WEBVTT - Crossing The Road 🚸& Other Normal Things We Find Embarrassing 😖

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<v Speaker 1>Flex and Frooms, Flex and Frooms. This is the Flex

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<v Speaker 1>and Frooms catch Up podcast.

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<v Speaker 2>It is Friday as someone who is really cemented in

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<v Speaker 2>her tgif era, happy to be here, happy to be

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<v Speaker 2>not here?

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<v Speaker 3>Am I right?

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<v Speaker 1>I'm sure some people listening will relate to this experience.

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<v Speaker 1>It is making friends and scaring people. How to make

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<v Speaker 1>friends who influence and scare people? On Facebook Marketplace Akay,

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<v Speaker 1>the best app on Earth. Let's get to it. This

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<v Speaker 1>is Flex and Frooms on KAITA.

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<v Speaker 2>Question of the day. Would you let your uber go

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<v Speaker 2>into a car wash after the trip has been started?

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<v Speaker 3>Yes? Or no? Can we get a raise of hands?

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<v Speaker 1>Oh?

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<v Speaker 3>And see people think that I am the mean one

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<v Speaker 3>at this show.

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<v Speaker 1>Karen is the term.

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<v Speaker 2>No, they don't think I'm a Karen. They think I'm

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<v Speaker 2>a bitch. However, I think being a Karen's worse.

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<v Speaker 3>Than the long term.

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<v Speaker 1>For sure, bitch.

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<v Speaker 3>In the short term. It's situational.

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<v Speaker 2>However, It's something that I did do on It was

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<v Speaker 2>a pleasant Wednesday morning. I was coming from Melbourne to Sydney.

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<v Speaker 2>I got into my Uber and almost immediately the uber

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<v Speaker 2>driver says to me, picking you up in this ride

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<v Speaker 2>is both a good luck charm and a bad luck

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<v Speaker 2>charm and as.

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<v Speaker 3>A spooky girl. I said, we'll talk to me, bro,

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<v Speaker 3>what's going on?

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<v Speaker 2>And I'm trying to do this thing where I'm like

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<v Speaker 2>present in situations with strangers who aren't my people. So

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<v Speaker 2>he says picking me up in this ride was both

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<v Speaker 2>good luck and bad luck. I said, talk to me, king,

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<v Speaker 2>what's going on. He said, well, it's good luck. It's

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<v Speaker 2>going to be a long ride. I'm talking about ninety

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<v Speaker 2>bucks everyone no chip, not in this country. But then

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<v Speaker 2>he said it's bad luck because for about thirty five minutes,

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<v Speaker 2>I was waiting in line at the car wash and

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<v Speaker 2>I had to choose between picking you up or letting

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<v Speaker 2>you go because I was next in line.

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<v Speaker 3>I said, so what did you end up doing. He's liked, well,

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<v Speaker 3>look at the look at the windscreen.

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<v Speaker 2>It's dirty. I picked you up in stay and I said, oh,

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<v Speaker 2>that's a shame. I'm sorry. He's like, well, you know,

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<v Speaker 2>I said huh. He's like, well, you're not scared of

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<v Speaker 2>car washes, are you? The way he framed that, the

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<v Speaker 2>way he friended that. I said, no, I'm not scared

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<v Speaker 2>of a car wash. He's like, well, we could just

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<v Speaker 2>drive past the car wash and see if it's empty.

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<v Speaker 2>And I was like, you really want a clean car,

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<v Speaker 2>don't you. He's like, yeah, my car's dirty. I don't

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<v Speaker 2>like the way it looks like. I think it affects

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<v Speaker 2>the way that I drive, Like I'm trying to provide

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<v Speaker 2>a really good service. And I'm like, look, we can

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<v Speaker 2>drive past the car wash and if nobody's there, we

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<v Speaker 2>can go into the car wash. She's like, you sure

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<v Speaker 2>don't do that, king, don't ask me quite.

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<v Speaker 3>Let's go.

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<v Speaker 2>So we're driving, driving, driving. He's looking at me in

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<v Speaker 2>the rear view trying to do jokes. It's gone too

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<v Speaker 2>far now. I'm thinking that I consent to you kidnapping me,

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<v Speaker 2>because it feels like that currently it feels like I've

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<v Speaker 2>said yes.

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<v Speaker 3>While that's tapping the uber dash, She's like, out of

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<v Speaker 3>bound bounds? Will wi will out of the zone.

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<v Speaker 2>Out of the zone, please turn around, And he's liked,

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<v Speaker 2>don't worry about that.

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<v Speaker 1>I don't worry. Like, okay, cool.

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<v Speaker 2>Anyway, we get to the car wash. He does a

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<v Speaker 2>loop loop and thankfully for him and I'm the car

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<v Speaker 2>wash is available to use.

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<v Speaker 3>I thought it'd be.

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<v Speaker 2>Just one of those chill go in get your car

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<v Speaker 2>washed whatever. It's now a manual and automatic. So someone's

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<v Speaker 2>doing like a pre wash, a manual pre wash. We're

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<v Speaker 2>going in it's automatic. They're like, oh, do you want

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<v Speaker 2>to do an upsell and get your car wax?

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<v Speaker 1>He's looking back at me. I'm looking at him.

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<v Speaker 3>I said, King, we've now added fifteen to the trip.

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<v Speaker 1>Fifteen.

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<v Speaker 3>He's like, you know what I'll do.

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<v Speaker 2>I won't go through the tunnel on the way, and

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<v Speaker 2>I'm like, we need the tunnel for speed, okay, And

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<v Speaker 2>so the whole trip he begins to talk about how

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<v Speaker 2>He's like, I think you're my good luck charm. I

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<v Speaker 2>said enough, And that's how you bamboozle from inside the car,

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<v Speaker 2>because had he not a reverse psychology made and be

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<v Speaker 2>like you're not scared?

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<v Speaker 3>Are you? He knew he was talking to He knew

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<v Speaker 3>I wouldn't back down from it. Are you scared?

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<v Speaker 2>And also I think he was aware that the discomfort

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<v Speaker 2>of saying no and having him complain the whole ride

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<v Speaker 2>was far worse and just being like, let's go to

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<v Speaker 2>the car wash.

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<v Speaker 3>Carl was nice.

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<v Speaker 2>So I get it, Tesla, no bam, no comment. Okay,

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<v Speaker 2>you don't want to out him yeah, no, you don't

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<v Speaker 2>even try and find him. That's my king.

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<v Speaker 1>Did you give him a five star? No?

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<v Speaker 3>I didn't.

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<v Speaker 2>I think I dull don't know. I think I've done enough.

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<v Speaker 2>I really think I've cranked it and pushed it. And

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<v Speaker 2>that's the issue of being someone who's trying to be

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<v Speaker 2>a better person. Where are my boundaries? I said, you

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<v Speaker 2>know what, let's just do it, because I thought to myself,

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<v Speaker 2>I'm actually quite indifferent. I wasn't in a really because

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<v Speaker 2>because they're waiting for you in Caita. But honestly, I

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<v Speaker 2>was like, I'm indifferent personally. I don't like the feeling

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<v Speaker 2>of being rushed. I don't want to be in a

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<v Speaker 2>forty five fifty minute car ride with someone who's pissed off,

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<v Speaker 2>like whatever, do what you need to do. I'm like,

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<v Speaker 2>this is more embarrassing for you than it is for me.

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<v Speaker 2>And it made a funny story.

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<v Speaker 1>And yet if a tree falls and forced and no

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<v Speaker 1>one's out a seed, it didn't fall. Pop Culture you

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<v Speaker 1>missed with Flex.

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<v Speaker 3>And froomes on.

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<v Speaker 1>We don't talk about Kanye West very much on this show,

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<v Speaker 1>but we did talk I think when he married Biancher Sinsori,

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<v Speaker 1>who was an Australian woman. Whenever I see articles about them,

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<v Speaker 1>it's like married in inverted commas, because they don't actually

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<v Speaker 1>know if they're married. But the other day I was

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<v Speaker 1>on a website and I saw a photo of them

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<v Speaker 1>out together and she is wearing the most wildest outfit

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<v Speaker 1>where she's like wearing a sock over her head and

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<v Speaker 1>a big black like it's avant garde, I guess, but

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<v Speaker 1>they're like out at the playground. And I think people

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<v Speaker 1>always seem to like put photos of Kanye's outfits thinking

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<v Speaker 1>that they're wild. They have since like the early Kim days.

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<v Speaker 1>And I was reading these conspiracy theories and apparently it's

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<v Speaker 1>because I mean, is it a conspiracy theory? I think

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<v Speaker 1>a friend told me.

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<v Speaker 3>So, you weren't reading.

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<v Speaker 1>I was talking at this point, is pure And they

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<v Speaker 1>were saying that apparently these kind of like disguises started

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<v Speaker 1>happening because people were saying that she looks like Pete.

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<v Speaker 3>Davidson so literally so, and that he's concealing her face.

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<v Speaker 1>Yeah, but surely that's not No, I don't think so.

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<v Speaker 2>And also I'm not very moved by these outlandish outfits

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<v Speaker 2>because it feels like Kanye is doing rinse and repeat,

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<v Speaker 2>like he did this with Kim he did this with

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<v Speaker 2>Julia Fox, He's doing this with bi Ancher. It feels

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<v Speaker 2>like a very like low hanging fruit. I think he knows.

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<v Speaker 1>Right.

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<v Speaker 3>I know.

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<v Speaker 1>It's in the.

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<v Speaker 2>Sense that, like Kanye, say what you want about him

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<v Speaker 2>attention like grabber, he really wants the attention by any

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<v Speaker 2>means necessary, And at one point it was due to

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<v Speaker 2>his creative prowess. But I think he got to a

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<v Speaker 2>certain point where he felt as though he was at

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<v Speaker 2>his peak and he wasn't being regarded as such. You know,

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<v Speaker 2>that kind of friction between thinking you're the best and

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<v Speaker 2>not being validated as such, or not loving your work

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<v Speaker 2>and people loving it, or the kind of like Kanye

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<v Speaker 2>is the goat, coming ten years after the album dropped,

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<v Speaker 2>and so I feel like now he's in this, Like

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<v Speaker 2>he says that he really loves Edward Bennet's the godfather

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<v Speaker 2>of pr and stunts and all of these things for

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<v Speaker 2>how he was able to turn the everyday mundane into

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<v Speaker 2>a performance and this art of drawing attention at any

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<v Speaker 2>time when you want it and not when as opposed

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<v Speaker 2>to being at the helm of when someone's going to

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<v Speaker 2>grant you this attention.

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<v Speaker 1>I thought that he didn't want the attention, am I

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<v Speaker 1>just like blind? Has he got anything to write right now? Well?

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<v Speaker 3>I think that's the thing. Like I think he wants

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<v Speaker 3>the attention.

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<v Speaker 2>I think he's just having a play at how he

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<v Speaker 2>gets it and seeing how nonsensical and how little effort

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<v Speaker 2>he has to put in to get more than the

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<v Speaker 2>attention that he got when he was breaking his back.

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<v Speaker 2>I think he's constantly making a mockery of celebrity in

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<v Speaker 2>a way that I think he's kind of not He's

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<v Speaker 2>not coming unscathed. Like while he's making his mockery, he's

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<v Speaker 2>been made of mockery of.

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<v Speaker 1>But maybe he's thinking I always have even when I'm amazing. Yeah,

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<v Speaker 1>maybe it's that I was listening the other day to

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<v Speaker 1>Poop Did this goop?

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<v Speaker 3>Did he woop woop this groop dee poop?

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<v Speaker 1>Now that was genius, Let's be real. Because he didn't

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<v Speaker 1>want Is it that he didn't want Drake to use

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<v Speaker 1>the be obsessed?

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<v Speaker 3>I mean, he's a hilarious king Hettie obsessed.

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<v Speaker 1>I am currently in the middle of decking out an

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<v Speaker 1>entire apartment top to tail from Facebook Marketplace. I pride

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<v Speaker 1>myself on having an amazing skill of finding the best

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<v Speaker 1>bargains and the best designer weares. A few years ago,

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<v Speaker 1>I bought a couch. Not a few years No, no,

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<v Speaker 1>I'm going through the disco. A couple of years ago.

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<v Speaker 1>Bought a premium four thousand dollars leather couch for four

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<v Speaker 1>hundred dollars. Okay, big thick boy, always get a compoint

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<v Speaker 1>when they come in. Secondly, bought a custom made day

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<v Speaker 1>bed with full storage, sweet and a beautiful comfy top

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<v Speaker 1>one hundred bucks.

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<v Speaker 3>Amazing.

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<v Speaker 1>Bought an incredible sideboard that gets a comment every time.

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<v Speaker 1>Would be worth two thousand dollars four hundred bucks. N

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<v Speaker 1>been in every house I've been in side tables, chrome glass,

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<v Speaker 1>one hundred bucks. Like anything you can think of in

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<v Speaker 1>my house that is cool is secondhand, which we love

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<v Speaker 1>for multiple reasons. But I'm currently in the process of

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<v Speaker 1>selling off some.

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<v Speaker 3>Oh how are you selling them off?

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<v Speaker 2>You letting people come to your abode, because that's what

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<v Speaker 2>gets me about selling these days, I can't do that.

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<v Speaker 2>It's had one too many run ins and not run

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<v Speaker 2>into when they get there, run ins when they leave.

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<v Speaker 2>When I talk about that uber who was like I

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<v Speaker 2>won't to tell anyone where you live. Oh, can't be trusted.

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<v Speaker 1>The person in the adult store saying, what's your name?

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<v Speaker 1>Give me your full name?

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<v Speaker 3>Girl's Sindy.

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<v Speaker 1>So how's this?

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<v Speaker 3>So?

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<v Speaker 1>My name on Facebook is a pseudonym. It's quite a

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<v Speaker 1>hilarious pseudonym. I won't tell you what it is because

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<v Speaker 1>it defeats the purpose I should do that. You sure,

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<v Speaker 1>I do you have? Do you even have Facebook?

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<v Speaker 3>I don't have you, I don't use it, but I

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<v Speaker 3>have it.

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<v Speaker 1>You have it? Okay. The issue with having quite a

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<v Speaker 1>hilarious pseudonym, as I do with a different profile picture

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<v Speaker 1>totally anonymous, is that people think that I'm not a

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<v Speaker 1>real person on Facebook. It's proves to be quite an

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<v Speaker 1>issue when I'm bidding for hot ticket items. Then I've

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<v Speaker 1>had to start writing, by the way, my name is

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<v Speaker 1>x y Z. Also not Lucinda, but something of the

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<v Speaker 1>like Lucille or something I say every time. By the way,

0:10:18.600 --> 0:10:21.840
<v Speaker 1>my name is Lucille. I'm a real person, Lucille. Yeah,

0:10:22.320 --> 0:10:24.400
<v Speaker 1>it's not even Lucille, but it's something like that, like

0:10:24.679 --> 0:10:27.400
<v Speaker 1>something to Certain people will say hey Lucy, and I'm like, okay,

0:10:27.440 --> 0:10:27.840
<v Speaker 1>they're talking.

0:10:27.880 --> 0:10:29.199
<v Speaker 3>Do you say by the way I'm a real person.

0:10:29.280 --> 0:10:34.800
<v Speaker 2>I say, by the way, it's just a bie.

0:10:34.320 --> 0:10:37.160
<v Speaker 1>And it actually ends up being quite a few funny

0:10:37.160 --> 0:10:38.840
<v Speaker 1>conversations because it's kind of like a drag.

0:10:38.920 --> 0:10:41.679
<v Speaker 3>It's kind of a community.

0:10:41.880 --> 0:10:43.640
<v Speaker 1>So what I've done, though, is I've started selling stuff

0:10:43.640 --> 0:10:46.800
<v Speaker 1>and I'm starting to see the other side. Not fun.

0:10:46.840 --> 0:10:49.360
<v Speaker 1>Annoying it is because sometimes I'll be like, well, do

0:10:49.400 --> 0:10:50.560
<v Speaker 1>you have this to go do?

0:10:50.600 --> 0:10:52.360
<v Speaker 3>Half cash, half card? And is it possible if my

0:10:52.440 --> 0:10:53.480
<v Speaker 3>friend comes like and.

0:10:54.280 --> 0:10:58.040
<v Speaker 1>Facebook needs to stop the automatic message being is this

0:10:58.120 --> 0:11:03.280
<v Speaker 1>still available? I'm having a nips fam get them. So

0:11:03.320 --> 0:11:05.520
<v Speaker 1>now I'm realizing how bloody and all you need to try

0:11:05.559 --> 0:11:08.080
<v Speaker 1>and sell stuff. I'm trying to sell. I'm giving away

0:11:08.080 --> 0:11:10.280
<v Speaker 1>a free mid century modern death and don't need it.

0:11:10.559 --> 0:11:16.720
<v Speaker 1>I'm also selling a frosted dark glass MCM coffee table.

0:11:16.800 --> 0:11:18.040
<v Speaker 1>It's a fantastic look.

0:11:18.520 --> 0:11:18.920
<v Speaker 3>Tell me why.

0:11:18.960 --> 0:11:21.360
<v Speaker 1>I get a message from someone called x y Z

0:11:21.640 --> 0:11:24.480
<v Speaker 1>and then a last name that I recognize okay, and

0:11:24.520 --> 0:11:26.040
<v Speaker 1>I'm like, damn, that sounds like a hot guy.

0:11:26.200 --> 0:11:30.720
<v Speaker 2>So I gosh, you got to see what the people are.

0:11:30.760 --> 0:11:33.480
<v Speaker 1>Yeah, yeah, yeah, I clean on the profile. Why is

0:11:33.480 --> 0:11:39.880
<v Speaker 1>it Zig's mum? Oh she is a TikToker. She delile. No,

0:11:39.960 --> 0:11:41.520
<v Speaker 1>she wants to. I asked her last night.

0:11:42.440 --> 0:11:43.320
<v Speaker 3>She wants to be at it.

0:11:44.040 --> 0:11:47.040
<v Speaker 1>She did this for condown because I get this like, hey,

0:11:47.040 --> 0:11:48.480
<v Speaker 1>can I pick this up? And I replied her to

0:11:48.520 --> 0:11:51.280
<v Speaker 1>a besh and she sees it. She's like, oh my god,

0:11:51.280 --> 0:11:54.079
<v Speaker 1>what's happening. And then I send her a selfie so

0:11:54.240 --> 0:11:56.360
<v Speaker 1>tomorrow she just picking out my mid century modern size

0:11:56.720 --> 0:11:59.520
<v Speaker 1>per fifty dollars. But you're up having this conversation about

0:11:59.520 --> 0:12:02.520
<v Speaker 1>how her name is obviously also different on Facebook. I

0:12:02.559 --> 0:12:06.560
<v Speaker 1>only realized because her face she's put the normal Facebook profile.

0:12:06.679 --> 0:12:08.960
<v Speaker 1>The only reason she's put her face back on is

0:12:09.000 --> 0:12:11.360
<v Speaker 1>her profile picture was a picture of her dog looking

0:12:11.440 --> 0:12:15.679
<v Speaker 1>dead like the dog is like. She's like, I've been

0:12:15.720 --> 0:12:18.880
<v Speaker 1>where you've been, girls, I mean just bonded over like

0:12:18.960 --> 0:12:22.200
<v Speaker 1>having these ridiculous Facebook names, So I need to change

0:12:22.240 --> 0:12:23.679
<v Speaker 1>my face. People be lurking, and if you're going to

0:12:23.720 --> 0:12:26.599
<v Speaker 1>be selling some MCM goods, some qutis are going to

0:12:26.600 --> 0:12:29.360
<v Speaker 1>be popping into the inbox. So I'll give you the

0:12:29.400 --> 0:12:31.040
<v Speaker 1>full house Feld when I deck it fully.

0:12:30.800 --> 0:12:31.240
<v Speaker 3>Out with FB.

0:12:31.400 --> 0:12:36.680
<v Speaker 1>My god, way, but I'm so exciting you're listening to

0:12:36.800 --> 0:12:39.240
<v Speaker 1>flex and frooms on Kita listen.

0:12:39.280 --> 0:12:41.640
<v Speaker 2>We gotta listen to DM that was asking us about

0:12:41.640 --> 0:12:44.760
<v Speaker 2>normal things we find embarrassing. One that I used to

0:12:44.800 --> 0:12:47.040
<v Speaker 2>but don't double triple texting. If I got someone to say,

0:12:47.040 --> 0:12:49.240
<v Speaker 2>I'm going to say it. Do you know why?

0:12:49.600 --> 0:12:51.839
<v Speaker 3>Because I started doing this thing where I.

0:12:52.120 --> 0:12:54.880
<v Speaker 2>Look at the message threads of me and my closest

0:12:54.880 --> 0:12:57.280
<v Speaker 2>friends as a stranger. You know, when you like zoom

0:12:57.320 --> 0:12:58.720
<v Speaker 2>out for a little bit and you're like, what would

0:12:58.760 --> 0:13:02.800
<v Speaker 2>somebody say? It's one of like three things. One we

0:13:02.920 --> 0:13:06.559
<v Speaker 2>hate each other, one we're obsessed with each other, and one.

0:13:06.400 --> 0:13:07.040
<v Speaker 3>We're in love.

0:13:07.840 --> 0:13:09.680
<v Speaker 2>Because you know, like if I text for me and

0:13:09.679 --> 0:13:12.040
<v Speaker 2>she doesn't respond, I'm gonna text it again and again.

0:13:12.200 --> 0:13:13.800
<v Speaker 3>Yeah, I'm not stressed.

0:13:13.400 --> 0:13:16.280
<v Speaker 1>At all, but that's like a low. We know we're

0:13:16.280 --> 0:13:17.080
<v Speaker 1>going to see each other.

0:13:17.320 --> 0:13:20.800
<v Speaker 2>But even so, realistically, if you had texted me four

0:13:20.840 --> 0:13:23.880
<v Speaker 2>times in two weeks and you hadn't seen me, I

0:13:23.880 --> 0:13:27.360
<v Speaker 2>had to respond it, I'd be like, it's fine. No

0:13:27.400 --> 0:13:29.320
<v Speaker 2>part of we would think there's an issue happening, or

0:13:29.880 --> 0:13:31.400
<v Speaker 2>my head would go benefit of the doubt.

0:13:31.600 --> 0:13:33.280
<v Speaker 3>She's busy. Wasn't that funny you caught her.

0:13:33.240 --> 0:13:35.000
<v Speaker 2>At a bad time. Whatever it might, it's like I'm

0:13:35.040 --> 0:13:37.240
<v Speaker 2>just not concerned about it. If I send you a

0:13:37.280 --> 0:13:39.160
<v Speaker 2>meme and you don't respond, I'm not stressed.

0:13:39.200 --> 0:13:40.559
<v Speaker 1>We reply to each other with in minutes.

0:13:40.600 --> 0:13:43.600
<v Speaker 2>Though to be fair, it's true, but we aren't that.

0:13:44.280 --> 0:13:48.840
<v Speaker 2>But also being on the receiving end of receiving a text,

0:13:48.920 --> 0:13:51.679
<v Speaker 2>thinking about replying, not replying, and then forgetting about it.

0:13:51.720 --> 0:13:53.800
<v Speaker 2>I love a double text bringing back up to some

0:13:53.920 --> 0:13:56.200
<v Speaker 2>of the embOS, please cause it gets too far down.

0:13:56.720 --> 0:14:01.040
<v Speaker 2>I'm not scrolling through eye message. It's gonpit bumper. Sometimes

0:14:01.080 --> 0:14:04.920
<v Speaker 2>eating in front of people a hundred percents, like depending

0:14:04.920 --> 0:14:06.840
<v Speaker 2>on what the food is, I get like paranot about

0:14:06.840 --> 0:14:09.680
<v Speaker 2>like my how I'm holding cutlery, how it's going into

0:14:09.679 --> 0:14:10.000
<v Speaker 2>my mouth?

0:14:10.000 --> 0:14:10.960
<v Speaker 3>How do you think I feel my mouth?

0:14:10.960 --> 0:14:12.240
<v Speaker 1>How do you think I feel eating with a nice

0:14:12.240 --> 0:14:14.360
<v Speaker 1>sandwich with the knock and fork? Yeah, And people always

0:14:14.360 --> 0:14:17.559
<v Speaker 1>ask me questions leaping out of question my own reasons,

0:14:17.640 --> 0:14:20.840
<v Speaker 1>but I care not to share. I get embarrassed.

0:14:21.400 --> 0:14:23.280
<v Speaker 3>Do you mean embarrassed to eat? What kind of world?

0:14:24.040 --> 0:14:26.480
<v Speaker 1>You know? It sounds like if I'm eating chocolate and

0:14:26.520 --> 0:14:28.840
<v Speaker 1>like everyone's on their health kick and they're trying to

0:14:28.880 --> 0:14:31.240
<v Speaker 1>shame me like baites. You don't know the half of it.

0:14:31.320 --> 0:14:33.520
<v Speaker 3>Yeah, like me working in office getting hot chips every day.

0:14:33.520 --> 0:14:38.480
<v Speaker 2>Everyone's like again, I'm like, yeah again, shut up, honestly,

0:14:38.560 --> 0:14:40.880
<v Speaker 2>let me live, Like just feel good that I'm doing that.

0:14:41.000 --> 0:14:41.200
<v Speaker 1>You know.

0:14:41.560 --> 0:14:43.600
<v Speaker 2>I think crossing the road can be a bit embarrassing.

0:14:43.640 --> 0:14:45.480
<v Speaker 2>Like when I go for walks, I try and go

0:14:46.160 --> 0:14:49.040
<v Speaker 2>with the traffic. So in Australia, I want to walk

0:14:49.080 --> 0:14:51.600
<v Speaker 2>on the left hand side of the road so I'm

0:14:51.640 --> 0:14:55.600
<v Speaker 2>not seeing cars drive up as I'm walking towards them.

0:14:55.720 --> 0:14:57.560
<v Speaker 1>See. I like that because I prefer people to see

0:14:57.600 --> 0:14:59.280
<v Speaker 1>me on the front because it's more embarrassing for people

0:14:59.280 --> 0:14:59.960
<v Speaker 1>to see at the back.

0:15:00.160 --> 0:15:00.520
<v Speaker 3>Really.

0:15:00.840 --> 0:15:02.080
<v Speaker 1>Yeah, you know when people are like you know when

0:15:02.080 --> 0:15:03.520
<v Speaker 1>you take a video of yourself walking away and you

0:15:03.520 --> 0:15:04.840
<v Speaker 1>realize that's what you look like from the back.

0:15:04.960 --> 0:15:10.760
<v Speaker 2>Never so we've got walking eating.

0:15:09.480 --> 0:15:13.200
<v Speaker 1>See important to know that the girls are suffering.

0:15:13.240 --> 0:15:15.440
<v Speaker 2>It's the crossing the road that gets me because you

0:15:15.480 --> 0:15:18.479
<v Speaker 2>have to ask so nonchalant about it, like just crossing.

0:15:20.920 --> 0:15:25.040
<v Speaker 1>But you see, I'm yeah, off the phone, I always

0:15:25.040 --> 0:15:27.400
<v Speaker 1>phone away. I'm to give you a little wave unless

0:15:27.600 --> 0:15:30.600
<v Speaker 1>they give me, like if I'm crossing zebra crossing, right, Okay.

0:15:30.640 --> 0:15:32.240
<v Speaker 1>I go through a period I'll give them a little something.

0:15:32.280 --> 0:15:34.280
<v Speaker 1>Yet give them something. But if they look at me,

0:15:34.360 --> 0:15:37.920
<v Speaker 1>I think you have to go. Aggression comes out. If

0:15:37.960 --> 0:15:40.240
<v Speaker 1>they look at me and they have no smile in

0:15:40.280 --> 0:15:42.440
<v Speaker 1>their face, I just flip a little bird.

0:15:42.680 --> 0:15:44.480
<v Speaker 2>Sometimes I feel like they can't see me, Like I

0:15:44.520 --> 0:15:46.640
<v Speaker 2>have tinted windows, so I feel like people can't see

0:15:46.640 --> 0:15:47.280
<v Speaker 2>what I'm doing.

0:15:47.440 --> 0:15:48.120
<v Speaker 1>Oh I'm looking.

0:15:48.880 --> 0:15:49.720
<v Speaker 3>Yeah you would.

0:15:49.960 --> 0:15:51.880
<v Speaker 1>And if you have any more embarrassing things that are

0:15:51.880 --> 0:15:54.080
<v Speaker 1>actually quite normal. For example, the Chicks sent in that

0:15:54.120 --> 0:15:56.960
<v Speaker 1>she doesn't like holding an umbrella, Yeah, which I feel.

0:15:57.480 --> 0:15:59.200
<v Speaker 1>Send them in. We want to all suffer together.

0:15:59.440 --> 0:16:02.640
<v Speaker 3>Just layering actually is quite embarrassing. Flex when you layer

0:16:02.680 --> 0:16:06.080
<v Speaker 3>clothes and like layer, it's like disrupted.

0:16:06.920 --> 0:16:10.680
<v Speaker 1>Shut up. I was in my bag the other day

0:16:10.720 --> 0:16:12.800
<v Speaker 1>in a good way, not in a sad way, thinking

0:16:12.920 --> 0:16:17.120
<v Speaker 1>about the soundtrack of my life. I personally love making

0:16:17.120 --> 0:16:20.640
<v Speaker 1>Spotify playlists. I've got three of them. The most public

0:16:20.680 --> 0:16:23.000
<v Speaker 1>one is free Me Fridays. If you type in through

0:16:23.000 --> 0:16:25.960
<v Speaker 1>me Fridays to Spotify, you'll find a playlist that's been

0:16:26.080 --> 0:16:29.120
<v Speaker 1>liked almost three thousand times, which is incredible.

0:16:29.360 --> 0:16:31.400
<v Speaker 3>Let's not rush over that. So good.

0:16:31.480 --> 0:16:34.880
<v Speaker 1>She's not a DJ, though I have been a curator.

0:16:35.160 --> 0:16:37.360
<v Speaker 1>And also people often think I'm a DJ just by

0:16:37.440 --> 0:16:39.120
<v Speaker 1>virtue of my proximity to.

0:16:39.160 --> 0:16:41.920
<v Speaker 2>Flexmummy and me being a comedian proximity proximity.

0:16:42.080 --> 0:16:45.600
<v Speaker 1>Okay, we do it well. And I was thinking what

0:16:45.640 --> 0:16:47.840
<v Speaker 1>would the soundtrack to my life be? This is actually

0:16:47.880 --> 0:16:54.400
<v Speaker 1>quite a personal question, but my personal soundtrack song when

0:16:54.440 --> 0:16:57.040
<v Speaker 1>I think about it, is this. Can I play it?

0:16:57.440 --> 0:16:58.640
<v Speaker 3>Yeah?

0:16:58.840 --> 0:17:26.280
<v Speaker 1>Tell me if you guys know what this is? Is

0:17:27.280 --> 0:17:28.480
<v Speaker 1>Outside by George Michael.

0:17:28.560 --> 0:17:30.480
<v Speaker 3>Folks my add that to my plays.

0:17:30.520 --> 0:17:32.080
<v Speaker 1>You never heard of that? I don't think you never

0:17:32.119 --> 0:17:32.640
<v Speaker 1>heard that song.

0:17:32.720 --> 0:17:33.160
<v Speaker 3>I don't know.

0:17:33.520 --> 0:17:36.000
<v Speaker 1>Outside is my favorite song because I have a video

0:17:36.000 --> 0:17:37.800
<v Speaker 1>of myself when I was about two in the bath

0:17:38.200 --> 0:17:40.040
<v Speaker 1>and I'm singing it and then Dad walks he was

0:17:40.080 --> 0:17:44.840
<v Speaker 1>singing it. I say, let's go outside in the moonshine,

0:17:45.320 --> 0:17:47.919
<v Speaker 1>which is the lyrics. And also it's about George Michael

0:17:48.160 --> 0:17:53.760
<v Speaker 1>getting quote unquote busted having public sex in a public bathroom.

0:17:53.800 --> 0:17:55.919
<v Speaker 1>Are you guys across this when you got the police

0:17:55.920 --> 0:17:56.840
<v Speaker 1>busted him?

0:17:57.000 --> 0:18:01.800
<v Speaker 3>Two year old? Really written the papers across three?

0:18:03.200 --> 0:18:05.920
<v Speaker 1>What is the Paper's a bit wet for me reading

0:18:05.920 --> 0:18:08.520
<v Speaker 1>in the bar with my toys. So yeah, my song

0:18:08.600 --> 0:18:11.399
<v Speaker 1>is Outside by George Michael. It's got almost like a

0:18:11.440 --> 0:18:14.560
<v Speaker 1>Quincy Jones type element with a Jimi required beat is

0:18:14.720 --> 0:18:18.560
<v Speaker 1>Oh my god, fantastic notes and I just love that

0:18:18.600 --> 0:18:21.679
<v Speaker 1>it's about him. It's so self referential, starting with the

0:18:21.760 --> 0:18:24.359
<v Speaker 1>choppers and the police because you're getting quiet in sex,

0:18:24.440 --> 0:18:28.920
<v Speaker 1>like take back your public toilet. So that's my song?

0:18:28.960 --> 0:18:29.520
<v Speaker 1>What's yours?

0:18:29.920 --> 0:18:32.920
<v Speaker 2>I don't know if I have one? Well, I can't.

0:18:33.080 --> 0:18:35.520
<v Speaker 2>I can't like go off the back of that.

0:18:35.520 --> 0:18:36.200
<v Speaker 3>That was too much?

0:18:37.240 --> 0:18:41.800
<v Speaker 1>Can I guess? For you? Yea Drake? Wow wow wow

0:18:42.600 --> 0:18:45.360
<v Speaker 1>wow wow wow wow wowow.

0:18:46.080 --> 0:18:50.919
<v Speaker 2>And for your depression era take care?

0:18:51.280 --> 0:18:52.960
<v Speaker 3>What is my depression here? I don't know.

0:18:54.440 --> 0:18:55.879
<v Speaker 1>When you're like deep in your bag?

0:18:57.600 --> 0:18:58.120
<v Speaker 3>Do you know what?

0:18:58.200 --> 0:19:00.760
<v Speaker 2>That would be such a nice activity to pick twenty

0:19:00.840 --> 0:19:03.560
<v Speaker 2>songs to build a playlist of your life and if

0:19:03.600 --> 0:19:05.960
<v Speaker 2>you could think of key moments to go with the song.

0:19:06.000 --> 0:19:08.000
<v Speaker 3>But I don't think I'm sentimental in that way.

0:19:08.560 --> 0:19:09.040
<v Speaker 1>That's surprise.

0:19:09.080 --> 0:19:09.639
<v Speaker 3>I want to be.

0:19:10.200 --> 0:19:14.760
<v Speaker 2>I'm sentimental for like verbal experiences like you and I

0:19:14.800 --> 0:19:17.480
<v Speaker 2>had a conversation and that was so funny. But I'm

0:19:17.520 --> 0:19:20.879
<v Speaker 2>not really good at matching like sent to place, food

0:19:21.080 --> 0:19:21.639
<v Speaker 2>to time.

0:19:21.880 --> 0:19:25.040
<v Speaker 1>I think DJ just has you two ran through with honestly, it.

0:19:25.000 --> 0:19:26.720
<v Speaker 3>Ruined music for me for a long time.

0:19:27.000 --> 0:19:29.160
<v Speaker 2>Yeah, and that's why I was such a podcast bro,

0:19:29.480 --> 0:19:32.800
<v Speaker 2>because I could still get the fix of being headphones on.

0:19:33.560 --> 0:19:34.639
<v Speaker 3>But now I'm back on music.

0:19:35.119 --> 0:19:37.200
<v Speaker 1>Good oning fan, Well yeah, okay, that's a fun activity

0:19:37.200 --> 0:19:39.760
<v Speaker 1>for all flex and Films listeners. Go home, or when

0:19:39.760 --> 0:19:42.720
<v Speaker 1>you get a chance, go to your preferred app. Pick

0:19:42.760 --> 0:19:45.040
<v Speaker 1>twenty songs. I've got one myself that is not public,

0:19:45.320 --> 0:19:47.440
<v Speaker 1>and sometimes I listened to it and I think, oh yeah,

0:19:47.840 --> 0:19:49.080
<v Speaker 1>reminds me of specific time.

0:19:49.119 --> 0:19:50.920
<v Speaker 3>It's amazing. DMS.

0:19:51.000 --> 0:19:53.720
<v Speaker 2>You your soundtrack, Maybe not the whole thing unless it's

0:19:53.760 --> 0:19:56.520
<v Speaker 2>really good, but key songs and the story to go with.

0:19:56.600 --> 0:20:00.359
<v Speaker 3>I would love fun activities and some sa you've been

0:20:00.400 --> 0:20:02.639
<v Speaker 3>listening to the flexen Froom's daily podcast.

0:20:02.880 --> 0:20:06.480
<v Speaker 1>For more, tune Indicator on DAB or stream it on iHeartRadio.