WEBVTT - Ghana Norms That Would Stress Australian’s Out ✈️

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<v Speaker 1>The Flex and Frooms Daily podcast. Remember that one time

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<v Speaker 1>where Frooms convinced me that she was Swedish and then

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<v Speaker 1>when I said that's so crazy, like that makes a

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<v Speaker 1>lot of sense, she then said she wasn't Swedish.

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<v Speaker 2>I'm going to just jump in there quickly. Recently had

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<v Speaker 2>to look at my ancest to your DNA test. If

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<v Speaker 2>you gave your DNA away for free, and ye, you

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<v Speaker 2>regret it, take solace in the fact that every year

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<v Speaker 2>they updated, so it's more specific. I'll just say thirty

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<v Speaker 2>three percent Scottish.

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<v Speaker 1>That makes sense.

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<v Speaker 2>I am Squittish through and through love and also four

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<v Speaker 2>per saint Norwegian. So I wasn't lying.

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<v Speaker 1>You're on the cusp of something. What is the rest?

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<v Speaker 2>I no Irish British?

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<v Speaker 1>Why do you tay you don't want to be Irish British?

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<v Speaker 2>Well, Scottish is cooler?

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<v Speaker 1>Is it Irish?

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<v Speaker 2>British? Blah potato Scottish killed vibes excellent Scottish. Oh, I

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<v Speaker 2>love everything about that culture. And I will say, like

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<v Speaker 2>I said that your biggest not that culture. Culture.

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<v Speaker 1>Sorry h anyway, was that a thought coming?

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<v Speaker 2>Well? Just to say my grandpa's both parents were Scottish,

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<v Speaker 2>so then I'm one fourth Scottish.

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<v Speaker 1>Yeah, I get really confused when you start talking about

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<v Speaker 1>lineage part of me. Anyway, I was in Ghana. It

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<v Speaker 1>was phenomenal. I have said about three times today that

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<v Speaker 1>when you go somewhere for more than four weeks, it's

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<v Speaker 1>a lifestyle change on a holiday. Now I'm back reintegrating.

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<v Speaker 1>I want to say, I'm what's bicoastal intercontinental? Where are

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<v Speaker 1>you from? Here?

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<v Speaker 3>And there?

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<v Speaker 1>Here? In there? Ghana two months of the year type vibes.

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<v Speaker 1>It was phenomenal, But I will say it is the wild,

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<v Speaker 1>wild West, and I wish I would have written down

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<v Speaker 1>every kind of contradictory social norm that exists there versus here,

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<v Speaker 1>like how the like the language that I speak there,

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<v Speaker 1>which is tree, is such an indirect passive language that

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<v Speaker 1>bleeds over into the entire culture. We can't get into

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<v Speaker 1>it now. But an example, if you ask someone at

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<v Speaker 1>any time how long something is going to take? How

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<v Speaker 1>long till the food gets here? How long till the

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<v Speaker 1>uber gets here? They will say not long, it should

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<v Speaker 1>be here shortly, how many minutes? When God allows?

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<v Speaker 2>So imagine when God allows, when God allows, so we

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<v Speaker 2>need to bring a bit of that Pacific City into

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<v Speaker 2>our lives as well. I think you do not.

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<v Speaker 1>Anyway, here's the party for you. Miss you already Flex

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<v Speaker 1>and froods your girl. Flex. Lillian Ess came back from

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<v Speaker 1>four weeks abroad. Wow, yes, yes she did. I was

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<v Speaker 1>in Ghana for the second time in one year. I

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<v Speaker 1>am bringing back bragging. I feel like I've been a

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<v Speaker 1>bit too humble on the show and it doesn't suit me.

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<v Speaker 1>So let's let's let's start with the facts. Okay, no

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<v Speaker 1>comment number one. The tickets were very expensive. Guess how

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<v Speaker 1>much or return return five K six? Can you imagine

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<v Speaker 1>six thousand dollars? Thousand dollars of course with fle emirates.

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<v Speaker 1>But what are you gonna do?

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<v Speaker 2>Is it like seventeen hours away longer?

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<v Speaker 1>So you gotta go from here to Dubai Classic nine hours,

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<v Speaker 1>a cheeky little four four hour layover, and then it's

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<v Speaker 1>fourteen to Ghana. That's if you're going direct. Sometimes you'll

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<v Speaker 1>stop in other places. It's just a lot.

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<v Speaker 2>So it's pretty much the same as if I wanted

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<v Speaker 2>to go to the UK.

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<v Speaker 1>No, the UK is closer UK seventeen hours?

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<v Speaker 2>Are you sure?

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<v Speaker 1>What are you not?

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<v Speaker 3>What are you not understanding? So like, Okay, here's here's Australia.

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<v Speaker 3>We can't get into this right now. I'm sorry, we

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<v Speaker 3>can't get into it right now. In your own time definitely,

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<v Speaker 3>but for now, let's keep it pushing. I will say, though,

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<v Speaker 3>when I go to Ghana, I try to share. I

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<v Speaker 3>won't say as much as possible that to lie, but

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<v Speaker 3>I try and share what that experience is like because

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<v Speaker 3>I think, I think.

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<v Speaker 1>Not the UK coming out. I feel like people don't

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<v Speaker 1>have a great visual understanding of what Ghana is like,

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<v Speaker 1>and so I'm just doing my civil duty. What I

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<v Speaker 1>will say though, is if the VI visuals are confusing, assaulting, beautiful,

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<v Speaker 1>the actual experience would send the average Australian into shock.

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<v Speaker 1>I just feel like, no, there's just no way an

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<v Speaker 1>Australian would go to Ghana and be like this makes sense.

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<v Speaker 1>It is the most no man's land wild wild West

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<v Speaker 1>experience you could ever think of. And the funny thing

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<v Speaker 1>is longer you stay there, the more you normalize it.

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<v Speaker 1>So an example, right road rules optional optional traffic lights,

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<v Speaker 1>amuse them if you want to roundabouts, give way to

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<v Speaker 1>whoever whenever or not, just beep your way through. Road

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<v Speaker 1>Rage really isn't that much of a thing. But there's

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<v Speaker 1>just general aggression because everyone's like, I'm just trying to

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<v Speaker 1>get to where I'm going in the time. I'm trying

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<v Speaker 1>to get there.

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<v Speaker 2>Let me work my truth.

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<v Speaker 1>That's pretty standard. That's fine. Then there's this like tipping culture.

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<v Speaker 1>On crack we talk a lot about tipping culture. Generally

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<v Speaker 1>we're Australians, we don't necessarily have to, but I guess,

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<v Speaker 1>you know the implications of American lifestyle bleeding into Australian

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<v Speaker 1>cultures that we start to absorb this kind of behavior.

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<v Speaker 1>Got to eat. You tip people whatever, ghana, you're tipping

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<v Speaker 1>for everything. It's like you're tipping for being a foreigner.

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<v Speaker 1>You're tipping because it's Christmas. You're tipping because on the

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<v Speaker 1>way to the bathroom somebody showed you where the bathroom was.

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<v Speaker 1>It just happened to work at the establishments. So you

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<v Speaker 1>gotta like fang them something small. And then let's say

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<v Speaker 1>you're gonna catch a cab rat and some random man

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<v Speaker 1>on the side of the street sees you get into

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<v Speaker 1>the cabin opens the door for you. He'll then say, oh,

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<v Speaker 1>something small for the boys, which means something that's the

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<v Speaker 1>phrase something small for the boys something small for the boys,

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<v Speaker 1>and you know what it means, Yeah, the boy is

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<v Speaker 1>something small in Ghana, I've expressed this bit of no

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<v Speaker 1>man's land and that definitely extends to crime, extortion and

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<v Speaker 1>various like potentially illegal things. And so I would say

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<v Speaker 1>maybe every other day when we would driving through, we

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<v Speaker 1>get stopped by cops. Right, and this is not like

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<v Speaker 1>tolls or like the traffic light is working, and the

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<v Speaker 1>cops are like trying to direct you and where to go,

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<v Speaker 1>just rogue cops and soldiers setting up their own barricades

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<v Speaker 1>to extort you. So like you will drive, I'll be like, oh,

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<v Speaker 1>there are cops coming. And sometimes if you're a woman

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<v Speaker 1>driving because like you know, chicks and everything, they'll let

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<v Speaker 1>you go like oh, you know, go on. But every

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<v Speaker 1>other time they'll be like, oh, can I have some

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<v Speaker 1>money for malt? Can I have some money for a

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<v Speaker 1>little drink? Just something small? It's Christmas Christmas money. And

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<v Speaker 1>then so you're saying them something like a little twenty here,

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<v Speaker 1>a little thirty there, But realistically they're not gonna take

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<v Speaker 1>that money back to the cop with the cops shop,

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<v Speaker 1>They're just like putting in their pockets. So the more

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<v Speaker 1>you try and resist, you're only making it more difficult

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<v Speaker 1>for yourself because they do have some kind of authority,

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<v Speaker 1>but not.

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<v Speaker 2>Legal authority, so you can't necessarily. It's an inside job, So.

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<v Speaker 1>What are you gonna do?

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<v Speaker 2>Correct?

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<v Speaker 1>But then it's kind of like there are no rules.

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<v Speaker 1>So in the same way that you're getting extorted over here,

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<v Speaker 1>you're off here doing something illegal anyway, like driving with

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<v Speaker 1>no license. Not gonna incriminate anyone who drove when you

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<v Speaker 1>were there, not gonna incriminate anyway. Who do you work for?

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<v Speaker 2>Do people assume that you're a foreigner?

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<v Speaker 1>Yeah?

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<v Speaker 2>How can they takele.

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<v Speaker 1>Assume I'm not only a foreigner but an American because

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<v Speaker 1>Australia does not exist generally, but also in the eyes

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<v Speaker 1>of Ghanians. I'll say Australia, they'll say Austria, and then

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<v Speaker 1>we'll have a conversation about I'm not European, right, you know?

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<v Speaker 2>So the is it initially American because of like your style.

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<v Speaker 1>It's just I always try and ask it's not just

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<v Speaker 1>the style, it's the aesthetic. It's my skin tone, it's

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<v Speaker 1>the way that I'm pronouncing words in my language. It's

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<v Speaker 1>all just kind of like Western fired But also my

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<v Speaker 1>facial features. You would think I'd go to Ghana a

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<v Speaker 1>bunch of doppel gangers around. Oh, I don't have a

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<v Speaker 1>Ghanaian face, which is very disappointing.

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<v Speaker 2>Damn Ip, though you would love it.

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<v Speaker 1>I'll tell you what happened. When I was at the

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<v Speaker 1>airport going to Ghana. I was like, let me change

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<v Speaker 1>some money into American dollars so I can go change

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<v Speaker 1>it into Ghana money when I get there, and they

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<v Speaker 1>don't take Australian dollars obviously, because who takes Australian dollars?

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<v Speaker 1>I changed five hundred US dollars and then I was like, Oh,

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<v Speaker 1>this is gonna be amazing. I get to Ghana, I

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<v Speaker 1>forget to change that money at the airport and say

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<v Speaker 1>about two weeks into my trip, I'm like, oh, Mom,

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<v Speaker 1>can you just take me to get this money? Exchange's like,

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<v Speaker 1>ye're sick, we'll go now. So anyway, I meet her

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<v Speaker 1>at this suburb she told me to go to, but

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<v Speaker 1>it's in like I'm in like long hair, Yahoo motorcycle,

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<v Speaker 1>Biki Gang district and I'm like, okay, why are we here?

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<v Speaker 1>She's like, this way you get the money changed. I'm

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<v Speaker 1>like okay, cool. Maybe there's like a little kiosk or something.

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<v Speaker 1>There's like guys doing wheelies everywhere. There's no women, no women,

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<v Speaker 1>it's just us with our little handbags, and like, hey,

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<v Speaker 1>how are you doing? So my mom walks past this

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<v Speaker 1>random tin sheard kiosk shop and she goes to this

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<v Speaker 1>guy what's the rate? And he says eleven nine. I

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<v Speaker 1>don't know what that means. And she's like, okay, cool,

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<v Speaker 1>we'll come back anyway. We go to the next shop.

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<v Speaker 1>He's like, what's the rate. Mom's like, Mom's like, what's

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<v Speaker 1>the rate. They're like eleven nine to five.

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<v Speaker 2>So we go back.

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<v Speaker 1>I'm like, what does that mean? What's the rate? She's like,

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<v Speaker 1>don't worry about it. Anyway. We go back to the

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<v Speaker 1>original guy. And then I'm like, oh, we're getting the

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<v Speaker 1>money changed here. She's like yeah. I'm like looking around,

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<v Speaker 1>like Mom, we're into the biky mechanic bikey gaing garage

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<v Speaker 1>and she's like, oh yeah, these are cash heavy businesses,

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<v Speaker 1>so they'll have the money for us without the kind

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<v Speaker 1>of like tax of going to like a legit environment.

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<v Speaker 1>I'm like, how do you know this? She's like, it's

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<v Speaker 1>just what you do. Anyway, so we're telling him I

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<v Speaker 1>want five hundred dollars and he's like counting the money

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<v Speaker 1>for us, right, And then I show him my five

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<v Speaker 1>hundred US dollars. I've got four in one hundreds and

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<v Speaker 1>then five twenties. He's like, oh nah, this is not

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<v Speaker 1>gonna work. I'm like, what's the issue? He's like, this

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<v Speaker 1>is newly money. We want the old school US dollars

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<v Speaker 1>with Benjamin on them. Franklin. Why because it's the aesthetics

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<v Speaker 1>of it. It's very americanized. Like we don't want this

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<v Speaker 1>new one with all the other people on it. We

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<v Speaker 1>want the original one. So the rate that you'll get

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<v Speaker 1>will be less because it's gonna be hard for me

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<v Speaker 1>to flip this money. And for the twenties, these aren't

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<v Speaker 1>worth anything. So like I can give you, like I

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<v Speaker 1>don't know, ten something for it, but you're not gonna

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<v Speaker 1>get the full rate.

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<v Speaker 2>Wow.

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<v Speaker 1>I'm looking around like is this real? Because if I

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<v Speaker 1>could just go to a currency exchange, I wouldn't be

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<v Speaker 1>having these conversations anyway. Got the money, it's fine if

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<v Speaker 1>we live.

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<v Speaker 2>Well, what an interesting experience.

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<v Speaker 1>It's fantastic. Everyone should go. Everybody should not go. You're

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<v Speaker 1>gonna get scammed out of all of your money and Ghana.

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<v Speaker 2>Did you go to the beach again?

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<v Speaker 3>Nah?

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<v Speaker 1>I was. I did this trip. So in February I

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<v Speaker 1>went to Akura, which is like the Sydney and this

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<v Speaker 1>time I went to the Canberra. So I was doing

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<v Speaker 1>like real regional. Why because in December in Ghana it's

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<v Speaker 1>called de December, dirty, December, tectic. Like everybody, all the

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<v Speaker 1>diaspora goes into Ghana. Everybody's partying, like Kanye is there

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<v Speaker 1>chance the rappers there? It's hectic, but I don't want

0:11:11.800 --> 0:11:14.520
<v Speaker 1>to be clapping too much. I just want to be

0:11:14.559 --> 0:11:17.520
<v Speaker 1>with goats, the farm, animals, the babies, the children, my

0:11:17.600 --> 0:11:19.079
<v Speaker 1>mom I loved.

0:11:19.600 --> 0:11:21.439
<v Speaker 2>Really quickly before we wrap it up. My favorite of

0:11:21.480 --> 0:11:24.960
<v Speaker 2>Yrgana content this season was the stickers on the.

0:11:24.960 --> 0:11:27.320
<v Speaker 1>Cart so good. We need to bring that here.

0:11:27.679 --> 0:11:30.559
<v Speaker 2>Big ones, two huge ones and also there was one

0:11:30.679 --> 0:11:34.560
<v Speaker 2>like bad boy or like there was something on the babes.

0:11:34.600 --> 0:11:36.679
<v Speaker 1>Go to Flex dot Mammy on Instagram for all car

0:11:36.760 --> 0:11:37.959
<v Speaker 1>decal content.

0:11:38.200 --> 0:11:41.120
<v Speaker 2>Flex and Frooms. We have a caller on the line.

0:11:41.240 --> 0:11:43.640
<v Speaker 2>They entered our always Sunny competition to come and hang

0:11:43.679 --> 0:11:46.560
<v Speaker 2>out with us on an island in Sydney's Harbor. Sounds

0:11:46.600 --> 0:11:48.880
<v Speaker 2>like it could be grim hanging out with us on

0:11:48.920 --> 0:11:49.400
<v Speaker 2>an island.

0:11:49.520 --> 0:11:53.760
<v Speaker 1>I disagree, castas wrapped in an island with flex and frooms.

0:11:53.800 --> 0:11:55.160
<v Speaker 1>What happens next? Who knows?

0:11:55.559 --> 0:12:00.719
<v Speaker 2>Anyway, we are avoid them. No, A gonna call Tate

0:12:00.800 --> 0:12:04.640
<v Speaker 2>right now. Let's see if they pick up. My god,

0:12:04.640 --> 0:12:05.920
<v Speaker 2>I'm scared.

0:12:10.120 --> 0:12:20.160
<v Speaker 1>Hip picking up on the second ring. So Keen, can

0:12:20.200 --> 0:12:25.280
<v Speaker 1>you imagine up? It is? In fact?

0:12:26.120 --> 0:12:26.320
<v Speaker 2>Hello?

0:12:28.280 --> 0:12:30.800
<v Speaker 4>Hello, Oh my goodness, suck.

0:12:32.040 --> 0:12:35.320
<v Speaker 2>We we have some exciting news for you. Tate. Just

0:12:35.360 --> 0:12:39.360
<v Speaker 2>want to say you love your work, hun, thank you.

0:12:39.880 --> 0:12:43.360
<v Speaker 2>We want to award you with very special v IP

0:12:43.760 --> 0:12:48.600
<v Speaker 2>passes to our Specsavor's Island event Always Sunny. Oh my god,

0:12:49.000 --> 0:12:54.280
<v Speaker 2>thank you so much. Yeah, I'm so excited to you.

0:12:54.280 --> 0:12:56.680
<v Speaker 2>You're going to be double passes with the VIP access

0:12:56.720 --> 0:13:00.440
<v Speaker 2>as well as exclusive sunset session with drinks. What's your

0:13:00.520 --> 0:13:01.120
<v Speaker 2>drink of choice?

0:13:01.160 --> 0:13:01.319
<v Speaker 1>Take?

0:13:03.200 --> 0:13:03.800
<v Speaker 2>Oh my god.

0:13:03.960 --> 0:13:06.320
<v Speaker 3>Honestly, I'm a Foka Cranby girl.

0:13:06.679 --> 0:13:07.319
<v Speaker 4>I'm basic.

0:13:07.960 --> 0:13:09.520
<v Speaker 1>No, you're eighteen, You're not basic.

0:13:09.600 --> 0:13:10.000
<v Speaker 2>You're just.

0:13:12.360 --> 0:13:12.800
<v Speaker 1>That's right.

0:13:13.640 --> 0:13:14.760
<v Speaker 2>I haven't gone out that much.

0:13:15.520 --> 0:13:17.840
<v Speaker 1>A little Bertie told me that you just finished high school.

0:13:18.559 --> 0:13:19.560
<v Speaker 2>Yeah, yeah, I have.

0:13:19.920 --> 0:13:20.679
<v Speaker 1>How's that going?

0:13:22.080 --> 0:13:22.959
<v Speaker 2>It's pretty chill?

0:13:23.120 --> 0:13:25.480
<v Speaker 3>I mean, I'm distressed about what to actually do.

0:13:25.480 --> 0:13:26.040
<v Speaker 1>With my life.

0:13:26.240 --> 0:13:27.280
<v Speaker 2>But you know what's new.

0:13:27.720 --> 0:13:29.440
<v Speaker 1>Yes, we just got to figure that out.

0:13:29.640 --> 0:13:30.800
<v Speaker 2>It doesn't get better, babe.

0:13:31.360 --> 0:13:33.840
<v Speaker 1>It doesn't get better, babe, it just gets worse.

0:13:34.679 --> 0:13:34.760
<v Speaker 2>No.

0:13:35.000 --> 0:13:37.280
<v Speaker 1>Look, I mean, we don't get into an atar conversation,

0:13:37.520 --> 0:13:40.880
<v Speaker 1>but you know we do know that. Oh yeah, unbelievably, unbelievably.

0:13:40.920 --> 0:13:43.520
<v Speaker 1>Well it's to be expected. She did to go to

0:13:43.600 --> 0:13:47.080
<v Speaker 1>a private school. I didn't do well. Shout out team

0:13:47.160 --> 0:13:50.040
<v Speaker 1>fifty somethings. But you know, it all works out. It

0:13:50.080 --> 0:13:53.640
<v Speaker 1>all works out. So I've everyone just kind of failed

0:13:53.679 --> 0:13:56.360
<v Speaker 1>high school ish and then pick it back up in

0:13:56.400 --> 0:13:57.400
<v Speaker 1>your early twenties.

0:13:58.280 --> 0:13:59.800
<v Speaker 3>Yeah, okay, well that's good to hear.

0:14:00.960 --> 0:14:03.160
<v Speaker 1>All right, Well, we're going to see you in a

0:14:03.240 --> 0:14:05.640
<v Speaker 1>couple of days, so let's continue this conversation. Then.

0:14:06.360 --> 0:14:09.280
<v Speaker 2>I'm so exciting, Tay. We also know that you like it,

0:14:09.280 --> 0:14:14.079
<v Speaker 2>says on our sheet dressing sheet, My gosh, dressing up

0:14:14.160 --> 0:14:16.520
<v Speaker 2>with trendy shoes. So what shoes are read to the

0:14:16.600 --> 0:14:19.480
<v Speaker 2>island tone. Well, I'm actually going to wear it. I've

0:14:19.520 --> 0:14:22.200
<v Speaker 2>got some new platform shandles.

0:14:22.320 --> 0:14:23.400
<v Speaker 1>I think they're purple.

0:14:23.480 --> 0:14:26.760
<v Speaker 2>They're very much like polypocket brass five hot.

0:14:26.920 --> 0:14:27.680
<v Speaker 4>I'm wearing them now.

0:14:27.720 --> 0:14:29.920
<v Speaker 2>They're so cute. I think that's what I'm going to

0:14:29.960 --> 0:14:32.800
<v Speaker 2>shoot ob Oh my god. Okay, we'll see you on

0:14:32.840 --> 0:14:33.840
<v Speaker 2>the island in February.

0:14:34.080 --> 0:14:35.280
<v Speaker 1>God, thank you so much.

0:14:35.320 --> 0:14:36.440
<v Speaker 2>Guys, this is amazing.

0:14:37.200 --> 0:14:38.960
<v Speaker 1>Kisses, thank you.

0:14:39.320 --> 0:14:42.000
<v Speaker 2>What a little cutie, Petuty Angel.

0:14:42.360 --> 0:14:44.640
<v Speaker 1>I'm obsessed. I just burped. Don't let it distruct you

0:14:44.720 --> 0:14:48.720
<v Speaker 1>from the show. Flexs and frooms, get a snack. The

0:14:48.760 --> 0:14:51.240
<v Speaker 1>information and Baptist share is going to change your life.

0:14:51.240 --> 0:14:53.040
<v Speaker 1>I've found a new personality test.

0:14:53.480 --> 0:14:54.200
<v Speaker 2>Tell me everything.

0:14:54.560 --> 0:14:55.520
<v Speaker 1>You don't sound interested.

0:14:56.920 --> 0:14:58.120
<v Speaker 2>My eyes glarted off.

0:14:58.800 --> 0:15:02.000
<v Speaker 1>Your voice dropped. Why did you always drop? Tell me everything?

0:15:02.600 --> 0:15:05.120
<v Speaker 1>It's really fun. It might be the only important one

0:15:05.160 --> 0:15:07.560
<v Speaker 1>you need to take. It's called the Difficult person Test.

0:15:07.680 --> 0:15:08.480
<v Speaker 1>Are you enthused?

0:15:08.680 --> 0:15:08.880
<v Speaker 4>Yes?

0:15:09.600 --> 0:15:09.880
<v Speaker 1>Yeah?

0:15:10.120 --> 0:15:10.280
<v Speaker 3>Yes?

0:15:10.360 --> 0:15:11.200
<v Speaker 1>Shall I continue?

0:15:11.240 --> 0:15:11.960
<v Speaker 2>Please grate.

0:15:12.480 --> 0:15:15.440
<v Speaker 1>So basically, it's a test that's gonna assess how difficult

0:15:15.440 --> 0:15:17.640
<v Speaker 1>of a person you are. But there's a catch. Nobody

0:15:17.680 --> 0:15:21.480
<v Speaker 1>can rank as not difficult. Nobody can get zero percent.

0:15:21.600 --> 0:15:24.560
<v Speaker 1>Everybody is difficult in some capacity, just someone more difficult

0:15:24.560 --> 0:15:28.280
<v Speaker 1>than others now from my research. And I didn't take

0:15:28.280 --> 0:15:29.760
<v Speaker 1>it because I want us to take it together, not now,

0:15:29.800 --> 0:15:33.120
<v Speaker 1>but in the future, somewhere so you have thirty six questions,

0:15:33.120 --> 0:15:36.840
<v Speaker 1>their statements like the questions and statements like I use

0:15:36.920 --> 0:15:41.080
<v Speaker 1>others for my own personal gain, slag may generally speaking,

0:15:41.160 --> 0:15:45.240
<v Speaker 1>I am superior slay and I don't usually help someone

0:15:45.280 --> 0:15:47.920
<v Speaker 1>unless there's something in it for me. I don't know

0:15:47.920 --> 0:15:50.720
<v Speaker 1>about all that. And then once you answer all those questions,

0:15:50.760 --> 0:15:59.520
<v Speaker 1>you're ranked on callousness, grandiosity, aggressiveness, suspicion, manipulative, manipulativeness, dominance,

0:15:59.560 --> 0:16:04.080
<v Speaker 1>and risk taking. Now, I was going through some tiktoks

0:16:04.080 --> 0:16:05.880
<v Speaker 1>of people who had taken this test and were reviewing

0:16:05.880 --> 0:16:09.160
<v Speaker 1>their answers, and what I found with anybody who ranked

0:16:09.160 --> 0:16:12.000
<v Speaker 1>really highly and being very difficult, they all knew how

0:16:12.000 --> 0:16:15.440
<v Speaker 1>to flip it. Well, Am I dominant on my just assertive?

0:16:15.760 --> 0:16:18.080
<v Speaker 1>You know? Am I manipulative? Or don't know how to

0:16:18.080 --> 0:16:21.640
<v Speaker 1>ask what I want? Who knows? All I'm saying is

0:16:22.000 --> 0:16:26.800
<v Speaker 1>we should take it and then armchair diagnose each other.

0:16:27.080 --> 0:16:29.280
<v Speaker 2>I think I know where you would rank, Hi, it's

0:16:29.320 --> 0:16:31.240
<v Speaker 2>the top percentile.

0:16:31.160 --> 0:16:33.320
<v Speaker 1>Zero point zero one percent figh achiever.

0:16:33.560 --> 0:16:36.000
<v Speaker 2>We want to be zero zero zero point one percent

0:16:36.520 --> 0:16:43.400
<v Speaker 2>income difficulty yes, vibes flex and frooms FLEXI. I had

0:16:43.400 --> 0:16:45.800
<v Speaker 2>a memory pop into my mind like it just came

0:16:45.840 --> 0:16:49.200
<v Speaker 2>to me in a dream about a thing called uncanny Valley.

0:16:49.400 --> 0:16:50.680
<v Speaker 2>Very you have you heard of it?

0:16:50.800 --> 0:16:53.320
<v Speaker 1>Yes, but for the sake of this, no, I have not.

0:16:53.560 --> 0:16:55.160
<v Speaker 2>No, you have not. Brooke hit the tape.

0:16:55.320 --> 0:16:58.200
<v Speaker 4>The uncanny valley refers to a phenomenon where brains can

0:16:58.240 --> 0:17:01.600
<v Speaker 4>register that something is very close to human, but we're

0:17:01.640 --> 0:17:04.480
<v Speaker 4>also aware that something's not quite rape. It's the in

0:17:04.600 --> 0:17:07.159
<v Speaker 4>between where we can process that something looks like a person,

0:17:07.720 --> 0:17:10.320
<v Speaker 4>but it's not a person, and it causes feelings of distress.

0:17:10.440 --> 0:17:12.879
<v Speaker 4>Believed to be an evolutionary mechanism which is also not

0:17:12.960 --> 0:17:15.840
<v Speaker 4>exclusive to just humans, the uncanny valley is where we

0:17:15.920 --> 0:17:19.160
<v Speaker 4>perceive these things to be a threat or not of us,

0:17:19.200 --> 0:17:21.159
<v Speaker 4>and it can cause feelings of panic. One of the

0:17:21.160 --> 0:17:23.560
<v Speaker 4>most well known modern examples of this was actually an

0:17:23.640 --> 0:17:26.240
<v Speaker 4>early test screening of Shrek in two thousand, where Fiona

0:17:26.440 --> 0:17:30.520
<v Speaker 4>was rendered as very hyperrealistic, so realistic that it surpassed

0:17:30.560 --> 0:17:33.480
<v Speaker 4>the threshold of comfort and cartoon and moved into the

0:17:33.600 --> 0:17:37.080
<v Speaker 4>uncanny valley. Children actually became so panick that this screening

0:17:37.080 --> 0:17:39.800
<v Speaker 4>they were reported to be crying at the movie anytime

0:17:39.800 --> 0:17:40.639
<v Speaker 4>she came on the screen.

0:17:41.080 --> 0:17:43.640
<v Speaker 2>Wow, I love that can I just say, I imagine having

0:17:43.680 --> 0:17:47.400
<v Speaker 2>the first run of Shrek pre digitization. I can see.

0:17:47.440 --> 0:17:49.200
<v Speaker 2>So right now, we have a sheet in front of

0:17:49.280 --> 0:17:51.719
<v Speaker 2>us of all these uncanny valley faces, and we have

0:17:52.080 --> 0:17:55.119
<v Speaker 2>both pictures of Fiona in Shrek. One of them looks

0:17:55.359 --> 0:18:01.959
<v Speaker 2>kind of like what's that actress, Felicity Hoffman. But the

0:18:02.000 --> 0:18:04.240
<v Speaker 2>rest of these' it's I think it's something to do

0:18:04.280 --> 0:18:06.320
<v Speaker 2>with the spacing and the eyes, but essentially they all

0:18:06.400 --> 0:18:08.560
<v Speaker 2>kind of look like creepy characters you'd see in a

0:18:08.600 --> 0:18:11.320
<v Speaker 2>horror movie. And it says it's something to do with evolution.

0:18:11.760 --> 0:18:14.240
<v Speaker 2>You're trying to like read out different people in faces.

0:18:14.560 --> 0:18:17.680
<v Speaker 2>And I have my own theory, which is that you know,

0:18:17.720 --> 0:18:20.240
<v Speaker 2>there was a time where we weren't the only sentient

0:18:20.280 --> 0:18:21.200
<v Speaker 2>beings on the earth.

0:18:21.560 --> 0:18:23.280
<v Speaker 1>Okay, so now you believe in spooky stuff.

0:18:23.359 --> 0:18:26.440
<v Speaker 2>Okay, no, let me hear it. Continue. It's not spooky

0:18:26.880 --> 0:18:31.680
<v Speaker 2>unless evlation is fakey love. When there was the Neanderthals

0:18:32.440 --> 0:18:34.439
<v Speaker 2>and there's something other sapiens.

0:18:34.080 --> 0:18:36.720
<v Speaker 1>Homo sapiens. No, the other ones were Homo sapiens.

0:18:37.280 --> 0:18:40.800
<v Speaker 2>Well you could be neandthal though potentially, so apparently there

0:18:40.840 --> 0:18:45.320
<v Speaker 2>really are Neanderthals that have mixed with Homo sapiens. I

0:18:45.359 --> 0:18:47.600
<v Speaker 2>always sort of people who had like a very strong brow,

0:18:48.240 --> 0:18:51.159
<v Speaker 2>but apparently that's just an aesthetic thing that can happen regardless.

0:18:52.359 --> 0:18:54.679
<v Speaker 2>But yeah, I think it's not something to do with

0:18:54.760 --> 0:18:59.680
<v Speaker 2>us humans, because we are savages seeing things that aren't

0:18:59.760 --> 0:19:01.359
<v Speaker 2>human and needing to kill it.

0:19:02.000 --> 0:19:05.439
<v Speaker 1>A humans need to want other people and then to

0:19:05.720 --> 0:19:07.520
<v Speaker 1>assume the other is dangerous.

0:19:08.240 --> 0:19:10.440
<v Speaker 2>Yeah, and I can get into a whole thing.

0:19:10.560 --> 0:19:18.680
<v Speaker 1>Don't don't how humans, Brook said make one point. You've

0:19:18.680 --> 0:19:21.119
<v Speaker 1>been listening to the Flex and Frooms Daily podcast.

0:19:21.280 --> 0:19:25.280
<v Speaker 2>For more tune indicate on DAB or stream it on iHeartRadio.