1 00:00:10,669 --> 00:00:14,869 Speaker 1: My Hard podcasts, hear more kids podcasts, playlists, and listen 2 00:00:14,909 --> 00:00:16,468 Speaker 1: live on the Free Hard. 3 00:00:17,509 --> 00:00:21,069 Speaker 2: Rules in the studio. 4 00:00:19,669 --> 00:00:23,349 Speaker 3: Yeah, there, it is good to have you here, man Man, 5 00:00:23,389 --> 00:00:26,829 Speaker 3: thanks for having me brand new album yes out today. Yes, 6 00:00:27,029 --> 00:00:30,629 Speaker 3: I'm definitely very all over the place right now. 7 00:00:30,749 --> 00:00:33,388 Speaker 4: Mentally, I have no idea what's going on. Sure, I'm 8 00:00:33,429 --> 00:00:35,468 Speaker 4: riding all the way up to the finish side. Honestly, it's 9 00:00:35,509 --> 00:00:36,429 Speaker 4: like the past two months. 10 00:00:36,469 --> 00:00:38,949 Speaker 3: I think I've been in like thirty cities just going 11 00:00:38,989 --> 00:00:42,669 Speaker 3: around doing promo and signings. It's been amazing seeing everybody before. 12 00:00:42,709 --> 00:00:45,629 Speaker 3: But yeah, my head's gone. But I kind of like 13 00:00:45,629 --> 00:00:47,509 Speaker 3: it that way. I can kind of just coast through everything. 14 00:00:47,828 --> 00:00:50,349 Speaker 3: I've realized I'm getting. The longer this promo goes on, 15 00:00:50,388 --> 00:00:52,469 Speaker 3: the more rogue I am in interviews, the more things 16 00:00:52,468 --> 00:00:55,629 Speaker 3: are kind of perfect. My managers are like getting a 17 00:00:55,669 --> 00:00:58,429 Speaker 3: little bit more eagle eyed through the Yeah, yeah, I'm 18 00:00:58,429 --> 00:00:58,669 Speaker 3: going to. 19 00:00:58,669 --> 00:01:00,469 Speaker 4: Start spelling shit that I shouldn't. What have you let 20 00:01:00,509 --> 00:01:01,149 Speaker 4: out so far? 21 00:01:01,629 --> 00:01:04,349 Speaker 3: I think I've liked the whole album at this point. Yeah, 22 00:01:04,429 --> 00:01:09,229 Speaker 3: I just keep playing people the songs. I know a 23 00:01:09,229 --> 00:01:10,709 Speaker 3: bit of like, you know, it's not out like they 24 00:01:10,749 --> 00:01:12,989 Speaker 3: want to have some mystery, but there's no mystery with 25 00:01:13,029 --> 00:01:13,509 Speaker 3: me anymore. 26 00:01:13,589 --> 00:01:13,989 Speaker 4: Sorry. 27 00:01:14,069 --> 00:01:16,349 Speaker 1: Nice, Are you someone who's going to like read all 28 00:01:16,429 --> 00:01:18,629 Speaker 1: the reviews and want to hear whatever one thinks on 29 00:01:18,669 --> 00:01:19,989 Speaker 1: the day it comes out? 30 00:01:20,389 --> 00:01:22,909 Speaker 3: Yeah, when they like on the day always, I try 31 00:01:22,949 --> 00:01:25,829 Speaker 3: to do complete blackout. I probably try to do that 32 00:01:25,869 --> 00:01:28,149 Speaker 3: for as long as possible, maybe like four or five 33 00:01:28,229 --> 00:01:31,828 Speaker 3: days that I'll like just be completely like blacked out 34 00:01:31,869 --> 00:01:34,509 Speaker 3: from anything, because I think the initial reaction scares the 35 00:01:34,509 --> 00:01:36,829 Speaker 3: how out of me. But I think when people get 36 00:01:36,869 --> 00:01:38,949 Speaker 3: time to kind of especially just like the core fans, 37 00:01:39,149 --> 00:01:40,789 Speaker 3: they have time to kind of listen to it a 38 00:01:40,829 --> 00:01:44,029 Speaker 3: few times, gather their thoughts, and then you also have 39 00:01:44,149 --> 00:01:46,389 Speaker 3: like the external people who you know, maybe a bit 40 00:01:46,389 --> 00:01:47,109 Speaker 3: more judgmental. 41 00:01:47,389 --> 00:01:50,389 Speaker 4: Then you've got a full overview. Obviously. Touring is where 42 00:01:50,829 --> 00:01:52,349 Speaker 4: you get the proper response like. 43 00:01:52,349 --> 00:01:55,149 Speaker 3: That first, the first hand reaction of us, like me 44 00:01:55,229 --> 00:01:58,149 Speaker 3: literally playing the album and seeing what people think if 45 00:01:58,189 --> 00:01:59,309 Speaker 3: they applaud or boom, you. 46 00:01:59,349 --> 00:02:07,749 Speaker 4: Know, I know, it was just pretty sweet because rates exactly. 47 00:02:08,228 --> 00:02:11,108 Speaker 4: It's a kind of yeah, false sense of security change thing. 48 00:02:11,149 --> 00:02:11,269 Speaker 3: Though. 49 00:02:11,309 --> 00:02:13,709 Speaker 2: I heard you write over two hundred songs for the record. 50 00:02:13,469 --> 00:02:18,189 Speaker 4: That's true, Yeah, way too many songs. That's wild. Two hundred. Yeah. 51 00:02:18,229 --> 00:02:19,829 Speaker 3: I had like the past couple of years to write, 52 00:02:19,829 --> 00:02:22,269 Speaker 3: and I moved to La, so I was really locked in. 53 00:02:22,309 --> 00:02:24,029 Speaker 3: I think when I'm there, I just all I want 54 00:02:24,069 --> 00:02:26,668 Speaker 3: to do is work. I'm not a workaholic in any sense. Yeah, 55 00:02:26,669 --> 00:02:28,829 Speaker 3: I get like the bug out there. Surprisingly, it was 56 00:02:28,909 --> 00:02:31,389 Speaker 3: kind of easy to pick from the bunch because of 57 00:02:31,469 --> 00:02:33,229 Speaker 3: the process that I had. All the way I did 58 00:02:33,229 --> 00:02:35,869 Speaker 3: it, it was like every ten songs or so, I would 59 00:02:35,909 --> 00:02:38,309 Speaker 3: take one out and put it on the whiteboard and 60 00:02:38,389 --> 00:02:40,069 Speaker 3: just like make that Okay, this is a non negotial. 61 00:02:40,149 --> 00:02:40,909 Speaker 4: This has to be on there. 62 00:02:40,909 --> 00:02:43,469 Speaker 3: And then you know, you do that twenty times over 63 00:02:43,469 --> 00:02:45,949 Speaker 3: two hundred songs, and then you have twenty that you like, 64 00:02:45,989 --> 00:02:47,469 Speaker 3: absolutely love that you need to be on there, and 65 00:02:47,509 --> 00:02:49,309 Speaker 3: you can kind of cut from there and yeah, yeah, 66 00:02:49,589 --> 00:02:52,349 Speaker 3: it's littl easier. You know, one hundred and forty of 67 00:02:52,389 --> 00:02:56,909 Speaker 3: them a trash. It will never come out, So will 68 00:02:56,909 --> 00:02:59,029 Speaker 3: never come out, like do they do they live somewhere 69 00:02:59,069 --> 00:03:02,749 Speaker 3: that maybe you're going revisiit like down a well, yeah, 70 00:03:02,909 --> 00:03:05,389 Speaker 3: it's I would say more like two hundred starting ideas, 71 00:03:05,389 --> 00:03:06,469 Speaker 3: you know, like a verse in a court. 72 00:03:06,549 --> 00:03:09,949 Speaker 4: Yeah, yeah, sure, sure, nothing's yeah, you produced or anything. 73 00:03:09,989 --> 00:03:11,749 Speaker 4: It's more just super rough demmo. 74 00:03:11,829 --> 00:03:13,949 Speaker 3: You know, maybe one day I can do something to 75 00:03:13,949 --> 00:03:16,149 Speaker 3: get them out or you know, some songs on this 76 00:03:16,229 --> 00:03:18,429 Speaker 3: record were some of the carry on from last record. 77 00:03:18,429 --> 00:03:20,509 Speaker 4: They didn't make it right. Oh nice, so it all 78 00:03:20,549 --> 00:03:21,269 Speaker 4: can kind of carry on. 79 00:03:21,349 --> 00:03:23,109 Speaker 3: You just want to make the whole thing feel cohesive 80 00:03:23,189 --> 00:03:26,029 Speaker 3: and in the same project. So that's where a lot 81 00:03:26,069 --> 00:03:28,228 Speaker 3: of things get left out. Is not necessary because they're 82 00:03:28,229 --> 00:03:30,349 Speaker 3: not good enough, but just because you know, it felt 83 00:03:30,349 --> 00:03:30,909 Speaker 3: out of place. 84 00:03:31,269 --> 00:03:31,629 Speaker 1: Yeah. 85 00:03:31,669 --> 00:03:33,549 Speaker 4: Sure, the record is called Kicking My Feet. 86 00:03:33,669 --> 00:03:35,349 Speaker 2: He's out today. We're going to play World Guests. Very 87 00:03:35,389 --> 00:03:36,989 Speaker 2: sure is everyone can hear that? Do you do meet 88 00:03:36,989 --> 00:03:38,429 Speaker 2: and grace? You do signings and stuff? 89 00:03:38,509 --> 00:03:40,789 Speaker 4: That's yeah, it's been like the thing. Yeah, it's like 90 00:03:40,909 --> 00:03:41,469 Speaker 4: most days. 91 00:03:41,509 --> 00:03:44,269 Speaker 3: Yeah, I was in Mexico, most of Europe, like a 92 00:03:44,269 --> 00:03:44,989 Speaker 3: lot of Asia. 93 00:03:45,309 --> 00:03:47,789 Speaker 4: We go all around Australia. But yeah, we're doing signings. 94 00:03:48,309 --> 00:03:50,069 Speaker 2: So can I ask you what's what's the weirdest thing 95 00:03:50,069 --> 00:03:51,429 Speaker 2: that you've received at a meet and greet? 96 00:03:52,389 --> 00:03:53,989 Speaker 3: I mean I always go back to like one of 97 00:03:54,029 --> 00:03:56,549 Speaker 3: my first tours ever in like twenty eighteen, like when 98 00:03:56,549 --> 00:03:58,789 Speaker 3: I was literally a child. Yeah, there was a fan 99 00:03:58,869 --> 00:04:00,429 Speaker 3: it was like around the same age as me, like 100 00:04:00,469 --> 00:04:03,469 Speaker 3: maybe like fifteen or something, and she gave me a 101 00:04:03,509 --> 00:04:06,509 Speaker 3: necklace with her tooth on it. Whoa, like it was 102 00:04:06,549 --> 00:04:09,029 Speaker 3: like a moler and she was like, this is like 103 00:04:09,109 --> 00:04:10,709 Speaker 3: just came out and she like showed me the gap 104 00:04:11,549 --> 00:04:12,949 Speaker 3: and I was like, I want you to you know, 105 00:04:12,989 --> 00:04:14,469 Speaker 3: I want you to have this. I was like, so 106 00:04:14,869 --> 00:04:22,029 Speaker 3: it's still we Yeah, I've never taken it off, but yeah, 107 00:04:22,069 --> 00:04:23,868 Speaker 3: that that was so that I always you know, I 108 00:04:23,909 --> 00:04:25,309 Speaker 3: get that question a lot, and that's the first thing 109 00:04:25,309 --> 00:04:26,949 Speaker 3: I think of. There's definitely been rogue ones, because I've 110 00:04:26,949 --> 00:04:28,949 Speaker 3: spoken about it a lot on interviews, and I remember 111 00:04:29,149 --> 00:04:30,829 Speaker 3: some fans are like trying to beat it in a 112 00:04:30,869 --> 00:04:35,469 Speaker 3: wearness to become the story. Someone was like someone gave 113 00:04:35,509 --> 00:04:39,309 Speaker 3: me like a vile of and inside was like a 114 00:04:39,349 --> 00:04:41,109 Speaker 3: needle that was like the blood on it. 115 00:04:41,149 --> 00:04:43,669 Speaker 4: And she was like, this was inside my hand and 116 00:04:43,709 --> 00:04:45,068 Speaker 4: I had to get it surgically on you. 117 00:04:45,509 --> 00:04:46,949 Speaker 3: And she like gave that to me in like a 118 00:04:46,949 --> 00:04:50,068 Speaker 3: little box, like a like an engagement ring box, and 119 00:04:50,109 --> 00:04:50,389 Speaker 3: I was. 120 00:04:50,389 --> 00:04:52,389 Speaker 1: Like, so do you say to that's like to their face, 121 00:04:52,429 --> 00:04:53,629 Speaker 1: You're like, wow, thank you so much. 122 00:04:53,709 --> 00:04:55,188 Speaker 4: And then what happens to the needle. 123 00:04:55,589 --> 00:05:08,389 Speaker 3: Look, that's that's that's not your business. 124 00:05:03,269 --> 00:05:07,069 Speaker 2: Out today, mate, This is this is wild guests that 125 00:05:07,069 --> 00:05:08,069 Speaker 2: we're going to play here on with them. What do 126 00:05:08,109 --> 00:05:09,589 Speaker 2: you want to tell one about the song? 127 00:05:09,669 --> 00:05:13,429 Speaker 3: Yeah, this is possibly my favorite track of the album. 128 00:05:13,469 --> 00:05:16,229 Speaker 3: I think it sums up the record sonically the best. 129 00:05:16,269 --> 00:05:18,749 Speaker 3: I think the way this song makes me feel and 130 00:05:19,109 --> 00:05:20,428 Speaker 3: the way it's making other people feel. 131 00:05:20,229 --> 00:05:21,628 Speaker 4: Is how I what the whole record to make you 132 00:05:21,669 --> 00:05:22,229 Speaker 4: feel cool. 133 00:05:22,309 --> 00:05:24,269 Speaker 3: This is the most recent song that I wrote for 134 00:05:24,269 --> 00:05:25,749 Speaker 3: the records, with the last one that made it on 135 00:05:25,869 --> 00:05:29,109 Speaker 3: Readywood Dan Wilson and Leroy Clampitt leew is a Kiwi 136 00:05:29,149 --> 00:05:30,869 Speaker 3: So that was nice to in La to have some 137 00:05:30,909 --> 00:05:32,789 Speaker 3: sort of connection to this part. 138 00:05:32,589 --> 00:05:34,629 Speaker 4: Of the world. Yeah, the song. 139 00:05:34,629 --> 00:05:37,789 Speaker 3: Lyrically kind of speaks for itself, and music video's coming 140 00:05:37,789 --> 00:05:38,509 Speaker 3: out soon as well. 141 00:05:38,669 --> 00:05:41,589 Speaker 2: Nice can I ask you so just very quickly? So 142 00:05:41,629 --> 00:05:42,789 Speaker 2: fourteen you do this? 143 00:05:43,309 --> 00:05:43,949 Speaker 4: You do this? Cover? 144 00:05:44,109 --> 00:05:44,269 Speaker 3: Right? 145 00:05:44,429 --> 00:05:47,428 Speaker 2: James Blake cover goes bonkers. I think it's a half 146 00:05:47,469 --> 00:05:49,589 Speaker 2: million streams in like four days or something, or YouTube 147 00:05:49,589 --> 00:05:54,748 Speaker 2: clicks goes wild. You go on Elton John's show over 148 00:05:54,789 --> 00:05:57,669 Speaker 2: in the UK, he says you're the best voice he's 149 00:05:57,709 --> 00:06:01,069 Speaker 2: ever heard from a singer at fourteen years of age. 150 00:06:01,789 --> 00:06:04,068 Speaker 2: This is which is which is crazy? How do you 151 00:06:04,189 --> 00:06:07,869 Speaker 2: go being fourteen and Elton John saying you get the 152 00:06:07,869 --> 00:06:09,669 Speaker 2: best voice in the world and trying to keep your 153 00:06:09,669 --> 00:06:12,149 Speaker 2: feet on the ground, because I can imagine that's not easy. 154 00:06:12,269 --> 00:06:12,549 Speaker 4: I don't know. 155 00:06:12,589 --> 00:06:15,188 Speaker 3: I think I was still living in Australia and I 156 00:06:15,189 --> 00:06:17,269 Speaker 3: think that kind of salts everything out. 157 00:06:17,149 --> 00:06:17,749 Speaker 2: With your family. 158 00:06:17,829 --> 00:06:20,429 Speaker 4: I think we'll just look the whole culture over here. Yeah, right, 159 00:06:20,469 --> 00:06:22,709 Speaker 4: you just from a kid like yeah, I was. 160 00:06:22,909 --> 00:06:25,389 Speaker 3: I'm still being in school as well, Like man, I 161 00:06:25,469 --> 00:06:28,709 Speaker 3: was so dissociated to it. Kind of how I am 162 00:06:28,749 --> 00:06:30,749 Speaker 3: now and how a lot of the reasons why I 163 00:06:30,789 --> 00:06:33,029 Speaker 3: can kind of cope and feel like I can stay 164 00:06:33,469 --> 00:06:37,589 Speaker 3: myself being Yeah, but I also just yeah, these kind 165 00:06:37,589 --> 00:06:40,229 Speaker 3: of milestones that I hit, I try to really think 166 00:06:40,269 --> 00:06:41,229 Speaker 3: of it and that it's not me. 167 00:06:41,389 --> 00:06:43,509 Speaker 4: It's just like it's the brand, it's the team that 168 00:06:43,509 --> 00:06:44,188 Speaker 4: I'm working with. 169 00:06:44,229 --> 00:06:47,229 Speaker 3: Like I try to not, you know, associate too hard. 170 00:06:47,269 --> 00:06:49,628 Speaker 3: I definitely try to not take it in as my own. 171 00:06:49,749 --> 00:06:51,949 Speaker 2: That's really very mature of you. 172 00:06:52,189 --> 00:06:53,949 Speaker 3: But I don't know, I think that's definitely my family 173 00:06:54,029 --> 00:06:57,269 Speaker 3: kind of you know that in my brain as well. 174 00:06:57,349 --> 00:06:59,628 Speaker 4: I've got two older sisters now. 175 00:06:59,829 --> 00:07:01,829 Speaker 2: So that was six years ago, eight years ago, I 176 00:07:01,829 --> 00:07:04,789 Speaker 2: should say. Yeah, so do you still have the Aussie 177 00:07:04,789 --> 00:07:06,549 Speaker 2: friends from when you're from a high school? 178 00:07:06,709 --> 00:07:09,629 Speaker 4: Exact same, It's exactly like people that. 179 00:07:10,229 --> 00:07:13,229 Speaker 2: Are still keeping grief on you and whats absolutely well. 180 00:07:13,309 --> 00:07:14,829 Speaker 3: Yeah, in a way, it's just like every time I 181 00:07:14,869 --> 00:07:16,749 Speaker 3: come back to Sydney or sometimes I get to like 182 00:07:16,749 --> 00:07:18,509 Speaker 3: fire them out to LA which is amazing. 183 00:07:18,589 --> 00:07:20,309 Speaker 4: The last thing we talk about is my career. That's 184 00:07:20,349 --> 00:07:20,669 Speaker 4: so great. 185 00:07:20,669 --> 00:07:22,869 Speaker 3: It's just like we hang out and we talk about 186 00:07:23,309 --> 00:07:26,269 Speaker 3: play football whatever, go for go surfings like that. 187 00:07:26,349 --> 00:07:28,789 Speaker 4: So it's never been a problem. 188 00:07:29,069 --> 00:07:31,029 Speaker 1: Artists on people who have got very famous talk about 189 00:07:31,029 --> 00:07:33,309 Speaker 1: the fact that it's not actually them who cuts them off. 190 00:07:33,349 --> 00:07:35,869 Speaker 1: It's the friends that assume, oh, they don't want to 191 00:07:35,909 --> 00:07:37,869 Speaker 1: hang out with me anymore because they're hanging out with 192 00:07:37,909 --> 00:07:38,589 Speaker 1: Elton John. 193 00:07:38,429 --> 00:07:44,869 Speaker 4: Now, especially moving to LA like friends last Yeah that guy. 194 00:07:44,989 --> 00:07:48,629 Speaker 3: Yeah, I haven't got the invite since I was fourteen. 195 00:07:51,189 --> 00:07:52,029 Speaker 4: Sounds a bit rod. 196 00:07:54,549 --> 00:07:57,829 Speaker 3: I No, No, I definitely keep to myself out there, 197 00:07:57,829 --> 00:07:59,549 Speaker 3: and I moved out there with my girlfriend as well, 198 00:07:59,629 --> 00:08:02,549 Speaker 3: and she's like who I went to school with as well, 199 00:08:02,709 --> 00:08:04,949 Speaker 3: So like we've been keeping each other, holding each other down. 200 00:08:04,989 --> 00:08:05,549 Speaker 4: It's important. 201 00:08:05,669 --> 00:08:07,629 Speaker 1: What's the most surreal, So obviously that's pretty surreal. There 202 00:08:07,669 --> 00:08:09,669 Speaker 1: was a fourteen year old Elton John saying that I 203 00:08:09,749 --> 00:08:11,909 Speaker 1: got a screenshot here of a message thread you were 204 00:08:11,909 --> 00:08:14,349 Speaker 1: having with a guy called Nathan talking about sitting at 205 00:08:14,429 --> 00:08:16,589 Speaker 1: Paris Fashion Show next to Trippy Red. 206 00:08:18,029 --> 00:08:19,829 Speaker 4: This is such a rogue one to bring up. 207 00:08:19,949 --> 00:08:22,629 Speaker 1: So that's obviously surreal, right, all of a sudden, you're 208 00:08:22,629 --> 00:08:23,109 Speaker 1: sitting there. 209 00:08:23,469 --> 00:08:26,109 Speaker 2: Trip Red, by the way, I thought that was a pseudonym, 210 00:08:26,149 --> 00:08:28,149 Speaker 2: but that's actually a person, apparently, I was. 211 00:08:28,189 --> 00:08:30,949 Speaker 3: Honestly, it was just a hilarious situation for me because 212 00:08:31,189 --> 00:08:33,349 Speaker 3: Triple Days just like a rapper. But in my head, 213 00:08:33,348 --> 00:08:35,868 Speaker 3: I'm like, I am the furthest thing away from Trippy 214 00:08:35,949 --> 00:08:39,029 Speaker 3: Red Red, And the fact that someone organizing this fashion week. 215 00:08:38,949 --> 00:08:42,149 Speaker 4: Was like, let's get these guys together, thanking me some 216 00:08:42,189 --> 00:08:45,748 Speaker 4: sort of networking king, did you chat with Trippy? Absolutely? 217 00:08:45,748 --> 00:08:46,469 Speaker 4: He was terrifying. 218 00:08:46,708 --> 00:08:49,668 Speaker 3: He had like twelve people around him at all times, 219 00:08:49,708 --> 00:08:52,189 Speaker 3: like looking at me, making sure I wasn't looking at him. 220 00:08:52,388 --> 00:08:55,309 Speaker 3: But no, I just thought it was hilarious to post that, because, yeah, 221 00:08:55,388 --> 00:08:57,429 Speaker 3: my fans are definitely like, why are you see actually, well. 222 00:08:57,309 --> 00:08:59,788 Speaker 2: That's an indication of the fact that your world, you 223 00:09:00,069 --> 00:09:02,828 Speaker 2: really feel like you're doing something in a world that 224 00:09:02,909 --> 00:09:05,988 Speaker 2: is beyond who you might be in the realms. 225 00:09:05,628 --> 00:09:07,549 Speaker 4: Of your exactly. I don't know. Again, it's back to 226 00:09:07,588 --> 00:09:10,069 Speaker 4: the dissociation, just like yeah, why like this. 227 00:09:10,149 --> 00:09:13,748 Speaker 3: Is not Yeah normally might have been a good chat. No, 228 00:09:13,868 --> 00:09:15,869 Speaker 3: I'm sure he's lovely, but he had other things on 229 00:09:15,909 --> 00:09:16,269 Speaker 3: his mind. 230 00:09:16,748 --> 00:09:18,549 Speaker 4: No tribute was made. But I'm next to Rule. 231 00:09:20,748 --> 00:09:26,348 Speaker 3: Yeah, is definitely definitely hitting up as fourteen managers been like, 232 00:09:26,388 --> 00:09:29,468 Speaker 3: oh my god, I'm next to the Australian singer song 233 00:09:29,628 --> 00:09:30,228 Speaker 3: Ritter Rule. 234 00:09:31,669 --> 00:09:33,789 Speaker 1: What's the most out of place you've felt in like 235 00:09:33,789 --> 00:09:35,828 Speaker 1: a room, though I'm sure you've been in other rooms 236 00:09:35,868 --> 00:09:37,508 Speaker 1: like people. 237 00:09:37,189 --> 00:09:39,988 Speaker 3: There so many times. It's I definitely like in la 238 00:09:40,189 --> 00:09:43,628 Speaker 3: Is when that stuff happens. You find yourself in situations 239 00:09:43,628 --> 00:09:45,669 Speaker 3: that you just you don't know why, Like everything kind 240 00:09:45,708 --> 00:09:48,549 Speaker 3: of turns into like whatever feels like a networking opportunity. 241 00:09:48,588 --> 00:09:50,348 Speaker 3: It's like it's and that kind of sucks. It's like 242 00:09:50,348 --> 00:09:52,028 Speaker 3: you can be going out for drinks with a mate 243 00:09:52,149 --> 00:09:53,588 Speaker 3: and then turns out you're going. 244 00:09:53,429 --> 00:09:55,268 Speaker 4: To like it's an album release party. 245 00:09:55,108 --> 00:09:57,388 Speaker 3: And these people are there like I went like and 246 00:09:57,468 --> 00:09:59,149 Speaker 3: played tennis with like a few mates and we went 247 00:09:59,149 --> 00:10:00,909 Speaker 3: to this tennis club and it was like it's an 248 00:10:00,988 --> 00:10:03,828 Speaker 3: artist tennis club and there's like there and like all 249 00:10:03,828 --> 00:10:06,108 Speaker 3: these people, and I'm like it, just like, why am 250 00:10:06,108 --> 00:10:09,268 Speaker 3: I here? Like, and you just in this game, Like 251 00:10:09,388 --> 00:10:10,149 Speaker 3: he's pretty good. 252 00:10:11,268 --> 00:10:14,629 Speaker 2: Because I saw him playing basketball recently. Did you see 253 00:10:14,669 --> 00:10:16,189 Speaker 2: that shop where he's usually the airport? 254 00:10:16,268 --> 00:10:19,668 Speaker 4: Yeah, but he's mobile. I just love the idea of. 255 00:10:22,348 --> 00:10:23,949 Speaker 3: It's just in generalat in l A, you're just like 256 00:10:23,988 --> 00:10:26,428 Speaker 3: you getting these situations. You're like, what is going on? 257 00:10:26,789 --> 00:10:29,909 Speaker 3: And yeah, I always feel super you know, discombobulated, And 258 00:10:29,909 --> 00:10:32,149 Speaker 3: I was like, why am I here? Like, No, that 259 00:10:32,228 --> 00:10:33,069 Speaker 3: happens every day. 260 00:10:33,108 --> 00:10:35,468 Speaker 4: I swear like that. I'm like, what is going on? 261 00:10:36,268 --> 00:10:36,468 Speaker 3: Yeah? 262 00:10:36,669 --> 00:10:38,348 Speaker 4: Feels so transaction. 263 00:10:38,029 --> 00:10:40,228 Speaker 2: May Sho asks bond out for a game of singles, 264 00:10:42,988 --> 00:10:43,789 Speaker 2: one on one. 265 00:10:44,309 --> 00:10:55,108 Speaker 5: Your first strike when you're going, it's great having you here, man, 266 00:10:55,149 --> 00:10:56,029 Speaker 5: Thanks so much for coming in. 267 00:10:56,108 --> 00:10:57,669 Speaker 4: Thanks, good luck, good luck. 268 00:10:58,069 --> 00:11:01,949 Speaker 2: Album launch out today, kicking my feet from Rule, Homegrown Talent, 269 00:11:02,149 --> 00:11:04,548 Speaker 2: kicking it all over the world. Proud of your mate you. 270 00:11:05,388 --> 00:11:05,909 Speaker 4: No, it was fun. 271 00:11:05,988 --> 00:11:07,549 Speaker 2: Honestly, it's really really good to have you in here. 272 00:11:07,628 --> 00:11:09,228 Speaker 2: So all the best next time, see 273 00:11:09,228 --> 00:11:09,708 Speaker 4: You guys better.