WEBVTT - AITA For Turning My Car Around On My BF 🚗

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<v Speaker 1>Flex and Frooms, Flex and Frooms. This is the Flex

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<v Speaker 1>and Frooms catch up podcast. You're with Flex and Frooms.

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<v Speaker 2>And there's two types of people in the world, those

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<v Speaker 2>that entertain and those that observe. That's what Britney Spears

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<v Speaker 2>said two thousand and seven. She meant it, and she mean,

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<v Speaker 2>she really meant and she was right Pinopticon state manifest

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<v Speaker 2>in that woman. There's also two types of people when

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<v Speaker 2>it comes to dining out or eating out if you will, But.

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<v Speaker 1>We won't get into that. We won't get into that.

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<v Speaker 3>Sony.

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<v Speaker 2>I was at to dinner with some friends the other night,

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<v Speaker 2>four of us, right, good friends. We go out for

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<v Speaker 2>dinner every quarter, and I just thought, I'm just gonna

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<v Speaker 2>pay for the bill this time, not the whole thing,

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<v Speaker 2>not the whole thing, pay for it.

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<v Speaker 1>Knowing that they're gonna give you the money back, right.

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<v Speaker 3>Yeah.

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<v Speaker 2>Then it comes to do you want to leave a tip?

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<v Speaker 2>And I thought, I'm gonna have to because the guy's

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<v Speaker 2>next to me, and he was very nice and agree

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<v Speaker 2>to me. So I added another little two dollars, Well

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<v Speaker 2>two dollar, my man, he'll crumb.

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<v Speaker 3>The ons was hanging out the bottom of your back

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<v Speaker 3>the last sixty.

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<v Speaker 2>Years gone on it, but it got me thinking, like

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<v Speaker 2>everyone's gonna have to pay me back. Let's say I

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<v Speaker 2>did a ten dollar tip.

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<v Speaker 1>Does that?

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<v Speaker 2>Does that go into the corn that they have to pay?

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<v Speaker 2>Who has to pay for the tip?

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<v Speaker 1>On top?

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<v Speaker 3>I hate this because it's my relationship to tipping and

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<v Speaker 3>any kind of money or into things that it comes to.

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<v Speaker 3>Entertainment's nonsensical, right, Even I only started properly, like ordering

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<v Speaker 3>drinks like alcoholic beverages out to dinner last year. Before then,

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<v Speaker 3>when the bill would come, I'd split evenly. I don't

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<v Speaker 3>want to deal with that. Just split it, split it,

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<v Speaker 3>split split it, babe, Because number one, I like treating people,

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<v Speaker 3>and if I'm going out to eat dinner with you,

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<v Speaker 3>I probably like you quite a bit, like we're friends.

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<v Speaker 3>So I don't mind doing that. However, matching general energy

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<v Speaker 3>with stingy energy is very interesting because yes, in theory,

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<v Speaker 3>if we're if we're doing a tip, I mean you

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<v Speaker 3>pressed the button. It was your decision, so maybe that

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<v Speaker 3>that was on you, that was the two dollars that

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<v Speaker 3>was on you. But let's say you're gonna split it

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<v Speaker 3>four ways, have having to fix your tongue and teeth

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<v Speaker 3>to say, hey, everyone, just an extra forty seven cents

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<v Speaker 3>to go on the head, because if we're getting out

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<v Speaker 3>the calculator, if we're getting out the calculator, it's too

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<v Speaker 3>much maths for the occasion. If I'm now hearing the

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<v Speaker 3>paper scrunch has been passed around the table, no, no,

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<v Speaker 3>but how it is?

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<v Speaker 2>You know it's fifty dollars forty two cents each and

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<v Speaker 2>I paid for it?

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<v Speaker 1>Do I round down? And do I round up? Do

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<v Speaker 1>I round down to fifty?

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<v Speaker 3>Splitting it four ways? Everybody owes you twelve dollars fifty

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<v Speaker 3>and you're paying the extra forty seven cents?

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<v Speaker 1>Yes, I say, well that was quick maths.

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<v Speaker 3>I'm actually quite smart.

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<v Speaker 2>So you round it up though, like you're losing out

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<v Speaker 2>about twelve cents all over.

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<v Speaker 3>Realistically, though, I think that restaurants should be figuring this

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<v Speaker 3>out for us, because I've had a couple of weird situations, okay,

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<v Speaker 3>And I don't know if this is a personal beef

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<v Speaker 3>I have with man waiters. I don't know what it is,

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<v Speaker 3>But why am I on dates or hanging out with men?

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<v Speaker 3>And then you come at the end and say, how

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<v Speaker 3>are we paying? Everyone? Whose side are you on because

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<v Speaker 3>because now now we're looking at me, I'm looking at them,

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<v Speaker 3>and this happens. It's like a three second interaction. But

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<v Speaker 3>you could have just brought the f POS machine with

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<v Speaker 3>the bill printed and placed it in front of this

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<v Speaker 3>gentle king who would definitely be paying if you had

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<v Speaker 3>not posed the question.

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<v Speaker 1>Yeah, it's a leading question.

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<v Speaker 3>It's a leading question. So now I got to jump

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<v Speaker 3>in and be like, okay, cool, we'll split. I don't

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<v Speaker 3>want to do that, and I wanted to masculating. This

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<v Speaker 3>king to my right doesn't want to split, but unfortunately

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<v Speaker 3>you've left us no choice. Now eve embarrassed us. We

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<v Speaker 3>look frugal.

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<v Speaker 1>Let's frival flex into the chat.

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<v Speaker 3>It's disappointing and I don't want to do it. So

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<v Speaker 3>this is a p s A. If you work at

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<v Speaker 3>a service based place that involves splitting bills and there

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<v Speaker 3>is something that looks like could be romantic, put the

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<v Speaker 3>bill in front of the man.

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<v Speaker 1>Put it down. Okay, I don't.

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<v Speaker 3>Care what you want to say about gender roles in

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<v Speaker 3>front of the man and we'll talk about it later.

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<v Speaker 1>What about the same sex relationship?

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<v Speaker 3>Put the bill? Okay? This is what you should do

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<v Speaker 3>if you're not quite sure. Put the put the FPOs

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<v Speaker 3>machine and the bill dead center, facing left or right,

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<v Speaker 3>not facing anyone. It's like a standoff. He's gonna grab first.

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<v Speaker 2>Oh I love that.

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<v Speaker 3>Wait, let that let that MARINATEE marinade?

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<v Speaker 1>Yeah, isn't it marinate?

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<v Speaker 2>But meaning to ask you that let that marinate?

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<v Speaker 3>Oh? I guess you marinate with a marinade.

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<v Speaker 1>That's it? Flex and frooms.

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<v Speaker 3>We do have a long Am I the asshole here?

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<v Speaker 3>But it's bound to be juicy, so as always, comprehension

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<v Speaker 3>hats on there on listening. Ear is open open? Am

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<v Speaker 3>I the asshole for turning around in my car when

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<v Speaker 3>I saw that my boyfriend brought his friends with him

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<v Speaker 3>to go on a trip with us? Already? Not the asshole.

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<v Speaker 3>I am a thirty year old woman and I'm dating

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<v Speaker 3>my boyfriend, let's call him Smith, who's thirty nine years old.

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<v Speaker 3>Have been dating for eight months. We've been planning to

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<v Speaker 3>go on a road trip, but it couldn't happen because

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<v Speaker 3>he kept insisting that we let his two friends tag along.

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<v Speaker 3>He doesn't want to hang out with you want one?

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<v Speaker 3>He brought it up again and promised that he won't

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<v Speaker 3>ask me to let him bring his friends with him,

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<v Speaker 3>since number one, I'm the one paying for the expenses,

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<v Speaker 3>and number two it's my car, and number three, I

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<v Speaker 3>always wanted us to go alone for once without having

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<v Speaker 3>his friends tag along, and number four, I don't want

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<v Speaker 3>to pay for his friends. We agreed that I come

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<v Speaker 3>pick him up in the morning so we could go.

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<v Speaker 3>I came in my car and entered his neighborhood. However,

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<v Speaker 3>when I saw him standing outside with his bag and

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<v Speaker 3>his two friends were also standing there with their bags,

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<v Speaker 3>I was shocked and furious. I didn't pull over. I

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<v Speaker 3>just turned around and kept driving and went back home.

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<v Speaker 3>I saw him running after me in the rearview mirror.

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<v Speaker 3>He then stopped and started calling me. I didn't respond

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<v Speaker 3>till I got home. He lashed out on me on

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<v Speaker 3>the phone, asking why the hell I turned around and left.

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<v Speaker 3>I told him why now. I told him why and

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<v Speaker 3>how I didn't appreciate how he basically tried to force

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<v Speaker 3>me to take his friends with us after I said

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<v Speaker 3>no already. He called me awful and said that I

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<v Speaker 3>ruined the entire thing for us and acted immaturely and spitefully.

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<v Speaker 3>He said I could have just accepted it how it is,

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<v Speaker 3>But I told him that I would never accept being

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<v Speaker 3>put in a situation where I'm expected to just suck

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<v Speaker 3>it up. He hung up after young at me for

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<v Speaker 3>a few minutes. I called back. We've got no response.

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<v Speaker 3>WHOA He texted me about how I embarrassed him in

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<v Speaker 3>front of his friends and is refusing to speak to

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<v Speaker 3>me until I apologize. Am I the asshole turning around?

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<v Speaker 3>Or did I make the right call? Can I just say?

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<v Speaker 3>Is this giving serial killer vibes? Anyone else getting that

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<v Speaker 3>from him and his friends? Oh? Yes, there's something thing

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<v Speaker 3>for militia is a foot? Why is why? I just

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<v Speaker 3>know when I feel it. My spidery senses are tingling.

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<v Speaker 1>It's like a baby.

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<v Speaker 2>It's like you're in the gestational period.

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<v Speaker 3>It's a package deal. Unfortunately you didn't buy it for this,

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<v Speaker 3>and it's like buy one, get too free. But now

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<v Speaker 3>these two things have expenses. It's a really odd situation because,

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<v Speaker 3>like we said before, there's something about those early stages

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<v Speaker 3>of a relationship where you want to be the ideal

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<v Speaker 3>partner and by doing that, you present yourself as being

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<v Speaker 3>the ideal friend to your partner's friends. We get at,

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<v Speaker 3>we get at, but in this instance, there's something so

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<v Speaker 3>sinister about wanting to have a one on one getaway

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<v Speaker 3>with your boo. You're having to pay and drive. We

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<v Speaker 3>won't get into it different conversation, but your boo insisting

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<v Speaker 3>that his two friends come along, and then when you

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<v Speaker 3>say no multiple times, instead of just heating that on

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<v Speaker 3>the day when you got to pick him up in

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<v Speaker 3>your car that you pay for to get on a

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<v Speaker 3>trip that you're paying for, his two friends are just

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<v Speaker 3>their bags in hand. What do they think is happening?

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<v Speaker 2>I think we said before the break that there is

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<v Speaker 2>a cereal.

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<v Speaker 3>Yeah, I don't want killing, No, something sinister, something sinister for.

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<v Speaker 2>Me, I'm getting visions of Blair Witch project.

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<v Speaker 3>Absolutely, And if it's not on that vein of sinister,

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<v Speaker 3>I just think that while you may think you're doing

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<v Speaker 3>boyfriend and girlfriend, you are his payday. Like he's just like,

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<v Speaker 3>I've got a situation here. She pays for everything. She's

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<v Speaker 3>really down, no problem, just come on this trip. It'll

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<v Speaker 3>be hilarious. We'll go to this fun place, have a

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<v Speaker 3>boy's weekend. Yeah, yeah, she'll be there. She'll be there,

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<v Speaker 3>but she'll pay for everything. And that's what's going on.

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<v Speaker 3>That's not your boyfriend. You said thirty nine and he's

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<v Speaker 3>you're thirty. Yeah, and you're paying for the trip. That's

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<v Speaker 3>not your boyfriend.

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<v Speaker 1>You got the short stick of everything.

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<v Speaker 3>You're babysitting. You have a child that sucks. I don't

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<v Speaker 3>want to say dump him, but you're not the asshole

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<v Speaker 3>for sure. But definitely do some stock take because if

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<v Speaker 3>this feels like the way that you've written this, am

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<v Speaker 3>I the asshole feels like you're used to this caliber

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<v Speaker 3>of weirdness, and that's worrying me. This is becoming a

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<v Speaker 3>regular occurrence for you.

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<v Speaker 2>I love the vision of her driving away and him

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<v Speaker 2>running up. That's I Oh, I would relish in that. Yeah,

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<v Speaker 2>I love Thatita flex and fromes flex and fromes.

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<v Speaker 3>Question of the Day? Is Netflix going extinct? Yes or no?

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<v Speaker 2>For me?

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<v Speaker 3>Nop oh.

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<v Speaker 1>And that's not just because you've got stock for.

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<v Speaker 3>Look, a few things have happened in the last I

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<v Speaker 3>don't know, two years or so, since you know the

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<v Speaker 3>twenty twenty, let's not go into that. The prices going up. Yes,

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<v Speaker 3>they've introduced a cheaper option with ads as refining. Is

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<v Speaker 3>that why we don't have regular TV? Because the streaming

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<v Speaker 3>ones don't have ads. I don't want to talk about

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<v Speaker 3>it the options on the actual platform, So so I

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<v Speaker 3>know there's a catalog of like a bajillion things, but

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<v Speaker 3>whatever they send to me, it's derivative. It's the same

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<v Speaker 3>thing in different so I've seen it. And also their

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<v Speaker 3>heaps of competition last year to do a stock take.

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<v Speaker 3>You know, you got look at your little statements. Your

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<v Speaker 3>money is going out. I just start sharing logins, I said,

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<v Speaker 3>I don't need to pay for my own Disney Plus. Okay,

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<v Speaker 3>we can collab on this one, babes. And that's what

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<v Speaker 3>is happening currently with Netflix. They're cracking down on password sharing.

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<v Speaker 3>They say they estimate that of all the people subscribing

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<v Speaker 3>to Netflix currently, they're about three to five extra people

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<v Speaker 3>have access to that one account. Obviously giving back to

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<v Speaker 3>the community. Now they fear that they're losing out on revenue.

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<v Speaker 3>Obviously that feels like a no brainer. So what they're

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<v Speaker 3>proposing is that every month you get automatically logged out

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<v Speaker 3>of Netflix, and you have to log back into your

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<v Speaker 3>own Netflix account on your IP or whatever that is

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<v Speaker 3>with the same IP address, so they know that you

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<v Speaker 3>are the sole owner and the sole user of that account.

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<v Speaker 3>But fear not. If you want to share your password,

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<v Speaker 3>you can for a small fee. What's the fee?

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<v Speaker 1>Listening? You're piscing me off, You're piscing me right off.

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<v Speaker 3>It's you know, we've talked about subscriptions before, which was

0:11:02.800 --> 0:11:05.280
<v Speaker 3>like an odd phrase to say, but we talked about

0:11:05.320 --> 0:11:08.280
<v Speaker 3>I think it was BMW who was offering subscriptions to

0:11:08.360 --> 0:11:12.520
<v Speaker 3>unlock certain parts of your car, like the heated steering wheel,

0:11:13.000 --> 0:11:16.200
<v Speaker 3>so insane, and like the back lights or whatever. I

0:11:16.240 --> 0:11:19.200
<v Speaker 3>don't know, but it's becoming more of this, you know.

0:11:19.240 --> 0:11:21.680
<v Speaker 3>What's that saying? Like, you know, the future of the

0:11:21.679 --> 0:11:23.559
<v Speaker 3>way we see the world is that you'll own You'll

0:11:23.600 --> 0:11:26.600
<v Speaker 3>own nothing and be happy. Like the idea of ownership

0:11:26.640 --> 0:11:30.440
<v Speaker 3>is going to be so dystopian, so such a thing

0:11:30.480 --> 0:11:32.760
<v Speaker 3>of the past, because now we're paying a subscription to

0:11:32.800 --> 0:11:35.080
<v Speaker 3>have access to watch these things. We don't own them,

0:11:35.080 --> 0:11:36.720
<v Speaker 3>we get to watch them. And now if I want

0:11:36.760 --> 0:11:38.960
<v Speaker 3>someone else to watch them, we're gonna pay again for

0:11:39.040 --> 0:11:41.680
<v Speaker 3>the same thing that I'm already paying for to watch.

0:11:42.080 --> 0:11:44.080
<v Speaker 1>That's me and my rent And.

0:11:44.200 --> 0:11:45.520
<v Speaker 3>What have I got multiple devices?

0:11:45.880 --> 0:11:48.000
<v Speaker 1>That's what I was thinking. Does your phone have a different.

0:11:47.760 --> 0:11:50.000
<v Speaker 3>Ib because you know she got two phones and a

0:11:50.040 --> 0:11:51.319
<v Speaker 3>TV Ana Mac.

0:11:51.520 --> 0:11:52.800
<v Speaker 1>You might be going Karen on this one.

0:11:53.760 --> 0:11:56.080
<v Speaker 3>It's hitting a spot, it's hitting a spot. I just

0:11:56.120 --> 0:12:00.360
<v Speaker 3>feel like, you know, I how do I say it?

0:12:01.200 --> 0:12:03.440
<v Speaker 3>I just feel like Netflix is forgetting themselves. You're not

0:12:03.440 --> 0:12:06.839
<v Speaker 3>the only one anymore. We have options, you know, lucky

0:12:06.840 --> 0:12:09.920
<v Speaker 3>for them. I'm not pirrating. I'm paying my subscriptions. But

0:12:10.080 --> 0:12:14.760
<v Speaker 3>if I got to do Netflix, Stan, Binge, Disney plus,

0:12:15.040 --> 0:12:19.119
<v Speaker 3>what else we got thrilled? Whatever? That one ism Fox.

0:12:18.920 --> 0:12:22.680
<v Speaker 1>Tell Prime Prime, that's the one. It's too much, too.

0:12:22.600 --> 0:12:27.920
<v Speaker 3>Bread would but realistically one's got to go, and clearly

0:12:27.920 --> 0:12:30.000
<v Speaker 3>it's this one that's acting or Karen on us. I'm

0:12:30.040 --> 0:12:32.480
<v Speaker 3>so sorry. I'm so sorry. You need to shed the

0:12:32.520 --> 0:12:35.080
<v Speaker 3>Karen Netflix and remember where you came from.

0:12:35.240 --> 0:12:37.840
<v Speaker 2>I gotta say I love the Pamela doc. But I'm

0:12:37.840 --> 0:12:41.800
<v Speaker 2>not a massive Netflix user. I'll watch Sex and the

0:12:41.840 --> 0:12:44.280
<v Speaker 2>City every night. That's a little binge moment.

0:12:44.240 --> 0:12:46.520
<v Speaker 3>These sentences that don't really start or end.

0:12:49.320 --> 0:12:51.680
<v Speaker 2>Nah, I will say, still love Netflix, definitely. This is

0:12:51.920 --> 0:12:52.720
<v Speaker 2>a bump in the road.

0:12:53.720 --> 0:12:56.160
<v Speaker 3>It's a small bump, but let's acknowledge it now and

0:12:56.240 --> 0:12:59.120
<v Speaker 3>let's not get out of hand. And I would prefer

0:12:59.200 --> 0:13:00.959
<v Speaker 3>do everything at once, give me, the price hype, with

0:13:01.000 --> 0:13:03.680
<v Speaker 3>the prastpert, with the whatever, don't piece milk, don't piece milkau.

0:13:03.679 --> 0:13:06.080
<v Speaker 3>I'm getting comfortable and then I go back onto my

0:13:06.120 --> 0:13:08.520
<v Speaker 3>login and I'm like, why am I logged out? You

0:13:08.559 --> 0:13:11.280
<v Speaker 3>know what's not fun to do? Log in on a

0:13:11.320 --> 0:13:14.760
<v Speaker 3>Samsung frame. It's not a premium experience. I'm using the

0:13:14.840 --> 0:13:17.800
<v Speaker 3>remote click click click. It's not sexy. You need the

0:13:18.760 --> 0:13:21.080
<v Speaker 3>voice to text, truly, but I haven't set that up. Damn,

0:13:21.120 --> 0:13:23.600
<v Speaker 3>I haven't set it up. It'll change not using any

0:13:23.640 --> 0:13:26.439
<v Speaker 3>of the smart functions. Do I use the frame of

0:13:26.480 --> 0:13:29.319
<v Speaker 3>the art? No, I don't want to do that anyway.

0:13:29.320 --> 0:13:30.079
<v Speaker 3>I've had enough.

0:13:29.920 --> 0:13:33.080
<v Speaker 2>Flex And from the other day, Flex, you post a

0:13:33.120 --> 0:13:35.640
<v Speaker 2>question on your Instagram. Of course, it was a how

0:13:35.640 --> 0:13:43.200
<v Speaker 2>do I say a philosophal philosophic philosophical that sounds like me.

0:13:43.480 --> 0:13:44.080
<v Speaker 1>It was a.

0:13:43.960 --> 0:13:48.280
<v Speaker 2>Philosophical question mark with multiple layers, quite like an onion.

0:13:48.760 --> 0:13:51.800
<v Speaker 2>You are asking, correct me if I'm wrong, whether or

0:13:51.840 --> 0:13:54.640
<v Speaker 2>not you can still be yourself without your garnishes, without

0:13:54.640 --> 0:13:56.520
<v Speaker 2>your little seasonings, your clothes, your.

0:13:56.480 --> 0:14:01.800
<v Speaker 3>Jewelry maker, your aesthetic, your genre used to subscribed to visually.

0:14:01.880 --> 0:14:04.920
<v Speaker 1>Yes, And it got me thinking.

0:14:06.080 --> 0:14:09.239
<v Speaker 2>About this phenomena, phenomenon.

0:14:09.240 --> 0:14:10.640
<v Speaker 1>I put it, I put it.

0:14:11.280 --> 0:14:12.920
<v Speaker 2>I put a video up the other day about how

0:14:12.920 --> 0:14:15.000
<v Speaker 2>Bunning's always when you go to Bunnings need to pooh,

0:14:15.160 --> 0:14:17.319
<v Speaker 2>and I was saying phenomena throughout the video because I

0:14:17.320 --> 0:14:21.040
<v Speaker 2>thought it sounded funnier than phenomenon. Then Instagram decides to

0:14:21.080 --> 0:14:23.680
<v Speaker 2>boost the video, so it's going viral and every man

0:14:23.680 --> 0:14:25.080
<v Speaker 2>and his dog saying phenomenon.

0:14:25.160 --> 0:14:25.960
<v Speaker 1>It's phenomenon.

0:14:26.200 --> 0:14:26.800
<v Speaker 3>What's the difference?

0:14:26.800 --> 0:14:27.880
<v Speaker 1>Do I look like down?

0:14:28.040 --> 0:14:29.280
<v Speaker 3>I don't think it's something we care about it?

0:14:29.360 --> 0:14:34.920
<v Speaker 2>Seriously, I got shit love, I'm not thinking about phenomena anyway.

0:14:34.920 --> 0:14:36.800
<v Speaker 2>This is kind of similar to that thing about if

0:14:36.840 --> 0:14:37.680
<v Speaker 2>you take everything away.

0:14:37.720 --> 0:14:39.600
<v Speaker 1>It's called white torture.

0:14:39.840 --> 0:14:40.680
<v Speaker 3>Let's talk about it.

0:14:41.480 --> 0:14:45.520
<v Speaker 2>White torture, which is also referred to as white room torture,

0:14:46.360 --> 0:14:50.800
<v Speaker 2>is a psychological torture technique aimed at complete sensory deprivation

0:14:50.960 --> 0:14:54.680
<v Speaker 2>and isolation. A prisoner is held in a cell that

0:14:54.720 --> 0:14:58.280
<v Speaker 2>deprives them of all their senses and identity. It's particularly

0:14:58.360 --> 0:15:01.280
<v Speaker 2>used in Iran. However, there is also evidence of it

0:15:01.360 --> 0:15:05.320
<v Speaker 2>used by the Venezuelan and the United States Intelligence Services.

0:15:05.320 --> 0:15:07.240
<v Speaker 3>Okay, so she's reading from an article.

0:15:10.160 --> 0:15:11.560
<v Speaker 1>And you know, I've never read it before.

0:15:11.880 --> 0:15:18.760
<v Speaker 3>It's the first time she'd seen it Livealen Price, Army

0:15:19.120 --> 0:15:20.320
<v Speaker 3>Force Corporation.

0:15:22.120 --> 0:15:26.080
<v Speaker 1>No, okay. So visually, the prisoner is deprived of all color.

0:15:26.120 --> 0:15:28.640
<v Speaker 2>Their cell is completely white, the walls, floor, ceiling, as

0:15:28.640 --> 0:15:31.000
<v Speaker 2>well as their clothes and their food that would cook me.

0:15:31.600 --> 0:15:34.680
<v Speaker 2>Neon tubes are positioned above the occupant in such a

0:15:34.720 --> 0:15:35.960
<v Speaker 2>way that no shadows appear.

0:15:36.280 --> 0:15:37.400
<v Speaker 1>Ooh, this is ominous.

0:15:38.600 --> 0:15:43.080
<v Speaker 2>Auditorially, the cell is soundproof, avoid of any sound, voices

0:15:43.160 --> 0:15:46.600
<v Speaker 2>or social interaction. Guards stand in silence, wearing padded shoes

0:15:46.600 --> 0:15:50.240
<v Speaker 2>to avoid making any noise. Prisoners cannot hear anything but themselves.

0:15:51.760 --> 0:15:53.800
<v Speaker 2>In terms of taste and smell, the prisoner is fed

0:15:53.800 --> 0:15:59.120
<v Speaker 2>white food, classically unseasoned rice to deprive them of these senses. Further,

0:15:59.280 --> 0:16:01.280
<v Speaker 2>all surfaces smooth, rubbing.

0:16:01.000 --> 0:16:02.240
<v Speaker 1>Them of the sensation of touch.

0:16:02.920 --> 0:16:06.440
<v Speaker 2>Detainees are held for months or even years. The effects

0:16:06.480 --> 0:16:10.680
<v Speaker 2>of white torture are well documented in a number of testimonials. Typically,

0:16:10.880 --> 0:16:15.120
<v Speaker 2>prisoners will become depersonalized by losing personal identity for extended

0:16:15.120 --> 0:16:20.400
<v Speaker 2>periods of isolation. They also get hallucinations and psychotic breaks.

0:16:22.320 --> 0:16:23.520
<v Speaker 2>Would you survive.

0:16:25.120 --> 0:16:27.560
<v Speaker 3>Up until the point where you said only smooth services.

0:16:27.640 --> 0:16:29.880
<v Speaker 3>I was like, just get me a doner. I'll go

0:16:30.120 --> 0:16:32.440
<v Speaker 3>light in the corner in a little ball ma douna

0:16:32.480 --> 0:16:33.920
<v Speaker 3>on top of my face. But without that, I don't

0:16:33.920 --> 0:16:36.200
<v Speaker 3>know if I could do it. I need the dona.

0:16:36.840 --> 0:16:39.280
<v Speaker 2>When they said no shadows, that's when it started eating

0:16:39.280 --> 0:16:42.080
<v Speaker 2>different for me. It would kind of be like living

0:16:42.160 --> 0:16:45.080
<v Speaker 2>in heaven. That's hell, like a heaven affied hell.

0:16:45.960 --> 0:16:48.680
<v Speaker 3>I just need a visual. I just think it's like, yeah,

0:16:48.920 --> 0:16:50.800
<v Speaker 3>it's exactly what I was saying before. It's like the

0:16:50.840 --> 0:16:54.200
<v Speaker 3>absence of all the stuff leaves you with yourself, and

0:16:54.200 --> 0:16:56.760
<v Speaker 3>that's too much. It's too much to see, it's too

0:16:56.840 --> 0:17:00.080
<v Speaker 3>much to acknowledge. You kind of need the flavor of

0:17:00.080 --> 0:17:03.160
<v Speaker 3>color and furniture and aesthetic and vibe to fill in

0:17:03.160 --> 0:17:05.800
<v Speaker 3>the gap, so you don't have to every day. Shouldn't

0:17:05.800 --> 0:17:08.719
<v Speaker 3>be that referential. I shouldn't only have to hear my

0:17:08.880 --> 0:17:13.439
<v Speaker 3>breathing to function. I've had enough. But thank you for

0:17:13.480 --> 0:17:16.240
<v Speaker 3>sharing that my pleasure. Thank you for reading that article

0:17:16.280 --> 0:17:21.320
<v Speaker 3>for the first time together on air. It's called white torture.

0:17:21.400 --> 0:17:23.679
<v Speaker 3>You've got a reference survivor Big Brothers. They've done it

0:17:23.680 --> 0:17:24.399
<v Speaker 3>plenty of times.

0:17:25.560 --> 0:17:28.080
<v Speaker 1>I've never even heard of it. I just did that

0:17:28.160 --> 0:17:29.359
<v Speaker 1>right for you. I thought you'd love it.

0:17:29.440 --> 0:17:31.680
<v Speaker 3>I did that right for you.

0:17:31.680 --> 0:17:34.280
<v Speaker 1>You've been listening to the Flex and Frooms Daily podcast.

0:17:34.520 --> 0:17:37.240
<v Speaker 2>For more, Tune into cater on DAB or stream it

0:17:37.280 --> 0:17:38.120
<v Speaker 2>on iHeartRadio.