1 00:00:01,560 --> 00:00:01,840 Speaker 1: Town. 2 00:00:06,840 --> 00:00:08,320 Speaker 2: Damn. Okay. 3 00:00:09,080 --> 00:00:12,639 Speaker 3: We'll first off, Btes, we's going to have to replay 4 00:00:12,640 --> 00:00:14,040 Speaker 3: a moment from our full show. 5 00:00:15,400 --> 00:00:17,680 Speaker 2: You don't have to have heard it, you don't have 6 00:00:17,680 --> 00:00:18,360 Speaker 2: to know anything about it. 7 00:00:18,440 --> 00:00:19,640 Speaker 3: All we need to know is that we get this 8 00:00:19,680 --> 00:00:23,959 Speaker 3: old guy called Harry to try and do technological things 9 00:00:23,960 --> 00:00:26,800 Speaker 3: on the show. It's always a real treat. Today we're 10 00:00:26,800 --> 00:00:28,320 Speaker 3: trying to get him to a merge call. We've already 11 00:00:28,360 --> 00:00:31,960 Speaker 3: tried this on three other occasions. I'm just gonna thrown 12 00:00:31,960 --> 00:00:34,080 Speaker 3: out to some audio of his This is the other 13 00:00:34,159 --> 00:00:36,640 Speaker 3: is fourth or temph and what happened when. 14 00:00:36,520 --> 00:00:38,479 Speaker 2: He was trying to merge a call with his wife. 15 00:00:39,280 --> 00:00:40,320 Speaker 2: I think he's still there. 16 00:00:40,640 --> 00:00:41,839 Speaker 4: He's definitely still there. 17 00:00:42,520 --> 00:00:47,320 Speaker 2: He's pounding me. The bloody hell's going on? 18 00:00:47,400 --> 00:01:00,160 Speaker 1: Yeah, easy with you, probably you can probably hear that. 19 00:01:00,240 --> 00:01:02,160 Speaker 2: But he didn't manage to mvate and get there. 20 00:01:02,400 --> 00:01:04,760 Speaker 4: Not today, not today. 21 00:01:05,040 --> 00:01:06,600 Speaker 2: Very funny. We love Harry, We love it. 22 00:01:06,680 --> 00:01:08,000 Speaker 3: And by the way, there was a there was a 23 00:01:08,760 --> 00:01:10,280 Speaker 3: we were going to pay for his dinner if he 24 00:01:10,319 --> 00:01:11,640 Speaker 3: if he got that through, and I think that was 25 00:01:11,680 --> 00:01:12,800 Speaker 3: the pressure that he didn't need. 26 00:01:13,240 --> 00:01:15,240 Speaker 4: It was one hundred and ninety five dollars per head. 27 00:01:15,319 --> 00:01:16,319 Speaker 2: As well that dinner. 28 00:01:16,440 --> 00:01:19,160 Speaker 4: So you've dodged a billert there, but very lucky. I 29 00:01:19,200 --> 00:01:22,199 Speaker 4: would have paid. I was very happy to pay for him, 30 00:01:22,200 --> 00:01:25,160 Speaker 4: so excited. I loved the idea of shouting him. And 31 00:01:25,280 --> 00:01:27,640 Speaker 4: and you know it'll be an equal prize. I mented 32 00:01:27,680 --> 00:01:29,080 Speaker 4: with a big fellow next week if he can get 33 00:01:29,080 --> 00:01:30,839 Speaker 4: it done. Loves are freezing. 34 00:01:31,480 --> 00:01:36,639 Speaker 3: He loves with his six pillows that we said spinal 35 00:01:36,680 --> 00:01:39,640 Speaker 3: these pillows all right, now, just onto business. 36 00:01:39,520 --> 00:01:40,760 Speaker 2: Business, let's get down to it. 37 00:01:40,840 --> 00:01:43,880 Speaker 3: But we're doing like itineries before these behind the scenes chats. 38 00:01:43,880 --> 00:01:45,640 Speaker 4: Now you know what's the itinerary? 39 00:01:45,840 --> 00:01:47,600 Speaker 2: Well, the itinery is well covered. 40 00:01:47,800 --> 00:01:50,320 Speaker 4: You the index? Do we do that last time? As early? 41 00:01:51,040 --> 00:01:53,120 Speaker 4: What we're going to talk about? And now we're talking 42 00:01:53,120 --> 00:01:57,800 Speaker 4: about Tina Arena. 43 00:02:00,120 --> 00:02:02,120 Speaker 2: You desperately want to be friends with Tina Arena. 44 00:02:02,240 --> 00:02:04,720 Speaker 4: Again, I wouldn't try the D word around, but you 45 00:02:04,920 --> 00:02:09,280 Speaker 4: just just lean into it un bandied that about. I 46 00:02:09,320 --> 00:02:11,880 Speaker 4: think I'm I'm ken to be made with it. I'm 47 00:02:11,919 --> 00:02:13,400 Speaker 4: king to have a drink of that. I think I'm 48 00:02:13,400 --> 00:02:15,880 Speaker 4: happy with a K word, but the D word bit aggressive. 49 00:02:16,160 --> 00:02:17,440 Speaker 2: Very keen to be made. 50 00:02:17,280 --> 00:02:18,639 Speaker 4: Happy with a bit of K. Not happy with a 51 00:02:18,639 --> 00:02:20,480 Speaker 4: bit of D. That's what I would say. 52 00:02:20,560 --> 00:02:23,440 Speaker 2: Yeah, I've just said that before. Okay. 53 00:02:23,520 --> 00:02:26,720 Speaker 3: So we found out, or I found out, that there 54 00:02:26,800 --> 00:02:32,560 Speaker 3: is a direct personal connection between my partner's mum, Michelle 55 00:02:32,760 --> 00:02:35,880 Speaker 3: and Tina Arena. They actually worked together on Young Talent 56 00:02:35,960 --> 00:02:39,480 Speaker 3: Time for ten years. Massive Tina Arena was Tiny Tina. 57 00:02:39,760 --> 00:02:39,959 Speaker 4: Yep. 58 00:02:40,000 --> 00:02:41,120 Speaker 2: We called Michelle yesterday. 59 00:02:41,200 --> 00:02:43,600 Speaker 3: We were like, Michelle, would you be open to sending 60 00:02:43,600 --> 00:02:46,239 Speaker 3: a text message to Tina Arena to get us in there? 61 00:02:46,400 --> 00:02:50,240 Speaker 4: Yes? And she has agreed, and she's drafted a message 62 00:02:50,280 --> 00:02:53,360 Speaker 4: up and she sent it back to you. Yes, Yes, Okay, great, 63 00:02:53,400 --> 00:02:55,480 Speaker 4: I can read it till we confirm whether they hooked up. 64 00:02:55,520 --> 00:02:57,120 Speaker 4: Did that come up at all in your message? 65 00:02:57,360 --> 00:02:59,200 Speaker 3: What do you think, mate? Do you think I would 66 00:02:59,240 --> 00:03:01,440 Speaker 3: have brought that up with my mother in law? 67 00:03:01,600 --> 00:03:03,440 Speaker 4: You're getting sensitive about it, which making me think that 68 00:03:03,440 --> 00:03:04,120 Speaker 4: it might have happened. 69 00:03:04,160 --> 00:03:06,720 Speaker 3: Well, I don't know, so I can't be. That's not 70 00:03:06,960 --> 00:03:09,400 Speaker 3: an admission of guilt because I don't have the knowledge. 71 00:03:09,400 --> 00:03:10,120 Speaker 4: You sound guilty. 72 00:03:11,200 --> 00:03:12,080 Speaker 2: Why am I guilty? 73 00:03:12,960 --> 00:03:15,640 Speaker 4: I'm not the guilty one here, You're just the one 74 00:03:15,680 --> 00:03:16,400 Speaker 4: who's got the defense. 75 00:03:16,520 --> 00:03:18,680 Speaker 3: Let me read the message, okay, and you just let 76 00:03:18,680 --> 00:03:21,040 Speaker 3: me know, just say stop if you want to make 77 00:03:21,120 --> 00:03:21,799 Speaker 3: it an edit. 78 00:03:22,440 --> 00:03:25,480 Speaker 2: So I yell stop because they stop. What do you 79 00:03:25,520 --> 00:03:25,840 Speaker 2: want to do? 80 00:03:25,919 --> 00:03:27,840 Speaker 4: I don't know, just go how long is it? 81 00:03:27,840 --> 00:03:28,519 Speaker 2: It's pretty long? 82 00:03:28,680 --> 00:03:28,800 Speaker 1: Oh? 83 00:03:28,919 --> 00:03:29,239 Speaker 4: Really? 84 00:03:29,480 --> 00:03:30,280 Speaker 2: But I think she's got it. 85 00:03:31,040 --> 00:03:33,280 Speaker 4: She's given us, she's given us all the whole message. 86 00:03:33,360 --> 00:03:35,800 Speaker 4: So she's really buttering her up. Maybe there is history there. 87 00:03:35,800 --> 00:03:36,200 Speaker 2: Who knows? 88 00:03:36,200 --> 00:03:38,800 Speaker 4: Anyway, here we go, Okay, you just start reading and 89 00:03:39,040 --> 00:03:41,400 Speaker 4: what I'm saying, bing if stop? 90 00:03:42,160 --> 00:03:46,960 Speaker 3: Okay, Hey Tina, it's Michelle Gibbs. And then in brackets Saliba, 91 00:03:47,040 --> 00:03:50,800 Speaker 3: which is her pre marriage name birth name is probably 92 00:03:50,800 --> 00:03:51,240 Speaker 3: a better way to. 93 00:03:51,240 --> 00:03:59,240 Speaker 4: Say, fellas Michelle Gibbs slash Saliba from Y T T 94 00:03:59,400 --> 00:04:00,520 Speaker 4: slash TV House. 95 00:04:00,600 --> 00:04:03,160 Speaker 3: Yeah, talent, it's been so long, and I hope you 96 00:04:03,200 --> 00:04:04,400 Speaker 3: don't mind me contacting you. 97 00:04:04,760 --> 00:04:05,320 Speaker 2: Nice touch. 98 00:04:05,840 --> 00:04:08,480 Speaker 3: My daughter, Mimi's fiance and baby daddy is Woody White 99 00:04:08,520 --> 00:04:10,520 Speaker 3: Law from Will and Woody four pm till six pm 100 00:04:10,520 --> 00:04:11,600 Speaker 3: week nights on Kiss FM. 101 00:04:11,720 --> 00:04:14,360 Speaker 4: There's a lot of brackets going on. I just reduce 102 00:04:14,400 --> 00:04:15,520 Speaker 4: the brackets for now. 103 00:04:15,600 --> 00:04:17,000 Speaker 2: It's only one bracket. 104 00:04:16,920 --> 00:04:20,000 Speaker 4: Or wasn't that brackets four pm till six pm, Kiss 105 00:04:20,040 --> 00:04:20,600 Speaker 4: Kiss FM. 106 00:04:20,640 --> 00:04:21,400 Speaker 2: No brackets there? 107 00:04:21,520 --> 00:04:24,120 Speaker 4: Do you think she needs? Sorry? Bing? Do you think 108 00:04:24,160 --> 00:04:26,039 Speaker 4: she needs. 109 00:04:25,960 --> 00:04:28,159 Speaker 2: Stop, let me finish this sentence, and you let me 110 00:04:28,200 --> 00:04:28,680 Speaker 2: know if. 111 00:04:28,680 --> 00:04:30,320 Speaker 4: You said, I could bing in whenever I wanted it. 112 00:04:30,320 --> 00:04:31,760 Speaker 4: So I'm going a bing right now. Okay, what do 113 00:04:31,839 --> 00:04:35,520 Speaker 4: you think that she needs to qualify? Like you know 114 00:04:35,520 --> 00:04:37,720 Speaker 4: willim Woody four till six pm, Kiss FM, Like do 115 00:04:37,760 --> 00:04:38,840 Speaker 4: you think she needs she. 116 00:04:38,760 --> 00:04:41,840 Speaker 2: Makes She's about to make a joke about that. You 117 00:04:41,839 --> 00:04:45,919 Speaker 2: want to hear the joke? Yeah, baby daddy is what 118 00:04:45,960 --> 00:04:46,240 Speaker 2: do you white? 119 00:04:46,279 --> 00:04:46,440 Speaker 4: Law? 120 00:04:46,440 --> 00:04:49,039 Speaker 3: From willan Woody four till six pm weeknights on KISSFM, 121 00:04:49,240 --> 00:04:51,560 Speaker 3: just in case you don't know them, laugh face. And 122 00:04:51,600 --> 00:04:54,039 Speaker 3: they're also number one in the ratings nationally. Bit of 123 00:04:54,080 --> 00:04:56,280 Speaker 3: a plug for the boys. So I think she's lent 124 00:04:56,400 --> 00:04:58,599 Speaker 3: into the whole. I'm doing a plug. I'm a mother 125 00:04:58,640 --> 00:05:02,920 Speaker 3: in law. I'm proud, good context, and also think, yeah, 126 00:05:03,440 --> 00:05:06,400 Speaker 3: she's managed to disguise the fact that she's letting tend 127 00:05:06,400 --> 00:05:08,320 Speaker 3: to know who we are and then making a joke 128 00:05:08,360 --> 00:05:08,640 Speaker 3: about it. 129 00:05:08,640 --> 00:05:09,840 Speaker 4: Would you get a bit lost in it? Do you 130 00:05:09,839 --> 00:05:11,160 Speaker 4: think she could just well? 131 00:05:11,160 --> 00:05:13,359 Speaker 3: I think reading it, you don't get lost it. Tina 132 00:05:13,400 --> 00:05:14,480 Speaker 3: won't listen to this. 133 00:05:14,640 --> 00:05:17,479 Speaker 4: She will read it right because I know unless she does. 134 00:05:17,520 --> 00:05:19,600 Speaker 2: Like an assistant who reads her messages. 135 00:05:19,279 --> 00:05:21,280 Speaker 4: To a little ascribe. 136 00:05:21,400 --> 00:05:22,600 Speaker 2: What would you like to tweak in that? 137 00:05:22,880 --> 00:05:24,920 Speaker 4: Well, I just don't know because I think that there's 138 00:05:25,040 --> 00:05:27,400 Speaker 4: it could just be like and again if Michelle, I'm 139 00:05:27,440 --> 00:05:30,880 Speaker 4: not I'm not sure if Michelle Saliba birth name listens 140 00:05:30,920 --> 00:05:34,680 Speaker 4: to this or not, but she does. So I don't 141 00:05:34,680 --> 00:05:36,240 Speaker 4: want to I don't want to be too critical of this, 142 00:05:36,400 --> 00:05:36,800 Speaker 4: but I'm just. 143 00:05:37,440 --> 00:05:40,880 Speaker 3: She actually said to me, she said, feel free not 144 00:05:40,960 --> 00:05:44,920 Speaker 3: to include the she's attached a photo. We I'll get 145 00:05:44,960 --> 00:05:47,920 Speaker 3: to that more than have you to change anything, and 146 00:05:47,960 --> 00:05:49,840 Speaker 3: you may need to include something. In regard to Tina 147 00:05:49,880 --> 00:05:54,040 Speaker 3: contacting you, She's literally said that in print, Like I'm 148 00:05:54,080 --> 00:05:54,520 Speaker 3: not married. 149 00:05:54,520 --> 00:05:58,920 Speaker 4: All I'm saying is should she just go Will and 150 00:05:58,960 --> 00:06:00,919 Speaker 4: Woody and then just leave it? 151 00:06:00,960 --> 00:06:02,880 Speaker 3: And so my daughter, Mimi's fiance and baby that is 152 00:06:02,920 --> 00:06:04,479 Speaker 3: Woody whitelaw from willan Woody full stop? 153 00:06:04,560 --> 00:06:06,520 Speaker 4: Yeah, do you know like maybe, like I don't know, 154 00:06:06,600 --> 00:06:09,960 Speaker 4: maybe because then because if because then she's going to 155 00:06:10,040 --> 00:06:11,600 Speaker 4: go who's will and Woody and she's going to look 156 00:06:11,600 --> 00:06:13,960 Speaker 4: it up just google it. But if she doesn't qualify 157 00:06:14,000 --> 00:06:15,719 Speaker 4: who Will and Woody are because let's face it, tenure 158 00:06:15,760 --> 00:06:17,080 Speaker 4: and it has no faking idea who. 159 00:06:16,920 --> 00:06:18,080 Speaker 2: We are, but she's like. 160 00:06:18,000 --> 00:06:22,200 Speaker 3: One of our videos, she did comment, actually she did, 161 00:06:22,400 --> 00:06:23,839 Speaker 3: oh yeah, easy, she did. 162 00:06:24,120 --> 00:06:26,920 Speaker 4: Sorry I'm pointing at you, but she did. She said 163 00:06:26,960 --> 00:06:29,320 Speaker 4: that was a moment of grace on our video. So 164 00:06:29,360 --> 00:06:31,039 Speaker 4: I think she does know who wasn't saying you were 165 00:06:31,080 --> 00:06:31,680 Speaker 4: a moment of grace. 166 00:06:31,720 --> 00:06:32,720 Speaker 2: I was part of you. 167 00:06:34,000 --> 00:06:36,520 Speaker 4: That's what she said on her video. Yeah, So I 168 00:06:36,520 --> 00:06:38,080 Speaker 4: think if she just says will and Woody and then 169 00:06:38,120 --> 00:06:40,280 Speaker 4: because if she doesn't know who we are, she goes 170 00:06:40,320 --> 00:06:41,000 Speaker 4: and looks it up. 171 00:06:41,360 --> 00:06:42,840 Speaker 2: Yeah, I'm happy with that. 172 00:06:42,920 --> 00:06:45,240 Speaker 3: Right, we just go right, is Woody white Law from 173 00:06:45,240 --> 00:06:46,120 Speaker 3: Willim Woody full stop? 174 00:06:46,200 --> 00:06:46,320 Speaker 4: Right? 175 00:06:46,360 --> 00:06:49,839 Speaker 3: And then it would go to yeah, right, then it 176 00:06:49,880 --> 00:06:52,320 Speaker 3: goes to they would absolutely love to have you on 177 00:06:52,360 --> 00:06:54,040 Speaker 3: the show for a chat regard on your fourth. 178 00:06:53,800 --> 00:06:56,000 Speaker 4: Grade, because then she's going They've got to show Willian Woody, 179 00:06:56,000 --> 00:06:58,600 Speaker 4: They've got to show you know, right, right, Sorry, I 180 00:06:58,640 --> 00:07:01,159 Speaker 4: got to say something right right, you're getting very firm, 181 00:07:01,160 --> 00:07:02,320 Speaker 4: You're getting very firm. 182 00:07:02,600 --> 00:07:05,000 Speaker 3: I'm getting I absolutely love you to have you on 183 00:07:05,000 --> 00:07:06,800 Speaker 3: the show for a chat regarding your forthcoming gig at 184 00:07:06,800 --> 00:07:09,400 Speaker 3: Melbourne Town Hall Open Brackets, which we have tickets for 185 00:07:09,520 --> 00:07:11,080 Speaker 3: dot dot dot and can't wait. 186 00:07:11,400 --> 00:07:13,080 Speaker 4: A bit desperate from her, But that's okay, that's her, 187 00:07:13,160 --> 00:07:13,840 Speaker 4: that's her cross to. 188 00:07:13,760 --> 00:07:15,320 Speaker 2: Bed, and I think it's important that can't. 189 00:07:15,320 --> 00:07:17,360 Speaker 4: I can't. I can't drop the message from michelle'serspective. I've 190 00:07:17,360 --> 00:07:19,760 Speaker 4: got to stop protecting her to protect ourselves here. But 191 00:07:19,800 --> 00:07:21,760 Speaker 4: I think she sounds a bit desperate there. But that's fine. 192 00:07:21,800 --> 00:07:23,400 Speaker 3: But I think that's very important to let her know 193 00:07:23,440 --> 00:07:25,640 Speaker 3: that I'm not just messaging you for these guys. 194 00:07:25,840 --> 00:07:27,680 Speaker 2: I still like you. Do you know what I mean. 195 00:07:27,880 --> 00:07:29,960 Speaker 4: I don't mean it's desperate. But it's fine. It's fine. 196 00:07:30,000 --> 00:07:32,360 Speaker 4: We'll let it. Let it. That's fine. It ruins if 197 00:07:32,360 --> 00:07:34,000 Speaker 4: we have to, if we have to step on a 198 00:07:34,000 --> 00:07:36,360 Speaker 4: few rocks to get across the river here, Michelle, give 199 00:07:36,360 --> 00:07:36,840 Speaker 4: me one of them. 200 00:07:37,000 --> 00:07:40,240 Speaker 3: Okay, close braggarts, and put me up to contacting you 201 00:07:40,320 --> 00:07:41,520 Speaker 3: when they realize the connection. 202 00:07:42,280 --> 00:07:43,920 Speaker 2: You're okay with that, put me, put me up to 203 00:07:43,960 --> 00:07:44,480 Speaker 2: contacting you. 204 00:07:44,520 --> 00:07:48,360 Speaker 4: Put me up aggressive. She's jostling for position, there, isn't she? 205 00:07:50,280 --> 00:07:53,560 Speaker 2: They asked, and they asked, asked me to contact him. Okay, 206 00:07:53,560 --> 00:07:56,000 Speaker 2: I have to remember all these edits ship. 207 00:07:57,240 --> 00:07:59,200 Speaker 4: Well, you should just do that, just copy and paste 208 00:07:59,240 --> 00:08:03,080 Speaker 4: it into your into your thing. Oh no, no, not. 209 00:08:03,600 --> 00:08:08,920 Speaker 4: Why are you taking computer on? Why Copley turned off? 210 00:08:09,320 --> 00:08:12,720 Speaker 4: Why is your computer turn off? He turns his computer 211 00:08:12,760 --> 00:08:15,400 Speaker 4: on and off like it's nineteen ninety five. He shuts 212 00:08:15,400 --> 00:08:19,920 Speaker 4: it down after the why did you fight? 213 00:08:20,120 --> 00:08:22,640 Speaker 2: Copy? Copy? 214 00:08:24,000 --> 00:08:28,240 Speaker 4: And then Tom, can you edit this? We can't, we 215 00:08:28,320 --> 00:08:29,360 Speaker 4: can't hit it. 216 00:08:29,400 --> 00:08:30,080 Speaker 2: Now I'm back. 217 00:08:30,480 --> 00:08:32,160 Speaker 4: How to double tap on this? 218 00:08:33,520 --> 00:08:35,440 Speaker 2: Boom boom? To let him quick? 219 00:08:36,400 --> 00:08:37,280 Speaker 4: What's your first editor? 220 00:08:37,760 --> 00:08:39,440 Speaker 2: Get him of all that four pm till six pm? 221 00:08:39,640 --> 00:08:42,640 Speaker 4: Great? Getting rid of the number one? Yeah, yeah, I 222 00:08:42,640 --> 00:08:43,360 Speaker 4: think that's going to go. 223 00:08:44,120 --> 00:08:44,800 Speaker 2: And I'm putting up. 224 00:08:44,840 --> 00:08:45,280 Speaker 4: It's got to go. 225 00:08:45,800 --> 00:08:49,960 Speaker 2: It's just got to so uh And they and they 226 00:08:50,240 --> 00:08:51,040 Speaker 2: asked me. 227 00:08:53,600 --> 00:09:00,839 Speaker 3: And because this is way better, more boring though, they 228 00:09:00,880 --> 00:09:05,000 Speaker 3: asked me to contact you when they realize the connection. Yeah, perfect, okay, 229 00:09:05,840 --> 00:09:08,920 Speaker 3: have followed your career forever and love the woman you 230 00:09:09,000 --> 00:09:11,360 Speaker 3: are much love kissy face X. 231 00:09:12,360 --> 00:09:15,360 Speaker 4: That's unreal great finish, it's really strong finish. 232 00:09:15,600 --> 00:09:20,360 Speaker 3: I oh, Jay why asked me to have a reunion 233 00:09:20,400 --> 00:09:22,000 Speaker 3: at my house just before COVID And it was a 234 00:09:22,040 --> 00:09:25,360 Speaker 3: beautiful catch up. Only a few people that I could 235 00:09:25,400 --> 00:09:27,480 Speaker 3: gather quickly as John was coming to Melbourne. 236 00:09:27,520 --> 00:09:28,920 Speaker 2: Photo attached x X. 237 00:09:29,200 --> 00:09:30,719 Speaker 3: Now I actually think that's a really nice touch to 238 00:09:30,800 --> 00:09:33,719 Speaker 3: kind of take it away again to go, hey, I 239 00:09:34,320 --> 00:09:36,760 Speaker 3: as Michelle, I care and love about you. 240 00:09:37,000 --> 00:09:39,800 Speaker 2: Yeah, and I'm not just using you to I might 241 00:09:39,840 --> 00:09:41,280 Speaker 2: have done write this message to get you on Will 242 00:09:41,320 --> 00:09:41,640 Speaker 2: and Woody. 243 00:09:41,679 --> 00:09:43,319 Speaker 4: Tina didn't go to that catch up though, did she? 244 00:09:43,480 --> 00:09:45,559 Speaker 2: She did not? Look again, it's just every run in 245 00:09:45,559 --> 00:09:46,079 Speaker 2: the photo though. 246 00:09:46,160 --> 00:09:48,000 Speaker 4: Yeah, I know, but like, here's the thing you didn't 247 00:09:48,040 --> 00:09:51,000 Speaker 4: come to because you know you're a celebrity now. But again, 248 00:09:52,120 --> 00:09:54,599 Speaker 4: if Michelle can no, no, let her keep it like 249 00:09:54,679 --> 00:09:56,880 Speaker 4: it's good for her. I agree with you. It's good. 250 00:09:57,480 --> 00:10:00,800 Speaker 4: It's good for us, for her or for but that's fine. 251 00:10:01,320 --> 00:10:04,240 Speaker 3: You think it looks desperate for Michelle, Yeah, but that's that's. 252 00:10:04,120 --> 00:10:05,640 Speaker 4: Michelle's race to run. And I don't think you need 253 00:10:05,679 --> 00:10:09,080 Speaker 4: to choose where your allegiances lie here and they lie 254 00:10:09,120 --> 00:10:15,160 Speaker 4: with they love with me. Michelle needs to be the 255 00:10:15,200 --> 00:10:17,000 Speaker 4: log that we walk across to get across the river 256 00:10:17,200 --> 00:10:21,319 Speaker 4: as the metaphor the great river that is the relationship 257 00:10:21,360 --> 00:10:22,960 Speaker 4: with Tena Arena. That's fine. 258 00:10:23,320 --> 00:10:25,360 Speaker 2: I think Michelle's on the log with us. I think 259 00:10:25,400 --> 00:10:26,640 Speaker 2: Michelle's helping us on the log. 260 00:10:26,760 --> 00:10:27,560 Speaker 4: Michelle is the log. 261 00:10:27,720 --> 00:10:29,640 Speaker 2: No, she's not the log. The log is the phone. 262 00:10:30,679 --> 00:10:31,520 Speaker 2: Michelle's on the log with. 263 00:10:31,640 --> 00:10:35,520 Speaker 4: Sure whatever you need to believe what I don't believe. 264 00:10:35,600 --> 00:10:36,280 Speaker 2: I want to believe. 265 00:10:36,280 --> 00:10:38,120 Speaker 4: I believe what I need to believe to get myself 266 00:10:39,000 --> 00:10:42,400 Speaker 4: first Afternoon with tena arena. You can believe what you want. 267 00:10:42,480 --> 00:10:44,199 Speaker 2: I'm not using my mother in Laura as a log. 268 00:10:44,440 --> 00:10:46,480 Speaker 2: She's did I say she was a log? You did? 269 00:10:47,160 --> 00:10:49,160 Speaker 2: She's a log that we're walking on. That's what you've done. 270 00:10:49,360 --> 00:10:50,000 Speaker 2: Exact words. 271 00:10:50,120 --> 00:10:51,960 Speaker 4: No, No, I wouldn't have said that. Perfect. 272 00:10:52,080 --> 00:10:54,080 Speaker 2: We're we're right now, is okay? So touched the photo 273 00:10:54,160 --> 00:10:54,439 Speaker 2: as well. 274 00:10:54,520 --> 00:10:55,920 Speaker 3: Okay, so do you want to read it to you 275 00:10:56,000 --> 00:10:57,520 Speaker 3: again or you you remember it? 276 00:10:58,240 --> 00:11:00,000 Speaker 4: I just want Tom to just go and double chair 277 00:11:00,160 --> 00:11:01,800 Speaker 4: that you've done it right because we all know you A. 278 00:11:02,280 --> 00:11:04,079 Speaker 4: We can do it after the technologically and neptin b 279 00:11:04,200 --> 00:11:06,200 Speaker 4: you've got sausage fingers, so there's every chance that you've 280 00:11:06,920 --> 00:11:11,000 Speaker 4: you've mashed the keypad. Yeah, oh, this is the full text. Now, 281 00:11:11,080 --> 00:11:11,800 Speaker 4: it's the full text. 282 00:11:13,440 --> 00:11:18,760 Speaker 5: Okay, Hey Tina, it's Michelle Gibbs Saliba from ytt slash 283 00:11:18,840 --> 00:11:21,600 Speaker 5: TV House. Read it's been so long, and I hope 284 00:11:21,600 --> 00:11:24,760 Speaker 5: you don't mind me contacting you my daughter, Mimi's fiance 285 00:11:24,960 --> 00:11:27,360 Speaker 5: and baby daddy is Woody Whitelaw from Will and Woody. 286 00:11:27,880 --> 00:11:30,200 Speaker 5: They would absolutely love to have you on the show 287 00:11:30,280 --> 00:11:32,959 Speaker 5: for a chat regarding your forthcoming gig at Melbourne Twan Hall, 288 00:11:33,160 --> 00:11:36,480 Speaker 5: which we have tickets or and can't wait. And they 289 00:11:36,559 --> 00:11:38,600 Speaker 5: asked me to contact to you when they realize the connection. 290 00:11:39,400 --> 00:11:42,160 Speaker 5: Have followed your career forever and love the woman you 291 00:11:42,280 --> 00:11:46,920 Speaker 5: are much love kissy face x ps. Jy asked me 292 00:11:47,000 --> 00:11:49,080 Speaker 5: to have a reunion at my house just before COVID 293 00:11:49,080 --> 00:11:51,079 Speaker 5: and it was a beautiful catch up, only a few 294 00:11:51,120 --> 00:11:52,640 Speaker 5: people that I could gather quickly as. 295 00:11:52,640 --> 00:11:54,480 Speaker 4: John was coming to Melbourne. Photo attached. 296 00:11:54,760 --> 00:11:56,440 Speaker 2: XX Oh my. 297 00:11:56,600 --> 00:12:00,920 Speaker 4: God, Tom, I feel like I'm listening to like Stephen 298 00:12:01,000 --> 00:12:02,880 Speaker 4: Fryer read Harry in Amione. 299 00:12:04,080 --> 00:12:07,040 Speaker 2: That was beautiful. That and you didn't know that was great. 300 00:12:07,040 --> 00:12:08,880 Speaker 3: You don't say open brackets, close brackets. You can just 301 00:12:08,960 --> 00:12:11,800 Speaker 3: tell from your intonation that we were in a bracket. 302 00:12:11,920 --> 00:12:12,840 Speaker 2: Yeah, that was brilliant. 303 00:12:14,480 --> 00:12:19,520 Speaker 4: It's hard to know what's brilliant and what's basics. I 304 00:12:19,520 --> 00:12:23,160 Speaker 4: didn't say it. Great work, Great work, Michelle, great work, 305 00:12:23,200 --> 00:12:27,160 Speaker 4: you don't work. You should we say it again. Michelle 306 00:12:27,200 --> 00:12:28,439 Speaker 4: is the best great week. 307 00:12:28,480 --> 00:12:32,120 Speaker 2: He's the best. Uh, I'm gonna, I'm gonna. Okay, I've 308 00:12:32,160 --> 00:12:33,400 Speaker 2: done it. I've done it. I've done it. 309 00:12:35,640 --> 00:12:39,079 Speaker 4: Great work. You don't need you do it. 310 00:12:40,400 --> 00:12:40,760 Speaker 3: Tweaks. 311 00:12:41,400 --> 00:12:46,360 Speaker 4: Oh my god, all right, guys, tomorrow, does Tina Arena 312 00:12:46,440 --> 00:12:50,120 Speaker 4: get back to Michelle? Do we have Tina Arena on 313 00:12:50,280 --> 00:12:53,640 Speaker 4: the show? Does Will get a casual chardonay? I mean ship? 314 00:12:54,880 --> 00:12:59,000 Speaker 4: We're close? Well, I'm close. I could feel it in 315 00:12:59,080 --> 00:13:08,679 Speaker 4: a non desperate it. Why oh what a change? S 316 00:13:08,880 --> 00:13:09,920 Speaker 4: should be a singer in the world. 317 00:13:10,240 --> 00:13:12,000 Speaker 2: It's good, babe, Yeah, you're good. 318 00:13:12,080 --> 00:13:20,960 Speaker 4: Day, It's good. Happen