WEBVTT - MAX DRAG QUEEN - RUPAULS DRAG RACE - STAN AUSTRALIA

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. They're right. Hey guys,

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<v Speaker 1>welcome back to TV Reload. I want to thank you

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<v Speaker 1>for clicking and downloading on today's episode with Max Drag Queen,

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<v Speaker 1>who was the fifth eliminated queen from RuPaul's Drag Race

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<v Speaker 1>down Under season four. This week we saw a queen

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<v Speaker 1>go home that obviously had a lot of emotions bubbling

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<v Speaker 1>below the surface. I really enjoyed Max on this series,

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<v Speaker 1>and I think while they were eliminated, we've only been

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<v Speaker 1>given a glimpse of what she will be able to

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<v Speaker 1>achieve in the space of entertainment moving forward. Max will

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<v Speaker 1>share her thoughts on Michelle's decision to send her home

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<v Speaker 1>and if a queen that has hit the bottom two

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<v Speaker 1>three times is the most deserved to be eliminated. We

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<v Speaker 1>will unpack bringing raw emotions into a competition like this

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<v Speaker 1>and if they help or hinder your time on RuPaul's

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<v Speaker 1>Drag Race. I ask about the hookup and we will

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<v Speaker 1>find out what happened next and where Freyer sits in

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<v Speaker 1>her life right now. You will get everything from what

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<v Speaker 1>an acting challenge is really like. If Hannah Conder was

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<v Speaker 1>wasted as a guest, and what she thinks of maddow

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<v Speaker 1>kind critiques, which were.

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<v Speaker 2>A little bit out of the box.

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<v Speaker 1>There's actually so much to talk about, with so many

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<v Speaker 1>inside revelations. So guys sit back and relax as we

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<v Speaker 1>unpack the wonderful world of RuPaul's drag Race down Under

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<v Speaker 1>season four. Oh my god, Max, how are you?

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<v Speaker 2>I'm doing better now that I've seen your face. How

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<v Speaker 2>are you?

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<v Speaker 1>So? I'm well, I'm well. But you know what, you

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<v Speaker 1>were the only queen this year that I actually knew

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<v Speaker 1>of going into this season, So when I saw your

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<v Speaker 1>name come up, I was like, I've seen Max perform

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<v Speaker 1>a lot of times and I just can't wait to

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<v Speaker 1>see how you go on this season. So I'm a fan.

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<v Speaker 2>Thank you. That's very, very kind of you to say hello,

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<v Speaker 2>thank you. That's I'm glad I already have blush on

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<v Speaker 2>our lives. I'd be like, I'm blushing. You know.

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<v Speaker 1>It's so weird though, I keep thinking about this throughout

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<v Speaker 1>this season. I feel so patriotic about Victorian queens on

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<v Speaker 1>this series. Do you feel like you are representing your state? Like,

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<v Speaker 1>what does it feel like when you're in the competition?

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<v Speaker 2>It didn't necessarily feel like we were representing our states.

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<v Speaker 2>I mean, the Brisbane girls were really like vocal about

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<v Speaker 2>being from Brisbane. I feel like it's because they haven't

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<v Speaker 2>had as much like representation on the show thus far,

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<v Speaker 2>so they were quite proud. The New Zealand girls, Olivia

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<v Speaker 2>was very proud to be doing it for Wellington, but

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<v Speaker 2>I think the Sydney and Melbourne girls were like, it's

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<v Speaker 2>just another gig. Not to say that we didn't appreciate

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<v Speaker 2>it and the opportunity, but like we were really just

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<v Speaker 2>like ah, I mean across Lazy, Brenda and I we

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<v Speaker 2>were like the triangle of like Melbourne Drag.

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<v Speaker 1>I want to know what your thoughts are though on

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<v Speaker 1>Melbourne's signature drag, because I feel because I've traveled around

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<v Speaker 1>Australia a lot. I've even seen the Drag shows over

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<v Speaker 1>in New Zealand, so like for me, I feel like

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<v Speaker 1>there's a bit of an esthetic or there's there's a

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<v Speaker 1>flavor that comes to being from a particular town. Do

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<v Speaker 1>you Melbourne has like a signature of feel and look

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<v Speaker 1>to it.

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<v Speaker 2>I've always said, and this kind of changes every now

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<v Speaker 2>and then, but I kind of feel like Sydney is

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<v Speaker 2>so show girl based because of like Priscilla and things

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<v Speaker 2>like that. This sounds like after just saying that, but

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<v Speaker 2>like Sydney is a good face like they're quite like

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<v Speaker 2>face value, they're really good when it comes to community

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<v Speaker 2>and heart, I genuinely, with my full chest think that

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<v Speaker 2>Melbourne takes the cake for that. I think I'm just

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<v Speaker 2>speaking to my own personal experience when I say that,

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<v Speaker 2>though Melbourne drag and Melbourne like queer community feels so

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<v Speaker 2>like gay communities can be, we know how it is,

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<v Speaker 2>but like it feels like there's more of a heart

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<v Speaker 2>in Melbourne, and I think that shows through our drag

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<v Speaker 2>as well.

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<v Speaker 1>Do you know what I think about Melbourne is that

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<v Speaker 1>I think the queens get off the stage and interact

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<v Speaker 1>with audiences a little bit more, and there's a little

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<v Speaker 1>bit more personality or approachability.

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<v Speaker 2>Maybe I agree, I I wholeheartedly agree. I feel like

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<v Speaker 2>Sydney girls get off the stage and go back to

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<v Speaker 2>the dressing room and then don't come out for the

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<v Speaker 2>rest of the night. I am someone that's like, well,

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<v Speaker 2>why not interact with the people that you're basically can

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<v Speaker 2>I swear on.

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<v Speaker 1>This, yeah, go for it? Fucking sweat?

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<v Speaker 2>Why don't interact with the people. I've been I fucking

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<v Speaker 2>all night, you know what I mean.

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<v Speaker 1>I've seen you perform, and I've watched you get off

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<v Speaker 1>the stage and be incredibly approachable, and it's one of

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<v Speaker 1>the things about you that I've always appreciated is your

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<v Speaker 1>ability to sort of bring yourself down to a level

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<v Speaker 1>when you look like the way that you look like,

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<v Speaker 1>you look like a fierce queen that would scare the

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<v Speaker 1>shit out of someone. But then you'll be like, hey,

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<v Speaker 1>how I.

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<v Speaker 2>That's really sweet of you to say. I feel like,

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<v Speaker 2>I'm not mean, I'm just painted that way, you know,

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<v Speaker 2>Like I'm like I want to I feel like that's

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<v Speaker 2>people come out to watch you, and they're in the

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<v Speaker 2>bar supporting you, and I can tell who's there to

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<v Speaker 2>have a party and who's there to watch drag, and

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<v Speaker 2>I feel like to make sure that I still have

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<v Speaker 2>people in the audience that want to see drag, I'm like,

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<v Speaker 2>the least I can do is have a conversation and

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<v Speaker 2>be personable. I feel like it makes my night just

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<v Speaker 2>as much as it makes like somebody else's. So thank

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<v Speaker 2>you for saying that.

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<v Speaker 1>It's funny because like back in the day, there was

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<v Speaker 1>a place called the Exchange. This is before your time,

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<v Speaker 1>but it was.

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<v Speaker 2>Aware of her. Though I've heard many stories.

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<v Speaker 1>And the Queen's backstage because I used to know a

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<v Speaker 1>lot of them and would go backstage. Actually I didn't

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<v Speaker 1>know that my partner would. He would drag me backstage

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<v Speaker 1>and it was hilarious to listen to the banter that

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<v Speaker 1>was bet all of them, because the banter backstage was

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<v Speaker 1>always more savage than it was on stage, like they

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<v Speaker 1>had sort of a stage persona. Where then in Melbourne,

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<v Speaker 1>I feel like the evolution of drag has been to

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<v Speaker 1>bring that to the stage and so that old banter

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<v Speaker 1>that used to be sort of so exciting to listen

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<v Speaker 1>to and so entertaining has been brought to the stage

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<v Speaker 1>and I love that.

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<v Speaker 2>I think my favorite thing about Yeah, Melbourne drag is

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<v Speaker 2>the fact that we are able to We're able to

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<v Speaker 2>be caddy and like, you know, shady with each other,

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<v Speaker 2>but we know in our heart that we wouldn't say

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<v Speaker 2>it unless we loved each other. I think a lot

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<v Speaker 2>of places can say that they do this, but in

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<v Speaker 2>Melbourne you actually feel it. So I'm glad you like

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<v Speaker 2>I'm glad you see that, and I'm glad that you

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<v Speaker 2>like appreciate it and understand it and makes it feel like, Okay,

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<v Speaker 2>we're not just doing this and be like a failed bit.

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<v Speaker 1>I don't know. I think it's it's actually quite amazing

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<v Speaker 1>and I feel very proud of it. It's interesting getting

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<v Speaker 1>into the Rouphoul series four, getting onto this show for

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<v Speaker 1>someone like you, who is quite recognizable amongst communities, we'll

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<v Speaker 1>use scared about what that would do for your ability

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<v Speaker 1>to be booked. Yes, it's going to level you up

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<v Speaker 1>in the sense that you know, globally, people are probably

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<v Speaker 1>going to know you more and now you've got that

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<v Speaker 1>on your resume. But is there a chance that you

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<v Speaker 1>think to yourself, oh God, if I go on this show,

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<v Speaker 1>I might be seeing a certain way and then I

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<v Speaker 1>might not be booked anymore.

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<v Speaker 2>It's definitely a thought that crossed my mind. The only

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<v Speaker 2>reason I guess, under all my circumstances of actually doing

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<v Speaker 2>the show, of why I did in fact go and

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<v Speaker 2>do the show was because it was an opportunity to

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<v Speaker 2>further my career, so I didn't want to waste it.

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<v Speaker 2>And I feel like at my heart, like in my heart,

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<v Speaker 2>I've worked on being like this sounds so wanky, but

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<v Speaker 2>I'm like, I feel like I've really worked on trying

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<v Speaker 2>to be like a good person, and I'm like, as

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<v Speaker 2>much as there is, like you know, a bit of

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<v Speaker 2>shade or whatever towards girls in my season, or the

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<v Speaker 2>tighter I fabric that they pick, I feel like in

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<v Speaker 2>my heart, I'm like, there was no way that this

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<v Speaker 2>would be an opportunity didn't serve me.

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<v Speaker 1>Yeah, I think as well, there's something very warm about you.

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<v Speaker 1>There's something very vulnerable about you. There's something very fragile

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<v Speaker 1>about you in some ways. And I don't know whether

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<v Speaker 1>or not watching you on Drag Race this season it

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<v Speaker 1>might have had to do with the grief that you

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<v Speaker 1>were going through with a loss in your life and

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<v Speaker 1>the fact that you'd had a breakup. But did you

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<v Speaker 1>think that vulnerability being on the show helped you or

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<v Speaker 1>do you think it hindered you.

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<v Speaker 2>I feel like in terms of people connecting with me

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<v Speaker 2>as a human being and maybe as a drug artist

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<v Speaker 2>as well, I feel like it has definitely served me well.

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<v Speaker 2>I feel like it's been quite helpful. Is that I'm

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<v Speaker 2>not just this like face value, like pretty girl that

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<v Speaker 2>can do the splits, which is like I guess a

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<v Speaker 2>stereotype or like an archetype that is on the show.

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<v Speaker 2>I guess quite regularly, I feel like, you know, I

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<v Speaker 2>am a human being and I do have things gone

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<v Speaker 2>out of my life, and I'm not going to mask

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<v Speaker 2>my emotions and I'm not going to pretend that everything

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<v Speaker 2>is fine, and because famously right now it's raining, it's pouring,

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<v Speaker 2>actually like I'm experiencing a still experiencing grief in such

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<v Speaker 2>a like a heavy sort of way. But yeah, do

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<v Speaker 2>I think that these challenges and these I guess the

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<v Speaker 2>actual layout of Drag Race was helpful for me at

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<v Speaker 2>that time. No, I do not think it was very

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<v Speaker 2>serving to my soul as a human being for this

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<v Speaker 2>period of time.

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<v Speaker 1>It is interesting that we talk about there whether or

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<v Speaker 1>not the actual experience can help us with a process.

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<v Speaker 1>I tell people because people contact me a lot. I mean,

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<v Speaker 1>I've done five hundred episodes of talking about reality television,

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<v Speaker 1>so people contact me a lot about going on these

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<v Speaker 1>shows and what they should do. And I tell people,

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<v Speaker 1>just grab your bag of crap and unpack it in

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<v Speaker 1>front of the in front of the television, because it

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<v Speaker 1>will help people connect to you. And whilst it will

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<v Speaker 1>be uncomfortable and I absolutely understand the uncomfortability of being

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<v Speaker 1>so vulnerable in front of the camera. I think that

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<v Speaker 1>the connection that you've had this e in with being

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<v Speaker 1>truly yourself and being so raw made you more accessible

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<v Speaker 1>than anyone else.

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<v Speaker 2>I feel like, as much as we want to see

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<v Speaker 2>you know, I'm sure as much as people would have

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<v Speaker 2>loved to have seen me win a challenge or even

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<v Speaker 2>win the entire season, I'm like, oh no, I like

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<v Speaker 2>I jokingly say, and I feel like I say jokingly,

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<v Speaker 2>but I think I kind of mean it as I'm like,

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<v Speaker 2>I think I've won the hearts of the hearts of many.

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<v Speaker 2>I like I act like I'm the people's princess, and

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<v Speaker 2>that is funny considering like isis is like the reigning queen.

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<v Speaker 2>I'm like, technically I am a princess if you want

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<v Speaker 2>to like get into it. But yeah, I think that honestly,

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<v Speaker 2>after like after my experiences, the like people that have

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<v Speaker 2>reached out in terms of like other people that have

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<v Speaker 2>lost their parents and whatever like that's been, I'm like,

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<v Speaker 2>oh cool, I've actually like had an impact somewhere, Like

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<v Speaker 2>it hasn't just been like oh I did this show

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<v Speaker 2>and nothing really like I didn't win. I didn't win

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<v Speaker 2>a challenge I didn't like. I don't even like I

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<v Speaker 2>won the lip SYNX you know what I mean. Like

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<v Speaker 2>it like it's it's just cool to have made an

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<v Speaker 2>impact in some capacity, and as an emotional person, it's

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<v Speaker 2>comforting to know that those impacts were like emotion based.

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<v Speaker 1>I think, and maybe this is not the right vox

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<v Speaker 1>pop but maybe it's just my own impression. But over

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<v Speaker 1>the history of reality television in the world, it's the

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<v Speaker 1>people that are the most vulnerable on television, not the

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<v Speaker 1>people that win, that have the longest career. And that's because, yes,

0:10:21.679 --> 0:10:25.319
<v Speaker 1>there's an accolade and there's a response from the audience

0:10:25.400 --> 0:10:28.200
<v Speaker 1>if you're a winner. But I think that what people

0:10:28.240 --> 0:10:31.000
<v Speaker 1>want more than to watch people win is to relate

0:10:31.160 --> 0:10:34.160
<v Speaker 1>and to have some currency with what they're watching on television.

0:10:34.480 --> 0:10:37.560
<v Speaker 2>Thank you for saying that. It's quite reassuring. I thought

0:10:37.559 --> 0:10:39.520
<v Speaker 2>I was going to go into this today, like this

0:10:39.559 --> 0:10:42.040
<v Speaker 2>whole day of like press being like great, I get

0:10:42.080 --> 0:10:44.120
<v Speaker 2>to talk about how I lost. But like you, you're

0:10:44.160 --> 0:10:46.760
<v Speaker 2>so insightful, and I feel like you, like really well,

0:10:46.760 --> 0:10:48.400
<v Speaker 2>obviously you understand it, but I feel like you really

0:10:48.440 --> 0:10:50.360
<v Speaker 2>understand it. It's very very comforting.

0:10:51.000 --> 0:10:52.920
<v Speaker 1>I just think it's a celebration, you know what. And

0:10:52.960 --> 0:10:55.679
<v Speaker 1>I say this to Stan Australia as well, Like, when

0:10:55.720 --> 0:10:57.520
<v Speaker 1>I get a chance to talk to people, I always

0:10:57.559 --> 0:11:00.000
<v Speaker 1>think it's your chance. It's your time to share your

0:11:00.160 --> 0:11:02.080
<v Speaker 1>story and show us a little bit of behind the

0:11:02.120 --> 0:11:05.120
<v Speaker 1>scenes and be kind of unfiltered in a way, do

0:11:05.120 --> 0:11:06.400
<v Speaker 1>you know what I mean? Like, so much of what

0:11:06.520 --> 0:11:08.920
<v Speaker 1>gets put on the television in the end, regardless of

0:11:08.920 --> 0:11:11.440
<v Speaker 1>what series you're on or what format you're on, it

0:11:11.440 --> 0:11:13.880
<v Speaker 1>can be sort of changed a little bit. But when

0:11:14.080 --> 0:11:15.880
<v Speaker 1>I get to sit down and talk to these people,

0:11:15.920 --> 0:11:18.079
<v Speaker 1>I'm like, I want to elevate you and I want

0:11:18.080 --> 0:11:19.680
<v Speaker 1>to find out how you feel.

0:11:19.920 --> 0:11:22.800
<v Speaker 2>No, it's great because famously I'm a girl that has

0:11:22.840 --> 0:11:24.800
<v Speaker 2>a lot of feelings. So thank you for giving me

0:11:25.080 --> 0:11:26.120
<v Speaker 2>a space to do that.

0:11:26.880 --> 0:11:28.440
<v Speaker 1>I was like, I'm just going to try not to

0:11:28.480 --> 0:11:31.560
<v Speaker 1>be emotional talking to you about the grief in your life,

0:11:31.600 --> 0:11:33.920
<v Speaker 1>because I did relate to that, and I know so

0:11:33.960 --> 0:11:36.040
<v Speaker 1>many people that I spoke to also related to it

0:11:36.080 --> 0:11:38.480
<v Speaker 1>as well. And there's no point in having a podcast

0:11:38.480 --> 0:11:40.720
<v Speaker 1>where two people are being emotional, So I'll just try

0:11:40.760 --> 0:11:41.720
<v Speaker 1>and hold it together.

0:11:43.960 --> 0:11:45.640
<v Speaker 2>Look, if we wanted to sit here and cry it

0:11:45.720 --> 0:11:50.840
<v Speaker 2>like I'd do it another time. I'm like, if you

0:11:50.840 --> 0:11:52.200
<v Speaker 2>live in Melbourne, I'm like, we can just go get

0:11:52.200 --> 0:11:53.760
<v Speaker 2>a y on Chapel Street or something like.

0:11:55.040 --> 0:11:57.520
<v Speaker 1>I'm here for it, babe. Was there a romance behind

0:11:57.559 --> 0:11:59.280
<v Speaker 1>the scenes or was that for camera? Like, you know,

0:11:59.440 --> 0:12:01.760
<v Speaker 1>was there any high I have a romantic involvement with

0:12:01.800 --> 0:12:03.480
<v Speaker 1>one of the other queens. I mean, I know what

0:12:03.559 --> 0:12:05.320
<v Speaker 1>I saw and I hear what I hear, but I

0:12:05.360 --> 0:12:07.840
<v Speaker 1>want to know from you. Was there a romance?

0:12:08.000 --> 0:12:11.679
<v Speaker 2>There was definitely a schomance. We For me personally, there

0:12:11.720 --> 0:12:13.800
<v Speaker 2>was already so much kind of going on, and it

0:12:13.800 --> 0:12:16.400
<v Speaker 2>felt very clear that there was a certain I don't

0:12:16.400 --> 0:12:18.319
<v Speaker 2>want to use like TV terms, but it felt like

0:12:18.360 --> 0:12:22.040
<v Speaker 2>there was definitely that was something that the show wanted

0:12:22.360 --> 0:12:25.240
<v Speaker 2>more of, and I think it was I'm like, I

0:12:25.280 --> 0:12:27.120
<v Speaker 2>was going through a breakup. I just lost my mom.

0:12:27.160 --> 0:12:28.880
<v Speaker 2>I was like, I'm not going to just start fucking

0:12:28.920 --> 0:12:32.120
<v Speaker 2>fraending on camera like that was it is crazy to me?

0:12:32.280 --> 0:12:36.160
<v Speaker 2>I was like, was Freyer someone that I felt comfortable

0:12:36.880 --> 0:12:39.920
<v Speaker 2>cuddling up to on the bus ride home? Yes? Did

0:12:39.960 --> 0:12:42.760
<v Speaker 2>we sneak a kiss here and there? Yes? Am I

0:12:42.800 --> 0:12:46.680
<v Speaker 2>a human being that was grieving and didn't have grinder. Yes,

0:12:47.120 --> 0:12:51.400
<v Speaker 2>like just yeah, it was definitely a schromance. But we're like,

0:12:51.440 --> 0:12:53.280
<v Speaker 2>we're really really good friends now.

0:12:53.280 --> 0:12:56.559
<v Speaker 1>And it's none of my business, but it would remissive

0:12:56.600 --> 0:12:58.600
<v Speaker 1>me not to ask you this question. Did you see

0:12:58.640 --> 0:12:59.360
<v Speaker 1>all the deal with this?

0:12:59.720 --> 0:13:03.200
<v Speaker 2>Did see the deal? Raya and I have had many

0:13:03.360 --> 0:13:05.040
<v Speaker 2>visits post filming.

0:13:05.440 --> 0:13:08.080
<v Speaker 1>Okay, I feel gross and creepy because I'm like forty

0:13:08.080 --> 0:13:10.000
<v Speaker 1>five and I'm like, now, talk to me. Did you

0:13:10.040 --> 0:13:11.200
<v Speaker 1>hook up with them? You know?

0:13:11.960 --> 0:13:14.160
<v Speaker 2>No, I don't think she cares. She's pretty open book

0:13:14.160 --> 0:13:17.160
<v Speaker 2>as well, like we have not sealed the deal.

0:13:17.440 --> 0:13:18.480
<v Speaker 1>Okay, that's why.

0:13:18.640 --> 0:13:22.640
<v Speaker 2>It was very aware of our time and place. But

0:13:22.760 --> 0:13:26.640
<v Speaker 2>definitely sisters, but like sisters from like Tasmania or something.

0:13:29.240 --> 0:13:32.080
<v Speaker 1>That sounds worse. Okay, we'll move on. Let's move on.

0:13:32.400 --> 0:13:35.760
<v Speaker 1>The Acting Challenge to me, scares the shit out of

0:13:35.760 --> 0:13:38.280
<v Speaker 1>me when I watch that every year, because I remember

0:13:38.280 --> 0:13:39.880
<v Speaker 1>when I was younger, my dad wanted me to be

0:13:39.920 --> 0:13:42.240
<v Speaker 1>an actor, and so I think I thought I wanted

0:13:42.240 --> 0:13:44.079
<v Speaker 1>to be an actor, and so I had auditions and

0:13:44.120 --> 0:13:47.920
<v Speaker 1>I could never remember my lines, and I just think

0:13:47.920 --> 0:13:50.720
<v Speaker 1>that this particular challenge is difficult. How hard was it

0:13:50.960 --> 0:13:53.720
<v Speaker 1>to be able to commit to this challenge. Was it

0:13:53.760 --> 0:13:55.600
<v Speaker 1>as impossible as I feel it looks?

0:13:56.640 --> 0:14:00.920
<v Speaker 2>Again, it's it was very rooted in. We filmed it

0:14:00.960 --> 0:14:03.680
<v Speaker 2>on a day that I was not feeling fantastic. And

0:14:04.520 --> 0:14:07.840
<v Speaker 2>I have a certificate in screen acting. I'm a theater kid,

0:14:07.880 --> 0:14:11.720
<v Speaker 2>Like I wasn't worried about this challenge. I still don't

0:14:11.720 --> 0:14:13.840
<v Speaker 2>think that I did a bad job. And I was

0:14:13.880 --> 0:14:16.760
<v Speaker 2>the only queen in the entirety of my cast to

0:14:17.360 --> 0:14:19.600
<v Speaker 2>have been completely off script. And I'll tell you why.

0:14:19.640 --> 0:14:21.960
<v Speaker 2>That's even more impressive because they gave us an hour

0:14:22.000 --> 0:14:24.960
<v Speaker 2>to learn it whilst also getting into drag and I

0:14:25.000 --> 0:14:28.320
<v Speaker 2>was the first person to go up. I was also like,

0:14:28.400 --> 0:14:32.400
<v Speaker 2>there was no notes from Reese so like after the

0:14:32.480 --> 0:14:36.040
<v Speaker 2>first take. So basically I would just have to say

0:14:36.040 --> 0:14:38.720
<v Speaker 2>that this challenge was stupid and it reminded me of

0:14:38.720 --> 0:14:40.800
<v Speaker 2>something they would have done on season one of Down Under,

0:14:41.000 --> 0:14:43.280
<v Speaker 2>Like it was a dumb challenge. It was really silly,

0:14:43.600 --> 0:14:43.960
<v Speaker 2>and I.

0:14:44.400 --> 0:14:46.800
<v Speaker 1>Yeah, in a good way, or like in a bad way,

0:14:46.880 --> 0:14:47.720
<v Speaker 1>Like what do you mean.

0:14:47.880 --> 0:14:50.280
<v Speaker 2>In a bad way. I don't think that they knew

0:14:50.280 --> 0:14:52.880
<v Speaker 2>what they were judging for with this challenge as well,

0:14:53.080 --> 0:14:55.600
<v Speaker 2>Like like one of the guests. The guest judge literally

0:14:55.600 --> 0:14:58.520
<v Speaker 2>said like if I was, you know, I haven't seen

0:14:58.520 --> 0:15:00.720
<v Speaker 2>the episode. I don't yet, I don't what makes it in.

0:15:01.200 --> 0:15:02.920
<v Speaker 2>But the guest judge said to me like, I think

0:15:02.960 --> 0:15:06.840
<v Speaker 2>you got the role. My critiques were so like in

0:15:06.920 --> 0:15:09.600
<v Speaker 2>the guest judge and even Reese at some points were like, yeah,

0:15:09.640 --> 0:15:11.160
<v Speaker 2>you did a great job, and you look great tonight,

0:15:11.280 --> 0:15:13.600
<v Speaker 2>to the point where we go back to Untucked and

0:15:13.840 --> 0:15:16.000
<v Speaker 2>the first thing Freya and Nikita say are like, oh,

0:15:16.040 --> 0:15:17.640
<v Speaker 2>you're in the top this week, Max, and I was like,

0:15:17.880 --> 0:15:21.480
<v Speaker 2>oh wow. I was like, yeah, well, do you know what?

0:15:21.480 --> 0:15:23.840
<v Speaker 1>It's interesting that you talk about that, because Meadow kind

0:15:23.920 --> 0:15:27.840
<v Speaker 1>does come across really interesting in this lineup of judges,

0:15:27.960 --> 0:15:29.760
<v Speaker 1>and I in a lot of ways think it's going

0:15:29.800 --> 0:15:31.640
<v Speaker 1>to rub people the wrong way, Like he looks like

0:15:31.680 --> 0:15:33.840
<v Speaker 1>some straight bloke that's just wandered out of the pub

0:15:33.880 --> 0:15:37.080
<v Speaker 1>and thinks he's on a footy commentation commentation because he's

0:15:37.120 --> 0:15:40.040
<v Speaker 1>sort of very I don't know, I don't know. To me,

0:15:40.080 --> 0:15:42.600
<v Speaker 1>it came across as quite fresh and quite real, So

0:15:42.680 --> 0:15:44.960
<v Speaker 1>I was happy with it. But how did it feel

0:15:45.000 --> 0:15:47.800
<v Speaker 1>listening to his commentary? Was it a little rough at times?

0:15:48.160 --> 0:15:50.880
<v Speaker 2>Yeah? Not so not so much for me. I feel

0:15:50.880 --> 0:15:54.200
<v Speaker 2>like I had great critiques from him, and I don't again,

0:15:54.240 --> 0:15:56.400
<v Speaker 2>I don't know what has been shown just yet, but

0:15:56.520 --> 0:15:58.400
<v Speaker 2>like I got great critiques from him.

0:15:58.600 --> 0:16:00.200
<v Speaker 1>I think he had a small crush on you. I'm

0:16:00.200 --> 0:16:00.880
<v Speaker 1>just gonna say.

0:16:00.760 --> 0:16:03.240
<v Speaker 2>I think he did as well. I I just write

0:16:03.280 --> 0:16:07.680
<v Speaker 2>that down. He likes the dolls, I really do. But yeah,

0:16:08.240 --> 0:16:10.800
<v Speaker 2>it's like, how do you take constructive criticism from a

0:16:10.840 --> 0:16:15.040
<v Speaker 2>person who doesn't know what they're talking about? M and

0:16:15.240 --> 0:16:17.400
<v Speaker 2>he was just a prime example of that.

0:16:17.400 --> 0:16:20.760
<v Speaker 1>Like Max, I will say, though Madakin is a comedian

0:16:20.880 --> 0:16:24.920
<v Speaker 1>right and a radio announcer, and he has transcended into acting.

0:16:25.160 --> 0:16:29.359
<v Speaker 1>I can one hundred percent understand the under the rationale

0:16:29.600 --> 0:16:32.040
<v Speaker 1>of getting medow kind to be there, But I also

0:16:32.080 --> 0:16:34.280
<v Speaker 1>can understand that I could also understand that a lot

0:16:34.320 --> 0:16:36.240
<v Speaker 1>of people might not know madow Kine. Do you know

0:16:36.280 --> 0:16:36.640
<v Speaker 1>what I mean?

0:16:36.920 --> 0:16:39.440
<v Speaker 2>Yeah, I mean I was thinking that. I just said

0:16:39.480 --> 0:16:42.400
<v Speaker 2>that was more to do with like a drag competition studding,

0:16:43.120 --> 0:16:45.640
<v Speaker 2>not necessarily to do with his I don't know. Again, Yeah,

0:16:45.680 --> 0:16:46.960
<v Speaker 2>I'm one of those people who doesn't know who he

0:16:47.000 --> 0:16:48.240
<v Speaker 2>isn't I didn't know who he was.

0:16:48.320 --> 0:16:50.200
<v Speaker 1>I love that you don't know that because whenever they

0:16:50.240 --> 0:16:52.880
<v Speaker 1>introduced these people that are a little bit niche like

0:16:53.040 --> 0:16:56.440
<v Speaker 1>and today we have special guests madow kind and everyone

0:16:56.480 --> 0:16:58.600
<v Speaker 1>goes yay, And I was like, none of these bitches

0:16:58.680 --> 0:16:59.920
<v Speaker 1>have any idea who this guy.

0:17:01.160 --> 0:17:03.840
<v Speaker 2>We had no clue. I just remember, like I think

0:17:03.920 --> 0:17:06.160
<v Speaker 2>vibe specifically, it was like I could kill that man.

0:17:09.200 --> 0:17:11.879
<v Speaker 1>Amazing, it was amazing. I actually think, you know. The

0:17:11.960 --> 0:17:15.800
<v Speaker 1>other takeaway from the episode in relation to the special

0:17:15.840 --> 0:17:19.000
<v Speaker 1>guest was Hannah Conda to me was completely wasted. Like

0:17:19.160 --> 0:17:23.400
<v Speaker 1>Hannah Coonda should have been more in this episode and like, oh,

0:17:23.480 --> 0:17:25.840
<v Speaker 1>like we should have been on the runway doing the critiques.

0:17:25.880 --> 0:17:28.679
<v Speaker 1>I think being in the res Nicholson role of the

0:17:28.680 --> 0:17:32.000
<v Speaker 1>interaction with the queens through the acting challenge.

0:17:31.600 --> 0:17:35.560
<v Speaker 2>I completely agree. I think that if we had Hannah

0:17:35.560 --> 0:17:37.800
<v Speaker 2>for more of it, I would have felt like I

0:17:37.840 --> 0:17:40.520
<v Speaker 2>was in safer hands. Yeah, I would have felt like

0:17:40.960 --> 0:17:43.680
<v Speaker 2>less tom foolery was about co signed that one.

0:17:43.800 --> 0:17:45.679
<v Speaker 1>The other thing is I have a feeling that you

0:17:45.720 --> 0:17:47.959
<v Speaker 1>went home because you're in the bottom of the week before,

0:17:48.000 --> 0:17:50.399
<v Speaker 1>and I felt after last week's episode that I was like,

0:17:50.440 --> 0:17:52.359
<v Speaker 1>if Max End's up in the bottom, I feel like

0:17:52.440 --> 0:17:54.879
<v Speaker 1>Michelle is going to send Max home, which I was

0:17:54.920 --> 0:17:57.440
<v Speaker 1>really scared about, but I turned out I was right.

0:17:57.640 --> 0:18:00.800
<v Speaker 1>Do you think it's the right decision? Forms or rue

0:18:00.840 --> 0:18:03.159
<v Speaker 1>Paul in the history of this show that if they

0:18:03.200 --> 0:18:05.360
<v Speaker 1>say a queen in the bottom again in the second

0:18:05.720 --> 0:18:08.200
<v Speaker 1>for a second time, that there's a little bit more

0:18:08.400 --> 0:18:11.120
<v Speaker 1>of a reason to send that one home over someone else.

0:18:11.359 --> 0:18:14.640
<v Speaker 2>Yeah, I would agree. I would agree with that statement.

0:18:14.800 --> 0:18:18.520
<v Speaker 2>I think that the Makeover Challenge, I don't think I

0:18:18.520 --> 0:18:21.000
<v Speaker 2>should have been in the bottom. To be quiet, Frank,

0:18:21.240 --> 0:18:23.679
<v Speaker 2>I've been very like honest about that. I'm like, that

0:18:23.840 --> 0:18:27.400
<v Speaker 2>is my opinion, and honestly, I know you're not supposed

0:18:27.400 --> 0:18:28.719
<v Speaker 2>to read the comments, but I'm like it's a lot

0:18:28.760 --> 0:18:31.960
<v Speaker 2>of other people's opinions as well. It's a really I

0:18:32.880 --> 0:18:36.320
<v Speaker 2>didn't fight when we were doing our post elimination like

0:18:36.640 --> 0:18:38.600
<v Speaker 2>interviews because I was like, they were like, oh, look,

0:18:38.640 --> 0:18:40.960
<v Speaker 2>it's your third time in the bottom. Like I was like, yeah,

0:18:41.000 --> 0:18:42.960
<v Speaker 2>And that's kind of how this goes on this show.

0:18:43.040 --> 0:18:45.919
<v Speaker 2>Like if you are constantly, you know, deemed by the

0:18:46.000 --> 0:18:47.760
<v Speaker 2>judges as the person that's in the bottom or the

0:18:47.800 --> 0:18:50.600
<v Speaker 2>weaker link in their eyes, you go home. They want

0:18:50.600 --> 0:18:52.199
<v Speaker 2>it to be the you know, the best that make

0:18:52.240 --> 0:18:54.320
<v Speaker 2>it to the end of the competition. I will say

0:18:54.400 --> 0:18:57.840
<v Speaker 2>it did feel like Michelle was kind of I felt

0:18:57.840 --> 0:19:00.760
<v Speaker 2>like like a mercy kill is what it felt like.

0:19:01.000 --> 0:19:03.320
<v Speaker 2>The interactions I had had with Michelle earlier that day

0:19:03.600 --> 0:19:06.520
<v Speaker 2>after the walkthrough, she saw I was very visibly upset

0:19:06.560 --> 0:19:10.719
<v Speaker 2>and she could tell I was quite done. She very

0:19:10.800 --> 0:19:14.080
<v Speaker 2>much felt like it felt like a mercy kill, of like,

0:19:14.240 --> 0:19:15.719
<v Speaker 2>I think it's your time to go, and I'm going

0:19:15.760 --> 0:19:17.520
<v Speaker 2>to I'm going to help orchestrate that.

0:19:17.760 --> 0:19:20.399
<v Speaker 1>I really hope that overall, what I hope for you

0:19:20.440 --> 0:19:22.720
<v Speaker 1>out of this whole experience is for it to help

0:19:22.760 --> 0:19:27.320
<v Speaker 1>with your confidence. And there is so much about you

0:19:27.480 --> 0:19:31.440
<v Speaker 1>as a performer that is electrifying, and I think that

0:19:31.480 --> 0:19:34.000
<v Speaker 1>you'll be able to harness a lot of your anxiety.

0:19:34.200 --> 0:19:37.159
<v Speaker 1>And if you were to compete in a competition after

0:19:37.359 --> 0:19:40.199
<v Speaker 1>learning from this experience, I think again, I think that

0:19:40.359 --> 0:19:43.040
<v Speaker 1>we would see you really flourish. I think for a

0:19:43.040 --> 0:19:45.200
<v Speaker 1>lot of entertainers, if we can work out where do

0:19:45.280 --> 0:19:48.800
<v Speaker 1>we put our emotions and our raw energy and how

0:19:48.840 --> 0:19:52.040
<v Speaker 1>we harness that elevates us. And I feel like maybe

0:19:52.160 --> 0:19:54.480
<v Speaker 1>maybe Michelle thought it was a mercy kill because you

0:19:54.880 --> 0:19:56.920
<v Speaker 1>needed to go, But I feel like if you came

0:19:56.960 --> 0:19:59.719
<v Speaker 1>back back back again learning from this experience, I think

0:19:59.760 --> 0:20:03.560
<v Speaker 1>you win something like this. I, with my full chest.

0:20:03.400 --> 0:20:04.240
<v Speaker 2>Think that I could win this.

0:20:04.680 --> 0:20:06.080
<v Speaker 1>I think a lot of youers thought you could.

0:20:06.320 --> 0:20:09.719
<v Speaker 2>Yeah. I didn't necessarily want to, but I think that

0:20:09.880 --> 0:20:13.280
<v Speaker 2>given a second opportunity, if I was ever granted one

0:20:13.520 --> 0:20:15.560
<v Speaker 2>trust and believe that I would be coming back on

0:20:16.560 --> 0:20:19.919
<v Speaker 2>this track like mad as Hello, there would be there

0:20:19.920 --> 0:20:22.919
<v Speaker 2>would be no mercy from my end, at least I

0:20:22.920 --> 0:20:25.360
<v Speaker 2>think I would. I would come to Yeah, I'd come

0:20:25.359 --> 0:20:27.600
<v Speaker 2>to properly play. I feel like, yeah, y'all saw me

0:20:28.000 --> 0:20:30.159
<v Speaker 2>very vulnerable. The next time it will it will not

0:20:30.240 --> 0:20:33.600
<v Speaker 2>be something of a similar vein. You can only lose

0:20:33.640 --> 0:20:35.080
<v Speaker 2>your mum once, right, Yes.

0:20:34.960 --> 0:20:37.400
<v Speaker 1>I know, I know that's what's so hard about it.

0:20:37.480 --> 0:20:40.879
<v Speaker 1>But we learn, we all learn so hard and so

0:20:41.080 --> 0:20:43.560
<v Speaker 1>fast from something like this, which is such a big

0:20:43.640 --> 0:20:46.920
<v Speaker 1>and brutal experience. I just think that you'd be able

0:20:46.920 --> 0:20:48.840
<v Speaker 1>to use it differently. Running out of time, and I

0:20:49.080 --> 0:20:50.880
<v Speaker 1>honestly could talk to you about everything, like I want

0:20:50.880 --> 0:20:53.000
<v Speaker 1>to know who your favorite drag queen of all time is.

0:20:53.080 --> 0:20:55.400
<v Speaker 1>I would love to know who your favorite austraying down

0:20:55.480 --> 0:20:57.800
<v Speaker 1>Under queen is like, there's so many questions I would

0:20:57.800 --> 0:20:59.960
<v Speaker 1>love to ask. If you've got the quick answers for those,

0:21:00.080 --> 0:21:01.360
<v Speaker 1>you can quickly throw them in.

0:21:01.560 --> 0:21:04.280
<v Speaker 2>Look, i will combine the two. My favorite drag Queen

0:21:04.400 --> 0:21:06.600
<v Speaker 2>of all time is Iso said as the ren. I

0:21:06.600 --> 0:21:10.240
<v Speaker 2>think that she is just like simply the best.

0:21:10.440 --> 0:21:12.520
<v Speaker 1>What is something from behind the scenes, something that that's

0:21:12.560 --> 0:21:14.600
<v Speaker 1>something I finished this podcast with every time, what is

0:21:14.600 --> 0:21:16.600
<v Speaker 1>something from behind the scenes, something that we as an

0:21:16.600 --> 0:21:20.040
<v Speaker 1>audience might not necessarily know? And I've just been asking everyone,

0:21:20.160 --> 0:21:22.520
<v Speaker 1>because we have a lot of red tape around the series,

0:21:23.680 --> 0:21:25.640
<v Speaker 1>how much money did you spend on your drag Can

0:21:25.680 --> 0:21:27.000
<v Speaker 1>you tell me? Can you tell me what your bank

0:21:27.000 --> 0:21:27.840
<v Speaker 1>balance looks like now?

0:21:27.920 --> 0:21:29.600
<v Speaker 2>The bank balance looks a lot better now because the

0:21:29.600 --> 0:21:33.280
<v Speaker 2>book needs are coming in. I've got yeah, I pulled

0:21:33.320 --> 0:21:35.520
<v Speaker 2>a lot of favors for drag Race. I'll just say

0:21:35.560 --> 0:21:37.840
<v Speaker 2>that I think I spent less than.

0:21:37.680 --> 0:21:40.480
<v Speaker 1>Ten Okay, well that's good. That's probably less than other people.

0:21:40.520 --> 0:21:41.720
<v Speaker 1>I have to let you go, but I just want

0:21:41.760 --> 0:21:45.159
<v Speaker 1>to let you know that I have so many friends

0:21:45.160 --> 0:21:48.080
<v Speaker 1>of mine have seen you perform in the last few months,

0:21:48.160 --> 0:21:49.919
<v Speaker 1>and it was funny. I was at a lunch the

0:21:49.960 --> 0:21:52.320
<v Speaker 1>other day and someone saw you in New South Wales

0:21:52.359 --> 0:21:56.560
<v Speaker 1>in some regional they said how amazing you were. They

0:21:56.560 --> 0:21:59.880
<v Speaker 1>thought you were so fantastic. I think that this group,

0:22:00.040 --> 0:22:03.040
<v Speaker 1>Joll's Drag Race, could launch people in a particular way

0:22:03.280 --> 0:22:06.479
<v Speaker 1>that is absolutely necessary. I feel like you wouldn't even

0:22:06.520 --> 0:22:08.399
<v Speaker 1>need a show like this. I feel like you in

0:22:08.440 --> 0:22:12.159
<v Speaker 1>your career would be on the similar trajectory because you

0:22:12.280 --> 0:22:15.520
<v Speaker 1>have what it takes to entertain live audiences and you

0:22:15.520 --> 0:22:16.760
<v Speaker 1>should be really proud of that.

0:22:17.000 --> 0:22:19.520
<v Speaker 2>Thank you. You've genuinely been one of my favorite people

0:22:19.520 --> 0:22:22.119
<v Speaker 2>to talk to you today. I really appreciate every single

0:22:22.119 --> 0:22:22.800
<v Speaker 2>thing that you said.

0:22:22.880 --> 0:22:24.000
<v Speaker 1>I have the Max T shirt.