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Speaker 1: John in the Good Morning right now, good morning. I

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Speaker 1: could talk old words with you all day.

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Speaker 2: Yeah. We were just talking, Yeah, old words of the business.

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Speaker 2: Aren't they flouncing? We were, we were talking flouncing and sauntering.

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Speaker 1: That's Dave. Dave Kllen says that ghastly.

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Speaker 2: Ghastly, ghastly is a good fun word, ghastly. Rascal like rascal,

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Speaker 2: Yeah sah. Dave Callen says, perhaps sauntered will saunter about

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Speaker 2: like cops of the walk.

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Speaker 1: He says, like the cock, like the cock of the walk. Yes,

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Speaker 1: should be.

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Speaker 2: Yes. I think that's yeah, yeah, yeah, I think it's

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Speaker 2: in the roostery sense. Otherwise I wouldn't have blurted. Blurted

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Speaker 2: is also moving on to blurted.

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Speaker 3: Now we've got all the cocks and row John, we.

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Speaker 1: Missed your last yes I had.

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Speaker 2: Last week saw an advert for a movie that appears

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Speaker 2: to be coming out, might already be up by now.

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Speaker 2: I come to these things quite late. But it appears

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Speaker 2: to be about a lady who finds a genie who

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Speaker 2: is Oh yes.

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Speaker 1: Who is?

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Speaker 2: And they nearly messaged you and said have you buy

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Speaker 2: any chance written and cast a movie.

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Speaker 1: Like oh yeah, you want to put yourself in it,

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Speaker 1: going to rub that. That's perfect, isn't it? What a

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Speaker 1: Genie that I mind?

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Speaker 2: You?

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Speaker 1: You could, you'd get any Genie and you go, my

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Speaker 1: first wish you were. That's true, that's good.

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Speaker 2: What would you what would you have if you were

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Speaker 2: going to cast a a perfect movie for you? Cleary?

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Speaker 3: No Genie as in Dream of Genie.

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Speaker 1: Oh yeah, oh yeah, yeah Genie.

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Speaker 2: That was Genie.

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Speaker 1: Do you know what I think I do? I do

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Speaker 1: Billy Connolly as Jesus Christ? May I reckon? That would

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Speaker 1: be wicked? Yeah?

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Speaker 2: Place it over the pooring spirit, you know, Heaven forgive them.

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Speaker 2: You mix it all up a little bit. I saw

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Speaker 2: I saw last week as well. I did a gig

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Speaker 2: sometimes I was talking about tattoos on on stage, and

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Speaker 2: often I'll ask to see if just what sort of

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Speaker 2: stories come up, if anybody's got any rubbish tattoos, because

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Speaker 2: we're in Perth and quite often there are someome well,

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Speaker 2: well it's a thing especially I've seen them all me

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Speaker 2: because during the mining boom there were a lot of

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Speaker 2: young lads with more money than sense.

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Speaker 1: Yes, do you know what I mean? So you got them?

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Speaker 2: There's a lot of questionnaire something pulling off period, you'd

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Speaker 2: always get lads called Dameo or Brody, like coming off

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Speaker 2: the mines with their rats tails and their mullets, you know,

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Speaker 2: and they turn up and they thought they were hilarious.

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Speaker 2: They were all getting the mustache tattooed on the inside

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Speaker 2: of the finger. Do you remember that one?

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Speaker 1: Did you never see it? Thought they were the first

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Speaker 1: guy to ever do it. I've never heard of that,

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Speaker 1: but like there were another one.

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Speaker 2: Another big one around that time was the words yawn

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Speaker 2: name and they'd get it on their bomb name.

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Speaker 1: That was That was their party trick. That was the

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Speaker 1: joke in north Bridge and then they'd be telling.

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Speaker 2: People their finger, Yeah, the mustache on the bomb.

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Speaker 1: I don't I can't help myself, mate.

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Speaker 2: I'll knock an impractical time back, but a silly tattoo

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Speaker 2: on very very fond In fact, if you see me

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Speaker 2: Instagram recently a good friend of mine, Cam has got

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Speaker 2: a tattoo of Russell Crow. I just did did you

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Speaker 2: say it? It's an actual crow, but with Russell Crow's

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Speaker 2: that it's from very good Yeah, it's from It's from

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Speaker 2: a line in one of my show because it's like

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Speaker 2: my worst, most cringing joke, but he loves it, so

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Speaker 2: we got it.

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Speaker 1: It's a birthday present.

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Speaker 3: They could have got John Hughes.

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Speaker 2: Yeah, hey, I heard that John Hughs has heard by

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Speaker 2: John Hughes bit and he liked it. They played it

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Speaker 2: in an office meeting. Yeah, yeah, that's that's my that's

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Speaker 2: a little claim to fame for me.

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Speaker 1: I feel pleased about that.

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Speaker 3: I'd be telling people on the lot that he bumps

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Speaker 3: into all those customers.

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Speaker 1: Yeah yeah, yeah.

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Speaker 2: So I'm at this gig doing me thing, asking if

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Speaker 2: anybody's got any rubbish, and this one it was the

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Speaker 2: most beautifully ironic story.

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Speaker 1: I loved it.

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Speaker 2: She goes, I've this. Lady goes, I've got one. It's

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Speaker 2: a spelling mistake, okay, And I was like, oh, excellent,

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Speaker 2: I love these. I said, is it is it a

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Speaker 2: name or like a sentence or something. She goes, it's

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Speaker 2: a quote, And I was even better. So what's the

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Speaker 2: quote with the spelling mistake in it? She goes, it's

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Speaker 2: no expectations, no disappointments.

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Speaker 1: I know, I know. Is that not alarmist morisset level ironic?

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Speaker 1: Well no, but it's properly ironic. Actually, yeah, wow, isn't

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Speaker 1: that mistake, disappointment.

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Speaker 2: It's I think that I am the oh the wrong

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Speaker 2: way around. So instead of disappointments, it's disappemptments disapp It's

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Speaker 2: like French an accident.

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Speaker 1: It's a little bit of regret. Just isn't that excellent?

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Speaker 1: Because what do you do with that?

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Speaker 2: Yeah?

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Speaker 1: No, regreds it's like but it's like the real life version.

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Speaker 1: Do you want like a flower in.

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Speaker 2: The middle of you go back to the geezer and

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Speaker 2: you go, excuse me, this is spelled. I was like, well,

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Speaker 2: what do you just point out its forever does it become?

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Speaker 1: You shouldn't have expected it and you wouldn't have been disappointed.

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Speaker 3: Ford, That's great, never so pleased with it? Did she

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Speaker 3: show it to you?

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Speaker 2: Just tell you now she was in the distance and

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Speaker 2: the lights were in my eyes. You wouldn't have been

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Speaker 2: able to. But for the first time I've exploited her.

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Speaker 2: What's the word misfortune? Disappointment for other people's entertainment and

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Speaker 2: hello to her. If she's listening, John, what have you saying?

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Speaker 2: I've been thinking thinking about my mortality. You know, I'm

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Speaker 2: like my mind wanders. Now I tell you why it is.

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Speaker 2: It's possibly to do with the Queen's passing. Thank god

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Speaker 2: it was ninety six. John, Yeah, no, I'm not fearful

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Speaker 2: about it. But I was thinking about, you know, funerals

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Speaker 2: and all that sort of stuff, and I guess, you

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Speaker 2: know the barreder Minehoff phenomenon. Something happens and then you

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Speaker 2: start seeing it everywhere. Is our friend John overthinkers that's right.

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Speaker 2: I noticed that there's quite a lot of funeral services

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Speaker 2: about the place. They're always in industrial areas. If you

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Speaker 2: notice that there's like Malaga or when like places like

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Speaker 2: that and their whole which funeral funeral services services, like

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Speaker 2: where you would go to the funeral I'm not suggesting

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Speaker 2: that funeral home.

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Speaker 1: Is that what it's called funeral home with the businesses

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Speaker 1: services right? Happening on the day? Right?

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Speaker 2: Yeah? Yeah, yeah yeah, funeral home just coming to.

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Speaker 1: The west like them when they wake up, right. I

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Speaker 1: didn't know it's called the funeral Yeah, but you're right

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Speaker 1: there are or they're all over. It seems strange to me,

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Speaker 1: there's a lot of them.

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Speaker 2: I mean, it's a fairly popular thing death as well

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Speaker 2: in it like everyone's.

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Speaker 3: Really big business.

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Speaker 2: Yeah yeah, yeah, but it's it's always strikes me as

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Speaker 2: strange that they're always in.

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Speaker 1: It just feels not the right place a woman. It

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Speaker 1: should be in a place.

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Speaker 2: Where there I don't know, in the city, you know

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Speaker 2: where you'd put a fancy jeweler or something like that.

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Speaker 1: Somewhere. Yeah, clanging.

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Speaker 2: You're trying to plan, you're trying to plan a funeral,

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Speaker 2: and like there's a geezer stood out the front in

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Speaker 2: a luminous yellow T shirt knocks in on a curry pie.

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Speaker 1: So you think about blow blowing dorry smell. I'm just

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Speaker 1: trying to bury me ground. It just seems a strange way.

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Speaker 2: And the other thing that I know is their marketing

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Speaker 2: ploy right for for around, they do it a lot

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Speaker 2: of places. Marketing things is this is cheap, we've got

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Speaker 2: the best prices, or we've got the most luxury things

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Speaker 2: we've got. And you would think that funerals would be

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Speaker 2: like give them the send off they really desert.

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Speaker 1: But they're not.

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Speaker 2: Their whole marketing thing is simplicity. It's like it's simple.

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Speaker 2: It's like they're all called things like simplicity funerals or

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Speaker 2: just funeral like, and the whole marketing thing is, ah,

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Speaker 2: it just be dead simple. It'll be It's just a

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Speaker 2: gray room with a cardboard box.

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Speaker 1: In the middle.

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Speaker 2: We just we just bang them in there. We don't

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Speaker 2: even think about it. Ten minutes you're in and out.

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Speaker 2: Don't worry about quickly like that. And it's almost like

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Speaker 2: they're competing for simplicity, easy, breezy funeral like do you

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Speaker 2: know what I mean.

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Speaker 1: It's a strange thing. You never see a funeral place

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Speaker 1: and it's like you a huge bill for that simple custom. Simple.

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Speaker 2: I couldn't figure out why it is, and then it

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Speaker 2: dawned on me because of old people lying what so,

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Speaker 2: you know in their wishes.

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Speaker 1: Old people will always tell you they don't want any fuss. Yeah,

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Speaker 1: I used to say, any old.

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Speaker 2: People ever, I don't want to fuss. Don't worry about

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Speaker 2: putting on a big procession for me. Just roll me

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Speaker 2: affectionately down a hill into a babbling stream. I'll be fine,

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Speaker 2: don't worry. I don't want her big foot And of

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Speaker 2: course you do, though, don't you want to in their

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Speaker 2: minds opportunity for a big Yeah, yeah, in your head

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Speaker 2: you'd be thinking they're best horses.

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Speaker 1: I want a gold carriage, I.

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Speaker 2: Want the whole lot. Balloons, blimps, blimp yeah, fighter jets,

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Speaker 2: I want the whole lot, mate, never mind pushing it.

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Speaker 1: But they don't say it that.

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Speaker 2: I just put me, put me in the recycling sweetheart,

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Speaker 2: I'll be fine, do you know?

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Speaker 1: I think that's Yeah.

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Speaker 2: The funeral companies homes, if you will have cashed in

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Speaker 2: on that, they've gone all right. You want it simple,

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Speaker 2: you'll make it. Yeah, we're just put in a cannon roll.

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Speaker 2: You away what I'm think?

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Speaker 1: Okay, well there's something to go on with. But you

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Speaker 1: look at me so perplexed. You have a look at

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Speaker 1: funeral arms.

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Speaker 3: I'm telling you, Yeah, and you're busy family trying to

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Speaker 3: buy a casket, the casket, and there's a mechanic next door.

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Speaker 2: Yeah, you're what I'm saying. I'm laying the groundwork for

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Speaker 2: if I go make a big fuss. You want to

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Speaker 2: I want a dragon, I want everything, a parade.

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Speaker 1: Cheery note. You want to think.

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Speaker 2: About these things I'm getting on now me Sean, I

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Speaker 2: pulled my arm the day doing a one too. Oh

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Speaker 2: did you the most basic of movements to go on?

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Speaker 3: You get the top notch.

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Speaker 1: Don't worry I have anything to do with it. Have

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Speaker 1: a good Friday, Johnpinda die before next Friday.

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Speaker 3: We want to laugh,