1 00:00:00,800 --> 00:00:03,240 Speaker 1: Jersey and Amanda jam Nation. 2 00:00:03,480 --> 00:00:05,920 Speaker 2: Forty years ago I first met our next guest. I 3 00:00:06,000 --> 00:00:09,280 Speaker 2: was a segment producer on a television show. I was 4 00:00:09,320 --> 00:00:12,400 Speaker 2: obsessed with spand Our Ballet. I've seen them every time 5 00:00:12,440 --> 00:00:14,920 Speaker 2: they're here. I see Tony Hadley every time he's performing, 6 00:00:15,040 --> 00:00:17,320 Speaker 2: and he's performing with us right here, right now, as 7 00:00:17,720 --> 00:00:18,439 Speaker 2: our next guest. 8 00:00:18,480 --> 00:00:20,160 Speaker 1: Hi, Tony here is Oh good morning. 9 00:00:20,200 --> 00:00:22,800 Speaker 3: Do you know years ago I was wooing Amanda to 10 00:00:22,840 --> 00:00:25,560 Speaker 3: come and work with me on the radio, and I 11 00:00:25,680 --> 00:00:28,840 Speaker 3: used your tickets as a carrot. This is twenty years ago, 12 00:00:29,160 --> 00:00:30,840 Speaker 3: twenty probably twenty one years ago. 13 00:00:31,120 --> 00:00:32,440 Speaker 1: Used you guys. 14 00:00:32,320 --> 00:00:34,440 Speaker 3: Coming to town, you were performing at Luna Pass, you 15 00:00:34,479 --> 00:00:35,839 Speaker 3: could take your posse year. 16 00:00:36,880 --> 00:00:38,720 Speaker 2: It got me over the line and here I am. 17 00:00:38,840 --> 00:00:39,640 Speaker 1: Twenty years later. 18 00:00:39,800 --> 00:00:42,640 Speaker 2: So we're talking about forty years between about twenty years. 19 00:00:42,640 --> 00:00:45,600 Speaker 2: How does it feel, Tony to have this fabulous career 20 00:00:45,600 --> 00:00:46,840 Speaker 2: that spans the decades. 21 00:00:47,479 --> 00:00:48,559 Speaker 1: It's a bit of a weird while. 22 00:00:48,640 --> 00:00:51,320 Speaker 4: I mean, when you start off making music, I mean 23 00:00:51,320 --> 00:00:53,320 Speaker 4: we were a punk band when we first started nineteen 24 00:00:53,320 --> 00:00:55,520 Speaker 4: seventy six. We planned all the punk clubs in London 25 00:00:56,280 --> 00:00:59,120 Speaker 4: and eventually we sort of became Span Our Ballet and 26 00:00:59,160 --> 00:01:01,800 Speaker 4: then our first fact this year is going to be 27 00:01:01,800 --> 00:01:03,760 Speaker 4: the celebration of cut long story short. 28 00:01:04,400 --> 00:01:07,399 Speaker 1: It's forty five years ago, which is ridiculous, and. 29 00:01:07,720 --> 00:01:10,120 Speaker 4: At that moment you hope and pray that you're going 30 00:01:10,160 --> 00:01:12,759 Speaker 4: to be around in ten years time, twenty years time. 31 00:01:13,120 --> 00:01:15,920 Speaker 4: I'm not sure I imagined i'd still be doing this 32 00:01:15,959 --> 00:01:17,160 Speaker 4: in forty five years time. 33 00:01:17,760 --> 00:01:19,640 Speaker 1: But I'm still loving it. And I remember when. 34 00:01:19,640 --> 00:01:21,360 Speaker 4: When I was younger, because you know, you're all kind 35 00:01:21,360 --> 00:01:24,720 Speaker 4: of excuse me, angry young men, and I'd be saying, yeah, 36 00:01:24,760 --> 00:01:27,240 Speaker 4: Mick Jagger and Paul McCarley, they're so old man, they 37 00:01:27,280 --> 00:01:28,200 Speaker 4: should be giving it up. 38 00:01:28,440 --> 00:01:32,199 Speaker 1: They're only about thirty two. Here I am at sixty four, 39 00:01:32,760 --> 00:01:34,360 Speaker 1: still still cracking it. 40 00:01:34,800 --> 00:01:36,600 Speaker 4: As I just said, I haven't had to drop any 41 00:01:36,600 --> 00:01:38,920 Speaker 4: of the keys to the songs or anything. I had 42 00:01:39,080 --> 00:01:41,280 Speaker 4: a quick story. So I was in Holland working with 43 00:01:41,280 --> 00:01:41,840 Speaker 4: an orchestra. 44 00:01:42,480 --> 00:01:45,039 Speaker 1: I work with quite a lot of orchestras. 45 00:01:44,400 --> 00:01:46,880 Speaker 4: And the conductor came over to me and he said, 46 00:01:46,920 --> 00:01:50,960 Speaker 4: these keys they're in the same key. I said, yeah, 47 00:01:50,960 --> 00:01:52,880 Speaker 4: I sing in the same key. So but you're very old, 48 00:01:54,000 --> 00:01:56,400 Speaker 4: I said, after I hit him. 49 00:01:57,560 --> 00:01:59,480 Speaker 2: Not quite a compliment and half a compliment. 50 00:01:59,520 --> 00:02:01,720 Speaker 3: It happens to the singers. Elton John had to change 51 00:02:01,720 --> 00:02:03,600 Speaker 3: his key. Rod Stewart had to change his key because 52 00:02:03,640 --> 00:02:06,640 Speaker 3: as you get older, your vocal cords shrink like most 53 00:02:06,680 --> 00:02:11,639 Speaker 3: of you. But so you've you've managed to keep that. 54 00:02:11,639 --> 00:02:12,440 Speaker 1: That's fantastic. 55 00:02:12,600 --> 00:02:15,959 Speaker 4: Yeah, I mean, I mean I studied with an opera 56 00:02:16,000 --> 00:02:19,720 Speaker 4: singer for two years. I always exercised before I go 57 00:02:19,800 --> 00:02:22,560 Speaker 4: on stage, and it's just keeping it going. I mean, 58 00:02:22,600 --> 00:02:26,920 Speaker 4: Tom Jones is still singing like a dream. And Tom's 59 00:02:27,720 --> 00:02:30,400 Speaker 4: so he's still singing really well. Jack Jones, the late 60 00:02:30,520 --> 00:02:32,480 Speaker 4: Jack Jones, I don't know if you be one of 61 00:02:32,520 --> 00:02:35,520 Speaker 4: the best cruders on the planet. And I knew him, 62 00:02:35,520 --> 00:02:37,679 Speaker 4: I loved him. He was fantastic. I mean I saw 63 00:02:37,720 --> 00:02:39,800 Speaker 4: him just literally just a few years ago at Cadungan 64 00:02:39,840 --> 00:02:43,480 Speaker 4: Hall in London. He was still singing like an absolute dream. 65 00:02:43,639 --> 00:02:45,640 Speaker 4: And I think it's about keeping it going. It's you know, 66 00:02:45,639 --> 00:02:47,799 Speaker 4: the minute you stop is the minute you've got problems. 67 00:02:47,800 --> 00:02:50,560 Speaker 2: So you still look like such a stylish man. You're 68 00:02:50,560 --> 00:02:54,800 Speaker 2: wearing a beautiful suit. You look fabulous. It's interesting that 69 00:02:54,840 --> 00:02:57,079 Speaker 2: you say that you were sort of started punk because 70 00:02:57,280 --> 00:02:59,760 Speaker 2: or started in a punk band, or you were punk, 71 00:03:00,120 --> 00:03:03,760 Speaker 2: but because the New Romantic movement is what I kind 72 00:03:03,800 --> 00:03:06,040 Speaker 2: of remember spending our ballet as being. And I'm wearing 73 00:03:06,040 --> 00:03:09,480 Speaker 2: a giant puffy shirt today. What was the most fun 74 00:03:09,639 --> 00:03:11,680 Speaker 2: crazy thing that you wore and do you still own it? 75 00:03:13,880 --> 00:03:17,520 Speaker 4: Well, my live Aid coat I actually found and I 76 00:03:17,600 --> 00:03:19,520 Speaker 4: must auction it to a charity thing. 77 00:03:19,480 --> 00:03:21,040 Speaker 1: So you know, the live Aid coat I wore and 78 00:03:21,080 --> 00:03:23,839 Speaker 1: everyone said, are you mad? So it was a friend 79 00:03:23,880 --> 00:03:24,440 Speaker 1: of mine, Jane. 80 00:03:24,520 --> 00:03:26,600 Speaker 4: She made it and it was a excuse me, a 81 00:03:26,639 --> 00:03:29,560 Speaker 4: double thickness leather coat and it was all about, yeah. 82 00:03:29,400 --> 00:03:30,640 Speaker 1: I've got to look cool. I'm going to be on 83 00:03:30,680 --> 00:03:31,800 Speaker 1: TV in front of the world. 84 00:03:32,240 --> 00:03:35,400 Speaker 4: And I sweated and sweated because it was like eighty 85 00:03:35,440 --> 00:03:38,440 Speaker 4: degrees in London, which is kind of unusual. So I've 86 00:03:38,440 --> 00:03:41,480 Speaker 4: got that coat. But one of the funniest I had 87 00:03:41,480 --> 00:03:43,880 Speaker 4: this outfit made. It was a leather outfit with loads 88 00:03:43,920 --> 00:03:46,080 Speaker 4: of poppers on it, and I had boots with fur 89 00:03:46,200 --> 00:03:48,600 Speaker 4: on them and everything and chains and everything like that. And 90 00:03:48,640 --> 00:03:50,760 Speaker 4: I was at this art show in London thinking I 91 00:03:50,840 --> 00:03:53,080 Speaker 4: was ever so cool, and all of a sudden. 92 00:03:52,800 --> 00:03:54,240 Speaker 1: The poppers started to come off. 93 00:03:54,680 --> 00:03:57,920 Speaker 4: It was getting to the point where things were getting exposed. 94 00:03:58,120 --> 00:04:02,320 Speaker 1: Because I had to rush home early but live. 95 00:04:01,560 --> 00:04:04,720 Speaker 3: Ages, lives in our lives now large in our lives. 96 00:04:04,720 --> 00:04:06,720 Speaker 3: And the fact that you're actually there, the fact that 97 00:04:06,840 --> 00:04:10,880 Speaker 3: Queen were there, and after watching Bahemian Rhapsody, you really 98 00:04:10,920 --> 00:04:13,240 Speaker 3: get that vibe of like they were on the out 99 00:04:13,320 --> 00:04:16,839 Speaker 3: at that stage and Freddie knew he had age a stage. 100 00:04:16,520 --> 00:04:18,320 Speaker 1: And he wasn't going to be around for much longer. 101 00:04:18,440 --> 00:04:21,040 Speaker 3: What was it like being there when Queen performed? 102 00:04:21,040 --> 00:04:23,000 Speaker 4: What was that where there were two bands that you 103 00:04:23,080 --> 00:04:25,840 Speaker 4: really remember, which was Stateless quote and I stood on 104 00:04:25,839 --> 00:04:27,880 Speaker 4: the side of the stage with the late great Janie 105 00:04:27,920 --> 00:04:31,960 Speaker 4: Long and the Crow Boys France and Rick love them 106 00:04:32,279 --> 00:04:34,680 Speaker 4: and literally they started rocking all over the world and 107 00:04:34,720 --> 00:04:37,000 Speaker 4: we just looked at each other and went, Wow, this 108 00:04:37,120 --> 00:04:39,520 Speaker 4: is really happening. I mean, you know, eighty thousand people 109 00:04:39,560 --> 00:04:41,840 Speaker 4: in the stadium and that was a moment. And then 110 00:04:41,839 --> 00:04:45,480 Speaker 4: obviously the Queen Boys, because they did an amazing sort 111 00:04:45,480 --> 00:04:47,880 Speaker 4: of compilation of all their big hits and stuff. And 112 00:04:47,960 --> 00:04:49,719 Speaker 4: I remember going in to see Freddie and the Boys 113 00:04:49,760 --> 00:04:51,479 Speaker 4: just before they went on and said, look, just have 114 00:04:51,560 --> 00:04:53,600 Speaker 4: a great show, guys. You know you're going to be fantastic. 115 00:04:54,000 --> 00:04:56,360 Speaker 4: And I knew Freddie and the Boys anyway, and Freddie 116 00:04:56,360 --> 00:04:59,400 Speaker 4: gave me advice as a young singer about, you know, 117 00:04:59,480 --> 00:05:01,960 Speaker 4: going out there owning the stage. You know, as the 118 00:05:02,040 --> 00:05:05,160 Speaker 4: lead singer, you're always the focal point. And even if 119 00:05:05,200 --> 00:05:07,680 Speaker 4: you're feeling down, or your voice is not great, or 120 00:05:07,680 --> 00:05:10,640 Speaker 4: you've got a bit of flu, you never apologize for anything. 121 00:05:10,640 --> 00:05:13,680 Speaker 4: You go out there and you're larger than life. And 122 00:05:13,720 --> 00:05:17,000 Speaker 4: I always took that on board. And he was a fantastic, lovely, lovely, 123 00:05:17,120 --> 00:05:19,480 Speaker 4: lovely man. Order Queen Boys were wonderful guys. 124 00:05:19,920 --> 00:05:22,000 Speaker 2: To be such a moment of history, and for your 125 00:05:22,040 --> 00:05:24,599 Speaker 2: songs as well, to be so iconic. What more as 126 00:05:24,640 --> 00:05:27,159 Speaker 2: a musician could you ask for? To have songs that 127 00:05:27,360 --> 00:05:30,000 Speaker 2: babies are born knowing is extraordinary, isn't it. 128 00:05:30,320 --> 00:05:31,680 Speaker 1: They come out singing gold. 129 00:05:31,760 --> 00:05:32,400 Speaker 2: Yeah, that's right. 130 00:05:33,000 --> 00:05:34,520 Speaker 1: That's a worry. 131 00:05:35,680 --> 00:05:37,760 Speaker 4: It's it's kind of weird, you know, I mean, true 132 00:05:37,800 --> 00:05:40,520 Speaker 4: is the is the love song? You know, people get 133 00:05:40,520 --> 00:05:42,280 Speaker 4: married to that, you know, make love to it, all 134 00:05:42,320 --> 00:05:42,920 Speaker 4: sorts of stuff. 135 00:05:42,920 --> 00:05:45,919 Speaker 1: You know. Gold is that kind of anthemic, sort of 136 00:05:45,920 --> 00:05:47,160 Speaker 1: believe in yourself kind of thing. 137 00:05:47,520 --> 00:05:50,200 Speaker 4: And as you walk around London, you'll get the black 138 00:05:50,200 --> 00:05:52,200 Speaker 4: cab is going all right, turn as you go you're right, 139 00:05:52,200 --> 00:05:54,960 Speaker 4: May your gold, and so you got to that reaction 140 00:05:55,320 --> 00:05:58,120 Speaker 4: and then through the barricade. For me is my favorite 141 00:05:58,160 --> 00:06:01,480 Speaker 4: man I Ballet song because it was a complete departure 142 00:06:01,560 --> 00:06:03,799 Speaker 4: from everything else we did, and it's got the beautiful 143 00:06:04,240 --> 00:06:06,440 Speaker 4: lyrics and the soft bits at the beginning, and then 144 00:06:06,480 --> 00:06:08,440 Speaker 4: you've got the anthemic bit when the drums come in, 145 00:06:08,800 --> 00:06:11,120 Speaker 4: and it's just such a wonderful song. 146 00:06:11,640 --> 00:06:12,679 Speaker 1: And that's the one. 147 00:06:13,080 --> 00:06:15,039 Speaker 4: If you're going to see anyone in the audience shed 148 00:06:15,040 --> 00:06:17,360 Speaker 4: a tear, that will be on that particular song. 149 00:06:17,440 --> 00:06:18,800 Speaker 1: Not true our goal, but it will be that. 150 00:06:18,920 --> 00:06:22,400 Speaker 3: Yeah, when I make love, I choose gold and sadly 151 00:06:22,400 --> 00:06:23,279 Speaker 3: I'm by myself. 152 00:06:23,520 --> 00:06:26,120 Speaker 2: Oh we didn't need that. It's the shortest song. 153 00:06:27,880 --> 00:06:30,559 Speaker 1: What time is it? It's time. 154 00:06:32,080 --> 00:06:35,000 Speaker 3: It's great to see you again. For tickets and tour information, 155 00:06:35,160 --> 00:06:39,120 Speaker 3: head to destroy our all lines dot com. 156 00:06:39,160 --> 00:06:42,520 Speaker 1: Well explain right, Well, I'll explain sort of briefing what 157 00:06:42,560 --> 00:06:42,880 Speaker 1: was going on. 158 00:06:42,960 --> 00:06:45,200 Speaker 4: So we were meant to do these these festivals over 159 00:06:45,200 --> 00:06:48,240 Speaker 4: here for some reason, I don't know why, but they 160 00:06:48,320 --> 00:06:51,839 Speaker 4: got canceled and we added on a few shows ourselves 161 00:06:51,880 --> 00:06:54,920 Speaker 4: in Adelaide's, Hobart and Perth. 162 00:06:55,080 --> 00:06:56,920 Speaker 1: Just spend a bit longer in Australia. 163 00:06:56,960 --> 00:06:59,520 Speaker 4: Really sure, but we're so the tour that we're talking 164 00:06:59,560 --> 00:07:03,200 Speaker 4: about now is the tour in March twenty twenty six. 165 00:07:03,279 --> 00:07:04,800 Speaker 1: Oh my god, we're going to be coming out. 166 00:07:04,800 --> 00:07:07,679 Speaker 4: I well, we've come here to you know, because obviously 167 00:07:07,680 --> 00:07:09,920 Speaker 4: we sold the tickets and we're coming here to see 168 00:07:09,920 --> 00:07:10,520 Speaker 4: our fans. 169 00:07:10,840 --> 00:07:12,800 Speaker 1: So but we're announcing a proper tour. 170 00:07:13,080 --> 00:07:15,120 Speaker 4: In twenty twenty six, March twenty twenty six, and I 171 00:07:15,160 --> 00:07:17,240 Speaker 4: think is it destroy or something. 172 00:07:17,040 --> 00:07:19,080 Speaker 2: That destroy all lines? 173 00:07:19,840 --> 00:07:20,360 Speaker 1: That's the one. 174 00:07:20,440 --> 00:07:22,400 Speaker 2: Go there and. 175 00:07:22,360 --> 00:07:23,119 Speaker 1: We'll see you again. 176 00:07:23,360 --> 00:07:26,800 Speaker 4: Well, I'll see everybody in Perth and Adelaide and Hope 177 00:07:27,040 --> 00:07:29,200 Speaker 4: and then we'll see everyone properly for a. 178 00:07:29,120 --> 00:07:31,640 Speaker 1: Proper tour next year. See you they fantastic. 179 00:07:31,680 --> 00:07:33,880 Speaker 3: Thanks you catch up again mate, Thanks. 180 00:07:33,520 --> 00:07:34,920 Speaker 1: Very much for having me. Thank you