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Speaker 1: How ad by the iHeartRadio app from ninety six AIRFM

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Speaker 1: to Whenever You're listening Today, This is Clearsy and Lisa's podcast.

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Speaker 2: Coming up on the podcast, The news Reader's back for

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Speaker 2: season three. This weekend Stars At a Torve and creator

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Speaker 2: Michael Lucas tell.

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Speaker 3: Us all about it.

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Speaker 4: In the Shore Report, Lisa spoke about Beg Ryan and

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Speaker 4: Billy Crystal recreating that scene from when Harry met Telly.

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Speaker 3: Yeah, that one. We ask you, what food are you're

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Speaker 3: currently obsessed with?

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Speaker 4: Well, eat boy, she's eating. Fringe performer Mark Wimmel join

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Speaker 4: us to talk about brief and.

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Speaker 2: Veno'che shares his thoughts on the new Angelina Jolie movie Maria.

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Speaker 2: In my humble opinion, although I do like to think

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Speaker 2: of myself as quite discerning, The Newsreader is one of

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Speaker 2: the best shows that has ever been on Australian television.

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Speaker 2: Season three starts at eight thirty on Sunday on the

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Speaker 2: ABC and ABC iView and we are so lucky to

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Speaker 2: have the wonderful Star At a Torve and creator Michael

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Speaker 2: Lucas with us this morning.

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Speaker 4: Good morning, morning you too.

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Speaker 5: What a beautiful introduction.

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Speaker 4: Yeah, Well, we're going to start seeing Please don't go quite.

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Speaker 6: A beautiful TI.

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Speaker 3: Let's not think about that yet, okay.

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Speaker 2: Synopsis The Newsreader in case You're not after date with

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Speaker 2: It explores the personal and professional lives of the journalists

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Speaker 2: and crew in the nineteen eighties Australian newsroom. As Helen Norvel,

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Speaker 2: played by anatof It, becomes the first female newsreader of

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Speaker 2: the ratings dominant news at six. Now full disclosure, I

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Speaker 2: started in this job in radio newsroom, but I also

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Speaker 2: worked weekends in a television newsroom and it was the

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Speaker 2: second half of the eighties.

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Speaker 3: So I am here.

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Speaker 2: To tell you the nostalgia level the accuracy of this

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Speaker 2: show is so spot on. Michael Lucas, you do not

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Speaker 2: look old enough to have been able to get this

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Speaker 2: as spot on as it is.

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Speaker 7: Well, I can assure you. Well, look, I was a

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Speaker 7: kid in the eighties. Yeah, but I certainly remember newsrooms

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Speaker 7: of the year. I did actually do work experience in

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Speaker 7: a newsroom, but in nineteen ninety four, a bit afterwards

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Speaker 7: that a lot of the you know, a lot of

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Speaker 7: a lot of the same people, characters and situations were

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Speaker 7: still occurring.

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Speaker 4: Then right, absolutely, mate, A lot of things got nailed

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Speaker 4: and of course we will as well. When I got

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Speaker 4: fired by Bill mcinni's i think late eighties technology from

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Speaker 4: the right from the get go, that first episode Series

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Speaker 4: one with Dale answering his answer checking his answering machine.

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Speaker 4: Did you have all kinds of people out scouting and

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Speaker 4: sourcing this old tech to get it? How it was

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Speaker 4: so on point?

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Speaker 7: Yeah, Well, actually we were really concerned about that, how

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Speaker 7: we would get all that old analog technology. But it

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Speaker 7: turns out there's a lot of nerves out there that

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Speaker 7: have kept a lot of stuff in their garages, and

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Speaker 7: they're all on Reddit forums, and so you go to

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Speaker 7: these sort of specialized Reddit forums and you find out

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Speaker 7: that pretty much everything's and they've taken great pride in

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Speaker 7: keeping them in perfect working order. So generally we're able

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Speaker 7: to rig them and have them work just like they

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Speaker 7: did back in the day.

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Speaker 2: Yeah, and you must be you must really believe in

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Speaker 2: and love this show, because we could have lost you

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Speaker 2: to you know, wider pastures.

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Speaker 3: You're in mind Hunter, you were in the last of us.

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Speaker 2: You've been doing amazing things and yet here we have

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Speaker 2: you on Australian TV still as well.

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Speaker 5: But I love working in Australia and I've always tried

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Speaker 5: to do that. Yeah, Like to be honest, I mean,

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Speaker 5: I would pick season three then you'd reader over anything

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Speaker 5: else I've done. I've just loved it. It's just been

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Speaker 5: just such a joy. Yeah, that's quite so great that

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Speaker 5: people love it too, because it's one of my favorite projects.

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Speaker 4: Yeah. It was one of those ones when you first

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Speaker 4: read Helen's story and you went, I've got to do this, yes, yes, yeah.

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Speaker 5: Yeah, And it was also yeah, and it was you know,

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Speaker 5: Emma Freeman at that point.

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Speaker 7: Was attached to it.

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Speaker 5: We'd work together before and I loved her. And Joe

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Speaker 5: Werner we'd work together as well, and I loved her.

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Speaker 5: And Michael was at Actors when I was at Nider.

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Speaker 5: We did meet, and I don't remember.

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Speaker 3: They were just like, point me to the shoulder pads.

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Speaker 3: I mean.

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Speaker 4: Yes.

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Speaker 2: The first two series cover off such big news stories.

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Speaker 2: That's the still, you know, to remind us of the

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Speaker 2: stories that all happened in the same year, like the

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Speaker 2: Challenger launch, Hailey's comet, Lindy Chamberlain's release, in the Russell

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Speaker 2: Street bombing, and the AIDS crisis.

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Speaker 3: That was all in that.

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Speaker 2: First season, and in the second ones there was the

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Speaker 2: Hotel Street massacre, the bi centennial celebrations, which, by the way,

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Speaker 2: I cried laughing at the the the promos that you

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Speaker 2: had to do.

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Speaker 3: Is that really I remember?

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Speaker 5: But I remember so clearly. Yeah, and watching them like

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Speaker 5: so clearly, this was just so great.

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Speaker 2: Michael panning across the you know, the crew singing the

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Speaker 2: song and everything. So what have we got in season three,

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Speaker 2: which is focuses on nineteen eighty nine.

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Speaker 7: Well, it's a blockbuster eighty nine. Absolutely, You've got the

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Speaker 7: Berlin Wall Square Exton Velde's oil Lockerbye. I feel like

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Speaker 7: I'm not just talking it up. I think it's the

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Speaker 7: best year in terms of news events out of the

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Speaker 7: three seasons that we've done. And it was just such

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Speaker 7: a sort of big end to the eighties and a

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Speaker 7: real sense of turning the page of history too.

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Speaker 4: Yeah. Absolutely, there are so many huge stories there. But

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Speaker 4: it was things were starting to change and we were

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Speaker 4: trying to think what are we going to be in

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Speaker 4: the nineties. Do you feel that you had to change

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Speaker 4: things from that sort of mid eighties period to there

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Speaker 4: as well, because now the thinking started changing at that

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Speaker 4: point in time. Yeah, totally.

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Speaker 7: I mean, you know, there was a real sense that

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Speaker 7: the Cold War was ending and that had just dominated

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Speaker 7: the entire decade. And also you know, fashion was changing.

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Speaker 7: And you'll notice if you're looking in this season, all

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Speaker 7: of a sudden there's computers in the news room all

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Speaker 7: whereas back in season one they were still using sort

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Speaker 7: of electric typewriter. And so even in the close and everything,

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Speaker 7: we've tried to sort of just look forward a little

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Speaker 7: bit this time into the nineties that were just around

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Speaker 7: the corner.

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Speaker 2: Locker Bee to this day is one of the biggest,

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Speaker 2: most horrendous tragic stories that has ever happened.

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Speaker 7: Yes, it's unbelievable. I mean, the plane crash, you know,

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Speaker 7: on its own is just unfathomable, but a plane crash

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Speaker 7: into a town on you know, right on just before Chris,

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Speaker 7: It's just the magnitude of it is just horrifying.

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Speaker 2: So the logis feature in this season as well. Now,

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Speaker 2: what is that they say about art imitating life? And

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Speaker 2: so because I mean, Annie, you've won a LOGI for

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Speaker 2: for the.

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Speaker 5: Role, we all went. So we spent a couple of

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Speaker 5: days shooting the logis in you know, this great big ballroom,

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Speaker 5: and then you know, like that weekend, we all kind

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Speaker 5: of came down to the actor rewards, which was very

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Speaker 5: meta I think for everybody in the.

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Speaker 7: From our show.

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Speaker 4: Yeah, how was that? Did you get to go one

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Speaker 4: of those silver Ford LTDs that you had on the set?

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Speaker 4: Because it was pretty cool? Well man had one of

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Speaker 4: those things. It brought back some memories, I.

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Speaker 3: Have to say that.

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Speaker 4: Yeah, weirdly the cars.

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Speaker 7: Obviously a great deal of hair is taken with the cars.

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Speaker 7: Yes that they are protected so carefully. I remember one

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Speaker 7: time being attracted by one of those cars and wanting

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Speaker 7: to go and sit in and take a picture, and

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Speaker 7: before I knew it, the owner was right there just

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Speaker 7: making sure I didn't do anything wrong with it because

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Speaker 7: he loves that car. Oh, they're more protective than some

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Speaker 7: driving scenes. She is an amazing drive really, no sun

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Speaker 7: double necessary. You can do a very fast point turn.

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Speaker 5: That's because my first car was like a nineteen seventy

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Speaker 5: eight Corona.

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Speaker 4: You're the quadriple set that's right there. You can drive

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Speaker 4: as well.

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Speaker 3: And a seventy seven dat's in one twenty y. So

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Speaker 3: they said, oh you can drive a manual. Yes, that's

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Speaker 3: Fenwayne got.

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Speaker 5: Apparently that's the thing you both. You don't want your

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Speaker 5: car broken into or you know, stolen. You just got

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Speaker 5: to get a manual exactly.

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Speaker 4: But you're right about those car owners, if they're on set,

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Speaker 4: they're more protective than the people with child stars.

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Speaker 7: We all resh that is sadly true.

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Speaker 3: Michael. It's the last season.

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Speaker 2: I'm not quite ready to talk about that yet, But

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Speaker 2: is it because it's the last year of the eighties?

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Speaker 7: Is because you go high, there's certainly something that feels

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Speaker 7: right about ending at you know, at the crescendo of

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Speaker 7: the eighties. It's really just more of the characters, Like

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Speaker 7: we had a really specific idea of the kind of

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Speaker 7: character arcs we wanted to take Helen and Dale, and

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Speaker 7: they've had a big arc and where they were at

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Speaker 7: the beginning to where they end up in just a

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Speaker 7: few years later is huge, and you know, rather than

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Speaker 7: sort of fundle them along and keeping on engineering drama,

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Speaker 7: we felt like we wanted to bring them to a

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Speaker 7: specific and kind of cathartic conclusion that you know, hopefully

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Speaker 7: would make the whole the series as a whole, feel

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Speaker 7: really satisfying.

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Speaker 4: Okay, that's a good point, are you two. We're into

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Speaker 4: twenty twenty five, as we know, twenty twenty six is

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Speaker 4: the time that it's listed to finish. And I speak

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Speaker 4: of the completion of the new studios and new film

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Speaker 4: studios here in Perth. Can we any chance you can

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Speaker 4: see both of you are being able to work here

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Speaker 4: in the West because that new setup is going to

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Speaker 4: be wonderful.

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Speaker 7: Look, we've got a lot of we have a particularly

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Speaker 7: working in studio. They have to say that The news

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Speaker 7: Reader was shot almost all on location, and because it

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Speaker 7: was the nineteen eighties, they were the most terrible decrepit

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Speaker 7: old buildings. Tried a pretty up so the night notion

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Speaker 7: of being in a brand new, perfect gleaming for a studio, very.

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Speaker 3: No air flanes, it's not after a fly park.

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Speaker 4: We'll have a car ready for Ana. If you're working

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Speaker 4: over here, we'll get We can't.

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Speaker 2: We can't let you go just without asking, you know,

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Speaker 2: talking about shows that you don't want to leave.

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Speaker 3: And the reaction to mind Hunter.

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Speaker 2: There's been two seasons and us smart Hunter fans want

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Speaker 2: another one so bad, and we're here or it might come,

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Speaker 2: and then he moves on to working on something else,

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Speaker 2: and he sounds a bit fickle.

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Speaker 3: And do you think that there were it will be

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Speaker 3: another mind Hunter?

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Speaker 5: I don't know, I mean like I feel like no.

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Speaker 5: I think we've also just said goodbye, but I don't

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Speaker 5: think anyone would say no if that if the phone

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Speaker 5: call came. Yeah, true, yeah, yeah, it was a lot

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Speaker 5: of work. That was a that was a really lovely

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Speaker 5: bunch too. Actually that show you a very different vibe and.

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Speaker 3: Another brilliant, brilliant show.

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Speaker 4: Speaking of a reaction, the reaction to that scene in

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Speaker 4: the last of Us, Tessa's final scene. Yeah, well there's

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Speaker 4: no way out of this.

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Speaker 5: She definitely isn't coming back, Brittain.

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Speaker 3: No, definitely not miraculous that will eventually.

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Speaker 2: Now, Season three of The Newsreader begins eight thirty Sunday

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Speaker 2: on the ABC and ABC Ivy. Thank you so much

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Speaker 2: for joining us, and please give our love to that

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Speaker 2: crazy William mckinner.

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Speaker 3: So we could not love more.

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Speaker 4: We love a twenty five minute Yes.

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Speaker 3: It's nuts and we love him.

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Speaker 4: Oh, thank you character. Yeah, thanks you, it's an absolute pleasure.

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Speaker 3: Thank you, Thank Sunday night, Bye bye.

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Speaker 4: Have you So this story about about how much the

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Speaker 4: chicken were eating these days chicken. There is an obsession

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Speaker 4: with us because it's cheaper than yeah, obsession with chicken.

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Speaker 4: It's a story that's popped up said, there's a food

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Speaker 4: historian called Lauren Samuelson who's written a PhDe a historian

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Speaker 4: a food historians. She's written a PhD thesis and her

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Speaker 4: thesis was a bit more general. It was talking about

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Speaker 4: how the Women's Weekly has influenced Australia's food scene, but

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Speaker 4: focusing on chicken.

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Speaker 3: Does she write this in nineteen eighty six?

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Speaker 4: Apparently it's been written fairly recently. During World War Two,

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Speaker 4: the prices were capped so that the prices didn't go nuts.

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Speaker 4: But back then there were just sort of chicks running

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Speaker 4: in a few backyards. So chicken was four times as

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Speaker 4: much as meat. And that's turned around so much in

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Speaker 4: recent times, hasn't it when you think about going to

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Speaker 4: buy some. But I do you think of chicken.

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Speaker 3: As being the cheaper option for your protein component?

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Speaker 4: Absolutely? You know, we've used to just have a few

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Speaker 4: chickens for the eggs, you know, in the backyard and

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Speaker 4: that kind of stuff. And we know the mass numbers

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Speaker 4: of chickens now, but up until the sort of early seventies,

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Speaker 4: even then it wasn't sort of the everyday meat. But

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Speaker 4: the price has made a huge difference.

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Speaker 3: I didn't know that. Yeah, I thought it was always

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Speaker 3: the you know, oh.

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Speaker 4: I thought that cheap erruption. Yeah, I thought that too.

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Speaker 4: So they reckon at a retail level. We're now spending

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Speaker 4: in Australia more than eight billion dollars a year on

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Speaker 4: chicken meat.

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Speaker 2: Yeah, well seven point five billion dollars of that is

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Speaker 2: on those coals hot chickens.

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Speaker 4: That absolutely I think funny you say that because Coals

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Speaker 4: who made a proper at one point one billion last.

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Speaker 3: Year Coals slash will is the same same.

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Speaker 4: Yeah, yeah, so they reckon. Their Our top three list

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Speaker 4: includes the hot chok really smell of the hot chicken the.

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Speaker 3: Top three things things they sell.

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Speaker 4: Yeah, I thought that was fascinating. The other ones met

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Speaker 4: in milk and bread. I don't know. Willie sold more

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Speaker 4: than twenty million roast chickens in twenty twenty three. McDonald's

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Speaker 4: Astralia sold twenty million kilos of chicken and its nuggets.

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Speaker 3: And how much of that was actual chicken though, well

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Speaker 3: they fill it a.

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Speaker 4: Bit of stuff, but a fill up bread crumb and

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Speaker 4: stuff in there as well.

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Speaker 3: If I'm having chicken, I wanted to be actual chicken.

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Speaker 4: But that does make sense that all of a sudden

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Speaker 4: chickens a lot because there's so many.

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Speaker 3: Chicks in well, definitely, you know, you look at the

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Speaker 3: price of red meat. It's not cheap.

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Speaker 4: It is a big business. But yeah, we are a

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Speaker 4: little bit obsessed with eating chicken. You had the food

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Speaker 4: obsession that you really have, you got you really have

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Speaker 4: trouble resisting, especially when you're sitting in here with me

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Speaker 4: and on people.

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Speaker 2: Were we talking about food I'm currently obsessed with? Or

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Speaker 2: food I can't resist?

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Speaker 4: Well, different things, I reckon, I obsessed. What are you

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Speaker 4: obsessed with? We do have this chat quite a bit,

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Speaker 4: don't we about and you go, oh, this weekend, I

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Speaker 4: would love to go dot dot dot and eat that.

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Speaker 2: I'm a bit obsessed at the moment with a recent

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Speaker 2: takeaway pad tie I had from a well it's a little.

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Speaker 3: Bee in Mount Lawley.

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Speaker 2: There you go, and it came you know, they always

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Speaker 2: say what protein which like this one offered the choice

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Speaker 2: of duck, and I thought, yes, yes, please, I love duck.

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Speaker 3: So I've gone the duck and oh my gosh, it's

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Speaker 3: it's leveled up this pad.

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Speaker 2: Time to just delicious bill a little bit richer, Yeah, normal,

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Speaker 2: because duck is rich.

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Speaker 4: Duck is very rich.

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Speaker 3: Oh my gosh.

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Speaker 4: Yeah, duck is rich but irresistible, is it? Yes, yeah,

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Speaker 4: So that's your obsession right now.

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Speaker 3: That's my current obsession.

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Speaker 4: You won't be it sounds like a nice house song.

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Speaker 4: You won't be surprised by my current obsession. It is

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Speaker 4: carrot cake. There is a carrot cake at a cafe

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Speaker 4: in Angove Street in North Perth that I have every week.

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Speaker 3: Don't tell me that, because I'm going down there.

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Speaker 4: To get my car washed down and creature of habit

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Speaker 4: as you know, and at least once a week I

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Speaker 4: go into this cafe and you know you've done it.

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Speaker 4: You've bought the same thing from somewhere too many times

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Speaker 4: because now when I walk in there, the plate with

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Speaker 4: the carrot cake is on the counter before I order. Really,

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Speaker 4: it always makes me laugh. Wow, Sometimes I feel like

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Speaker 4: messing with their minds are going. Now, I'll have the

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Speaker 4: banana bread banks so the carrot cake, good morning milk.

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Speaker 3: But carrot cake is it's just a vessel for the

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Speaker 3: frosty cream cheese frosty. She doesn't have cream cheese frosty

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Speaker 3: as you.

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Speaker 4: Wouldn't like this one because there's a couple of sultanas

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Speaker 4: mixed in with the dried fruit on top.

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Speaker 3: Oh no, you just lost me.

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Speaker 4: You know that means more for me, chicken for.

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Speaker 3: Me, carrot cake, nut, sultanic cake.

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Speaker 4: Yeah, if you like if you like him, you like him. Yeah,

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Speaker 4: you do call him dead flies, don't you.

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Speaker 3: I don't mind walnut in my car.

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Speaker 4: Yes, there's a bit of that too.

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Speaker 2: Mark and Canning Vale's current food obsession is roast pork

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Speaker 2: balme rolls with extra chili. Hello and paul In tapping

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Speaker 2: like a crumb cheese sausage.

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Speaker 4: That's Old's cool, that's very old.

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Speaker 3: You've got to be very careful when you bite into that.

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Speaker 4: Sucker, absolutely, said the cardiologist. Yeah, Bruce, how are you?

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Speaker 8: No?

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Speaker 3: Not too bad?

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Speaker 9: Here you going?

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Speaker 5: Gods?

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Speaker 4: Good morning on the beautiful Perth weather Bacon's.

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Speaker 3: Three foot degrees. Bruce, what's your current food obsession?

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Speaker 5: Well, it's probably a little tin that nobody looks out

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Speaker 5: when they're going through the shopping aisles.

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Speaker 9: It's a little tin and they have dol Marty. They're

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Speaker 9: like a vinegar vine leaf stuff with lemon herb rice.

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Speaker 9: It's like a Greek little thing.

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Speaker 4: I hate them everywhere. I don't leave the shopping center

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Speaker 4: without I do see them in the in the aisles there.

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Speaker 5: Yeah, they did those weird. They're weird. It's quiet taste,

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Speaker 5: but I enjoy them.

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Speaker 9: They're fantastic.

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Speaker 3: I don't think. I don't think I've looked.

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Speaker 2: I think I've only ever expected to see doll Martis

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Speaker 2: in a.

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Speaker 3: Fresh environment in the looking for that. What do I

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Speaker 3: need to be in for that?

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Speaker 6: Oh?

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Speaker 9: It's like they're just a canned, canned canned. Do these

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Speaker 9: guys get into them?

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Speaker 3: Just love?

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Speaker 4: I've never you have. I've seen them in the shop,

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Speaker 4: and I know, well, I haven't been to the shop

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Speaker 4: and bought many obviously.

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Speaker 9: Just trial and you might not like you might love.

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Speaker 4: I've seen them, but you've educated me. Now I know

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Speaker 4: what the hell are cool?

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Speaker 9: They're weird, that's yeah, all right, try them.

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Speaker 4: Thank I'm going to go there. Thanks. I've eaten a

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Speaker 4: lot of stuff, but I haven't had that money.

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Speaker 3: I believe you've never had a Marty.

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Speaker 4: I haven't had the money. All right, I'm going to

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Speaker 4: try that today. I am going for lunch today.

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Speaker 3: Very surprised.

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Speaker 4: Seeing I do eat so much constantly.

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Speaker 3: Yeah, I mean it's a Greek deliciousness.

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Speaker 4: Yeah, to give it a try, give us a call.

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00:17:12,960 --> 00:17:14,960
Speaker 2: On thirteen ten sixty five, or you can text us

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Speaker 2: on zero four seven six ninety six ninety six ninety six.

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Speaker 3: What are you currently obsessed with eating?

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Speaker 2: You know, talking about things in tins in the shopping aisle.

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Speaker 3: I love I hate oysters. I love those smoked.

390
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Speaker 2: Oysters in the tin used to put out, you know,

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Speaker 2: in the seventies and eighties as an order.

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Speaker 4: That's probably why you love them, because put them out.

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Speaker 3: You said, there is that nostalgia.

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Speaker 2: But they taste entirely different to slurpy out of the

395
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Speaker 2: you know, out of the shell oyster. I can't do that,

396
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Speaker 2: too gritty, So it's like it's like diving into the

397
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Speaker 2: ocean with your mouth open.

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Speaker 3: And scooping up the sand. Can'ty shak no, no, I

399
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Speaker 3: can't be shak Yeah.

400
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Speaker 4: Okay, everything we've spoken about on an off air in

401
00:17:56,320 --> 00:17:58,479
Speaker 4: the last twenty minutes we could eat. We would not

402
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Speaker 4: need to eat for the rest of twenty two talking

403
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Speaker 4: about food quite a bit, and we're talking about what

404
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Speaker 4: food you're obsessed with eating?

405
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Speaker 3: And in Wondy agrees that she enjoys the smoked oysters

406
00:18:07,720 --> 00:18:09,840
Speaker 3: out of a tin on crackers with an ask glass

407
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Speaker 3: of red wine or yes.

408
00:18:11,240 --> 00:18:13,200
Speaker 2: Yes to all of that, Adam, you could hang out,

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Speaker 2: you know me? Well, David in mirror Booker, I just

410
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Speaker 2: lost it. No, David, and Ridgewards says, squeaky cheese, halloomy, marvelous.

411
00:18:21,560 --> 00:18:23,639
Speaker 2: It a taxi taste buds. But you kind of know

412
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Speaker 2: what you're doing, David. I thought, oh yeah, that'll be easy.

413
00:18:26,080 --> 00:18:28,560
Speaker 2: You just put it in the fry pad. Gosh, I

414
00:18:28,720 --> 00:18:30,879
Speaker 2: made weird rubbery.

415
00:18:30,960 --> 00:18:31,320
Speaker 3: I did it?

416
00:18:31,520 --> 00:18:32,040
Speaker 4: Did you really?

417
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Speaker 3: I think I'll stick to restaurant to HALLOOI.

418
00:18:34,400 --> 00:18:36,440
Speaker 4: Nearly put it, put the wheels on your car, I didn't.

419
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Speaker 3: Yeah, and talk about squeaky.

420
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Speaker 4: Super squeaky. Look you want squeaky, but you don't want rubber.

421
00:18:41,960 --> 00:18:45,719
Speaker 2: Tanda and Dudley Park. What food are you currently obsessed

422
00:18:45,760 --> 00:18:46,240
Speaker 2: with eating?

423
00:18:47,480 --> 00:18:48,240
Speaker 3: Oh my god?

424
00:18:48,320 --> 00:18:49,399
Speaker 9: Anything biscos?

425
00:18:50,119 --> 00:18:52,919
Speaker 4: Really talking about this the other day? It seems to

426
00:18:52,920 --> 00:18:53,560
Speaker 4: be everywhere now.

427
00:18:53,880 --> 00:18:57,359
Speaker 3: I saw biscof in a Espress so much any other day.

428
00:18:58,000 --> 00:19:00,760
Speaker 6: Yeah, yeah, I know I'm sixty to now, but I

429
00:19:00,800 --> 00:19:01,119
Speaker 6: swear to.

430
00:19:01,160 --> 00:19:02,000
Speaker 3: God I have craving.

431
00:19:02,280 --> 00:19:08,200
Speaker 6: Oh my gosh, yeah, I am beautiful cake, ice cream, cheese,

432
00:19:08,240 --> 00:19:12,879
Speaker 6: cream cake or vanilla ice cream with melted miss bread

433
00:19:12,880 --> 00:19:13,280
Speaker 6: on top.

434
00:19:13,400 --> 00:19:16,400
Speaker 2: It's just, oh my gosh, we spread in our very

435
00:19:16,400 --> 00:19:20,480
Speaker 2: own kitchen. I do just love those original little bikies

436
00:19:20,480 --> 00:19:20,919
Speaker 2: that they do.

437
00:19:21,440 --> 00:19:23,760
Speaker 3: Oh, yes, my god, so good.

438
00:19:24,160 --> 00:19:24,360
Speaker 5: Yes.

439
00:19:24,800 --> 00:19:27,119
Speaker 4: Yeah, So you don't find it sickly rondic, because I

440
00:19:27,160 --> 00:19:28,000
Speaker 4: find it a bit full on.

441
00:19:28,440 --> 00:19:32,560
Speaker 3: If I have too much sickly And your point is very.

442
00:19:32,440 --> 00:19:38,840
Speaker 4: Good, let's come back. Yeah, there is no bisc for ronda.

443
00:19:39,720 --> 00:19:47,160
Speaker 2: No, I reckockhen I saw it ed espresso about. That's

444
00:19:47,160 --> 00:19:49,199
Speaker 2: going to be a pretty sweat Yeah, I would imagine

445
00:19:49,240 --> 00:19:51,400
Speaker 2: so andy in late cougie.

446
00:19:51,680 --> 00:19:54,400
Speaker 5: Any, good morning, how are we?

447
00:19:55,200 --> 00:19:58,600
Speaker 4: What food are you obsessed with? I've just gone back.

448
00:19:58,440 --> 00:20:01,720
Speaker 10: From my fifteen day little entering Tasmania, and I've got

449
00:20:01,720 --> 00:20:04,960
Speaker 10: addicted to scollop pies scollop parts.

450
00:20:05,040 --> 00:20:11,479
Speaker 4: Hello, hello, jee had informator. You just thought of sample this?

451
00:20:12,400 --> 00:20:13,520
Speaker 11: No, that's why I went.

452
00:20:15,880 --> 00:20:16,080
Speaker 2: Right.

453
00:20:16,160 --> 00:20:16,560
Speaker 3: Yeah.

454
00:20:17,280 --> 00:20:20,280
Speaker 10: So you get the scollar pies in like a curry

455
00:20:20,359 --> 00:20:23,800
Speaker 10: type of texture, and you're also litting in like a

456
00:20:23,840 --> 00:20:29,680
Speaker 10: white cheese mornaise sauce as well. I haven't found any

457
00:20:29,840 --> 00:20:30,640
Speaker 10: infers yet.

458
00:20:31,280 --> 00:20:31,639
Speaker 3: Nothing.

459
00:20:32,240 --> 00:20:37,119
Speaker 2: Well, if anybody knows, well, because I reckon the closest

460
00:20:37,119 --> 00:20:38,840
Speaker 2: that you might get. I don't know if they have them,

461
00:20:39,080 --> 00:20:43,439
Speaker 2: but the old Miami Bakehouse. You used to be on

462
00:20:43,480 --> 00:20:46,439
Speaker 2: the bridge in mandra there so that you would go

463
00:20:46,560 --> 00:20:49,600
Speaker 2: past going down south. They used to do some great

464
00:20:50,160 --> 00:20:53,399
Speaker 2: variations of seafood pies. So whether they do a scollop.

465
00:20:53,040 --> 00:20:55,440
Speaker 3: One, I don't know, but if anyone.

466
00:20:55,119 --> 00:21:01,639
Speaker 10: Knows, yeah, like a garlic corn pie machine. And this

467
00:21:01,720 --> 00:21:03,000
Speaker 10: weekend on making.

468
00:21:04,320 --> 00:21:07,640
Speaker 4: Yourself made it home, but I love a good part.

469
00:21:07,720 --> 00:21:10,720
Speaker 4: I'm wondering if the Golden Bakery team there at Dalesy

470
00:21:10,720 --> 00:21:11,160
Speaker 4: Park one.

471
00:21:15,520 --> 00:21:18,920
Speaker 3: And we're looking for a scallot pie help us out.

472
00:21:19,000 --> 00:21:21,880
Speaker 4: Yeah, yeah, get texting for seven sixty sixty six.

473
00:21:22,160 --> 00:21:23,600
Speaker 3: Sady. My mouth is watery.

474
00:21:23,760 --> 00:21:25,560
Speaker 4: He's got his going, he's got to celebrating, isn't he

475
00:21:25,680 --> 00:21:29,560
Speaker 4: scullot pie? Any pie but scallop pie?

476
00:21:29,640 --> 00:21:30,679
Speaker 3: Any pie the store?

477
00:21:30,800 --> 00:21:33,720
Speaker 4: Absolutely, any pie in your pie hole.

478
00:21:34,880 --> 00:21:38,160
Speaker 3: Phillis in Midland. What are you currently obsessed with? Eating?

479
00:21:38,440 --> 00:21:43,240
Speaker 3: Pious girl, all Rush, I love it.

480
00:21:43,359 --> 00:21:47,720
Speaker 4: I'd get it from cares, you know, just fantastic, nice? Nice?

481
00:21:47,760 --> 00:21:50,159
Speaker 4: Has there been a long term obsession fill us all?

482
00:21:50,200 --> 00:21:51,639
Speaker 4: More recently, I've.

483
00:21:51,600 --> 00:21:53,800
Speaker 5: Loved it for years that I've always struggled finding one

484
00:21:53,840 --> 00:21:58,080
Speaker 5: that's really nice and it's fantastic and I like ice

485
00:21:58,119 --> 00:21:59,080
Speaker 5: cream with Vicki dough.

486
00:22:01,480 --> 00:22:04,800
Speaker 3: Yes, definitely, I like ice cream full stop.

487
00:22:09,400 --> 00:22:11,000
Speaker 4: That's the thing. When you find out what you love,

488
00:22:11,040 --> 00:22:14,680
Speaker 4: you don't want to shopple business to stop producing. Oh no,

489
00:22:14,760 --> 00:22:15,919
Speaker 4: that's the worst disappointing.

490
00:22:16,119 --> 00:22:20,560
Speaker 2: Kathy in Leaming is obsessed with blue vein molded cheese.

491
00:22:20,640 --> 00:22:24,760
Speaker 2: Now I am, well, let's say I'm not young, but

492
00:22:25,800 --> 00:22:29,439
Speaker 2: I am taking there. I'm still not quite at the

493
00:22:29,480 --> 00:22:35,600
Speaker 2: blue vein. I'm just yet, but I reckon, I'm so

494
00:22:35,880 --> 00:22:39,400
Speaker 2: close that if I close my eyes and you give

495
00:22:39,400 --> 00:22:43,040
Speaker 2: me a piece of cheese that I might not realize.

496
00:22:43,160 --> 00:22:45,720
Speaker 2: I think it's a it's a visual thing that puts

497
00:22:45,760 --> 00:22:49,119
Speaker 2: me off. Still, there are blue cheeses, and there are

498
00:22:49,119 --> 00:22:53,399
Speaker 2: blue cheeses. Some are really good, some are really intense.

499
00:22:54,359 --> 00:22:57,640
Speaker 4: But you pair it up with the right red Yeah, okay, yeah.

500
00:22:57,960 --> 00:23:01,119
Speaker 2: Sally and willow Gy is obsessed with what also happens

501
00:23:01,119 --> 00:23:04,480
Speaker 2: to be my very favorite breakfast smoked salmon with cream

502
00:23:04,560 --> 00:23:07,919
Speaker 2: cheese on an English muffin with lemon, herb and garlic

503
00:23:07,960 --> 00:23:11,840
Speaker 2: season Except I like it on a bagel, a real bagel,

504
00:23:12,400 --> 00:23:16,520
Speaker 2: a real bakel good morning boiled by the Rabbi, of course,

505
00:23:17,200 --> 00:23:19,960
Speaker 2: before it's a proper bagel, not just a horseshoe.

506
00:23:19,760 --> 00:23:23,160
Speaker 4: The real McCoy, a realm Brent.

507
00:23:23,240 --> 00:23:23,760
Speaker 9: How are you going?

508
00:23:24,560 --> 00:23:26,520
Speaker 3: What food are you currently obsessed with? Brent?

509
00:23:27,040 --> 00:23:30,200
Speaker 9: I was just listening before and talking about the courage

510
00:23:30,200 --> 00:23:33,480
Speaker 9: scollop pie, yes, which I was obsessed with as a

511
00:23:33,520 --> 00:23:36,400
Speaker 9: young boy, coming from chasing myself. But we actually were

512
00:23:36,400 --> 00:23:38,760
Speaker 9: based in Bumbury, So we actually make a courage scull.

513
00:23:38,560 --> 00:23:40,840
Speaker 3: At pie, do you.

514
00:23:40,440 --> 00:23:42,320
Speaker 4: We'll give us the name.

515
00:23:42,359 --> 00:23:43,199
Speaker 3: Where can we get it?

516
00:23:43,800 --> 00:23:50,600
Speaker 9: Beach Up Bakery, Each Bakery. Yeah, we're actually we're in

517
00:23:50,640 --> 00:23:53,200
Speaker 9: the industrial there in Bumbery. We're based in the indoor

518
00:23:53,240 --> 00:23:54,080
Speaker 9: beach volleyball center.

519
00:23:54,200 --> 00:23:58,800
Speaker 4: All it doesn't matter where you are. The GPS is

520
00:23:58,880 --> 00:24:01,600
Speaker 4: just using your nose and just look at the.

521
00:24:01,560 --> 00:24:04,120
Speaker 3: Center Beach Hot Bakery.

522
00:24:04,480 --> 00:24:05,680
Speaker 4: We'll get the scent from the back beach.

523
00:24:05,800 --> 00:24:07,200
Speaker 3: What's your favorite pie, Brent?

524
00:24:07,680 --> 00:24:11,440
Speaker 9: Oh, it probably is that one, although I'm.

525
00:24:13,080 --> 00:24:17,480
Speaker 4: As well. Oh really bangers and mash pie, bang bangers,

526
00:24:17,520 --> 00:24:23,880
Speaker 4: mash and pastry together. Yuh all right, thanks Brand.

527
00:24:24,400 --> 00:24:25,879
Speaker 9: Bull gravy and all that sort of stuff.

528
00:24:26,760 --> 00:24:27,399
Speaker 3: Thanks Brand.

529
00:24:27,520 --> 00:24:28,080
Speaker 4: Thanks mate.

530
00:24:30,320 --> 00:24:32,160
Speaker 3: We're talking about bangers and mash pies.

531
00:24:32,920 --> 00:24:35,199
Speaker 2: We used to get the We would often back in

532
00:24:35,440 --> 00:24:37,119
Speaker 2: the day go to the I don't know if they

533
00:24:37,160 --> 00:24:37,600
Speaker 2: still do it.

534
00:24:37,640 --> 00:24:38,480
Speaker 3: Probably still do it.

535
00:24:38,520 --> 00:24:41,200
Speaker 2: And the many of the Subi Hotel did the best,

536
00:24:42,000 --> 00:24:45,280
Speaker 2: big fat bangers and mash. It was just the most

537
00:24:45,760 --> 00:24:48,199
Speaker 2: you know, underrated lunch you could have.

538
00:24:48,520 --> 00:24:50,080
Speaker 4: As I said, there was on the menu where it

539
00:24:50,160 --> 00:24:55,000
Speaker 4: was on the weekend at the Windsor it'souse and I

540
00:24:55,080 --> 00:24:57,000
Speaker 4: nearly had it. I went with something else but last

541
00:24:57,080 --> 00:24:58,240
Speaker 4: my head and was the Oxford.

542
00:24:58,320 --> 00:25:00,000
Speaker 3: It's a classic and it's brilliant.

543
00:25:00,440 --> 00:25:02,640
Speaker 4: If it had been juneless, if it was in winter,

544
00:25:02,680 --> 00:25:04,080
Speaker 4: I would have had bangers a mash the other night.

545
00:25:04,240 --> 00:25:07,359
Speaker 2: Really, yeah, you're a seasonal later right, well.

546
00:25:07,240 --> 00:25:08,760
Speaker 4: On that occasion with banger is a mash?

547
00:25:08,840 --> 00:25:09,080
Speaker 3: Yeah?

548
00:25:09,080 --> 00:25:11,600
Speaker 4: Comfort food, yeah, thanks.

549
00:25:11,640 --> 00:25:13,920
Speaker 3: I like to be comfortable any in any temperature.

550
00:25:14,080 --> 00:25:15,680
Speaker 4: Just wish if we'd had this half hour or forty

551
00:25:15,680 --> 00:25:17,520
Speaker 4: minutes again that I would have put bibs on both

552
00:25:17,520 --> 00:25:19,159
Speaker 4: of us a.

553
00:25:19,160 --> 00:25:27,720
Speaker 1: Bit duly, more crazy, More podcasts soon. There's sure report

554
00:25:27,920 --> 00:25:32,800
Speaker 1: on ninety six a FM.

555
00:25:32,920 --> 00:25:34,800
Speaker 2: I can't believe it's taking so long, but Meg Grin

556
00:25:34,840 --> 00:25:38,040
Speaker 2: and Billy Crystal are recreating that I can't excene from

557
00:25:38,040 --> 00:25:40,040
Speaker 2: when Harry met Sally for a Super Bowl ad.

558
00:25:40,240 --> 00:25:41,720
Speaker 3: They're back at Katsu's.

559
00:25:41,359 --> 00:25:45,600
Speaker 2: Delhi in the ad for Hellman's Mayonnaise dealing with Bland Sandwiches.

560
00:25:45,880 --> 00:25:50,520
Speaker 8: Something wrong doing it? Nothing, I would turn out that

561
00:25:56,560 --> 00:25:59,679
Speaker 8: what's happening?

562
00:26:02,800 --> 00:26:08,160
Speaker 4: Oh my god, it's just.

563
00:26:12,200 --> 00:26:18,320
Speaker 8: Yes one how about that?

564
00:26:20,800 --> 00:26:21,760
Speaker 5: And that is a sandwich?

565
00:26:22,840 --> 00:26:26,040
Speaker 3: Oh thought she's that was Sydney Sweeney.

566
00:26:26,119 --> 00:26:28,320
Speaker 2: We all have what she's having line at the end

567
00:26:28,359 --> 00:26:31,840
Speaker 2: there when Harry met Sally has just celebrated its thirty

568
00:26:31,920 --> 00:26:33,040
Speaker 2: fifth anniversary.

569
00:26:33,240 --> 00:26:36,040
Speaker 3: So Billy Crystal says it was time to read visit itat.

570
00:26:36,480 --> 00:26:39,479
Speaker 2: Netflix has given the green light for a new TV

571
00:26:39,760 --> 00:26:42,879
Speaker 2: adaptation of Little House in the Prayer.

572
00:26:43,040 --> 00:26:48,280
Speaker 3: No, you could feel the wholesom.

573
00:26:48,640 --> 00:26:51,440
Speaker 4: I could see Michael Lammon's long hair. It cuts down

574
00:26:51,440 --> 00:26:52,880
Speaker 4: another tree to see.

575
00:26:52,680 --> 00:26:53,960
Speaker 3: The kids rolling down the hill.

576
00:26:54,400 --> 00:26:58,159
Speaker 2: There's absolutely absolutely no word on casting thoughts yet, but

577
00:26:58,280 --> 00:27:02,640
Speaker 2: it will be executive produced by Trip Friendly. Trip Friendly,

578
00:27:02,960 --> 00:27:06,320
Speaker 2: who's the son of Ed Friendly, who was the producer

579
00:27:06,359 --> 00:27:08,919
Speaker 2: of the original series. Okay, now, when I think of

580
00:27:09,040 --> 00:27:13,679
Speaker 2: m Night Shyamalan, I don't usually think romance story, but

581
00:27:13,760 --> 00:27:16,080
Speaker 2: that's what he's making next and it's going to star

582
00:27:16,280 --> 00:27:20,640
Speaker 2: Jake Gillenhall. Chamalan's collaborating with romance novelist Nicholas Sparks.

583
00:27:21,280 --> 00:27:26,080
Speaker 3: Now he wrote the notebook, So when I say romance novelist,

584
00:27:26,600 --> 00:27:27,320
Speaker 3: I'm not kidding.

585
00:27:28,080 --> 00:27:30,600
Speaker 2: There is a documentary coming out about the actress Marley Matlin.

586
00:27:30,600 --> 00:27:33,080
Speaker 2: It's premiering at the Sundance Festival, which is on this week.

587
00:27:33,280 --> 00:27:35,840
Speaker 2: Marley had one stipulation about the doc o. She insisted

588
00:27:35,840 --> 00:27:38,639
Speaker 2: the person directing it also be deaf. Matlan was the

589
00:27:38,640 --> 00:27:40,840
Speaker 2: first deef performer to win an Oscar for her role

590
00:27:40,840 --> 00:27:43,320
Speaker 2: in Children of a Lesser God back in nineteen eighty seven.

591
00:27:43,359 --> 00:27:46,359
Speaker 2: And she's done some wonderful stuff that some great stuff

592
00:27:46,400 --> 00:27:48,119
Speaker 2: on TV. I always enjoying Marley Matlin.

593
00:27:48,480 --> 00:27:49,000
Speaker 4: What a talent.

594
00:27:49,720 --> 00:27:56,240
Speaker 5: Same for another Fringe Festival act with Clesy and Lisa.

595
00:27:55,840 --> 00:27:58,880
Speaker 2: Briefs is back for Fringe again with the show Jealous

596
00:27:58,920 --> 00:28:01,520
Speaker 2: at the Auroras Eagle Chant in the Pleasure Garden from

597
00:28:01,560 --> 00:28:04,280
Speaker 2: now until February sixteen. Tickets are available through Fringe world

598
00:28:04,280 --> 00:28:06,680
Speaker 2: dot com dot au. Mark windmillers with us this morning.

599
00:28:06,680 --> 00:28:08,679
Speaker 4: Good morning, thanks for having us.

600
00:28:08,760 --> 00:28:12,400
Speaker 3: You are the co creator of this boy lesque.

601
00:28:12,760 --> 00:28:15,160
Speaker 11: Yea true I am the co creator, a co founder

602
00:28:15,440 --> 00:28:18,280
Speaker 11: with my partner Fez who's the bearded Lady MC. We

603
00:28:18,320 --> 00:28:23,520
Speaker 11: started two thousand and eight, and this is our thirteenth ringe,

604
00:28:24,040 --> 00:28:25,879
Speaker 11: which is mental Yeah, and we have such a brilliant

605
00:28:25,960 --> 00:28:26,920
Speaker 11: loyal following here.

606
00:28:27,000 --> 00:28:29,359
Speaker 3: So two thousand and eight. I didn't actually realize it

607
00:28:29,400 --> 00:28:30,040
Speaker 3: was that long.

608
00:28:30,800 --> 00:28:33,720
Speaker 11: That's how long the company has been going for. But yeah,

609
00:28:33,800 --> 00:28:36,840
Speaker 11: so yeah, we've seen a lot of boys come and go.

610
00:28:38,000 --> 00:28:38,480
Speaker 4: With the MC.

611
00:28:39,560 --> 00:28:44,280
Speaker 11: She's the security guarden, bearded lady. She's an immigrant drag queen.

612
00:28:44,360 --> 00:28:47,360
Speaker 11: She's hectics, so she's very political and fun, super fun.

613
00:28:48,560 --> 00:28:54,520
Speaker 2: So jealous, jealous with three S's that tell us about

614
00:28:54,560 --> 00:28:54,960
Speaker 2: the show?

615
00:28:55,280 --> 00:28:58,239
Speaker 11: Yeah, jealous is it's sort of a homage to our

616
00:28:58,280 --> 00:29:00,360
Speaker 11: club Briefs Night, which is a part of you know,

617
00:29:00,400 --> 00:29:01,160
Speaker 11: it's an hour of power.

618
00:29:01,200 --> 00:29:01,920
Speaker 4: It's a party night.

619
00:29:01,920 --> 00:29:04,680
Speaker 11: It's a party show but with super high skill acrobats,

620
00:29:04,720 --> 00:29:07,240
Speaker 11: drag queens in six inch heels in the air. You know,

621
00:29:07,520 --> 00:29:12,160
Speaker 11: just it's actually it's intense. It's super entertaining and inclusive

622
00:29:12,320 --> 00:29:14,920
Speaker 11: and ridiculous.

623
00:29:15,120 --> 00:29:15,280
Speaker 2: Yeah.

624
00:29:15,560 --> 00:29:17,720
Speaker 4: Sometimes get the chance to watch the crowd seat that

625
00:29:17,760 --> 00:29:19,720
Speaker 4: looks on their faces and get that way factor going on.

626
00:29:19,760 --> 00:29:21,360
Speaker 11: I was actually doing that last night and one of

627
00:29:21,360 --> 00:29:24,360
Speaker 11: the acts Dale Woodbridge Bound the First Nations Boys, does

628
00:29:24,360 --> 00:29:28,280
Speaker 11: this ridiculous sideshow drag number. It's just absolute comedy genius

629
00:29:28,320 --> 00:29:31,080
Speaker 11: and just watching the audiencey just like losing the plot.

630
00:29:31,120 --> 00:29:33,479
Speaker 11: You know, he's a swallow a knife but flips over them,

631
00:29:33,680 --> 00:29:37,160
Speaker 11: so he's actually got them hardcore in his hands. Yeah,

632
00:29:37,360 --> 00:29:38,240
Speaker 11: yeah nice.

633
00:29:38,760 --> 00:29:41,520
Speaker 2: Just walking in six inch shoes is acrobatic to me.

634
00:29:41,720 --> 00:29:44,000
Speaker 2: I've never been able to walk in heels. I will

635
00:29:44,080 --> 00:29:47,080
Speaker 2: roll an ankle before I'm out the door. What is

636
00:29:47,120 --> 00:29:49,680
Speaker 2: the key? Is it? Is it not step? Is there

637
00:29:49,680 --> 00:29:51,320
Speaker 2: a certain party of foot you meant.

638
00:29:51,120 --> 00:29:55,280
Speaker 11: To step on the other bit all of your foot right,

639
00:29:55,880 --> 00:29:58,080
Speaker 11: all of your foot not the don't sort of push back,

640
00:29:58,720 --> 00:30:02,400
Speaker 11: but it does my feet Cane today Stripper Hills that

641
00:30:02,480 --> 00:30:03,960
Speaker 11: have changed my feet.

642
00:30:05,000 --> 00:30:10,760
Speaker 4: And Showby's little bad feet, Stephen Tyler from Asmith Prince

643
00:30:10,800 --> 00:30:14,760
Speaker 4: and they all did their feet in play. Yeah yeah,

644
00:30:14,760 --> 00:30:17,440
Speaker 4: boys and kiss it's not new, is it? Yeah? Good?

645
00:30:17,600 --> 00:30:19,959
Speaker 3: So I hear you came over on a bus.

646
00:30:20,080 --> 00:30:23,480
Speaker 11: We bought a bus, yeah, Priscilla. It's a priscilla Ish

647
00:30:23,520 --> 00:30:26,640
Speaker 11: bus on a budget. It's a Toyota coaster all right,

648
00:30:27,080 --> 00:30:30,880
Speaker 11: three seater. It's covered in this huge colorful banner that

649
00:30:30,880 --> 00:30:31,920
Speaker 11: we put on in Brazil.

650
00:30:32,000 --> 00:30:32,200
Speaker 6: Yeah.

651
00:30:32,200 --> 00:30:35,800
Speaker 11: We spent eight days driving across with about six of us.

652
00:30:35,840 --> 00:30:37,960
Speaker 11: We had a couple of film makers that jumped on

653
00:30:38,000 --> 00:30:40,160
Speaker 11: board a Broken Hills so they're doing a docco and yeah,

654
00:30:40,920 --> 00:30:41,680
Speaker 11: that sounds like fun.

655
00:30:41,760 --> 00:30:43,480
Speaker 4: It was so much fun. There wouldn't have been any

656
00:30:43,680 --> 00:30:46,360
Speaker 4: silliness count on with there shenanigans. My god, we broke

657
00:30:46,400 --> 00:30:48,280
Speaker 4: down and had an eski full of gregs.

658
00:30:48,280 --> 00:30:52,760
Speaker 2: So that was a fun day around scenes. In some

659
00:30:52,800 --> 00:30:54,440
Speaker 2: of the smaller towns, it just stopped out.

660
00:30:54,520 --> 00:30:54,840
Speaker 5: Yeah.

661
00:30:54,840 --> 00:30:59,080
Speaker 11: We stayed in some dodgy motors, dodgy pubs, but brilliant

662
00:30:59,080 --> 00:31:01,920
Speaker 11: pubs because there's such a electic people living in these places.

663
00:31:02,560 --> 00:31:02,760
Speaker 3: You know.

664
00:31:02,840 --> 00:31:05,320
Speaker 11: We met this crazy music from London who was in

665
00:31:05,360 --> 00:31:07,560
Speaker 11: the clash and so what are you doing in the desert?

666
00:31:07,960 --> 00:31:11,840
Speaker 11: Was ridiculous, Yeah, really crazy. He was literally in the clash.

667
00:31:11,920 --> 00:31:14,360
Speaker 4: Yeah, and living in his in his eighties.

668
00:31:14,560 --> 00:31:17,000
Speaker 11: Yeah, living in this I can't remember where it was,

669
00:31:17,080 --> 00:31:17,800
Speaker 11: this tiny town.

670
00:31:20,480 --> 00:31:22,760
Speaker 4: What a great story. You meet some cool people. Yeah,

671
00:31:22,960 --> 00:31:26,160
Speaker 4: that's cool. But what are you like with criticism if anyone? Yeah,

672
00:31:26,160 --> 00:31:29,120
Speaker 4: has been a little bit of stuff online, which is ridiculous.

673
00:31:29,160 --> 00:31:35,560
Speaker 11: Everyone loves a bit of criticism feedback. Keyboard worries completely

674
00:31:35,920 --> 00:31:38,520
Speaker 11: by the positive support. Of course, but yeah, per's amazing

675
00:31:38,640 --> 00:31:41,160
Speaker 11: for us. The fan base is epic, you.

676
00:31:41,120 --> 00:31:42,920
Speaker 4: Know, it's like London for us, very loyal on.

677
00:31:43,080 --> 00:31:45,240
Speaker 11: Yeah, and they come back every year and we've got

678
00:31:45,280 --> 00:31:46,880
Speaker 11: heaps of new people that come back. So it's like

679
00:31:47,320 --> 00:31:49,760
Speaker 11: not to come back because I haven't been, but people

680
00:31:49,800 --> 00:31:52,160
Speaker 11: who bring their family members and you know there's this

681
00:31:52,280 --> 00:31:53,480
Speaker 11: huge thing that has grown.

682
00:31:53,680 --> 00:31:54,520
Speaker 4: Yeah, we love it here.

683
00:31:54,880 --> 00:31:59,080
Speaker 3: Yeah, it's been a warm one. This ship has done.

684
00:32:00,080 --> 00:32:00,320
Speaker 7: Guys.

685
00:32:00,720 --> 00:32:04,120
Speaker 11: Luckily I end the show in a big bird bath, okay,

686
00:32:04,320 --> 00:32:06,000
Speaker 11: and the audience to get a little bit.

687
00:32:08,480 --> 00:32:10,600
Speaker 3: In the front in their own I had a.

688
00:32:10,560 --> 00:32:12,960
Speaker 11: Friend who just had a hair done and she brought

689
00:32:12,960 --> 00:32:13,800
Speaker 11: a shower cap for.

690
00:32:15,960 --> 00:32:17,800
Speaker 4: A bit dramatic that bath.

691
00:32:17,920 --> 00:32:24,240
Speaker 3: Yeah, how did Nickers go? Because that was the other

692
00:32:24,280 --> 00:32:25,800
Speaker 3: show Nickers.

693
00:32:25,760 --> 00:32:28,880
Speaker 11: Nicholas Nickers has been in the pipeline for years. It's

694
00:32:28,880 --> 00:32:33,440
Speaker 11: our all female dream team of burlesque, crazy full.

695
00:32:33,240 --> 00:32:35,239
Speaker 4: On women that are just intense, you know.

696
00:32:35,360 --> 00:32:38,880
Speaker 11: So we had some headliners from UK and amazing Australian

697
00:32:38,920 --> 00:32:41,160
Speaker 11: artists that we put together and yeah, it was a

698
00:32:41,200 --> 00:32:43,000
Speaker 11: crazy It was only three nights, but it was such

699
00:32:43,040 --> 00:32:46,960
Speaker 11: a well responded piece that Fees put together online.

700
00:32:47,000 --> 00:32:48,240
Speaker 4: So they all just did it online.

701
00:32:48,320 --> 00:32:53,440
Speaker 11: You know, Okay, Yeah, amazing, awesome show, really good reviews

702
00:32:53,440 --> 00:32:54,440
Speaker 11: and won a weekly award.

703
00:32:54,960 --> 00:32:56,400
Speaker 4: Yeah, brilliant. Yeah.

704
00:32:56,600 --> 00:32:59,120
Speaker 3: I would imagine you're right there on the front line.

705
00:32:58,880 --> 00:33:01,320
Speaker 2: To be able to gauge just how much the Fringe

706
00:33:01,400 --> 00:33:04,440
Speaker 2: festival has grown over the years.

707
00:33:04,960 --> 00:33:07,480
Speaker 11: The fringe has gotten massive. I think it's the third

708
00:33:07,560 --> 00:33:08,800
Speaker 11: largest now in the world.

709
00:33:08,680 --> 00:33:09,160
Speaker 4: Like Edinburgh.

710
00:33:09,280 --> 00:33:10,200
Speaker 3: That's pretty impressive.

711
00:33:10,280 --> 00:33:11,880
Speaker 4: Pretty much. Yeah, it's pretty wild.

712
00:33:12,720 --> 00:33:14,720
Speaker 11: They've also pulled it back a little bit where I

713
00:33:14,760 --> 00:33:16,960
Speaker 11: think the concentrated sort of area.

714
00:33:17,000 --> 00:33:19,040
Speaker 4: I think it's smart to sort of have a hub.

715
00:33:19,160 --> 00:33:20,720
Speaker 11: I guess, you know, it's always great to have sort

716
00:33:20,720 --> 00:33:23,400
Speaker 11: of satellite spots where you can, you know, on the

717
00:33:23,400 --> 00:33:25,240
Speaker 11: beach or wherever. They used to do a few sort

718
00:33:25,240 --> 00:33:27,320
Speaker 11: of satellite spots a bit. The hub, I think is

719
00:33:27,360 --> 00:33:29,680
Speaker 11: great because it does bring everyone into this area where

720
00:33:29,680 --> 00:33:33,080
Speaker 11: they've got this menu of shows to choose from. You

721
00:33:33,120 --> 00:33:36,040
Speaker 11: literally see them at the front just sort of tonight,

722
00:33:36,960 --> 00:33:38,280
Speaker 11: which I think is such a great culture.

723
00:33:38,520 --> 00:33:42,000
Speaker 4: Tickets are available. It's a great to encourage that sometimes,

724
00:33:42,080 --> 00:33:43,600
Speaker 4: at least when I have these moments every now and then,

725
00:33:43,640 --> 00:33:45,640
Speaker 4: we go, is this a pretty damn good job? You know,

726
00:33:45,640 --> 00:33:47,120
Speaker 4: we sit there and we're talking at Graham Nash and

727
00:33:47,160 --> 00:33:49,920
Speaker 4: Crosby Stiels Naw. But you must have times when you go,

728
00:33:50,160 --> 00:33:52,120
Speaker 4: this is work, this is and we're.

729
00:33:52,000 --> 00:33:54,080
Speaker 11: So lucky to you know, I turned fifty this year

730
00:33:54,120 --> 00:33:56,560
Speaker 11: and still doing my thing, and you know, to have

731
00:33:56,640 --> 00:33:58,760
Speaker 11: this as a career and a job that we've created

732
00:33:58,960 --> 00:34:03,480
Speaker 11: this company and you know, artists and everyone's on good

733
00:34:03,480 --> 00:34:06,000
Speaker 11: wages now and you know, we're getting royalties and it's

734
00:34:06,000 --> 00:34:08,080
Speaker 11: like that's hard the hard work that has paid off.

735
00:34:08,200 --> 00:34:11,280
Speaker 3: Very cool, yeah, so cool, yeah doing that.

736
00:34:11,920 --> 00:34:15,120
Speaker 4: So many performers who will be doing it and maybe

737
00:34:15,160 --> 00:34:16,239
Speaker 4: just just in front.

738
00:34:16,280 --> 00:34:18,319
Speaker 11: And we've learned a lot and it's like learned a

739
00:34:18,360 --> 00:34:20,319
Speaker 11: lot of the actual business side of things, which is

740
00:34:20,520 --> 00:34:22,680
Speaker 11: boring but it's actually so important important.

741
00:34:23,080 --> 00:34:25,880
Speaker 2: Well, the Aurora spiegle Ted is in the Pleasure Garden,

742
00:34:25,920 --> 00:34:27,520
Speaker 2: which is you know, we were just saying, there's a

743
00:34:27,520 --> 00:34:28,719
Speaker 2: really good vibe.

744
00:34:28,360 --> 00:34:29,760
Speaker 3: There this year. Get along.

745
00:34:29,960 --> 00:34:33,520
Speaker 2: It's on from from now until February sixteen. Tickets are

746
00:34:33,560 --> 00:34:36,120
Speaker 2: available through Fringe world dot com dot you lovely to

747
00:34:36,160 --> 00:34:37,120
Speaker 2: see you again.

748
00:34:37,160 --> 00:34:39,600
Speaker 4: Nice to see you. Yeah, we love it here. Yeah,

749
00:34:39,880 --> 00:34:42,760
Speaker 4: it's good on loyal Perth love it see you tonight.

750
00:34:43,680 --> 00:34:47,320
Speaker 1: More Crazy also more podcast soon.

751
00:34:49,520 --> 00:34:53,799
Speaker 10: Great the flick with Ben Ohe good.

752
00:34:53,560 --> 00:34:57,879
Speaker 3: Morning, Ben, Good morning guys. This is a story I'm

753
00:34:57,920 --> 00:34:59,320
Speaker 3: looking forward to seeing.

754
00:34:59,640 --> 00:34:59,839
Speaker 11: Yeah.

755
00:35:00,360 --> 00:35:03,640
Speaker 12: So this is the story of the opera singer Maria Kallas,

756
00:35:03,920 --> 00:35:07,759
Speaker 12: who was so famous that they called her La Callas.

757
00:35:07,920 --> 00:35:09,880
Speaker 12: So you know, when they call you the and then

758
00:35:09,920 --> 00:35:11,920
Speaker 12: your last name, and you're a pretty big deal. And

759
00:35:11,960 --> 00:35:14,960
Speaker 12: she certainly was. She was a pop culture icon, you know,

760
00:35:15,040 --> 00:35:18,120
Speaker 12: like you're talking about, you know, maybe not quite Beatles level,

761
00:35:18,160 --> 00:35:20,239
Speaker 12: but certainly she would rock up at an opera house

762
00:35:20,320 --> 00:35:23,400
Speaker 12: and there would be paparazzi, there would be hordes of

763
00:35:23,480 --> 00:35:27,000
Speaker 12: fans waiting to catch a glimpse of Maria Callas. And

764
00:35:27,239 --> 00:35:29,480
Speaker 12: she was famous also for her you know, sort of

765
00:35:29,520 --> 00:35:32,719
Speaker 12: a private life as well, her decades long dalliance with

766
00:35:32,880 --> 00:35:35,600
Speaker 12: Aristotle on Nassas, who put the O in Jackie O

767
00:35:36,640 --> 00:35:43,640
Speaker 12: and the O. And he was a you know, a

768
00:35:43,640 --> 00:35:48,439
Speaker 12: Greek shipping magnate. Aristotle Onassis broke Maria Callis's heart. Then

769
00:35:48,480 --> 00:35:51,879
Speaker 12: she kind of like lost her voice tragically and then

770
00:35:51,920 --> 00:35:54,440
Speaker 12: lived as a recluse for many years in Paris up

771
00:35:54,480 --> 00:35:56,799
Speaker 12: until her death. And this film sort of tells the

772
00:35:56,800 --> 00:35:59,879
Speaker 12: story of her final few days where she's thinking about

773
00:36:00,040 --> 00:36:03,120
Speaker 12: maybe trying to make a comeback, and she's taking these

774
00:36:03,120 --> 00:36:07,560
Speaker 12: sort of powerful hallucinogenic sedatives and just wandering around Paris

775
00:36:07,560 --> 00:36:09,200
Speaker 12: and kind of reliving.

776
00:36:08,840 --> 00:36:09,880
Speaker 3: Her life, I guess.

777
00:36:10,400 --> 00:36:15,400
Speaker 12: And it stars Angelina Jolie, who's perfectly cast as Maria Callas.

778
00:36:15,880 --> 00:36:18,360
Speaker 12: It's hard to imagine anybody really doing a sort of

779
00:36:18,400 --> 00:36:22,880
Speaker 12: a grand opera diver better than Jolie. I feel a

780
00:36:22,880 --> 00:36:25,920
Speaker 12: bit for Ange. She got overlooked for the Oscars. The

781
00:36:25,960 --> 00:36:30,080
Speaker 12: whole film really got snubbed apart from Best Cinematography. And

782
00:36:30,560 --> 00:36:34,120
Speaker 12: it's from director Pablo Lorraine, who's a director from Chile

783
00:36:34,280 --> 00:36:37,080
Speaker 12: who's really an expert in making these type of movies.

784
00:36:37,120 --> 00:36:40,880
Speaker 12: This is the third of his trilogy of films about

785
00:36:40,920 --> 00:36:45,280
Speaker 12: twentieth century iconic women. He had Jackie starring Natalie Portman,

786
00:36:45,840 --> 00:36:48,880
Speaker 12: that got Natalie Portman and Oscar nomination. He did Spencer

787
00:36:48,960 --> 00:36:52,080
Speaker 12: a couple of years ago about Princess Die starring Kristin

788
00:36:52,120 --> 00:36:55,960
Speaker 12: Stewart that goes awful. Yeah, that wasn't for everybody. I

789
00:36:56,040 --> 00:36:59,760
Speaker 12: guess that wasn't for everybody. Christin Stewart got an Oscar nomination.

790
00:37:00,719 --> 00:37:03,400
Speaker 3: Didn't you say, I know why she's got an Oscar nomination.

791
00:37:04,000 --> 00:37:06,960
Speaker 12: She did, and so I think, and going into this

792
00:37:07,000 --> 00:37:08,920
Speaker 12: would have thought, you know what, this guy knows how

793
00:37:08,960 --> 00:37:12,520
Speaker 12: to get his leading ladies some oscar attention didn't happen,

794
00:37:13,520 --> 00:37:14,600
Speaker 12: which is the iron.

795
00:37:14,560 --> 00:37:16,400
Speaker 3: Just a bit. She's the one that probably should have gone.

796
00:37:16,280 --> 00:37:18,600
Speaker 12: Yeah, it's a bit unfortunate she learned how to sing

797
00:37:18,760 --> 00:37:22,760
Speaker 12: opera and look, ninety ninety five percent of the film

798
00:37:22,840 --> 00:37:26,040
Speaker 12: is actually the real Maria Callis is singing because no

799
00:37:26,040 --> 00:37:29,560
Speaker 12: one's going to sing like she's not just an opera singer,

800
00:37:29,640 --> 00:37:34,320
Speaker 12: one of the best of all time. But and towards

801
00:37:34,360 --> 00:37:36,880
Speaker 12: the end of the film, where she's singing and she

802
00:37:36,920 --> 00:37:41,359
Speaker 12: can't sing anymore, that's actually singers. So when you can't,

803
00:37:41,440 --> 00:37:43,440
Speaker 12: when the audience is supposed to feel sad about how

804
00:37:43,520 --> 00:37:46,520
Speaker 12: much her voice has declined, that's ange singing. And look,

805
00:37:46,560 --> 00:37:48,400
Speaker 12: she does very well though, like you listen to it

806
00:37:48,400 --> 00:37:52,440
Speaker 12: and you go, that's that's pretty bloody good. But the

807
00:37:52,440 --> 00:37:56,920
Speaker 12: actual and one of the unfortunate downsides of the film is,

808
00:37:57,239 --> 00:37:59,680
Speaker 12: you know, an actual opera singer. You see this if

809
00:37:59,719 --> 00:38:01,839
Speaker 12: you see one up close, you see the strain that

810
00:38:01,880 --> 00:38:04,880
Speaker 12: it has on their muscles and their windpipe and you

811
00:38:04,880 --> 00:38:06,879
Speaker 12: can see it kind of bulging in their throat, and

812
00:38:06,920 --> 00:38:10,360
Speaker 12: so it's very hard to mime that. And so when

813
00:38:10,400 --> 00:38:13,279
Speaker 12: Angelina Jolie is miming some of these big arias in

814
00:38:13,320 --> 00:38:17,319
Speaker 12: the flashbacks, you can see that she's not singing, but

815
00:38:17,400 --> 00:38:19,719
Speaker 12: we're in the kind of final stages of the movie

816
00:38:19,719 --> 00:38:21,719
Speaker 12: where she is actually singing. That's some of the most

817
00:38:21,760 --> 00:38:25,000
Speaker 12: powerful moments, and she does a good job. I think

818
00:38:25,000 --> 00:38:27,600
Speaker 12: she does a pretty good job. It's really a one

819
00:38:27,640 --> 00:38:32,279
Speaker 12: woman show this movie. There's some nice supporting performances from

820
00:38:32,360 --> 00:38:36,080
Speaker 12: the two actors that play her house staff, because she

821
00:38:36,120 --> 00:38:39,480
Speaker 12: really lives alone in this chateau in Paris with her butler,

822
00:38:39,520 --> 00:38:44,799
Speaker 12: who's played by the great Pierre Francesco, who has been

823
00:38:44,800 --> 00:38:47,759
Speaker 12: in a bunch of Italian films and plays the Ferruccio,

824
00:38:47,840 --> 00:38:50,640
Speaker 12: her butler, who actually interviews with the real life Ferruccio

825
00:38:51,320 --> 00:38:53,680
Speaker 12: helped kind of come up with the script of this film.

826
00:38:54,480 --> 00:39:01,120
Speaker 12: And Australia's own Cody Smith McPhee in the film. Yeah, unfortunately,

827
00:39:01,120 --> 00:39:03,799
Speaker 12: his character is to be honest, is probably the thing

828
00:39:03,800 --> 00:39:09,080
Speaker 12: that is the most annoying about Really. It's not that

829
00:39:09,120 --> 00:39:12,640
Speaker 12: he's not good, he's fine, but his character is called Mandrex,

830
00:39:12,680 --> 00:39:14,880
Speaker 12: which is the name of the hallucinogenic drug that she

831
00:39:15,000 --> 00:39:18,279
Speaker 12: was taking, so he's probably not actually really there the

832
00:39:18,320 --> 00:39:21,879
Speaker 12: whole time, and so it's just unnecessary, you know, it's

833
00:39:22,160 --> 00:39:26,680
Speaker 12: an unnecessary kind of little affectation. And he's playing this

834
00:39:26,800 --> 00:39:28,960
Speaker 12: journalist who's interviewing her, and so that's kind of the

835
00:39:28,960 --> 00:39:31,600
Speaker 12: device the director uses to get her to kind of

836
00:39:31,600 --> 00:39:35,960
Speaker 12: have the inner monologue on the outside. And but yeah,

837
00:39:35,960 --> 00:39:39,640
Speaker 12: but the cinematography that was Oscar nominated is by the

838
00:39:39,680 --> 00:39:42,920
Speaker 12: bloke who did. If you've seen The Virgin Suicides by

839
00:39:43,040 --> 00:39:47,960
Speaker 12: Sophia Coppola or Todd Haynes's Carroll, two stunningly gorgeous films,

840
00:39:48,400 --> 00:39:50,680
Speaker 12: you get a good idea of what this film looks like.

841
00:39:51,320 --> 00:39:52,400
Speaker 12: It's beautiful to watch.

842
00:39:52,480 --> 00:39:54,560
Speaker 4: It is luscious.

843
00:39:54,640 --> 00:39:56,919
Speaker 12: The streets of Paris. It seems like every single shot

844
00:39:57,040 --> 00:40:00,440
Speaker 12: was shot at either sunrise or sunsthing. Yeah, beautiful.

845
00:40:00,560 --> 00:40:03,040
Speaker 3: Does it delve a lot into just how much on

846
00:40:03,160 --> 00:40:04,359
Speaker 3: Nassas broke her?

847
00:40:04,840 --> 00:40:07,759
Speaker 12: Yeah, like I think it really does. You know, he

848
00:40:07,840 --> 00:40:10,160
Speaker 12: she kind of fell for him. He was this, you know,

849
00:40:10,200 --> 00:40:13,440
Speaker 12: this cocky Greek shipping magnate who was you know, punching

850
00:40:13,560 --> 00:40:16,120
Speaker 12: well above his weight, even trying to have a crack

851
00:40:16,160 --> 00:40:19,840
Speaker 12: at Maria Kallis, yes, and but you know he wound

852
00:40:19,920 --> 00:40:22,960
Speaker 12: her with his extreme wealth and then just kind of

853
00:40:23,120 --> 00:40:26,120
Speaker 12: really left her for Jackie. Oh Jackie ken.

854
00:40:26,120 --> 00:40:28,720
Speaker 2: Is it true that she continued to have an affair

855
00:40:28,800 --> 00:40:31,839
Speaker 2: with him? But yeah, so he yeah, and.

856
00:40:31,960 --> 00:40:35,279
Speaker 12: The kind of film, the kind of film suggests that

857
00:40:35,360 --> 00:40:39,080
Speaker 12: maybe Aristotle on Nassas got it on with Jackie Kennedy

858
00:40:39,160 --> 00:40:42,440
Speaker 12: while she was still married to JFK, which is and

859
00:40:42,480 --> 00:40:45,160
Speaker 12: there's a little a little scene where JFK is kind

860
00:40:45,160 --> 00:40:49,160
Speaker 12: of interacting with Maria Kallis, which is really fascinating as well.

861
00:40:49,760 --> 00:40:55,719
Speaker 4: It's not a JK. Yes, he did extra curricular exactly.

862
00:40:55,840 --> 00:40:57,839
Speaker 12: Well, they have they mentioned that as well. I think

863
00:40:57,880 --> 00:41:02,480
Speaker 12: that show was They show Maria Callas at that famous

864
00:41:02,760 --> 00:41:09,000
Speaker 12: famous JFK birthday event where Marilyn Monroe a pleasant and

865
00:41:09,640 --> 00:41:12,680
Speaker 12: Aristotle and Ass is saying to Maria, callis you know,

866
00:41:12,840 --> 00:41:16,080
Speaker 12: like talking about Marilyn up on stage, and Maria says

867
00:41:16,120 --> 00:41:20,120
Speaker 12: to Aristotle and Asses, it's amazing, you know, you know,

868
00:41:20,520 --> 00:41:22,799
Speaker 12: everyone only cares about her body, no one cares about

869
00:41:22,840 --> 00:41:26,200
Speaker 12: her voice, and he says to her, well, Maria, you're

870
00:41:26,239 --> 00:41:28,400
Speaker 12: the opposite. Everyone cares about your voice and no one

871
00:41:28,440 --> 00:41:29,320
Speaker 12: cares about your body.

872
00:41:30,719 --> 00:41:34,360
Speaker 3: It was a line, so it was good with words?

873
00:41:35,160 --> 00:41:41,720
Speaker 2: How many note over Tilly in this case, skinny lady Sings.

874
00:41:41,800 --> 00:41:44,440
Speaker 12: Is a very skinny lady in this case. You know

875
00:41:44,520 --> 00:41:46,880
Speaker 12: it's not perfect, but I think Angela Jolly is so

876
00:41:46,880 --> 00:41:48,520
Speaker 12: good and it looks so beautiful. I'm going to give

877
00:41:48,520 --> 00:41:49,319
Speaker 12: this one a three and a half.

878
00:41:49,320 --> 00:41:50,359
Speaker 4: Oh, okay, very good.

879
00:41:51,200 --> 00:41:53,920
Speaker 3: Any is there any sort of like does she? Is

880
00:41:53,960 --> 00:41:55,680
Speaker 3: she just Angelina Jolly sized?

881
00:41:56,360 --> 00:42:01,200
Speaker 12: Yeah, she's not looking up. She didn't bulk up for

882
00:42:01,239 --> 00:42:03,520
Speaker 12: this one, okay. And lots of flashback yet, lots of

883
00:42:03,560 --> 00:42:03,920
Speaker 12: flash back.

884
00:42:04,000 --> 00:42:10,480
Speaker 4: Very good, very good, Thanks Ben, Guys Crazy and Lisa H.