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Speaker 1: This is Will and Woody. A good afternoon everyone. It's

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Speaker 1: well and mony getting your home this Afternoonwards, we're having

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Speaker 1: Pizzahart's Unreal Deals made a little bit later on in

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Speaker 1: the show Wrong Word, Wrong Place, our favorite sego on

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Speaker 1: a Tuesday. Also, we are swapping our way all the

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Speaker 1: way to a limousine. We've got ourselves a gold LOGI.

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Speaker 2: Who knows what is going to be next genuine. This

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Speaker 2: is a real gold LOGGI that we have. So if

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Speaker 2: you want it, keep it here, keep it on our

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Speaker 2: station because you can offer us a trade for that

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Speaker 2: gold LOGI can't.

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Speaker 1: I mate, not to mention if you're still listening in

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Speaker 1: an hour, you're going with a chance to win five

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Speaker 1: million bucks. That happens at five o'clock with us here

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Speaker 1: on Will and Woody. It's kiss. We'll talking about the

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Speaker 1: big things we won't be covering later on. Alright, so

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Speaker 1: this story is actually fascinating. I reckon Natalie Portman. I

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Speaker 1: absolutely love her. Yeah, she's doing a brand new flick

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Speaker 1: called vox Lux, which is going to be an examination

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Speaker 1: of basically when people become very famous and they're young,

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Speaker 1: they're too young for it. She's playing the older version

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Speaker 1: of that of that pop star.

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Speaker 2: I've seen a trailer of this. This looks outstanding, looks

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Speaker 2: really good.

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Speaker 1: The interesting party is that she's obviously playing a pop

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Speaker 1: star in the film, and Sea has written all the songs.

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Speaker 2: Oh brilliant.

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Speaker 1: Now she's admitted that it's actually been fascinating watching because

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Speaker 1: she's a horrible singer.

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Speaker 2: She'll go in Natalie Portman is a horrible singer.

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Speaker 1: Yeah, well we know that Sea can sing good one

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Speaker 1: oh clear for everyone. I mean anyway, Sorry, she goes

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Speaker 1: into the studio, Sea's standing outside, she puts down whatever

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Speaker 1: she wants and then see her apparently just goes into

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Speaker 1: post production and makes it sound delish. Oh nice, that's

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Speaker 1: pretty cool, right, Yeah. So remember the other day, I

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Speaker 1: thought we'd give this a go because we've got an

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Speaker 1: audio engine. Mel She does a great job. Remember the

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Speaker 1: other day when you tried to sing the Titanic theme song?

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Speaker 1: I do so if every only missed it out, this

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Speaker 1: is actually that audio of ad you trying to sing this.

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Speaker 2: You're you're no. We gotta stop playing that.

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Speaker 1: It's pretty bad, isn't it. So look what I did

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Speaker 1: is I gave it to me and I was like, well,

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Speaker 1: I've heard that this work for Natalie Portman. Do you

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Speaker 1: think we can make it better for Woody? Do you

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Speaker 1: want to hear it? No, let's move on. You're you're.

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Speaker 2: So it sounds like tea pain name.

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Speaker 1: I actually don't my name very good?

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Speaker 2: Moving on, Wilb. I want to talk about Prince Harry

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Speaker 2: of the Royal family. Of course, Prince Hantt. I don't know.

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Speaker 2: Do you remember that weekend in Las Vegas? He had

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Speaker 2: that wild weekend where he got photographed.

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Speaker 1: Next importletely news with all.

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Speaker 2: The women playing pool.

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Speaker 1: Yeah, so it's come out today. Were they newd as well?

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Speaker 1: The women?

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Speaker 2: I think it was nerds? He all round. Apparently they

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Speaker 2: were playing strip pool.

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Speaker 1: Outstanding was that the snorting of the vodka incident as well?

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Speaker 2: He snorted vodka.

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Speaker 1: I haven't heard that since I haven't heard about it,

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Speaker 1: so yeah.

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Speaker 2: So apparently this is true. He's broken two world records

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Speaker 2: as a royal, and that is the only royal ever

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Speaker 2: to have snorted vodka and he's the only royal to

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Speaker 2: have drunk champagne out of a prosthetic leg. They are

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Speaker 2: the two records that he holds. But the news story

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Speaker 2: that's come out today is that he still hasn't paid

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Speaker 2: his bill from that Vegas jaw. How much money do

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Speaker 2: you think he spent? He was there, I think for

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Speaker 2: three or four days with a couple of mates. How

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Speaker 2: much money do you think he owes for that party bender,

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Speaker 2: let's call it.

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Speaker 1: Four and he's not snorting what leaders of vodka?

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Speaker 2: I would think he's having a huge amount of vodka.

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Speaker 1: Okay, I say, I'd say fifteen thousand dollars.

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Speaker 2: Fifteen thousand, final, fifty four thousand dollars. Wow, that's how

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Speaker 2: much he owes this Vegas hotel. Fifty four thousand dollars

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Speaker 2: or pounds? Great question? Great question? Pounds fifty four thousand

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Speaker 2: pounds is what we are. And let's not forget will

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Speaker 2: though we we we can appreciate how difficult it has

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Speaker 2: been in a hotel room because of room service. Remember

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Speaker 2: the time that we actually got Casey Chambers.

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Speaker 1: Oh my god, Yeah, we got.

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Speaker 2: God Springs with likely petpered camembar right, and.

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Speaker 1: We went on and we were a lot of things

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Speaker 1: where we ordered a lot of things on Casey's room. Yes,

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Speaker 1: and then we saw Casey at the pre drinks for

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Speaker 1: the RS, without knowing that later on she would be

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Speaker 1: inducted into the Hall of Fame. That's right, that's right,

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Speaker 1: that's right, which is probably why we ended up getting

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Speaker 1: so much. I was a guest of honor for the

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Speaker 1: whole hotel.

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Speaker 2: I didn't ask questions, did they I didn't not at all.

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Speaker 1: Mate, You and I went to a bit of a

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Speaker 1: bit of a bit of a gig, A bit of

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Speaker 1: a gig on the weekend.

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Speaker 2: Which which one I went to a few gigs on

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Speaker 2: the weekend, Well, the.

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Speaker 1: One that you went to with me. That was an

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Speaker 1: opportunity for you to tell me how many gigs you

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Speaker 1: went to. Come a bit of a music, but go on,

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Speaker 1: you're gigging a bit. You and I went to a

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Speaker 1: gig on the weekend. I have to admit, and I'm quite,

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Speaker 1: you know, if you know me, I'm a little bit

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Speaker 1: I'm a little bit more introverted, but I'm also just

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Speaker 1: I'm quite. I think I can come at quite it's

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Speaker 1: quite straight. A little bit of a stiff.

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Speaker 2: Yeah, because you generally dress very boringly.

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Speaker 1: I've got like a forty year old dude's hairstyle, or

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Speaker 1: you're balding.

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Speaker 2: Yeah, it's just very very safe. You look very you

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Speaker 2: look you look sometimes when I see you at a

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Speaker 2: music festival, or it looks like an accountant just whipped

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Speaker 2: off his slacks and I loosened his tire a little bit,

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Speaker 2: like that's sort of the look that you give off.

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Speaker 1: That's right. And and this really was quite stark for

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Speaker 1: me on the weekend because we were hanging out with

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Speaker 1: a few younger people. We were there with my younger brother,

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Speaker 1: and I started to realize that I think that the

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Speaker 1: way that I greet people is now out of fashion.

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Speaker 1: You're very business about us, Okay, so this is exactly

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Speaker 1: what I'm talking about. Okay. So the way that it

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Speaker 1: was that I greet people is the standard straight up

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Speaker 1: and down handshake.

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Speaker 2: Yeah, very it's very impersonal, but it's just it's just

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Speaker 2: it's the right way to greet a person as far

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Speaker 2: as I'm concerned.

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Speaker 1: You look them in the how are you going? But

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Speaker 1: everybody else these days, and I don't mean this in

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Speaker 1: a professional context, I mean it in a social setting.

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Speaker 1: Everybody else these days goes for the you know, the

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Speaker 1: it's an angled hand yep slabs together and kind of

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Speaker 1: molds into a hug, you know, and everyone's everyone's slapping

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Speaker 1: and hugging, and what's up my brother and it's friends.

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Speaker 1: You're happening with my cousin, and I'm I don't call

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Speaker 1: people my cous What do you do? You're like, what's up?

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Speaker 3: Bro?

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Speaker 2: I might do a few what's up? It's friendly. You're

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Speaker 2: trying to say to the person that you like the person,

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Speaker 2: you're comfortable with that person.

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Speaker 1: I can't do what's up, bro, I'm not cool enough.

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Speaker 2: Yeah, it would come. It would say weird accountant's face.

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Speaker 2: It would be it.

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Speaker 1: Doesn't fit for me. My question is, and my question

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Speaker 1: is for everybody else. If you met me mm hmm,

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Speaker 1: and this, I hope this. I hope other people this.

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Speaker 1: If you met me these days and I went for

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Speaker 1: a standard up and down handshake, Yep, it's not that.

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Speaker 1: It's not It doesn't need to be that. No, it

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Speaker 1: doesn't need to be that. If I went for a

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Speaker 1: standard up and had handshake with you, would you think

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Speaker 1: that I was a bit of a stiff.

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Speaker 2: This is girls and guys. I'd love to hear it,

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Speaker 2: both girls and guys. They're meeting you for the first time.

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Speaker 2: If you so, you very and you do you very

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Speaker 2: firmly extend a business hand.

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Speaker 1: It's just in general, in a casual setting. I'm moving

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Speaker 1: away from professional in general. Is the handshake now redundant?

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Speaker 1: Is it? Is? It? Is it uncool? Do you if

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Speaker 1: someone gives you a hand and they shake it, is it?

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Speaker 1: Are you a bit of a stiff? Yeah?

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Speaker 2: Definitely are they? Are you a bit of a stiff?

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Speaker 2: And is it very like? Stand you put it in

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Speaker 2: the gut? I find you. You put a guard up,

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Speaker 2: like I'm not letting you inside.

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Speaker 1: I'm keeping at arms length. You might smell or something,

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Speaker 1: and this is what I'm talking about. And you're not

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Speaker 1: my brother. He's not yet. You're not yet, and.

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Speaker 2: The truth's coming out. You actually do put a guard up.

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Speaker 2: You put a Trump wall up between you and all

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Speaker 2: other people.

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Speaker 1: There's plenty of room to sneak through the wall. Thirty

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Speaker 1: one or six fives I phone. Another love to hear

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Speaker 1: from other people is the handshaker. Stiff's move these days,

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Speaker 1: we'll take your ex with him when he what he

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Speaker 1: I think, I genuinely think that my greeting, my form

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Speaker 1: of greeting people is becoming borderline socially unacceptable. I think

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Speaker 1: more than seventy five percent of people now when they're

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Speaker 1: meeting each other no longer handshake. I think they're right.

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Speaker 2: We've developed it. We as a human race have evolved.

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Speaker 1: If you're a guy, you're going for that. It's almost

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Speaker 1: like you're about to arm wrestle someone. That's where the

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Speaker 1: hands go to. And it's cool. And you hear words

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Speaker 1: like what's up, brother? And you're my bro? You bring

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Speaker 1: him in, you're lucking and lock it in. You're like, yo,

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Speaker 1: talk to me, Yeah, what's the hat?

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Speaker 2: No one ever says.

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Speaker 1: These sorts of things which I I'm not down with. Clearly,

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Speaker 1: my traditional handshake is it's form by the way, and

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Speaker 1: it's not that old.

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Speaker 2: Is that you're stiffing, it's not that old.

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Speaker 1: It's just that when did I feel like the handshake

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Speaker 1: is falling down the wayside with the old removal of

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Speaker 1: the hat?

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Speaker 2: Yep, it's not that.

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Speaker 1: It's not that old. It's not that formal, and it's

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Speaker 1: not that old.

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Speaker 2: It's in a similar area and that.

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Speaker 1: Yes, I'm here, do I need to get down with

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Speaker 1: the kids? And because what he's doing it, I just

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Speaker 1: don't think I'm cool enough for the handshake and embrace thing.

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Speaker 4: Not to the honors.

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Speaker 5: You need a good firm handshake, You need to look

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Speaker 5: someone diud in the eye and there's none of that

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Speaker 5: wet beish handshake.

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Speaker 2: Yeah, I hate that. Yeah that's slappy. No one likes

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Speaker 2: the wet fish business, don't get me wrong.

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Speaker 1: But sure it's just weird.

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Speaker 2: Yeah, we all agree with the wet fish is a

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Speaker 2: bad greeting. But and then in a social setting, Will

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Speaker 2: gives these business handshakes as if he's about to engage

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Speaker 2: in like a multimillion dollar would you like to go

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Speaker 2: to war? Or do you want to go to war?

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Speaker 2: And that's not acceptable, Like, surely that's a bit stand

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Speaker 2: offish for you if he did that for you.

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Speaker 4: Look, you're going to go to war.

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Speaker 6: You just need to make sure you're turning your hand.

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Speaker 5: No, you're dominant.

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Speaker 1: Yeah, I agree my questions completely. I suppose for girls

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Speaker 1: that I am for girls as well. I suppose again,

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Speaker 1: this is just in a social setting. Obviously professionally very

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Speaker 1: different stuff everyone, but for girls is I imagine sort

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Speaker 1: of similar to going straight in for the hugging kicks.

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Speaker 2: Obviously I never do that.

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Speaker 1: Yeah, that's because you're a guy going to a girl

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Speaker 1: though it's a whole different air.

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Speaker 2: And I never do that because of just how many

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Speaker 2: times that's gone wrong.

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Speaker 1: I wouldn't say what's up, my brother and go for

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Speaker 1: the you know, like that upward hand and hug thing.

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Speaker 1: If I was meeting a girl, I just wouldn't do that.

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Speaker 2: Yeah, No, I've never done that either.

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Speaker 1: We're talking about same sex as here.

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Speaker 2: Sure we've got Aaron here, Aaron, what are your thoughts

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Speaker 2: on Will's business handshake that he's still rolling with.

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Speaker 7: Look, I'm a pretty affectionate guy, but on first meeting

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Speaker 7: a standard handshake spine and then once at any level

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Speaker 7: of comfort, then you've got to go to the angled

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Speaker 7: hand hug situation.

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Speaker 1: So that's what So we need a name for this.

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Speaker 1: It is very much an angle and without me calling it,

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Speaker 1: like the people that I watched do it the best

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Speaker 1: and just nail This is when I watched the NBA

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Speaker 1: and their handshakes elite. That was so cool. Imagine if

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Speaker 1: I played basketball woods.

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Speaker 2: And I just dunked on someone and then we're in

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Speaker 2: business handhrugs or your teammates and that would actually be

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Speaker 2: hilarious actually, except people would think that you're taking the piss,

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Speaker 2: but you wouldn't be.

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Speaker 1: I can't. I haven't got enough swag for these for

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Speaker 1: these folks, for this funky business.

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Speaker 2: Sure we got Kayla here now, Kayla, Kaylor, Oh Kayla,

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Speaker 2: you've you've just come fresh off a handshake Kaylor.

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Speaker 8: Yeah, like it's five minutes ago.

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Speaker 9: So my son's teacher, even male, Yeah, and I went

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Speaker 9: handshake lack how to go?

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Speaker 1: Do you feel stand offish or was it? Was it?

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Speaker 6: What's happening?

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Speaker 2: He wasn't happy with the handshake.

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Speaker 9: He was like oh yeah yeah and was like oh okay,

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Speaker 9: and I was I was personally ready to go mate.

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Speaker 8: Oh yeah. So there was an opposite gender scenario happening

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Speaker 8: there as well as black authority as well. He's a teacher,

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Speaker 8: I'm the parents, and I dominated it.

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Speaker 10: I reckon, I initiate, I dominate And so you're.

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Speaker 1: Saying you went for the handshake there and immediately he

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Speaker 1: felt like, wow, this is real.

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Speaker 11: Yeah, she's in charge.

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Speaker 2: Yeah, And I actually think in that scenario, he's your

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Speaker 2: kids teacher, like he should I don't know if they

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Speaker 2: should be hugging and kiss him.

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Speaker 1: No, And that's what I'm like. Professional scenario.

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Speaker 2: Yeah, total, I think Kaylor's done well there to keep

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Speaker 2: that guy at arms length. At arms length another having

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Speaker 2: to go with that guy, I'm sure he's a lovely teacher,

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Speaker 2: and we need more teachers, their epiolute pills of our community,

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Speaker 2: and that you know particular example.

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Speaker 1: Yeah, well that's just you don't hugging kids.

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Speaker 2: That's the way I was brought up.

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Speaker 1: I was right here in this instance with the guy

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Speaker 1: and girl scenario, totally different kettle of fish.

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Speaker 2: Yes, that's a whole time.

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Speaker 1: That's another.

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Speaker 2: That's another the amount of times I've accidentally head butted

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Speaker 2: a girl because I've you just it's hard to time,

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Speaker 2: like you lean in and you're sort of like, I'm

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Speaker 2: going for the kiss, and then the kiss and then

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Speaker 2: you either like miss the cheek or your head bat

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Speaker 2: or it's other than. The worst is when you go

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Speaker 2: for the hugging kiss and then here's a whole nother kettle.

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Speaker 2: I mean, that's that, That is anxiety.

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Speaker 1: But I need to sign off on this before we

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Speaker 1: move on. Do I need to migrate to the angled

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Speaker 1: hand and hug.

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Speaker 2: I would greet people, I would say yes, yeah, but

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Speaker 2: I honestly don't think you have the ability. I honestly I.

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Speaker 1: Haven't got it in me. I'm not cool enough, am I.

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Speaker 2: You can go and train or something. I don't know,

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Speaker 2: but right.

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Speaker 1: Now, you should do that. Maybe I need to learn

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Speaker 1: how to do it.

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Speaker 2: You're not ready. Yeah, okay, it's like you know, you

305
00:14:48,040 --> 00:14:49,760
Speaker 2: haven't got your car license yet, you haven't got your

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00:14:49,760 --> 00:14:52,800
Speaker 2: handshake license yet. Yeah, there's hours of work to do. Okay,

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Speaker 2: Like I believe, man, I believe. But people need to

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Speaker 2: know that you are a sixty five year old man

309
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Speaker 2: stuck in a twenty nine year old But the biggest

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Speaker 2: scandal on Married at First Sight is that Innus villain

311
00:15:06,520 --> 00:15:13,240
Speaker 2: Innus had had an affair with someone else's groom or husband, Sam.

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00:15:13,960 --> 00:15:18,160
Speaker 2: Very very controversial stuff. But she's done an interview recently

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Speaker 2: because she's actually getting a lot of hate online, which

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Speaker 2: I actually like. Look, sure there's an argument that to

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00:15:23,160 --> 00:15:26,280
Speaker 2: say that it's warranted, of course, but apparently she's really copytent.

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Speaker 2: She's become a bit of a recluse. And she said

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Speaker 2: an interview that she said that just the connection between

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Speaker 2: her and Sam was and this I'm quoting this was.

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Speaker 1: This is a person she had the affair with.

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Speaker 2: Yeah, she said they had a spiritual connection, a mental connection,

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Speaker 2: as if we could read each other's thoughts and finish

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Speaker 2: each other's sentences.

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Speaker 1: Wow, that's special.

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Speaker 2: Now, the only other person in the world who I

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Speaker 2: think I have this spiritual and mental connection with is

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Speaker 2: you Well, No, not Dad, He's a weird guy.

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Speaker 1: Is you Will?

328
00:16:04,160 --> 00:16:06,560
Speaker 2: Yeah, okay, I think I've got this connection with you,

329
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Speaker 2: So I wouldn't mind trying out a little game here

330
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Speaker 2: where we try and read each other's minds. So it's

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Speaker 2: really simple. It's really simple. I am going to read

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Speaker 2: to you the first half of a sentence yep, okay,

333
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Speaker 2: and then you are going to finish the sentence okay.

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Speaker 1: Yeah.

335
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Speaker 2: And I've recorded my answer to the question.

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Speaker 1: Yes, and I've got some questions as well, which I've

337
00:16:34,560 --> 00:16:37,560
Speaker 1: lined up. Yes, and I've recorded my answer the question

338
00:16:37,640 --> 00:16:40,080
Speaker 1: just so people don't think that we're lying, and it's

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Speaker 1: just you know, happy matching. Exactly, Okay, exactly, Okay. So

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00:16:45,320 --> 00:16:46,800
Speaker 1: we're filming this as well, by the way, so you'll

341
00:16:46,800 --> 00:16:48,320
Speaker 1: be able to watch it online with an udio, Instagram

342
00:16:48,400 --> 00:16:48,880
Speaker 1: or Facebook.

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Speaker 5: Great.

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00:16:50,400 --> 00:16:53,840
Speaker 2: The best idea this is for you, will, This is

345
00:16:53,840 --> 00:16:54,200
Speaker 2: about me.

346
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Speaker 1: Yep.

347
00:16:54,800 --> 00:16:57,760
Speaker 2: The best idea I've ever had is.

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Speaker 1: My answer for that. Oh sorry, I'm not asking Siri, Yeah, don't.

349
00:17:04,640 --> 00:17:06,399
Speaker 2: I don't have a spiritual connection with Siri.

350
00:17:07,760 --> 00:17:10,800
Speaker 1: So my answer to or the finishing of the sentence

351
00:17:10,840 --> 00:17:14,280
Speaker 1: of the best idea you've ever had. My answer would

352
00:17:14,320 --> 00:17:19,600
Speaker 1: be the time when we were in a hotel room

353
00:17:19,760 --> 00:17:23,560
Speaker 1: with a couple of neighbors girls us and we went

354
00:17:23,600 --> 00:17:25,120
Speaker 1: to go and we wanted to have a steam room

355
00:17:25,160 --> 00:17:27,120
Speaker 1: with them, but we were locked out of the steam room.

356
00:17:27,920 --> 00:17:30,959
Speaker 1: But you went into the bathroom and turned on all

357
00:17:30,960 --> 00:17:34,000
Speaker 1: the hot water taps, hence creating our own steam room

358
00:17:34,160 --> 00:17:40,720
Speaker 1: in our bathroom and helping us hang out more with

359
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Speaker 1: the neighbors.

360
00:17:42,000 --> 00:17:44,960
Speaker 2: Thank you for putting out a live radio that wasn't bad.

361
00:17:44,960 --> 00:17:49,719
Speaker 2: But you're wrong. You are wrong. My answer was this

362
00:17:50,440 --> 00:17:54,280
Speaker 2: the Ricky Lailey aka the Ricky League Cultier inspired ukulele.

363
00:17:54,760 --> 00:17:57,359
Speaker 1: You remember that, Yeah, I smashed it to pieces on them. Yeah, you, But.

364
00:17:57,440 --> 00:17:59,919
Speaker 2: Because you were jealous, I was going to go off solo.

365
00:18:00,600 --> 00:18:00,959
Speaker 7: All right.

366
00:18:02,960 --> 00:18:04,200
Speaker 2: I also want to buy that. By the way, I've

367
00:18:04,200 --> 00:18:04,680
Speaker 2: got ten more.

368
00:18:05,240 --> 00:18:10,120
Speaker 1: My question to you, my question to you, my greatest

369
00:18:10,840 --> 00:18:15,479
Speaker 1: fear is finish that sentence.

370
00:18:16,560 --> 00:18:20,720
Speaker 2: Your huge head not fitting through standard human doors.

371
00:18:22,240 --> 00:18:28,680
Speaker 1: That's incrects. Actually it's a maximum size right now, actually

372
00:18:28,760 --> 00:18:34,399
Speaker 1: slightly decreased after the surgery. This is this was actually

373
00:18:34,400 --> 00:18:38,879
Speaker 1: my answer letting down the people that I love Oh

374
00:18:38,960 --> 00:18:39,920
Speaker 1: that Wow, yours?

375
00:18:41,240 --> 00:18:44,680
Speaker 2: Sorry, I teach you head. Wow, that's really beautiful. Will

376
00:18:44,760 --> 00:18:48,480
Speaker 2: well you never let me down, big guy? All right? Sure?

377
00:18:49,440 --> 00:18:54,199
Speaker 2: So my next one for you will the man I

378
00:18:54,240 --> 00:18:55,960
Speaker 2: would turn for is.

379
00:18:58,000 --> 00:18:59,640
Speaker 1: My answer is Tom Hardy.

380
00:19:00,080 --> 00:19:06,440
Speaker 2: You have bloody name, you have huge Okay, wow, massive? Okay,

381
00:19:06,920 --> 00:19:08,920
Speaker 2: we're finishing each other. That was an easy one. Th

382
00:19:08,920 --> 00:19:09,840
Speaker 2: that I'll talk about Tom Hardy.

383
00:19:09,840 --> 00:19:11,919
Speaker 1: How can we getting there? All right? Final one from me?

384
00:19:12,000 --> 00:19:15,480
Speaker 1: Here we go, final one? Finished this sentence? Okay, here

385
00:19:15,480 --> 00:19:19,119
Speaker 1: we go. This is quite broad. I realized this, but

386
00:19:19,160 --> 00:19:23,800
Speaker 1: I think we might be in sync. Remember the time

387
00:19:24,400 --> 00:19:25,040
Speaker 1: when we.

388
00:19:26,720 --> 00:19:28,679
Speaker 2: Okay, the first thing that's come to my mind, and

389
00:19:28,720 --> 00:19:30,600
Speaker 2: hopefully this means that you just sent it to me.

390
00:19:31,440 --> 00:19:34,960
Speaker 2: That time in Western Australia when you and me drove

391
00:19:36,080 --> 00:19:39,280
Speaker 2: drove down south together and we both wanted to have showers,

392
00:19:39,560 --> 00:19:41,560
Speaker 2: But then we both realized at the same time that

393
00:19:41,600 --> 00:19:44,240
Speaker 2: the hot water wasn't working, so we ran around the

394
00:19:44,240 --> 00:19:48,560
Speaker 2: house naked, giggling, trying to turn on the hot water.

395
00:19:50,160 --> 00:19:52,240
Speaker 1: Have I nowed it? And then all our friends rocked

396
00:19:52,280 --> 00:19:55,280
Speaker 1: up and we were naked and drunk, I might ad

397
00:19:55,440 --> 00:20:02,199
Speaker 1: because we had nothing else to do. Correct incorrect incorrect.

398
00:20:02,560 --> 00:20:05,920
Speaker 1: The answer I had was when we had the MC

399
00:20:06,160 --> 00:20:09,400
Speaker 1: duties ripped off us at a skiing competition.

400
00:20:09,000 --> 00:20:12,080
Speaker 2: And we definitely don't have to explain why we had

401
00:20:12,840 --> 00:20:16,640
Speaker 2: taken off as wrong word, wrong place is up next.

402
00:20:16,720 --> 00:20:17,960
Speaker 1: What I say, heim leg?

403
00:20:18,040 --> 00:20:21,720
Speaker 6: Well you say, I say, well, you say scrod on.

404
00:20:25,400 --> 00:20:29,960
Speaker 2: The wrong place? Thirteen one oh six five is our number.

405
00:20:30,280 --> 00:20:32,840
Speaker 2: Have you put the wrong word in the wrong place,

406
00:20:32,960 --> 00:20:36,159
Speaker 2: or of course have you heard someone else put the

407
00:20:36,200 --> 00:20:39,240
Speaker 2: wrong word in the wrong place, which is always pretty funny.

408
00:20:39,880 --> 00:20:40,880
Speaker 2: Here's something got last week.

409
00:20:41,040 --> 00:20:42,640
Speaker 1: If you're a flight attendant.

410
00:20:43,119 --> 00:20:45,919
Speaker 6: Yes I am. After I did our quick briefing for

411
00:20:46,040 --> 00:20:48,920
Speaker 6: our before blast off, I said that you can now

412
00:20:49,080 --> 00:20:51,520
Speaker 6: stretch your leg instead of well, I said spread your.

413
00:20:54,720 --> 00:20:58,280
Speaker 10: Teaching my year twelve legal place class, they managed to

414
00:20:58,280 --> 00:21:00,920
Speaker 10: work out this thing called and So Australia New Zellion,

415
00:21:01,000 --> 00:21:03,320
Speaker 10: United States. I went to go write it up on

416
00:21:03,359 --> 00:21:05,480
Speaker 10: the board, so I spelt it wrong and I wrote

417
00:21:05,520 --> 00:21:08,919
Speaker 10: an US little letters across the wood. And then, not

418
00:21:08,960 --> 00:21:10,800
Speaker 10: only that, the kids weren't like looking at me like

419
00:21:10,840 --> 00:21:12,919
Speaker 10: I was an idiot, So I decided to circle it

420
00:21:13,000 --> 00:21:14,679
Speaker 10: like four times and the kids just lost it.

421
00:21:14,800 --> 00:21:18,119
Speaker 2: So embarrassing your daughter the word in the wrong place.

422
00:21:18,840 --> 00:21:19,000
Speaker 9: Yeah.

423
00:21:19,119 --> 00:21:22,600
Speaker 8: Yeah, she's just started working at cole started getting comfortable

424
00:21:22,600 --> 00:21:23,480
Speaker 8: in the job.

425
00:21:23,960 --> 00:21:25,800
Speaker 11: And the guy comes up and he said, oh, do

426
00:21:25,840 --> 00:21:27,640
Speaker 11: you know what kind of cucumber these are?

427
00:21:28,040 --> 00:21:28,240
Speaker 5: Yah?

428
00:21:28,320 --> 00:21:29,920
Speaker 11: Yeah, yeah, that's a lesbian cucumber.

429
00:21:32,320 --> 00:21:34,399
Speaker 1: There's be in cucumber. May well exist. We're not sure,

430
00:21:34,400 --> 00:21:35,800
Speaker 1: but thirty one or six fives a.

431
00:21:35,840 --> 00:21:41,760
Speaker 2: Phone number, wrong word, wrong place, We got Corinne here, Hello, Krinn,

432
00:21:42,720 --> 00:21:43,000
Speaker 2: How are.

433
00:21:42,920 --> 00:21:43,800
Speaker 6: You going there?

434
00:21:43,840 --> 00:21:46,280
Speaker 1: We're very good mate. We look forward to this every week.

435
00:21:46,440 --> 00:21:49,400
Speaker 1: Just we're acutely aware that it can be a little

436
00:21:49,400 --> 00:21:51,680
Speaker 1: bit naughties. If there any kids, Oh it does.

437
00:21:51,800 --> 00:21:54,440
Speaker 6: I was on live radio trying to give out an

438
00:21:54,440 --> 00:21:57,880
Speaker 6: email address and instead of dot com, I said dot com.

439
00:21:57,960 --> 00:22:02,160
Speaker 1: Yeah, yeah, right, yeah, yeah, it's a classic.

440
00:22:02,640 --> 00:22:04,760
Speaker 2: It's a classic. I believe you did that. Actually will

441
00:22:04,800 --> 00:22:06,240
Speaker 2: when we're interviewing Peaking Dark.

442
00:22:06,560 --> 00:22:08,600
Speaker 1: Yeah, we haven't got that audio, thankfully.

443
00:22:08,760 --> 00:22:10,040
Speaker 2: Yeah, we buried that.

444
00:22:10,080 --> 00:22:14,360
Speaker 1: Well, that will not be resurrected, thank you.

445
00:22:14,920 --> 00:22:18,360
Speaker 12: We got okay, Hi guys.

446
00:22:18,240 --> 00:22:21,000
Speaker 2: Hi, you got the wrong word the wrong plays, Yes.

447
00:22:20,840 --> 00:22:21,200
Speaker 3: I did.

448
00:22:21,240 --> 00:22:24,040
Speaker 6: It was years ago. A friend of mine was asking

449
00:22:24,080 --> 00:22:25,320
Speaker 6: why I didn't like beards.

450
00:22:25,920 --> 00:22:26,800
Speaker 1: I didn't like beards.

451
00:22:27,480 --> 00:22:30,840
Speaker 6: I didn't like beards beads on guy's faces, and I said,

452
00:22:31,200 --> 00:22:33,679
Speaker 6: I said to him, I think it stems from my childhood.

453
00:22:33,720 --> 00:22:35,439
Speaker 6: I said, when I was little, my mother tried to

454
00:22:35,480 --> 00:22:38,639
Speaker 6: force me to sit on Santa's face. And I meant

455
00:22:38,640 --> 00:22:42,160
Speaker 6: to say me and then then he said to me, no,

456
00:22:42,200 --> 00:22:43,639
Speaker 6: wonder you be?

457
00:22:47,320 --> 00:22:51,920
Speaker 2: That is wrong on so many Levelskay, thank you?

458
00:22:52,119 --> 00:22:55,320
Speaker 1: Oh wow? Okay for the can I ask on the

459
00:22:55,320 --> 00:22:57,199
Speaker 1: beard front? Are you still opposed to them?

460
00:22:58,640 --> 00:22:58,880
Speaker 7: Yes?

461
00:22:59,200 --> 00:23:00,879
Speaker 2: What do you thoughts on a goaty?

462
00:23:00,960 --> 00:23:01,160
Speaker 5: Though?

463
00:23:01,280 --> 00:23:05,960
Speaker 6: Okay, I can do a goaty I won't sit on one.

464
00:23:05,840 --> 00:23:06,000
Speaker 5: But.

465
00:23:11,359 --> 00:23:13,080
Speaker 1: Good, great stuff, k good.

466
00:23:15,240 --> 00:23:20,800
Speaker 2: Let's going down to Rachelle. Rachelle, wrong word, wrong place, Rachelle.

467
00:23:21,480 --> 00:23:21,760
Speaker 1: Yeah.

468
00:23:21,880 --> 00:23:24,320
Speaker 4: I was working at a bakery a couple of months

469
00:23:24,359 --> 00:23:27,040
Speaker 4: ago and the customer come in and ordered a cock

470
00:23:27,119 --> 00:23:29,960
Speaker 4: and bush, and I said, okay, no worries three or

471
00:23:30,000 --> 00:23:32,120
Speaker 4: after one cock and bush.

472
00:23:33,119 --> 00:23:36,760
Speaker 1: Very good, Rochelle. Sword coming well off didn't make it

473
00:23:36,800 --> 00:23:40,280
Speaker 1: any worse woods you and I given that we gave

474
00:23:40,400 --> 00:23:43,000
Speaker 1: up our yacht, which we traded to over two weeks.

475
00:23:43,080 --> 00:23:46,199
Speaker 1: Last time, we're going to go on cheap for something else.

476
00:23:46,280 --> 00:23:48,399
Speaker 1: We want to trade for a limo. We bought a

477
00:23:48,480 --> 00:23:51,399
Speaker 1: shit thing in we get a good thing out, we

478
00:23:51,480 --> 00:23:54,720
Speaker 1: put the next thing in, and we stayed it all about.

479
00:23:55,119 --> 00:23:59,200
Speaker 1: We do the swappy swappy, and we turn around. Hopefully

480
00:23:59,400 --> 00:24:01,040
Speaker 1: we get limo.

481
00:24:02,480 --> 00:24:05,560
Speaker 2: We'd love a limo. We would love a limo for

482
00:24:05,600 --> 00:24:09,960
Speaker 2: so many reasons. Wilba, So the time is now thirteen

483
00:24:10,040 --> 00:24:12,480
Speaker 2: one oh six five is our number?

484
00:24:12,800 --> 00:24:13,560
Speaker 1: Give me a reason.

485
00:24:15,280 --> 00:24:17,399
Speaker 2: Well, I would like a limo. So I look like

486
00:24:17,560 --> 00:24:20,720
Speaker 2: a bit of a hot shot on a Saturday night.

487
00:24:20,760 --> 00:24:23,960
Speaker 2: I can roll up to night clubs, you know, maybe

488
00:24:24,000 --> 00:24:26,520
Speaker 2: the ivy you know, oh here, he is a place

489
00:24:26,560 --> 00:24:29,239
Speaker 2: that I would never get into. Yeah, but you look out.

490
00:24:29,280 --> 00:24:31,919
Speaker 2: When I put my velvet suit on, rock up in

491
00:24:31,960 --> 00:24:35,159
Speaker 2: a limo, you can bet you bet your bottom doll,

492
00:24:35,160 --> 00:24:36,200
Speaker 2: they're gonna let me in, William.

493
00:24:36,359 --> 00:24:37,600
Speaker 1: Yeah, I reckon they probably would.

494
00:24:37,720 --> 00:24:38,800
Speaker 2: Yeah, let in cash.

495
00:24:38,840 --> 00:24:40,680
Speaker 1: Who's the guy? Yeah, it's true.

496
00:24:40,760 --> 00:24:43,720
Speaker 2: I'll be like, why don't we just.

497
00:24:43,720 --> 00:24:46,360
Speaker 1: Get security escorting us from the doors?

498
00:24:46,440 --> 00:24:46,920
Speaker 2: Huge?

499
00:24:47,760 --> 00:24:49,639
Speaker 1: Do you think that there's a you know, there's an

500
00:24:49,680 --> 00:24:51,840
Speaker 1: opportunity for us to maybe we can take you guys around,

501
00:24:51,880 --> 00:24:53,159
Speaker 1: Like once we've got the limo.

502
00:24:53,200 --> 00:24:55,159
Speaker 2: Well, when we've had fun with it for probably a

503
00:24:55,200 --> 00:24:57,800
Speaker 2: few years, then maybe we'll start driving a driver.

504
00:24:58,080 --> 00:25:00,000
Speaker 1: Yeah, as well, like that'll open up a new position now,

505
00:25:00,119 --> 00:25:01,720
Speaker 1: team because people can drive the limo.

506
00:25:02,119 --> 00:25:04,479
Speaker 2: True enough about the limo, though, the item we have

507
00:25:04,600 --> 00:25:07,320
Speaker 2: right now is a gold Logi, and this is an

508
00:25:07,320 --> 00:25:12,120
Speaker 2: official gold Logi. So if you want that item thirteen

509
00:25:12,280 --> 00:25:15,240
Speaker 2: one oh six five is our number, you can offer

510
00:25:15,280 --> 00:25:17,440
Speaker 2: a trade for the gold Logi right now. I mean will.

511
00:25:17,480 --> 00:25:19,000
Speaker 1: But if I had a gold Logi in.

512
00:25:18,920 --> 00:25:23,200
Speaker 2: My living room, I cannot tell you what that would

513
00:25:23,240 --> 00:25:26,760
Speaker 2: do to my street cart. I bring, I bring someone over,

514
00:25:27,280 --> 00:25:31,560
Speaker 2: you know, to my pretty crabs crap. I wouldn't say

515
00:25:31,560 --> 00:25:33,520
Speaker 2: my apartment's crap, but it's not like it's on a

516
00:25:33,520 --> 00:25:36,760
Speaker 2: great apartment. But then I show them a gold Logi

517
00:25:36,800 --> 00:25:38,760
Speaker 2: on the shelf and they're like, oh my god, you're

518
00:25:38,800 --> 00:25:39,200
Speaker 2: my hero.

519
00:25:40,240 --> 00:25:42,520
Speaker 1: I don't know if it had happened like that, well I.

520
00:25:42,440 --> 00:25:45,000
Speaker 2: Think it would. And someone who can confirm that having

521
00:25:45,000 --> 00:25:46,480
Speaker 2: a gold Logi in your house.

522
00:25:46,280 --> 00:25:48,040
Speaker 1: Yours would be a lie. Yours would be a lie.

523
00:25:48,359 --> 00:25:49,800
Speaker 2: They bone ask questions, and I would to say I

524
00:25:49,800 --> 00:25:51,880
Speaker 2: was on a home and away. But one person who

525
00:25:51,920 --> 00:25:54,960
Speaker 2: has won a gold Logan is of course Sam Johnson,

526
00:25:55,000 --> 00:26:01,920
Speaker 2: and he joins us on the phone right now, Sam, how.

527
00:26:01,080 --> 00:26:01,240
Speaker 3: Good?

528
00:26:01,560 --> 00:26:04,440
Speaker 2: We're good? Now you're currently on Dancing with the Stars Mate,

529
00:26:04,440 --> 00:26:08,640
Speaker 2: which continues Monday nights seven thirty on ten. But you're

530
00:26:08,680 --> 00:26:09,800
Speaker 2: a Gold Logi winner.

531
00:26:10,280 --> 00:26:10,520
Speaker 1: Yep.

532
00:26:11,280 --> 00:26:13,879
Speaker 2: How good is it having the logi in your house?

533
00:26:13,960 --> 00:26:17,119
Speaker 5: And can I just can I just say from the

534
00:26:17,160 --> 00:26:20,919
Speaker 5: outset that gold leggies are really daggy.

535
00:26:21,160 --> 00:26:21,760
Speaker 1: What are you doing?

536
00:26:22,680 --> 00:26:24,600
Speaker 5: No? No, no, hear me out here, me out hear me.

537
00:26:24,640 --> 00:26:28,000
Speaker 3: Out because like in the industry, everyone's like, well, I

538
00:26:28,000 --> 00:26:31,119
Speaker 3: don't do it for the awards, and I don't know

539
00:26:31,160 --> 00:26:34,840
Speaker 3: a LOGI so mean in it anyway, and everyone's really like,

540
00:26:35,400 --> 00:26:36,800
Speaker 3: you know whatever about them.

541
00:26:36,960 --> 00:26:42,760
Speaker 5: Yeah, that's until they win run and then all of

542
00:26:42,800 --> 00:26:45,320
Speaker 5: a sudden they just all of a sudden love it

543
00:26:45,359 --> 00:26:50,640
Speaker 5: and think it's merit based. I'll tell you. I'll tell

544
00:26:50,680 --> 00:26:52,760
Speaker 5: you I was a bit cynical growing up, you know,

545
00:26:53,680 --> 00:26:57,720
Speaker 5: probably because I didn't know I wanted one, and and

546
00:26:58,000 --> 00:27:01,159
Speaker 5: I just think that with doubt. I am now the

547
00:27:01,200 --> 00:27:04,880
Speaker 5: proudest owner of a gold Loki. I've done a complete

548
00:27:04,880 --> 00:27:07,520
Speaker 5: fact man, it was one of the best nights of

549
00:27:07,560 --> 00:27:07,920
Speaker 5: my life.

550
00:27:08,200 --> 00:27:11,680
Speaker 1: So, Sam, you obviously wanted for you put portraying Molly

551
00:27:11,760 --> 00:27:15,639
Speaker 1: Meldrum in the Molly I know you're another silver logan

552
00:27:16,160 --> 00:27:18,200
Speaker 1: for another shower's work that was.

553
00:27:18,119 --> 00:27:19,760
Speaker 5: For whatever you know.

554
00:27:19,920 --> 00:27:26,760
Speaker 1: Moving on, what is what am I trying to sprowk

555
00:27:26,800 --> 00:27:28,840
Speaker 1: the value of the gold logging in terms of what

556
00:27:28,840 --> 00:27:31,000
Speaker 1: it brings to you as a gold Loggi holder.

557
00:27:31,960 --> 00:27:34,199
Speaker 5: Yeah, I can tell you directly. I can tell you

558
00:27:34,240 --> 00:27:36,880
Speaker 5: what it does. And this is why I really love

559
00:27:36,960 --> 00:27:42,080
Speaker 5: having it, is that it has an incredible effect on people.

560
00:27:42,119 --> 00:27:46,480
Speaker 5: When people see one, they want to hold it. I

561
00:27:46,560 --> 00:27:49,120
Speaker 5: bet more people hold my gold logging than any other

562
00:27:49,200 --> 00:27:52,200
Speaker 5: logan because I've taken him. I've taken her too, about

563
00:27:53,280 --> 00:27:59,480
Speaker 5: probably two about one hundred and ten community functions. She's

564
00:27:59,520 --> 00:28:02,440
Speaker 5: a logi of the people, and I've seen the reaction

565
00:28:02,720 --> 00:28:05,440
Speaker 5: of thousands of people all around the country when they

566
00:28:05,480 --> 00:28:09,119
Speaker 5: meet it, and personally it's like, wow, that's an actual

567
00:28:09,160 --> 00:28:12,560
Speaker 5: gold logi because they're quite rare. There's only fifty or

568
00:28:12,600 --> 00:28:17,320
Speaker 5: sobering given out of the and they're really heavy as well.

569
00:28:17,400 --> 00:28:19,479
Speaker 5: So when people kind of feel it and realize that

570
00:28:19,480 --> 00:28:22,800
Speaker 5: it's made a real goal and yet it's really heavy,

571
00:28:23,480 --> 00:28:25,920
Speaker 5: people are surprised by it and you don't think they

572
00:28:25,920 --> 00:28:28,880
Speaker 5: look much chop and in real life they're quite quite handsome.

573
00:28:29,000 --> 00:28:31,280
Speaker 1: Mate, you've sold it, You've sold it to the hills.

574
00:28:32,200 --> 00:28:34,600
Speaker 1: I expected a good sell from you, but not that

575
00:28:34,760 --> 00:28:37,960
Speaker 1: good mate, Thank you so much. I really appreciate you

576
00:28:38,040 --> 00:28:39,479
Speaker 1: coming on the show as well. Sam, thanks so much

577
00:28:39,520 --> 00:28:42,720
Speaker 1: for joining. Thanks for having Means continues Monday Night's seven

578
00:28:42,760 --> 00:28:45,040
Speaker 1: video on Channel ten. He's an absolutely living legend, Sam Johnson.

579
00:28:45,040 --> 00:28:46,120
Speaker 1: And he was amazing in Molly.

580
00:28:46,320 --> 00:28:48,680
Speaker 2: Yes, you've heard the spruit though, and our number is

581
00:28:48,720 --> 00:28:53,160
Speaker 2: thirteen one oh six five. We have an official gold LOGI.

582
00:28:53,520 --> 00:28:54,800
Speaker 1: He really had a lot to go on about that,

583
00:28:54,880 --> 00:28:55,640
Speaker 1: didn't he well?

584
00:28:55,720 --> 00:28:58,400
Speaker 2: And he spruit did so well. It's heavy that you've got.

585
00:28:58,280 --> 00:28:59,760
Speaker 1: It going on about how heavy it was and I

586
00:28:59,800 --> 00:29:00,560
Speaker 1: was like, mate.

587
00:29:00,480 --> 00:29:02,560
Speaker 2: Just sounds good though that maybe that's it. Yeah, the

588
00:29:02,600 --> 00:29:03,840
Speaker 2: heavy thing was a bit. That was a big one.

589
00:29:03,880 --> 00:29:05,840
Speaker 1: That was a bit weird. He takes it to parties, yeah,

590
00:29:05,840 --> 00:29:07,520
Speaker 1: he does take it. You take it with you anywhere, guys,

591
00:29:07,920 --> 00:29:09,240
Speaker 1: take you take it with it. Can't be that heavy

592
00:29:09,280 --> 00:29:10,960
Speaker 1: he's carrying it to a party with it, woulds Yeah? Good,

593
00:29:10,960 --> 00:29:14,240
Speaker 1: people can hold it. It's rare. Yeah, it's rare. There's

594
00:29:14,280 --> 00:29:15,680
Speaker 1: only fifty of them.

595
00:29:15,680 --> 00:29:18,040
Speaker 2: Yes, and if you want one, all you have to

596
00:29:18,040 --> 00:29:20,040
Speaker 2: do is offer us a trade for it. Thirteen one

597
00:29:20,040 --> 00:29:22,000
Speaker 2: oh six five is the number. This is the only

598
00:29:22,080 --> 00:29:24,840
Speaker 2: time we will trade for the gold LOGI yep, and

599
00:29:24,840 --> 00:29:25,480
Speaker 2: we'll take the call.

600
00:29:26,200 --> 00:29:28,200
Speaker 1: We're trying to trade our way all the way to

601
00:29:28,240 --> 00:29:31,640
Speaker 1: a limo. We bought a shit thing in, we get

602
00:29:31,680 --> 00:29:34,600
Speaker 1: a good thing out, We put the next thing in,

603
00:29:34,760 --> 00:29:36,320
Speaker 1: and we trade it all about.

604
00:29:36,720 --> 00:29:38,800
Speaker 2: We do the swappy swoppy and we.

605
00:29:38,720 --> 00:29:42,400
Speaker 1: Turn around hopefully we get a limo.

606
00:29:43,880 --> 00:29:47,600
Speaker 2: So currently in our hot little hands, we'll we have

607
00:29:47,680 --> 00:29:50,520
Speaker 2: an official gold LOGI.

608
00:29:51,200 --> 00:29:53,920
Speaker 1: Yeah, it's an incredible first sight of woods. I mean,

609
00:29:54,000 --> 00:29:56,920
Speaker 1: last time we started with Angie aging wrinkled cream. We're

610
00:29:56,960 --> 00:29:59,440
Speaker 1: already in a better but we're already in a cracker

611
00:29:59,440 --> 00:30:02,040
Speaker 1: of a position and we only have to get to limo.

612
00:30:02,160 --> 00:30:03,880
Speaker 1: I mean we said this last time, but it wouldn't

613
00:30:03,880 --> 00:30:10,160
Speaker 1: surprise me if we went, for example, gold LOGI insert

614
00:30:10,200 --> 00:30:12,760
Speaker 1: intro midem being like an EMU or something.

615
00:30:13,520 --> 00:30:14,280
Speaker 2: Is that what you want to name?

616
00:30:14,280 --> 00:30:14,520
Speaker 1: You?

617
00:30:14,560 --> 00:30:14,800
Speaker 2: Good?

618
00:30:15,120 --> 00:30:16,800
Speaker 1: And then straight from EMU to limo.

619
00:30:17,440 --> 00:30:17,560
Speaker 5: Right.

620
00:30:18,360 --> 00:30:18,880
Speaker 1: I think we're one.

621
00:30:19,120 --> 00:30:20,160
Speaker 2: We'll wrap this up by third.

622
00:30:20,280 --> 00:30:21,240
Speaker 1: We're one step away. Mate.

623
00:30:21,360 --> 00:30:24,000
Speaker 2: Okay, I'm not as optimistic, which is surprising. Usually I'm

624
00:30:24,000 --> 00:30:24,640
Speaker 2: the optimusy.

625
00:30:24,640 --> 00:30:28,120
Speaker 1: Gold logis rare, man. This is big This is huge

626
00:30:28,240 --> 00:30:31,320
Speaker 1: for people that the collectors out there like they're absolutely

627
00:30:31,960 --> 00:30:34,320
Speaker 1: they've broken their phones trying to dial us in and.

628
00:30:34,280 --> 00:30:35,720
Speaker 2: That's a shame because now they can't get onto this.

629
00:30:36,320 --> 00:30:38,880
Speaker 2: But we are offering people to trade for the gold

630
00:30:38,920 --> 00:30:40,760
Speaker 2: LOGI now, thirteen one oh six five is the number

631
00:30:40,840 --> 00:30:43,840
Speaker 2: we got. Jody here, Jody, Jud's what would you like

632
00:30:43,920 --> 00:30:45,479
Speaker 2: to give us for the gold LOGI?

633
00:30:46,480 --> 00:30:49,680
Speaker 6: Well, I wrecked my brains to find the most precious

634
00:30:49,680 --> 00:30:51,200
Speaker 6: scene to me, and.

635
00:30:51,160 --> 00:30:55,520
Speaker 8: That is the dried umbilical stub of my firstborn son.

636
00:30:55,720 --> 00:31:03,360
Speaker 1: Oh you have rank, Jody, rank? Woman?

637
00:31:03,680 --> 00:31:05,160
Speaker 2: Was that is that? Why do you want to get

638
00:31:05,240 --> 00:31:05,880
Speaker 2: rid of that? Jody?

639
00:31:07,760 --> 00:31:09,160
Speaker 1: Because she wants a gold Yeah?

640
00:31:09,200 --> 00:31:11,920
Speaker 2: Fair enough. Yeah, it just feels like there's emotional attachments

641
00:31:11,920 --> 00:31:13,840
Speaker 2: for the offer. Jody. We'll think about it. That was

642
00:31:14,120 --> 00:31:15,800
Speaker 2: dried up umbilical cord.

643
00:31:16,120 --> 00:31:18,520
Speaker 1: Do you didn't know you could keep that? Do they

644
00:31:18,600 --> 00:31:19,080
Speaker 1: keep yours?

645
00:31:19,360 --> 00:31:23,080
Speaker 2: I don't think, so I'll ask him to I've got

646
00:31:23,080 --> 00:31:24,680
Speaker 2: family didn't I'll bring it up.

647
00:31:25,480 --> 00:31:27,800
Speaker 1: Do you freeze dry it or do you just what

648
00:31:27,800 --> 00:31:29,240
Speaker 1: do you do? Do you just do you just put

649
00:31:29,240 --> 00:31:30,400
Speaker 1: it in the sun for a while and let it

650
00:31:30,400 --> 00:31:31,240
Speaker 1: go a bit crispy.

651
00:31:31,440 --> 00:31:32,760
Speaker 2: I think it was just naturally creepy.

652
00:31:32,880 --> 00:31:34,840
Speaker 1: You put it inside a book like they do with

653
00:31:34,920 --> 00:31:38,200
Speaker 1: wild You know you press flowers? Do people press umbilical cord?

654
00:31:38,200 --> 00:31:41,600
Speaker 2: You can frame it? Maybe depends. I'll talk to my

655
00:31:41,640 --> 00:31:44,200
Speaker 2: parents and we've got Paul here, Paul, you have a dad.

656
00:31:44,200 --> 00:31:45,400
Speaker 1: Have you got my own bilical cord?

657
00:31:45,880 --> 00:31:49,320
Speaker 2: Show me the milkle God, it's mine. We got, Paul, Paul,

658
00:31:49,360 --> 00:31:51,120
Speaker 2: what do you want to offer us for the gold lady?

659
00:31:52,120 --> 00:31:55,400
Speaker 5: I've got an Xbox thy sixty for Jesus.

660
00:31:55,400 --> 00:31:57,680
Speaker 1: Not bad, that's decent, not bad at all. I'm a

661
00:31:57,680 --> 00:32:00,520
Speaker 1: little bit nervous, though, Paul. Last time, when we were

662
00:32:00,520 --> 00:32:03,600
Speaker 1: trading for a yacht, we had a dishonest tip rat

663
00:32:03,600 --> 00:32:05,560
Speaker 1: on the show who offered as a PlayStation four and

664
00:32:05,600 --> 00:32:06,800
Speaker 1: then renegged the offer.

665
00:32:08,000 --> 00:32:09,920
Speaker 5: I've got it. I've had it for about six years.

666
00:32:09,960 --> 00:32:11,360
Speaker 5: I've never used it.

667
00:32:11,560 --> 00:32:14,560
Speaker 2: Interesting. Are you sure it still works?

668
00:32:14,560 --> 00:32:15,120
Speaker 8: Paul?

669
00:32:15,640 --> 00:32:16,280
Speaker 9: Yeah, still.

670
00:32:17,600 --> 00:32:21,120
Speaker 1: The latest one. I'm not really into xboxes, and I

671
00:32:21,120 --> 00:32:23,120
Speaker 1: think it's the second most recent one.

672
00:32:23,600 --> 00:32:25,760
Speaker 2: It's the second Most's still good. And people love the

673
00:32:25,800 --> 00:32:27,040
Speaker 2: whole vintage thing.

674
00:32:26,960 --> 00:32:29,080
Speaker 1: Do they people? Is it vintage enough though? Woods? Is

675
00:32:29,080 --> 00:32:30,440
Speaker 1: it in a weird half playground?

676
00:32:30,640 --> 00:32:32,920
Speaker 2: As an investment? In twenty years it'll be vintage. So

677
00:32:32,960 --> 00:32:35,920
Speaker 2: good to happen. It's brand new, not bad. We've got

678
00:32:35,920 --> 00:32:37,760
Speaker 2: Benny here and now, Bennie, what do you want to

679
00:32:37,760 --> 00:32:41,520
Speaker 2: offer us for the gold LOGI all good?

680
00:32:41,520 --> 00:32:41,640
Speaker 5: Ay.

681
00:32:42,040 --> 00:32:45,760
Speaker 11: I can offer a private Sydney Harbor cruise around Sydney

682
00:32:45,760 --> 00:32:47,560
Speaker 11: Harbor for romantic couple.

683
00:32:48,400 --> 00:32:51,960
Speaker 2: Wow, Benny, a private cruise that's pretty good.

684
00:32:52,120 --> 00:32:53,000
Speaker 5: Yeah, what else?

685
00:32:53,080 --> 00:32:55,680
Speaker 1: Kid of the cruise? Bennie? Do you I mean, by

686
00:32:55,720 --> 00:32:57,520
Speaker 1: the way, is this official or are you're just doing

687
00:32:57,560 --> 00:32:58,240
Speaker 1: it in a tinny?

688
00:32:59,440 --> 00:33:02,360
Speaker 11: So I've been working on boats for a while now,

689
00:33:03,360 --> 00:33:05,640
Speaker 11: I and my family sport a boat and I can

690
00:33:05,640 --> 00:33:09,080
Speaker 11: do a beautiful Sydney Harbor cruise. I can provide champagne

691
00:33:09,120 --> 00:33:13,240
Speaker 11: if that's necessary. Yeah, yeah, I'd love to get myself

692
00:33:13,240 --> 00:33:14,200
Speaker 11: a log you from my rooms.

693
00:33:14,240 --> 00:33:14,880
Speaker 1: That's pretty good.

694
00:33:15,240 --> 00:33:17,240
Speaker 2: Yeah, because the logo would be good in your room there, Benny.

695
00:33:18,360 --> 00:33:22,000
Speaker 2: A lot of people would want that. So it's obviously free.

696
00:33:22,000 --> 00:33:26,760
Speaker 2: Ben like that. The cruis is free, the champagne supplied everything, definitely.

697
00:33:27,160 --> 00:33:28,600
Speaker 1: Yeah, that's I mean pretty good.

698
00:33:28,760 --> 00:33:30,160
Speaker 2: Sorry, And what sort of boat has it been?

699
00:33:31,280 --> 00:33:31,320
Speaker 5: So?

700
00:33:31,440 --> 00:33:34,360
Speaker 11: I've got a nice speedboat. We can go very fast

701
00:33:34,440 --> 00:33:36,960
Speaker 11: if that's what they're looking for or.

702
00:33:36,960 --> 00:33:37,800
Speaker 1: You can cruise along.

703
00:33:38,520 --> 00:33:43,920
Speaker 2: Yeah, okay, interesting. The Xbox three sixty is pretty big

704
00:33:43,960 --> 00:33:50,040
Speaker 2: as well. That probably retails it two hundred two hundred fifty.

705
00:33:50,080 --> 00:33:53,680
Speaker 2: It's brand new. But everyone wants the boat cruse, don't they?

706
00:33:53,760 --> 00:33:54,880
Speaker 2: Like I want the boat cross.

707
00:33:55,200 --> 00:33:58,320
Speaker 1: I'm thinking that we take the boat cruise for ourselves well,

708
00:33:58,360 --> 00:34:02,680
Speaker 1: and then start from scratch, because we can only give

709
00:34:02,680 --> 00:34:04,640
Speaker 1: the logo to one person, can't we? Yeah?

710
00:34:04,640 --> 00:34:05,680
Speaker 2: Because Ben gets a logi?

711
00:34:05,760 --> 00:34:11,680
Speaker 1: And then if you were to go on a date, like,

712
00:34:12,160 --> 00:34:14,520
Speaker 1: you know, would you take somebody on a cruise of

713
00:34:14,560 --> 00:34:14,920
Speaker 1: the harbor?

714
00:34:15,239 --> 00:34:15,680
Speaker 2: Definitely?

715
00:34:15,760 --> 00:34:17,000
Speaker 1: Would you? Yeah? Definitely.

716
00:34:17,040 --> 00:34:19,399
Speaker 2: It's not a different have a couple of a couple

717
00:34:19,440 --> 00:34:23,160
Speaker 2: of champagnes. Every pretty romantic, wouldn't you? Would you take

718
00:34:23,200 --> 00:34:23,640
Speaker 2: your girlfriend?

719
00:34:23,680 --> 00:34:23,799
Speaker 3: Oh?

720
00:34:23,800 --> 00:34:26,640
Speaker 1: I think you should get motion sickness. I would also

721
00:34:26,640 --> 00:34:27,280
Speaker 1: probably get.

722
00:34:29,239 --> 00:34:30,439
Speaker 2: You are like an elderly couple.

723
00:34:30,560 --> 00:34:38,040
Speaker 12: Now let's do the harbor crust huge Benny, Benny, A

724
00:34:38,160 --> 00:34:45,000
Speaker 12: cruise sounds delish, and then in return you get yourself

725
00:34:45,640 --> 00:34:47,040
Speaker 12: a gold logi?

726
00:34:47,920 --> 00:34:49,800
Speaker 11: Oh beauty, Benny?

727
00:34:50,120 --> 00:34:53,200
Speaker 1: Can I ask we're talking before about we just heard

728
00:34:53,239 --> 00:34:55,800
Speaker 1: Sam Johnson on the show He's on Dancing at the Stars.

729
00:34:55,840 --> 00:34:57,719
Speaker 1: I should have mentioned seven thirty Mondays on ten. But

730
00:34:57,760 --> 00:34:59,520
Speaker 1: he's won the go he's won a gold log You before,

731
00:34:59,560 --> 00:35:01,799
Speaker 1: and he was talking to us about what it's like

732
00:35:01,880 --> 00:35:05,880
Speaker 1: to win a gold LOGI. If you had a gold LOGI,

733
00:35:06,680 --> 00:35:09,279
Speaker 1: what would you say? Which show would you say that

734
00:35:09,320 --> 00:35:09,840
Speaker 1: you want it on?

735
00:35:11,520 --> 00:35:12,840
Speaker 11: I can't hear you. What you say?

736
00:35:13,000 --> 00:35:15,160
Speaker 1: Which show would you say that you won the gold

737
00:35:15,200 --> 00:35:15,640
Speaker 1: LOGI on?

738
00:35:17,080 --> 00:35:17,200
Speaker 5: Oh?

739
00:35:17,360 --> 00:35:18,920
Speaker 11: Probably Dancing with the Stars.

740
00:35:21,600 --> 00:35:22,640
Speaker 2: I'm dancing with the stuff.

741
00:35:23,000 --> 00:35:26,840
Speaker 1: Your performance was so good if you're a gold Logo,

742
00:35:28,480 --> 00:35:30,719
Speaker 1: if you're god logging for that? All right, We've got

743
00:35:30,719 --> 00:35:33,200
Speaker 1: ourselves a cruise, a private cruise in Sydney.

744
00:35:32,920 --> 00:35:36,000
Speaker 2: Harbor, including Champagne fantastic.

745
00:35:36,400 --> 00:35:38,400
Speaker 1: That's going to be on the table tomorrow. Move from

746
00:35:38,400 --> 00:35:39,880
Speaker 1: a gold log you to the cruise.

747
00:35:39,880 --> 00:35:40,200
Speaker 2: Woods.

748
00:35:40,239 --> 00:35:42,080
Speaker 1: We are kicking goals here. Woods.

749
00:35:42,719 --> 00:35:45,880
Speaker 2: Well, a friend of mine was on her second about

750
00:35:45,920 --> 00:35:48,640
Speaker 2: to go on a second Tinder date, and I was

751
00:35:48,640 --> 00:35:51,560
Speaker 2: having a chat to her about it, and I said, well, okay,

752
00:35:51,640 --> 00:35:54,480
Speaker 2: second date the same person. Sorry, yeah, sorry, date with

753
00:35:54,480 --> 00:35:56,600
Speaker 2: the same guy, yes, correct, correct, And there's a female

754
00:35:56,600 --> 00:35:57,400
Speaker 2: that I was talking to.

755
00:35:57,600 --> 00:35:58,520
Speaker 1: Yep, we've established that.

756
00:35:58,960 --> 00:36:00,799
Speaker 2: And I said, okay, scond date, this is good. How

757
00:36:00,840 --> 00:36:03,520
Speaker 2: did the first date go and she goes, look really

758
00:36:03,560 --> 00:36:06,799
Speaker 2: good love the conversation we had, it was a great date,

759
00:36:06,880 --> 00:36:11,400
Speaker 2: but I was really disappointed that he didn't go in

760
00:36:11,440 --> 00:36:14,759
Speaker 2: for a kiss at the end. She said she was

761
00:36:14,840 --> 00:36:18,319
Speaker 2: borderline angry fair enough that he didn't have the kahonas

762
00:36:18,960 --> 00:36:21,080
Speaker 2: to go for a kiss after such a good date.

763
00:36:21,360 --> 00:36:24,200
Speaker 1: Second date. I'd like to think that if you're on

764
00:36:24,239 --> 00:36:26,239
Speaker 1: your second date, that means that she has approved of

765
00:36:26,280 --> 00:36:26,839
Speaker 1: the first one.

766
00:36:26,920 --> 00:36:28,560
Speaker 2: So no, no, this is on the first date. On the

767
00:36:28,600 --> 00:36:31,640
Speaker 2: first date, she was angry that he No. No, she

768
00:36:31,680 --> 00:36:33,799
Speaker 2: was about to go on her second date. I had

769
00:36:33,840 --> 00:36:36,800
Speaker 2: the conversation with her before that. She was talking about

770
00:36:36,800 --> 00:36:39,840
Speaker 2: the first date. She was angry that he didn't go

771
00:36:39,960 --> 00:36:41,839
Speaker 2: for the kiss at the end of the first date,

772
00:36:42,239 --> 00:36:46,480
Speaker 2: and I said to her, that is completely outrageous. How

773
00:36:46,560 --> 00:36:49,560
Speaker 2: dare you put that all on the guy, Like why

774
00:36:49,600 --> 00:36:51,560
Speaker 2: didn't you try and kiss him? How is he supposed

775
00:36:51,600 --> 00:36:55,279
Speaker 2: to know that you want him to kiss you? And

776
00:36:55,320 --> 00:37:00,759
Speaker 2: then she said to me, I was giving him all

777
00:37:00,960 --> 00:37:06,960
Speaker 2: the signs.

778
00:37:05,280 --> 00:37:09,080
Speaker 1: The mythical signs, the mythical sign the invisible signs.

779
00:37:09,280 --> 00:37:12,320
Speaker 2: What the hell are the signs?

780
00:37:12,680 --> 00:37:14,720
Speaker 1: I'm not sure as a single.

781
00:37:14,440 --> 00:37:17,319
Speaker 2: Man now, I still to this day I'm thirty years

782
00:37:17,360 --> 00:37:22,040
Speaker 2: old and I have no frickin' idea what these signs

783
00:37:22,120 --> 00:37:25,040
Speaker 2: are that you girls are doing, which is a message

784
00:37:25,040 --> 00:37:27,239
Speaker 2: to us to go. I want to kiss you, mate.

785
00:37:27,280 --> 00:37:29,520
Speaker 1: Put the single thing to one side. As a taken man.

786
00:37:30,440 --> 00:37:32,640
Speaker 1: I can come home my girlfriend conmana lounge around the

787
00:37:32,680 --> 00:37:34,440
Speaker 1: kitchen table, and I'll walk past and ask how the

788
00:37:34,440 --> 00:37:34,960
Speaker 1: weather was.

789
00:37:35,640 --> 00:37:37,680
Speaker 2: Even I figured that out. No, it's on the kitchen

790
00:37:37,680 --> 00:37:38,400
Speaker 2: bench at lingerie.

791
00:37:38,440 --> 00:37:42,279
Speaker 1: What are you doing? You more on? Jeezus, you haven't

792
00:37:42,280 --> 00:37:43,960
Speaker 1: been closed to put on. I didn't realize it was

793
00:37:44,000 --> 00:37:45,719
Speaker 1: all in the wash. I'm serious. I don't think you

794
00:37:45,800 --> 00:37:49,000
Speaker 1: need to be necessarily single to be in a situation

795
00:37:49,120 --> 00:37:53,880
Speaker 1: where picking signs, particularly from women is really, really tough.

796
00:37:54,040 --> 00:37:55,399
Speaker 1: I've always struggled with.

797
00:37:55,360 --> 00:37:57,240
Speaker 2: It, so I'd love to hear from girls here. Obviously,

798
00:37:57,280 --> 00:38:00,000
Speaker 2: thirteen one oh six fives out number. We've got no idea.

799
00:38:00,080 --> 00:38:02,080
Speaker 2: We're two blogs in here. We don't know what the

800
00:38:02,160 --> 00:38:04,320
Speaker 2: signs are. We struggle to pick up on the signs.

801
00:38:04,600 --> 00:38:06,839
Speaker 2: I would love girls to call right now and just

802
00:38:07,040 --> 00:38:11,399
Speaker 2: inform us. Inform the Australian males that are listening right now,

803
00:38:12,080 --> 00:38:18,120
Speaker 2: what are the signs? Give us examples of what the

804
00:38:18,160 --> 00:38:19,480
Speaker 2: signs are, because some of.

805
00:38:19,480 --> 00:38:24,600
Speaker 1: The stereotypical ones that you hear of that I've never

806
00:38:24,840 --> 00:38:27,280
Speaker 1: Maybe we're just not watchful enough. Maybe that's the issue,

807
00:38:27,320 --> 00:38:30,120
Speaker 1: maybe because I think it's it's in the subtlety, isn't it.

808
00:38:31,520 --> 00:38:33,880
Speaker 1: So the hair flick, I think is one.

809
00:38:33,800 --> 00:38:36,200
Speaker 2: I have heard of, the hair but then it's hard

810
00:38:36,239 --> 00:38:38,080
Speaker 2: to tell whether you are just trying to get hair

811
00:38:38,480 --> 00:38:40,759
Speaker 2: out of your face because there's someone with long hair. Now.

812
00:38:41,400 --> 00:38:44,440
Speaker 2: I hair flick when my hair gets in my eyes

813
00:38:45,160 --> 00:38:47,839
Speaker 2: or my mouth, So you know, it's hard to tell

814
00:38:47,840 --> 00:38:49,160
Speaker 2: whether are you are you flicking?

815
00:38:49,320 --> 00:38:51,759
Speaker 1: But I don't know. Many women don't get their hair

816
00:38:51,760 --> 00:38:53,240
Speaker 1: in their mouth, mate, not on a date.

817
00:38:54,440 --> 00:38:55,880
Speaker 2: That is windy, of the windy.

818
00:38:55,680 --> 00:38:57,200
Speaker 1: Date, their hair in their mouth?

819
00:38:57,360 --> 00:38:59,520
Speaker 2: Yeah, all the time. What you dated a girl one,

820
00:38:59,480 --> 00:39:03,000
Speaker 2: it's called a hair mouth because they he was always in.

821
00:39:02,960 --> 00:39:05,839
Speaker 1: Her mouth alone. Who give us a call if you've

822
00:39:05,840 --> 00:39:08,000
Speaker 1: got some more examples of what the signs are, so

823
00:39:08,040 --> 00:39:09,520
Speaker 1: that we teach and I can try and figure this

824
00:39:09,600 --> 00:39:12,719
Speaker 1: out and hopefully shed some light on something which has

825
00:39:12,760 --> 00:39:16,120
Speaker 1: been in the dark, dark deldrums of male imagination for

826
00:39:16,160 --> 00:39:17,160
Speaker 1: a very long time.

827
00:39:17,440 --> 00:39:20,080
Speaker 2: A female friend of mine was angry that a guy

828
00:39:20,239 --> 00:39:23,160
Speaker 2: didn't make them move to kiss her at the end

829
00:39:23,200 --> 00:39:26,480
Speaker 2: of a first date because she said she was giving

830
00:39:26,480 --> 00:39:32,439
Speaker 2: off all the signs. There's two men in the room.

831
00:39:32,719 --> 00:39:36,360
Speaker 2: We have no bloody idea what the signs are. So

832
00:39:36,400 --> 00:39:39,360
Speaker 2: we'd love some females to teach some thirty.

833
00:39:38,239 --> 00:39:41,759
Speaker 1: One actually need. Maybe they actually need physical signs, like

834
00:39:41,960 --> 00:39:45,480
Speaker 1: I'm going to be handy, a little Q card. Just

835
00:39:46,280 --> 00:39:48,759
Speaker 1: make it easy for us. Please take your hand off

836
00:39:48,760 --> 00:39:52,360
Speaker 1: my leg. You know these sorts of ones over clear?

837
00:39:52,600 --> 00:39:53,239
Speaker 2: Yes, y.

838
00:39:54,800 --> 00:39:55,320
Speaker 1: Is the killer.

839
00:39:55,400 --> 00:39:58,880
Speaker 2: Here, We've got Jordana here, Jordana, what what? What are

840
00:39:58,920 --> 00:39:59,920
Speaker 2: the signs? Jordana?

841
00:40:00,760 --> 00:40:03,840
Speaker 6: The best sign is when she keeps looking at your lips.

842
00:40:04,920 --> 00:40:05,560
Speaker 5: I've heard that.

843
00:40:06,200 --> 00:40:07,160
Speaker 1: I've heard that one.

844
00:40:07,440 --> 00:40:09,920
Speaker 2: So I've sometimes thought when a girl's looking at my

845
00:40:10,080 --> 00:40:12,200
Speaker 2: mouth that I've got something in my teeth.

846
00:40:13,960 --> 00:40:15,640
Speaker 4: No, and it just depends.

847
00:40:15,680 --> 00:40:18,040
Speaker 10: You can tell when she's looking at your mouth, not

848
00:40:18,080 --> 00:40:20,080
Speaker 10: when you're talking, and she just keeps looking down at

849
00:40:20,080 --> 00:40:20,479
Speaker 10: your mouth.

850
00:40:20,520 --> 00:40:22,239
Speaker 6: It's the easiest sign.

851
00:40:22,239 --> 00:40:26,399
Speaker 1: All right. What if you've had It does get interesting though,

852
00:40:26,400 --> 00:40:30,480
Speaker 1: like if you've eaten corn or something. Yeah, you're very paranoid.

853
00:40:30,719 --> 00:40:34,360
Speaker 1: It's tough to know because then if you do go

854
00:40:34,480 --> 00:40:38,920
Speaker 1: in for it, you guys, mate, you've just got goose so.

855
00:40:39,080 --> 00:40:41,880
Speaker 2: Much going through your teeth. Thanks you all down to that.

856
00:40:41,880 --> 00:40:44,719
Speaker 2: That's interesting, So looking at your mouth not when you're talking.

857
00:40:44,719 --> 00:40:47,600
Speaker 1: Have you ever can I just put the shoe on

858
00:40:47,640 --> 00:40:49,640
Speaker 1: the other foot for a second though? Have you ever

859
00:40:49,920 --> 00:40:52,120
Speaker 1: like before you were about to kiss someone?

860
00:40:53,640 --> 00:40:53,880
Speaker 9: Were you?

861
00:40:54,239 --> 00:40:56,520
Speaker 1: Were you ever a big lip gazer? Like? Do you

862
00:40:56,600 --> 00:40:58,800
Speaker 1: consciously realize that you're looking at someone's lips?

863
00:40:59,000 --> 00:40:59,040
Speaker 5: No?

864
00:41:00,280 --> 00:41:03,040
Speaker 2: I don't think. Do you look at lips thinking like,

865
00:41:03,120 --> 00:41:04,279
Speaker 2: oh I really want to kiss them?

866
00:41:05,120 --> 00:41:05,359
Speaker 5: Yes?

867
00:41:05,760 --> 00:41:10,040
Speaker 1: I do either? No? Oh, like, do you think what

868
00:41:10,040 --> 00:41:11,719
Speaker 1: I'm saying is do you think what Jordana is saying

869
00:41:11,760 --> 00:41:13,760
Speaker 1: is it's just a female thing to look at lips?

870
00:41:13,960 --> 00:41:17,040
Speaker 1: Surely not? Surely a look a lip looker?

871
00:41:17,120 --> 00:41:17,160
Speaker 3: Is?

872
00:41:19,840 --> 00:41:20,320
Speaker 1: I just don't.

873
00:41:21,680 --> 00:41:21,719
Speaker 5: Know.

874
00:41:21,800 --> 00:41:23,680
Speaker 1: I don't think I go for the eyes otherwise I

875
00:41:23,880 --> 00:41:26,200
Speaker 1: start thinking, geez, they're gonna think that there's something in

876
00:41:26,200 --> 00:41:26,960
Speaker 1: their tat.

877
00:41:27,040 --> 00:41:30,520
Speaker 2: I'm the same. We've got Sarah here, Sarah, you've got

878
00:41:30,520 --> 00:41:33,320
Speaker 2: an idea of you know, you know what of the signs.

879
00:41:34,560 --> 00:41:37,560
Speaker 9: Well, personally, I'm not one of those girls that just

880
00:41:37,600 --> 00:41:40,040
Speaker 9: thinks that it's solely on the guy to make the move.

881
00:41:40,200 --> 00:41:44,200
Speaker 9: But I think that if I wanted to. I would

882
00:41:44,280 --> 00:41:46,279
Speaker 9: like the guy to kiss me. I definitely want to

883
00:41:47,040 --> 00:41:49,480
Speaker 9: sit a bit closer or face them at least that

884
00:41:49,520 --> 00:41:51,560
Speaker 9: it's kind of like you're setting up the opportunity like

885
00:41:51,600 --> 00:41:54,320
Speaker 9: a good position, so he's.

886
00:41:54,120 --> 00:41:55,600
Speaker 1: Within striking Sarah.

887
00:41:55,640 --> 00:41:58,319
Speaker 9: Okay, let's any kind of game of sport, you know,

888
00:41:58,320 --> 00:42:00,160
Speaker 9: you've got to set yourself up to the gold. I

889
00:42:00,160 --> 00:42:02,560
Speaker 9: set myself up all for me to kiss him, for

890
00:42:02,680 --> 00:42:03,919
Speaker 9: him to Can.

891
00:42:03,840 --> 00:42:05,920
Speaker 2: You give me an example, Sarah. So we've just been

892
00:42:05,960 --> 00:42:09,200
Speaker 2: at a restaurant. Maybe I'm walking you to your car

893
00:42:09,920 --> 00:42:12,360
Speaker 2: or something or a cab or an uber or whatever.

894
00:42:12,480 --> 00:42:16,080
Speaker 1: A cam and she's going home with Dave us.

895
00:42:18,400 --> 00:42:20,920
Speaker 2: Going on, Sarah, what what would you do to get

896
00:42:21,360 --> 00:42:22,200
Speaker 2: into the position?

897
00:42:24,280 --> 00:42:28,759
Speaker 9: I would probably make sure I'm facing you, like my

898
00:42:28,800 --> 00:42:32,560
Speaker 9: body's facing you properly, and my head is tilted to

899
00:42:32,600 --> 00:42:35,200
Speaker 9: the way that you're looking down at me.

900
00:42:35,480 --> 00:42:38,640
Speaker 1: So then so you need to be you.

901
00:42:38,600 --> 00:42:42,000
Speaker 2: Need to be you're facing me, tilting your head looking

902
00:42:42,000 --> 00:42:46,239
Speaker 2: at my lips. All right, I'm starting to piece together.

903
00:42:46,280 --> 00:42:48,399
Speaker 1: I feel like it's not it never happens like that,

904
00:42:48,520 --> 00:42:49,680
Speaker 1: but the head tilt looks.

905
00:42:49,760 --> 00:42:51,680
Speaker 2: That'd be weird, wouldn't it if a girl started tilting

906
00:42:51,680 --> 00:42:52,080
Speaker 2: their head.

907
00:42:52,920 --> 00:42:55,720
Speaker 1: I think getting so again, maybe this is too obvious,

908
00:42:55,800 --> 00:42:58,919
Speaker 1: but the fate like getting close enough, as Sarah said,

909
00:42:59,160 --> 00:43:02,560
Speaker 1: within striking distance. That's got to give off a sign

910
00:43:03,640 --> 00:43:04,480
Speaker 1: when you're in there.

911
00:43:04,760 --> 00:43:05,759
Speaker 2: It's like, oh, and.

912
00:43:05,680 --> 00:43:08,120
Speaker 1: You're comfortable being in somebody else's personal.

913
00:43:07,800 --> 00:43:09,319
Speaker 2: Space and the hold as well.

914
00:43:09,320 --> 00:43:11,960
Speaker 1: They're not in there to smell your breath. Yeah, and

915
00:43:11,960 --> 00:43:14,520
Speaker 1: it's weird now they could be, particularly if you've got

916
00:43:14,520 --> 00:43:15,400
Speaker 1: something in your teeth.

917
00:43:16,120 --> 00:43:19,000
Speaker 2: We are, yeah, and I'm constantly paranoid about something in

918
00:43:19,000 --> 00:43:19,319
Speaker 2: my teeth.

919
00:43:19,320 --> 00:43:21,319
Speaker 1: And if you get steak in the vacu, your teeth smell,

920
00:43:22,160 --> 00:43:24,439
Speaker 1: so she might be getting in there going yeah, something

921
00:43:24,480 --> 00:43:25,200
Speaker 1: a bit funky heavy.

922
00:43:25,320 --> 00:43:28,920
Speaker 2: I's got a Michelle, Michelle, what are the signs? Michelle?

923
00:43:29,960 --> 00:43:32,360
Speaker 8: So black what you guys were just talking about before,

924
00:43:32,480 --> 00:43:35,560
Speaker 8: Like it's literally the flick of the hair, the head tilt,

925
00:43:35,680 --> 00:43:39,080
Speaker 8: so it all winds up like it's the head tilt.

926
00:43:39,160 --> 00:43:42,680
Speaker 2: I swear so sorry, So where where just talking, Michelle?

927
00:43:42,680 --> 00:43:44,680
Speaker 2: We're just having a chat and then you will suddenly

928
00:43:45,239 --> 00:43:47,600
Speaker 2: tilt your head on a forty five de gray angle.

929
00:43:48,880 --> 00:43:51,080
Speaker 8: Yeah, but I kind of give that cheeky smile as

930
00:43:51,120 --> 00:43:55,640
Speaker 8: well and be like, you know, encouragement of go for itage.

931
00:43:56,000 --> 00:43:58,200
Speaker 1: Michelle, I think we're talking about two different can I.

932
00:43:58,200 --> 00:44:01,000
Speaker 1: I think we just need to just pack unpack this

933
00:44:01,040 --> 00:44:04,200
Speaker 1: a little bit. From everything I've heard, there's two separate

934
00:44:04,200 --> 00:44:07,040
Speaker 1: things going on. The last girl we were talking to, Sarah,

935
00:44:07,160 --> 00:44:10,400
Speaker 1: was talking about like standing underneath you, getting in the

936
00:44:10,440 --> 00:44:13,160
Speaker 1: personal space and looking up at you. Also, I feel

937
00:44:13,200 --> 00:44:16,200
Speaker 1: like you have to be blind Freddy to not realize

938
00:44:16,200 --> 00:44:19,480
Speaker 1: that her kiss is on the table there. However, if

939
00:44:19,480 --> 00:44:21,920
Speaker 1: we're talking, I want to think the signs are the

940
00:44:22,000 --> 00:44:24,080
Speaker 1: key signs here. It's not when they're actually, you know,

941
00:44:24,560 --> 00:44:28,600
Speaker 1: halfway down your throat. I'm talking about when you're actually

942
00:44:28,719 --> 00:44:32,279
Speaker 1: at dinner, you're opposite each other, there's a genuine half

943
00:44:32,320 --> 00:44:35,480
Speaker 1: a meter in between you. That's they're the science. Is

944
00:44:35,520 --> 00:44:38,920
Speaker 1: that where the hair flick and all that business goes on? Michelle?

945
00:44:39,080 --> 00:44:41,920
Speaker 8: Yeah, yeah, So it's a smile, the hair flick, and

946
00:44:42,120 --> 00:44:44,920
Speaker 8: like the tilting of the head by all means. It

947
00:44:45,040 --> 00:44:46,759
Speaker 8: means by the end of the night, when you're a

948
00:44:46,840 --> 00:44:47,560
Speaker 8: bit closer, I.

949
00:44:47,640 --> 00:44:48,080
Speaker 5: Go for it.

950
00:44:48,360 --> 00:44:51,680
Speaker 2: Sorry, sorry, sorry you're saying. You're saying mid dinner you

951
00:44:51,800 --> 00:44:54,440
Speaker 2: just start tilting your head like you're just chewing your

952
00:44:54,440 --> 00:44:56,720
Speaker 2: steak and just tilting like crazy.

953
00:44:58,320 --> 00:45:01,200
Speaker 1: Crazy sizing up a worm.

954
00:45:01,280 --> 00:45:05,439
Speaker 8: You know, you're like, we're not telling you like five

955
00:45:05,520 --> 00:45:07,920
Speaker 8: different sides with like multiple handsleets.

956
00:45:07,960 --> 00:45:08,520
Speaker 10: It's a cue.

957
00:45:08,680 --> 00:45:11,520
Speaker 8: You need to pick out the signe. It can't be

958
00:45:11,760 --> 00:45:13,640
Speaker 8: like that. We do it six times in the night

959
00:45:13,680 --> 00:45:16,279
Speaker 8: and you'll be like, oh, now I get it. Now

960
00:45:16,280 --> 00:45:17,759
Speaker 8: we're doing a little bit here and there.

961
00:45:17,800 --> 00:45:18,880
Speaker 4: We're trying to be plenty.

962
00:45:19,440 --> 00:45:21,120
Speaker 2: Yeah, I get that. Can you do it as a

963
00:45:21,160 --> 00:45:23,239
Speaker 2: favor though? And can you do it six or seven times?

964
00:45:23,280 --> 00:45:23,400
Speaker 3: Though?

965
00:45:23,440 --> 00:45:25,680
Speaker 2: Because we are as a bloke, I'm telling you it's

966
00:45:25,680 --> 00:45:26,640
Speaker 2: too subtle right now.

967
00:45:26,520 --> 00:45:28,719
Speaker 1: Well, maybe just let's just reform the model. I mean,

968
00:45:28,719 --> 00:45:31,799
Speaker 1: we've gone into this entire conversation under the assumption that

969
00:45:32,280 --> 00:45:34,480
Speaker 1: women have to give off subtle hints in order to

970
00:45:34,480 --> 00:45:36,879
Speaker 1: get kissed. I'm sure, I'm sure there's lots of women

971
00:45:36,920 --> 00:45:39,400
Speaker 1: out there who are listening to this just going just

972
00:45:39,560 --> 00:45:40,760
Speaker 1: kiss him.

973
00:45:41,160 --> 00:45:43,960
Speaker 2: The girl you think girl should. Yeah, yeah, I've.

974
00:45:43,760 --> 00:45:46,200
Speaker 1: Put the science like Michelle, have you ever just put

975
00:45:46,200 --> 00:45:51,520
Speaker 1: the old sparrow head tilt to bed sometimes and just

976
00:45:51,719 --> 00:45:55,560
Speaker 1: gone in for it.

977
00:45:54,239 --> 00:45:59,880
Speaker 8: An I'm person that wants the guy to go okay

978
00:46:00,040 --> 00:46:04,800
Speaker 8: it like it's my partner. We've been together for five years.

979
00:46:04,920 --> 00:46:07,240
Speaker 8: If he's not getting a sign, I'll just do it myself.

980
00:46:07,520 --> 00:46:10,800
Speaker 8: But like if you're stating it's it's different.

981
00:46:10,880 --> 00:46:13,760
Speaker 2: All right, keep tilting, keep Tilton, don't put your neck out,

982
00:46:14,160 --> 00:46:15,080
Speaker 2: keep Tilton.

983
00:46:14,840 --> 00:46:18,000
Speaker 1: Damn it. It'd be a lot easier that.

984
00:46:18,040 --> 00:46:19,600
Speaker 2: Don't take a long time to change it is it?

985
00:46:19,920 --> 00:46:21,640
Speaker 2: It feels like it's the guy's responsibility.

986
00:46:21,880 --> 00:46:22,400
Speaker 1: I likee that.

987
00:46:23,080 --> 00:46:25,239
Speaker 2: The pressure. It's the pressure, it's the rejection, it's the

988
00:46:25,239 --> 00:46:28,720
Speaker 2: fear of rejection. And how many times.

989
00:46:30,200 --> 00:46:33,680
Speaker 1: It's been pleasure for the last couple of hours just

990
00:46:33,760 --> 00:46:36,080
Speaker 1: there abouts Woods. Before we get into the Colin Jackie,

991
00:46:36,120 --> 00:46:38,400
Speaker 1: I shall talk about what we missed out on. We

992
00:46:38,440 --> 00:46:42,319
Speaker 1: didn't quite get to this show. We didn't get to

993
00:46:46,080 --> 00:46:48,680
Speaker 1: I've said about this. I think it's quite topical as well.

994
00:46:48,719 --> 00:46:52,560
Speaker 1: This one great great, Yeah, I'll squeeze it in. Obviously,

995
00:46:52,640 --> 00:46:55,600
Speaker 1: a lot of Townsville, there's been a lot of floods

996
00:46:55,640 --> 00:47:00,400
Speaker 1: recently in Townsville. And obviously there's been a lot of crocodiles.

997
00:47:00,440 --> 00:47:02,200
Speaker 1: We spoke about that, fat been a lot of crocodiles.

998
00:47:02,520 --> 00:47:06,080
Speaker 2: I saw a photo of yeah, crocodiles like in the street.

999
00:47:06,560 --> 00:47:11,040
Speaker 1: That's right, And so North Queensland residents have been placed

1000
00:47:11,840 --> 00:47:12,880
Speaker 1: on croc watch.

1001
00:47:13,880 --> 00:47:15,040
Speaker 2: Shit, that's terrifying.

1002
00:47:15,160 --> 00:47:17,400
Speaker 1: So like you get somebody to stand out in the

1003
00:47:17,400 --> 00:47:20,160
Speaker 1: front of your house and just just on guard like

1004
00:47:20,200 --> 00:47:23,960
Speaker 1: a sentinel, like yeah, like yeah, like a Century Sorry

1005
00:47:24,160 --> 00:47:26,359
Speaker 1: yeah Centinel robot.

1006
00:47:26,120 --> 00:47:30,200
Speaker 2: From Robots would do that. Sorry, Century, So they're on

1007
00:47:30,200 --> 00:47:30,600
Speaker 2: croc watch.

1008
00:47:30,680 --> 00:47:32,080
Speaker 1: I was thinking we could do like, you know, crop

1009
00:47:32,200 --> 00:47:34,480
Speaker 1: watch and pavorit of a thing.

1010
00:47:34,600 --> 00:47:36,040
Speaker 2: Yeah, talk to me, So then what we do?

1011
00:47:36,760 --> 00:47:40,120
Speaker 1: And then I was thinking, and then I was thinking,

1012
00:47:40,160 --> 00:47:42,200
Speaker 1: we could do a phone or what have You had

1013
00:47:42,239 --> 00:47:43,400
Speaker 1: to stand on watch for?

1014
00:47:43,840 --> 00:47:44,840
Speaker 2: Oh, I actually don't mind that.

1015
00:47:45,440 --> 00:47:47,000
Speaker 1: And I thought, you know, it's like in the movies,

1016
00:47:47,040 --> 00:47:47,839
Speaker 1: you have to be on watch.

1017
00:47:48,080 --> 00:47:48,640
Speaker 2: Don't mind that.

1018
00:47:49,080 --> 00:47:50,759
Speaker 1: And I thought you could get involved because on the

1019
00:47:50,760 --> 00:47:52,760
Speaker 1: weekend you were pretty much on watch for any single

1020
00:47:52,800 --> 00:47:56,160
Speaker 1: female that would look at you more than once Sacks Sacks.

1021
00:47:57,080 --> 00:48:00,800
Speaker 1: Your mass that's been out of the Jake. Your shows

1022
00:48:00,840 --> 00:48:02,160
Speaker 1: are right out next.

1023
00:48:01,960 --> 00:48:03,960
Speaker 2: List, and Lauren from Married at First Sight is going

1024
00:48:04,000 --> 00:48:06,680
Speaker 2: to be in studio with Kyle and Jackie. Remember everyone

1025
00:48:06,760 --> 00:48:10,520
Speaker 2: we have in our possession a cruise for two. We

1026
00:48:10,600 --> 00:48:14,040
Speaker 2: currently own a cruise for two with Champagne on the

1027
00:48:14,080 --> 00:48:17,440
Speaker 2: Sydney Harbor. If you want that, you can trade for

1028
00:48:17,480 --> 00:48:19,400
Speaker 2: it on our show tomorrow. It's the only place to

1029
00:48:19,400 --> 00:48:20,520
Speaker 2: get it on our show tomorrow.

1030
00:48:20,680 --> 00:48:23,040
Speaker 1: Yes. Absolutely, make sure you're tuning in from four o'clock.

1031
00:48:23,080 --> 00:48:25,759
Speaker 1: We'll see you then see what you're hearing. Find us

1032
00:48:25,800 --> 00:48:29,160
Speaker 1: on Instagram and Facebook search Will and Woody. What's up, bro,