,640 Speaker 1: And did you heed your grandma's advice there? 1001 00:44:48,520 --> 00:44:51,160 Speaker 16: Oh, well, you know, on and off over the years. 1002 00:44:52,400 --> 00:44:55,520 Speaker 3: Because every time you went to eat something fatty think 1003 00:44:55,680 --> 00:44:56,480 Speaker 3: she's looking. 1004 00:44:56,239 --> 00:44:58,880 Speaker 2: Down take the Lamington. 1005 00:45:00,239 --> 00:45:02,120 Speaker 1: Janine Belinda's joined us as well. 1006 00:45:02,200 --> 00:45:05,480 Speaker 2: Hi Belinda, Hello, how are you very well? What was 1007 00:45:05,520 --> 00:45:06,560 Speaker 2: the last words? 1008 00:45:07,239 --> 00:45:09,200 Speaker 13: So it was actually my dad. He was down to 1009 00:45:09,239 --> 00:45:12,120 Speaker 13: his last few hours. We were all standing around his 1010 00:45:12,120 --> 00:45:15,200 Speaker 13: bed in the hospital. He'd been in an unconscious for 1011 00:45:15,239 --> 00:45:17,239 Speaker 13: a while, and at one point he kind of woke 1012 00:45:17,320 --> 00:45:19,000 Speaker 13: up with a start and his eyes went wide and 1013 00:45:19,040 --> 00:45:21,520 Speaker 13: he looked at us all and said, shit, I thought 1014 00:45:21,520 --> 00:45:24,080 Speaker 13: I was dead and then lost going to back again. 1015 00:45:24,520 --> 00:45:26,719 Speaker 2: I was it and that was it and he died 1016 00:45:26,800 --> 00:45:27,560 Speaker 2: and he was dead. 1017 00:45:28,480 --> 00:45:28,680 Speaker 7: Yeah. 1018 00:45:28,920 --> 00:45:32,840 Speaker 3: Then he was oh, Blinda, it's like, because how do 1019 00:45:32,920 --> 00:45:34,160 Speaker 3: you place yourself with that? 1020 00:45:34,160 --> 00:45:36,040 Speaker 1: Do you laugh? What do you cry? What do you do? 1021 00:45:37,000 --> 00:45:39,200 Speaker 13: I think I was actually the only one that heard 1022 00:45:39,200 --> 00:45:41,120 Speaker 13: it clearly, because I was right in his head, and 1023 00:45:41,200 --> 00:45:42,920 Speaker 13: everyone kind of looked around and said, you know, what 1024 00:45:42,960 --> 00:45:44,560 Speaker 13: was that? And I didn't say anything. This is the 1025 00:45:44,600 --> 00:45:47,960 Speaker 13: first time I've actually said it in twenty three years. 1026 00:45:48,239 --> 00:45:53,400 Speaker 2: Really, wow, really well from you, that's exactly right. Thanks 1027 00:45:53,400 --> 00:45:55,120 Speaker 2: for sharing appreciate it. 1028 00:45:55,600 --> 00:45:56,759 Speaker 1: That's the thing, isn't it. 1029 00:45:58,280 --> 00:46:00,400 Speaker 2: Yeah, as I said before, my mum said, look, I 1030 00:46:00,440 --> 00:46:03,000 Speaker 2: may say some funny things, don't worry about it. She didn't, 1031 00:46:03,120 --> 00:46:05,080 Speaker 2: but you know, who knows what's going to happen at 1032 00:46:05,080 --> 00:46:07,200 Speaker 2: the end. That's a beauty or shit. I thought I 1033 00:46:07,280 --> 00:46:13,480 Speaker 2: was dead. Yeah, then he was fascinating. Set your alarms 1034 00:46:13,520 --> 00:46:16,560 Speaker 2: for the very early morning of May thirteen. It's a 1035 00:46:16,640 --> 00:46:21,120 Speaker 2: Sunday Australian time. That's when Eurovision is going to be happening. 1036 00:46:22,400 --> 00:46:24,879 Speaker 2: We've got a new entry for Eurovision. We've always had 1037 00:46:24,920 --> 00:46:27,520 Speaker 2: individual performers in the past. We've got a band, a 1038 00:46:27,640 --> 00:46:28,640 Speaker 2: Perth band. 1039 00:46:28,440 --> 00:46:30,720 Speaker 1: The Radiators. No they're not from Perths. 1040 00:46:30,800 --> 00:46:34,120 Speaker 2: Well this was revealed on YouTube last night. Logan Paul 1041 00:46:34,160 --> 00:46:38,799 Speaker 2: made the big announcement. Really no Perth band. Voyager is 1042 00:46:38,840 --> 00:46:42,680 Speaker 2: now going to be Australia's entrant. So Voyager they're a 1043 00:46:42,719 --> 00:46:46,200 Speaker 2: synth metal band and they'll be off to Liverpool in 1044 00:46:46,239 --> 00:46:50,000 Speaker 2: May to perform as Australian's entrant. Do you want to 1045 00:46:50,040 --> 00:47:03,520 Speaker 2: have a listen? This is their song Promise. It's catchy. 1046 00:47:03,840 --> 00:47:06,200 Speaker 1: I like it sounds very Eurovision. 1047 00:47:06,560 --> 00:47:07,600 Speaker 2: It does sound Eurovision. 1048 00:47:07,920 --> 00:47:12,960 Speaker 3: Wasn't there a band called Voyage in the past, wasn't 1049 00:47:12,960 --> 00:47:13,279 Speaker 3: there that. 1050 00:47:14,640 --> 00:47:17,640 Speaker 2: This foreigner journey all the same? But this is an 1051 00:47:17,680 --> 00:47:18,759 Speaker 2: Australian band, of course. 1052 00:47:19,320 --> 00:47:20,960 Speaker 1: I'm looking at the. 1053 00:47:20,880 --> 00:47:23,520 Speaker 2: Photo of them. There's five of them, and it looks 1054 00:47:23,520 --> 00:47:26,600 Speaker 2: heavily curated. They're sitting there with their unusual hair and 1055 00:47:26,640 --> 00:47:28,359 Speaker 2: they look kind of modern. 1056 00:47:28,320 --> 00:47:30,480 Speaker 1: You know, rock stars, but it's not rock. 1057 00:47:30,520 --> 00:47:32,759 Speaker 2: It's not a rock look. It's a glam rock look 1058 00:47:32,840 --> 00:47:36,879 Speaker 2: or maybe a suave, suave, rightly up yourself kind of look. 1059 00:47:37,400 --> 00:47:39,480 Speaker 2: But I think we need that. Of course we need 1060 00:47:39,480 --> 00:47:42,399 Speaker 2: that because we'll be competing against the Russian mummers who 1061 00:47:42,400 --> 00:47:45,200 Speaker 2: bake bread remember all that weirdest milkers and the milkers 1062 00:47:45,200 --> 00:47:46,800 Speaker 2: people in national costume. 1063 00:47:46,560 --> 00:47:49,239 Speaker 1: Lord remember Lord Rock Hallelujah. 1064 00:47:49,320 --> 00:47:52,319 Speaker 2: Yeah, all of that stuff so in the past, because 1065 00:47:52,320 --> 00:47:55,879 Speaker 2: we've only been in Eurovision since twenty fifteen, remember guy Sabat. 1066 00:47:56,320 --> 00:47:58,520 Speaker 1: Up until that point, we weren't part of Europe. 1067 00:47:58,560 --> 00:48:01,040 Speaker 2: And then tectonic plates shifted. 1068 00:48:00,400 --> 00:48:02,399 Speaker 1: And now Australia and Europe has. 1069 00:48:02,400 --> 00:48:04,440 Speaker 2: Joy Suddenly we've become very close to you. 1070 00:48:04,520 --> 00:48:05,200 Speaker 1: Happened so quickly. 1071 00:48:05,239 --> 00:48:07,680 Speaker 3: I thought it came over millions and millions of years 1072 00:48:07,760 --> 00:48:08,920 Speaker 3: that the tectonic. 1073 00:48:08,520 --> 00:48:11,880 Speaker 2: Plates, the tectonic plates shifted so close that Guy Zebastian 1074 00:48:11,920 --> 00:48:14,239 Speaker 2: could step off Australia and land in. 1075 00:48:14,200 --> 00:48:16,920 Speaker 1: You straight from his backyard in Maroubra. 1076 00:48:16,680 --> 00:48:19,200 Speaker 2: Yeah, straight to where he was performing in Vienna with 1077 00:48:19,239 --> 00:48:25,279 Speaker 2: this one. I like this, And then the year after 1078 00:48:25,320 --> 00:48:28,799 Speaker 2: that in Stockholm. I tell you the whole song got 1079 00:48:28,800 --> 00:48:29,560 Speaker 2: a stack to get through. 1080 00:48:31,280 --> 00:48:33,040 Speaker 3: He sitting at home eating these little corn flakes and 1081 00:48:33,080 --> 00:48:35,600 Speaker 3: I know that's stopped talking out in the jam as. 1082 00:48:35,480 --> 00:48:39,000 Speaker 2: You just did, we can do today. The next year 1083 00:48:39,160 --> 00:48:42,600 Speaker 2: it was Dummy Ims Turn. She came second and I 1084 00:48:42,640 --> 00:48:44,400 Speaker 2: remember getting up to watch this in the morning. 1085 00:48:44,880 --> 00:48:45,960 Speaker 1: She was ripped off. 1086 00:48:46,120 --> 00:48:50,520 Speaker 2: I did, she was ripped off. Remember this song. She 1087 00:48:50,520 --> 00:48:57,279 Speaker 2: should have won. It's big Delder, It's a great song. 1088 00:49:00,400 --> 00:49:02,680 Speaker 2: Moldavia voted as its top dogs. 1089 00:49:03,719 --> 00:49:05,080 Speaker 1: Was what you wearing big stilts? 1090 00:49:05,520 --> 00:49:10,360 Speaker 2: No, it's a big box that opened, I think, and 1091 00:49:10,440 --> 00:49:13,319 Speaker 2: she didn't win. The scoring is as slow as the 1092 00:49:13,320 --> 00:49:16,040 Speaker 2: brown low it goes. And now let's cross to Finland 1093 00:49:16,120 --> 00:49:17,479 Speaker 2: and we give them eight. 1094 00:49:17,760 --> 00:49:19,040 Speaker 1: We go to Ukraine. 1095 00:49:19,160 --> 00:49:22,000 Speaker 2: Then we had a Zaiah Firebrace performing in Kiev in 1096 00:49:22,040 --> 00:49:22,800 Speaker 2: twenty seventeen. 1097 00:49:24,360 --> 00:49:27,799 Speaker 1: That kid can see collies. 1098 00:49:35,719 --> 00:49:45,680 Speaker 2: Great voice. The year after in Lisbon we had Jess malboy, are. 1099 00:49:45,640 --> 00:49:47,439 Speaker 1: Weird a guess for every relevant Well, let's way. 1100 00:49:47,360 --> 00:49:49,239 Speaker 2: Told you to be quick with Guy Sebastian. There's one 1101 00:49:49,239 --> 00:49:52,839 Speaker 2: remember in Tel Aviv twenty nineteen Kate Miller high Ki 1102 00:49:53,640 --> 00:50:04,960 Speaker 2: she was juggling at Platypus. All right, so it's time 1103 00:50:05,000 --> 00:50:07,960 Speaker 2: for Voyager to crack out this song promised. 1104 00:50:07,960 --> 00:50:11,600 Speaker 1: Six hoving Voyage. You can do it. 1105 00:50:11,640 --> 00:50:17,359 Speaker 2: I like it. It does sound as very European. They'll 1106 00:50:17,400 --> 00:50:22,160 Speaker 2: be stepping off those tectonic plates. They won't lose their luggage. Sunday, 1107 00:50:22,200 --> 00:50:23,320 Speaker 2: May thirteenth. 1108 00:50:23,040 --> 00:50:27,319 Speaker 1: In the Backyard, Jonesy and Amanda podcast. 1109 00:50:26,960 --> 00:50:32,520 Speaker 18: From One Birthday to Another, Masterton are celebrating sixty years. 1110 00:50:32,760 --> 00:50:44,000 Speaker 18: Get sixty years of experience on your side. 1111 00:50:46,000 --> 00:50:49,279 Speaker 1: Wait for the food, Wait for the showing red food. 1112 00:50:49,320 --> 00:50:51,200 Speaker 1: Who has nothing to do without aiding. 1113 00:50:51,120 --> 00:50:53,200 Speaker 2: He won't be there. Please don't be frightened. 1114 00:50:53,239 --> 00:50:54,040 Speaker 1: Don't be frightened. 1115 00:50:54,080 --> 00:50:56,600 Speaker 2: We are having an eighteenth birthday party to celebrate being 1116 00:50:56,640 --> 00:50:57,880 Speaker 2: on your eighteen years together. 1117 00:50:58,000 --> 00:50:59,160 Speaker 1: We got the venue the. 1118 00:50:59,239 --> 00:51:02,479 Speaker 2: Urban Winery in More Park, Thursday, March nine. 1119 00:51:02,640 --> 00:51:05,320 Speaker 3: Mark in carrying bar or it says on a screen 1120 00:51:05,360 --> 00:51:07,359 Speaker 3: mark for carrying bar campaigning are. 1121 00:51:07,239 --> 00:51:09,880 Speaker 1: You running for carrying bar? Mark? Good on you. 1122 00:51:09,960 --> 00:51:12,960 Speaker 2: He's going to be there, someone in the room that night. 1123 00:51:13,160 --> 00:51:15,960 Speaker 1: Like Carlingford, it just gets forgotten a bit. 1124 00:51:16,040 --> 00:51:17,839 Speaker 2: I think, how dare anyone forgets. 1125 00:51:18,120 --> 00:51:21,319 Speaker 1: Stopping and carrying bar Concord. 1126 00:51:21,640 --> 00:51:24,200 Speaker 2: You have trouble with the Sealords number. 1127 00:51:24,600 --> 00:51:26,239 Speaker 1: I have no beef. I grew up in carrying bar. 1128 00:51:26,360 --> 00:51:28,600 Speaker 1: It's my hohod, Well. 1129 00:51:28,560 --> 00:51:30,279 Speaker 2: Can we move on? Mark will be there and you 1130 00:51:30,280 --> 00:51:31,520 Speaker 2: can chat about all that with him. 1131 00:51:31,400 --> 00:51:33,200 Speaker 1: And when he's running for carrying bab. 1132 00:51:33,840 --> 00:51:35,760 Speaker 2: Someone on the night is going to win a car 1133 00:51:35,880 --> 00:51:38,279 Speaker 2: when you arrive at the party. Not just any car, No, 1134 00:51:38,320 --> 00:51:40,359 Speaker 2: I'll get to that. You get a normally key when 1135 00:51:40,400 --> 00:51:42,239 Speaker 2: you arrive at the party with your number on it. 1136 00:51:42,880 --> 00:51:46,200 Speaker 2: If your number is the magic number, you get a jersey. 1137 00:51:46,239 --> 00:51:50,480 Speaker 2: In Amanda's eighteenth anniversary edition, MG three Auto Corps twelve 1138 00:51:50,480 --> 00:51:54,560 Speaker 2: Months on Road Costs founded at twenty thousand dollars. 1139 00:51:54,680 --> 00:51:58,000 Speaker 1: It is so good, but you know I'm hungry. I 1140 00:51:58,080 --> 00:51:59,919 Speaker 1: want something to eat. That's all well and good. 1141 00:52:00,160 --> 00:52:03,160 Speaker 2: Luckily for you, Miguel Maestra is going to be cooking 1142 00:52:03,520 --> 00:52:05,920 Speaker 2: pela for everyone with his enormous pelo tron. This is 1143 00:52:05,960 --> 00:52:09,320 Speaker 2: a pla pan and this is the biggest in Australia. 1144 00:52:09,680 --> 00:52:11,000 Speaker 2: It cooks for a thousand people. 1145 00:52:11,080 --> 00:52:13,000 Speaker 1: You can see it from the moon, can you you can? 1146 00:52:13,800 --> 00:52:14,360 Speaker 2: Delicious? 1147 00:52:14,719 --> 00:52:16,000 Speaker 1: Also, we're standing there. 1148 00:52:16,239 --> 00:52:19,279 Speaker 3: I'm just concerned because in my hands they're empty. I've 1149 00:52:19,280 --> 00:52:21,600 Speaker 3: got nothing to drink. What am I drinking? 1150 00:52:21,640 --> 00:52:25,279 Speaker 2: Well, this is a very exciting announcement we're making. It's 1151 00:52:25,320 --> 00:52:28,160 Speaker 2: this song. What I think it is a glass of champagne. 1152 00:52:28,160 --> 00:52:29,400 Speaker 1: It's a glass of sham. 1153 00:52:29,800 --> 00:52:34,280 Speaker 2: And shand on are providing the champagne, the perfect champagne 1154 00:52:34,280 --> 00:52:38,400 Speaker 2: for celebration. They've made some personalized jones in Amanda eighteenth 1155 00:52:38,400 --> 00:52:42,239 Speaker 2: but stop talking over me. They have made some personalized 1156 00:52:42,280 --> 00:52:45,640 Speaker 2: jones in Amanda eighteenth birthday Magnum bottles for us? 1157 00:52:46,680 --> 00:52:48,000 Speaker 1: Those can you have in the first. 1158 00:52:47,719 --> 00:52:50,560 Speaker 2: How we are going to be fancy pants standing. 1159 00:52:50,239 --> 00:52:53,400 Speaker 1: There with a magnum in each hand, a distended start. 1160 00:52:53,200 --> 00:52:54,720 Speaker 2: And then we'll get to go to the venue. 1161 00:52:57,120 --> 00:53:02,560 Speaker 1: Stay. Oh, this man lines down, it's. 1162 00:53:02,360 --> 00:53:05,640 Speaker 2: A This is going to be an amazing night crying. 1163 00:53:05,960 --> 00:53:09,920 Speaker 2: I cried this song Where time you cry? Waste time? 1164 00:53:10,000 --> 00:53:11,000 Speaker 2: Talking about carrying bar? 1165 00:53:11,160 --> 00:53:14,080 Speaker 3: Right now is great suburb carrying bar. Give it up 1166 00:53:14,120 --> 00:53:19,200 Speaker 3: for carrying bar and carling for and gongo? How you 1167 00:53:19,360 --> 00:53:24,280 Speaker 3: about chick Chisick does all right, Chisig's all right. 1168 00:53:24,280 --> 00:53:27,080 Speaker 1: It's got the water. It's good, you know, it's nice. 1169 00:53:27,440 --> 00:53:29,960 Speaker 3: It's a hamlet from one birthday to another. Master and 1170 00:53:30,040 --> 00:53:33,600 Speaker 3: are celebrating sixty years. Get sixty years of experience on yourself. 1171 00:53:33,600 --> 00:53:35,760 Speaker 2: Give you another chance tomorrow to be at that party. 1172 00:53:37,800 --> 00:53:39,359 Speaker 1: I'm reading Spare at the moment. 1173 00:53:39,440 --> 00:53:41,560 Speaker 2: It's taking a long time, and you're not a slow reader. 1174 00:53:41,719 --> 00:53:43,719 Speaker 1: No, it's a it's quite a time. It's a lot 1175 00:53:43,719 --> 00:53:44,160 Speaker 1: of pages. 1176 00:53:44,160 --> 00:53:46,839 Speaker 3: I'm estimating probably about I think it's is it four 1177 00:53:46,920 --> 00:53:47,800 Speaker 3: hundred and five hundred. 1178 00:53:47,880 --> 00:53:50,200 Speaker 2: I would like the stuff about the royal upbringing, but 1179 00:53:50,360 --> 00:53:53,239 Speaker 2: stuff in the army couldn't care less. Stuff about other 1180 00:53:53,280 --> 00:53:54,239 Speaker 2: stuff couldn't kill less. 1181 00:53:54,280 --> 00:53:56,600 Speaker 1: I can't have a discussion with my wife about it 1182 00:53:56,680 --> 00:53:57,160 Speaker 1: because she. 1183 00:53:57,200 --> 00:54:00,239 Speaker 3: Just goes into a rage about Harry. She hates him 1184 00:54:00,239 --> 00:54:03,240 Speaker 3: so much. And I don't, you know, I don't know Harry. 1185 00:54:03,680 --> 00:54:07,040 Speaker 3: I know him throughout his history. 1186 00:54:07,360 --> 00:54:09,480 Speaker 1: But I don't have like any beef with him. 1187 00:54:09,480 --> 00:54:11,680 Speaker 3: I don't care about the Royals, as far as I 1188 00:54:11,719 --> 00:54:15,440 Speaker 3: don't feel that they he betrayed the royal family. 1189 00:54:15,840 --> 00:54:17,799 Speaker 1: You know, it doesn't matter to me your I. 1190 00:54:17,760 --> 00:54:20,080 Speaker 2: Think there's two camps people like you who are reading 1191 00:54:20,120 --> 00:54:22,120 Speaker 2: the book and have some sympathy for him, and those 1192 00:54:22,120 --> 00:54:23,560 Speaker 2: that don't like him. He'll never read the book. But 1193 00:54:24,000 --> 00:54:25,400 Speaker 2: those two streams when I was. 1194 00:54:25,440 --> 00:54:27,600 Speaker 3: Thinking, okay, I was just thinking, say, he wasn't Harry. 1195 00:54:27,600 --> 00:54:30,680 Speaker 3: He was just a soldier telling his story. You'd read 1196 00:54:30,680 --> 00:54:33,520 Speaker 3: about his PDSD, fact that he lost his mother and 1197 00:54:33,600 --> 00:54:34,719 Speaker 3: tragic circumstances. 1198 00:54:34,719 --> 00:54:37,360 Speaker 1: You would have sympathy for him. And people say, I 1199 00:54:37,400 --> 00:54:39,319 Speaker 1: stop your engine. You live in a castle. But he 1200 00:54:39,320 --> 00:54:40,399 Speaker 1: doesn't know any other life. 1201 00:54:40,440 --> 00:54:43,360 Speaker 3: It's like if Johnny ice Pipe gets raised in housing 1202 00:54:43,400 --> 00:54:45,680 Speaker 3: commission with a mother that beats him and a father 1203 00:54:45,800 --> 00:54:48,600 Speaker 3: that's long gone and in jail, you would have sympathy 1204 00:54:48,640 --> 00:54:49,000 Speaker 3: for him. 1205 00:54:49,080 --> 00:54:51,520 Speaker 2: And I'm not saying that it is the guy's book 1206 00:54:51,560 --> 00:54:52,600 Speaker 2: you'd never read. 1207 00:54:52,520 --> 00:54:55,880 Speaker 3: No, exactly, but he Harry has you know, he has 1208 00:54:55,920 --> 00:54:56,759 Speaker 3: a He. 1209 00:54:59,560 --> 00:55:01,839 Speaker 1: Hasn't got any other idea. He doesn't know what it's 1210 00:55:01,960 --> 00:55:03,279 Speaker 1: like not to have the life. 1211 00:55:03,320 --> 00:55:06,640 Speaker 2: That has been a major bestseller and it has you know, 1212 00:55:06,640 --> 00:55:11,280 Speaker 2: it's top of the top of the charts book wise. Recently, apparently, 1213 00:55:11,320 --> 00:55:16,279 Speaker 2: Meghan Michael has been upset and overwhelmed after she and 1214 00:55:16,280 --> 00:55:18,880 Speaker 2: Prince Harry were mocked on South Park of all things, 1215 00:55:19,000 --> 00:55:21,400 Speaker 2: because when he writes this book and they do their documentaries, 1216 00:55:21,400 --> 00:55:23,880 Speaker 2: that leaves them open to a lot of discussion. Sure, 1217 00:55:23,920 --> 00:55:24,759 Speaker 2: some ridicule. 1218 00:55:24,960 --> 00:55:26,680 Speaker 1: And that's the first time in royal history. 1219 00:55:26,719 --> 00:55:29,440 Speaker 3: Am I writing saying this that someone's written such a 1220 00:55:29,560 --> 00:55:30,880 Speaker 3: tell all memoir. 1221 00:55:31,000 --> 00:55:34,040 Speaker 2: I would say, so, that's right. So it's been hard 1222 00:55:34,080 --> 00:55:36,319 Speaker 2: going for them, but this one seems to have left 1223 00:55:36,480 --> 00:55:41,360 Speaker 2: particularly Meghan, really shaken. This is the depiction of Meghan 1224 00:55:41,440 --> 00:55:44,200 Speaker 2: and Harry on South Park. We we. 1225 00:55:48,080 --> 00:55:50,839 Speaker 1: All right, tras for halvings on this show. It's us 1226 00:55:50,920 --> 00:55:52,120 Speaker 1: on the beads cry. 1227 00:55:53,080 --> 00:55:55,080 Speaker 9: So let me start with you, Sam. You've lived a 1228 00:55:55,080 --> 00:55:57,239 Speaker 9: life with the royal family. You've had everything handed to you, 1229 00:55:57,280 --> 00:55:58,680 Speaker 9: but you say your life has been hard and now 1230 00:55:58,680 --> 00:56:00,040 Speaker 9: you've written all about it and you're. 1231 00:56:00,200 --> 00:56:03,480 Speaker 1: Book where Yes, that's my fans. 1232 00:56:03,320 --> 00:56:05,520 Speaker 9: You see my wife and Tyler like you should write 1233 00:56:05,520 --> 00:56:07,799 Speaker 9: a book because your family like stupid and then start 1234 00:56:07,880 --> 00:56:12,000 Speaker 9: like journalists. So you hate journalists, that's right, and now 1235 00:56:12,000 --> 00:56:13,399 Speaker 9: you wrote a book. They were parts on the lives 1236 00:56:13,400 --> 00:56:17,440 Speaker 9: of the royal family, right, so you're a journalist. We 1237 00:56:17,520 --> 00:56:19,480 Speaker 9: just want to be normal people. Oh, this attentionent is 1238 00:56:19,520 --> 00:56:20,000 Speaker 9: so hard. 1239 00:56:21,400 --> 00:56:26,680 Speaker 2: Yeah. On the new book called waw yeah, well savage, 1240 00:56:26,680 --> 00:56:28,680 Speaker 2: but that's what that's what they knew they were up 1241 00:56:28,719 --> 00:56:30,840 Speaker 2: for by writing a book and opening the door to 1242 00:56:30,880 --> 00:56:33,479 Speaker 2: their hurt. You ask people to press the bruise again 1243 00:56:33,520 --> 00:56:33,920 Speaker 2: and again. 1244 00:56:34,360 --> 00:56:38,520 Speaker 3: Didn't the Queen Mother, she only spoke once and her 1245 00:56:38,600 --> 00:56:41,000 Speaker 3: husband at the time said, don't speak again. 1246 00:56:41,040 --> 00:56:44,200 Speaker 1: And she never did. What that's what's in the book. 1247 00:56:45,000 --> 00:56:46,480 Speaker 2: She spoke publicly or at home. 1248 00:56:46,680 --> 00:56:49,480 Speaker 3: She spoke publicly once and leave it to the starter 1249 00:56:49,560 --> 00:56:52,239 Speaker 3: at her husband and he said, no, I didn't like that. 1250 00:56:52,320 --> 00:56:54,319 Speaker 3: So and she never spoke again. No, And you never 1251 00:56:54,360 --> 00:56:56,799 Speaker 3: heard the Queen Mother say anything. No the damn gam 1252 00:56:57,200 --> 00:56:58,279 Speaker 3: as Harry calls her. 1253 00:56:58,640 --> 00:57:01,320 Speaker 2: The rules have changed very much over these and social 1254 00:57:01,360 --> 00:57:05,040 Speaker 2: media has changed. We expect to have access to their lives. 1255 00:57:05,480 --> 00:57:08,040 Speaker 2: So when your baby's born, Meghan, you tried out and 1256 00:57:08,120 --> 00:57:11,680 Speaker 2: follow the trope, you show us your baby the second's born, 1257 00:57:11,960 --> 00:57:14,640 Speaker 2: all the stuff that Harry and Catherine are doing, Harry 1258 00:57:14,640 --> 00:57:18,280 Speaker 2: and William and Kate. Sorry, and so this is a 1259 00:57:18,440 --> 00:57:20,919 Speaker 2: very new world if you're not wanting to be part 1260 00:57:20,960 --> 00:57:21,120 Speaker 2: of it. 1261 00:57:21,160 --> 00:57:24,080 Speaker 3: But in the book, Harry details how he's got anxiety 1262 00:57:24,600 --> 00:57:26,400 Speaker 3: and he really freaks out when he has to go 1263 00:57:26,440 --> 00:57:29,360 Speaker 3: and make a speech and most people do, but everyone 1264 00:57:29,400 --> 00:57:32,320 Speaker 3: now has Everyone has great sympathy for people with anxiety. 1265 00:57:32,400 --> 00:57:34,720 Speaker 3: Now you know, you can't make jokes about people with anxiety, 1266 00:57:34,720 --> 00:57:37,200 Speaker 3: can't do anything except for Harry and in his own 1267 00:57:37,240 --> 00:57:40,479 Speaker 3: brother laughed at him when he was sweating profusely because 1268 00:57:40,480 --> 00:57:41,480 Speaker 3: he had to make this speech. 1269 00:57:41,560 --> 00:57:44,840 Speaker 2: Well, we know now, the royal family we're very slow 1270 00:57:44,880 --> 00:57:48,080 Speaker 2: on the uptake of accepting human fallibility. We know that. 1271 00:57:48,360 --> 00:57:52,600 Speaker 2: But he's invited this discussion by opening his door to 1272 00:57:52,640 --> 00:57:53,040 Speaker 2: the world. 1273 00:57:53,160 --> 00:57:55,200 Speaker 1: Careful what you wish for. You're just got to be 1274 00:57:55,320 --> 00:57:57,680 Speaker 1: quiet like uncle Andrew and not do anything. 1275 00:57:58,480 --> 00:57:58,720 Speaker 7: I know. 1276 00:57:58,960 --> 00:58:01,520 Speaker 2: See, this is the thing we villify Meghan and Harry. 1277 00:58:01,640 --> 00:58:04,520 Speaker 2: I don't, but people do. And the Andrew's just quietly 1278 00:58:04,560 --> 00:58:17,720 Speaker 2: off there doing his thing. We have a new way 1279 00:58:17,720 --> 00:58:19,720 Speaker 2: for you to deliver your gholi to us. Download the 1280 00:58:19,720 --> 00:58:22,960 Speaker 2: iHeartRadio app, go to WSFM, press the microphone and record your. 1281 00:58:22,920 --> 00:58:23,880 Speaker 1: Gooley So easy. 1282 00:58:24,080 --> 00:58:27,280 Speaker 3: Twenty thousand dollars cash from Hair and Forbust Machinery has 1283 00:58:27,400 --> 00:58:28,560 Speaker 3: us talking to the other day. 1284 00:58:28,960 --> 00:58:30,360 Speaker 1: Birthday's coming up on Saturday. 1285 00:58:30,760 --> 00:58:32,240 Speaker 2: Did you go shopping for me at the hair and 1286 00:58:32,280 --> 00:58:33,080 Speaker 2: Formers machinery? 1287 00:58:33,120 --> 00:58:37,480 Speaker 1: Would you like a welder or would you like a lathe. 1288 00:58:38,600 --> 00:58:42,880 Speaker 2: Which one would work better on my legs? Probably the lathe? 1289 00:58:43,240 --> 00:58:44,520 Speaker 2: All right, that'd be great, Thank you? 1290 00:58:44,720 --> 00:58:45,360 Speaker 1: What have we got? 1291 00:58:46,120 --> 00:58:48,800 Speaker 3: What really gets my goolies is when Hobby and I 1292 00:58:48,840 --> 00:58:49,720 Speaker 3: are finally getting a. 1293 00:58:49,760 --> 00:58:51,440 Speaker 2: Night out for dinner, just the two of us. 1294 00:58:51,640 --> 00:58:54,480 Speaker 11: I have a new dress, We've booked somewhere amazing, and 1295 00:58:54,600 --> 00:58:57,040 Speaker 11: our baby city cancels and we won't be able to 1296 00:58:57,040 --> 00:58:58,479 Speaker 11: get our booking deposit either. 1297 00:59:00,080 --> 00:59:03,120 Speaker 3: That's what what Maybe we should because we don't do 1298 00:59:03,160 --> 00:59:05,200 Speaker 3: anything on the weekends, Maybe we should go and babysit 1299 00:59:05,240 --> 00:59:06,120 Speaker 3: other people's kids. 1300 00:59:06,160 --> 00:59:09,080 Speaker 2: You didn't even do it for your own. What else 1301 00:59:09,080 --> 00:59:09,560 Speaker 2: have we got? 1302 00:59:10,040 --> 00:59:10,919 Speaker 17: Really gets my goal? 1303 00:59:11,040 --> 00:59:11,080 Speaker 7: Is? 1304 00:59:11,160 --> 00:59:13,120 Speaker 17: Is when I go to the fridge to grab some eggs, 1305 00:59:13,280 --> 00:59:15,720 Speaker 17: really looking forward to get a scramble, only to open 1306 00:59:15,720 --> 00:59:18,840 Speaker 17: the carton and there's only one egg left. Can there 1307 00:59:18,840 --> 00:59:20,240 Speaker 17: be a rule that we keep the lid off so 1308 00:59:20,280 --> 00:59:21,480 Speaker 17: we know how many eggs are left? 1309 00:59:22,040 --> 00:59:25,360 Speaker 2: M you you've heard of that before. I've never made sense. 1310 00:59:25,400 --> 00:59:27,360 Speaker 2: It does make sense, but I've never heard of it before. 1311 00:59:27,400 --> 00:59:28,920 Speaker 1: And you can't really scramble one egg? 1312 00:59:31,320 --> 00:59:34,200 Speaker 2: Is it your responsibility if there's only one left to 1313 00:59:34,280 --> 00:59:35,400 Speaker 2: leave the lid off the eggs? 1314 00:59:35,680 --> 00:59:35,919 Speaker 1: Yeah? 1315 00:59:36,280 --> 00:59:37,760 Speaker 3: You know my daughter did you got all the eggs 1316 00:59:37,760 --> 00:59:39,680 Speaker 3: out of one cart and put them in another carton, 1317 00:59:39,720 --> 00:59:42,720 Speaker 3: and the other carton had an expiration date that was 1318 00:59:42,760 --> 00:59:43,280 Speaker 3: in date. 1319 00:59:44,280 --> 00:59:46,760 Speaker 2: So now you're confused and which one. 1320 00:59:46,920 --> 00:59:49,560 Speaker 1: All of these eggs, these ancient Chinese eggs. 1321 00:59:51,320 --> 00:59:54,400 Speaker 2: Because she has lived many lives, but. 1322 00:59:54,360 --> 00:59:56,160 Speaker 3: The bad and with the good. It doesn't matter if 1323 00:59:56,160 --> 00:59:58,760 Speaker 3: you dipped out. You can always record the iHeartRadio app. 1324 00:59:59,160 --> 01:00:01,920 Speaker 1: Do it and that's it, and that's it. 1325 01:00:03,400 --> 01:00:04,200 Speaker 2: I love our chats. 1326 01:00:04,320 --> 01:00:05,040 Speaker 1: It's three to night. 1327 01:00:07,120 --> 01:00:09,440 Speaker 2: A favorite caller email of Facebook friend whins a double 1328 01:00:09,440 --> 01:00:11,320 Speaker 2: pass to see Pink. The One and Only Pink is 1329 01:00:11,320 --> 01:00:14,640 Speaker 2: bringing her summer Carnival tour to Alliance Stadium Feb nine 1330 01:00:14,720 --> 01:00:17,440 Speaker 2: and ten, twenty twenty four. Tickets on sale now. Head 1331 01:00:17,480 --> 01:00:18,640 Speaker 2: to livenation dot com dot A. 1332 01:00:18,720 --> 01:00:21,160 Speaker 1: You're also going to Jones. You demanded ttail and eighteenth 1333 01:00:21,240 --> 01:00:22,560 Speaker 1: birthday key ring which is. 1334 01:00:22,520 --> 01:00:27,840 Speaker 2: Cooled Laura, and order SUV Star SUV SVU Special Victims Unit. 1335 01:00:27,840 --> 01:00:30,720 Speaker 2: Isn't it not SUV? They don't drive around in comfortable. 1336 01:00:30,320 --> 01:00:32,520 Speaker 1: Luxury, not suburban urban vehicle. 1337 01:00:32,760 --> 01:00:33,360 Speaker 2: I'd watch that. 1338 01:00:34,160 --> 01:00:34,400 Speaker 17: Well. 1339 01:00:34,400 --> 01:00:37,160 Speaker 2: The star's name is Richard Belser. He's passed away. Brendan, 1340 01:00:37,320 --> 01:00:40,240 Speaker 2: please no laugh jugs, and a friend of his is 1341 01:00:40,240 --> 01:00:43,960 Speaker 2: said in a statement that his last words were beat 1342 01:00:44,040 --> 01:00:48,560 Speaker 2: you mother beeper. It wasn't this, No tribal drum was 1343 01:00:48,560 --> 01:00:53,080 Speaker 2: beating for famous last words, last work. You know, we 1344 01:00:53,080 --> 01:00:55,240 Speaker 2: always hear about big, grand last words, but they're not 1345 01:00:55,320 --> 01:00:57,800 Speaker 2: always like that. Here's Janine from Beverly. 1346 01:00:57,600 --> 01:01:01,240 Speaker 7: Hills, my eighty nine year old, hungry and nanna Eva. 1347 01:01:02,080 --> 01:01:04,800 Speaker 7: She was in hospital, so I knew it was the 1348 01:01:04,880 --> 01:01:07,400 Speaker 7: last time i'd see her. I was, you know, holding 1349 01:01:07,400 --> 01:01:09,640 Speaker 7: her hand, telling her how much I loved her. And 1350 01:01:10,240 --> 01:01:12,440 Speaker 7: I got up to leave, and the last thing she 1351 01:01:12,480 --> 01:01:15,000 Speaker 7: said was to me, don't get fat. 1352 01:01:17,640 --> 01:01:19,800 Speaker 2: And nag even when she's passing away. 1353 01:01:19,600 --> 01:01:20,640 Speaker 1: Don't get fat. 1354 01:01:20,840 --> 01:01:24,360 Speaker 2: Right at that's enough. We're back tonight for gam Nation. 1355 01:01:24,440 --> 01:01:25,480 Speaker 2: We'll catch you at six o'clock. 1356 01:01:25,560 --> 01:01:27,560 Speaker 1: Ugly. Fill us up next with show me the Money. 1357 01:01:27,920 --> 01:01:29,200 Speaker 2: See you then, good day to you. 1358 01:01:29,240 --> 01:01:31,040 Speaker 1: Well, thank god, that's over. 1359 01:01:31,160 --> 01:01:36,840 Speaker 9: Good bite wipe. 1360 01:01:34,560 --> 01:01:36,440 Speaker 2: The two from your own. 1361 01:01:36,680 --> 01:01:40,040 Speaker 15: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 1362 01:01:40,040 --> 01:01:51,919 Speaker 15: wherever you get your podcasts. Jonesy and Amanda podcast. Catch 1363 01:01:51,960 --> 01:01:54,680 Speaker 15: up on what you've missed on the free iHeartRadio app.