1 00:00:00,480 --> 00:00:04,519 Speaker 1: This is the Will and Woody podcast sad. 2 00:00:05,680 --> 00:00:07,360 Speaker 2: I want to be vulnerable first before I ask our 3 00:00:07,400 --> 00:00:09,200 Speaker 2: listeners to be thirteen one oh six y five. Though, 4 00:00:09,240 --> 00:00:11,160 Speaker 2: if your sex clock is out of sync with your partner, 5 00:00:11,200 --> 00:00:13,480 Speaker 2: so if you desire sex at a different time of 6 00:00:13,520 --> 00:00:15,640 Speaker 2: the day to your partner, I don't like mornings. 7 00:00:15,920 --> 00:00:18,599 Speaker 3: Mornings for me, I never feel like I don't desire it. 8 00:00:18,640 --> 00:00:20,360 Speaker 2: I always just want to get out of bed and 9 00:00:20,400 --> 00:00:23,599 Speaker 2: get outside, yeah, and do something. So I'm always a 10 00:00:23,760 --> 00:00:25,600 Speaker 2: night guy, potentially late afternoon. 11 00:00:25,720 --> 00:00:25,880 Speaker 4: Now. 12 00:00:25,920 --> 00:00:28,040 Speaker 2: I've actually not discussed this with my partner him, and 13 00:00:28,080 --> 00:00:29,960 Speaker 2: maybe I should have before putting it on air. I 14 00:00:30,040 --> 00:00:32,360 Speaker 2: think she'd be open to a bit of morning delight, right, 15 00:00:32,440 --> 00:00:34,000 Speaker 2: and that you know, it could be interesting as we 16 00:00:34,040 --> 00:00:35,120 Speaker 2: get busier in our lives. 17 00:00:35,120 --> 00:00:35,479 Speaker 3: That you know. 18 00:00:35,680 --> 00:00:37,320 Speaker 4: I was going to ask you. You're talking like a 19 00:00:37,320 --> 00:00:38,920 Speaker 4: guy who's got far too much time on his hands. 20 00:00:38,920 --> 00:00:40,760 Speaker 3: I've got a light. Can I just say now I've. 21 00:00:40,600 --> 00:00:42,520 Speaker 4: Got in the morning, I like to go outside smell 22 00:00:42,560 --> 00:00:45,080 Speaker 4: the air. I know you will not touch me in 23 00:00:45,120 --> 00:00:47,199 Speaker 4: the morning, because that's precious time for me. I mean, 24 00:00:48,280 --> 00:00:50,480 Speaker 4: I don't want to as your friend, I'm stepping in here. 25 00:00:50,479 --> 00:00:52,440 Speaker 4: This is bad for your brand. I do not like 26 00:00:52,479 --> 00:00:53,840 Speaker 4: to have sex in the morning. I like to get 27 00:00:53,840 --> 00:00:56,080 Speaker 4: outside smell the air. God, damn it, mane, you've been 28 00:00:56,040 --> 00:00:57,560 Speaker 4: a beautiful woman throwing herself at you. 29 00:00:57,600 --> 00:00:57,960 Speaker 3: No, we're not. 30 00:00:58,080 --> 00:01:01,760 Speaker 4: You say, get off me. You know it's amn't. I 31 00:01:01,800 --> 00:01:02,520 Speaker 4: don't know. 32 00:01:02,760 --> 00:01:04,640 Speaker 3: I don't get off me. 33 00:01:04,680 --> 00:01:06,240 Speaker 4: You turn it down in the morning, though, because it's 34 00:01:06,240 --> 00:01:06,639 Speaker 4: the morning. 35 00:01:06,959 --> 00:01:09,280 Speaker 3: I think sometimes she cozies up to. 36 00:01:09,280 --> 00:01:12,240 Speaker 4: Me and I almost get off. 37 00:01:12,280 --> 00:01:13,959 Speaker 2: There's a puff of smoke and I'm just out because 38 00:01:13,959 --> 00:01:15,960 Speaker 2: I just I get very irritable when I wake up. 39 00:01:16,319 --> 00:01:18,960 Speaker 4: I'm very irrit My next question about this is like, 40 00:01:19,040 --> 00:01:21,520 Speaker 4: so in the morning you're off it. Yeah, when midday 41 00:01:21,600 --> 00:01:24,920 Speaker 4: ticks over, are you then as hard as a win 42 00:01:25,000 --> 00:01:26,319 Speaker 4: on the road to get down at the category. 43 00:01:26,520 --> 00:01:28,839 Speaker 2: I wouldn't say it's I wouldn't say it's instant, okay 44 00:01:29,040 --> 00:01:31,440 Speaker 2: like that, but yeah, I think as soon as the afternoon. 45 00:01:31,480 --> 00:01:33,480 Speaker 3: I don't know. If something happens to my psyche and 46 00:01:33,480 --> 00:01:35,920 Speaker 3: it's like, oh, is that. 47 00:01:35,880 --> 00:01:37,560 Speaker 4: Because you've got your workout done for the day. 48 00:01:37,760 --> 00:01:40,039 Speaker 3: No, No, I don't think it's specifically because I got. 49 00:01:40,080 --> 00:01:42,560 Speaker 4: I feel like, can I just say, like, quite candidly, 50 00:01:42,600 --> 00:01:43,840 Speaker 4: I think the workout thing is a big part of 51 00:01:43,840 --> 00:01:45,480 Speaker 4: it because you've got a bit of a like an 52 00:01:45,520 --> 00:01:47,240 Speaker 4: early addiction to exercise in the morning. 53 00:01:47,280 --> 00:01:49,800 Speaker 2: So sometimes for me, I need to have some early wins, 54 00:01:50,120 --> 00:01:52,800 Speaker 2: so beating the sun up one, workout two, and then 55 00:01:52,840 --> 00:01:55,320 Speaker 2: I do like a journal thing and sleeping with. 56 00:01:55,280 --> 00:01:56,640 Speaker 4: Your partner first up some early win. 57 00:01:56,760 --> 00:01:58,800 Speaker 3: Baby, that's the biggest and almost I don't have the 58 00:01:58,800 --> 00:02:03,360 Speaker 3: confidence to do it. Wins and work out. I know, 59 00:02:03,440 --> 00:02:10,600 Speaker 3: that's weird. And then I come down your sex clock 60 00:02:10,639 --> 00:02:11,840 Speaker 3: is out of sync with your partner. 61 00:02:12,680 --> 00:02:16,040 Speaker 5: Yeah. So I'm a mom of three kids, and so 62 00:02:16,160 --> 00:02:18,360 Speaker 5: by the time at nighttime, when you're in bed and 63 00:02:18,400 --> 00:02:22,640 Speaker 5: he wants it the most, I'm absolutely looking after the kids. 64 00:02:23,760 --> 00:02:26,440 Speaker 5: I would rather do it in the morning, but it's 65 00:02:26,440 --> 00:02:28,639 Speaker 5: really hard because the kids are all after and then 66 00:02:28,639 --> 00:02:29,280 Speaker 5: they keep. 67 00:02:29,560 --> 00:02:32,000 Speaker 4: Trying to So Jody, what do you say to a 68 00:02:32,040 --> 00:02:33,000 Speaker 4: person like, what do you who? 69 00:02:33,120 --> 00:02:33,320 Speaker 6: You know? 70 00:02:33,320 --> 00:02:34,680 Speaker 4: It just doesn't feel up to it in the morning 71 00:02:34,720 --> 00:02:36,160 Speaker 4: because he hadn't known of his early wins yet. 72 00:02:37,200 --> 00:02:40,240 Speaker 5: Oh well, if you don't have kids, enjoy the morning. 73 00:02:41,440 --> 00:02:44,280 Speaker 3: Yeah, fair enough, Okay, thank you, Joy. 74 00:02:44,400 --> 00:02:46,760 Speaker 2: Something for the future we've got Luke Here, Luke, you're 75 00:02:46,760 --> 00:02:49,160 Speaker 2: in the situation where you and your partner your sex 76 00:02:49,160 --> 00:02:50,000 Speaker 2: clock's out of sink. 77 00:02:50,840 --> 00:02:53,440 Speaker 1: Oh definitely, it's completely different. 78 00:02:53,520 --> 00:02:54,359 Speaker 4: Right, nightmare? 79 00:02:54,440 --> 00:02:55,239 Speaker 3: So where are you luke? 80 00:02:56,480 --> 00:02:57,160 Speaker 1: Being a trade? 81 00:02:57,280 --> 00:02:59,040 Speaker 5: It's more like, you know, you want to get home 82 00:02:59,360 --> 00:03:00,880 Speaker 5: and then it's perfect timing. 83 00:03:00,960 --> 00:03:03,480 Speaker 1: You're ready to go, and the missus just wants to 84 00:03:03,560 --> 00:03:05,680 Speaker 1: chill out and wait to cook dinner before she's ready. 85 00:03:05,919 --> 00:03:08,040 Speaker 4: Hey, you're not even talking about being in bed. You're 86 00:03:08,040 --> 00:03:10,720 Speaker 4: talking about literally walking in the front door. What time 87 00:03:10,800 --> 00:03:12,720 Speaker 4: is that like five o'clock away? 88 00:03:12,880 --> 00:03:13,560 Speaker 7: Three o'clock? 89 00:03:14,480 --> 00:03:16,800 Speaker 2: Sorry, look, you're complaining that she wants to prepare the 90 00:03:16,840 --> 00:03:18,720 Speaker 2: dinner rather than bed you. 91 00:03:21,240 --> 00:03:23,959 Speaker 4: It is laughable. Look, it is like and you're you're 92 00:03:24,200 --> 00:03:26,760 Speaker 4: now calling a radio station to wings about that. So 93 00:03:26,919 --> 00:03:29,080 Speaker 4: can I look, let's let's just try to stay with 94 00:03:29,080 --> 00:03:31,560 Speaker 4: you for two sects. So you finish work, you get home. 95 00:03:31,560 --> 00:03:33,079 Speaker 4: What time you get home for four o'clock you're a 96 00:03:33,120 --> 00:03:35,880 Speaker 4: trading five o'clock, three three clock, three o'clock in the afternoon. 97 00:03:36,000 --> 00:03:37,560 Speaker 4: What's she doing at that stage? 98 00:03:38,280 --> 00:03:39,720 Speaker 1: Sitting on the couch watching it? Tully? 99 00:03:40,080 --> 00:03:42,360 Speaker 4: Right? And so you're at that stage, you're like, right, 100 00:03:43,520 --> 00:03:46,600 Speaker 4: TV remote down? What sort of a play do you make? 101 00:03:46,800 --> 00:03:48,200 Speaker 4: I mean, do you do you warm her? 102 00:03:48,280 --> 00:03:52,920 Speaker 1: At all, pick a hand up, walk her into the bedroom, 103 00:03:53,040 --> 00:03:54,000 Speaker 1: shut the door behind you. 104 00:03:54,680 --> 00:03:59,560 Speaker 2: Yeah that's not super Strong's super strong Luke. 105 00:03:59,720 --> 00:04:00,760 Speaker 3: Look, look the good news. 106 00:04:01,360 --> 00:04:04,040 Speaker 2: The good news though for anyone who's listening to, maybe 107 00:04:04,040 --> 00:04:06,000 Speaker 2: not relating to Luke, but for relating to having a 108 00:04:06,000 --> 00:04:07,440 Speaker 2: different sex clock to your partner. 109 00:04:07,480 --> 00:04:11,880 Speaker 3: Right up next, we are going to be joined by relationship. 110 00:04:11,160 --> 00:04:14,640 Speaker 2: Therapist, doctor Nicki Goldstein, who is going to have some 111 00:04:14,720 --> 00:04:17,800 Speaker 2: solutions for everyone who is out of sync with their 112 00:04:17,920 --> 00:04:18,559 Speaker 2: sex clock. 113 00:04:18,839 --> 00:04:21,760 Speaker 3: Listen up, look could help you, big fella. Listen to 114 00:04:21,760 --> 00:04:22,880 Speaker 3: Will and Buddy Woods. 115 00:04:22,880 --> 00:04:26,520 Speaker 4: We're talking about sex clocks and them being out of sinc. 116 00:04:26,480 --> 00:04:29,520 Speaker 2: That's right, So desiring sex at a different time to 117 00:04:29,680 --> 00:04:31,799 Speaker 2: your partner and you know that can be a problem 118 00:04:31,960 --> 00:04:34,799 Speaker 2: for relationships. But right now we are joined by doctor 119 00:04:34,880 --> 00:04:41,920 Speaker 2: Nicki Goldstein, doctor who is a sexologist and doctor Nicki, 120 00:04:42,040 --> 00:04:45,080 Speaker 2: you potentially have a solution for anyone who's sex clock 121 00:04:45,200 --> 00:04:45,839 Speaker 2: is out of sync. 122 00:04:46,960 --> 00:04:47,760 Speaker 8: Well, I think is this. 123 00:04:47,720 --> 00:04:50,719 Speaker 7: One We tend to overcomplicate it. It all comes down 124 00:04:50,760 --> 00:04:53,200 Speaker 7: to your fleet patterns. Some people are morning people, some 125 00:04:53,279 --> 00:04:56,240 Speaker 7: people are evening people. So my solution is do it 126 00:04:56,240 --> 00:04:56,839 Speaker 7: in a shower. 127 00:04:57,200 --> 00:05:00,000 Speaker 3: Whoa to you is that feels like a random. 128 00:05:02,120 --> 00:05:05,360 Speaker 4: Yeah, is that shower in the morning talking about where 129 00:05:05,400 --> 00:05:08,760 Speaker 4: doctor Nikki were talking about when what have you done it? 130 00:05:09,080 --> 00:05:11,760 Speaker 7: We have your shower, right, We're all time for these days, 131 00:05:11,760 --> 00:05:14,479 Speaker 7: and I think that plays a partner as well. Is 132 00:05:14,520 --> 00:05:16,520 Speaker 7: it a lot of people they're tired at the end 133 00:05:16,520 --> 00:05:18,560 Speaker 7: of the day, they're stressed, they want to hit the 134 00:05:18,600 --> 00:05:20,000 Speaker 7: head on the pillow and just say good night, I'm 135 00:05:20,040 --> 00:05:22,280 Speaker 7: going to sleep. Or maybe you're not a morning person, 136 00:05:22,320 --> 00:05:24,520 Speaker 7: but most people would have a shower once or at 137 00:05:24,600 --> 00:05:27,919 Speaker 7: least twice a day. So maybe it's the solution to 138 00:05:28,000 --> 00:05:32,160 Speaker 7: saving your water bills and having some time in the shower. 139 00:05:32,520 --> 00:05:35,400 Speaker 7: Or you've got to just go to quality, not quantity, 140 00:05:35,520 --> 00:05:38,480 Speaker 7: So it might be weekends where you're having a snuggle 141 00:05:38,600 --> 00:05:41,280 Speaker 7: in and not all the time during weeknights, because I 142 00:05:41,320 --> 00:05:43,120 Speaker 7: think we get a bit obsessed with this idea of 143 00:05:43,480 --> 00:05:47,960 Speaker 7: how many times we should be. A good snuggle session 144 00:05:48,000 --> 00:05:50,400 Speaker 7: on the weekend can be enough for a lot of people. 145 00:05:51,120 --> 00:05:53,359 Speaker 4: You can ask you, well, a couple of things here. 146 00:05:53,440 --> 00:05:58,320 Speaker 4: Let's stick with the shower stuff for first and foremost. Traditionally, 147 00:05:58,480 --> 00:06:00,440 Speaker 4: I mean, like I think we can all agree, wonderful 148 00:06:00,440 --> 00:06:03,360 Speaker 4: place to kick things off. I mean it's almost like 149 00:06:03,400 --> 00:06:05,679 Speaker 4: a cocktail bar, right, Like it's a great place to start, 150 00:06:05,680 --> 00:06:08,520 Speaker 4: but you can't stay there for too long. Cocktail bit, 151 00:06:08,560 --> 00:06:09,520 Speaker 4: you tend to get a big drunk. 152 00:06:09,600 --> 00:06:11,960 Speaker 3: Shower just tends to, you know, a bit impractical. You 153 00:06:12,040 --> 00:06:12,360 Speaker 3: got water. 154 00:06:12,920 --> 00:06:14,960 Speaker 4: Practical is the word I do. I know if you've 155 00:06:14,960 --> 00:06:15,920 Speaker 4: got water in your face, I. 156 00:06:15,880 --> 00:06:19,080 Speaker 7: Know what you're doing in there to the showers as 157 00:06:19,120 --> 00:06:20,960 Speaker 7: a quickie, you know, like the show kind of a 158 00:06:21,000 --> 00:06:25,839 Speaker 7: resolution that it's midweek. You're both busy. One persons wanting 159 00:06:25,880 --> 00:06:28,240 Speaker 7: to go to bed straight away. The other person's an 160 00:06:28,240 --> 00:06:31,200 Speaker 7: early riser and literally an early riser. You've got to 161 00:06:31,240 --> 00:06:32,239 Speaker 7: find some solutions. 162 00:06:32,320 --> 00:06:35,400 Speaker 4: All that's in the shower, though, is I mean, we're 163 00:06:35,400 --> 00:06:39,360 Speaker 4: not this this practical question which I understand. We're in 164 00:06:39,400 --> 00:06:42,840 Speaker 4: you know, commercial airwaves at a family friendly time. 165 00:06:43,360 --> 00:06:46,200 Speaker 3: Sorry, yeah, code words are good. Code words is good, 166 00:06:46,200 --> 00:06:46,760 Speaker 3: doctor Nikki. 167 00:06:46,839 --> 00:06:49,200 Speaker 2: But when you said QUICKI there you said, you know, 168 00:06:49,360 --> 00:06:51,640 Speaker 2: just a shower is great for a quikie. Do you 169 00:06:51,680 --> 00:06:53,440 Speaker 2: do you think that's a discussion that you have pre 170 00:06:54,360 --> 00:06:56,200 Speaker 2: orders a quickie just sort of end up happening. 171 00:06:56,320 --> 00:06:57,960 Speaker 3: I hope you're picking up what I'm putting down there. 172 00:06:58,920 --> 00:07:00,880 Speaker 7: I think sometimes the word quickie can be a turn 173 00:07:00,920 --> 00:07:03,400 Speaker 7: on a turn off some people. The idea of a 174 00:07:03,480 --> 00:07:04,520 Speaker 7: quickie it's a bit to do. 175 00:07:04,600 --> 00:07:06,120 Speaker 8: It's like, oh quick, we've got to do this. 176 00:07:06,240 --> 00:07:08,840 Speaker 7: Maybe somebody's coming in the room or someone's going to 177 00:07:08,920 --> 00:07:10,880 Speaker 7: hear us, And to other people it's a matter of 178 00:07:11,160 --> 00:07:13,200 Speaker 7: really not having time. So I think if it's said 179 00:07:13,200 --> 00:07:15,000 Speaker 7: in the in the way of oh, let's just have 180 00:07:15,040 --> 00:07:17,520 Speaker 7: a quickie, it's a real turn up. But if you're 181 00:07:17,520 --> 00:07:19,960 Speaker 7: going to go jumping in the shower together, I think 182 00:07:20,000 --> 00:07:23,040 Speaker 7: it's well assumed that it's going to be a brief encounter. 183 00:07:24,520 --> 00:07:26,640 Speaker 7: You really don't care about the environment, just want to 184 00:07:26,720 --> 00:07:28,680 Speaker 7: keep the water running. But I think it is going 185 00:07:28,720 --> 00:07:31,559 Speaker 7: to be a more brief encounter. And remember we're looking 186 00:07:31,640 --> 00:07:34,320 Speaker 7: for compromises and resolutions. There's not going to be a 187 00:07:34,440 --> 00:07:38,600 Speaker 7: perfect solution to sinking our sex lives, but we have 188 00:07:38,680 --> 00:07:39,320 Speaker 7: to look at. 189 00:07:39,200 --> 00:07:40,960 Speaker 2: Where we might be able to think on the time 190 00:07:41,520 --> 00:07:43,840 Speaker 2: Answers Doctor Nikki and final question before you go there. 191 00:07:43,880 --> 00:07:46,360 Speaker 3: Doctor Niki Will revealed on the show yesterday that his 192 00:07:46,480 --> 00:07:46,960 Speaker 3: mother in. 193 00:07:46,960 --> 00:07:49,200 Speaker 2: Law walked in on him in the bedroom, but he 194 00:07:49,240 --> 00:07:51,120 Speaker 2: also revealed that he left the door open. 195 00:07:51,200 --> 00:07:52,680 Speaker 3: Did Will want to be walked in on? 196 00:07:54,160 --> 00:07:56,200 Speaker 7: Maybe he likes that whole You know, I'm going to 197 00:07:56,200 --> 00:08:00,400 Speaker 7: get caught. It's a bit risky situation. I think it open. 198 00:08:00,480 --> 00:08:04,360 Speaker 7: You're asking for something, whether she's jocks or catch you 199 00:08:04,480 --> 00:08:07,480 Speaker 7: in doing something else. Yeah, yeah, I think you've got 200 00:08:07,520 --> 00:08:09,360 Speaker 7: to take responsibility for that one, buddy, go. 201 00:08:09,360 --> 00:08:14,640 Speaker 4: On, Will, I'm not not taking responsibility for it. I 202 00:08:14,680 --> 00:08:16,680 Speaker 4: don't really know what to say. You know what, Nikki, 203 00:08:16,720 --> 00:08:17,280 Speaker 4: you've caught me. 204 00:08:17,320 --> 00:08:18,000 Speaker 1: I wanted her. 205 00:08:17,840 --> 00:08:20,800 Speaker 3: Involve Nigga's events. 206 00:08:20,800 --> 00:08:22,080 Speaker 2: If you want to go and check out her stuff, 207 00:08:22,080 --> 00:08:26,440 Speaker 2: doctor Nikki dot com dot au docky doctor Nikki guldst. 208 00:08:26,280 --> 00:08:27,720 Speaker 7: Do Nikki so much. 209 00:08:27,920 --> 00:08:29,600 Speaker 4: Thanks mate. 210 00:08:29,680 --> 00:08:31,560 Speaker 9: Passing now is Will. 211 00:08:31,360 --> 00:08:33,720 Speaker 4: And right now we're really living a dream of Woods 212 00:08:33,720 --> 00:08:37,280 Speaker 4: and his mates who toured South America fifteen years ago. 213 00:08:37,760 --> 00:08:41,240 Speaker 4: Fifteen years after traveling South America pretending to be the 214 00:08:41,280 --> 00:08:43,840 Speaker 4: band Pounderfinger, Will you got the band back together? 215 00:08:46,880 --> 00:08:49,120 Speaker 3: Boys? I want to get the band back together? 216 00:08:49,400 --> 00:08:51,360 Speaker 7: Okay, yeah, I mean. 217 00:08:51,280 --> 00:08:52,880 Speaker 3: We're called form a Finger. I'm pumped about it. 218 00:08:52,880 --> 00:08:55,320 Speaker 4: Will, Chock, Shag and Lafleur are in. Only one of 219 00:08:55,320 --> 00:08:57,440 Speaker 4: them actually plays an instrument, but that's fine. 220 00:08:57,520 --> 00:08:59,319 Speaker 3: Share actually not a bad singer, okay. 221 00:08:59,400 --> 00:09:02,599 Speaker 2: And I was with a beat man, when you have 222 00:09:02,640 --> 00:09:05,400 Speaker 2: to sing at the same time, it's quite difficult. 223 00:09:05,480 --> 00:09:07,120 Speaker 4: Al Right, here we go. So the boys are going 224 00:09:07,160 --> 00:09:09,800 Speaker 4: to be playing. Now, what's the school woods? Which schools 225 00:09:09,800 --> 00:09:10,559 Speaker 4: formerly playing it? 226 00:09:10,720 --> 00:09:11,839 Speaker 3: Don't know, mate, don't know. 227 00:09:11,880 --> 00:09:12,480 Speaker 4: I'm a rocksto. 228 00:09:12,600 --> 00:09:13,920 Speaker 3: I don't take down names, my friend. 229 00:09:14,080 --> 00:09:16,200 Speaker 4: Fair enough, fair enough, okay, So but you are playing 230 00:09:16,200 --> 00:09:18,000 Speaker 4: in a school form because you're scared about the crowd. 231 00:09:18,000 --> 00:09:19,640 Speaker 4: We've locked in a craft. It's going to be a 232 00:09:19,720 --> 00:09:24,200 Speaker 4: remote golf course. Yes, we're fifty seventeen year old kids there. 233 00:09:24,240 --> 00:09:26,320 Speaker 4: That's your crowd. That's your audience for the night. A 234 00:09:26,360 --> 00:09:29,000 Speaker 4: lot of them probably weren't born when Powder Finger were out, 235 00:09:29,240 --> 00:09:31,240 Speaker 4: But that just doesn't matter, doesn't No, it doesn't. 236 00:09:31,240 --> 00:09:33,559 Speaker 2: And I've just been told actually there is no stage, 237 00:09:34,160 --> 00:09:35,840 Speaker 2: so we're just setting up on the dance floor. 238 00:09:36,240 --> 00:09:39,040 Speaker 3: But we do have a smoke machine. We've got a 239 00:09:39,040 --> 00:09:40,600 Speaker 3: smoke machine, which I'm pumped about. 240 00:09:40,679 --> 00:09:42,559 Speaker 4: Oh god, this just gets better and better. All right. 241 00:09:42,600 --> 00:09:46,160 Speaker 4: So Shag was the lead singer. Yeah, Shook was the guitarist. 242 00:09:46,240 --> 00:09:46,440 Speaker 3: Yeah. 243 00:09:46,480 --> 00:09:50,000 Speaker 4: Fleur was a bit of a bit of candy on 244 00:09:50,040 --> 00:09:50,719 Speaker 4: the side up there. 245 00:09:50,800 --> 00:09:53,320 Speaker 2: Yeah, miscellaneous, sure what he did? 246 00:09:53,440 --> 00:09:53,600 Speaker 6: Yeah? 247 00:09:53,640 --> 00:09:57,120 Speaker 4: Yeah, And you mate, you professed to be the drummer 248 00:09:57,160 --> 00:09:59,120 Speaker 4: of the band fifteen years ago when you pretended to 249 00:09:59,120 --> 00:10:02,320 Speaker 4: be powder Finger. Now you find yourself as the pull 250 00:10:02,400 --> 00:10:05,880 Speaker 4: my finger drummer. Yep. So you know, just as an example, 251 00:10:06,080 --> 00:10:10,960 Speaker 4: can you just give me maybe just really basically, just 252 00:10:11,000 --> 00:10:13,040 Speaker 4: give me a quick just give me a quick drum roll, 253 00:10:13,240 --> 00:10:14,679 Speaker 4: you know, a drum roll? Drum roll? 254 00:10:15,520 --> 00:10:17,080 Speaker 3: Would you do? Do you do that on the snare? 255 00:10:17,960 --> 00:10:18,920 Speaker 3: Which one do you want to on? 256 00:10:19,360 --> 00:10:19,560 Speaker 10: Well? 257 00:10:19,559 --> 00:10:21,800 Speaker 4: What you you choose? Which one of the things most appropriate? 258 00:10:23,920 --> 00:10:24,720 Speaker 3: Probably this one? 259 00:10:24,840 --> 00:10:29,240 Speaker 4: Okay, not mad. 260 00:10:30,760 --> 00:10:31,280 Speaker 1: Not mad? 261 00:10:31,679 --> 00:10:33,319 Speaker 4: Well, let's get down to brass tacks. Let's get into 262 00:10:33,320 --> 00:10:36,679 Speaker 4: the song. So let's be honest everyone, we're pretty sure 263 00:10:36,679 --> 00:10:38,719 Speaker 4: you're gonna be playing the song by Happiness, which was 264 00:10:38,760 --> 00:10:41,440 Speaker 4: a single released by Powdered Finger before it was on 265 00:10:41,440 --> 00:10:44,680 Speaker 4: the record, obviously number five, arguably their biggest song. Even 266 00:10:44,720 --> 00:10:47,080 Speaker 4: if you don't know powder Finger, you know this song surely. 267 00:10:49,720 --> 00:10:53,640 Speaker 10: Jeez fair better symbol in that that when I spoke 268 00:10:53,679 --> 00:10:55,679 Speaker 10: to you about this song, you were confident that you 269 00:10:55,720 --> 00:10:57,600 Speaker 10: could do the song because you'd heard the start of 270 00:10:57,640 --> 00:10:58,040 Speaker 10: the song. 271 00:10:58,120 --> 00:11:01,079 Speaker 4: Yes, and this seemed yeah, pretty easy for you. 272 00:11:01,160 --> 00:11:05,120 Speaker 2: That's that's a classic snaring there will, that's a classic snaring. 273 00:11:05,160 --> 00:11:06,680 Speaker 4: Give me a bit of a classic snaring, then go 274 00:11:06,760 --> 00:11:07,000 Speaker 4: with it. 275 00:11:07,000 --> 00:11:09,320 Speaker 3: Can you turn everything off? Because I can't concentrate when 276 00:11:09,360 --> 00:11:19,640 Speaker 3: here we go exactly it? That's it? Yeah, not perfect? 277 00:11:22,160 --> 00:11:22,719 Speaker 8: Okay? 278 00:11:23,600 --> 00:11:25,600 Speaker 3: That on repeat? And then I smashed the symbol before 279 00:11:25,600 --> 00:11:26,360 Speaker 3: the chorus. 280 00:11:26,400 --> 00:11:29,160 Speaker 4: Perfect, all right, So that's obviously the start of the song. 281 00:11:29,280 --> 00:11:32,880 Speaker 4: Yeah yeah, but naturally the song does have a crescendo. 282 00:11:33,360 --> 00:11:35,800 Speaker 4: And I don't think you've fully listened to where the 283 00:11:35,840 --> 00:11:37,800 Speaker 4: song goes to, because this is where the song gets 284 00:11:37,800 --> 00:11:39,040 Speaker 4: to the letters that it gets to. 285 00:11:39,080 --> 00:11:52,319 Speaker 11: You're about that bit at the end. 286 00:11:55,160 --> 00:12:01,319 Speaker 4: How are you feeling? I lost it, lost two strokes 287 00:12:01,360 --> 00:12:05,240 Speaker 4: in Okay? So mate, we had John cogil, who's who's 288 00:12:05,280 --> 00:12:08,080 Speaker 4: actually the drummer from powder Finger. He's been on the show. 289 00:12:08,080 --> 00:12:10,000 Speaker 4: He surprised you on the show the other day. He 290 00:12:10,080 --> 00:12:14,559 Speaker 4: has graciously recorded just the drum part of that bit 291 00:12:14,640 --> 00:12:16,400 Speaker 4: for you to have a listen to now before you 292 00:12:16,440 --> 00:12:18,000 Speaker 4: give it a crack. Okay, So this is just the 293 00:12:18,080 --> 00:12:21,559 Speaker 4: drums from the pre chorus of My Happiness by the 294 00:12:21,600 --> 00:12:23,080 Speaker 4: drummer of Powder Thinker, John Cockel. 295 00:12:30,360 --> 00:12:38,400 Speaker 3: Bloody hell, are you really shocking? I think he uses 296 00:12:38,440 --> 00:12:40,720 Speaker 3: the foot one. What's the foot drum called the kick, 297 00:12:40,800 --> 00:12:42,200 Speaker 3: the kick, Yeah, he kicks it. 298 00:12:42,320 --> 00:12:42,680 Speaker 4: I reckon. 299 00:12:42,679 --> 00:12:45,320 Speaker 2: It's hard to do two things at once, isn't it. 300 00:12:45,360 --> 00:12:47,040 Speaker 4: Do you want to lead in for it? So you know, 301 00:12:47,320 --> 00:12:48,480 Speaker 4: this is the build up of the song, and then 302 00:12:48,520 --> 00:12:49,760 Speaker 4: we'll whip it down and you take over. 303 00:12:50,000 --> 00:13:04,920 Speaker 12: Okay, a hare a slowly creeping back. 304 00:13:05,280 --> 00:13:07,880 Speaker 4: Now, that was it. 305 00:13:08,200 --> 00:13:10,839 Speaker 3: That was perfect. That was perfect. 306 00:13:11,360 --> 00:13:15,080 Speaker 4: In his youth, Woody toured South America with three of 307 00:13:15,120 --> 00:13:17,720 Speaker 4: his mates, pretending to be the band powder Finger. Fifteen 308 00:13:17,800 --> 00:13:20,240 Speaker 4: years later, they're out to prove that if they could 309 00:13:20,280 --> 00:13:23,000 Speaker 4: pretend to be powder Finger, they can play a gig 310 00:13:23,240 --> 00:13:27,000 Speaker 4: as powder Finger and enter the tribute band Pull my Finger. 311 00:13:27,480 --> 00:13:31,000 Speaker 4: Fifteen years after traveling South America pretending to be the 312 00:13:31,000 --> 00:13:33,560 Speaker 4: band Pounder Finger, would you got the band back together? 313 00:13:36,520 --> 00:13:38,120 Speaker 3: We're called Pull my Finger and I'm pumped about it. 314 00:13:38,200 --> 00:13:41,040 Speaker 4: Welk Shagg was the lead singer. Shook was the guitarist. 315 00:13:41,120 --> 00:13:43,160 Speaker 3: Yeah, flour was miscellaneous. 316 00:13:43,240 --> 00:13:45,600 Speaker 4: You professed to be the drummer of the band. 317 00:13:45,840 --> 00:13:47,880 Speaker 3: I didn't think there were so many drums. I thought 318 00:13:47,880 --> 00:13:49,360 Speaker 3: that was just a kick in the snatch or what 319 00:13:49,520 --> 00:13:50,120 Speaker 3: is it called. 320 00:13:52,280 --> 00:13:56,600 Speaker 4: A Jesus. 321 00:13:56,840 --> 00:13:58,360 Speaker 3: So I'm in a good spot. 322 00:13:58,440 --> 00:14:00,319 Speaker 2: No, I've had a fair bash on the drums, and 323 00:14:00,360 --> 00:14:02,000 Speaker 2: I'm getting better and better with every bash. 324 00:14:02,000 --> 00:14:04,160 Speaker 4: Will can We just had a little bit of the 325 00:14:04,200 --> 00:14:05,880 Speaker 4: tail end of it there. You did jump on the. 326 00:14:05,920 --> 00:14:16,560 Speaker 9: Kit ba happ. 327 00:14:18,640 --> 00:14:20,520 Speaker 3: Yeah, and it's bang on. I think I've nailed the 328 00:14:20,520 --> 00:14:21,040 Speaker 3: time in there. 329 00:14:21,080 --> 00:14:22,840 Speaker 2: And again, what I'd like to ask the audience is, 330 00:14:22,880 --> 00:14:25,840 Speaker 2: don't listen to the vocals, because on the night it's 331 00:14:25,880 --> 00:14:27,640 Speaker 2: not about me on the vocals, it is. 332 00:14:27,600 --> 00:14:29,560 Speaker 3: About our lead man, our lead singer. 333 00:14:29,600 --> 00:14:31,680 Speaker 2: His name is the Shag and he joins us on 334 00:14:31,680 --> 00:14:35,280 Speaker 2: the phone right now, now, Shag, I'm sorry that I 335 00:14:35,280 --> 00:14:37,880 Speaker 2: went behind your back, but I did text your wife Hand. 336 00:14:38,040 --> 00:14:39,440 Speaker 2: I just wanted to get a little updated as to 337 00:14:39,520 --> 00:14:43,160 Speaker 2: how the pipes were sounding, and she secretly recorded you 338 00:14:43,240 --> 00:14:43,840 Speaker 2: in the car. 339 00:14:44,000 --> 00:14:45,440 Speaker 3: If you did miss it, here's a snip of it. 340 00:14:45,800 --> 00:14:48,720 Speaker 7: We're good. This to you rope. 341 00:14:51,000 --> 00:14:51,600 Speaker 4: With them. 342 00:14:54,880 --> 00:15:00,600 Speaker 3: B G whiz. So yeah, probably not a level where 343 00:15:00,600 --> 00:15:01,160 Speaker 3: I wanted Jack. 344 00:15:01,240 --> 00:15:03,360 Speaker 4: I thought it was good. Look, I thought it was good. 345 00:15:03,360 --> 00:15:06,280 Speaker 4: Could I just say, like Shag, I love hand She's 346 00:15:06,280 --> 00:15:08,960 Speaker 4: a beautiful woman, but gee, she's stitchy there, like she 347 00:15:09,440 --> 00:15:12,040 Speaker 4: she knows she's recording you for the radio, and she's 348 00:15:12,160 --> 00:15:14,520 Speaker 4: she's gone she's fed you a pretend you're live bit 349 00:15:14,640 --> 00:15:16,680 Speaker 4: and coaxed you into something. 350 00:15:18,160 --> 00:15:20,440 Speaker 1: I think she's deliberately muscled the audio on her phone 351 00:15:20,440 --> 00:15:21,640 Speaker 1: as well to make you sound worse. 352 00:15:21,640 --> 00:15:23,760 Speaker 3: It's yeah, yeah, there's a. 353 00:15:23,680 --> 00:15:25,000 Speaker 4: Bit of that going on. I can there's a bit 354 00:15:25,000 --> 00:15:25,880 Speaker 4: of that going on for sure. 355 00:15:25,960 --> 00:15:30,800 Speaker 2: Agreed, You're definitely sounded better in South America fifteen years ago, fifteen. 356 00:15:30,560 --> 00:15:33,000 Speaker 4: Years ago and fifteen beers deep, no doubt. 357 00:15:34,200 --> 00:15:37,840 Speaker 2: So shows Shag, I am giving you a chance to 358 00:15:37,880 --> 00:15:40,040 Speaker 2: redeem yourself right now live on the radio. 359 00:15:40,200 --> 00:15:41,640 Speaker 3: So we've got a couple of. 360 00:15:41,640 --> 00:15:45,240 Speaker 2: Songs here and i'd just like, you know, hopefully you 361 00:15:45,320 --> 00:15:48,400 Speaker 2: to prove to Australia that there's a bit more ivory 362 00:15:48,440 --> 00:15:52,160 Speaker 2: behind those pipes. So first one here we're going to 363 00:15:52,240 --> 00:15:55,239 Speaker 2: go for is vance Joy's classic Riptide. 364 00:15:55,280 --> 00:15:57,720 Speaker 3: So we've got the audio as well. You just sing 365 00:15:57,760 --> 00:15:59,480 Speaker 3: along Shag and you show Australia what you. 366 00:15:59,560 --> 00:16:02,960 Speaker 1: Made of am I going from the top is no mate? 367 00:16:02,960 --> 00:16:04,440 Speaker 3: I know you know you do not have that much time. 368 00:16:04,440 --> 00:16:05,400 Speaker 4: You'll be doing a chorus. 369 00:16:06,120 --> 00:16:09,040 Speaker 2: So we'll just start playing the song shake and then 370 00:16:09,160 --> 00:16:12,120 Speaker 2: you just you find it, start singing with it, and 371 00:16:12,160 --> 00:16:14,120 Speaker 2: then when we drop the audio, keep singing just so 372 00:16:14,160 --> 00:16:15,200 Speaker 2: we can hear you solo. 373 00:16:15,800 --> 00:16:24,000 Speaker 1: All right, Yeah, they went to the top side. I 374 00:16:24,080 --> 00:16:26,080 Speaker 1: want to be your left hand man. 375 00:16:26,960 --> 00:16:28,800 Speaker 9: I love you when you're. 376 00:16:28,680 --> 00:16:31,720 Speaker 1: Singing that song and now I'm love to my throat 377 00:16:31,880 --> 00:16:34,600 Speaker 1: because you're gonna sing the words. 378 00:16:34,880 --> 00:16:40,680 Speaker 4: Yeah, pretty good, pretty good. 379 00:16:40,920 --> 00:16:42,440 Speaker 3: I think Australia wants one more. 380 00:16:42,720 --> 00:16:45,400 Speaker 4: This is arranged. He gets up there, doesn't he? Yeah, 381 00:16:45,440 --> 00:16:47,320 Speaker 4: he gets up there. There's no doubt about it. There's 382 00:16:47,320 --> 00:16:48,120 Speaker 4: no doubt about it. 383 00:16:48,240 --> 00:16:50,880 Speaker 3: You do and no one can question your commitment. Shack. 384 00:16:52,200 --> 00:16:54,480 Speaker 1: You know that I'll give one hundred percent anything. 385 00:16:54,480 --> 00:16:56,800 Speaker 2: Bloody earth mate, you go one hundred percent with everything 386 00:16:56,800 --> 00:16:59,880 Speaker 2: you do, my friend. Okay, So we're going to finish 387 00:17:00,120 --> 00:17:05,840 Speaker 2: off with an absolute dance for classic. This is twinkled 388 00:17:05,840 --> 00:17:10,960 Speaker 2: Toes Johnny Farnham with his song You're the Voice Shaggy, 389 00:17:11,040 --> 00:17:16,520 Speaker 2: I mean, entertain Australia. 390 00:17:16,119 --> 00:17:21,320 Speaker 13: Make a noise and the shi whoa who. 391 00:17:25,240 --> 00:17:27,560 Speaker 1: We're not going to sit insila all. 392 00:17:30,560 --> 00:17:33,680 Speaker 4: We've got it. We've got expect you to go to 393 00:17:33,720 --> 00:17:34,639 Speaker 4: the second course. 394 00:17:35,480 --> 00:17:38,439 Speaker 3: We're gonna be absolutely fine. Pull my finger. 395 00:17:39,000 --> 00:17:40,280 Speaker 4: I'll tell you what. 396 00:17:41,640 --> 00:17:43,480 Speaker 3: Casting now, please will And. 397 00:17:43,920 --> 00:17:45,320 Speaker 4: We're asking have you put the wrong word in the 398 00:17:45,359 --> 00:17:45,959 Speaker 4: wrong place? 399 00:17:48,280 --> 00:17:51,720 Speaker 6: You say, I say Sternam, will you say screwed on 400 00:17:51,840 --> 00:17:53,040 Speaker 6: de light? Delicious? 401 00:17:53,119 --> 00:17:55,119 Speaker 4: Listen China the wrong. 402 00:17:55,440 --> 00:17:56,159 Speaker 9: The wrong place. 403 00:17:56,359 --> 00:18:02,359 Speaker 4: Peter Overton Channel nine News presenter absolutely cooked when talking 404 00:18:02,400 --> 00:18:08,200 Speaker 4: about supermodel Miranda Kerr, art and design graduates in Los Angeles. 405 00:18:08,200 --> 00:18:10,240 Speaker 4: Supermole model Miranda Kerr? 406 00:18:12,880 --> 00:18:16,040 Speaker 2: Do you think I always wondered, do you think he's 407 00:18:16,080 --> 00:18:18,800 Speaker 2: called her super mile behind the scenes? And that slipped 408 00:18:18,840 --> 00:18:24,160 Speaker 2: down on air? Speculation here obviously using speculation. 409 00:18:23,680 --> 00:18:25,960 Speaker 4: He's suggesting that Peter rovers and things that Miranda kas 410 00:18:25,960 --> 00:18:26,240 Speaker 4: a mole. 411 00:18:26,400 --> 00:18:30,040 Speaker 3: Just speculation. Okay, you know sometimes you can see how 412 00:18:30,080 --> 00:18:30,600 Speaker 3: that had happened. 413 00:18:30,760 --> 00:18:32,640 Speaker 4: I've got a couple of other crackers here. Sandy Krueg 414 00:18:32,640 --> 00:18:34,040 Speaker 4: has done it formerly. 415 00:18:34,560 --> 00:18:34,840 Speaker 2: This one. 416 00:18:35,600 --> 00:18:37,639 Speaker 3: My sister's a hairdresser. So if you're looking for a 417 00:18:37,640 --> 00:18:38,840 Speaker 3: good blow job, she's. 418 00:18:39,600 --> 00:18:40,119 Speaker 1: She's that. 419 00:18:42,640 --> 00:18:48,040 Speaker 4: Sorry, totally wild. You're looking for a good couldn't have 420 00:18:48,040 --> 00:18:49,919 Speaker 4: been better than that I've got. I've got a favorite 421 00:18:49,920 --> 00:18:51,240 Speaker 4: of mine. Okay, I've got a favorite of mine, and 422 00:18:51,240 --> 00:18:52,720 Speaker 4: we'll get to that one very shortly, but let's go 423 00:18:52,720 --> 00:18:54,680 Speaker 4: to Liz. I'm thirty one, Lizy, but the wrong word 424 00:18:54,680 --> 00:18:55,240 Speaker 4: in the wrong place. 425 00:18:56,480 --> 00:18:58,400 Speaker 7: Hey, guys, I just want to say, you guys make 426 00:18:58,440 --> 00:19:00,840 Speaker 7: my my drive home so amazing. 427 00:19:00,920 --> 00:19:02,240 Speaker 8: You just keep me, you. 428 00:19:02,200 --> 00:19:03,800 Speaker 6: Know, from being staying in the traffic. 429 00:19:03,920 --> 00:19:05,800 Speaker 4: So I think, thank you. 430 00:19:06,080 --> 00:19:06,560 Speaker 3: That's lovely. 431 00:19:07,240 --> 00:19:07,920 Speaker 13: Yeah, welcome. 432 00:19:08,280 --> 00:19:11,600 Speaker 6: So it was actually my sister said it my cousin's 433 00:19:11,640 --> 00:19:15,600 Speaker 6: twenty first in front of the whole family, big Italian family. 434 00:19:15,640 --> 00:19:17,600 Speaker 7: They'd had a bit to drink as well, and she. 435 00:19:17,680 --> 00:19:22,200 Speaker 14: Said, oh, Danielle is an amazing, amazing cousin, amazing friends. 436 00:19:22,200 --> 00:19:24,280 Speaker 6: She would do anyone for anything. 437 00:19:27,680 --> 00:19:30,440 Speaker 2: Will and Woody back for more in just a bit 438 00:19:31,560 --> 00:19:33,080 Speaker 2: the Will and Woody podcast. 439 00:19:33,320 --> 00:19:39,280 Speaker 3: Tommy Grennan the bloke Thank you guy. He came on 440 00:19:39,320 --> 00:19:39,960 Speaker 3: the show yesterday. 441 00:19:39,960 --> 00:19:41,119 Speaker 2: If you want to hear the whole chat, go to 442 00:19:41,160 --> 00:19:42,679 Speaker 2: our podcast, Will and Woody. 443 00:19:42,760 --> 00:19:44,479 Speaker 3: He is a ripper of a bloke and we always 444 00:19:44,840 --> 00:19:45,160 Speaker 3: it was a. 445 00:19:45,080 --> 00:19:46,000 Speaker 4: Bit cooked yesterday. 446 00:19:46,200 --> 00:19:46,440 Speaker 3: Yep. 447 00:19:46,760 --> 00:19:49,439 Speaker 2: Yeah, he had any crown on his head and he 448 00:19:49,560 --> 00:19:52,159 Speaker 2: was wearing the suchy sunglasses. 449 00:19:52,480 --> 00:19:53,600 Speaker 3: I was twigging a little bit. 450 00:19:53,800 --> 00:19:55,800 Speaker 4: Yeah, yeah, maybe might have been going on. 451 00:19:56,000 --> 00:19:58,919 Speaker 3: I had a big lunch, Yeah, a big lunch nodes out. Anyway. 452 00:19:58,960 --> 00:20:01,960 Speaker 3: He told us a great story and it was a lesson. 453 00:20:01,720 --> 00:20:05,560 Speaker 2: To him into why apparently you are never supposed to 454 00:20:05,760 --> 00:20:08,960 Speaker 2: use the toilet that is on a bus. 455 00:20:09,840 --> 00:20:13,440 Speaker 15: Yeah, I wasn't told about this universal rule and I 456 00:20:13,520 --> 00:20:15,720 Speaker 15: had I had a pooh on the bus, right sure? 457 00:20:16,280 --> 00:20:17,160 Speaker 3: And honestly have to. 458 00:20:17,080 --> 00:20:21,280 Speaker 15: Pay three hundred pound for this yeah, for having this pooh. 459 00:20:21,480 --> 00:20:25,600 Speaker 3: That's how much it was to clean. To clean the bank, 460 00:20:26,160 --> 00:20:30,280 Speaker 3: three hundred pounds pop. Running figure, money figure. 461 00:20:30,640 --> 00:20:33,320 Speaker 11: We've brought this bank very no, no, Now go on, 462 00:20:33,320 --> 00:20:34,399 Speaker 11: who do you want to who do you want. 463 00:20:34,240 --> 00:20:35,440 Speaker 4: To shirk the blame to him? 464 00:20:35,480 --> 00:20:37,520 Speaker 3: I'm not shirking any blame. But it was Captain poop 465 00:20:37,560 --> 00:20:38,200 Speaker 3: Pant's idea. 466 00:20:38,240 --> 00:20:40,240 Speaker 2: And I know that makes it sound even sillier because 467 00:20:40,240 --> 00:20:41,000 Speaker 2: he's the executive. 468 00:20:42,359 --> 00:20:44,679 Speaker 3: His nickname is Captain pooh Pants. And after the interview, 469 00:20:44,720 --> 00:20:47,360 Speaker 3: he stormed in the studio and he was like, guys. 470 00:20:47,200 --> 00:20:49,240 Speaker 4: There's your phone. There's your phone tomorrow. 471 00:20:49,280 --> 00:20:51,520 Speaker 3: Boys, this is the phone that he pitched and we're 472 00:20:51,560 --> 00:20:53,560 Speaker 3: doing it right now. Number is thirteen. 473 00:20:55,119 --> 00:20:58,720 Speaker 4: That he's absolutely furious because he turns around to all 474 00:20:58,720 --> 00:21:01,080 Speaker 4: that bosses and goes, oh god, the boy's pitch filthy 475 00:21:01,160 --> 00:21:03,399 Speaker 4: content and he's been caught mine the part with his 476 00:21:03,440 --> 00:21:07,680 Speaker 4: pants around his ankles taking a very expensive shouldn't be 477 00:21:07,800 --> 00:21:10,000 Speaker 4: shouldn't be? What's the most expensive food should be what's 478 00:21:10,000 --> 00:21:12,679 Speaker 4: your most expensive phone? Topic? Because this is coming straight 479 00:21:12,720 --> 00:21:14,879 Speaker 4: out of your pocket when the sponsors drop off to 480 00:21:14,960 --> 00:21:16,120 Speaker 4: show my friend. 481 00:21:16,840 --> 00:21:18,600 Speaker 2: All right, But when he did storm in there, his 482 00:21:18,680 --> 00:21:22,639 Speaker 2: idea was this, what is the most damaging visit to 483 00:21:22,720 --> 00:21:26,520 Speaker 2: the toilet you have ever experienced? So look, this doesn't 484 00:21:26,520 --> 00:21:29,720 Speaker 2: have to get crass to try and defendair quite like him. 485 00:21:29,720 --> 00:21:31,720 Speaker 2: I don't wan him to lose his job. It doesn't 486 00:21:31,760 --> 00:21:33,560 Speaker 2: have to get crashed. So it could have cost you 487 00:21:33,560 --> 00:21:33,879 Speaker 2: a lot of. 488 00:21:33,880 --> 00:21:36,240 Speaker 3: Money for some reason, a damaging visit to the toilet. 489 00:21:36,720 --> 00:21:38,480 Speaker 2: Maybe there was a time that a visit to the 490 00:21:38,480 --> 00:21:41,240 Speaker 2: toilet just cost you your relationship somehow. 491 00:21:41,280 --> 00:21:44,360 Speaker 4: Oh nice, Oh you're taking it away from money. Yes, 492 00:21:44,760 --> 00:21:46,040 Speaker 4: you've always had away with words. 493 00:21:46,040 --> 00:21:47,000 Speaker 3: Maybe thank you. 494 00:21:47,040 --> 00:21:49,800 Speaker 2: Maybe you got injured in a bathroom somehow, or around 495 00:21:49,800 --> 00:21:50,080 Speaker 2: a toilet. 496 00:21:50,119 --> 00:21:53,280 Speaker 4: I know for you, Well, when we're that expensive. 497 00:21:53,359 --> 00:21:55,600 Speaker 2: Well you know, if you hurt your head, it's it's 498 00:21:55,640 --> 00:21:56,760 Speaker 2: a damaging experience. 499 00:21:57,920 --> 00:22:00,320 Speaker 3: The topic was damaging. 500 00:22:00,080 --> 00:22:02,040 Speaker 4: Visit to the tolaging visits, not most expensive. 501 00:22:02,440 --> 00:22:05,280 Speaker 2: Tweaked it slightly you when we were working at a 502 00:22:05,280 --> 00:22:07,040 Speaker 2: former station jewels. 503 00:22:06,880 --> 00:22:10,520 Speaker 3: Lund where you're at the urinal. Yes, and he was telling. 504 00:22:10,240 --> 00:22:11,240 Speaker 4: You he pushed me in a urinal. 505 00:22:11,280 --> 00:22:12,240 Speaker 3: He pushed you in a urinal. 506 00:22:12,320 --> 00:22:14,480 Speaker 4: He did, he bullied me that you didn't. 507 00:22:15,000 --> 00:22:16,520 Speaker 2: He was actually getting round. He was saying, like, mate, 508 00:22:16,520 --> 00:22:19,280 Speaker 2: I'm loving your show. He was smacking you on the bum. 509 00:22:19,600 --> 00:22:20,520 Speaker 4: I'm listening to it. 510 00:22:20,920 --> 00:22:23,440 Speaker 3: Bang, it's sounding really good. Bang, And in. 511 00:22:23,440 --> 00:22:27,160 Speaker 2: Between us smacks, you said, now, Jewels, I really appreciate that, mate, 512 00:22:27,160 --> 00:22:29,400 Speaker 2: but if you hit me on the ars one more time, 513 00:22:29,680 --> 00:22:32,119 Speaker 2: I'm a chance to fall in the urinals. And Jewels 514 00:22:32,119 --> 00:22:33,800 Speaker 2: didn't hear, and he wound it right over it and 515 00:22:33,840 --> 00:22:36,920 Speaker 2: the phone call was whack and a final wagon you 516 00:22:37,359 --> 00:22:42,080 Speaker 2: fell headfirst into a urinol. That was a damaging visit 517 00:22:42,560 --> 00:22:45,560 Speaker 2: to the toilet. Now, if you've got a story like it. 518 00:22:45,480 --> 00:22:46,439 Speaker 4: I forgot about that. 519 00:22:46,680 --> 00:22:49,600 Speaker 2: Thirteen one six five visit number yeah, yeah, yeah, What 520 00:22:49,880 --> 00:22:52,680 Speaker 2: was your most damaging visit to a toilet? 521 00:22:52,920 --> 00:22:55,320 Speaker 4: So he calls up next to telling Mondy would thirteen 522 00:22:55,359 --> 00:22:57,119 Speaker 4: one five Jesus. 523 00:22:56,760 --> 00:22:59,760 Speaker 3: What was your most damaging visit to the toilet? Were 524 00:22:59,800 --> 00:23:00,600 Speaker 3: tall about it? 525 00:23:00,640 --> 00:23:03,920 Speaker 2: Because Tommy Grenn and the Blowgo sings fella this song. 526 00:23:08,320 --> 00:23:08,960 Speaker 3: I won't go to his. 527 00:23:08,960 --> 00:23:10,880 Speaker 2: Audio, but effectively he was on the tour of us 528 00:23:11,560 --> 00:23:13,560 Speaker 2: and he didn't realize that there's a rule that you 529 00:23:13,640 --> 00:23:15,120 Speaker 2: just don't do number twos on buses. 530 00:23:15,480 --> 00:23:18,840 Speaker 3: Did you know that was a rule? By the way, I. 531 00:23:18,760 --> 00:23:21,720 Speaker 4: Think I probably always just like, to be honest with you, 532 00:23:22,080 --> 00:23:24,159 Speaker 4: I would get a little bit too nervous doing a 533 00:23:24,280 --> 00:23:25,960 Speaker 4: number two with that many people on the bus and 534 00:23:26,000 --> 00:23:27,920 Speaker 4: them knowing that I was the guy who did it, 535 00:23:28,240 --> 00:23:30,280 Speaker 4: because you know, it's a very obvious toilet. 536 00:23:30,359 --> 00:23:33,320 Speaker 3: Yeah, yeah, yeah, you get a lot of stage fright, really. 537 00:23:33,880 --> 00:23:35,240 Speaker 4: Got a really shy bladder. 538 00:23:35,359 --> 00:23:36,480 Speaker 3: Oh it's so adorable. 539 00:23:36,520 --> 00:23:38,080 Speaker 4: It is a little bit, isn't it. Anyway? 540 00:23:38,160 --> 00:23:40,280 Speaker 3: So effectively Tommy Grennan did it. 541 00:23:40,680 --> 00:23:42,960 Speaker 4: The full story is hilarious, Like if you go to 542 00:23:42,960 --> 00:23:44,320 Speaker 4: our podcast and now listen to it. He did it 543 00:23:44,320 --> 00:23:46,240 Speaker 4: on like a whole bunch on a tour bus with 544 00:23:46,280 --> 00:23:49,200 Speaker 4: a whole bunch of rappers. Yeah, yeah, yeah, and absolutely 545 00:23:50,320 --> 00:23:51,080 Speaker 4: ruined it. Yeah. 546 00:23:51,119 --> 00:23:52,240 Speaker 2: Well, I had to run to the front of the 547 00:23:52,240 --> 00:23:54,320 Speaker 2: bus and explain, I'll ask the question how do you 548 00:23:54,359 --> 00:23:56,560 Speaker 2: flush the tour And everyone laughed at him because. 549 00:23:56,320 --> 00:23:57,480 Speaker 3: He took a pop on a bus. 550 00:23:57,800 --> 00:24:01,040 Speaker 2: Let's go to Ellie here thirty one or six Ellie 551 00:24:01,080 --> 00:24:02,600 Speaker 2: damaging visits to the toilet. 552 00:24:03,119 --> 00:24:04,760 Speaker 3: This happened at your friend's house. 553 00:24:05,600 --> 00:24:07,040 Speaker 8: Yeah, how are you guys? 554 00:24:07,080 --> 00:24:07,960 Speaker 3: So good? Thank you. 555 00:24:09,480 --> 00:24:11,200 Speaker 8: Yeah, we're at a friend's house and we just had 556 00:24:11,200 --> 00:24:13,520 Speaker 8: a bit of a late night and so my husband 557 00:24:14,640 --> 00:24:17,320 Speaker 8: like obviously woke like woken up to go to the toilet. 558 00:24:17,520 --> 00:24:19,240 Speaker 8: He must have got out of bed too fast because 559 00:24:19,240 --> 00:24:23,119 Speaker 8: when he was skating there doing his number one, we 560 00:24:23,240 --> 00:24:24,800 Speaker 8: work out the story was that he must have just 561 00:24:24,840 --> 00:24:27,399 Speaker 8: passed out, but as he fell down he hit his 562 00:24:27,480 --> 00:24:29,840 Speaker 8: head on the toilet roll holder, because he woke up 563 00:24:30,119 --> 00:24:33,640 Speaker 8: actually in the kitty little box a little while later. 564 00:24:33,720 --> 00:24:35,840 Speaker 8: It wasn't sure what happened, but then how is Claret 565 00:24:35,880 --> 00:24:36,800 Speaker 8: coming out of his head? 566 00:24:38,320 --> 00:24:39,480 Speaker 3: Hang on? Hang on, hang on? 567 00:24:40,000 --> 00:24:42,000 Speaker 4: He hid his hell down, hit his head and then 568 00:24:42,119 --> 00:24:43,200 Speaker 4: landed in the kitty litter. 569 00:24:44,040 --> 00:24:45,920 Speaker 8: Yeah, so last thing he knew, he got up to 570 00:24:45,920 --> 00:24:47,680 Speaker 8: go to the toilet, but when he came, like when 571 00:24:47,720 --> 00:24:49,560 Speaker 8: he woke up next, he was in the bathroom with 572 00:24:49,600 --> 00:24:51,240 Speaker 8: his head in the kitty little box. And you're like, 573 00:24:51,320 --> 00:24:51,760 Speaker 8: what the. 574 00:24:53,320 --> 00:24:56,040 Speaker 2: That's an extraordinary story. I believe you had a former 575 00:24:56,080 --> 00:24:57,040 Speaker 2: housemate of yours. 576 00:24:57,520 --> 00:25:00,119 Speaker 4: I feel like I'm getting thrown under the bus a lot. No, 577 00:25:00,640 --> 00:25:02,600 Speaker 4: this is very much laughing that you'll come back to 578 00:25:02,640 --> 00:25:03,840 Speaker 4: find you talk. 579 00:25:03,640 --> 00:25:07,200 Speaker 3: To me now. I'm scared. No just is torching your friends. 580 00:25:07,760 --> 00:25:10,200 Speaker 2: You came home from a night out and you found 581 00:25:10,240 --> 00:25:13,200 Speaker 2: you made Legs asleep on your toilet. 582 00:25:13,600 --> 00:25:16,640 Speaker 4: Yes, yes, I used to have an en suite and 583 00:25:17,080 --> 00:25:19,240 Speaker 4: the other boys in the house had a separate toilet, 584 00:25:19,560 --> 00:25:22,159 Speaker 4: and the rules obviously don't use my toilet. And then 585 00:25:22,200 --> 00:25:24,000 Speaker 4: one night I came home and I walked into my 586 00:25:24,080 --> 00:25:27,040 Speaker 4: room and I was like, god, it really stinks, like yeah, 587 00:25:27,119 --> 00:25:30,280 Speaker 4: sit in here, and I went into the toilet and yeah, 588 00:25:30,359 --> 00:25:32,560 Speaker 4: Legs was passed out on the toilet with his pants 589 00:25:32,560 --> 00:25:33,160 Speaker 4: around his ankle. 590 00:25:33,200 --> 00:25:33,600 Speaker 9: Strawdinary. 591 00:25:33,640 --> 00:25:37,919 Speaker 2: It's got to Harrison here, Harrison, you've had a damaging 592 00:25:38,000 --> 00:25:40,560 Speaker 2: visit to the toilet, mate. 593 00:25:40,320 --> 00:25:44,679 Speaker 14: Yes, sir, I'm nine years old, and about two years 594 00:25:44,680 --> 00:25:48,240 Speaker 14: ago I had a broken arm and I was going 595 00:25:48,280 --> 00:25:51,439 Speaker 14: to the toilet and then I sleep because it was 596 00:25:51,480 --> 00:25:55,520 Speaker 14: wet on the ground, and I fell down and I 597 00:25:55,640 --> 00:25:58,640 Speaker 14: let go of my doodle all with my broken arm, 598 00:25:58,680 --> 00:26:01,560 Speaker 14: and I peed all those of fall and the wolves. 599 00:26:06,320 --> 00:26:10,720 Speaker 2: There is an extraordinary story, my friend, extraordinary, very good. 600 00:26:10,800 --> 00:26:12,159 Speaker 3: And we've got my partner mim here. 601 00:26:12,240 --> 00:26:12,359 Speaker 13: Now. 602 00:26:12,480 --> 00:26:14,840 Speaker 3: Now, men, I think I know what story you want. 603 00:26:14,880 --> 00:26:18,520 Speaker 3: To tell here? Is this a bit sick and slightly? 604 00:26:18,560 --> 00:26:19,879 Speaker 5: I mean I was going to just bring up the 605 00:26:19,920 --> 00:26:21,639 Speaker 5: story about you cooing the bed and we had to 606 00:26:21,640 --> 00:26:22,960 Speaker 5: spend hundreds on new bedding. 607 00:26:23,440 --> 00:26:25,520 Speaker 3: Yeah, but that wasn't in the toilet. That was in 608 00:26:25,520 --> 00:26:26,320 Speaker 3: the bedroom, So. 609 00:26:27,800 --> 00:26:30,720 Speaker 5: Why not bring it up while I can No, it's 610 00:26:30,800 --> 00:26:36,119 Speaker 5: the classic story of the Christmas Day tale. So I 611 00:26:36,160 --> 00:26:38,639 Speaker 5: had a toilet pump connected to my clot which was 612 00:26:38,640 --> 00:26:41,680 Speaker 5: connected to the garage in my old bedroom at home. 613 00:26:42,720 --> 00:26:45,640 Speaker 5: It was out of use on Christmas Day, but one 614 00:26:45,680 --> 00:26:48,960 Speaker 5: of the sister in laws forgot the memo, and it 615 00:26:49,000 --> 00:26:51,720 Speaker 5: seems to go after a big night on Christmasy to 616 00:26:51,800 --> 00:26:57,000 Speaker 5: the toilet and the pump exploded and sprayed all over 617 00:26:57,240 --> 00:26:59,680 Speaker 5: my dad's quite expensive car. 618 00:27:00,400 --> 00:27:01,000 Speaker 2: Episode. 619 00:27:01,280 --> 00:27:04,560 Speaker 5: Good old Terry was out on Christmas Day cleaning Pooh 620 00:27:04,560 --> 00:27:06,879 Speaker 5: off his car and had to get that detailed, and 621 00:27:06,920 --> 00:27:08,840 Speaker 5: six hundred dollars later the pump fixed. 622 00:27:09,960 --> 00:27:11,800 Speaker 3: And is it true that you took the fall then? 623 00:27:11,880 --> 00:27:14,240 Speaker 4: Then yeah, you spraying the car? 624 00:27:14,600 --> 00:27:15,080 Speaker 3: Is that true? 625 00:27:15,160 --> 00:27:17,320 Speaker 4: Why you can't well? 626 00:27:17,359 --> 00:27:21,880 Speaker 5: When she was mortified as a hero and be like, look, Dad, 627 00:27:22,000 --> 00:27:23,520 Speaker 5: I've taken a juice on your. 628 00:27:23,400 --> 00:27:28,919 Speaker 4: Car's podcasting Now it's well it's well and wady, have 629 00:27:28,960 --> 00:27:30,000 Speaker 4: you having a wonderful driver? 630 00:27:30,560 --> 00:27:36,040 Speaker 2: What's almost witnessed quite a horrific surprise party moment on 631 00:27:36,080 --> 00:27:38,800 Speaker 2: the weekends. I hadn't done a surprise party for a 632 00:27:38,800 --> 00:27:42,600 Speaker 2: long time. They're pretty good anyway, we're all the back. 633 00:27:43,000 --> 00:27:45,080 Speaker 4: When you say you hadn't done one, you know that 634 00:27:45,280 --> 00:27:47,320 Speaker 4: everything you hadn't been you hadn't been to one. 635 00:27:47,480 --> 00:27:50,680 Speaker 3: Yeah, they're really good to do. Everyone jumps out yell surprised. 636 00:27:50,720 --> 00:27:52,920 Speaker 3: The person's rattle. It's just a really special moment. 637 00:27:53,040 --> 00:27:54,679 Speaker 4: Yeah, anyway, did you have anything to do with it? 638 00:27:54,960 --> 00:27:56,840 Speaker 3: Nah, I didn't even know it was a surprise party. 639 00:27:56,840 --> 00:27:58,560 Speaker 2: It's kind of mims mate and I just sort of 640 00:27:58,600 --> 00:28:00,880 Speaker 2: rocked up, didn't know what was going on and found 641 00:28:00,880 --> 00:28:03,200 Speaker 2: out it was a surprise party. And this was almost 642 00:28:03,600 --> 00:28:07,560 Speaker 2: quite a horrific surprise moment because obviously, so the woman 643 00:28:07,680 --> 00:28:08,720 Speaker 2: who was coming. 644 00:28:08,440 --> 00:28:10,200 Speaker 3: It was her birthday and name's Maddie. 645 00:28:10,480 --> 00:28:13,239 Speaker 2: So she comes to this house thinking no one's going 646 00:28:13,280 --> 00:28:15,359 Speaker 2: to be there. Obviously, she thought she was just picking 647 00:28:15,400 --> 00:28:17,080 Speaker 2: up a friend and they were going out together. 648 00:28:18,560 --> 00:28:21,159 Speaker 3: She thinks the house is empty. That's the important detail 649 00:28:21,240 --> 00:28:22,159 Speaker 3: that scared Yeah. 650 00:28:22,240 --> 00:28:25,240 Speaker 2: She starts walking down the hallway and we're all obviously 651 00:28:25,320 --> 00:28:28,080 Speaker 2: waiting in the kitchen ready to jump out in yell surprise. 652 00:28:29,320 --> 00:28:32,080 Speaker 2: In the walk down the hallway, at some point she 653 00:28:32,080 --> 00:28:35,000 Speaker 2: obviously decided she was busting to go to the toilet, 654 00:28:36,240 --> 00:28:39,360 Speaker 2: so she probably before. 655 00:28:39,120 --> 00:28:41,960 Speaker 4: She opened the front door, she's known that she decided 656 00:28:42,000 --> 00:28:45,440 Speaker 4: to have it down the hallway. She then, well she's unbusting. 657 00:28:45,480 --> 00:28:47,960 Speaker 2: Sure, at some stage in the hallway she was so 658 00:28:48,040 --> 00:28:51,000 Speaker 2: busting to go to the toilet that she started hiking 659 00:28:51,160 --> 00:28:52,120 Speaker 2: her dress up. 660 00:28:52,600 --> 00:28:56,000 Speaker 3: Right over her private bits. 661 00:28:55,600 --> 00:28:59,360 Speaker 4: Wow, So then what we saw what about her jus, Well, 662 00:28:59,360 --> 00:29:00,280 Speaker 4: she's not bring any I. 663 00:29:00,240 --> 00:29:03,280 Speaker 3: Wasn't really focusing on the jock region. I'm not sure 664 00:29:03,360 --> 00:29:05,440 Speaker 3: if there were jocks there or not. But anyway, she. 665 00:29:05,520 --> 00:29:08,560 Speaker 2: Got to the door where everyone was blaiting, and the 666 00:29:08,720 --> 00:29:15,160 Speaker 2: dreams was like up and then when everyone yelled, she 667 00:29:15,320 --> 00:29:17,800 Speaker 2: just hit the deck really really quickly, so like she 668 00:29:17,880 --> 00:29:20,280 Speaker 2: just hit the grounds, dealt with the dress, and then 669 00:29:20,400 --> 00:29:21,600 Speaker 2: all videos were deleted. 670 00:29:21,680 --> 00:29:23,440 Speaker 3: Effectively, Oh is that bad? 671 00:29:23,560 --> 00:29:26,440 Speaker 2: Well, well, no one saw the video footage, watched the 672 00:29:26,480 --> 00:29:29,680 Speaker 2: video footage, I'd be an absolute creep. But effectively, she's in 673 00:29:29,680 --> 00:29:31,520 Speaker 2: the situation where she had no idea anyone was there 674 00:29:31,520 --> 00:29:34,600 Speaker 2: and almost flashed the entire party. Who ha, Now, Will, 675 00:29:35,080 --> 00:29:37,600 Speaker 2: I want to ask a very very specific question here 676 00:29:38,320 --> 00:29:42,520 Speaker 2: and numbers thirteen one oh sixty five. Have you been 677 00:29:43,360 --> 00:29:48,280 Speaker 2: in a surprise party situation where someone has done or 678 00:29:48,360 --> 00:29:52,640 Speaker 2: said something very embarrassing because they didn't know a whole 679 00:29:52,640 --> 00:29:53,640 Speaker 2: bunch of people were there. 680 00:29:53,720 --> 00:29:53,920 Speaker 4: Oh? 681 00:29:54,080 --> 00:29:58,000 Speaker 3: Right, could be as simple as dropping a huge rank fart. 682 00:29:57,800 --> 00:30:00,240 Speaker 4: Because that's the danger of that's the danger of the 683 00:30:00,280 --> 00:30:02,760 Speaker 4: surprise party is they don't expect you going to be there. 684 00:30:03,360 --> 00:30:04,680 Speaker 4: Anything could happen. 685 00:30:04,560 --> 00:30:05,680 Speaker 3: Anything could happen with that. 686 00:30:05,760 --> 00:30:06,040 Speaker 4: Yeah. 687 00:30:06,160 --> 00:30:08,360 Speaker 2: I don't know if this only happens in the movies, 688 00:30:09,240 --> 00:30:11,720 Speaker 2: but were you at a surprise party and the person 689 00:30:11,800 --> 00:30:14,040 Speaker 2: you were surprising did something really embarrassing? 690 00:30:14,160 --> 00:30:16,320 Speaker 3: Yes, because they didn't know other people were there. 691 00:30:16,320 --> 00:30:17,960 Speaker 4: We'll take them about next Thurday one I six ' 692 00:30:18,000 --> 00:30:21,960 Speaker 4: five Will and Muddy Woods ask. 693 00:30:21,920 --> 00:30:24,960 Speaker 2: Him for something very specific here, which I know happens 694 00:30:24,960 --> 00:30:27,680 Speaker 2: in movies and TV shows. I'd love to hear about 695 00:30:27,680 --> 00:30:29,600 Speaker 2: it happening in real life because it happened to me 696 00:30:29,640 --> 00:30:31,640 Speaker 2: on the weekend. So I talked about the situation where 697 00:30:31,680 --> 00:30:34,160 Speaker 2: you're at a surprise party, so the birthday person of 698 00:30:34,240 --> 00:30:37,880 Speaker 2: the person you're surprising doesn't know anyone's there. What I 699 00:30:37,960 --> 00:30:41,240 Speaker 2: want is the moment that they do something really embarrassing 700 00:30:42,360 --> 00:30:44,719 Speaker 2: and they don't realize that everyone's listening or watching to that, 701 00:30:44,800 --> 00:30:45,600 Speaker 2: and then they yell out. 702 00:30:45,720 --> 00:30:47,360 Speaker 3: It's a surprise, surprise. 703 00:30:47,920 --> 00:30:49,600 Speaker 2: If you've witnessed it or done at thirteen one O 704 00:30:49,720 --> 00:30:52,080 Speaker 2: six fives our number. Friend of mine, I was at 705 00:30:52,120 --> 00:30:54,920 Speaker 2: her surprise party. She was walking to the back of 706 00:30:54,960 --> 00:30:57,960 Speaker 2: the house and she was readying herself for. 707 00:30:57,920 --> 00:31:00,520 Speaker 3: The toilet, yep, hooking. 708 00:31:00,760 --> 00:31:03,360 Speaker 2: She hoiked her dress up and then everyone jumped out 709 00:31:03,400 --> 00:31:05,200 Speaker 2: yelled surprise, and then she just hit the deck. 710 00:31:06,600 --> 00:31:07,880 Speaker 4: Sort of a dress was she wearing? 711 00:31:08,040 --> 00:31:08,120 Speaker 7: Like? 712 00:31:08,200 --> 00:31:10,040 Speaker 4: How far out do you have to HOI do you 713 00:31:10,200 --> 00:31:15,880 Speaker 4: prepare for a for a squat? Better word? I mean 714 00:31:15,920 --> 00:31:17,680 Speaker 4: like it's you're making it sound like she's wearing a 715 00:31:17,760 --> 00:31:18,600 Speaker 4: Cinderella dress. 716 00:31:18,800 --> 00:31:20,720 Speaker 3: It was. It was a very early Hoyke. It was. 717 00:31:20,800 --> 00:31:23,720 Speaker 3: It was an incredibly early Hoyke. But she thought the 718 00:31:23,760 --> 00:31:24,760 Speaker 3: house was empty. 719 00:31:25,040 --> 00:31:28,560 Speaker 4: She got early. I get that, I get the house empty, 720 00:31:28,600 --> 00:31:30,240 Speaker 4: but like, you know, how far out of you're howking 721 00:31:30,280 --> 00:31:32,400 Speaker 4: your dress up? And that's a question. I'm not a woman. 722 00:31:32,440 --> 00:31:34,760 Speaker 4: I'm never hoiked, but hoiked her dress before you. 723 00:31:34,680 --> 00:31:36,680 Speaker 3: Were a d buckler before the bathroom. 724 00:31:37,000 --> 00:31:38,880 Speaker 4: No, I'm not, That's what I'm saying. No matter how 725 00:31:38,920 --> 00:31:41,080 Speaker 4: busting I am, and I get to the toilet, I've 726 00:31:41,080 --> 00:31:43,560 Speaker 4: got sto a time to you know, that's a two 727 00:31:43,560 --> 00:31:44,120 Speaker 4: second job. 728 00:31:44,160 --> 00:31:44,959 Speaker 3: I'm a D buckler. 729 00:31:45,240 --> 00:31:48,320 Speaker 4: You're a D buckler. How far out of your D buckling? 730 00:31:48,840 --> 00:31:49,720 Speaker 4: It takes you half a. 731 00:31:49,680 --> 00:31:51,120 Speaker 3: Second meters away? 732 00:31:51,440 --> 00:31:55,240 Speaker 2: My belt's off and wow, I'm on the zip especially. 733 00:31:55,240 --> 00:31:57,200 Speaker 3: But in the house, I've got the house to myself. 734 00:31:57,680 --> 00:32:00,520 Speaker 4: We're gonna try tabby now. I don't know. 735 00:32:00,880 --> 00:32:05,360 Speaker 8: Hi, guys, I love you guys so much. 736 00:32:05,440 --> 00:32:09,120 Speaker 16: Thank you for making our day so bright. No, I 737 00:32:09,200 --> 00:32:10,320 Speaker 16: love you boys are the best. 738 00:32:10,440 --> 00:32:10,640 Speaker 8: Look. 739 00:32:10,640 --> 00:32:13,160 Speaker 16: I just wanted to tell you how my maid of 740 00:32:13,200 --> 00:32:15,000 Speaker 16: honor ruined my proposal. 741 00:32:15,480 --> 00:32:19,440 Speaker 2: Okay, beautiful, it's a good one. 742 00:32:19,240 --> 00:32:23,640 Speaker 16: My sweet, sweet husband, my soon to be husband, had 743 00:32:23,880 --> 00:32:26,760 Speaker 16: set up this amazing proposal with all these clues that 744 00:32:26,880 --> 00:32:30,160 Speaker 16: was very unlike him. He's not spontaneous. This is he's 745 00:32:30,160 --> 00:32:33,160 Speaker 16: put months of thought into this. I followed all the 746 00:32:33,160 --> 00:32:35,680 Speaker 16: clues and he takes me to a restaurant and he 747 00:32:35,760 --> 00:32:38,200 Speaker 16: takes me to like a private upstairs room. So we're 748 00:32:38,240 --> 00:32:42,040 Speaker 16: walking up the stairs and he told my beautiful best 749 00:32:42,040 --> 00:32:47,560 Speaker 16: friend Katie shaming you on public radio. She said, but 750 00:32:47,680 --> 00:32:49,640 Speaker 16: you have to turn the music on as we're walking 751 00:32:49,680 --> 00:32:51,560 Speaker 16: up the stairs, so she knows she's going to propose 752 00:32:51,560 --> 00:32:54,160 Speaker 16: to She goes, yeah, not a problem, except she switched 753 00:32:54,200 --> 00:32:58,800 Speaker 16: it onto a microphone and told everyone, Oh my goodness, 754 00:32:58,800 --> 00:33:00,800 Speaker 16: she's coming up the stairs. Guy, get ready for the 755 00:33:00,800 --> 00:33:02,040 Speaker 16: proposal of a lifetime. 756 00:33:02,160 --> 00:33:07,920 Speaker 3: Oh no, I know. Yeah, you knew on the way 757 00:33:07,920 --> 00:33:09,200 Speaker 3: out as. 758 00:33:09,040 --> 00:33:13,520 Speaker 16: We was probably like four steps off like I had. 759 00:33:13,680 --> 00:33:16,880 Speaker 16: I didn't clue in what was happening yet, and then 760 00:33:17,040 --> 00:33:20,600 Speaker 16: I heard it. Go, guys, get ready, the proposal is happening. 761 00:33:22,360 --> 00:33:24,280 Speaker 16: I walked into surprise. 762 00:33:24,080 --> 00:33:24,160 Speaker 4: A. 763 00:33:26,000 --> 00:33:28,479 Speaker 2: Bit of a flat surprise, no doubt. 764 00:33:28,320 --> 00:33:29,560 Speaker 3: That stage tab. 765 00:33:29,800 --> 00:33:33,840 Speaker 4: Couldn't be more obvious, Like it's just over the microphone. 766 00:33:34,320 --> 00:33:36,400 Speaker 4: Like it wasn't like you didn't see balloons the hint 767 00:33:36,440 --> 00:33:38,680 Speaker 4: of balloons or something. It was just like in your face, 768 00:33:39,440 --> 00:33:40,720 Speaker 4: get ready, she's going. 769 00:33:42,040 --> 00:33:44,320 Speaker 16: He was so ready for that moment, and he was 770 00:33:44,360 --> 00:33:46,560 Speaker 16: like a he and he was like I'm so sorry. 771 00:33:46,600 --> 00:33:47,720 Speaker 9: I was like, no, it's amazing. 772 00:33:48,000 --> 00:33:50,200 Speaker 4: It made your partner cry. 773 00:33:50,600 --> 00:33:52,800 Speaker 16: Yeah, because he was just ready for the moment. 774 00:33:54,720 --> 00:34:00,440 Speaker 2: Emotional time, an emotional time cry. The Daily You booked 775 00:34:00,480 --> 00:34:02,240 Speaker 2: venue though I didn't mind in the court. Yeah, true, 776 00:34:02,280 --> 00:34:04,360 Speaker 2: and then didn't book a restaurant afterwards. So you know, 777 00:34:04,720 --> 00:34:06,680 Speaker 2: I mean, your husband's better than me, That's all I'm 778 00:34:06,680 --> 00:34:07,200 Speaker 2: trying to say. 779 00:34:07,520 --> 00:34:11,840 Speaker 4: There what right now? We are doing food shame, so 780 00:34:12,840 --> 00:34:14,280 Speaker 4: can't stop eating? 781 00:34:15,560 --> 00:34:16,080 Speaker 10: M m m. 782 00:34:21,800 --> 00:34:24,799 Speaker 4: All right, let's get into it. Thirty one and sixty five, Sarah, 783 00:34:24,920 --> 00:34:26,520 Speaker 4: what's your food shame? Talk to us? 784 00:34:27,520 --> 00:34:30,640 Speaker 13: Okay? So it was a chocolate bar that was in 785 00:34:30,800 --> 00:34:33,120 Speaker 13: my better table. It was probably there for about a 786 00:34:33,200 --> 00:34:37,239 Speaker 13: year and before Wow. Yeah, I was set for a 787 00:34:37,360 --> 00:34:39,760 Speaker 13: chocolate and opened it and it was a bit white 788 00:34:40,480 --> 00:34:41,239 Speaker 13: and still ate it. 789 00:34:41,320 --> 00:34:43,759 Speaker 4: That's all right? Or was it white? What the chogg 790 00:34:44,080 --> 00:34:45,200 Speaker 4: chok chocolate goes white? 791 00:34:46,239 --> 00:34:48,080 Speaker 13: Yeah, that's right, that's why I thought it was still good. 792 00:34:48,239 --> 00:34:49,000 Speaker 4: What was it, Sarah? 793 00:34:49,960 --> 00:34:52,359 Speaker 3: It was a mas bar, a white mars bar. 794 00:34:52,960 --> 00:34:57,960 Speaker 2: Wow, the albino Marsus, a white whale. 795 00:34:58,280 --> 00:35:00,440 Speaker 4: Aiden's called thirty one and six five? Want to do 796 00:35:00,600 --> 00:35:01,240 Speaker 4: this weddings? 797 00:35:01,280 --> 00:35:01,520 Speaker 1: Aiden? 798 00:35:02,680 --> 00:35:02,880 Speaker 7: We do? 799 00:35:03,120 --> 00:35:05,160 Speaker 1: We do not really a shame or a pride moment. 800 00:35:06,560 --> 00:35:08,759 Speaker 4: It's food pride, really, isn't it. And we call it 801 00:35:08,840 --> 00:35:10,759 Speaker 4: food chain because people would shame you for it. But 802 00:35:10,800 --> 00:35:14,360 Speaker 4: you're proud, Aiden, that's why you're called what happened exactly? 803 00:35:14,520 --> 00:35:16,239 Speaker 1: So you know, when you go to those weddings where 804 00:35:16,280 --> 00:35:18,440 Speaker 1: people don't want to pay for the sit down mill 805 00:35:18,480 --> 00:35:23,200 Speaker 1: and they get the funky staff walking around the order trays, you. 806 00:35:23,200 --> 00:35:26,200 Speaker 3: Can take advantage of that. You absolutely can stuff. 807 00:35:27,080 --> 00:35:28,040 Speaker 4: Is that a cheaper option? 808 00:35:28,600 --> 00:35:28,960 Speaker 3: Definitely? 809 00:35:29,200 --> 00:35:38,920 Speaker 1: Right after what he commented might not even be that. 810 00:35:39,080 --> 00:35:44,200 Speaker 1: But those pies sound good, but uh, what do you 811 00:35:44,200 --> 00:35:49,080 Speaker 1: do with that? We stalk where the orders are actually 812 00:35:49,120 --> 00:35:53,439 Speaker 1: coming out of and then camp ourselves out the front 813 00:35:53,480 --> 00:35:56,000 Speaker 1: of the doors where they come out, and as the 814 00:35:56,160 --> 00:36:00,840 Speaker 1: trays come past, we just basically stuff as much stuff 815 00:36:00,840 --> 00:36:01,760 Speaker 1: in our mouths possible. 816 00:36:01,760 --> 00:36:04,600 Speaker 4: You cost them, cost them at the gates. 817 00:36:04,680 --> 00:36:05,319 Speaker 3: You're a man. 818 00:36:05,560 --> 00:36:10,080 Speaker 2: I actually got done eating the AFL chief executive's wife's 819 00:36:10,200 --> 00:36:11,719 Speaker 2: pies at a function. 820 00:36:11,600 --> 00:36:12,200 Speaker 3: On the weekend. 821 00:36:12,480 --> 00:36:15,560 Speaker 4: And I hope that's not a euphemism. Allas calls on 822 00:36:15,800 --> 00:36:19,960 Speaker 4: thirday one six five, Laura, how are you going? It's 823 00:36:20,000 --> 00:36:21,759 Speaker 4: your food? Shame law? Is your best mate? 824 00:36:21,840 --> 00:36:22,160 Speaker 5: Hit us? 825 00:36:23,160 --> 00:36:23,600 Speaker 3: All right? 826 00:36:23,719 --> 00:36:27,560 Speaker 6: So we call her iron Stomach, yeah, because like every 827 00:36:27,719 --> 00:36:32,160 Speaker 6: Saturday she'll go out get ridiculously drunk or get home 828 00:36:32,360 --> 00:36:36,280 Speaker 6: one hundred get orders like one hundred and twenty dollars 829 00:36:36,360 --> 00:36:41,239 Speaker 6: worth of Chinese foodlessly befloor, it'll even rock hard. But 830 00:36:41,360 --> 00:36:44,400 Speaker 6: then on a Sunday she's got like two big bags 831 00:36:44,480 --> 00:36:47,400 Speaker 6: of Chinese food sitting at her front door step and 832 00:36:47,520 --> 00:36:49,880 Speaker 6: then she'll use it for meal prepping for during the 833 00:36:49,960 --> 00:36:51,439 Speaker 6: week at. 834 00:36:51,360 --> 00:36:52,320 Speaker 4: Best standing man. 835 00:36:52,400 --> 00:36:54,360 Speaker 2: A good friend of ours, Carla from Bankstown you know 836 00:36:54,440 --> 00:36:57,520 Speaker 2: here online she can be guilty of ordering macas late 837 00:36:57,520 --> 00:36:59,719 Speaker 2: at night and then I'm forgetting about it full innes 838 00:36:59,719 --> 00:37:01,920 Speaker 2: sleep and then enjoyed Macus for breakfast. 839 00:37:02,160 --> 00:37:04,239 Speaker 3: I mean, it's a nice surprise, isn't it. Open your 840 00:37:04,280 --> 00:37:07,080 Speaker 3: front do and go Macus from last night? 841 00:37:07,760 --> 00:37:11,520 Speaker 4: Believe that. Oh we've got time for one more? Mick 842 00:37:11,719 --> 00:37:15,120 Speaker 4: or j who want to talk to you? That's tough 843 00:37:15,160 --> 00:37:16,919 Speaker 4: calling out there, captain pair pants coming mate? 844 00:37:17,239 --> 00:37:17,279 Speaker 5: You? 845 00:37:17,400 --> 00:37:18,680 Speaker 4: What do you want? Pig number three? 846 00:37:18,760 --> 00:37:19,080 Speaker 10: My lord? 847 00:37:19,280 --> 00:37:19,839 Speaker 4: Who do you want? 848 00:37:20,440 --> 00:37:20,640 Speaker 9: Three? 849 00:37:21,400 --> 00:37:21,640 Speaker 4: Mick? 850 00:37:21,840 --> 00:37:25,600 Speaker 3: Mick? Al right, here we go, Mick, Mick, what's your 851 00:37:25,600 --> 00:37:26,399 Speaker 3: third shome? Mick? 852 00:37:27,960 --> 00:37:29,760 Speaker 13: When Sizzla had all you could eat ribs? 853 00:37:29,840 --> 00:37:32,680 Speaker 16: I had thirty thirty six racks of ribs. 854 00:37:34,480 --> 00:37:35,279 Speaker 4: How much as a rack? 855 00:37:35,640 --> 00:37:36,239 Speaker 3: What's on a rack? 856 00:37:36,320 --> 00:37:36,640 Speaker 9: Twelve? 857 00:37:38,200 --> 00:37:41,560 Speaker 5: I think it was eight? Bef fridge bee fridge. 858 00:37:41,640 --> 00:37:43,880 Speaker 3: Yeah, but that's that's heavy. So you had you had 859 00:37:43,960 --> 00:37:44,840 Speaker 3: thirty six. 860 00:37:46,719 --> 00:37:48,359 Speaker 4: Two hundred and eighty four Is that wrong? 861 00:37:51,719 --> 00:37:53,360 Speaker 5: But they wouldn't serve me any more. Chips