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Speaker 1: The Christian O'Connell Breakfast Show podcast Milburn's Gold one oh

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Speaker 1: four point.

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Speaker 2: Three Live from level two twenty one to thirty one

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Speaker 2: Wood Street. Wretchmen, this is the Christian o'condinal Breakfast Show

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Speaker 2: on Melbourn's Gold one oh four point three.

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Speaker 3: Good morning, it's just coming up for four minutes past

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Speaker 3: six Thursday Morning Show number ninety seven, The show after hell.

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Speaker 4: Did you get many kids come and knock it.

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Speaker 5: On the door.

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Speaker 3: Well, I tell you what I did to cut it

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Speaker 3: all down. I instead of having chocolates for them, I

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Speaker 3: had some sweet potato wedges and some celery sticks because

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Speaker 3: it's better for their blood sugar. And so I kept

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Speaker 3: telling a kids, tell everyone in the neighborhood that I've

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Speaker 3: got these. It's far better fee blood sugar than actual chocolates.

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Speaker 3: And that cut it down over it just straight away.

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Speaker 3: I tell you what it was. Where we are hort

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Speaker 3: and horse and hordes of kid's out roam in the streets.

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Speaker 3: Halloween gets bigger every single year.

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Speaker 6: Doesn't I reckon it had tripled in our neighborhood last night.

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Speaker 3: Chris was messy just year on year, And this was

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Speaker 3: happening over the last five years. Because it's really it's

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Speaker 3: an American thing, and then the UK's done and obviously

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Speaker 3: you're doing this well over the last couple of years,

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Speaker 3: I think, get bigger and bigger, and just the outfits

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Speaker 3: and the effort that people go to. It used to

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Speaker 3: just be you were just wander around with your mum

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Speaker 3: and dad. Now it's a full Hollywood production of parents

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Speaker 3: trying to outdo each other with their kids outfits.

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Speaker 6: We had dogs dressed up. We haven't had food trucks

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Speaker 6: in our local estate line.

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Speaker 3: Yeah, but where you are at Werriby, in that trailer

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Speaker 3: park you live on it, it's a really nice thing

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Speaker 3: for your trailer folks to do. You really get behind it.

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Speaker 3: I'll say that about you guys.

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Speaker 4: That food track is the five.

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Speaker 3: Get a road kill up from the same food truck.

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Speaker 3: You mean some scrapes off the road roadkill. So yeah,

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Speaker 3: I know what I did see. Here's what I noticed. Then,

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Speaker 3: you see a couple of things I noticed when I

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Speaker 3: was driving around just how many people doing it. It's

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Speaker 3: the mums and dads behind that I was paying her to.

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Speaker 3: There were just some of the dads were just putting

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Speaker 3: on a any kind of fancy dress outfit. That they've

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Speaker 3: had in the wardrobe just to make an effort so

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Speaker 3: they don't get shouted at by their wife. I saw

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Speaker 3: one dad just wandering on the street and a macas

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Speaker 3: Fries fancy dress outfit. Those too, so even there's nothing

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Speaker 3: that halloween or scary about that whatsoever. I saw a

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Speaker 3: couple of mums just in rabbit outfits that they've obviously

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Speaker 3: got left over from I don't know, some adult playing

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Speaker 3: the bedroom.

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Speaker 4: Ball play boy bunny, well.

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Speaker 3: No, not a playboy bunny, just obviously Easter. And then

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Speaker 3: a couple of mums, mums that were knocking at my

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Speaker 3: door with their kids. Were I shouldn't be feeling these

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Speaker 3: feelings if I'm supposed to be scared. Okay, if you're

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Speaker 3: in fishnets, part of me is getting confused serious and

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Speaker 3: you're asking me for a trick or treat. I'm going

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Speaker 3: I'm seeing right now, but come back in an hour

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Speaker 3: and we can I'm sure I can entertain that. But yeah,

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Speaker 3: I saw a lot of the things that I couldn't

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Speaker 3: get enough of. Dogs in Halloween outfits. If you've got

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Speaker 3: any folk to please put them up on my Facebook page.

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Speaker 3: I'd love to create a gallery today of dogs and

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Speaker 3: Halloween outfits on our Facebook page.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three Halloween.

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Speaker 3: Jack's got this amazing story about what his dad did.

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Speaker 3: So this is quite a few years ago.

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Speaker 4: This is a few years ago, and our street last

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Speaker 4: night was packed with kids, just like your neighborhoods were.

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Speaker 4: But we had nobody come to mum and dad's house.

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Speaker 4: And my brother reminded me of why it is a

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Speaker 4: couple of years ago. My dad dressed up as a

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Speaker 4: monster and hit on the front porch laying laying down,

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Speaker 4: and as kids would come to the front door, he

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Speaker 4: would jump up and scare him.

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Speaker 3: I think this is a genius idea on two parts. One,

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Speaker 3: the kids want the thrill, give them a thrill. Two,

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Speaker 3: I'm guessing they leapt out their skins every single time.

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Speaker 4: He totally misjudged the intensity of.

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Speaker 3: Your dad's a big guys, right, He's a tall guy.

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Speaker 3: He would look like a monster.

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Speaker 4: So now the family's theory is that the kids got

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Speaker 4: so scared that night a couple of years ago that

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Speaker 4: we're a house now that they know to avoid on Halloween.

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Speaker 4: I don't go to number fifty one.

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Speaker 3: And in every neighborhood there was always that scary house

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Speaker 3: that you had a story told you about that there

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Speaker 3: was old people there that wants kidnaps and kids when

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Speaker 3: they came looking for the football, they've never found the kids.

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Speaker 3: You would always avoid crazy old mister Wilson at number

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Speaker 3: sixty two, and as an adult you never went. Well,

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Speaker 3: we never really knew that was true. By the way,

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Speaker 3: someone just told us that they could have made up

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Speaker 3: your dad is now crazy old mister Wilson.

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Speaker 4: Every year we used to cross the road and walk

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Speaker 4: on the other side of.

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Speaker 3: The punt, and then we didn't have your house. What

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Speaker 3: a great way not to have to shed out for

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Speaker 3: chocolates for young kids.

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Speaker 4: So I've got all the chocolates that Mum bought for

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Speaker 4: kids last night. I bought them in this morning.

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Speaker 3: I'm going to chuck in now because I love those

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Speaker 3: sort of chocolates. Do only think I always always said,

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Speaker 3: because at Christmas time that those sort of variety packs

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Speaker 3: of all the most chocolates get broken out, don't you

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Speaker 3: go rummaging through. I think there's a hierarchy. Not all

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Speaker 3: chocolates are born equal equal, all right, there are certain

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Speaker 3: ones I go Nope, not you. You've got a coffee

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Speaker 3: centered not you. You got that strange orange fruity one,

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Speaker 3: not you. There are some that you go for, aren't they.

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Speaker 3: If we were to rank the chocolates, what do you

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Speaker 3: think is at the top? What's at the bottom? For me?

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Speaker 4: Cherry rives at the top. I don't know if your

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Speaker 4: cabary favorites in the UK the same lineup as we got,

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Speaker 4: But the least favorite in our family is always the

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Speaker 4: Morrow Bar. Yes, yeah, it's the poor man's mask is

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Speaker 4: I don't think you can even buy a Morrow full

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Speaker 4: size in shops.

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Speaker 3: I've never seen a full sized one. They only exist

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Speaker 3: in tiny kind of homeopathic doses.

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Speaker 6: They're not worthy of being a big bar.

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Speaker 4: And then last night we're getting cracking out these chocolates

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Speaker 4: and Bianca chooses as her first choice Morrow Bar.

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Speaker 3: The family could have went, yeah, don't you think that

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Speaker 3: the ultimate one is the one with with a fudge center?

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Speaker 4: Not Turkish de line?

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Speaker 3: Oh god, no, no, no no, that's like the pubic

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Speaker 3: hair that you find in there. How did that even

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Speaker 3: get in?

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Speaker 4: Actually, I actually don't mind the Turkish de live.

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Speaker 3: That sums up everything about you. I've always thought who

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Speaker 3: were the perverts that like Turkish Delight.

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Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: So okay, the chocolate selections. You've got your favorites. We're

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Speaker 3: trying to rank them this morning, because I think not

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Speaker 3: all chocolates are born equal, So we're going to try

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Speaker 3: and rank the chocolates in order of preference.

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Speaker 4: So I like, personally cherry Ripe at the top.

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Speaker 3: Do you know what, I've only discovered cherry Ripe since

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Speaker 3: moving here, and me and the kids absolutely love that stuff.

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Speaker 3: That is amazing.

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Speaker 4: And then and how do you guys rank these? What

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Speaker 4: I put in my top three? Crunchy love it tell

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Speaker 4: you why? Two words honeycomb center. Once you bite into that,

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Speaker 4: you're biting into heaven. I'm I'm not happy to do

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Speaker 4: the voice over if they ever eat some radio apps.

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Speaker 4: One bite into Crunchy, you're biting into honeycomb heaven. And

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Speaker 4: then I like the flake as well.

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Speaker 3: Flake's great, Flake's not bad, Yeah, very very good. Flake.

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Speaker 3: Tell you what to do. Get a bowl of ice

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Speaker 3: cream crumbling and two bars of flake crumbling in and

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Speaker 3: then you mix it all together and eat that.

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Speaker 4: You're making your own mcflurry.

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Speaker 3: Yeah, homemade diy Mark flurry. Yeah, Karen's on the line.

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Speaker 3: Goome on in Karen. Pretty good, Karen, thanksgiving us a call.

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Speaker 3: So how us rank out the chocolates? Then?

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Speaker 7: Well, I love Turkish Delight?

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Speaker 5: Yeah?

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Speaker 8: Might I go a Turkish Delight? It's a bounty?

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Speaker 3: Yes, that's my natul So Jack, you're wrong.

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Speaker 7: You can actually get a twin pack of Moro bars

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Speaker 7: from the servo.

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Speaker 4: I've never seen it. I've never seen the while.

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Speaker 3: And also I just trust any chocolate where they're trying

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Speaker 3: to offload how many they got by giving you the

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Speaker 3: twin pack? Why do I need to take two off

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Speaker 3: your hand? Only want one? Okay? Why are you trying

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Speaker 3: to force till me? You know?

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Speaker 9: So?

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Speaker 3: I always wondered there are two choko bars? I always wandered, Right,

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Speaker 3: who actually enjoys to taste of Turkish Delight and then

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Speaker 3: the coconut horror that is bounty? So I get it now,

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Speaker 3: there's a certain tasting. If you like Turkish Delight, you'll

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Speaker 3: go for the bounty as well.

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Speaker 4: Karen, do you agree with this? One of the good

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Speaker 4: things about liking a Turkish Delight is you know people

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Speaker 4: are going to leave him in the end of the

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Speaker 4: pack anyway, so you don't have to go for him first.

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Speaker 3: You can go I don't have.

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Speaker 8: To dive like a seagull.

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Speaker 10: Every time I need to work at Cabrey's.

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Speaker 11: I was actually on the belt.

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Speaker 7: That had the Turkish to light coming out of them,

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Speaker 7: so I picked out on them.

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Speaker 4: So you're on the convey about where they squirted the

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Speaker 4: fudge in the middle of the chocolate.

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Speaker 7: No, we're They're actually coming down on the trays and

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Speaker 7: then I'll package them.

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Speaker 3: Do you know what we need to do? A phone

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Speaker 3: in Today's Today this is presents of the jobs you've

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Speaker 3: had where you would eat or take home some of

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Speaker 3: the stuff. I used to dream you basically working at

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Speaker 3: Willy Wonkas. In my eyes, all I would do all

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Speaker 3: lay long is a handful for the packet, a handful

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Speaker 3: for me. I'd covering my face. All I do is

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Speaker 3: I'd be huge. All I do is eat the chocolates.

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Speaker 4: Karen, say that, you have to say that again.

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Speaker 12: I was actually allowed to eat as much chocolate in

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Speaker 12: the factory as your life.

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Speaker 8: You just can't put any.

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Speaker 3: In your pocket, don't remember, don't put put it in

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Speaker 3: your mouth.

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Speaker 4: They're fatuing out to eat you later on?

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Speaker 3: Help big with a chairs there at the cabots factory.

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Speaker 3: Oh this big ludasses? How many a few weeks today?

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Speaker 3: I've only up to three kilos? Ah, Karen, that's a

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Speaker 3: great one, thanks you cool mate. A good one all right?

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Speaker 3: Nine four one four one oh four three is to

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Speaker 3: try and rank the chocolates this morning, and a new

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Speaker 3: thing has opened up as well about jobs you've had

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Speaker 3: where you can eat stuff there or take stuff home

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Speaker 3: from it. Sharon, good morning, Good morning guys.

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Speaker 12: How are you today?

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Speaker 3: Always good? When he's a bit to you? Sharon from Weerabee,

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Speaker 3: Jack always flinches.

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Speaker 12: He's why I know he does. He hates me. But

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Speaker 12: you know what, I just love to see Jack up,

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Speaker 12: So it's okay.

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Speaker 4: I don't hate you, Sharon.

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Speaker 3: He fears you. Get away. He fears you.

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Speaker 12: I know he fears me.

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Speaker 3: He's like a dog carrying in the corner.

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Speaker 4: I addressed you as hell for Halloween. That's how much.

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Speaker 3: Feet the Sharon from wearab Outfit. Please all right, Sharon? Then,

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Speaker 3: so how about sort these chocolates out in terms of

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Speaker 3: or impresence?

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Speaker 12: Gotta be caramelo, yes, a mellow koalas broad knowledge is

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Speaker 12: talking about it, and I asked him, will you go

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Speaker 12: the top part or the bottom part of it? And

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Speaker 12: you boys agreed, You've got to go the top part first.

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Speaker 4: Yeah, I wondered why you're on holf for so long.

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Speaker 4: You're chatting to Brad. It's like, what's going on out there,

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Speaker 4: your own conversation, your own radio shower.

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Speaker 3: I always like to lead the head to last though.

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Speaker 3: It's like you're letting these screaming koala, you know, put

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Speaker 3: up with a to go and now by your face

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Speaker 3: like a crazy giant.

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Speaker 12: But you know what, Christian, I'm going to try the

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Speaker 12: one with a flake in the ice cream that sees absolutely.

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Speaker 3: I started something here, you know. All right, thank you

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Speaker 3: very much, your cool sharer, and take care.

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Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: So we stumbled into a phone in within the phone

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Speaker 3: in this morning jobs you've had where you can eat stuff.

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Speaker 3: I'm on our sixteen one of my favorite of a jobs.

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Speaker 3: I was a waiter in this restaurant and I often

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Speaker 3: the sort to eat people's leftovers. I had no shame,

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Speaker 3: wouldn't bother me if there was half of the san

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Speaker 3: now I go, I'm going to have half of that.

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Speaker 4: You like the bike train.

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Speaker 3: Look at divining light, you know that was where their

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Speaker 3: mouth would have been or something. I'd just go backwards

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Speaker 3: from the cut. And the other thing was the used

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Speaker 3: to Back then, it was really big to have someone

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Speaker 3: called a coke float. You had a coke Yeah, it's

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Speaker 3: a cool, amazing right, yummy. So I'd always make two,

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Speaker 3: one for the customer, right, And so I carry two

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Speaker 3: out just so that my line manager could see. You know,

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Speaker 3: see I'm taking two. It's not for me because he

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Speaker 3: spoke to me before about making my own coat floats.

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Speaker 3: They want to he looked the other way and they go,

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Speaker 3: oh no, on the order one. I'm gonna have a

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Speaker 3: word with the guy at the back there, and I

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Speaker 3: go in the toilets again. Chuck, Good times. Catherine's on

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Speaker 3: the loane. Good morning, Catherine, good morning, good morning. Yeah,

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Speaker 3: I'm good.

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Speaker 13: Good.

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Speaker 3: So did you have a job where you could eat stuff?

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Speaker 12: I did?

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Speaker 7: On when I was sixteen, I had a Saturday job

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Speaker 7: at a milkba where I was letting all the lollies

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Speaker 7: I liked, but which I did, which I did obviously,

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Speaker 7: But from that the money I earned I put towards

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Speaker 7: the school trip to Tasmania, and one of those highlights

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Speaker 7: was the Cadbury factory where they left. They let thirty

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Speaker 7: little snotty grotty pimply fifteen and sixteen year old run

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Speaker 7: through the factory eating all the broken lollies at the

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Speaker 7: end of the conveyor belts. So then they took us

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Speaker 7: down to the staff cafe where they filled us up

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Speaker 7: with hot chocolate and chocolate chip cookies.

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Speaker 3: It it sounds like a competition. I would enter to

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Speaker 3: try and win us an owl. The greatest day.

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Speaker 12: Ever we did.

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Speaker 7: It was a competition to say who could eat the most.

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Speaker 7: As a result, I could not eat chocolate again for

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Speaker 7: five years.

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Speaker 3: Smart thing from like doctors should take notes of this.

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Speaker 3: This is a great way ye like a virgin therapy.

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Speaker 4: That is way more like really one because chocolate factory

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Speaker 4: than I thought. I thought it'd be very I guess

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Speaker 4: in my mind I thought it'd be actually sterile and

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Speaker 4: quite boring in there.

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Speaker 3: We need to get the position now, yeah, well, no,

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Speaker 3: we need to test us out. We need to speak

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Speaker 3: to the owners of the Cabris fractures if we can

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Speaker 3: run them up there just how I wanted to do

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Speaker 3: that running around and then all the chocolate at the

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Speaker 3: end of it. Well, yeah, we're doing listener ountil. We're

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Speaker 3: fill up a coach of listeners and go there, go

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Speaker 3: release the listeners. Captain, don't you cool?

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Speaker 11: Welcome to you all right?

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Speaker 3: One last one in the Carbo.

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Speaker 13: Good Christ.

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Speaker 3: We haven't heard from you in ages. We thought we'd

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Speaker 3: lost you to triple am or even worse Fox. It's

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Speaker 3: great to know you're still out there. Great to know

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Speaker 3: you're still out there. I can rest easy, Ian, tell

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Speaker 3: us much you're not. I know you're a garbo. Don't

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Speaker 3: telling me you're going through. You're not going through the bench.

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Speaker 13: Back in the early eighties, I used to work at

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Speaker 13: the Round three Hotly factory and cable field. Yeah, and

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Speaker 13: we're allowed to eat as much as we wanted to

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Speaker 13: do anything, but you couldn't take it home like usual

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Speaker 13: or you were sack yep And they had a palette

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Speaker 13: at the end of the storage wrecks that had all

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Speaker 13: broken box of the chocolate on it. You could eat

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Speaker 13: that during the day and if there was something that

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Speaker 13: wasn't on there that you wanted, you just walk up

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Speaker 13: to the rack, grabbed the box, dropped it on the floor.

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Speaker 3: Put it everybody sticking it to the man. I love

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Speaker 3: it and that's a great call.

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Speaker 13: In the first three months I put on.

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Speaker 3: You would wouldn't you?

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Speaker 14: Ian?

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Speaker 3: Thank you very much to give us a call. That's

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Speaker 3: nice to know you're still listening.

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Speaker 1: Mate, The Christian O'Connell Breakfast Show, Melbourne's Gold one oh

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Speaker 1: four point three.

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Speaker 3: All right, we tried this yesterday. It's back this morning.

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Speaker 3: Put it in a decade, baby, Put it in a decade. Yeah,

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00:14:37,280 --> 00:14:39,680
Speaker 3: it's six thirty am and time to play.

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Speaker 5: Put it in a decade, baby.

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Speaker 3: This comes from the mind of and only could come

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Speaker 3: from the mind of Jack bost It's another Jack Posts

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Speaker 3: original JPO. You've heard radio quizzes before, guess the year,

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00:14:53,000 --> 00:14:55,600
Speaker 3: beat the intro. They're specific, they have to be. It's quizzes.

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00:14:55,600 --> 00:14:57,520
Speaker 3: There needs to be an element of skill. What about

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Speaker 3: a quiz that removes all of that and ask you

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Speaker 3: to to guess within a decade? Came out Jack has

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Speaker 3: that quiz. We love yesterday guys on and we said

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Speaker 3: Silence of the Lambs. We all think so. Annibal Letter

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Speaker 3: one of the definitive nineties movies. Our Caller goes eighties.

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Speaker 3: I love the idea of Hannibal Lecture the eighties movie.

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Speaker 3: All right, so is it the same.

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Speaker 4: Four month day off?

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Speaker 3: Yeah, Hang on a minute, we're talking about science of Lands.

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Speaker 3: Today's at work time waster, the eighties edition weekend at Hannibal's.

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Speaker 3: We started it too early, a right, So you just

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Speaker 3: need people to call in. You give them a couple

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Speaker 3: of what books or movies.

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Speaker 4: Decade fans call in. I give them a movie, book, song, album,

357
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Speaker 4: an event and they can win Deco.

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00:15:43,600 --> 00:15:47,760
Speaker 3: Rug Potoprise as well, Deco Rugs, Deco Rugs five stores

359
00:15:47,800 --> 00:15:50,200
Speaker 3: in Melbourne. Find the nearest one a Deco rug dot

360
00:15:50,240 --> 00:15:53,320
Speaker 3: com dot au. So, as Jack said, decade fans and

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Speaker 3: we always listen to the focus groups. We know that

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Speaker 3: some really important demograph at the moment is to do

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Speaker 3: more to bring into the show decade fan, and they've

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Speaker 3: been underserved by a lot of rival breakfast shows. Eddie

365
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Speaker 3: McGuire hates decades, say we fife, but we we love decades.

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Speaker 3: And if you love decades, you'll love this show. Good.

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Speaker 3: How to play Next nine four one four one oh

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Speaker 3: four three Speech to you Late The.

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Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

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Speaker 3: Hi, Bay, this Jacks and brand new game. Put it

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Speaker 3: in a decade? Baby?

372
00:16:23,360 --> 00:16:23,520
Speaker 5: Hi?

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Speaker 3: Playing this morning?

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Speaker 9: Up?

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Speaker 3: First we have you Cam?

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00:16:26,120 --> 00:16:28,960
Speaker 11: Good morning, Hi Christian, How I'm really good?

377
00:16:28,960 --> 00:16:31,120
Speaker 3: Cam. I hope you were as well. Welcome to the show.

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00:16:31,200 --> 00:16:35,040
Speaker 3: Are you ready to play? Put it in a decade? Baby? Cool?

379
00:16:36,000 --> 00:16:38,240
Speaker 3: He's all yours, big decade fan? Cam?

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00:16:38,920 --> 00:16:40,920
Speaker 13: Oh he is anyone as much as anyone else.

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00:16:41,000 --> 00:16:45,600
Speaker 4: Yeh, yep, all right. Simply put these next five events

382
00:16:45,680 --> 00:16:48,040
Speaker 4: or movies or books into a decade. If you get

383
00:16:48,080 --> 00:16:51,640
Speaker 4: four out of five, you win the rug. Cool the

384
00:16:51,680 --> 00:16:52,920
Speaker 4: movie beatle.

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00:16:52,600 --> 00:16:58,840
Speaker 11: Juice, Ohtle Jice. I'll say eighties?

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00:16:59,200 --> 00:17:01,840
Speaker 3: You're correct, Yeah, I would have gone that maybe late?

387
00:17:02,080 --> 00:17:02,880
Speaker 3: Is it late eighties?

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00:17:02,920 --> 00:17:03,800
Speaker 4: Nineteen eighty eight?

389
00:17:04,560 --> 00:17:05,280
Speaker 3: Great movie?

390
00:17:06,320 --> 00:17:11,040
Speaker 4: What decade was color TV introduced into Australia?

391
00:17:11,320 --> 00:17:12,639
Speaker 9: That'll be the seventies?

392
00:17:12,840 --> 00:17:16,400
Speaker 3: Well done, Cam, it's going to go with four years

393
00:17:16,400 --> 00:17:20,360
Speaker 3: ago along with a dine up broadband judge by the speeds? Here?

394
00:17:21,880 --> 00:17:24,960
Speaker 4: What decade with the Beijing Olympics? Cam?

395
00:17:25,320 --> 00:17:25,919
Speaker 3: Beijing?

396
00:17:27,880 --> 00:17:28,760
Speaker 7: Uh?

397
00:17:29,000 --> 00:17:29,160
Speaker 11: Two?

398
00:17:30,800 --> 00:17:35,320
Speaker 3: Right? Tell me what you're steaming through this Cam? Decades

399
00:17:35,359 --> 00:17:36,560
Speaker 3: and he wants to win that rug?

400
00:17:37,240 --> 00:17:37,440
Speaker 13: Yes?

401
00:17:39,040 --> 00:17:42,000
Speaker 4: What decade was Muhammad Ali's final fight?

402
00:17:45,080 --> 00:17:48,560
Speaker 15: Ah, that'd have to be the seventies.

403
00:17:49,400 --> 00:17:53,880
Speaker 4: Nineteen eighty Yeah, that's where I came. You only need

404
00:17:53,920 --> 00:17:55,680
Speaker 4: one more to win the rug by.

405
00:17:55,600 --> 00:17:57,399
Speaker 3: The way was his last fight, Larry Holmes? Who was

406
00:17:57,400 --> 00:17:59,920
Speaker 3: his last fight? I don't have any more information.

407
00:18:02,320 --> 00:18:08,520
Speaker 4: Sent back to the future too, Back to the future too.

408
00:18:09,480 --> 00:18:10,800
Speaker 2: Thanks for the future two.

409
00:18:13,480 --> 00:18:21,520
Speaker 4: Eighties correct, Just sitting there at nineteen eighty ninety, I'm.

410
00:18:21,359 --> 00:18:26,720
Speaker 3: Like, you've won a rug baby? All right? Cam, well Blade,

411
00:18:26,720 --> 00:18:29,359
Speaker 3: well done, thank you. I tell you what I'm like

412
00:18:29,400 --> 00:18:32,080
Speaker 3: in the decade. Game mate, it's staying is back tomorrow.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

414
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Speaker 1: point three.

415
00:18:35,920 --> 00:18:38,359
Speaker 3: Have you on the teink? He's going to be Oh

416
00:18:38,560 --> 00:18:41,160
Speaker 3: your hot, stay so far in Melbourne since you moved here.

417
00:18:41,720 --> 00:18:46,480
Speaker 3: Heat wave today, three thousand degrees in the shades. Roads

418
00:18:46,600 --> 00:18:49,879
Speaker 3: will melt, Cars are going to melt, don't it. Stay inside,

419
00:18:49,960 --> 00:18:52,840
Speaker 3: stay under the bed. The only way to guarantee safety today.

420
00:18:52,840 --> 00:18:56,240
Speaker 3: So what's it going? Pauts thirty two thirty three today? Wow? Forty?

421
00:18:56,280 --> 00:18:58,240
Speaker 4: If you're going to Mildira, Yeah.

422
00:18:58,119 --> 00:18:59,919
Speaker 3: Well I had that. Then I'll drop off my blacks.

423
00:19:02,359 --> 00:19:04,800
Speaker 4: It's only a five hour drive. Fry an egg on

424
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Speaker 4: the roof of the cap.

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Speaker 3: All right, then, folks on today's show, Then yeah, we

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Speaker 3: got a big reunion. Very excited about this for an

427
00:19:11,520 --> 00:19:14,520
Speaker 3: hour's time, right in front of your ears, imaginally being

428
00:19:14,520 --> 00:19:16,480
Speaker 3: fired from your band that you're in twenty five years ago,

429
00:19:16,760 --> 00:19:19,000
Speaker 3: seeming because you had the audacity to get engaged and

430
00:19:19,080 --> 00:19:21,320
Speaker 3: tell your band mates and your buddies's great news. Everyone,

431
00:19:21,320 --> 00:19:23,639
Speaker 3: I fall in love and getting engaged and they fired

432
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Speaker 3: you from the band. That's Alex's story. Who consed us

433
00:19:26,840 --> 00:19:29,160
Speaker 3: for one last dream, this big thing we're doing the moment.

434
00:19:29,160 --> 00:19:31,560
Speaker 3: We're asking you to reunite your old bands. We have

435
00:19:31,600 --> 00:19:35,840
Speaker 3: an amazing gig in front of fifteen thousand people. Now

436
00:19:35,840 --> 00:19:38,280
Speaker 3: we're into November today, it's getting a lot closer. It's

437
00:19:38,320 --> 00:19:39,200
Speaker 3: now this month.

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Speaker 4: It is Jack twenty four days, four hours, fifty three minutes,

439
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Speaker 4: thirty five seconds.

440
00:19:44,040 --> 00:19:45,919
Speaker 3: We mars. We'll just called it three weeks. There is

441
00:19:45,960 --> 00:19:47,879
Speaker 3: no band yet, but there has to be a band

442
00:19:48,320 --> 00:19:50,920
Speaker 3: because want to let you day the lineup. You're the

443
00:19:50,960 --> 00:19:54,000
Speaker 3: first band on. So the deadline is tomorrow. We've got

444
00:19:54,000 --> 00:19:57,120
Speaker 3: this reunion for the bands Citizen Kme with the guitarist

445
00:19:57,119 --> 00:19:59,520
Speaker 3: who fired Alex twenty five years ago. Happening at eight

446
00:19:59,520 --> 00:20:00,320
Speaker 3: o'clock the morning.

447
00:20:00,480 --> 00:20:02,320
Speaker 4: But what happened to the deadline being nine am on

448
00:20:02,359 --> 00:20:03,000
Speaker 4: Saturday morning?

449
00:20:03,040 --> 00:20:06,520
Speaker 3: Oh, you quite right, Friday's nine am. Although is it

450
00:20:06,680 --> 00:20:08,840
Speaker 3: nine pm Saturday. We'll get into that later because I

451
00:20:08,880 --> 00:20:11,680
Speaker 3: think Billy Joel in that song went nine pm. I

452
00:20:11,680 --> 00:20:14,000
Speaker 3: don't think he would have meant nine am.

453
00:20:14,320 --> 00:20:14,919
Speaker 4: Come back to it.

454
00:20:15,000 --> 00:20:17,159
Speaker 3: Yeah, all right, then, right now we're going to go

455
00:20:17,160 --> 00:20:19,080
Speaker 3: around the team and talk about what we've been googling

456
00:20:19,080 --> 00:20:21,919
Speaker 3: in the last twenty four hours, our internet history. So

457
00:20:22,080 --> 00:20:24,639
Speaker 3: yesterday I was obviously looking for vocals to play this

458
00:20:24,680 --> 00:20:27,359
Speaker 3: morning eight o'clock four. This week's naked vocal got an

459
00:20:27,359 --> 00:20:30,440
Speaker 3: amazing one. So amazing was the one I found. Actually,

460
00:20:30,720 --> 00:20:34,199
Speaker 3: I actually paused the guy's voice and what he was

461
00:20:34,240 --> 00:20:36,639
Speaker 3: doing and went and found the lyrics and printed them

462
00:20:36,680 --> 00:20:38,520
Speaker 3: off because I wanted to actually read it as I

463
00:20:38,560 --> 00:20:40,960
Speaker 3: was hearing him do it. There's one bit a bit

464
00:20:41,000 --> 00:20:43,320
Speaker 3: into it where his voice somehow sounds like a guitar.

465
00:20:43,800 --> 00:20:47,040
Speaker 3: It is chilling. It's an amazing, amazing one. That's eight.

466
00:20:47,119 --> 00:20:49,560
Speaker 3: Then I started googling, going down a YouTube wormhole one

467
00:20:49,560 --> 00:20:51,440
Speaker 3: of the best things you can do, and I start

468
00:20:51,520 --> 00:20:55,239
Speaker 3: just finding songs that have got that had accidents in

469
00:20:55,280 --> 00:20:58,280
Speaker 3: the original recording, but they liked the accident so much

470
00:20:58,359 --> 00:21:00,800
Speaker 3: they add to the flavor of the song. And I've

471
00:21:00,840 --> 00:21:02,960
Speaker 3: got a couple of and I started finding these. There's

472
00:21:03,000 --> 00:21:04,920
Speaker 3: this one. I didn't even know about. Playing this song

473
00:21:04,920 --> 00:21:07,239
Speaker 3: a million times on various radio shows over the here

474
00:21:07,440 --> 00:21:14,560
Speaker 3: rock sand by the Police.

475
00:21:16,440 --> 00:21:17,280
Speaker 4: I've never noticed that.

476
00:21:17,440 --> 00:21:20,680
Speaker 3: Laughs a laugh about eight seconds in here and again

477
00:21:20,960 --> 00:21:29,920
Speaker 3: listen out for the laugh about eight seconds in Sam

478
00:21:29,960 --> 00:21:32,920
Speaker 3: Stuart Copeland sting when they were started to record it,

479
00:21:33,000 --> 00:21:35,560
Speaker 3: just lent on the piano and it made him laugh.

480
00:21:35,600 --> 00:21:37,560
Speaker 4: Yeah, well you can hear that miss it on the piano.

481
00:21:37,720 --> 00:21:38,239
Speaker 3: Yeah, that's it.

482
00:21:38,280 --> 00:21:39,000
Speaker 4: I've never noticed.

483
00:21:39,359 --> 00:21:41,800
Speaker 3: And they liked it so much, added to the field

484
00:21:41,800 --> 00:21:44,199
Speaker 3: of the song they kept it in led Zepp won

485
00:21:44,280 --> 00:21:47,320
Speaker 3: their amazing albums. One of many amazing albums was Physical

486
00:21:47,359 --> 00:21:51,280
Speaker 3: Graffiti in the seventies and the studio apparently was getting

487
00:21:51,280 --> 00:21:54,280
Speaker 3: a bit stuffy with the smell in there. She can

488
00:21:54,320 --> 00:21:58,840
Speaker 3: imagine from the incense that I think the band were into.

489
00:21:59,240 --> 00:22:01,840
Speaker 3: So the engineer it went guys well, having a bit

490
00:22:01,840 --> 00:22:05,160
Speaker 3: of trouble recording the songs because the strong smell coming through.

491
00:22:05,400 --> 00:22:07,679
Speaker 3: Can we go outside to record some of the tracks.

492
00:22:07,680 --> 00:22:10,760
Speaker 3: So they go outside to record this song Black Country Woman,

493
00:22:11,040 --> 00:22:13,159
Speaker 3: and then well, I've listened to this. They decided to

494
00:22:13,240 --> 00:22:15,080
Speaker 3: keep the bit. In between, there's a conversation between the

495
00:22:15,080 --> 00:22:18,520
Speaker 3: great Jimmy Page and Eddie the engineer about playing going overhead?

496
00:22:18,560 --> 00:22:19,200
Speaker 5: Should we rolly?

497
00:22:19,240 --> 00:22:20,520
Speaker 16: Jimmy, we're rolling.

498
00:22:20,359 --> 00:22:22,119
Speaker 3: Even the bit? Well, he says, shall we roll it? Jimmy?

499
00:22:22,160 --> 00:22:24,320
Speaker 3: They kept up this conversation. Have I listened to this?

500
00:22:24,480 --> 00:22:25,080
Speaker 16: Should we rolly?

501
00:22:25,160 --> 00:22:25,480
Speaker 5: Jimmy?

502
00:22:25,720 --> 00:22:28,359
Speaker 16: We're rolling on the one again?

503
00:22:29,680 --> 00:22:30,320
Speaker 3: You hear the plane?

504
00:22:31,640 --> 00:22:32,639
Speaker 16: Can't I get the aeroplane on?

505
00:22:34,840 --> 00:22:36,959
Speaker 3: There you go? That is great? Jimmy Pay saying, now

506
00:22:37,080 --> 00:22:39,720
Speaker 3: leave it, mmy, We're rolling.

507
00:22:39,440 --> 00:22:45,760
Speaker 16: On the one again? Can I get the aeroplane on?

508
00:22:48,640 --> 00:22:50,760
Speaker 3: And then they go to another great song. I love that.

509
00:22:50,800 --> 00:22:52,880
Speaker 3: It's that a little moment of history, isn't a snapshot

510
00:22:52,880 --> 00:22:54,520
Speaker 3: of it? Then there's this one from Green Day. I

511
00:22:54,560 --> 00:22:57,600
Speaker 3: know you're a big Green Day fan. First album I owned,

512
00:22:57,680 --> 00:23:00,960
Speaker 3: Nimrod Yep, Yeah, great album, This song, good riddle, This

513
00:23:01,000 --> 00:23:07,520
Speaker 3: Time of your Life is a brilliant song. Yeah they

514
00:23:07,640 --> 00:23:09,840
Speaker 3: kept it him. He munks up the intro. Obviously you

515
00:23:09,920 --> 00:23:11,760
Speaker 3: were the radio version you have heard and the one

516
00:23:11,760 --> 00:23:13,600
Speaker 3: I played that time. I never heard this bit until

517
00:23:13,600 --> 00:23:16,560
Speaker 3: I found it online. He starts plucking the intro, screws

518
00:23:16,600 --> 00:23:18,280
Speaker 3: it up, does it again, and then drops a big

519
00:23:18,280 --> 00:23:20,760
Speaker 3: old F bomb. They're keep it in the album version.

520
00:23:20,840 --> 00:23:21,360
Speaker 3: I love this.

521
00:23:28,400 --> 00:23:28,560
Speaker 14: You know.

522
00:23:28,640 --> 00:23:30,520
Speaker 4: I got that album when I was ten years old,

523
00:23:30,560 --> 00:23:32,439
Speaker 4: asked for it for Christmas. I think I told you this,

524
00:23:32,520 --> 00:23:34,800
Speaker 4: and the first track on it, Nice Guy's Finished Last,

525
00:23:34,840 --> 00:23:35,960
Speaker 4: has a big F word in it.

526
00:23:36,320 --> 00:23:37,080
Speaker 3: I didn't know that.

527
00:23:37,520 --> 00:23:40,639
Speaker 4: I was really worried about it because I was only

528
00:23:40,640 --> 00:23:43,720
Speaker 4: ten and I shouldn't be hearing that language. I asked

529
00:23:43,720 --> 00:23:45,560
Speaker 4: for the album because of that song Time of Your Life,

530
00:23:45,600 --> 00:23:47,840
Speaker 4: and it gets to that song and it's not the

531
00:23:47,920 --> 00:23:50,160
Speaker 4: radio and it's the yes Launty one.

532
00:23:50,240 --> 00:23:51,480
Speaker 3: When he bought the album, did it have Do you

533
00:23:51,480 --> 00:23:53,960
Speaker 3: remember the when they used to have those explicit warnings

534
00:23:53,960 --> 00:23:55,480
Speaker 3: on them? It went through that phase it put on

535
00:23:55,520 --> 00:23:58,440
Speaker 3: album covers, explains, Yeah, it was not that funny little

536
00:23:58,480 --> 00:24:01,360
Speaker 3: label on albums that I'm swearing it. And this final one, right,

537
00:24:01,720 --> 00:24:04,560
Speaker 3: this is from a live performance. I'm a big Elvis

538
00:24:04,560 --> 00:24:07,800
Speaker 3: Presley fand okay, and I found this. Elvis starts losing

539
00:24:07,800 --> 00:24:11,159
Speaker 3: it in Vegas during a song. An audience member, all right,

540
00:24:11,240 --> 00:24:13,520
Speaker 3: it's wearing a wig. Elvis doesn't know this, but a

541
00:24:13,600 --> 00:24:16,280
Speaker 3: lady he's obviously with a date in Vegas, puts a rama,

542
00:24:16,320 --> 00:24:18,880
Speaker 3: starts ruffling up this guy's hair obviously not a where

543
00:24:18,920 --> 00:24:21,399
Speaker 3: it's a wig. The wig falls off. Elvis sees it

544
00:24:21,440 --> 00:24:24,359
Speaker 3: all and starts losing it, throwing the song and can't

545
00:24:24,400 --> 00:24:25,000
Speaker 3: get it back.

546
00:24:25,400 --> 00:24:36,320
Speaker 5: Dude, don't choose, do you get he's at your.

547
00:24:36,359 --> 00:24:44,359
Speaker 3: Ball head mentions the ball shoe now just starts losing it.

548
00:24:45,960 --> 00:24:47,160
Speaker 5: Shall I come back?

549
00:24:47,280 --> 00:24:58,040
Speaker 3: You see it? Laughing in tune tell me and can't read,

550
00:24:58,400 --> 00:25:00,880
Speaker 3: has to start again because he sees guys wig fall

551
00:25:01,000 --> 00:25:01,919
Speaker 3: up in the front row.

552
00:25:01,920 --> 00:25:05,280
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

553
00:25:05,320 --> 00:25:06,000
Speaker 1: point three.

554
00:25:06,080 --> 00:25:09,320
Speaker 3: So we're going around the team talking about our internet history. Christian,

555
00:25:09,359 --> 00:25:11,120
Speaker 3: I've never made a request to a radio show eever,

556
00:25:11,160 --> 00:25:13,600
Speaker 3: not even every Friday on request Friday, that you do.

557
00:25:13,680 --> 00:25:16,159
Speaker 3: But please play that Elvis clip again, all right if

558
00:25:16,200 --> 00:25:17,840
Speaker 3: you just miss that. This is Elvis I was talking

559
00:25:17,840 --> 00:25:20,439
Speaker 3: about my maintennet history. And it's him midway through a

560
00:25:20,480 --> 00:25:23,760
Speaker 3: live Vegas performance when he notices that a woman in

561
00:25:23,800 --> 00:25:26,760
Speaker 3: the front row runs her hand lovingly through her date's hair,

562
00:25:26,840 --> 00:25:28,760
Speaker 3: not reasoning. It's a wig. It's a two pay and

563
00:25:28,840 --> 00:25:31,840
Speaker 3: it falls off. And always noticed this. We'z it into

564
00:25:31,840 --> 00:25:33,520
Speaker 3: the song and then starts giggling.

565
00:25:33,840 --> 00:25:42,960
Speaker 5: Do the Cherson do you game?

566
00:25:43,880 --> 00:25:53,760
Speaker 3: He's at your bar head and with you two pays

567
00:25:53,800 --> 00:25:55,520
Speaker 3: full and off. That's never not funny.

568
00:25:57,240 --> 00:26:00,440
Speaker 5: You can give be the key.

569
00:26:01,840 --> 00:26:08,919
Speaker 3: This always gets me. All right, Jack, what have you

570
00:26:08,960 --> 00:26:10,040
Speaker 3: been looking at online?

571
00:26:10,520 --> 00:26:12,840
Speaker 4: You're wearing an Evil can Eevil T shirt this week?

572
00:26:13,000 --> 00:26:15,240
Speaker 3: Yeah, this is my lucky T shirt And as a

573
00:26:15,320 --> 00:26:17,200
Speaker 3: kid it was one of my you know you sometimes

574
00:26:17,240 --> 00:26:19,399
Speaker 3: as a teenager you have your heroes, don't you. And

575
00:26:19,480 --> 00:26:23,600
Speaker 3: I idolize Evil can Eevil. And I've got this T

576
00:26:23,760 --> 00:26:26,440
Speaker 3: shirt and I bought it over here. My wife want

577
00:26:26,440 --> 00:26:27,879
Speaker 3: to throw it out. So I've had eight years, right,

578
00:26:27,960 --> 00:26:30,800
Speaker 3: it doesn't even fit that well anymore's shrunk. However, whenever

579
00:26:30,800 --> 00:26:32,360
Speaker 3: I start a new stand up tour, and I thought

580
00:26:32,400 --> 00:26:34,320
Speaker 3: of that on the first night, I always wear that

581
00:26:34,359 --> 00:26:37,200
Speaker 3: Evil can Yeah it's so lucky shirt. I don't know

582
00:26:37,240 --> 00:26:40,760
Speaker 3: what it is actually, try and summon the spirit of evil,

583
00:26:41,040 --> 00:26:43,560
Speaker 3: like will this hour of stand up work? Will I

584
00:26:43,640 --> 00:26:46,560
Speaker 3: make it to the other side or hurt myself or break?

585
00:26:49,240 --> 00:26:52,040
Speaker 3: So did you go on Evil Canadian.

586
00:26:52,040 --> 00:26:54,240
Speaker 4: You were telling me about some of these jumps tonight.

587
00:26:54,040 --> 00:26:55,560
Speaker 3: Make My Canyon and Wembley.

588
00:26:55,640 --> 00:26:58,000
Speaker 4: You've never really seen any of them. I only know

589
00:26:58,520 --> 00:27:02,240
Speaker 4: the character. They sort of mimicked him within the Simpsons. Yeah,

590
00:27:02,240 --> 00:27:04,159
Speaker 4: I've never really actually seen any of his jumps, so

591
00:27:04,160 --> 00:27:06,960
Speaker 4: I looked up the Snake Canyon jump in some of

592
00:27:06,960 --> 00:27:10,359
Speaker 4: the others. What amazed me about him is he didn't

593
00:27:10,400 --> 00:27:11,040
Speaker 4: make it a lot.

594
00:27:11,240 --> 00:27:14,320
Speaker 3: No, he failed a lot of the top Jactually, as

595
00:27:14,359 --> 00:27:16,000
Speaker 3: a kid, you're right when I look back now as

596
00:27:16,000 --> 00:27:18,720
Speaker 3: an adult, he was, Oh, the world's gotst daredevil was

597
00:27:18,720 --> 00:27:22,000
Speaker 3: also the world's worst daredevil. However, it was the fact

598
00:27:22,040 --> 00:27:24,199
Speaker 3: that he dared to dream that he could do it.

599
00:27:24,200 --> 00:27:26,600
Speaker 3: And as a kid, there was no Internet then, and

600
00:27:26,640 --> 00:27:28,440
Speaker 3: so you would get news reports from the other side

601
00:27:28,480 --> 00:27:31,240
Speaker 3: of the world of this kind of yellowy satellite footage

602
00:27:31,240 --> 00:27:34,480
Speaker 3: of this man in a cape right and who was

603
00:27:34,480 --> 00:27:37,600
Speaker 3: getting ready to try and jump this canyon. And I

604
00:27:37,720 --> 00:27:40,159
Speaker 3: was like, so transfixed a man who thought he'd be

605
00:27:40,160 --> 00:27:42,040
Speaker 3: able to do it. It was all about the build up,

606
00:27:42,160 --> 00:27:43,920
Speaker 3: and it went on for weeks. They'd be like when

607
00:27:43,920 --> 00:27:46,600
Speaker 3: news Babi used to do, especially like putouts of how

608
00:27:46,640 --> 00:27:47,960
Speaker 3: far it was going to be and they break it

609
00:27:48,000 --> 00:27:50,159
Speaker 3: down to us pommies like London buses. He was going

610
00:27:50,200 --> 00:27:52,639
Speaker 3: to jump over and so it was so exciting it

611
00:27:52,680 --> 00:27:54,720
Speaker 3: was he tried to jump. The first thing he did

612
00:27:54,760 --> 00:27:58,439
Speaker 3: is he tried to jump the waterfall at Caesars Palace.

613
00:27:58,560 --> 00:28:00,560
Speaker 3: It was he sold the TV right. So it's like

614
00:28:00,600 --> 00:28:02,840
Speaker 3: no one had ever done that before. Guess what happened.

615
00:28:03,040 --> 00:28:06,920
Speaker 4: He didn't make it up. I think we're not used

616
00:28:06,960 --> 00:28:09,320
Speaker 4: to that in this day now, because anytime there's a

617
00:28:09,359 --> 00:28:11,400
Speaker 4: stunt like that, you sort of see it completed.

618
00:28:11,560 --> 00:28:13,720
Speaker 3: They do it, don't know, those those wings, the suited

619
00:28:13,760 --> 00:28:15,760
Speaker 3: wing flies. They do it all and it's amazing, and

620
00:28:15,760 --> 00:28:17,760
Speaker 3: they film it on there, all the stuff that red

621
00:28:17,760 --> 00:28:20,840
Speaker 3: Bulls do, and that it's already done. There's no weeks

622
00:28:20,840 --> 00:28:23,400
Speaker 3: of build up constructing the ramps and there's a kid

623
00:28:23,600 --> 00:28:25,639
Speaker 3: on your bikes used to want to be evil and

624
00:28:25,680 --> 00:28:27,080
Speaker 3: evil you'd make a ramp.

625
00:28:26,880 --> 00:28:29,000
Speaker 4: And there's a true fifty to fifty chance that he's

626
00:28:29,080 --> 00:28:30,960
Speaker 4: not going to make it and we'll actually see a guy.

627
00:28:31,080 --> 00:28:32,800
Speaker 3: When I look back now, I think it was higher

628
00:28:32,840 --> 00:28:34,359
Speaker 3: than that. It was more of a chance he was

629
00:28:34,400 --> 00:28:35,720
Speaker 3: not going to hike and you were just going to

630
00:28:35,720 --> 00:28:37,080
Speaker 3: see us guy break his bones.

631
00:28:37,560 --> 00:28:40,280
Speaker 4: Ways you were like, please Evil do this one. He's

632
00:28:40,400 --> 00:28:42,400
Speaker 4: like the first jack Us.

633
00:28:41,960 --> 00:28:46,920
Speaker 3: Yes, he was after the are we going to take

634
00:28:46,920 --> 00:28:48,400
Speaker 3: a break and then we come back and last Pats, well,

635
00:28:48,440 --> 00:28:49,440
Speaker 3: she's been googling.

636
00:28:49,200 --> 00:28:52,960
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four point.

637
00:28:52,840 --> 00:28:54,760
Speaker 3: Three semi week. We go around the saying we find

638
00:28:54,760 --> 00:28:56,080
Speaker 3: out what a of the things we've been googled in

639
00:28:56,120 --> 00:28:57,640
Speaker 3: the last twenty four hours says a lot about what

640
00:28:57,640 --> 00:28:59,840
Speaker 3: we got going on, our lives, our internet, his strength.

641
00:29:01,720 --> 00:29:03,840
Speaker 3: Let's find out now what Pats has been up to.

642
00:29:04,200 --> 00:29:05,280
Speaker 3: That's what I've been looking for.

643
00:29:05,520 --> 00:29:08,320
Speaker 6: I trying to book some Derby day transport with a

644
00:29:08,360 --> 00:29:11,120
Speaker 6: cab yesterday for a big Derby days on.

645
00:29:11,200 --> 00:29:13,760
Speaker 3: My wife has issued me with the number one to

646
00:29:13,800 --> 00:29:15,520
Speaker 3: do list today of this and I could expect to

647
00:29:15,520 --> 00:29:16,040
Speaker 3: be ripped off.

648
00:29:16,080 --> 00:29:17,080
Speaker 4: Right, We'll get ready for a shock.

649
00:29:17,120 --> 00:29:20,400
Speaker 6: I think they're profiteering. He wanted five hundred dollars return,

650
00:29:20,480 --> 00:29:22,640
Speaker 6: so two fifty each way.

651
00:29:21,840 --> 00:29:24,400
Speaker 3: I Center were offering that you could.

652
00:29:24,200 --> 00:29:26,719
Speaker 4: Get to l and I could have got the cheaper,

653
00:29:26,880 --> 00:29:27,680
Speaker 4: so I looked online.

654
00:29:27,680 --> 00:29:29,400
Speaker 3: This is you picking you up in a plane.

655
00:29:30,200 --> 00:29:31,160
Speaker 4: Are you allegit.

656
00:29:32,600 --> 00:29:35,080
Speaker 6: You can go online on a taxi estimator it should

657
00:29:35,080 --> 00:29:36,520
Speaker 6: the trip should be seventy bucks.

658
00:29:36,600 --> 00:29:39,400
Speaker 3: Yeahs on derby day over the next couple of days

659
00:29:39,400 --> 00:29:41,920
Speaker 3: for the undred bucks. So is that return?

660
00:29:42,080 --> 00:29:42,680
Speaker 10: That's return?

661
00:29:42,840 --> 00:29:45,040
Speaker 4: But that's astronomical, It's ridiculous.

662
00:29:45,040 --> 00:29:46,440
Speaker 3: I should be bound to throw up in it and

663
00:29:46,440 --> 00:29:48,200
Speaker 3: saw yourself as well. So you have to pay for

664
00:29:48,560 --> 00:29:50,440
Speaker 3: clearing out the taxi. You're taking him a couple of

665
00:29:50,520 --> 00:29:51,560
Speaker 3: hours and the charge you for that?

666
00:29:51,720 --> 00:29:54,320
Speaker 6: I reckon no change out of a grand So you

667
00:29:54,400 --> 00:30:00,480
Speaker 6: paying that? No, be ridiculous. Hitchhike walk Yeah, Chris.

668
00:30:00,280 --> 00:30:03,400
Speaker 3: By the side of the road, thumb out listeners, What

669
00:30:03,560 --> 00:30:04,600
Speaker 3: are you going to do? Uber?

670
00:30:04,640 --> 00:30:04,920
Speaker 15: Paul?

671
00:30:05,400 --> 00:30:06,320
Speaker 4: Well, I don't have Uber?

672
00:30:06,360 --> 00:30:06,600
Speaker 3: Do I?

673
00:30:06,680 --> 00:30:07,760
Speaker 4: But I might have to get it now?

674
00:30:08,240 --> 00:30:09,560
Speaker 3: Hey I still forgot about this?

675
00:30:09,680 --> 00:30:10,600
Speaker 4: Yeah, I don't have Uber.

676
00:30:11,160 --> 00:30:13,560
Speaker 3: You're be the only person in Melbourne who doesn't.

677
00:30:13,360 --> 00:30:15,400
Speaker 4: Have I need to get with the times. It's you

678
00:30:15,440 --> 00:30:16,280
Speaker 4: and Christian's dad.

679
00:30:16,440 --> 00:30:20,160
Speaker 3: Yes, trust a concept, but he's like, you know a

680
00:30:20,200 --> 00:30:23,080
Speaker 3: billion years of age, you're with it still? So are

681
00:30:23,080 --> 00:30:24,240
Speaker 3: you going to get Uber today?

682
00:30:24,400 --> 00:30:26,080
Speaker 4: All right, I'll make a pledge.

683
00:30:26,160 --> 00:30:28,720
Speaker 3: You know what, wouldn't you love to be filming Patsy's

684
00:30:28,760 --> 00:30:31,240
Speaker 3: first trip in an uber. I think we'd get some

685
00:30:31,240 --> 00:30:34,600
Speaker 3: of those disinfects and wipes. Chris, don't touch the handle.

686
00:30:36,200 --> 00:30:37,040
Speaker 4: You're so true.

687
00:30:37,600 --> 00:30:41,000
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

688
00:30:41,000 --> 00:30:41,760
Speaker 1: point three.

689
00:30:41,760 --> 00:30:45,080
Speaker 3: All this week, Week eight of ten weeks of tickets

690
00:30:45,280 --> 00:30:47,080
Speaker 3: off your chance to go and see Kevin Hart live.

691
00:30:47,160 --> 00:30:49,800
Speaker 3: He's coming back over He's at the Rod Lever Arena

692
00:30:49,880 --> 00:30:52,200
Speaker 3: deceventh and sixth. You can still get some a few

693
00:30:52,240 --> 00:30:55,040
Speaker 3: remaining tickets at livenation dot com dot au. We can

694
00:30:55,080 --> 00:30:55,800
Speaker 3: win them right now.

695
00:30:57,040 --> 00:31:00,959
Speaker 12: Four point Christian O'Connell's post code.

696
00:31:03,760 --> 00:31:09,080
Speaker 3: Let's a game? What games? They are? A game based

697
00:31:09,160 --> 00:31:12,760
Speaker 3: on three questions from Google Maps about your suburbs. So

698
00:31:13,160 --> 00:31:15,720
Speaker 3: where are we off to today? Jacket is time too?

699
00:31:16,640 --> 00:31:17,800
Speaker 3: Number one? Okay?

700
00:31:18,400 --> 00:31:21,400
Speaker 4: If this number is in your postcode, the.

701
00:31:21,440 --> 00:31:27,440
Speaker 3: Number six first time this week for number six, number two.

702
00:31:27,760 --> 00:31:31,600
Speaker 4: Combined with the number zero. If you've got a six

703
00:31:31,680 --> 00:31:34,320
Speaker 4: and a zero in your podcast in your post.

704
00:31:35,560 --> 00:31:36,600
Speaker 5: You're doing so well.

705
00:31:37,600 --> 00:31:42,120
Speaker 3: Jackie was doing so well. Now that's next week's feature podcast,

706
00:31:42,160 --> 00:31:46,160
Speaker 3: Being Good Jack.

707
00:31:46,760 --> 00:31:49,000
Speaker 4: If you've got a six or a zero in your postcode,

708
00:31:49,240 --> 00:31:50,760
Speaker 4: all now to win a.

709
00:31:50,960 --> 00:31:55,320
Speaker 3: Right nine four one four one four three were playnext the.

710
00:31:55,360 --> 00:31:59,120
Speaker 1: Christian O'Connell Breakfast Show Melbourne's Gold one oh four point.

711
00:31:58,920 --> 00:32:08,360
Speaker 3: Three one four point Christine o'connells postcode. Let's for game

712
00:32:09,960 --> 00:32:11,960
Speaker 3: this week we're playing our version on the red Fish

713
00:32:12,080 --> 00:32:16,040
Speaker 3: of postcode bingo to win you Kevin Hart tickets. All

714
00:32:16,080 --> 00:32:18,880
Speaker 3: we do is jackpull's two numbers. If they're any postcode

715
00:32:18,920 --> 00:32:23,600
Speaker 3: you'd call in. Then Jack jumps on under high stakes pressure.

716
00:32:23,680 --> 00:32:25,360
Speaker 3: You're up against the clock. Sure, and there's the outbreak

717
00:32:25,400 --> 00:32:28,840
Speaker 3: in the song, especially the no exactly rapids response team.

718
00:32:28,880 --> 00:32:31,320
Speaker 3: That are the producers. I heard you yelling at them

719
00:32:31,360 --> 00:32:33,400
Speaker 3: just now. You almost woke them up. Can you quit

720
00:32:33,440 --> 00:32:35,760
Speaker 3: the yelling? Jack? You almost woke them up today? Please

721
00:32:35,800 --> 00:32:37,320
Speaker 3: come on? You know, don't like it like a library

722
00:32:37,360 --> 00:32:39,640
Speaker 3: out there. And Jack has to come up with three

723
00:32:39,760 --> 00:32:42,440
Speaker 3: questions about your postcode. We ask them to prove you

724
00:32:42,520 --> 00:32:45,560
Speaker 3: are really calling from where you say you are, Jared?

725
00:32:45,680 --> 00:32:47,120
Speaker 3: Is you this morning? Well done?

726
00:32:48,120 --> 00:32:48,640
Speaker 11: Thanks? Question?

727
00:32:48,760 --> 00:32:50,880
Speaker 3: How are you okay? So, Jared? Where do you live?

728
00:32:51,760 --> 00:32:52,240
Speaker 13: Frantick?

729
00:32:52,520 --> 00:32:57,880
Speaker 3: Let's find out if you really do a likely story?

730
00:32:58,000 --> 00:32:59,680
Speaker 4: Jared, So you say Jared?

731
00:33:00,720 --> 00:33:04,240
Speaker 3: Everyone likes to say they're from Brunswick. Jared. It's a

732
00:33:04,320 --> 00:33:06,400
Speaker 3: very easy lie, isn't it, Jarwed to come on the

733
00:33:06,480 --> 00:33:08,560
Speaker 3: radio to claim these tickets. But we're going to flush

734
00:33:08,560 --> 00:33:09,040
Speaker 3: you out, my.

735
00:33:09,040 --> 00:33:12,960
Speaker 4: Friend, Jared, I'm in Brunswick and I feel like getting

736
00:33:13,000 --> 00:33:14,000
Speaker 4: on the train.

737
00:33:14,240 --> 00:33:16,200
Speaker 3: Oh okay, you're leaving already.

738
00:33:18,880 --> 00:33:21,880
Speaker 4: I have three options of train stations in Brunswick. Name

739
00:33:21,880 --> 00:33:22,560
Speaker 4: at least two.

740
00:33:24,280 --> 00:33:26,800
Speaker 11: You've got the Brunswick station and Duel.

741
00:33:27,240 --> 00:33:29,760
Speaker 4: Yes, and I have Jewel and I have Anstey as well.

742
00:33:29,800 --> 00:33:31,440
Speaker 4: Correct well, Jarned?

743
00:33:31,560 --> 00:33:33,440
Speaker 3: The first question, are you happy by the way we're

744
00:33:33,480 --> 00:33:35,640
Speaker 3: sending you to Brunswick today? Because I know sometimes when

745
00:33:35,680 --> 00:33:37,080
Speaker 3: you go out in the burbs you get a bit

746
00:33:37,520 --> 00:33:40,320
Speaker 3: too far away from the CBD and the hipsters and

747
00:33:41,000 --> 00:33:44,360
Speaker 3: a deconstructed coffee and smash Davo bookshops.

748
00:33:44,600 --> 00:33:46,520
Speaker 4: I just thought yesterday they tried to give me somewhere

749
00:33:46,520 --> 00:33:48,200
Speaker 4: that was farm land Google.

750
00:33:47,920 --> 00:33:50,800
Speaker 3: Master, it was just Paddock was Arizona? All right? Okay?

751
00:33:50,920 --> 00:33:53,160
Speaker 4: Is there and cow in the paddick when they took

752
00:33:53,200 --> 00:33:57,240
Speaker 4: the Google Maps photo. No, Brunswick is a thriving metropolis.

753
00:33:57,640 --> 00:34:00,360
Speaker 4: Question to Jared, you're hungry, I'm not.

754
00:34:00,960 --> 00:34:02,240
Speaker 3: What's happ today? You want a tattoo?

755
00:34:02,320 --> 00:34:04,640
Speaker 4: I know I've got an urge for denim.

756
00:34:06,400 --> 00:34:08,960
Speaker 3: I was going to say, do you need to some

757
00:34:09,040 --> 00:34:09,960
Speaker 3: denim dungarees?

758
00:34:13,280 --> 00:34:15,680
Speaker 4: My denim urge is high. But I want to go

759
00:34:15,760 --> 00:34:18,600
Speaker 4: to an independent retailer, not one of the big boys.

760
00:34:18,680 --> 00:34:19,040
Speaker 3: Jared.

761
00:34:19,719 --> 00:34:22,080
Speaker 4: Where do I go on City Road where the hipsters

762
00:34:22,120 --> 00:34:24,319
Speaker 4: line up on the weekends out the door?

763
00:34:25,239 --> 00:34:25,399
Speaker 3: Oh?

764
00:34:25,440 --> 00:34:27,280
Speaker 11: I noticed? We love the line up there many times,

765
00:34:27,280 --> 00:34:28,440
Speaker 11: but it's does your jeans?

766
00:34:28,680 --> 00:34:29,439
Speaker 4: Do your geen?

767
00:34:30,280 --> 00:34:32,600
Speaker 3: Jared? I love that you know it? Well? That's great.

768
00:34:34,120 --> 00:34:37,719
Speaker 4: Third and final question. You're doing well, Jared. I'm donating

769
00:34:37,920 --> 00:34:42,520
Speaker 4: some items at the Salvos. Yes, do you know it?

770
00:34:43,760 --> 00:34:44,240
Speaker 3: The questions?

771
00:34:44,440 --> 00:34:46,480
Speaker 4: I just wanted to know if we've got a common ground.

772
00:34:48,160 --> 00:34:51,239
Speaker 4: And I have a hankering to ride a motorbike or

773
00:34:51,280 --> 00:34:53,600
Speaker 4: even buy one, but I don't want to walk far

774
00:34:53,600 --> 00:34:55,720
Speaker 4: from the Salvos. Where do I go.

775
00:34:58,480 --> 00:34:59,000
Speaker 11: Motorbike?

776
00:35:00,040 --> 00:35:01,560
Speaker 4: I'm got on Sydney Road again.

777
00:35:02,880 --> 00:35:04,600
Speaker 11: To the Harley Davidson North Side.

778
00:35:04,640 --> 00:35:09,240
Speaker 3: Haven't Oh wow it play out of three? Well done, Jared,

779
00:35:09,320 --> 00:35:11,080
Speaker 3: you got you You really are from Brunswick. You've got

780
00:35:11,080 --> 00:35:12,719
Speaker 3: your tickets? You off to see Kevin Hart live?

781
00:35:12,760 --> 00:35:15,239
Speaker 11: Mate? That's awesome than guy us right?

782
00:35:15,360 --> 00:35:17,400
Speaker 3: Enjoy well down, Dancy Corning in a playmatee.

783
00:35:18,320 --> 00:35:18,680
Speaker 11: Thank you.

784
00:35:18,840 --> 00:35:21,920
Speaker 1: The Christian who Connell Breakfast Show, Melbourne's Gold one oh

785
00:35:22,040 --> 00:35:22,680
Speaker 1: four point.

786
00:35:22,520 --> 00:35:25,600
Speaker 3: Three all recross Friday between six and ten. It's all

787
00:35:25,640 --> 00:35:27,440
Speaker 3: up to you, Melbourne. Let us know what you want

788
00:35:27,440 --> 00:35:29,839
Speaker 3: to hear. Hell of her Facebook oc one O four

789
00:35:29,960 --> 00:35:32,120
Speaker 3: three coming up then and it's a big half hour

790
00:35:32,160 --> 00:35:34,839
Speaker 3: on the show. We got this week's isolated vocal now

791
00:35:34,920 --> 00:35:38,520
Speaker 3: known as the Naked Vocal, and we are reuniting a band.

792
00:35:39,000 --> 00:35:41,239
Speaker 3: H don't know how this one's going to go. Uh

793
00:35:41,400 --> 00:35:43,959
Speaker 3: Steve the guitarist, meet Alex the bass player you fired

794
00:35:43,960 --> 00:35:46,480
Speaker 3: twenty five years ago because he got engaged. So we're

795
00:35:46,480 --> 00:35:48,360
Speaker 3: going to get into that on one Hush Dream in

796
00:35:48,400 --> 00:35:49,160
Speaker 3: the next half an hour.

797
00:35:49,239 --> 00:35:52,359
Speaker 1: The Christian Who Connall Breakfast Show, Melbourne's Gold one oh

798
00:35:52,400 --> 00:35:53,120
Speaker 1: four point three.

799
00:35:53,320 --> 00:35:55,160
Speaker 3: Al Right, Thursday morning. It's this time of the show.

800
00:35:55,200 --> 00:35:57,480
Speaker 3: We do this every week. I love doing these. Thank

801
00:35:57,520 --> 00:35:59,400
Speaker 3: you so much, so many of you every single day

802
00:35:59,480 --> 00:36:01,640
Speaker 3: semi email. You start to go into deep dives onto

803
00:36:01,920 --> 00:36:05,400
Speaker 3: the Internet and YouTube looking for our isolated vocal tracks.

804
00:36:05,680 --> 00:36:07,799
Speaker 3: We now call this a naked vocal. Once a week

805
00:36:07,840 --> 00:36:10,680
Speaker 3: we play a track strip back. It's just their voice

806
00:36:10,800 --> 00:36:12,560
Speaker 3: and when you hear the voice, you hear the power,

807
00:36:12,760 --> 00:36:14,560
Speaker 3: and you reconnect with a song you might have heard

808
00:36:14,560 --> 00:36:16,880
Speaker 3: a million times on the radio, and you feel it

809
00:36:16,880 --> 00:36:19,319
Speaker 3: in an entirely different way. It really really moves you.

810
00:36:19,520 --> 00:36:22,000
Speaker 3: You realize what an amazing power and talent they were.

811
00:36:22,200 --> 00:36:24,160
Speaker 3: This week's one, really, if you've never heard it before,

812
00:36:24,360 --> 00:36:27,400
Speaker 3: sets this up brilliantly. It's Boston more than a feeling.

813
00:36:27,680 --> 00:36:30,400
Speaker 3: And at first, when I saw the description on YouTube,

814
00:36:30,440 --> 00:36:33,120
Speaker 3: I was like, really, I've played this song so many times.

815
00:36:33,120 --> 00:36:35,840
Speaker 3: And then I heard the vocal, and after about a

816
00:36:35,920 --> 00:36:39,400
Speaker 3: minute in, I was so moved by hearing the lyrics properly.

817
00:36:39,520 --> 00:36:41,160
Speaker 3: I paused a song and went and printed off the

818
00:36:41,200 --> 00:36:43,640
Speaker 3: lyrics and I rewound it because I'm a guy who

819
00:36:43,680 --> 00:36:46,920
Speaker 3: can still rewind the Internet, and I've got your remote out,

820
00:36:47,200 --> 00:36:50,640
Speaker 3: got my beat max out. That's how I plug in

821
00:36:50,680 --> 00:36:53,520
Speaker 3: the internet. And there's this amazing line right at the

822
00:36:53,560 --> 00:36:56,360
Speaker 3: beginning of the song, This amazing opening bit is I

823
00:36:56,400 --> 00:36:58,440
Speaker 3: looked up this morning and the sun was gone. Turned

824
00:36:58,480 --> 00:37:01,000
Speaker 3: on some music to start my day. I lost myself

825
00:37:01,000 --> 00:37:03,440
Speaker 3: in a familiar song. I closed my eyes and I

826
00:37:03,480 --> 00:37:06,680
Speaker 3: slipped away. Brad delf is the man that sings this

827
00:37:06,960 --> 00:37:09,200
Speaker 3: and I didn't realize what an amazing voice. He truly

828
00:37:09,320 --> 00:37:11,200
Speaker 3: was a very sad story about Brad Delf if you

829
00:37:11,200 --> 00:37:14,400
Speaker 3: look it up. But let's just enjoy this amazing voice.

830
00:37:14,440 --> 00:37:16,120
Speaker 3: You hear the song in a different way. I played

831
00:37:16,160 --> 00:37:18,919
Speaker 3: the isolated naked vocal, and then we hear the song

832
00:37:18,960 --> 00:37:21,760
Speaker 3: again together. But first of all, enjoy this on Gold

833
00:37:21,800 --> 00:37:24,400
Speaker 3: one oh four point three is this week's naked vocal.

834
00:37:24,600 --> 00:37:28,160
Speaker 5: I looked out this morning and the sun was gone.

835
00:37:29,040 --> 00:37:34,440
Speaker 9: Turned on some music to start Mandy, then lost myself

836
00:37:34,719 --> 00:37:37,440
Speaker 9: and among I.

837
00:37:37,600 --> 00:37:46,080
Speaker 5: Close as it's more than a feeling.

838
00:37:48,000 --> 00:37:56,440
Speaker 9: Well, I hear soldays to play and I began dream

839
00:37:56,600 --> 00:37:57,400
Speaker 9: to nothing.

840
00:38:02,560 --> 00:38:05,400
Speaker 5: I seen that ya walking.

841
00:38:11,080 --> 00:38:14,080
Speaker 3: There you go. That's next week's twisted naked vocals. Sorry,

842
00:38:14,160 --> 00:38:16,520
Speaker 3: more than a feeling Boston, and here's the song. If

843
00:38:16,520 --> 00:38:18,400
Speaker 3: you man't hear one you want me to play, email

844
00:38:18,440 --> 00:38:20,840
Speaker 3: me Christian at Gold one o four three dot com

845
00:38:20,880 --> 00:38:22,319
Speaker 3: dot au.

846
00:38:23,960 --> 00:38:27,359
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

847
00:38:27,400 --> 00:38:27,879
Speaker 1: point three.

848
00:38:35,120 --> 00:38:39,920
Speaker 3: He's still holding this note. This is the most I've

849
00:38:39,920 --> 00:38:42,440
Speaker 3: ever enjoyed playing and listen to this song. He's just

850
00:38:42,480 --> 00:38:44,919
Speaker 3: feeling a different way. That's that you're the naked vocal

851
00:38:44,960 --> 00:38:46,840
Speaker 3: we do every week more than a feeling by Boston

852
00:38:46,880 --> 00:38:48,880
Speaker 3: on God one I four point three. It's the Christian

853
00:38:48,880 --> 00:38:51,920
Speaker 3: O'Connell Breakfast Show. All right. We are getting closer and closer.

854
00:38:52,160 --> 00:38:54,360
Speaker 3: We are in November. Now we're in the month of

855
00:38:54,880 --> 00:38:59,880
Speaker 3: this gig. One last Dream rock and roll Radio Christian.

856
00:38:59,520 --> 00:39:13,160
Speaker 14: O cons One last dream.

857
00:39:08,120 --> 00:39:08,400
Speaker 15: All right.

858
00:39:08,520 --> 00:39:10,120
Speaker 3: If you used to be in a band, this is

859
00:39:10,160 --> 00:39:13,040
Speaker 3: all about you reconnecting with your old passion, the joy

860
00:39:13,080 --> 00:39:15,360
Speaker 3: of playing in a band with your buddies. We've got

861
00:39:15,440 --> 00:39:18,319
Speaker 3: a second chance, a huge show for you to do.

862
00:39:18,840 --> 00:39:21,759
Speaker 3: Fifteen thousand people will be waiting for your band to

863
00:39:21,800 --> 00:39:26,200
Speaker 3: open up for Jimmy Barnes, the Angels, loads more. Now

864
00:39:26,200 --> 00:39:29,879
Speaker 3: we're in November. It's the month of the gig, the show. Jack,

865
00:39:29,960 --> 00:39:32,160
Speaker 3: how many days scare us? How many days? How many hours,

866
00:39:32,200 --> 00:39:33,400
Speaker 3: how many minutes? How many seconds?

867
00:39:33,440 --> 00:39:38,280
Speaker 4: Twenty four days, three hours, forty eight minutes, thirty nine seconds.

868
00:39:37,400 --> 00:39:40,040
Speaker 3: Just over three weeks roughly in my mind. Now to

869
00:39:40,120 --> 00:39:43,040
Speaker 3: focus the team, because this has become a lot bigger

870
00:39:43,040 --> 00:39:44,560
Speaker 3: than we ever would have thought. We never knew how

871
00:39:44,560 --> 00:39:47,279
Speaker 3: many bands will be up for enting this. Almost one

872
00:39:47,360 --> 00:39:49,400
Speaker 3: hundred bands in the last week and a half have

873
00:39:49,400 --> 00:39:51,920
Speaker 3: stepped forward, not complete bands like we said, look how

874
00:39:52,080 --> 00:39:54,759
Speaker 3: you reunite with buddies, but band members saying I'd love

875
00:39:54,800 --> 00:39:56,960
Speaker 3: to do this. I haven't. I don't know where the

876
00:39:57,000 --> 00:39:59,239
Speaker 3: guys are, but I'd love to do this so much

877
00:39:59,280 --> 00:40:00,840
Speaker 3: so that yes, even I said, look, do you know

878
00:40:00,840 --> 00:40:02,759
Speaker 3: what we need for the next three weeks? There's so

879
00:40:02,840 --> 00:40:05,840
Speaker 3: much going on? Can we get a whiteboard in the

880
00:40:05,880 --> 00:40:11,560
Speaker 3: studio with a grid of the next three weeks? The

881
00:40:11,640 --> 00:40:14,680
Speaker 3: first board I was presented with this morning that like

882
00:40:14,800 --> 00:40:19,280
Speaker 3: a very ill child in a unit somewhere, a secure

883
00:40:19,400 --> 00:40:24,680
Speaker 3: unit had written something up the feature on the show

884
00:40:25,280 --> 00:40:28,440
Speaker 3: you hear me saying, is called one Last Dream? What

885
00:40:28,480 --> 00:40:30,279
Speaker 3: does it say at the top of that whiteboard? From

886
00:40:30,280 --> 00:40:32,719
Speaker 3: our producers? What does it read?

887
00:40:33,320 --> 00:40:37,120
Speaker 4: Dream is spelled d R E A N One last dream,

888
00:40:37,280 --> 00:40:38,200
Speaker 4: One last Dream?

889
00:40:39,960 --> 00:40:43,640
Speaker 3: Where is that? Is it? In Queensland? One last Dream?

890
00:40:43,920 --> 00:40:46,000
Speaker 3: And noticed that this morning when I came in and went,

891
00:40:46,120 --> 00:40:48,480
Speaker 3: is that what you wanted? There? You go? And I

892
00:40:48,520 --> 00:40:52,880
Speaker 3: went and they were staring at two paid producers were

893
00:40:52,920 --> 00:40:55,520
Speaker 3: staring at that. Do they think That's what I'm saying?

894
00:40:55,760 --> 00:40:57,279
Speaker 4: They're going, what don't you like about it?

895
00:40:59,440 --> 00:41:01,400
Speaker 3: So we have we have, we have our whiteboard in

896
00:41:01,440 --> 00:41:04,640
Speaker 3: the studio and I got this amazing message today and

897
00:41:04,680 --> 00:41:07,000
Speaker 3: I think this sums up why I wanted to do this.

898
00:41:07,520 --> 00:41:09,239
Speaker 3: It was a band that we played a clip from

899
00:41:09,520 --> 00:41:12,439
Speaker 3: last week, March in Moscow. Good good band, good song.

900
00:41:12,480 --> 00:41:12,960
Speaker 3: Back in the day.

901
00:41:12,960 --> 00:41:26,520
Speaker 17: I've listened to this.

902
00:41:26,520 --> 00:41:29,640
Speaker 3: This sounds so good. You could easily hear this on

903
00:41:29,719 --> 00:41:32,279
Speaker 3: this radio station. This is really well played, this good song.

904
00:41:35,640 --> 00:41:39,600
Speaker 3: And I got this message yesterday night from Jason from

905
00:41:39,640 --> 00:41:40,600
Speaker 3: the band. Haven't listened to this.

906
00:41:40,680 --> 00:41:43,759
Speaker 9: It's Jason Agent from March in Moscow. I just thought

907
00:41:43,760 --> 00:41:45,040
Speaker 9: I to give you a call and to say that

908
00:41:45,120 --> 00:41:47,319
Speaker 9: the band called up for a GM last night and

909
00:41:47,320 --> 00:41:49,680
Speaker 9: we had an absolute blast. My hearings a little bit

910
00:41:49,719 --> 00:41:53,000
Speaker 9: saw today, but yeah, I just just thought I just

911
00:41:53,040 --> 00:41:55,440
Speaker 9: let you know that we did that a little bit rusty,

912
00:41:55,480 --> 00:41:57,920
Speaker 9: but I'm sure you know if we kept on going

913
00:41:57,960 --> 00:42:01,319
Speaker 9: and we'd get better. Even if we don't get through.

914
00:42:01,320 --> 00:42:03,760
Speaker 9: We're him talked about ye kind of getting back together

915
00:42:03,800 --> 00:42:06,200
Speaker 9: and doing that ep launt that we talked about and

916
00:42:06,520 --> 00:42:08,680
Speaker 9: going to and trying to get back in DSP to

917
00:42:08,680 --> 00:42:11,239
Speaker 9: finally get around to doing that. So I just wanted

918
00:42:11,280 --> 00:42:13,480
Speaker 9: to say thanks for everything, because yeah, without that, we

919
00:42:13,520 --> 00:42:16,719
Speaker 9: probably would never got back together for a jam. And yeah,

920
00:42:16,840 --> 00:42:19,759
Speaker 9: just thanks for yeah kind of keeping in touch with

921
00:42:19,800 --> 00:42:21,959
Speaker 9: me and all that kind of stuff. So yeah, thanks

922
00:42:22,040 --> 00:42:22,760
Speaker 9: very much again.

923
00:42:22,640 --> 00:42:24,600
Speaker 3: Bye Jason and the rest of the band as well.

924
00:42:24,680 --> 00:42:26,280
Speaker 3: March in Moscow. Great news.

925
00:42:26,400 --> 00:42:28,280
Speaker 4: I forgot they were the band that broke up because

926
00:42:28,280 --> 00:42:30,160
Speaker 4: the SB closed the renovations and.

927
00:42:30,040 --> 00:42:32,319
Speaker 3: Now there's no excuses. You know, they're repairing it. So

928
00:42:32,360 --> 00:42:34,120
Speaker 3: you've got to bring back the band all right, So

929
00:42:34,120 --> 00:42:35,960
Speaker 3: we've got a reunion coming up next. There was a

930
00:42:35,960 --> 00:42:45,920
Speaker 3: band we played, Citizen K. We love this and we

931
00:42:45,960 --> 00:42:48,239
Speaker 3: first said from Alex, who's doing the amazing base in

932
00:42:48,320 --> 00:43:00,600
Speaker 3: this you do you get here? And now he told

933
00:43:00,680 --> 00:43:02,719
Speaker 3: us how he's off touch of the band, the entire band,

934
00:43:02,719 --> 00:43:04,880
Speaker 3: because they fired him twenty five years ago because he

935
00:43:04,920 --> 00:43:06,799
Speaker 3: sat his buddies down instead of falling in love with

936
00:43:06,840 --> 00:43:08,640
Speaker 3: a lady. And I'm getting engaged, and I went, great,

937
00:43:08,680 --> 00:43:12,359
Speaker 3: get out, leave your base behind alex'r I touched the door.

938
00:43:12,840 --> 00:43:15,839
Speaker 3: So we've massed to track down the entire band, and

939
00:43:15,840 --> 00:43:17,920
Speaker 3: we've been chatted to various band members. Do you remember

940
00:43:17,960 --> 00:43:21,360
Speaker 3: what happened? They all talk about one man, Steve, the

941
00:43:21,440 --> 00:43:24,640
Speaker 3: lead singer. We've tracked down Finally, today, four days after

942
00:43:24,680 --> 00:43:27,400
Speaker 3: first speaking to Alex, we're going to reunite Alex the

943
00:43:27,400 --> 00:43:29,920
Speaker 3: bass player with the guy Steve who fired him.

944
00:43:30,080 --> 00:43:33,680
Speaker 1: Next the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

945
00:43:33,760 --> 00:43:38,040
Speaker 1: four point three rock and Roll Radio, Christian.

946
00:43:37,680 --> 00:43:45,440
Speaker 14: O'Connell's one Blas Dream.

947
00:43:45,480 --> 00:43:48,319
Speaker 3: So we're heading towards a deadline for you to enter.

948
00:43:48,400 --> 00:43:50,680
Speaker 3: Tell us about your old man's at god one four

949
00:43:50,719 --> 00:43:53,719
Speaker 3: to three dot com dot au. Yes, they we're trying

950
00:43:53,760 --> 00:43:57,399
Speaker 3: to work out when do we officially close entries next week.

951
00:43:57,400 --> 00:43:59,880
Speaker 3: We've got a whoodlet down, very very very unemby all

952
00:44:00,280 --> 00:44:03,759
Speaker 3: tough job getting it down to three and we went

953
00:44:03,800 --> 00:44:05,759
Speaker 3: with because you know much love Billy John piano man.

954
00:44:05,760 --> 00:44:07,600
Speaker 3: He suggested nine o'clock on a Saturday.

955
00:44:08,040 --> 00:44:10,040
Speaker 4: So we said nine am Saturday morning at.

956
00:44:09,920 --> 00:44:12,480
Speaker 3: Nine pm, and I look at the lyrics to piano man,

957
00:44:12,480 --> 00:44:16,440
Speaker 3: it's nine o'clock on a Saturday. The regular crowd shuffles.

958
00:44:16,480 --> 00:44:17,360
Speaker 4: Shuffling on Saturday.

959
00:44:17,440 --> 00:44:20,080
Speaker 3: No man's nine pm. Now deadline is.

960
00:44:21,600 --> 00:44:23,359
Speaker 4: You have to change. I think they've got I think

961
00:44:23,360 --> 00:44:24,759
Speaker 4: they've got locked in for nine am.

962
00:44:24,920 --> 00:44:28,080
Speaker 3: They can get their codex out, all right, So let's

963
00:44:28,360 --> 00:44:33,880
Speaker 3: reunite this band. Then Citizen came so they sacked the

964
00:44:33,880 --> 00:44:37,680
Speaker 3: bass player twenty five years ago. We're about to reunite them. Now,

965
00:44:37,760 --> 00:44:39,520
Speaker 3: let's get first of all, the man that told us

966
00:44:39,520 --> 00:44:41,880
Speaker 3: all about that. Contact of the show said he's up

967
00:44:41,880 --> 00:44:44,840
Speaker 3: for this. Let's get Alex the bass player back. Alex,

968
00:44:44,880 --> 00:44:45,640
Speaker 3: welcome back, mate.

969
00:44:46,200 --> 00:44:47,240
Speaker 11: Hey, good morning, Christian.

970
00:44:47,640 --> 00:44:49,279
Speaker 3: Do you know what I've spoken to you a lot

971
00:44:49,320 --> 00:44:51,400
Speaker 3: this week. I'm very excited about how this is going

972
00:44:51,480 --> 00:44:52,680
Speaker 3: to go. How do you think it's going to go?

973
00:44:52,719 --> 00:44:55,040
Speaker 3: Then we're about to reunite you with Steve.

974
00:44:55,920 --> 00:44:57,800
Speaker 10: Well, gee, I wonder if she was a bit of remorse.

975
00:44:57,840 --> 00:44:58,440
Speaker 11: I'm not sure.

976
00:44:58,800 --> 00:45:02,439
Speaker 3: Right. You ready? So you've had no contact with him

977
00:45:02,600 --> 00:45:05,240
Speaker 3: or none whatsoever? How many years? Again?

978
00:45:06,840 --> 00:45:08,520
Speaker 11: Well, twenty five, twenty five.

979
00:45:08,320 --> 00:45:13,160
Speaker 3: Plus, twenty five plus years? Okay, And yesterday we reunited

980
00:45:13,200 --> 00:45:15,560
Speaker 3: you with the lead singer, David. David.

981
00:45:15,640 --> 00:45:16,840
Speaker 11: Yes, that was exciting.

982
00:45:16,960 --> 00:45:19,120
Speaker 3: That went well. He was enjoying chatting to you and

983
00:45:19,160 --> 00:45:22,600
Speaker 3: being reunited with you. And he also backed up your story.

984
00:45:22,680 --> 00:45:25,560
Speaker 3: He did not fire you. It was Steve the guitarist,

985
00:45:25,560 --> 00:45:27,800
Speaker 3: and the guy wrote all the songs. He held the power.

986
00:45:28,360 --> 00:45:29,799
Speaker 11: That's the truth, all right.

987
00:45:29,840 --> 00:45:31,600
Speaker 4: Now Steve has been on hold. He can hear this

988
00:45:31,640 --> 00:45:34,239
Speaker 4: conversation we're having with you, Alex, so he might not

989
00:45:34,280 --> 00:45:36,080
Speaker 4: even remember he kicked you out of the band twenty

990
00:45:36,120 --> 00:45:36,839
Speaker 4: five years ago.

991
00:45:37,360 --> 00:45:38,600
Speaker 11: A bit of a guilt, Temnezia.

992
00:45:38,640 --> 00:45:42,640
Speaker 3: I think all right, strong feelings already here, let's get

993
00:45:42,680 --> 00:45:46,880
Speaker 3: Steve now on air. Steve, good morning, Good morning, here

994
00:45:46,880 --> 00:45:50,040
Speaker 3: are you, Steve? I'm good and welcome to the show.

995
00:45:50,160 --> 00:45:52,120
Speaker 3: So you know what we're going to be talking about,

996
00:45:52,120 --> 00:45:54,560
Speaker 3: one last dream and possibly reuniting you with your old

997
00:45:54,600 --> 00:45:56,880
Speaker 3: band Citizen Kane.

998
00:45:56,960 --> 00:45:58,840
Speaker 11: I've been filled in his Yeah.

999
00:45:59,080 --> 00:46:01,840
Speaker 3: Now X is on the line, Alex, say hi to

1000
00:46:01,880 --> 00:46:03,400
Speaker 3: Steve again after all these years.

1001
00:46:03,840 --> 00:46:06,800
Speaker 11: Hey, yeah, hi Steve, how you going good? Thanks? That

1002
00:46:06,800 --> 00:46:10,640
Speaker 11: ocurred about yourself? Yeah, just terrific. That's good to hear.

1003
00:46:14,280 --> 00:46:15,520
Speaker 11: It's been a while. It's been a.

1004
00:46:15,480 --> 00:46:18,200
Speaker 10: While, twenty five years, four months, fifteen days, and fourteen

1005
00:46:18,280 --> 00:46:19,839
Speaker 10: hours since that faithful phone call.

1006
00:46:20,920 --> 00:46:26,719
Speaker 8: Wat you must still still resent something about the whole

1007
00:46:26,719 --> 00:46:27,080
Speaker 8: lot of us.

1008
00:46:27,160 --> 00:46:29,440
Speaker 11: No, there's no resentment whatsoever. I'm having a bit of

1009
00:46:29,440 --> 00:46:35,240
Speaker 11: a jo but yeah, yeah, until that's fine, that's great.

1010
00:46:36,239 --> 00:46:37,760
Speaker 11: What are you doing these days?

1011
00:46:38,880 --> 00:46:42,200
Speaker 10: I'm managing a packaging business, so but I still play music,

1012
00:46:42,239 --> 00:46:44,320
Speaker 10: not in the band, but still got all the rigs,

1013
00:46:44,360 --> 00:46:44,879
Speaker 10: all the gear.

1014
00:46:45,520 --> 00:46:49,239
Speaker 11: Yep, what about yourself? Yeah, I'm still like, I'm still

1015
00:46:49,239 --> 00:46:50,719
Speaker 11: doing audio work.

1016
00:46:50,840 --> 00:46:53,080
Speaker 8: I'm working a Crown as a contractor, and you know,

1017
00:46:53,200 --> 00:46:55,480
Speaker 8: I've still got my own production company, get PA, and

1018
00:46:55,520 --> 00:46:58,480
Speaker 8: that's still working with other acts and stuff outside of Crown.

1019
00:46:58,320 --> 00:46:59,640
Speaker 11: And that's still goods.

1020
00:46:59,680 --> 00:47:03,320
Speaker 10: It keeps me up the straight hitty he Okay, So

1021
00:47:04,120 --> 00:47:06,520
Speaker 10: just excite you this potential opportunity to get in front

1022
00:47:06,520 --> 00:47:07,600
Speaker 10: of fifteen thousand people.

1023
00:47:09,640 --> 00:47:12,000
Speaker 8: Yeah, I mean for me, I think it'd be more

1024
00:47:12,040 --> 00:47:14,160
Speaker 8: of exciting for the guys. I like, I know Date,

1025
00:47:14,800 --> 00:47:19,480
Speaker 8: I Dave your phone call yesterday and he's pretty excited,

1026
00:47:19,560 --> 00:47:20,279
Speaker 8: so I'll be.

1027
00:47:20,280 --> 00:47:22,480
Speaker 11: More happy for him. But for me, I think, but no,

1028
00:47:22,800 --> 00:47:26,879
Speaker 11: it's it's interesting if it does occur. Okay, cool, Well,

1029
00:47:26,920 --> 00:47:31,239
Speaker 11: I mean, Steve, are you in Yeah, I'm here yep.

1030
00:47:31,520 --> 00:47:33,200
Speaker 3: Yeah, no, No, it's great just hearing you guys have

1031
00:47:33,280 --> 00:47:34,759
Speaker 3: this chart. Don't want to buy in or anything. Just

1032
00:47:34,800 --> 00:47:37,880
Speaker 3: give you guys a moment to catch up. So Steve,

1033
00:47:37,960 --> 00:47:40,080
Speaker 3: you know, Alex step forward. He entered this big competition,

1034
00:47:40,120 --> 00:47:43,640
Speaker 3: amazing opportunity for old reunited bands like you guys to

1035
00:47:44,239 --> 00:47:46,320
Speaker 3: give another crap. It's a kind of Second Chance and

1036
00:47:46,320 --> 00:47:48,560
Speaker 3: an amazing showing in front of fifteen thousand people. So

1037
00:47:49,040 --> 00:47:50,720
Speaker 3: it's just so we had to go back to what happened,

1038
00:47:50,719 --> 00:47:53,880
Speaker 3: because there's always moments why bands drift apart and life happens.

1039
00:47:53,960 --> 00:47:57,319
Speaker 3: So we've heard that you you fired him twenty five

1040
00:47:57,400 --> 00:47:59,520
Speaker 3: years ago because he got engaged. That is that how

1041
00:47:59,560 --> 00:48:00,640
Speaker 3: you remember what happened?

1042
00:48:01,160 --> 00:48:04,960
Speaker 18: No, actually, what happened that Alex used to play anything right,

1043
00:48:05,760 --> 00:48:09,360
Speaker 18: and I have a knack of playing anything wrong, and

1044
00:48:09,480 --> 00:48:11,480
Speaker 18: I never could understand why you couldn't just play things

1045
00:48:11,520 --> 00:48:12,960
Speaker 18: wrong or I would play things wrong.

1046
00:48:12,960 --> 00:48:15,160
Speaker 11: And I got so tired of him always playing things

1047
00:48:15,320 --> 00:48:18,719
Speaker 11: like I don't make an excuse basically a reason to

1048
00:48:18,719 --> 00:48:21,040
Speaker 11: get rid of him because this is making me up stupid.

1049
00:48:21,400 --> 00:48:23,760
Speaker 3: Well, now now this makes more sense than just firing

1050
00:48:23,840 --> 00:48:25,040
Speaker 3: someone because they got engaged.

1051
00:48:26,320 --> 00:48:28,120
Speaker 11: Yeah, not true, Steve.

1052
00:48:28,200 --> 00:48:32,480
Speaker 10: You're a you're a terrific player, even though it's terrific

1053
00:48:32,800 --> 00:48:38,279
Speaker 10: and everything was what you guys are doing, that's the

1054
00:48:38,280 --> 00:48:39,880
Speaker 10: whole pot I'm getting at. You know, you could never

1055
00:48:39,920 --> 00:48:41,000
Speaker 10: see the left hand side of it.

1056
00:48:44,360 --> 00:48:47,200
Speaker 3: So Steve, I can't move on just yet. Did you

1057
00:48:47,320 --> 00:48:49,239
Speaker 3: or did you not? Back in the day, We're all

1058
00:48:49,400 --> 00:48:51,600
Speaker 3: different people. Did you fire a band member because they

1059
00:48:51,640 --> 00:48:52,320
Speaker 3: got engaged?

1060
00:48:53,560 --> 00:48:55,839
Speaker 8: Well, it wasn't they makeual he got engaged, he could

1061
00:48:55,880 --> 00:48:56,880
Speaker 8: engage to my girlfriend.

1062
00:48:57,440 --> 00:49:01,719
Speaker 5: Oh god, here it is.

1063
00:49:01,880 --> 00:49:04,399
Speaker 3: What did I say? There's more to this? I said

1064
00:49:04,440 --> 00:49:05,839
Speaker 3: to you that it involves a girl.

1065
00:49:07,520 --> 00:49:18,200
Speaker 15: That's untrue, you know, true, you guys, So, Steve, why

1066
00:49:18,400 --> 00:49:19,120
Speaker 15: what did happen?

1067
00:49:19,200 --> 00:49:20,880
Speaker 3: What broke up the band? What were you told by

1068
00:49:20,960 --> 00:49:22,080
Speaker 3: the others to fire him?

1069
00:49:22,600 --> 00:49:24,880
Speaker 8: To be honest with you, this is the really saddest thing.

1070
00:49:24,960 --> 00:49:25,920
Speaker 8: I have no recollection.

1071
00:49:26,040 --> 00:49:28,160
Speaker 11: It just could be my age, But I honestly do

1072
00:49:28,320 --> 00:49:31,800
Speaker 11: not remember why. I actually don't you having a problem

1073
00:49:31,840 --> 00:49:32,600
Speaker 11: with at all?

1074
00:49:33,239 --> 00:49:35,239
Speaker 3: One of these deniers. They get them all the time,

1075
00:49:35,320 --> 00:49:36,360
Speaker 3: don't they know.

1076
00:49:37,120 --> 00:49:39,120
Speaker 11: I'm good at the dying thing to you? So you

1077
00:49:39,120 --> 00:49:44,680
Speaker 11: could well be right. Look, I think I remember pretty clearly, Steve.

1078
00:49:45,000 --> 00:49:46,840
Speaker 11: But that's okay. I don't don't what to do.

1079
00:49:46,960 --> 00:49:49,239
Speaker 3: You were the one being fired? You know that kind

1080
00:49:49,239 --> 00:49:52,479
Speaker 3: of thing, you know, Steve, Easy, come, easy go. There's guys,

1081
00:49:52,560 --> 00:49:55,560
Speaker 3: let's let's let's just all just take a moment here, right,

1082
00:49:55,760 --> 00:49:58,640
Speaker 3: there's an amazing gig, and you guys sound brilliant. The

1083
00:49:58,680 --> 00:50:00,600
Speaker 3: clip we've heard, the song, we've heard you know you're

1084
00:50:00,800 --> 00:50:03,080
Speaker 3: very very good back in the day. We'd love to

1085
00:50:03,200 --> 00:50:06,080
Speaker 3: know are you up for really properly going forward entering

1086
00:50:06,120 --> 00:50:07,960
Speaker 3: this competition. We need to know whether you've got time

1087
00:50:08,000 --> 00:50:10,520
Speaker 3: to jam together, whether you really do want to do this,

1088
00:50:10,640 --> 00:50:13,600
Speaker 3: because there's so much competition, so many good bands out there.

1089
00:50:13,640 --> 00:50:15,600
Speaker 3: We'd love to put you in the mix, but I

1090
00:50:15,719 --> 00:50:18,000
Speaker 3: need to know how serious you are or whether it's

1091
00:50:18,040 --> 00:50:18,719
Speaker 3: going to go any further.

1092
00:50:19,840 --> 00:50:22,480
Speaker 8: Well, I mean, I haven't played for quite a few years,

1093
00:50:22,560 --> 00:50:26,400
Speaker 8: but it's so that I can't still play and do

1094
00:50:26,520 --> 00:50:27,960
Speaker 8: it and do it I I'd love to do it

1095
00:50:28,040 --> 00:50:31,239
Speaker 8: for the guys, you know. I know Alex said a day,

1096
00:50:31,280 --> 00:50:32,040
Speaker 8: but I'd be very.

1097
00:50:32,000 --> 00:50:34,160
Speaker 11: Keen to do it. And so I don't like anything

1098
00:50:34,160 --> 00:50:34,520
Speaker 11: of the life.

1099
00:50:34,560 --> 00:50:36,640
Speaker 8: Sometimes it's really good to support your friends, people that

1100
00:50:36,719 --> 00:50:38,920
Speaker 8: you know, you know, I can on anything, have any passion.

1101
00:50:39,400 --> 00:50:42,080
Speaker 3: Ah, that's great, What a great way Alex. Do you accept?

1102
00:50:43,080 --> 00:50:45,480
Speaker 3: Of course, I feel a bit like a dad who's

1103
00:50:45,520 --> 00:50:48,680
Speaker 3: like to two mates who fall and now say sorry.

1104
00:50:49,120 --> 00:50:52,960
Speaker 3: Look him in the eye when you say sorry, a

1105
00:50:53,440 --> 00:50:57,000
Speaker 3: person you say sorry first. All right, guys, so are

1106
00:50:57,040 --> 00:50:59,839
Speaker 3: you up for this? Going? Continuing on into one last

1107
00:51:00,280 --> 00:51:02,440
Speaker 3: and let the past be passed, and let's focus on

1108
00:51:02,560 --> 00:51:03,759
Speaker 3: how great the band used to be.

1109
00:51:04,480 --> 00:51:06,560
Speaker 11: Yeah, let's get organized, let's get going.

1110
00:51:06,760 --> 00:51:09,960
Speaker 3: Excellent, excellent, great news. Okay, guys, this is this has

1111
00:51:10,040 --> 00:51:12,800
Speaker 3: gone really well. I'm really pleased that you're reuniting. Citizen

1112
00:51:12,920 --> 00:51:15,840
Speaker 3: Kane is ended perfectly. Okay, good luck, Let's see what

1113
00:51:15,880 --> 00:51:16,439
Speaker 3: happens next.

1114
00:51:17,080 --> 00:51:18,120
Speaker 11: Lovely, thank you for your time.

1115
00:51:18,280 --> 00:51:19,680
Speaker 3: All right, thank you for time.

1116
00:51:19,800 --> 00:51:23,640
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

1117
00:51:23,440 --> 00:51:27,160
Speaker 3: Three chat was telling us about this ongoing renovation that's

1118
00:51:27,200 --> 00:51:29,879
Speaker 3: been going on for fifty two years. He started working

1119
00:51:29,920 --> 00:51:33,240
Speaker 3: on it before he was even born. In Another plane

1120
00:51:33,320 --> 00:51:36,200
Speaker 3: and another life. So the latest is with the spare room.

1121
00:51:36,880 --> 00:51:39,600
Speaker 3: You were talking and looking at options about the sauna.

1122
00:51:39,960 --> 00:51:42,439
Speaker 4: Yeah, that was a little bit unrealistic, I guess, even

1123
00:51:42,440 --> 00:51:42,680
Speaker 4: though you.

1124
00:51:42,719 --> 00:51:46,719
Speaker 3: Can get a second floor sawner, this is something your.

1125
00:51:46,640 --> 00:51:49,480
Speaker 4: Single story house. But yeah, we're gonna get one of

1126
00:51:49,520 --> 00:51:52,120
Speaker 4: those kids that you build into a sauna in this second.

1127
00:51:51,880 --> 00:51:54,000
Speaker 3: Round and people people have them. So you've you've moved

1128
00:51:54,000 --> 00:51:55,000
Speaker 3: from that into what now?

1129
00:51:55,160 --> 00:51:58,480
Speaker 4: Well, now Bianca and I are a face to face

1130
00:51:58,640 --> 00:52:02,719
Speaker 4: with She wants a home library with a bookshelf and

1131
00:52:02,840 --> 00:52:05,200
Speaker 4: an armchair, a little reading.

1132
00:52:05,400 --> 00:52:09,239
Speaker 3: Oh I want and obviously she wants you not in there.

1133
00:52:09,239 --> 00:52:11,839
Speaker 3: It's just an arm chair, not a couch. It's an

1134
00:52:11,960 --> 00:52:14,040
Speaker 3: arm chair, I understand. Watch and a lock on that

1135
00:52:14,200 --> 00:52:16,239
Speaker 3: library as well. No, Jack, I've told you don't ever

1136
00:52:16,320 --> 00:52:16,600
Speaker 3: come in.

1137
00:52:16,640 --> 00:52:18,279
Speaker 4: Here, but she doesn't. What I want to bring in,

1138
00:52:18,400 --> 00:52:20,359
Speaker 4: which is I want to make it into a music room,

1139
00:52:20,880 --> 00:52:23,200
Speaker 4: you know, put the guitar ramp in there, turn it

1140
00:52:23,280 --> 00:52:26,880
Speaker 4: up loud, maybe a drum kit one day, if we

1141
00:52:27,000 --> 00:52:27,640
Speaker 4: dared a dream.

1142
00:52:30,880 --> 00:52:33,160
Speaker 3: Good lord, you're not gonna get any of this. Why

1143
00:52:33,160 --> 00:52:35,560
Speaker 3: would she want that? And also, now, if you were

1144
00:52:35,560 --> 00:52:39,839
Speaker 3: in a band or a composer, i'd understand. But let's

1145
00:52:39,880 --> 00:52:42,040
Speaker 3: just look at some of your recent compositions.

1146
00:52:42,960 --> 00:52:49,680
Speaker 4: Put it in a decade, put in and you get better.

1147
00:52:51,480 --> 00:52:51,800
Speaker 5: All this.

1148
00:52:53,040 --> 00:52:55,360
Speaker 16: What's your favorite movie, babe?

1149
00:52:57,480 --> 00:52:59,040
Speaker 3: What's your favorite movie?

1150
00:52:59,520 --> 00:52:59,759
Speaker 5: Yeah?

1151
00:53:02,080 --> 00:53:02,239
Speaker 11: You know?

1152
00:53:03,280 --> 00:53:05,200
Speaker 4: So, no microphone, you don't think.

1153
00:53:08,560 --> 00:53:11,200
Speaker 3: Bianca, Get the armchair, start buying the books.

1154
00:53:11,000 --> 00:53:14,359
Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

1155
00:53:14,400 --> 00:53:14,839
Speaker 1: point three.

1156
00:53:15,200 --> 00:53:17,200
Speaker 3: Yesterday I made a big mistake. I opened up a

1157
00:53:17,320 --> 00:53:20,799
Speaker 3: utility bill and I got my first ever electric bill.

1158
00:53:22,000 --> 00:53:26,439
Speaker 3: Oh wow, how bad is the damage? It's the worst

1159
00:53:26,480 --> 00:53:27,600
Speaker 3: thing I've ever read in my life.

1160
00:53:27,760 --> 00:53:29,440
Speaker 4: Yeah, not that deer in the UK, is it?

1161
00:53:29,640 --> 00:53:31,480
Speaker 3: Well? Yeah, this is probably the same as happened eight

1162
00:53:31,560 --> 00:53:34,800
Speaker 3: years ago the UK. We owned all the utility companies,

1163
00:53:35,160 --> 00:53:38,839
Speaker 3: then they sold us this big lie. We've privatized them,

1164
00:53:39,120 --> 00:53:42,920
Speaker 3: more competition prices for you and now absolutely ripped off.

1165
00:53:43,120 --> 00:53:45,359
Speaker 3: It was just shafted. Every time we get the bill

1166
00:53:45,400 --> 00:53:47,040
Speaker 3: and then I come here people go, they be carefully.

1167
00:53:47,040 --> 00:53:49,360
Speaker 3: Electric's really expensive. So I got my first bill and

1168
00:53:49,440 --> 00:53:52,520
Speaker 3: it's for the last four months, and I I was stunned.

1169
00:53:52,680 --> 00:53:55,160
Speaker 3: I actually rang them yesterday to me ages to get

1170
00:53:55,160 --> 00:53:57,320
Speaker 3: a hold and I actually thought it was the street.

1171
00:53:57,680 --> 00:54:02,080
Speaker 3: It was so high. Is this base size? And we're

1172
00:54:02,080 --> 00:54:04,640
Speaker 3: all going to chip in? Right? I can't honestly, And

1173
00:54:04,880 --> 00:54:07,920
Speaker 3: I watering them out and even the lady went, oh,

1174
00:54:09,000 --> 00:54:10,400
Speaker 3: well that is I said, who did you? There is

1175
00:54:10,400 --> 00:54:13,799
Speaker 3: a problem with the meter like the previous tenant because

1176
00:54:13,800 --> 00:54:15,879
Speaker 3: we're renting. Is it is there bill for the last

1177
00:54:15,960 --> 00:54:19,600
Speaker 3: ten years? No, it is, I said, can you break

1178
00:54:19,640 --> 00:54:22,000
Speaker 3: it down like the daily sort of use is? Just

1179
00:54:22,040 --> 00:54:23,880
Speaker 3: give me an exhaupt. Yeah, I can go in now

1180
00:54:24,040 --> 00:54:26,719
Speaker 3: to your accountcor and I can tell you how much

1181
00:54:26,840 --> 00:54:29,080
Speaker 3: was used on Monday. All right, bearn in mind one

1182
00:54:29,120 --> 00:54:33,720
Speaker 3: the kids wasn't even their lowest came. Thirty five dollars

1183
00:54:33,800 --> 00:54:36,520
Speaker 3: worth of electric was used on Monday a day, just

1184
00:54:36,600 --> 00:54:38,680
Speaker 3: in a day, and I'm like, oh what she went? Well?

1185
00:54:39,120 --> 00:54:41,680
Speaker 3: The average for four people in the house is someone

1186
00:54:41,760 --> 00:54:45,160
Speaker 3: like thirty five to forty. I don't know whatever, what isn't?

1187
00:54:45,800 --> 00:54:48,879
Speaker 3: Isn't it? Yours on average over the last four months

1188
00:54:49,000 --> 00:54:52,080
Speaker 3: is seventy seven. I don't understand how it's so high.

1189
00:54:52,200 --> 00:54:53,200
Speaker 4: Why are you running in there?

1190
00:54:54,040 --> 00:54:56,719
Speaker 3: My wife's up to during the during the show. I mean, now,

1191
00:54:56,800 --> 00:54:59,080
Speaker 3: she's got that massage and she keeps down by the bed,

1192
00:54:59,160 --> 00:55:00,920
Speaker 3: and that seems he plugged in a lot and he's

1193
00:55:00,960 --> 00:55:02,960
Speaker 3: a lot of generating. But I don't want stuff.

1194
00:55:03,200 --> 00:55:04,520
Speaker 4: She's growing something in the roof.

1195
00:55:06,000 --> 00:55:07,560
Speaker 3: We're going to need to start doing that. Pats to

1196
00:55:07,600 --> 00:55:09,520
Speaker 3: pray this bill. So I'm gonna have to speak to

1197
00:55:09,560 --> 00:55:11,200
Speaker 3: the boss, you know, and try and get some extra shift.

1198
00:55:11,280 --> 00:55:13,279
Speaker 3: So if listen, if you start hearing me at the weekend, now,

1199
00:55:13,320 --> 00:55:14,560
Speaker 3: it's just it's just for a while, it's just a

1200
00:55:14,600 --> 00:55:16,440
Speaker 3: pay off. The electric building. I was topcously off for

1201
00:55:16,440 --> 00:55:18,120
Speaker 3: a couple of weeks of Christmas I can easily see

1202
00:55:18,160 --> 00:55:20,560
Speaker 3: me being here Christmas Day in the morning, boxing down

1203
00:55:20,640 --> 00:55:21,919
Speaker 3: News Day as well, doing shit.

1204
00:55:22,840 --> 00:55:24,520
Speaker 4: You're gonna turn into my dad. You're not going to

1205
00:55:24,600 --> 00:55:27,400
Speaker 4: let the family turn the aircon over on over Christmas.

1206
00:55:27,440 --> 00:55:30,920
Speaker 3: Stick another layer on, check, another layer off. I've got

1207
00:55:30,920 --> 00:55:33,160
Speaker 3: somebody we can do the ice bucket challenge right now.

1208
00:55:33,239 --> 00:55:34,000
Speaker 3: This will call you down.

1209
00:55:34,160 --> 00:55:37,520
Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

1210
00:55:37,600 --> 00:55:38,040
Speaker 1: point three.

1211
00:55:44,280 --> 00:55:46,160
Speaker 3: Good morning. It's got one O four point three. It's

1212
00:55:46,160 --> 00:55:49,720
Speaker 3: a Christian O'Connor breakfast show. Now, this is great. Today's

1213
00:55:49,719 --> 00:55:51,480
Speaker 3: at work time waste that comes from one of you.

1214
00:55:51,640 --> 00:55:54,920
Speaker 3: The idea. Amanda listens to it every single morning when

1215
00:55:54,920 --> 00:55:56,680
Speaker 3: she gets into it. Loves the at work time waster

1216
00:55:57,000 --> 00:56:00,120
Speaker 3: and not a day gorging her south on sweets. I'm

1217
00:56:00,200 --> 00:56:01,719
Speaker 3: up with the idea for the smallest one. Thank you

1218
00:56:01,880 --> 00:56:07,480
Speaker 3: very much, Amanda. Celebrity sweets. I'm not proud of some

1219
00:56:07,560 --> 00:56:10,000
Speaker 3: of these. Some of these I stand by. See if

1220
00:56:10,000 --> 00:56:13,360
Speaker 3: you can work out which is which. Let's get going, everyone,

1221
00:56:13,480 --> 00:56:17,959
Speaker 3: celebrities are sweets. We'll start easy with Brad Pick and Mix,

1222
00:56:18,719 --> 00:56:28,000
Speaker 3: Good Brune, Mars Bar, Good Jenny, Jelly Beanie King takes

1223
00:56:28,040 --> 00:56:32,319
Speaker 3: a while, doesn't it? Maybe too picnic cage, Yeah, that's good.

1224
00:56:32,560 --> 00:56:38,840
Speaker 3: Reese's pieces, Witherspoon, that's good, thank you. I was staring

1225
00:56:38,880 --> 00:56:42,160
Speaker 3: at the word crunchy for ages the last half an hour,

1226
00:56:42,520 --> 00:56:44,360
Speaker 3: and all I can come up with this. This is

1227
00:56:44,400 --> 00:56:46,160
Speaker 3: what I'm not proud with, but I'm committing to it

1228
00:56:46,200 --> 00:56:47,840
Speaker 3: because I put a lot of work into this. Everyone

1229
00:56:48,560 --> 00:56:55,800
Speaker 3: crunch cheach and Chong, punch, crunch, cheech and chong, Turkish,

1230
00:56:56,000 --> 00:56:59,520
Speaker 3: go add us tonight? Who's that goad?

1231
00:56:59,680 --> 00:56:59,799
Speaker 9: Night?

1232
00:57:00,520 --> 00:57:02,840
Speaker 3: Okay? You know, Glad's not The pips might be a

1233
00:57:02,880 --> 00:57:05,719
Speaker 3: bit before your time. What have you got? Then? Celebrities

1234
00:57:05,760 --> 00:57:06,400
Speaker 3: are sweets?

1235
00:57:07,160 --> 00:57:15,439
Speaker 4: Angelina Lolly Oh, simple but effective, Hat Twigs Dempsey, Yes, yes,

1236
00:57:15,560 --> 00:57:23,000
Speaker 4: but Dreamy Tobler, Ronan kating Ah and Fredo Mercury.

1237
00:57:25,760 --> 00:57:27,960
Speaker 3: All right, then send us your celebrities of sweets. Text

1238
00:57:28,040 --> 00:57:29,400
Speaker 3: them in on O four seventy five.

1239
00:57:29,640 --> 00:57:32,800
Speaker 1: Three, one oh four three, The Christian O'Connell Breakfast Show,

1240
00:57:32,960 --> 00:57:35,000
Speaker 1: Melbourne's Gold one oh four point three.

1241
00:57:35,320 --> 00:57:37,080
Speaker 3: How about that? That's I went to get the toilet

1242
00:57:37,120 --> 00:57:40,240
Speaker 3: and Huckey came flying in. I didn't realize he does

1243
00:57:40,360 --> 00:57:42,600
Speaker 3: not care for that scorpion song. I don't know what

1244
00:57:42,760 --> 00:57:45,720
Speaker 3: it is. Well, apparently auditioned to run the fan club

1245
00:57:45,760 --> 00:57:47,920
Speaker 3: in Australia and they turned it down. The job interview

1246
00:57:48,000 --> 00:57:50,440
Speaker 3: and I don't really ant. He just gets very angry

1247
00:57:50,680 --> 00:57:52,840
Speaker 3: if you play on this radio station. So he killed

1248
00:57:52,880 --> 00:57:54,760
Speaker 3: it after a minute there, So take it up with

1249
00:57:54,800 --> 00:57:58,040
Speaker 3: huge tam. By the way, do you not tell me

1250
00:57:58,080 --> 00:58:01,280
Speaker 3: turned out to work yesterday. I'm just saying the bosses

1251
00:58:01,320 --> 00:58:03,160
Speaker 3: away this week and you got it at five past

1252
00:58:04,000 --> 00:58:07,320
Speaker 3: he ran actually phoned up Ryan, a producer at nine

1253
00:58:07,320 --> 00:58:09,240
Speaker 3: to fifty nine. So I'm going to be late for work.

1254
00:58:09,560 --> 00:58:14,960
Speaker 3: You don't do that at the time you do on air. Mind,

1255
00:58:15,000 --> 00:58:18,880
Speaker 3: you've ever seen that car, so it's a miracle he

1256
00:58:19,040 --> 00:58:20,200
Speaker 3: gets in every day.

1257
00:58:20,400 --> 00:58:21,360
Speaker 4: I don't know how he gets it.

1258
00:58:21,440 --> 00:58:24,520
Speaker 3: It's like Frank Blinstone if you've see him on the roads.

1259
00:58:24,680 --> 00:58:27,680
Speaker 3: It's got all these dings on it. It's been dropped

1260
00:58:27,680 --> 00:58:30,600
Speaker 3: from a plane several times. Go there's your car. Drive

1261
00:58:30,680 --> 00:58:35,000
Speaker 3: that to work anyway. Okay, today's at work time. Waster is.

1262
00:58:36,000 --> 00:58:39,760
Speaker 3: Celebrities are sweets. Some of you really stretched the definition

1263
00:58:39,880 --> 00:58:42,560
Speaker 3: of what you consider a sweet. All right, you went

1264
00:58:42,640 --> 00:58:47,040
Speaker 3: to Mark ye kick Kat Stevens got start Gold, Vanessa

1265
00:58:47,160 --> 00:58:52,320
Speaker 3: Backers March, well done, Stevie Twigs good use of twigs. Yeah,

1266
00:58:52,640 --> 00:58:55,800
Speaker 3: that's very good. Adam In Hoppers grossing, well done, Chop

1267
00:58:55,920 --> 00:58:59,400
Speaker 3: a chopper read a took me a while, but I

1268
00:58:59,520 --> 00:59:00,720
Speaker 3: think that's what of my favorites.

1269
00:59:00,880 --> 00:59:03,000
Speaker 4: Golden ticket. Yeah, but I'll be giving away for the

1270
00:59:03,040 --> 00:59:05,280
Speaker 4: best one today. Get in the bar of.

1271
00:59:05,320 --> 00:59:11,640
Speaker 3: Chocolate on Tuddy, well done, Flake Edwards who is Edwards?

1272
00:59:12,400 --> 00:59:14,800
Speaker 4: Should have gone more famous? Blake Blake Lively maybe.

1273
00:59:15,240 --> 00:59:17,280
Speaker 3: Runs Sherbet Bomb.

1274
00:59:18,640 --> 00:59:21,880
Speaker 4: Who's that sure, Sherbit Bomb? That's good?

1275
00:59:22,000 --> 00:59:25,000
Speaker 3: Yeah, Amanda and Rosebud who's does this every day? Always

1276
00:59:25,080 --> 00:59:28,600
Speaker 3: very good. Crispy krem hemsworth.

1277
00:59:28,680 --> 00:59:33,120
Speaker 4: A great Do you know what's a golden ticket? That's good?

1278
00:59:33,360 --> 00:59:35,760
Speaker 3: If I work for the PR company, you try and

1279
00:59:35,880 --> 00:59:39,600
Speaker 3: make that, wouldn't you? Seriously, that's the kind of stuff

1280
00:59:39,600 --> 00:59:42,840
Speaker 3: that go viral these days all around the world. Chris,

1281
00:59:43,240 --> 00:59:45,880
Speaker 3: it was worth made out of Chris Kreich. You try

1282
00:59:45,920 --> 00:59:47,800
Speaker 3: and do ourselves and send it to him. It's a

1283
00:59:47,880 --> 00:59:50,600
Speaker 3: gift from the show, that is anyway. Brent did that

1284
00:59:50,720 --> 01:00:00,240
Speaker 3: one krem Brew Lady Gaga, I appreciate the day Devil's.

1285
01:00:00,120 --> 01:00:02,080
Speaker 4: Over that that's golden ticket.

1286
01:00:02,400 --> 01:00:05,720
Speaker 3: Brented that and the Krispy Kreme hemisworth as well, double

1287
01:00:05,800 --> 01:00:10,920
Speaker 3: gold Denzil Lamington. It's a cake, isn't you called that?

1288
01:00:12,280 --> 01:00:15,480
Speaker 4: It's a sweet cake cake. Yeah, the pan is not

1289
01:00:15,680 --> 01:00:17,200
Speaker 4: quite there, but it's a bit there.

1290
01:00:17,320 --> 01:00:21,240
Speaker 3: Silver all right? What on Brian uh chomp bomb Jovi?

1291
01:00:23,200 --> 01:00:26,960
Speaker 4: Not familiar with the chump bomb, Bronze.

1292
01:00:27,240 --> 01:00:30,320
Speaker 3: Jaffa Goldblum biscuit, skiddy cake.

1293
01:00:32,680 --> 01:00:36,320
Speaker 4: An orange chocolate lollly Yeah, not like the awful.

1294
01:00:36,040 --> 01:00:42,240
Speaker 3: Biscuit, just chocolate and so in that case, God because

1295
01:00:42,240 --> 01:00:50,720
Speaker 3: I find them unsettling. Jube law Wow, shame we love

1296
01:00:50,760 --> 01:00:55,160
Speaker 3: now for Krispy Kreme Hemmers work. We move on so quickly.

1297
01:00:55,440 --> 01:01:01,400
Speaker 3: And I love this one because of the image. Snickerless cage. Okay,

1298
01:01:01,520 --> 01:01:03,640
Speaker 3: well down Nick at mant Waverley, you shut it down.

1299
01:01:03,680 --> 01:01:07,000
Speaker 1: World up the Christian O'Connell Breakfast Show, Melbourne's Gold one

1300
01:01:07,080 --> 01:01:08,000
Speaker 1: oh four point three.

1301
01:01:08,360 --> 01:01:10,720
Speaker 3: So early this morning we were doing our weekly feature,

1302
01:01:10,840 --> 01:01:13,440
Speaker 3: like an Internet roundup of everything we've been googling the

1303
01:01:13,560 --> 01:01:15,400
Speaker 3: last twenty four hours. If you had a look at

1304
01:01:15,440 --> 01:01:17,720
Speaker 3: your Internet history, some of the stuff that we now

1305
01:01:17,920 --> 01:01:20,560
Speaker 3: just dump into search engines. So it's not about what

1306
01:01:20,600 --> 01:01:23,040
Speaker 3: we got going on and I was saying, how I

1307
01:01:23,120 --> 01:01:26,400
Speaker 3: went down a YouTube wormhole and I found these accidents

1308
01:01:26,600 --> 01:01:29,480
Speaker 3: that happens and recordings of very well known songs. But

1309
01:01:29,560 --> 01:01:31,360
Speaker 3: instead of fixing it, which they could have easily done,

1310
01:01:31,600 --> 01:01:33,640
Speaker 3: they decided to keep them in. And I played this

1311
01:01:33,760 --> 01:01:35,920
Speaker 3: one from led Zem a big led Zet fan, and

1312
01:01:36,280 --> 01:01:40,280
Speaker 3: whilst they're recording their late seventies album Physical Graffiti, Eddie

1313
01:01:40,400 --> 01:01:42,840
Speaker 3: the studio engineer said, it's a bit fuggy in the studio,

1314
01:01:42,960 --> 01:01:46,320
Speaker 3: guys with I think some of the incense they must

1315
01:01:46,360 --> 01:01:49,160
Speaker 3: have been enjoying back in the seventies, So can we

1316
01:01:49,200 --> 01:01:51,320
Speaker 3: go outside and maybe record some songs so that the

1317
01:01:51,400 --> 01:01:53,360
Speaker 3: rest of us can breathe. And they went out into

1318
01:01:53,400 --> 01:01:55,440
Speaker 3: the garden and where they were recording it was actually

1319
01:01:55,520 --> 01:01:58,040
Speaker 3: Mick Jagger's house in the seventies. They went out into

1320
01:01:58,040 --> 01:02:00,280
Speaker 3: the garden and they start recording it, and they giving

1321
01:02:00,320 --> 01:02:01,800
Speaker 3: of the song A plane goes over ahead and there's

1322
01:02:01,800 --> 01:02:05,880
Speaker 3: a conversation between the great Jimmy Page and Eddie the engineer,

1323
01:02:06,120 --> 01:02:07,880
Speaker 3: and it stays in the song. When you listen to this,

1324
01:02:08,400 --> 01:02:10,240
Speaker 3: it's like a postcard. It's like a snapshot of a

1325
01:02:10,320 --> 01:02:12,760
Speaker 3: moment in history. One of the greatest rock and roll

1326
01:02:12,840 --> 01:02:15,400
Speaker 3: bands ever. On a track called Black Country Woman, they

1327
01:02:15,480 --> 01:02:15,800
Speaker 3: kept it in.

1328
01:02:16,120 --> 01:02:23,280
Speaker 16: We ll Jimmy, We're rolling on one again, Tin, I

1329
01:02:23,320 --> 01:02:28,160
Speaker 16: get the airplane on, so.

1330
01:02:28,240 --> 01:02:30,160
Speaker 3: You hear the plane and even here all the stuff.

1331
01:02:30,200 --> 01:02:32,800
Speaker 3: Normally it gets edited out take one and you know,

1332
01:02:32,800 --> 01:02:34,919
Speaker 3: all the stuff which is the flim flam before the song,

1333
01:02:35,360 --> 01:02:37,320
Speaker 3: and normally that's but Jimmy liked it so much he

1334
01:02:37,400 --> 01:02:39,200
Speaker 3: kept it in because it adds to the jauntiness of

1335
01:02:39,240 --> 01:02:39,520
Speaker 3: the song.

1336
01:02:39,800 --> 01:02:47,120
Speaker 16: Well, Jimmy, we're rolling on one again, Tin, I get

1337
01:02:47,120 --> 01:02:47,680
Speaker 16: the airplane on.

1338
01:02:47,760 --> 01:02:53,520
Speaker 3: It is like a little it's like you're back there,

1339
01:02:53,760 --> 01:02:56,760
Speaker 3: you know. Mickchak is stately home guarden And then I

1340
01:02:56,840 --> 01:02:58,360
Speaker 3: played this one. It's not so much an accident in

1341
01:02:58,400 --> 01:03:01,280
Speaker 3: a song. It is a song with a song Libel Stage, Vegas,

1342
01:03:01,480 --> 01:03:05,320
Speaker 3: Elvis Presley. He's doing a show, right, and there's a

1343
01:03:05,400 --> 01:03:07,040
Speaker 3: guy in a front row who's got a two pay

1344
01:03:07,240 --> 01:03:09,760
Speaker 3: a wig. Elvis doesn't know this until the date that

1345
01:03:09,880 --> 01:03:12,439
Speaker 3: the guy's with runs her hands lovingly through his hair

1346
01:03:12,960 --> 01:03:16,080
Speaker 3: and the wig just falls off. Elvis is on stage.

1347
01:03:16,240 --> 01:03:18,400
Speaker 3: He sees this. It's obviously a funny thing. Someone's wig

1348
01:03:18,520 --> 01:03:20,720
Speaker 3: falls off, you're going to start to giggle. But you're

1349
01:03:20,720 --> 01:03:23,080
Speaker 3: the king of rock and roll. You're Elvis Presley, And

1350
01:03:23,280 --> 01:03:25,960
Speaker 3: so he so starts to he weaves it into the

1351
01:03:26,080 --> 01:03:28,720
Speaker 3: song and then his giggle and his laugh is so infectious.

1352
01:03:29,120 --> 01:03:31,760
Speaker 3: Have a listen to this. This is Elvis Presley, dude,

1353
01:03:31,880 --> 01:03:32,280
Speaker 3: don't you.

1354
01:03:39,720 --> 01:03:40,080
Speaker 11: Do you?

1355
01:03:41,600 --> 01:03:45,120
Speaker 5: He's at your bar here and with you.

1356
01:03:51,200 --> 01:03:51,840
Speaker 3: Even laughing.

1357
01:03:51,920 --> 01:03:56,800
Speaker 11: And tell me.

1358
01:04:08,880 --> 01:04:11,760
Speaker 3: There's something so infectious about this the king. You never

1359
01:04:11,800 --> 01:04:15,200
Speaker 3: heard him laugh the world. I love the way he

1360
01:04:15,280 --> 01:04:17,560
Speaker 3: just carries it. Fix back and the band don't miss

1361
01:04:17,600 --> 01:04:18,240
Speaker 3: a beat today?

1362
01:04:19,440 --> 01:04:19,760
Speaker 5: All right?

1363
01:04:19,800 --> 01:04:22,160
Speaker 3: Then, Jack, you found another one from in honor of

1364
01:04:22,200 --> 01:04:24,280
Speaker 3: an accident in a song that they could have fixed.

1365
01:04:24,320 --> 01:04:27,480
Speaker 4: So this is in the song Polly and Kurt Cobain's

1366
01:04:27,560 --> 01:04:30,760
Speaker 4: vocal comes in too early and so he stops himself

1367
01:04:30,880 --> 01:04:32,640
Speaker 4: and then sings it again in the right spot. But

1368
01:04:33,040 --> 01:04:35,760
Speaker 4: he asked to keep it in the final track.

1369
01:04:35,800 --> 01:04:50,040
Speaker 3: All right, let's listen to this. Harley says it back.

1370
01:04:50,400 --> 01:04:52,320
Speaker 3: I did not know that. I don't know. There's loads

1371
01:04:52,320 --> 01:04:54,040
Speaker 3: of them online. If you find any and you want

1372
01:04:54,080 --> 01:04:56,040
Speaker 3: to blame them tomorrow, email me Christian at gold one

1373
01:04:56,040 --> 01:04:57,440
Speaker 3: IF four three dot com dot a.

1374
01:04:57,840 --> 01:05:01,680
Speaker 1: The Christian O'Connell Breakfast Show one O four point three.

1375
01:05:01,960 --> 01:05:04,080
Speaker 3: That's the breakfast show from us. Thank you very much

1376
01:05:04,160 --> 01:05:07,000
Speaker 3: for listening, coming up tomorrow. Then we got your smarter

1377
01:05:07,120 --> 01:05:10,680
Speaker 3: than Google. Also we gave away the big grand prize

1378
01:05:10,680 --> 01:05:13,880
Speaker 3: on the Royal Melbourne Hospital Home lottery worth four million

1379
01:05:13,920 --> 01:05:16,720
Speaker 3: dollars the home, the range drover, the half a million

1380
01:05:16,760 --> 01:05:20,760
Speaker 3: pounds worth of gold genber. Michael the Firefighter been a

1381
01:05:20,840 --> 01:05:23,400
Speaker 3: fireman for thirty years. He was who is surprised live

1382
01:05:23,480 --> 01:05:25,720
Speaker 3: on Tuesday show with the great news, and he was

1383
01:05:26,080 --> 01:05:28,960
Speaker 3: stunned and shocked as any of us would be. Someone

1384
01:05:29,000 --> 01:05:31,120
Speaker 3: calls out the booe telling you you've actually won this

1385
01:05:31,440 --> 01:05:34,200
Speaker 3: life changing prizes. Anyway, there's the video now have you

1386
01:05:34,320 --> 01:05:37,040
Speaker 3: seen it of him going through the house. Oh it's

1387
01:05:37,200 --> 01:05:40,320
Speaker 3: so sweet. Sounds that one of the suns clearly has

1388
01:05:40,360 --> 01:05:42,280
Speaker 3: got his eyes on moving in with the old man.

1389
01:05:43,720 --> 01:05:46,360
Speaker 3: Wasted like nine seconds were cracking open a bin, put

1390
01:05:46,440 --> 01:05:47,120
Speaker 3: the feet up.

1391
01:05:47,040 --> 01:05:49,200
Speaker 4: There on his backpack on one of the beds in

1392
01:05:49,240 --> 01:05:49,760
Speaker 4: the bedroom.

1393
01:05:50,520 --> 01:05:52,480
Speaker 3: Michael's on the show tomorrow and I'm hoping after a

1394
01:05:52,520 --> 01:05:55,000
Speaker 3: couple of days he's had some time with his lovely

1395
01:05:55,040 --> 01:05:57,280
Speaker 3: wife to think about what they're going to do. Is

1396
01:05:57,320 --> 01:06:00,560
Speaker 3: he going to retire after thirty years serving the community firefighter.

1397
01:06:00,680 --> 01:06:02,600
Speaker 3: So he's on tomorrow. One question I want to know

1398
01:06:02,720 --> 01:06:05,000
Speaker 3: is what did you have planned for this weekend? What

1399
01:06:05,200 --> 01:06:07,200
Speaker 3: are you actually going to be doing that now now

1400
01:06:07,240 --> 01:06:08,760
Speaker 3: that you know and you've got all these prizes and

1401
01:06:08,760 --> 01:06:10,640
Speaker 3: all these money. So that's on tomorrow show, along with

1402
01:06:10,720 --> 01:06:13,120
Speaker 3: you picking all the music all requests Friday tomorrow when

1403
01:06:13,120 --> 01:06:14,920
Speaker 3: we're back, you won't control the music. Head over the

1404
01:06:14,960 --> 01:06:17,760
Speaker 3: face for OC one oh four to three. Title of

1405
01:06:17,840 --> 01:06:20,840
Speaker 3: today's show is and Now I Eat Your Face.

1406
01:06:21,120 --> 01:06:24,480
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1407
01:06:24,520 --> 01:06:25,000
Speaker 1: point three