1 00:00:04,519 --> 00:00:15,040 Speaker 1: The Will M. Woody podcast. Everyone, I'm just getting news 2 00:00:15,040 --> 00:00:17,160 Speaker 1: of the fact that Analisa's film to sketch where she's 3 00:00:17,200 --> 00:00:19,560 Speaker 1: playing a hot guy in every film. So I'm just 4 00:00:19,760 --> 00:00:21,480 Speaker 1: trying to get to the bottom of what that is. 5 00:00:21,600 --> 00:00:24,440 Speaker 1: I played Girl Too in the scene who was Girl one? 6 00:00:25,160 --> 00:00:28,440 Speaker 1: kV av was girl, well nominated Girl one and self 7 00:00:28,480 --> 00:00:31,440 Speaker 1: nominated a hot guy? Wow wee? And so she plays 8 00:00:31,600 --> 00:00:33,560 Speaker 1: what is hot guy in every film? What's the premise? 9 00:00:33,800 --> 00:00:36,600 Speaker 1: Is that a trend? That's kind of Is it a trend? 10 00:00:36,640 --> 00:00:37,839 Speaker 1: Or are you trying to start a trend? You're a 11 00:00:37,840 --> 00:00:39,320 Speaker 1: bit of a trend set of these days, a bit 12 00:00:39,360 --> 00:00:40,880 Speaker 1: of a trend set us. Oh yes, I am starting 13 00:00:40,880 --> 00:00:41,240 Speaker 1: a trend. 14 00:00:41,280 --> 00:00:45,199 Speaker 2: But you'll notice in every film where there's a hot guy, there. 15 00:00:45,080 --> 00:00:47,920 Speaker 1: Is or even in book talk like in books. 16 00:00:47,800 --> 00:00:51,239 Speaker 2: There's a hot guy leaning up against a wall watching 17 00:00:51,479 --> 00:00:53,559 Speaker 2: the two girls gossip and then the girl turns. 18 00:00:53,360 --> 00:00:55,320 Speaker 1: Around goes, oh my god, how long have you been 19 00:00:55,360 --> 00:00:57,520 Speaker 1: there for? That was my line as Girl Too. 20 00:00:57,640 --> 00:00:59,720 Speaker 2: So we're watching the trailer for QB and Me, which 21 00:00:59,800 --> 00:01:01,080 Speaker 2: is a new movie which is. 22 00:01:01,000 --> 00:01:03,240 Speaker 1: Effectively about a girl who falls in love with the quarterback. 23 00:01:03,480 --> 00:01:07,039 Speaker 2: Very original, yep, and one of the scenes in the 24 00:01:07,080 --> 00:01:08,759 Speaker 2: trailer was the Quarterbacks. 25 00:01:09,040 --> 00:01:13,400 Speaker 1: He's in the doorframe doing that thing, and he been 26 00:01:13,480 --> 00:01:16,160 Speaker 1: listening to him gossip. Yes, I can't think of another 27 00:01:16,240 --> 00:01:17,440 Speaker 1: movie where the hot guy. 28 00:01:17,280 --> 00:01:18,440 Speaker 3: Is listening to people gossip. 29 00:01:18,560 --> 00:01:23,280 Speaker 1: Rocky One, if you just had a shot, have you 30 00:01:23,360 --> 00:01:24,959 Speaker 1: just named the first movie off the top of your head, Well, 31 00:01:25,040 --> 00:01:29,280 Speaker 1: Rocky One. He's in the doorframe and you he's meeting 32 00:01:29,319 --> 00:01:30,640 Speaker 1: Poorly Adrian's dad. 33 00:01:30,920 --> 00:01:35,039 Speaker 2: Yeah, and he's he's doing exactly what an he's in. 34 00:01:35,000 --> 00:01:37,720 Speaker 3: The door So the guys, So the guys hang on 35 00:01:37,760 --> 00:01:38,120 Speaker 3: a second. 36 00:01:38,760 --> 00:01:42,319 Speaker 1: You're you're not talking about like every movie though, you're 37 00:01:42,319 --> 00:01:44,840 Speaker 1: talking about Are you talking about rom coms where the 38 00:01:44,920 --> 00:01:46,160 Speaker 1: woman is a protagonist? 39 00:01:46,440 --> 00:01:46,600 Speaker 4: Yes? 40 00:01:46,880 --> 00:01:47,920 Speaker 3: Yeah, Okay, Well that. 41 00:01:47,920 --> 00:01:50,200 Speaker 1: Helps a little bit because, like you know, Kevin Costa 42 00:01:50,280 --> 00:01:51,440 Speaker 1: is not leaning in the doorway, and. 43 00:01:51,520 --> 00:01:54,360 Speaker 2: He would have he would have in Rumor Has It, 44 00:01:54,480 --> 00:01:56,840 Speaker 2: Costner would have leant in a doorframe and gone, what 45 00:01:57,200 --> 00:01:57,760 Speaker 2: he's talking about? 46 00:01:58,040 --> 00:02:01,440 Speaker 1: But guarantee, but he's not. The p's not the who's 47 00:02:01,760 --> 00:02:03,440 Speaker 1: who is? Rumor Has Rumor Has It. 48 00:02:03,480 --> 00:02:07,480 Speaker 2: Is effectively a movie which chronicles the real life family 49 00:02:07,480 --> 00:02:09,760 Speaker 2: that the Robinson's was based on, and Cosner sleeps with 50 00:02:09,800 --> 00:02:11,560 Speaker 2: the grandmother mum and the daughter. 51 00:02:11,800 --> 00:02:18,400 Speaker 1: Wow, and that we are Aniston. Oh so hang on 52 00:02:19,040 --> 00:02:22,880 Speaker 1: and so so but Jennifer Andison is the protagonist. 53 00:02:23,160 --> 00:02:26,480 Speaker 3: Yes, yes, so that's what I'm saying. So the woman needs. 54 00:02:26,200 --> 00:02:29,360 Speaker 1: To be the lead in the movie for the because 55 00:02:29,360 --> 00:02:31,560 Speaker 1: I was going to say if the males the protagonist, 56 00:02:32,040 --> 00:02:34,880 Speaker 1: pretty much they have the same setup whereby there'll be 57 00:02:34,960 --> 00:02:37,040 Speaker 1: a moment where the guy makes a dick of himself 58 00:02:37,200 --> 00:02:38,360 Speaker 1: and the girl is watching on. 59 00:02:40,000 --> 00:02:41,960 Speaker 3: It's just textbook rom com writing. 60 00:02:42,080 --> 00:02:45,160 Speaker 1: It's like, make make the protagonist vulnerable and in front 61 00:02:45,160 --> 00:02:46,520 Speaker 1: of the person they want to be in with, and 62 00:02:46,560 --> 00:02:47,960 Speaker 1: make sure the person they want to be in with 63 00:02:48,040 --> 00:02:49,919 Speaker 1: doesn't punish them for it. And the person's like, hey, 64 00:02:49,960 --> 00:02:53,840 Speaker 1: you're different, exactly like that. I like, I like, I 65 00:02:53,919 --> 00:02:55,760 Speaker 1: like that cute thing you were doing when you didn't 66 00:02:55,760 --> 00:02:58,359 Speaker 1: know I was watching. Oh no, I'm so embarrassed. I'm 67 00:02:58,400 --> 00:03:01,080 Speaker 1: so embarrassed. No, I like I like it. I like it. 68 00:03:01,200 --> 00:03:01,440 Speaker 4: Do that. 69 00:03:01,760 --> 00:03:03,960 Speaker 2: And then the popular girl comes and that's his girlfriend, 70 00:03:03,960 --> 00:03:05,359 Speaker 2: current girls, but. 71 00:03:05,360 --> 00:03:06,320 Speaker 1: You don't you don't do that? 72 00:03:06,400 --> 00:03:07,639 Speaker 3: Yeah, yeah, what's that weird thing? 73 00:03:08,440 --> 00:03:10,200 Speaker 1: And then that weird thing that they do ends up 74 00:03:10,240 --> 00:03:12,079 Speaker 1: being the thing that's like the thread for the rest 75 00:03:12,080 --> 00:03:14,160 Speaker 1: of the romance, and then they'll probably call it back, 76 00:03:14,240 --> 00:03:17,399 Speaker 1: like I'm going to say the penultimate scene, I'll bring 77 00:03:17,440 --> 00:03:19,480 Speaker 1: it back and they'll be like, when did you know 78 00:03:19,880 --> 00:03:21,400 Speaker 1: you know that time when you were rolling around in 79 00:03:21,400 --> 00:03:23,240 Speaker 1: the head, Yeah, I was watching, Or. 80 00:03:23,160 --> 00:03:24,600 Speaker 2: He probably tries to roll around the hay with his 81 00:03:24,639 --> 00:03:26,200 Speaker 2: current girlfriend, goes like, hey, let's roll around. 82 00:03:27,400 --> 00:03:32,280 Speaker 1: Yeah, we'll discuss. He goes, you're a different that's yeah, yeah, 83 00:03:32,320 --> 00:03:35,280 Speaker 1: you're a different. Do you do you know? What? 84 00:03:35,480 --> 00:03:35,760 Speaker 5: Do you know? 85 00:03:35,800 --> 00:03:36,160 Speaker 1: What is? 86 00:03:36,200 --> 00:03:36,360 Speaker 4: You know? 87 00:03:36,400 --> 00:03:37,400 Speaker 1: What's coming to mind there? 88 00:03:37,880 --> 00:03:38,720 Speaker 3: What's coming to mind? 89 00:03:38,720 --> 00:03:38,880 Speaker 1: There? 90 00:03:39,000 --> 00:03:39,080 Speaker 4: Is? 91 00:03:41,800 --> 00:03:45,000 Speaker 1: In the First Spider Man, you know, best Makeout Kids ever, 92 00:03:45,080 --> 00:03:47,520 Speaker 1: where she makes guy at the upside down back on, 93 00:03:48,600 --> 00:03:50,640 Speaker 1: and then she she goes to go and make out 94 00:03:50,640 --> 00:03:53,320 Speaker 1: with her current boyfriend flash yeah on the couch you 95 00:03:53,360 --> 00:03:56,200 Speaker 1: know when she puts him upside down and she makes 96 00:03:56,240 --> 00:03:58,080 Speaker 1: out with him, and he's by the way in his 97 00:03:58,160 --> 00:04:00,640 Speaker 1: mind when Gerson dun flips one of the jobs down, 98 00:04:00,680 --> 00:04:04,040 Speaker 1: he's like, here we go. She makes out with him, 99 00:04:04,040 --> 00:04:07,320 Speaker 1: and she goes, now, yeah, the same, that's not the same. 100 00:04:07,360 --> 00:04:08,520 Speaker 1: It's not I'm not the guy that. 101 00:04:08,480 --> 00:04:14,160 Speaker 2: I made a man curse and your boyfriends come on, yeah, no, yeah, 102 00:04:14,360 --> 00:04:16,719 Speaker 2: do you know what I mean, But you know exactly. 103 00:04:18,760 --> 00:04:20,279 Speaker 1: I mean, you have been in bed with me every 104 00:04:20,320 --> 00:04:22,240 Speaker 1: single night, and I'm not saying anywhere. You haven't put 105 00:04:22,240 --> 00:04:24,720 Speaker 1: any muscles on, you haven't got any heightened senses. But 106 00:04:24,800 --> 00:04:27,640 Speaker 1: let's just make out upside down just you know, come on, 107 00:04:27,839 --> 00:04:32,000 Speaker 1: come on, that's the only way to be right. Yeah, exactly, 108 00:04:32,720 --> 00:04:36,240 Speaker 1: check for the webs exactly, show me, show me, show 109 00:04:36,279 --> 00:04:38,880 Speaker 1: me your forearms, show me your four arms. Exact. Whe 110 00:04:38,880 --> 00:04:39,640 Speaker 1: where were you last night? 111 00:04:39,720 --> 00:04:42,240 Speaker 3: Yeah, throw a ball at him exactly, you know. 112 00:04:42,320 --> 00:04:46,600 Speaker 2: Exactly, so many more tests before kissing the actual boyfriend 113 00:04:46,720 --> 00:04:48,640 Speaker 2: upside down, so many more. 114 00:04:49,240 --> 00:04:52,440 Speaker 1: At least fifty pund you in the face exactly. 115 00:04:52,440 --> 00:04:52,960 Speaker 6: You know what I mean. 116 00:04:53,080 --> 00:04:56,200 Speaker 1: Liked check exactly exactly. 117 00:04:57,520 --> 00:04:59,880 Speaker 3: That's a good bit though your girls well s times. 118 00:05:00,400 --> 00:05:01,719 Speaker 1: You'll be able to see it on Will and Woody 119 00:05:01,760 --> 00:05:04,200 Speaker 1: bts TikTok if you want to is that guy? 120 00:05:04,279 --> 00:05:04,400 Speaker 4: Is it? 121 00:05:04,440 --> 00:05:09,000 Speaker 1: Will and Woody bts TikTok. There is Oh my God, 122 00:05:09,040 --> 00:05:13,039 Speaker 1: which is effectively just the three witches in a room 123 00:05:13,080 --> 00:05:13,560 Speaker 1: together with. 124 00:05:13,520 --> 00:05:16,000 Speaker 7: A camera, yeah, lip syncing to hot sounds. 125 00:05:16,120 --> 00:05:20,800 Speaker 1: The three Witches, by the way, is Analise kV and 126 00:05:20,920 --> 00:05:23,560 Speaker 1: Laura or cb I can't remember. 127 00:05:23,400 --> 00:05:24,440 Speaker 3: What name we had decided on. 128 00:05:24,640 --> 00:05:28,320 Speaker 1: Laura has lauras Bongos Bongos, Laura has a not safe 129 00:05:28,320 --> 00:05:30,840 Speaker 1: for work nickname. So we're just trying to navigate that. 130 00:05:30,960 --> 00:05:32,800 Speaker 1: I think you guys will probably figured that out. 131 00:05:32,720 --> 00:05:34,680 Speaker 3: If you've listened to this show enough, potentially slipped it 132 00:05:34,680 --> 00:05:35,280 Speaker 3: out a few times. 133 00:05:35,279 --> 00:05:36,839 Speaker 1: But Bongo's is a good name for her. 134 00:05:36,839 --> 00:05:37,599 Speaker 3: Who Bongos? 135 00:05:37,640 --> 00:05:38,400 Speaker 1: Yeah Bongo, But that. 136 00:05:38,440 --> 00:05:40,640 Speaker 3: Guy used the text. If you wanted an answer on something. 137 00:05:40,480 --> 00:05:43,520 Speaker 1: Yeah, ask Bongo. Yeah yeah, yeah, yeah, he still exists. 138 00:05:43,560 --> 00:05:45,599 Speaker 1: By the way, you can still ask Bongo questions. 139 00:05:45,760 --> 00:05:49,680 Speaker 3: Rose's the Internet. No, ask Bongo what seven ninety five? 140 00:05:50,120 --> 00:05:53,000 Speaker 1: Yeah, it's expensive, it's expensive, but worth it if you want. 141 00:05:53,080 --> 00:05:54,240 Speaker 1: I had a friend of mine that used to work 142 00:05:54,240 --> 00:05:57,240 Speaker 1: for Bongo. We did did the Wizard the Wizard he 143 00:05:57,320 --> 00:05:58,640 Speaker 1: used to it. Yeah, he was. 144 00:05:58,640 --> 00:06:00,000 Speaker 3: Working for Bongo while he was working here. 145 00:06:01,320 --> 00:06:03,880 Speaker 1: We our video content is down for a little while. 146 00:06:03,880 --> 00:06:07,000 Speaker 1: He's just had his laptop open, just firing out text messages. 147 00:06:10,040 --> 00:06:10,480 Speaker 3: Very good. 148 00:06:10,839 --> 00:06:13,760 Speaker 1: All right, Well, I think we should maybe, you know, 149 00:06:13,800 --> 00:06:15,760 Speaker 1: dive into our favorite bits from the week. Yeah. Sure, 150 00:06:15,839 --> 00:06:17,760 Speaker 1: This first one of mine really ties in with what 151 00:06:17,800 --> 00:06:20,200 Speaker 1: we were just talking about. Actually, because you instantly were 152 00:06:20,240 --> 00:06:24,279 Speaker 1: way too across, far too many sensual things in movies. 153 00:06:24,680 --> 00:06:29,320 Speaker 1: Movies particuarly nineties, particularly nineties movies. You only read Colleen 154 00:06:29,400 --> 00:06:32,680 Speaker 1: Hoover novels. You only you came in here recently? 155 00:06:32,880 --> 00:06:35,080 Speaker 3: And who did? He tells Tommy our chapel He was 156 00:06:35,120 --> 00:06:35,880 Speaker 3: into Chapel. 157 00:06:35,640 --> 00:06:38,400 Speaker 1: Roan or Chapel Roan, And then the only lyrics he 158 00:06:38,480 --> 00:06:40,720 Speaker 1: remembered were just do you want me to play them? 159 00:06:41,120 --> 00:06:45,160 Speaker 2: Deep in the passengers scene and you eat out it 160 00:06:45,400 --> 00:06:46,240 Speaker 2: is it casual? 161 00:06:46,440 --> 00:06:48,359 Speaker 3: Yeah, that's that's. 162 00:06:47,920 --> 00:06:52,039 Speaker 1: That's that's poetry. So basically, mate, we figured out that 163 00:06:53,480 --> 00:06:57,160 Speaker 1: your sex drive is exactly the same as it was 164 00:06:57,200 --> 00:07:00,000 Speaker 1: when you were thirteen. It's maintained exactly, it's exactly the same, 165 00:07:02,440 --> 00:07:05,360 Speaker 1: and you're a horny you're a horny boy. But I 166 00:07:05,520 --> 00:07:07,479 Speaker 1: like about it what it's been to. What I like 167 00:07:07,480 --> 00:07:10,000 Speaker 1: about it though, is you're not like a you know, 168 00:07:10,160 --> 00:07:11,600 Speaker 1: I think what's funny about it is you're not Because 169 00:07:11,600 --> 00:07:13,320 Speaker 1: I had another friend that this pass away he's exactly 170 00:07:13,400 --> 00:07:14,880 Speaker 1: He's actually identical to you in this sense. 171 00:07:14,920 --> 00:07:17,600 Speaker 3: It's like it doesn't there's no sense of maturity about it. 172 00:07:17,640 --> 00:07:21,640 Speaker 1: You're still like giggle around like things that are like sexy, 173 00:07:22,080 --> 00:07:24,080 Speaker 1: but are like you're slightly coverts. 174 00:07:24,200 --> 00:07:25,920 Speaker 3: It's a full thirteen year old thing you've. 175 00:07:25,760 --> 00:07:27,960 Speaker 1: Got going on, brilliant. I love the feeling. I know 176 00:07:28,000 --> 00:07:29,000 Speaker 1: you do. I know you do. 177 00:07:29,080 --> 00:07:33,760 Speaker 3: You're You're a horney boy, and. 178 00:07:33,560 --> 00:07:35,000 Speaker 1: I don't think I was when I was thirteen. That 179 00:07:35,920 --> 00:07:36,280 Speaker 1: come on. 180 00:07:36,360 --> 00:07:38,320 Speaker 3: We had this discussion the other day. You got you 181 00:07:38,400 --> 00:07:39,559 Speaker 3: got home to an empty house. 182 00:07:39,640 --> 00:07:46,240 Speaker 4: You know, I know the thing you stand down, the 183 00:07:46,240 --> 00:07:48,960 Speaker 4: thing you know when you finish school and you hear 184 00:07:48,960 --> 00:07:52,920 Speaker 4: the roller door, No, go fast, go fast, go faster. 185 00:07:53,280 --> 00:07:53,760 Speaker 1: Yeah, here we go. 186 00:07:53,840 --> 00:08:00,360 Speaker 2: Anyone throw your bag, dense sprint to the study. 187 00:08:02,640 --> 00:08:06,400 Speaker 1: Had to get to the internet. Yeah yeah, yeah. 188 00:08:07,040 --> 00:08:09,080 Speaker 2: Hearing has never been better than when you're in the study. 189 00:08:10,760 --> 00:08:14,960 Speaker 2: That key in the front door. Okay yeah yeah. 190 00:08:15,080 --> 00:08:16,720 Speaker 3: We're talking about what TV show to watch the moment. 191 00:08:16,760 --> 00:08:18,320 Speaker 1: And you said to me the other day, you were like, mate, 192 00:08:18,320 --> 00:08:20,120 Speaker 1: you've got to watch Rivals. 193 00:08:20,120 --> 00:08:21,040 Speaker 3: Got to watch Rivals. 194 00:08:21,440 --> 00:08:23,640 Speaker 1: So I got home and I was like, look, would 195 00:08:23,640 --> 00:08:25,440 Speaker 1: he he You know it was it was a hardcore reco, 196 00:08:25,560 --> 00:08:25,840 Speaker 1: wasn't it. 197 00:08:25,920 --> 00:08:26,120 Speaker 3: Tom. 198 00:08:26,400 --> 00:08:29,280 Speaker 1: I think I think there are different degrees of recommendations, 199 00:08:29,480 --> 00:08:32,200 Speaker 1: and I think amongst people that respect each other's recommendations. 200 00:08:32,360 --> 00:08:35,320 Speaker 1: There's a soft recommend We don't really recommend it. You 201 00:08:35,360 --> 00:08:37,679 Speaker 1: just go, hey, I'm watching this at the moment, you know, 202 00:08:37,760 --> 00:08:40,160 Speaker 1: and you might even add a I don't worry about 203 00:08:40,160 --> 00:08:41,000 Speaker 1: watching it. A bit of light. 204 00:08:41,080 --> 00:08:43,400 Speaker 3: The background you came in here didn't he was bigger. 205 00:08:43,520 --> 00:08:45,880 Speaker 1: It was like I felt it was a must watch. 206 00:08:45,920 --> 00:08:47,120 Speaker 1: It was a must what it was it was a 207 00:08:47,120 --> 00:08:49,720 Speaker 1: compel you used, you used you must watch token you 208 00:08:49,800 --> 00:08:50,520 Speaker 1: came in, you go. 209 00:08:50,600 --> 00:08:57,160 Speaker 2: Guys, rivals, must watch. I never like softly approve. If 210 00:08:57,200 --> 00:08:59,880 Speaker 2: I'm going to if I'm going to recommend, I go hard. 211 00:09:00,320 --> 00:09:02,760 Speaker 1: And that's not true. No, that's not true. You'll come here. 212 00:09:02,800 --> 00:09:05,240 Speaker 1: You are a self recommendation. You've had a few, mate, 213 00:09:06,000 --> 00:09:09,079 Speaker 1: Blue Eed Samurai, that horny show you're watching again. 214 00:09:09,200 --> 00:09:11,480 Speaker 3: It was just that was just a porno. That was 215 00:09:11,520 --> 00:09:12,360 Speaker 3: just a Japanese boy. 216 00:09:12,400 --> 00:09:15,280 Speaker 7: I didn't realize it was on Netflix. 217 00:09:15,360 --> 00:09:16,680 Speaker 3: So that was just like a little softie. 218 00:09:16,679 --> 00:09:18,839 Speaker 2: But you know, I said watch it for fun, because yes, 219 00:09:19,040 --> 00:09:22,040 Speaker 2: you five minutes the lyrics animated form. 220 00:09:22,120 --> 00:09:24,960 Speaker 1: So rivals you came in here actually exactly the same 221 00:09:25,000 --> 00:09:26,320 Speaker 1: bitch you see. 222 00:09:27,559 --> 00:09:30,680 Speaker 2: First, I see you see a nude man in five 223 00:09:30,800 --> 00:09:33,280 Speaker 2: You'll love it. Tommy, I did say that. I did 224 00:09:33,320 --> 00:09:33,760 Speaker 2: say that. 225 00:09:35,520 --> 00:09:36,120 Speaker 7: It's about TV. 226 00:09:36,600 --> 00:09:37,720 Speaker 1: All you watch mad TV. 227 00:09:37,840 --> 00:09:39,559 Speaker 7: It's a shame that you've only taken the sex with. 228 00:09:39,640 --> 00:09:42,160 Speaker 3: All you watch is anything to do with the horn. 229 00:09:42,400 --> 00:09:45,320 Speaker 1: I realized that's true. That's it. What's your favorite part 230 00:09:45,320 --> 00:09:48,839 Speaker 1: about the Matrix Trinity? Bang your fronts? Favorite part? 231 00:09:48,840 --> 00:09:50,480 Speaker 2: I was a teenage boy. I was a teenage boy. 232 00:09:50,480 --> 00:09:52,120 Speaker 2: I'm a husband and a father. Now, Will had to. 233 00:09:52,240 --> 00:09:58,160 Speaker 1: You, it's pretty sick like when you break it down, 234 00:09:58,960 --> 00:09:59,640 Speaker 1: you're a sick man. 235 00:10:00,480 --> 00:10:01,560 Speaker 3: Challenges you love. 236 00:10:01,520 --> 00:10:04,840 Speaker 2: That love, challenges for the music, for the music, for 237 00:10:04,880 --> 00:10:06,840 Speaker 2: the music. You told our friend to watch that in 238 00:10:06,880 --> 00:10:09,000 Speaker 2: the dark room by himself, So don't you come for me, 239 00:10:09,080 --> 00:10:12,559 Speaker 2: Well watch by himself. 240 00:10:12,600 --> 00:10:14,640 Speaker 1: So if you're bringing me down, you're coming down with me, 241 00:10:14,720 --> 00:10:30,040 Speaker 1: my friend. Delicious, delicious ads, love them all. Purchase purchase, purchase. 242 00:10:30,440 --> 00:10:34,200 Speaker 1: Now we'll delve into a little bit more. 243 00:10:34,240 --> 00:10:35,800 Speaker 2: I'm about to talk about this because this is a 244 00:10:35,840 --> 00:10:37,760 Speaker 2: place aspart we did on the radio show. 245 00:10:37,840 --> 00:10:41,240 Speaker 1: But you have been robbed recently? Yes, I was? 246 00:10:41,520 --> 00:10:41,880 Speaker 4: I was. 247 00:10:42,240 --> 00:10:44,480 Speaker 1: Where is that at? Have you? Did? You? Did? You ever? 248 00:10:44,600 --> 00:10:46,080 Speaker 3: Find it gets pretty boring. 249 00:10:47,400 --> 00:10:49,560 Speaker 1: Let's leave it there. Here's the bit on the yeah 250 00:10:52,600 --> 00:10:55,120 Speaker 1: let's talk about some dumb criminals. 251 00:10:54,480 --> 00:10:55,040 Speaker 5: Well. 252 00:10:57,679 --> 00:10:58,239 Speaker 1: Criminals. 253 00:10:58,960 --> 00:11:01,400 Speaker 2: It's kind of I don't know what it is about 254 00:11:01,400 --> 00:11:03,920 Speaker 2: a dumb criminal that I love so much, but whenever 255 00:11:03,920 --> 00:11:06,360 Speaker 2: this is in the news, it just it lights me up. 256 00:11:06,480 --> 00:11:09,440 Speaker 1: Will But it also happened in your real life, so. 257 00:11:09,559 --> 00:11:12,840 Speaker 2: You ir L and the kids say, yeah, nice, still 258 00:11:12,840 --> 00:11:13,600 Speaker 2: in touch with the kids. 259 00:11:13,640 --> 00:11:14,040 Speaker 1: I love that. 260 00:11:14,240 --> 00:11:16,000 Speaker 3: I love that in a platonic fashion. 261 00:11:16,760 --> 00:11:21,160 Speaker 7: Of course, it was a metaphorical touching. Anyway, you were 262 00:11:21,200 --> 00:11:23,199 Speaker 7: recently robbed of your cargo bike. 263 00:11:23,320 --> 00:11:25,000 Speaker 1: I think I've used the right terminology there. 264 00:11:25,040 --> 00:11:26,080 Speaker 3: Yeah, yeah, bi electric. 265 00:11:26,400 --> 00:11:32,319 Speaker 1: Yeah, effectively sounds like horses, but it looks like it's 266 00:11:32,320 --> 00:11:32,800 Speaker 1: a basket. 267 00:11:32,800 --> 00:11:35,160 Speaker 2: We put a child in there, huge basket though. I 268 00:11:35,320 --> 00:11:38,440 Speaker 2: like a trough a trough anyway, So that was at 269 00:11:38,440 --> 00:11:40,320 Speaker 2: the front of your house. Yes, some robbers came. They 270 00:11:40,360 --> 00:11:41,960 Speaker 2: stole that, but they're idiots. 271 00:11:41,960 --> 00:11:45,480 Speaker 7: They're morons because it requires a key to use. 272 00:11:45,360 --> 00:11:47,120 Speaker 3: An electric and electric key. 273 00:11:47,320 --> 00:11:51,240 Speaker 2: Yeah, I love the imagery of these moron robbers. Now 274 00:11:51,320 --> 00:11:52,920 Speaker 2: than obviously got a couple of blocks away and they 275 00:11:52,920 --> 00:11:54,640 Speaker 2: were like, how good is this. We've got a cargo 276 00:11:54,679 --> 00:11:58,080 Speaker 2: bike trough on the front, but we eventually we can't. 277 00:11:58,120 --> 00:12:00,880 Speaker 1: You got the droll we can't use Yeah, they can 278 00:12:01,280 --> 00:12:03,600 Speaker 1: have the kid yeah, which yeah, yeah. Part of that 279 00:12:03,720 --> 00:12:06,480 Speaker 1: is funny to me, part of it is slightly annoying. Okay, 280 00:12:07,040 --> 00:12:08,920 Speaker 1: there's a part of me that almost wishes that they 281 00:12:08,960 --> 00:12:12,400 Speaker 1: could have used it. Yeah, do you know it somewhere? 282 00:12:12,679 --> 00:12:14,200 Speaker 3: Yeah, they're probably just dumped it somewhere. 283 00:12:14,240 --> 00:12:17,079 Speaker 1: So if you have been you know you've been dumped 284 00:12:17,320 --> 00:12:21,000 Speaker 1: trough bike bike six, give us a gilt love it back. 285 00:12:21,600 --> 00:12:22,079 Speaker 1: It'd be nice. 286 00:12:22,080 --> 00:12:23,960 Speaker 7: Actually, if the robbers when they figured out they couldn't. 287 00:12:24,640 --> 00:12:25,760 Speaker 1: We said this for a little while. 288 00:12:25,800 --> 00:12:27,320 Speaker 3: We were like, surely when they figure out that it's 289 00:12:27,360 --> 00:12:28,280 Speaker 3: not working. 290 00:12:28,000 --> 00:12:29,800 Speaker 2: And even if you saw them, you'd go, hey, guys, 291 00:12:29,800 --> 00:12:31,880 Speaker 2: I get it, fair play, thanks for bringing it back. 292 00:12:31,960 --> 00:12:35,600 Speaker 1: Yeah, but yeah, I don't think i'd do that, but yeah, yeah, 293 00:12:35,720 --> 00:12:37,880 Speaker 1: yeah that's interesting. Would you do it? Would you do that? 294 00:12:37,960 --> 00:12:38,839 Speaker 3: Like if someone. 295 00:12:38,679 --> 00:12:40,800 Speaker 1: Stole something off you realize it wasn't them and brought 296 00:12:40,800 --> 00:12:41,559 Speaker 1: it back, would you be. 297 00:12:41,520 --> 00:12:42,840 Speaker 3: Like, oh shape put it here, partner? 298 00:12:43,000 --> 00:12:44,520 Speaker 1: Yeah? Would you I just go. 299 00:12:44,559 --> 00:12:48,040 Speaker 2: Like, no foul, no, no no play, what's the same there, 300 00:12:48,320 --> 00:12:49,600 Speaker 2: no play, no foul. 301 00:12:49,920 --> 00:12:51,440 Speaker 1: No trough, no trough, no bike. 302 00:12:53,120 --> 00:12:54,920 Speaker 2: I would I'd be like, carry on life, goes on 303 00:12:54,960 --> 00:12:56,880 Speaker 2: try and steal something else, but it did that that 304 00:12:57,120 --> 00:12:59,600 Speaker 2: thievery reminded me of a story in the news today 305 00:12:59,679 --> 00:13:02,439 Speaker 2: because the story in the news about this woman who 306 00:13:02,559 --> 00:13:05,640 Speaker 2: tried to rob someone's car. So she runs past this guy, 307 00:13:05,679 --> 00:13:08,400 Speaker 2: she grabs his keys, gets in the car, but then 308 00:13:08,480 --> 00:13:13,640 Speaker 2: realizes that it's a manual car because because she can't 309 00:13:13,720 --> 00:13:15,600 Speaker 2: drive manual, you couldn't get anywhere. 310 00:13:15,840 --> 00:13:19,559 Speaker 7: It's another example of a robber who's a moron. 311 00:13:19,160 --> 00:13:22,480 Speaker 1: Couldn't drive stick. Who is that? No foul, no play 312 00:13:22,679 --> 00:13:25,160 Speaker 1: from the guy? Was he like tough titties? 313 00:13:25,400 --> 00:13:25,679 Speaker 3: You know? 314 00:13:25,920 --> 00:13:30,080 Speaker 1: I actually whoever still says that, was he like bad? 315 00:13:30,160 --> 00:13:33,160 Speaker 1: Like keys back? Yeah? I think later he laughed. 316 00:13:33,280 --> 00:13:35,920 Speaker 7: He laughed at the woman who tried, and then it 317 00:13:36,000 --> 00:13:36,600 Speaker 7: was just like give him. 318 00:13:36,480 --> 00:13:37,040 Speaker 1: My keys back. 319 00:13:37,160 --> 00:13:39,600 Speaker 3: Cheers, have a good one, get out of here, back 320 00:13:39,600 --> 00:13:40,520 Speaker 3: to driving school. 321 00:13:40,600 --> 00:13:42,160 Speaker 7: Yeah, exactly, better like next time. 322 00:13:42,400 --> 00:13:45,360 Speaker 2: But I just I'd love to hear some more stories here. 323 00:13:47,640 --> 00:13:48,440 Speaker 1: Dumb criminals. 324 00:13:52,760 --> 00:13:53,640 Speaker 3: You've gone. 325 00:13:55,480 --> 00:13:57,360 Speaker 1: And you were abound to get found out. 326 00:13:57,400 --> 00:13:58,920 Speaker 3: That's what happens when you don't attend. 327 00:13:58,640 --> 00:14:04,080 Speaker 1: The audio meetings. Bang my last guy one more dry it's. 328 00:14:03,960 --> 00:14:05,880 Speaker 7: Going to tell you, was I don't need the rehearsal. 329 00:14:10,040 --> 00:14:14,319 Speaker 1: Dumb criminal, I need criminal, he says criminal in the 330 00:14:14,400 --> 00:14:20,080 Speaker 1: song get no no criminals. 331 00:14:20,560 --> 00:14:24,040 Speaker 3: Well done, Let's go to Debora. 332 00:14:25,320 --> 00:14:29,160 Speaker 1: You get robbed by an idiot, Deborah. 333 00:14:27,960 --> 00:14:29,680 Speaker 8: I did. They got robbed by a few idiots. 334 00:14:29,680 --> 00:14:32,560 Speaker 1: Actually, yeah, what happened a while. 335 00:14:32,360 --> 00:14:34,000 Speaker 8: Ago, have a very long time ago. I used to 336 00:14:34,000 --> 00:14:37,920 Speaker 8: work in a takeaway shop and these a group of 337 00:14:37,920 --> 00:14:41,280 Speaker 8: young girls came in and applied for a position. We 338 00:14:41,320 --> 00:14:43,080 Speaker 8: didn't have any going at the moment, but I asked 339 00:14:43,120 --> 00:14:46,120 Speaker 8: them to leave their details and you know, we'll contact 340 00:14:46,160 --> 00:14:49,680 Speaker 8: them if if they if anything comes up. A few 341 00:14:49,680 --> 00:14:51,560 Speaker 8: moments later, they came back in and held me by 342 00:14:51,640 --> 00:14:54,800 Speaker 8: nice point and then robbed the fish and ship shop. 343 00:14:55,960 --> 00:14:59,200 Speaker 8: And then after it all went through, they left and 344 00:14:59,280 --> 00:15:02,080 Speaker 8: they took obviously the money out of till. But after 345 00:15:02,080 --> 00:15:04,720 Speaker 8: we called police, I gave them the details, thinking that 346 00:15:04,760 --> 00:15:08,120 Speaker 8: they probably gave us the wrong details, that they didn't what. 347 00:15:08,520 --> 00:15:10,840 Speaker 8: They gave us the correct details, and the police went 348 00:15:10,880 --> 00:15:11,880 Speaker 8: around and arrested them. 349 00:15:14,960 --> 00:15:20,240 Speaker 1: They literally, they literally applied for the job of stealing 350 00:15:20,240 --> 00:15:27,200 Speaker 1: you pretty much. That's so good, that's really good. As 351 00:15:27,840 --> 00:15:30,080 Speaker 1: love that in your right mind you would have been like, oh, 352 00:15:30,080 --> 00:15:31,040 Speaker 1: they've given us the fake. 353 00:15:31,160 --> 00:15:32,760 Speaker 2: Even if the police, I'd go, no, I need to 354 00:15:32,760 --> 00:15:35,240 Speaker 2: give us that. They've obviously given us fake details. 355 00:15:35,240 --> 00:15:40,040 Speaker 1: That is extraordinary. We're so good. 356 00:15:40,040 --> 00:15:42,000 Speaker 7: We're so good, Alistair, you got robbed by moro on? 357 00:15:42,800 --> 00:15:43,640 Speaker 9: I did so. 358 00:15:44,600 --> 00:15:48,480 Speaker 6: I had my credit card details fleeced quite some time ago, now, 359 00:15:48,480 --> 00:15:52,200 Speaker 6: but there was someone who was smart enough to create 360 00:15:52,200 --> 00:15:55,760 Speaker 6: a credit card from my information, brought a few bits 361 00:15:55,800 --> 00:15:59,040 Speaker 6: and pieces from Bunnings and looked like you got away 362 00:15:59,080 --> 00:16:01,920 Speaker 6: with it, except he decided to catch a cab to 363 00:16:02,000 --> 00:16:04,960 Speaker 6: his house stolen credit. 364 00:16:05,720 --> 00:16:09,160 Speaker 3: Well, great stuff, Alis, they're very good. 365 00:16:09,600 --> 00:16:12,600 Speaker 1: Let's go to Vanessa. Now these are good Vanessa. 366 00:16:12,840 --> 00:16:14,760 Speaker 7: You were also robbed by a moron? 367 00:16:15,680 --> 00:16:18,560 Speaker 5: Yeah, probably when I was about fourteen. Coming home from 368 00:16:18,600 --> 00:16:20,680 Speaker 5: a family dinner with Mum and Dad and the brothers 369 00:16:20,680 --> 00:16:23,640 Speaker 5: and sisters. Open the door and there's the robber asleep 370 00:16:23,640 --> 00:16:25,880 Speaker 5: on the lounge with a bag of goodies beside him. 371 00:16:27,480 --> 00:16:30,800 Speaker 7: Little kip to celebrate the robbery your house. 372 00:16:30,960 --> 00:16:33,560 Speaker 2: So he's finished the robbing. He goes, jeez, that was 373 00:16:33,720 --> 00:16:35,160 Speaker 2: that was a hot robbin. I'm going to have a 374 00:16:35,200 --> 00:16:36,920 Speaker 2: quick nap just to celebrate. 375 00:16:36,640 --> 00:16:37,200 Speaker 3: In your house. 376 00:16:37,400 --> 00:16:40,320 Speaker 5: Quick in the house. So Dad quickly hurried us out 377 00:16:40,360 --> 00:16:42,680 Speaker 5: the back back out the front door again called the police, 378 00:16:42,680 --> 00:16:44,600 Speaker 5: and the police kindly come and woke him up and 379 00:16:45,520 --> 00:16:48,000 Speaker 5: the rest of him and gave us our belongings. 380 00:16:48,000 --> 00:16:53,560 Speaker 1: Buff thanks. Louise Is called, wow, these are amazing, so good. 381 00:16:53,600 --> 00:16:58,120 Speaker 1: How Dawn the people you're read by an idiot, Louise 382 00:16:58,120 --> 00:17:01,560 Speaker 1: you're there, Yeah, I'm here. You going good, good, Louis, 383 00:17:01,600 --> 00:17:02,440 Speaker 1: We're loving these stories. 384 00:17:02,520 --> 00:17:06,119 Speaker 9: We were Robbi Moron, well, a couple of young morons. 385 00:17:06,200 --> 00:17:08,400 Speaker 9: They stole our motorbikes in the middle of the night 386 00:17:08,440 --> 00:17:11,600 Speaker 9: one night. A couple of days later, we ran and 387 00:17:11,760 --> 00:17:15,240 Speaker 9: ad for rewards for the motorbikes in the newspaper, and 388 00:17:15,800 --> 00:17:18,639 Speaker 9: their mother rang up and said, oh, my boys have 389 00:17:18,760 --> 00:17:22,199 Speaker 9: seen these motorbikes, and they didn't turn up. And then 390 00:17:22,240 --> 00:17:25,080 Speaker 9: when they finally turned up, all their stories all muddles up, 391 00:17:25,080 --> 00:17:27,120 Speaker 9: which clued us up. They were the ones who've had 392 00:17:27,119 --> 00:17:27,760 Speaker 9: the motorbikes. 393 00:17:38,600 --> 00:17:41,480 Speaker 1: Alrighty, you are in what we call the death zone, 394 00:17:41,480 --> 00:17:44,200 Speaker 1: which is the final five minutes of the podcast. 395 00:17:44,240 --> 00:17:46,880 Speaker 3: Congratulate well, then'll do everyone that's made it. People people 396 00:17:46,960 --> 00:17:47,760 Speaker 3: to die out of you though. 397 00:17:50,440 --> 00:17:53,080 Speaker 1: Producer with one of their favorite bits of the week, 398 00:17:53,160 --> 00:17:56,119 Speaker 1: Button Bush Tom Yes, coming on, my favorite part of 399 00:17:56,160 --> 00:17:59,520 Speaker 1: this week was when we thought that you were possibly 400 00:17:59,560 --> 00:18:00,080 Speaker 1: going to die. 401 00:18:00,359 --> 00:18:03,159 Speaker 3: Going as the show started, he walked on studio. 402 00:18:03,280 --> 00:18:05,840 Speaker 1: I was pretty happy with it. By the way, you're 403 00:18:05,880 --> 00:18:07,160 Speaker 1: happy with dying studio death. 404 00:18:07,200 --> 00:18:07,399 Speaker 3: I'm a. 405 00:18:09,680 --> 00:18:10,280 Speaker 1: For the numbers. 406 00:18:10,600 --> 00:18:13,960 Speaker 3: What are you doing? My there as an eternity years time. 407 00:18:14,240 --> 00:18:16,000 Speaker 3: The guy that died while he was on air could 408 00:18:16,000 --> 00:18:16,720 Speaker 3: be a trivia. 409 00:18:16,520 --> 00:18:19,359 Speaker 1: Question for sure for years and years. And no radio 410 00:18:19,400 --> 00:18:22,240 Speaker 1: hosts that died at least like I'll do a Vincent 411 00:18:22,320 --> 00:18:24,960 Speaker 1: Vang go, I'll be like at least ten million times 412 00:18:25,040 --> 00:18:26,080 Speaker 1: more famous after I die. 413 00:18:26,160 --> 00:18:30,679 Speaker 2: Your poems all of a sudden value, no ship, SoundCloud songs, 414 00:18:31,280 --> 00:18:34,280 Speaker 2: bo yeah, everything's popping off our show. 415 00:18:35,720 --> 00:18:37,960 Speaker 1: Sorry. You know you've done some sam Quad mixes. They're 416 00:18:38,000 --> 00:18:38,720 Speaker 1: they're going off. 417 00:18:39,119 --> 00:18:40,800 Speaker 7: I reckon you have you know you'd have t s 418 00:18:41,320 --> 00:18:42,919 Speaker 7: at Oh yeah, you do. 419 00:18:43,000 --> 00:18:45,600 Speaker 1: Like a little tribute, like a little sample is a 420 00:18:45,600 --> 00:18:49,640 Speaker 1: bit of a tribute to my man man will Mine. Yeah, yeah, yeah, 421 00:18:50,160 --> 00:18:51,040 Speaker 1: there is studio. 422 00:18:51,119 --> 00:18:52,840 Speaker 3: Yeah yeah, he's hand a bit sou afriking. 423 00:18:53,359 --> 00:18:54,879 Speaker 1: How much of what happened he. 424 00:18:54,960 --> 00:18:58,200 Speaker 2: Is Dutch there, Yeah, but that would happen and you'd 425 00:18:58,200 --> 00:18:58,800 Speaker 2: be a hashtag. 426 00:19:00,160 --> 00:19:07,960 Speaker 1: Put your microphones out, Mike drop for will your MIC's out? 427 00:19:08,040 --> 00:19:12,399 Speaker 3: What do you think by the Will Mike Mart. 428 00:19:14,560 --> 00:19:15,400 Speaker 1: Get that on my. 429 00:19:18,440 --> 00:19:21,400 Speaker 7: We've missed a bit really for that to be good 430 00:19:21,640 --> 00:19:22,560 Speaker 7: ten years? 431 00:19:22,880 --> 00:19:23,720 Speaker 1: Will Mike Mart? 432 00:19:23,760 --> 00:19:25,320 Speaker 3: Can I get that on my microphone? 433 00:19:26,080 --> 00:19:26,119 Speaker 4: No? 434 00:19:26,720 --> 00:19:27,920 Speaker 1: No, just Ed? 435 00:19:28,720 --> 00:19:29,359 Speaker 3: Where is Poopy? 436 00:19:29,440 --> 00:19:29,840 Speaker 1: Is he here? 437 00:19:30,080 --> 00:19:31,080 Speaker 3: I don't think I haven't seen him. 438 00:19:31,080 --> 00:19:33,520 Speaker 7: Actually i've seen it maybe in and out of the tour. 439 00:19:33,560 --> 00:19:38,040 Speaker 1: I don't think he's been working for the last three weeks. 440 00:19:38,200 --> 00:19:42,520 Speaker 1: In the statement in and out? John, Hey, let me 441 00:19:42,520 --> 00:19:45,200 Speaker 1: find out it comes up for? Is Poopy out there? 442 00:19:46,400 --> 00:19:47,040 Speaker 3: He's on the John? 443 00:19:47,119 --> 00:19:50,480 Speaker 1: Is he he just remembered they had blueberries to run 444 00:19:50,520 --> 00:19:50,760 Speaker 1: and go. 445 00:19:50,720 --> 00:19:51,160 Speaker 8: Get them. 446 00:19:54,040 --> 00:19:58,120 Speaker 1: Berries? He remember that he's got them. He's running out 447 00:19:58,119 --> 00:20:00,400 Speaker 1: of excuses, isn't He actually had a let talking about 448 00:20:00,400 --> 00:20:02,080 Speaker 1: that the other day, just in mid off of sprints, 449 00:20:02,119 --> 00:20:03,439 Speaker 1: that she's got to do every now and then. We 450 00:20:03,480 --> 00:20:04,639 Speaker 1: don't need to talk talk about that. 451 00:20:04,720 --> 00:20:07,640 Speaker 3: Let's get on her face then, was unbelievable. 452 00:20:07,720 --> 00:20:08,520 Speaker 1: Let's get into the moment. 453 00:20:08,600 --> 00:20:09,600 Speaker 3: I could, I can, I could. 454 00:20:09,640 --> 00:20:11,760 Speaker 1: If I can look at her, look at she's furious. 455 00:20:11,920 --> 00:20:12,439 Speaker 3: That's anger. 456 00:20:12,520 --> 00:20:14,199 Speaker 1: Let's get into the moment. That's anger. What you were 457 00:20:14,200 --> 00:20:14,680 Speaker 1: going to die? 458 00:20:14,880 --> 00:20:14,920 Speaker 4: Me? 459 00:20:15,240 --> 00:20:18,920 Speaker 3: Ye might die right now? I think analys to walk 460 00:20:19,160 --> 00:20:19,760 Speaker 3: and throttle. 461 00:20:20,960 --> 00:20:26,600 Speaker 1: Good afternoon everyone, brain drive home on your Wednesday. We 462 00:20:26,680 --> 00:20:30,080 Speaker 1: are brought to you by Snurs. Another chance to win 463 00:20:30,119 --> 00:20:32,040 Speaker 1: some more cash to spend at snows a little bit 464 00:20:32,119 --> 00:20:34,199 Speaker 1: later on. Yeah, baby, thousand bucks. 465 00:20:34,200 --> 00:20:35,720 Speaker 3: Severe headaches, woods. 466 00:20:37,000 --> 00:20:37,359 Speaker 2: Headache. 467 00:20:37,400 --> 00:20:39,240 Speaker 7: Will is worried about to get a brain aneurysm. 468 00:20:39,359 --> 00:20:41,720 Speaker 3: Well, that's just that's a theory. 469 00:20:41,800 --> 00:20:43,720 Speaker 2: You're not the hypochondriac out of the two of us, 470 00:20:43,720 --> 00:20:46,320 Speaker 2: but this is extreme hypochondriactiveness. 471 00:20:46,480 --> 00:20:50,399 Speaker 1: Fend that you experience warning headaches occasionally, You've got that. 472 00:20:51,160 --> 00:20:52,960 Speaker 1: It could also just be a mild headache. 473 00:20:53,560 --> 00:20:56,000 Speaker 3: Could could be coming in Well, I apologize every of 474 00:20:56,040 --> 00:20:57,360 Speaker 3: the year, the end of the year. 475 00:20:57,400 --> 00:20:59,359 Speaker 1: I'm not sure if aneurysms come at the end of 476 00:20:59,440 --> 00:20:59,720 Speaker 1: the year. 477 00:21:00,080 --> 00:21:05,080 Speaker 2: Sure if they're more common in November, but sure, that's a. 478 00:21:05,080 --> 00:21:07,560 Speaker 1: Really interesting study. I think they are as well. But look, 479 00:21:07,600 --> 00:21:09,480 Speaker 1: I'm just trying out theories at this point. I'm just 480 00:21:09,520 --> 00:21:11,160 Speaker 1: going out theories. I su she wouldn't mind hearing from 481 00:21:11,160 --> 00:21:11,560 Speaker 1: a doctor. 482 00:21:11,920 --> 00:21:14,199 Speaker 3: I think that would be a good thing to find out. 483 00:21:14,240 --> 00:21:15,600 Speaker 2: How much travele take it on here, But thirty one 484 00:21:15,640 --> 00:21:17,920 Speaker 2: and sixty five if you're a doctor, are aneurysms more 485 00:21:17,920 --> 00:21:19,240 Speaker 2: common at the end of year. 486 00:21:19,520 --> 00:21:22,560 Speaker 1: And do you get a headache before you get them? 487 00:21:22,840 --> 00:21:23,600 Speaker 3: Am I going down? 488 00:21:24,000 --> 00:21:26,199 Speaker 2: That's what I want to know, doctor od nurse obviously 489 00:21:26,320 --> 00:21:29,080 Speaker 2: call us and then we'll move on with normal programming. 490 00:21:29,400 --> 00:21:31,240 Speaker 1: Henna Ferguson's going to join us little bit later on. 491 00:21:31,600 --> 00:21:34,840 Speaker 1: She might know Woody Wales. The word of the year 492 00:21:34,920 --> 00:21:35,880 Speaker 1: has been released. 493 00:21:36,200 --> 00:21:39,240 Speaker 3: Huge, plenty of things to come here and up next. 494 00:21:39,800 --> 00:21:42,080 Speaker 1: Brain aneurysms Are we actually doing that? 495 00:21:42,119 --> 00:21:44,960 Speaker 2: When do they come? If a doctor calls, we'll find out. Well, 496 00:21:44,960 --> 00:21:47,719 Speaker 2: you're worried you're about to have a brain aneurysm. 497 00:21:47,800 --> 00:21:48,119 Speaker 1: I'm not. 498 00:21:48,200 --> 00:21:49,119 Speaker 7: You keep talking about it. 499 00:21:49,280 --> 00:21:52,720 Speaker 2: I just said I could be, and you chance save 500 00:21:52,800 --> 00:21:54,679 Speaker 2: me because I can't deal with two hours of you 501 00:21:54,760 --> 00:21:57,240 Speaker 2: talking about the fact that you might have a brain aneurysm. 502 00:21:57,320 --> 00:22:00,520 Speaker 3: So we need to know how you can get warning headaches. Google. 503 00:22:00,560 --> 00:22:03,280 Speaker 2: Well, let's us Jeff, Jeff, you're a registered nurse. Great, 504 00:22:03,280 --> 00:22:04,399 Speaker 2: a little bit of expertise. 505 00:22:05,000 --> 00:22:06,920 Speaker 7: Okida, guys, how are we outstanding? 506 00:22:06,920 --> 00:22:09,320 Speaker 1: What do you know about brain aneurysms? Jeff, keep it quickly. 507 00:22:09,480 --> 00:22:11,640 Speaker 6: I know that they're not more common at this time 508 00:22:11,680 --> 00:22:13,720 Speaker 6: of year, but if people are getting stressed out, not 509 00:22:13,760 --> 00:22:16,200 Speaker 6: looking after themselves not drinking enough water. 510 00:22:16,400 --> 00:22:19,480 Speaker 3: Will carry on, Jeff, they. 511 00:22:19,480 --> 00:22:23,480 Speaker 6: Are going to have some sort of an aneurysm. 512 00:22:24,040 --> 00:22:28,159 Speaker 2: But the proceeding, the preceding event before some aneurysms, is 513 00:22:28,200 --> 00:22:29,240 Speaker 2: what we call a thunderclap. 514 00:22:29,640 --> 00:22:32,480 Speaker 1: Yeah bang, Thank you very much. 515 00:22:32,480 --> 00:22:34,280 Speaker 2: You haven't really taken thanks, Jeff, thanks for joining us. 516 00:22:34,320 --> 00:22:36,400 Speaker 2: Thank you very much, Jef, haven't taken away. The thing 517 00:22:36,440 --> 00:22:37,600 Speaker 2: you need to look after yourself. 518 00:22:37,400 --> 00:22:39,760 Speaker 1: Could be doing. Can we get in studio in studio death, 519 00:22:39,800 --> 00:22:43,120 Speaker 1: it'd be memorable what we do in life echoes in eternity. 520 00:22:43,240 --> 00:22:44,520 Speaker 1: With that up, good for rating. 521 00:22:44,560 --> 00:22:45,959 Speaker 3: There we go, good for ratings. 522 00:22:46,200 --> 00:22:47,200 Speaker 1: Had to get some hits as. 523 00:22:47,040 --> 00:22:48,440 Speaker 3: A gladiator too. Quite If you want to see the 524 00:22:48,480 --> 00:22:50,640 Speaker 3: worst movie of the year, don't check it out. 525 00:22:50,680 --> 00:22:52,960 Speaker 7: We love Paramount, We love Paramount, Love Parent