1 00:00:01,160 --> 00:00:02,200 Speaker 1: Podcast anything. 2 00:00:02,279 --> 00:00:05,160 Speaker 2: Now, if anybody's watched a little bit of this show recently, 3 00:00:05,160 --> 00:00:06,240 Speaker 2: you're gonna be interested in this. 4 00:00:06,240 --> 00:00:07,080 Speaker 1: This is the juice. 5 00:00:07,760 --> 00:00:11,799 Speaker 3: There's been a change in the law, something about community standards. 6 00:00:12,080 --> 00:00:14,000 Speaker 2: What about community standards? 7 00:00:15,160 --> 00:00:16,480 Speaker 1: Apparently New York has not. 8 00:00:16,920 --> 00:00:18,880 Speaker 2: That's Jake Gyllen Hall and James Franco doing some of 9 00:00:18,880 --> 00:00:22,520 Speaker 2: their best work on HBO Woods And that's a steamy, 10 00:00:23,079 --> 00:00:26,000 Speaker 2: steamy show. And so we've got one of the most 11 00:00:26,000 --> 00:00:28,160 Speaker 2: interesting characters I reckon we've ever had on this show. 12 00:00:28,280 --> 00:00:31,680 Speaker 2: Joins us right now, particularly when we're talking sex in Hollywood, 13 00:00:31,960 --> 00:00:35,760 Speaker 2: you need what they call an intimacy coordinator. 14 00:00:35,880 --> 00:00:39,680 Speaker 1: So enter Alisha Rhodis. Welcome to Will and Woody. 15 00:00:40,200 --> 00:00:41,600 Speaker 3: Hey, thanks for having me. 16 00:00:42,400 --> 00:00:46,720 Speaker 4: Hey, Alicia, first question, can you just clarify for us 17 00:00:46,960 --> 00:00:49,960 Speaker 4: what it is that an intimacy coordinator does? 18 00:00:50,479 --> 00:00:56,639 Speaker 3: Yeah, in general, I am there to coordinate hyper exposed 19 00:00:56,720 --> 00:01:01,360 Speaker 3: scenes see that of nudity or simulated facts. I work 20 00:01:01,440 --> 00:01:06,319 Speaker 3: as a liaison between actors and production, as a choreographer 21 00:01:06,480 --> 00:01:07,520 Speaker 3: and as an advocate. 22 00:01:07,760 --> 00:01:10,120 Speaker 1: Wow. Yeah, it sounds so saucy, mate. 23 00:01:10,120 --> 00:01:12,360 Speaker 2: Can I can I ask just like, first of all, though, 24 00:01:12,640 --> 00:01:15,040 Speaker 2: how did you get into this? Because we've done a 25 00:01:15,040 --> 00:01:19,080 Speaker 2: little bit of background work obviously on you. You apparently 26 00:01:19,120 --> 00:01:21,319 Speaker 2: did an on stage kiss at the age of fifteen. 27 00:01:21,840 --> 00:01:25,240 Speaker 2: If we're going back through your intimacy catalog here and 28 00:01:26,080 --> 00:01:29,880 Speaker 2: quote faked and orgasm at aged eighteen, So you had 29 00:01:29,920 --> 00:01:31,520 Speaker 2: that feather in your cap at that age? 30 00:01:31,800 --> 00:01:33,240 Speaker 1: Can you is this? 31 00:01:34,440 --> 00:01:36,240 Speaker 2: Like? How do they you know, do they sort of 32 00:01:36,280 --> 00:01:39,200 Speaker 2: sit you down and they audition you for to be 33 00:01:39,240 --> 00:01:42,880 Speaker 2: an intimacy coordinator? Or I mean, did somebody hook up 34 00:01:42,880 --> 00:01:44,400 Speaker 2: with you and then they were like, oh no, she's 35 00:01:44,440 --> 00:01:46,399 Speaker 2: she's she really directed me last night. She knows what 36 00:01:46,440 --> 00:01:48,720 Speaker 2: she's doing. I mean, how did you how did you 37 00:01:48,760 --> 00:01:50,960 Speaker 2: get to that to this position? 38 00:01:52,800 --> 00:01:58,640 Speaker 3: Yeah, that's a great question. So so first off, my 39 00:01:59,120 --> 00:02:01,680 Speaker 3: background is, you know, I came up as an actor 40 00:02:01,960 --> 00:02:05,600 Speaker 3: and as a performer. You know, from the time I 41 00:02:05,640 --> 00:02:09,239 Speaker 3: was around like fifteen sixteen, I was often cast as 42 00:02:09,360 --> 00:02:11,200 Speaker 3: the slutty best friend character. 43 00:02:11,360 --> 00:02:11,840 Speaker 2: Wow, that. 44 00:02:16,800 --> 00:02:19,880 Speaker 3: Was often what I was what I was cast as. 45 00:02:19,960 --> 00:02:22,720 Speaker 3: You know, we have different types that people get cast in, 46 00:02:22,840 --> 00:02:25,120 Speaker 3: and that's what I had and where and some of 47 00:02:25,160 --> 00:02:27,560 Speaker 3: them had a really good experience and some of them 48 00:02:28,760 --> 00:02:30,840 Speaker 3: I didn't have a great experience, and a lot of 49 00:02:30,880 --> 00:02:36,080 Speaker 3: it was silence around it. There was no conversation around 50 00:02:36,160 --> 00:02:38,239 Speaker 3: what it was exactly we were going to be doing, 51 00:02:38,360 --> 00:02:39,560 Speaker 3: what the boundaries were. 52 00:02:39,840 --> 00:02:41,480 Speaker 2: So you'd rock up on a set, you know that 53 00:02:41,520 --> 00:02:44,400 Speaker 2: you're doing a sex scene, but no one's briefing you 54 00:02:44,600 --> 00:02:47,880 Speaker 2: as to what the parameters around the six scene. Now 55 00:02:47,919 --> 00:02:49,400 Speaker 2: you don't know what the boundaries are, you don't know 56 00:02:49,400 --> 00:02:51,959 Speaker 2: what the syfe woods. You just kind of like get 57 00:02:52,000 --> 00:02:54,360 Speaker 2: in there and just give it a go with someone 58 00:02:54,680 --> 00:02:56,320 Speaker 2: I assume that you'd never really meant. 59 00:02:56,120 --> 00:03:00,000 Speaker 3: Before, right right, and you know there's there. It's really 60 00:03:00,160 --> 00:03:03,840 Speaker 3: uncomfortable for even the director or whoever it was that 61 00:03:03,960 --> 00:03:06,200 Speaker 3: was putting together the scene to really talk about it, 62 00:03:06,240 --> 00:03:08,519 Speaker 3: because you know, they're in a position where they don't 63 00:03:08,520 --> 00:03:12,800 Speaker 3: want to be asking you to be bringing your actual sexuality. 64 00:03:12,840 --> 00:03:15,160 Speaker 3: They want you to be bringing the sexuality of the 65 00:03:15,280 --> 00:03:18,320 Speaker 3: character versus you. And you know, there's a lot of 66 00:03:18,360 --> 00:03:23,080 Speaker 3: shame around even talking about sex, So asking someone to 67 00:03:23,440 --> 00:03:26,320 Speaker 3: perform something like that, there just wasn't a lot of 68 00:03:26,360 --> 00:03:31,520 Speaker 3: tools available. I started working in stunts. I was a 69 00:03:31,560 --> 00:03:35,160 Speaker 3: fight director and working in on stage violence, and I noticed, 70 00:03:35,600 --> 00:03:38,400 Speaker 3: you know, on stage violence and on camera violence would 71 00:03:38,440 --> 00:03:41,200 Speaker 3: be choreographed to a tee. But we'd get and then 72 00:03:41,240 --> 00:03:43,640 Speaker 3: I think back to any of the intimate moments that 73 00:03:43,720 --> 00:03:46,480 Speaker 3: I had, and I was like, where was someone to 74 00:03:46,880 --> 00:03:47,640 Speaker 3: advocate for me? 75 00:03:47,720 --> 00:03:51,119 Speaker 1: Then chat? Wow, all right, well Alicia's started with this. 76 00:03:51,120 --> 00:03:53,240 Speaker 1: This is a fascinating chat. We're gonna have more with Lasia. 77 00:03:53,280 --> 00:03:54,280 Speaker 1: Wrote is brought up next. 78 00:03:54,520 --> 00:03:57,880 Speaker 2: We're having a fascinating chat with Alisia Rtius who joins 79 00:03:57,920 --> 00:03:58,360 Speaker 2: is right now. 80 00:03:58,360 --> 00:04:01,080 Speaker 1: She's over in the US, Lisha, Welcome back to the show. 81 00:04:01,120 --> 00:04:05,760 Speaker 2: Alisha is an intimacy coordinator over in Hollywood working on 82 00:04:05,800 --> 00:04:08,200 Speaker 2: season two of HBOS The Juice, which is James Franco 83 00:04:08,280 --> 00:04:12,240 Speaker 2: Jake Gillenhall. Huge show there, mate, But Maggie Gillen, Maggie Jillen, 84 00:04:13,000 --> 00:04:14,880 Speaker 2: Jake's not around there though. You know they're brothers and sisters. 85 00:04:14,920 --> 00:04:17,400 Speaker 2: They might might be on set. Does Jake rock up 86 00:04:17,440 --> 00:04:19,720 Speaker 2: to set, Alisha? Uh? 87 00:04:20,040 --> 00:04:21,080 Speaker 3: Not while I was there? 88 00:04:21,200 --> 00:04:21,400 Speaker 2: Yeah? 89 00:04:21,400 --> 00:04:24,040 Speaker 1: Sure? But you know you didn't have to shoot me 90 00:04:24,080 --> 00:04:27,840 Speaker 1: down there, Alicia, You couldn't just run. I did a 91 00:04:27,920 --> 00:04:30,640 Speaker 1: question about it all the Juice though, Alisha. 92 00:04:30,800 --> 00:04:33,320 Speaker 4: So you were talking before before the song there about 93 00:04:33,360 --> 00:04:38,240 Speaker 4: how action scenes so closely choreographed. So the sex scenes 94 00:04:38,279 --> 00:04:40,839 Speaker 4: that we're seeing now in shows like The Juice, like 95 00:04:41,720 --> 00:04:44,600 Speaker 4: how much of it is choreographed? Like, is every single 96 00:04:44,680 --> 00:04:48,840 Speaker 4: hand movement, every every grope for want of a better word, 97 00:04:49,040 --> 00:04:51,839 Speaker 4: is that all choreograph? Are they following like a dance routine? 98 00:04:52,080 --> 00:04:55,800 Speaker 3: You know, it really depends on the situation. There are 99 00:04:56,800 --> 00:05:00,000 Speaker 3: sometimes where an actor or director will want to get, 100 00:05:00,279 --> 00:05:03,080 Speaker 3: you know, down to the nitty gritty specific and then 101 00:05:03,120 --> 00:05:06,200 Speaker 3: there are sometimes that we want to keep certain things open, 102 00:05:06,640 --> 00:05:10,320 Speaker 3: But we always discuss what the boundaries are so that regardless, 103 00:05:10,400 --> 00:05:13,479 Speaker 3: we know it's safe because we find that then one 104 00:05:13,680 --> 00:05:16,440 Speaker 3: everyone no one's getting hurt. And also we find people 105 00:05:16,440 --> 00:05:19,599 Speaker 3: do their best work when they feel safe and feel 106 00:05:19,640 --> 00:05:20,279 Speaker 3: they can get. 107 00:05:20,200 --> 00:05:22,640 Speaker 2: Those Because I was gonna ask, like it is obviously, 108 00:05:24,000 --> 00:05:27,400 Speaker 2: I mean it's hard to navigate this, but I've had 109 00:05:27,400 --> 00:05:30,000 Speaker 2: friends that have been actors and actresses before and being 110 00:05:30,040 --> 00:05:33,600 Speaker 2: in very steamy says and you know, girls can find 111 00:05:33,640 --> 00:05:36,000 Speaker 2: it easier to hide the fact that they're turned on. 112 00:05:36,320 --> 00:05:43,240 Speaker 2: But guys, there's a presence, How does that work? Is 113 00:05:43,240 --> 00:05:46,080 Speaker 2: that just a chat beforehand between the actors? 114 00:05:46,960 --> 00:05:49,000 Speaker 3: You know, I'm not gonna lie. We will have a 115 00:05:49,040 --> 00:05:53,160 Speaker 3: conversation about it, you know, because there's you know, this 116 00:05:53,200 --> 00:05:55,719 Speaker 3: can this happens to anyone regardless of what kind of 117 00:05:55,760 --> 00:05:59,320 Speaker 3: genitals you have about the reaction can occur and someone 118 00:05:59,400 --> 00:06:00,839 Speaker 3: doesn't even have to be turned on. 119 00:06:01,360 --> 00:06:04,520 Speaker 1: Yeah, that's true for someone to have. 120 00:06:04,440 --> 00:06:09,720 Speaker 3: A reaction like yeah, So it's more a conversation normalizing it, 121 00:06:09,960 --> 00:06:11,800 Speaker 3: even having you know, a little bit of a laugh 122 00:06:11,839 --> 00:06:15,120 Speaker 3: around it, but just you know, normalizing that it's uh, 123 00:06:15,720 --> 00:06:18,960 Speaker 3: it's okay. And if people are are up against each other, 124 00:06:19,240 --> 00:06:21,280 Speaker 3: we make sure that they have something between them. 125 00:06:21,880 --> 00:06:24,080 Speaker 1: Yeah yeah, yeah, So. 126 00:06:24,160 --> 00:06:26,480 Speaker 2: Are we talking like like when you get next ray 127 00:06:26,520 --> 00:06:29,839 Speaker 2: and you wear one of those like lead waist. 128 00:06:29,680 --> 00:06:32,640 Speaker 1: Belts or how strong is yours? We need lead? 129 00:06:32,680 --> 00:06:36,000 Speaker 4: Do you you will need some kevlar body armor for 130 00:06:36,040 --> 00:06:36,480 Speaker 4: most people. 131 00:06:36,480 --> 00:06:40,240 Speaker 1: It's a small pillow, but it's a standard plank of wood. 132 00:06:40,640 --> 00:06:43,680 Speaker 3: It will I will, I will take that note down. 133 00:06:45,960 --> 00:06:47,159 Speaker 1: Nothing can hold will down. 134 00:06:48,560 --> 00:06:50,680 Speaker 4: I think we've probably gone into it enough. 135 00:06:50,960 --> 00:06:54,559 Speaker 2: Final question for you later because I know we mentioned 136 00:06:54,560 --> 00:06:57,800 Speaker 2: before Bridget and it's obviously being you know, watched. I 137 00:06:57,800 --> 00:07:02,440 Speaker 2: think it's Netflix's most watched show ev which is just massive, 138 00:07:02,520 --> 00:07:04,520 Speaker 2: and it's obviously riddled with sex sayings. 139 00:07:04,839 --> 00:07:06,039 Speaker 1: Do you look at it and critake it? 140 00:07:06,560 --> 00:07:08,760 Speaker 3: I mean, I I can't help you know, it's it's 141 00:07:08,800 --> 00:07:12,480 Speaker 3: when you work in a certain faction of the industry, 142 00:07:12,520 --> 00:07:15,440 Speaker 3: you can help. But when you see it in movies 143 00:07:15,560 --> 00:07:18,800 Speaker 3: or on TV, that of course you're You're thinking, you know, 144 00:07:19,520 --> 00:07:21,840 Speaker 3: my head is trained to the side, and I'm going, oh, oh, 145 00:07:22,000 --> 00:07:24,080 Speaker 3: interesting choice there. I wonder how that went. 146 00:07:26,240 --> 00:07:28,640 Speaker 4: What's your Alicia, what's what's your what's your favorite sex 147 00:07:28,640 --> 00:07:29,440 Speaker 4: saint of old time? 148 00:07:29,520 --> 00:07:32,200 Speaker 1: Like of all Hollywood films, what's the one way? 149 00:07:32,240 --> 00:07:32,440 Speaker 2: You go? 150 00:07:32,640 --> 00:07:35,440 Speaker 4: Oh, yeah, they nailed the choreography in that one. 151 00:07:36,400 --> 00:07:38,800 Speaker 3: Oh God, you're putting me on the spot here. I 152 00:07:38,840 --> 00:07:41,080 Speaker 3: will say I am a big fan of a lot 153 00:07:41,080 --> 00:07:44,160 Speaker 3: of the bridget In sex scenes. And if I may 154 00:07:44,240 --> 00:07:47,240 Speaker 3: give a shout out to Lizzy Talbot, who was the 155 00:07:47,280 --> 00:07:52,280 Speaker 3: intimacy coordinator, My good friend Lizzy Talbot, tip of the cat, 156 00:07:52,480 --> 00:07:57,040 Speaker 3: because I think they did absolutely and to enter those 157 00:07:57,080 --> 00:07:59,320 Speaker 3: performers as well. What did you all think? Did you 158 00:07:59,320 --> 00:08:00,160 Speaker 3: think they did well? 159 00:08:00,200 --> 00:08:03,320 Speaker 4: I thought John parj Rag was incredibly sexy, no doubt. 160 00:08:03,360 --> 00:08:06,200 Speaker 4: I thought his and I'm not sure whether this is 161 00:08:06,240 --> 00:08:08,440 Speaker 4: something that goes on in your mind, Alisia, but I 162 00:08:08,440 --> 00:08:10,800 Speaker 4: thought his flexibility could have been better at certain stages, 163 00:08:10,840 --> 00:08:13,200 Speaker 4: like do you get frustrated that you've choreographed as said, 164 00:08:13,240 --> 00:08:15,320 Speaker 4: and you go, you know what, Paj just can't get 165 00:08:15,320 --> 00:08:16,080 Speaker 4: his leg up there. 166 00:08:16,000 --> 00:08:20,240 Speaker 1: Thode, So where's the hip flexibility? Alicia? 167 00:08:20,800 --> 00:08:24,320 Speaker 2: All of it has just been totally eye opening and 168 00:08:24,760 --> 00:08:27,920 Speaker 2: completely enthralling. So thank you for shedding a light on 169 00:08:27,960 --> 00:08:30,600 Speaker 2: a part of the industry that I think everybody has 170 00:08:30,680 --> 00:08:34,319 Speaker 2: always asked the question about but had no idea about. 171 00:08:35,080 --> 00:08:38,040 Speaker 2: This has been a fascinating chat from top to toe 172 00:08:38,080 --> 00:08:40,319 Speaker 2: in that respect, So thank you so much for joining us. 173 00:08:41,000 --> 00:08:43,400 Speaker 1: We really really appreciate it. Here on William see what 174 00:08:43,440 --> 00:08:43,920 Speaker 1: you're hearing. 175 00:08:44,080 --> 00:08:47,320 Speaker 2: Find us on Instagram and Facebook search Willan Woody