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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: What are we up to?

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Speaker 1: The podcast title?

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Speaker 2: Oh yes, the podcast title, it's called She's the Top Pussy.

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Speaker 2: She's the Top Pussy.

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Speaker 1: We were talking about the pussy Cat dolls.

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Speaker 3: There's some hot, hot goss on this show about Nicole

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Speaker 3: Shirt Singer and her involvement in the pussy Cat tells.

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Speaker 2: Are we actually making she is the top Pussy the

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Speaker 2: top I was just teasing and we're actually doing that. Yeah,

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Speaker 2: okay with that.

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Speaker 1: It's happened, man, Okay, cool, it's happened.

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Speaker 4: Now.

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Speaker 1: This is a win. We never we try these deviant headlines.

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Speaker 2: People should know that every time when we we we

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Speaker 2: brainstorm a podcast title in here. Yeah, we always throw

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Speaker 2: around the dirtiest thing from the show we possibly can.

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Speaker 1: Yeah yeah, yeah.

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Speaker 2: Producer Ed plays the thought police. He chimes in and says, guys,

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Speaker 2: that's too crass.

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Speaker 1: He's actually trying to chime in.

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Speaker 2: Now, hang on, hang on, Ed, hang on, we're not

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Speaker 2: listening to you. How does it feel we changed your.

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Speaker 3: He's obviously giving us a favor though, because we caught

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Speaker 3: him not listening to the show in today's show, which

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Speaker 3: you will hear on the podcast.

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Speaker 1: But Ed you're trying to trume in. I was just

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Speaker 1: it's interesting now that you say that.

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Speaker 2: It's an inappropriate thing to say, given that you did

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Speaker 2: say it on What's that She's the top pussy? Now

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Speaker 2: you said it, how do you feel? And your a producer.

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Speaker 2: I lured you in there, I allude you and it

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Speaker 2: was a dirty trink. But you're a programmer, so that's

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Speaker 2: right now. If anyone gets into radio, you'll learn programmers.

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Speaker 3: They're like lice the she whizz. No, I respect them.

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Speaker 3: You should always respect your programmers. Hey give us that

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Speaker 3: job anyway.

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Speaker 2: You should always respect your programmers. They're cutting me off already.

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Speaker 1: I'll better star the podcast.

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Speaker 2: Everyone forgot the wan and on the Carl Sandelas.

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Speaker 4: Wow, look at that a studio audience in the COVID period.

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Speaker 4: It's very rare. You don't even see that ship on

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Speaker 4: the voice.

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Speaker 2: I'm just gonna let that go.

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Speaker 4: Never watched them before. Yeah, I know, I'm on here

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Speaker 4: to talk about coch.

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Speaker 2: Was about to say, what are you getting paid to

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Speaker 2: talk about the voice as well?

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Speaker 4: I'm getting paid by Channel nine to talk badly about

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Speaker 4: the Voice. But here I am only here to talk

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Speaker 4: about well, to see you guys, mainly because I don't

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Speaker 4: know what you guys drink. I don't know what you're on,

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Speaker 4: but you're on something. I've heard the show. Someone's on something.

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Speaker 4: But I've got you by guys, the Coca Cola.

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Speaker 2: The no sugar.

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Speaker 4: It's the new formula. Now this one. Keep an eye

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Speaker 4: out for it because it's not easy. They've still got

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Speaker 4: the other old one flapping around out there. But this

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Speaker 4: one is the red tin, black logo, right, black logo.

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Speaker 4: It does. Now. Have a drink, Have a little sip

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Speaker 4: and tell me what you honestly think, because I honestly

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Speaker 4: think it's it's just the same as normal coke, but

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Speaker 4: no sugar.

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Speaker 1: That's Kyle drink.

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Speaker 4: By the way, put too much in my mouth.

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Speaker 1: That's seriously good though. Difference.

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Speaker 4: Yeah, Now, I'm paid to tell you how good it is,

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Speaker 4: but you guys have paid nothing, so you'll get more

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Speaker 4: of an honest view.

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Speaker 2: So often is the case you station, Thank you, thank

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Speaker 2: you for rubbing saltan. Oh sorry, I'd much appreciate it.

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Speaker 4: But listen, listen. I've been doing this job at this

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Speaker 4: radio show for twenty freaking years or something ridiculous, and

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Speaker 4: my whole life I wondered, why hasn't any big corporation

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Speaker 4: spent money in me to be the face of them.

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Speaker 4: No one touched me with a thirty foot pole for

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Speaker 4: about nineteen and a half years. Yeah, yeah, and then

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Speaker 4: the floodgates opened. Bang, McDonald's came paying me. Go, I'm

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Speaker 4: gonna talk about the McDonald's thing. You're fifty, we're fifty.

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Speaker 4: And I said, God, okay, I'll.

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Speaker 2: Tell yeah, that's right. We did that with you as well.

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Speaker 2: Paid for that one.

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Speaker 1: You've got twenty years to wait.

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Speaker 4: Then Coca Cola come along, and I'm like, finally the

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Speaker 4: two things I've lived on my whole life, McDonald's and

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Speaker 4: Coca Cola finally paid off. And now I'm getting some

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Speaker 4: money back and actually go for free. Though if I'd

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Speaker 4: do it, even if I just had the free coke.

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Speaker 2: And we got free cokes cokes out of that, we're happy.

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Speaker 2: We've got a slab a free cokes. Get a fourteen

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Speaker 2: year old boy. You know it's as good as it was.

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Speaker 4: Do you want to beat this girl or take a

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Speaker 4: slap of coat?

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Speaker 2: Take the cokes can chawls for daddy, isn't it? He

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Speaker 2: pays us in Happy Happy Meal vouchers and slabs of coke.

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Speaker 5: Yeah, for about.

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Speaker 2: Forty worth of weeding in the yard. Yeah. Actually we

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Speaker 2: got more with Carl Sandlin's right up next day with

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Speaker 2: this Isamella buddy Carl Sandlins joins his car. I wanted

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Speaker 2: to touch on something really quickly because you're just saying

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Speaker 2: you recently we did an add for you for to

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Speaker 2: be fifty years with Machas, and now we're doing these

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Speaker 2: ads for the brand new and new and improved Coke

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Speaker 2: No Sugar Try it now, Coke Colon Sugar.

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Speaker 4: It is You've said that in such a monotone delivery

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Speaker 4: that's going to even stand out to anyone.

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Speaker 2: That's why I don't get paid.

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Speaker 1: Man through the whole seven.

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Speaker 4: Terms to get from the port, it was.

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Speaker 2: It was nothing like a a live feed bag.

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Speaker 1: Appreciate yes anyway.

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Speaker 4: So yes, what you're trying to say is I'm the

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Speaker 4: big brand ambassador for all the big brands. I'm not

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Speaker 4: doing the pissy little car yard down on the corner

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Speaker 4: of Richmond Nut.

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Speaker 2: Yes. I wanted to ask you this though, because I

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Speaker 2: know very long time ago. Correct me if I'm wrong,

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Speaker 2: you were homeless.

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Speaker 4: You're about here. I am living the glory days and

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Speaker 4: then you go dragging me straight back to Hell.

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Speaker 2: On Earth of course.

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Speaker 4: Yeah, well it wasn't It was quite a long time.

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Speaker 4: I was sixteen, Yeah, fifteen sixteen, that sort of crossover period. Yeah,

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Speaker 4: very impressionable young life. Yeah, for about a year, not

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Speaker 4: quite a year.

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Speaker 2: I'd say, if you walked up to him right now

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Speaker 2: and you are like, hey, thirty four years from now,

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Speaker 2: you're going to be the brand ambassador for those two.

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Speaker 4: Things, yeah, I probably would have pulled the flick knife

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Speaker 4: and robbed him myself. Give your money, your fat olbassador.

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Speaker 1: I'll stick with me.

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Speaker 4: I don't know. I never actually had any plan. My

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Speaker 4: only playing back then from memory is you know, to

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Speaker 4: survive the extra day, or what will I eat? Or

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Speaker 4: will I where will I shower? Because like you go

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Speaker 4: for weeks without a shower, and then you'd you know,

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Speaker 4: a friend would go, oh, my oldies are away for

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Speaker 4: the weekend, and you know, come over to my place

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Speaker 4: and I'd eat everything out of their fridge and have

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Speaker 4: a shower and then put those filthy clothes back on.

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Speaker 2: Oh you're kidding. You'd like couch hop from your mate's across.

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Speaker 4: I used to steal from behind a supermarket, like bread

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Speaker 4: and milk. When they deliver it early, I'd go and

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Speaker 4: steal like a leader can't and a milk and a

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Speaker 4: loaf of bread. And still to this day, I'll still

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Speaker 4: go home and eat three or four slices of just

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Speaker 4: bread with nothing on it, and just roll them into

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Speaker 4: a ball and nibble on it like a rat. It's

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Speaker 4: people have said, what are you doing? What are you

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Speaker 4: doing that means of bread?

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Speaker 2: Yeah, you something you used to do?

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Speaker 4: Yeah, And I never even realized that I did it.

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Speaker 4: And they said, I've never seen anyone else roll a

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Speaker 4: piece of bread up into a ball and then just

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Speaker 4: eat away on it. I don't know why.

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Speaker 2: But are there any other habits that you have from

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Speaker 2: that time?

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Speaker 4: No? No, All the other habits developed later on in

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Speaker 4: life when I had a bit of money.

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Speaker 3: Yeah.

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Speaker 4: Back then in the eighties, there was there wasn't even

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Speaker 4: a kid's There was no kid's helpline. There was nothing.

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Speaker 4: Even when I went to like Seniling, which was social

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Speaker 4: security back then.

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Speaker 2: This is in Queensland. It's in Queensland.

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Speaker 4: Yeah, I'm fifteen and I go into the Center Link

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Speaker 4: or whatever it was called, and I said, oh, you know,

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Speaker 4: I've got no money and nowhere to live. And they

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Speaker 4: were like, you need a letter from your parents to

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Speaker 4: qualify for a homeless allowance and I said, oh, well,

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Speaker 4: my parents sold their house and I don't know they've

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Speaker 4: moved away, which they did, and I said I don't

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Speaker 4: know where they are and she's like, well, i'll be

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Speaker 4: able to help you then next and they just left

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Speaker 4: a fifteen year old kid walk out with no home,

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Speaker 4: no food, no money, no prospects in life. Obviously those

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Speaker 4: things have changed. There's a lot of help now. Yeah,

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Speaker 4: but a lot of people that are in that situation

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Speaker 4: they don't want to help. Well, they're too proud. I

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Speaker 4: don't know why. I was even too proud, and you

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Speaker 4: could tell by looking at me I was homeless, like

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Speaker 4: it's just like a dirty but I never I never

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Speaker 4: broke into people angry.

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Speaker 2: Are you angry at that woman?

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Speaker 6: Now?

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Speaker 4: Are looking back on that my mother?

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Speaker 5: Oh?

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Speaker 4: The woman from Yeah, she'd be dead now, you know,

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Speaker 4: And you're not angry at all? That, No, not angry

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Speaker 4: at all. It's only recently I've even reconnected with my mum.

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Speaker 2: Wow.

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Speaker 4: My mum was always like crying and I'm so sorry,

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Speaker 4: and it was a terrible mother and I'm like, listen,

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Speaker 4: if I could go back now, if someone had a

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Speaker 4: magic wann and said go back and change it, I

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Speaker 4: wouldn't change anything. I said, What would I be if

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Speaker 4: I went all the way through year ten and win

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Speaker 4: in high school in Brisbane? Really well, I'm lucky that

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Speaker 4: I got this job. Just talking rubbish.

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Speaker 1: What was your first gig when homeless? What was your

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Speaker 1: first job? Was that straight into radio?

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Speaker 4: My first job was sixteen years old. I lied to

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Speaker 4: the radio station in Townsville and said that I'd worked

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Speaker 4: at radio before in Brisbane, and that I had a

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Speaker 4: driver's license. And my first job was driving the radio

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Speaker 4: station car giving away free stuff for one hour a day.

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Speaker 4: And I was driving it around for one year with

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Speaker 4: no license, unlicensed, underage, underage mind you.

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Speaker 1: And then I imagine just eating all the food that

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Speaker 1: you were given.

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Speaker 2: Thanks for Johnny is mate. Thanks to the chat as

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Speaker 2: always amazing stuff. Hey, get your hands on the brand

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Speaker 2: new and improved Coca Cola no.

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Speaker 4: Sugar now he's over. Listen to it, you.

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Speaker 1: Guys, it's the podcast.

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Speaker 3: Men Trying and Failing to be Romantic. I think it's

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Speaker 3: one of my favorite topics in the world. Thirteen one oh,

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Speaker 3: six fives that number. If you have a story around this,

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Speaker 3: please give.

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Speaker 2: Us a call. Feel you're a bit of a poster

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Speaker 2: boy for.

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Speaker 3: This, trying to be romantic and failing. Oh big to different,

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Speaker 3: my friend, they've got a young casanovosit in this side you.

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Speaker 2: There was a date. There was a date with an

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Speaker 2: ex girlfriend of yours a long, long time ago where

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Speaker 2: you tried to take her on a rowing boat and

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Speaker 2: you smacked her in the head with the ore.

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Speaker 1: Yeah, true story.

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Speaker 3: I caught a crab, which sorry, that's a that's a

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Speaker 3: rowing term where you get I don't know what happens,

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Speaker 3: but effectively you're all just the water.

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Speaker 1: Grabs it, trying to pull it out. And anyway, I

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Speaker 1: got it out and.

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Speaker 2: Hit her in the face.

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Speaker 3: How to follow through and I didn't hear? Yeah, no,

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Speaker 3: I hit it quite hard. And yeah we broke up

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Speaker 3: for well a number of reasons. But that's that's not

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Speaker 3: why we're talking about men trying and failing to be romantic.

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Speaker 3: We're talking about it because Jamie Oliver shared a great

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Speaker 3: story from his life where he attempted to be romantic

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Speaker 3: with a previous partner and gee whiz, did it go

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Speaker 3: balls up?

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Speaker 7: And I thought the coolest thing to do was the

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Speaker 7: naked chef, so I'd serve it naked. Literally, the only

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Speaker 7: thing I was wearing was a bow on the end

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Speaker 7: of it. So then I opened the oven, shot of

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Speaker 7: steam attacked my penis and it was a kind of

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Speaker 7: hard pain to explain because it was the worst pain

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Speaker 7: in the world. Yet what happened was one of the

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Speaker 7: most beautiful things I ever saw.

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Speaker 1: What do you mean because it because it swelled up? Yeah, mate,

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Speaker 1: what's your problem? Like, do you want me to let

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Speaker 1: me pust shot a steam on your penis? What happened?

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Speaker 3: We'll do that when you get down when he can

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Speaker 3: travel again. But now that I think about it more, yeah,

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Speaker 3: I'm a copper of this. I once tried to be

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Speaker 3: this again former partner. I think it was actually the

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Speaker 3: same same, same woman who.

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Speaker 1: I accidentally hit with the ore.

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Speaker 3: But I I was at a service station and I

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Speaker 3: saw Glowing the Dark lube and I was like, again,

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Speaker 3: this isn't a crest story, don't worry.

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Speaker 1: But I saw that and I was like, gee, this

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Speaker 1: is pretty exciting.

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Speaker 3: So I bought the store out of Glowing the Dark loob,

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Speaker 3: and I thought it'd be really romantic really, specially if

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Speaker 3: I covered myself in the glow, in what.

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Speaker 2: Way is that romantic and special?

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Speaker 4: Like?

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Speaker 2: How how is that romantic?

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Speaker 3: Well, I was going to say, I'm an angel sent

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Speaker 3: from heaven to I'm an angel, I'm glowing, blowing, I'm

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Speaker 3: a go angel sent from heaven, and I'm here to

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Speaker 3: take you to heaven, like take my hand. Oh you know,

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Speaker 3: I was not a workshopping But the reason I didn't

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Speaker 3: workshop it is because when I got home and I

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Speaker 3: covered myself in the stuff, I did it with lights on,

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Speaker 3: so I'm head to toe covered in lube, and then

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Speaker 3: I turned turned the lights off, and I was like,

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Speaker 3: what the bloody hell's going on, I'm not glowing in

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Speaker 3: the dark at all. Anyway, Then I picked up a

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Speaker 3: bottle of lube and it said the tube glows in

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Speaker 3: the dark, not the lube.

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Speaker 2: And you were just standing there looking like an elephant

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Speaker 2: sneezed on you. And there's a yeah, yeah, yeah, glowing

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Speaker 2: thing in the corner.

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Speaker 4: Yeah yeah, yeah.

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Speaker 3: That was my attempt of trying to be romantic and failing.

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Speaker 3: But again, third, sure.

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Speaker 2: If you need to hear this more, but what another one?

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Speaker 1: You're an idiot? Yeah, no, Yeah, definitely, definitely, But I

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Speaker 1: have a creditl.

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Speaker 2: So you've also got your headphones wound up, the cabling

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Speaker 2: from your heades.

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Speaker 3: I'm in a bloody tangle of bloody cord over here. Anyway,

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Speaker 3: someone else, get around me. I can't be you only

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Speaker 3: more one In Australia thirteen one o six five Has

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Speaker 3: your man tried and failed to be romantic?

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Speaker 1: Or if you like me, confess? Make a confession? Boys?

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Speaker 1: When did you try and fail to be romantic?

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Speaker 8: Taken up next talking.

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Speaker 3: About men trialing, sorry, trying and failing to be romantic.

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Speaker 3: That's because we had Jamie Oliver on the show yesterday

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Speaker 3: and he talked about the time that he got nude

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Speaker 3: and wrapped his Johnson in a bow for a girl

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Speaker 3: that was coming over. But unfortunately the best that he

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Speaker 3: was cooking in the oven blew a laser like a

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Speaker 3: stream of steam onto his to his penis and it

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Speaker 3: ended up shocking night.

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Speaker 2: You hear that story, Aweki, and you still find it

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Speaker 2: very funny.

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Speaker 1: Great story. It's a phenomenal story.

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Speaker 3: So yeah, taking your calls now, we've got Mark here

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Speaker 3: on thirteen one six y five, Mark, you tried to

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Speaker 3: be romantic and failed?

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Speaker 2: Hi?

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Speaker 9: Guys loved into your show.

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Speaker 1: Thank you, Matt.

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Speaker 4: I appreciate that.

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Speaker 2: Mark, thanks very much.

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Speaker 9: All cool. When I was twenty one, I was living

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Speaker 9: back home in England. I decided to take my then

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Speaker 9: girlfriend on a romantic weekend away to Paris, all expenses paid.

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Speaker 9: Oh nice, got to Paris, got to the hotel. Quickly

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Speaker 9: realized that I had booked a hotel in the red

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Speaker 9: light district and the hotel was frequented by ladies of

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Speaker 9: the night and their clients. Oh, we end up spending

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Speaker 9: the whole weekend. They're literally hearing all everything going on

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Speaker 9: the room.

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Speaker 3: Oh wow, And Mark, sorry, I can relate here, Mate,

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Speaker 3: I'll get you out of the whole.

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Speaker 2: I was going to say, there is nothing through one

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Speaker 2: of these of these people that have tried one of.

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Speaker 3: Them, Mark, and you'll be able to agree with there

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Speaker 3: is nothing less romantic than hearing it going on in

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Speaker 3: other rooms and.

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Speaker 2: You're lying there feeling in substantial.

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Speaker 1: Listening to it.

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Speaker 3: And the reason I say that, Mark is because I,

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Speaker 3: similar to you made you got it cheap, didn't you?

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Speaker 1: Because I felt for the cheaper, the cheap bargain.

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Speaker 3: I accidentally booked a effectively a sex hotel in Japan.

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Speaker 2: But honestly, I think there's a difference between you guys,

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Speaker 2: because Mark, you booked a normal hotel, but it was

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Speaker 2: just frequented by prostitutes.

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Speaker 9: A right, Well, I booked a hotel that was quite

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Speaker 9: close to all this close.

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Speaker 2: To it, right, But it wasn't like he's not in

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Speaker 2: the room. There wasn't like specific leather accoutre mons.

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Speaker 9: Well, let's just saying some of the financial war was

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Speaker 9: plastic coated.

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Speaker 2: Wo okay, exactly. You booked in your one in Japan, though,

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Speaker 2: there was like it wasn't it like the shower floor

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Speaker 2: was like padded. Yeah.

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Speaker 4: Yeah.

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Speaker 3: Most people paid per hour. And when I when I

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Speaker 3: checked in, and they go seven days. I never had

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Speaker 3: a seven day booking before.

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Speaker 2: All the stuff came down, Just to see the guy

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Speaker 2: who booked days a marathon man who was he.

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Speaker 3: Wow, let's go to Jamie here, Jamie, this was your

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Speaker 3: partner who tried to be romantic when you were sixteen.

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Speaker 10: Yes, what happened, Well, we went down to the local

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Speaker 10: duck pond and along the jetty. Yeah, my ex partner

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Speaker 10: didn't quite realize the wood on the jetty had started

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Speaker 10: to rot.

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Speaker 1: Oh no, yeah, yeah, And.

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Speaker 10: After he's set out the picnic and everything. The wood

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Speaker 10: underneath me had completely snapped off and I landed in

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Speaker 10: the water.

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Speaker 3: Oh, I mean, he's just und lucky, He's unlucky.

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Speaker 2: Is that the end of the relationship, Jamie.

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Speaker 10: I wouldn't say the end, but it was the last

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Speaker 10: time we went on a date. That's for sure.

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Speaker 2: Sounds like the end to me. You know, what does

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Speaker 2: that even mean?

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Speaker 1: Are we still together? Boys?

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Speaker 2: What about?

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Speaker 1: She only speaks in riddles?

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Speaker 2: Maybe the whole wood falling out from under it was

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Speaker 2: a metaphor as well. Just psychoanalyzed that. Calling the Posho meeting, Let's.

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Speaker 4: Go to Damien.

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Speaker 1: Damien, what happened? You tried to be romantic?

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Speaker 11: Oh well no, actually not really looking. I've done some

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Speaker 11: work for some actually, do you know something that was

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Speaker 11: san Starar? Yeah, here we go.

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Speaker 2: Yeah, yeah, sorry, Damien, but you're irish and and you

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Speaker 2: I feel like you're taking his on a tangent.

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Speaker 1: Damian, No, no, no.

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Speaker 11: Hang on a minute, Hang on a minute. The customer

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Speaker 11: actually got me back the second time to install a

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Speaker 11: couple of pictures.

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Speaker 12: Do you know, Damien Woody, Well, I'm pretty sure this

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Speaker 12: is my man. Damian's don't so he's gonna.

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Speaker 9: Let you down.

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Speaker 1: There's a diamion.

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Speaker 3: You built a shed for me in my backyard, and

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Speaker 3: I brought you back to hang up some pictures.

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Speaker 11: Yeah, and it was it was actually a pleasure to

400
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Speaker 11: work for you.

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00:18:41,359 --> 00:18:41,560
Speaker 13: Yeah.

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Speaker 11: But the thing is, Yeah, when he started talking about Loube,

403
00:18:44,160 --> 00:18:47,560
Speaker 11: I was thinking, ah, there we go. I actually found

404
00:18:47,640 --> 00:18:49,480
Speaker 11: something because I had to pull I was actually doing

405
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Speaker 11: a job in your bedroom. I pulled the bed out.

406
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Speaker 9: From the wall.

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Speaker 11: You wanted a nice picture stuck up over the head

408
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Speaker 11: of the bed. I pulled out the bed from the wall,

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Speaker 11: hold the head of the bed over. And then here's

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Speaker 11: this bag, the bag of loob, the.

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Speaker 2: Whole bag, a whole bag.

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Speaker 1: And then we were.

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Speaker 2: We talking like a Duffel bag.

414
00:19:14,440 --> 00:19:19,879
Speaker 3: Well not no, no, that's a plastic bag, a black bag.

415
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Speaker 11: So it wasn't even a bag that we were trying

416
00:19:21,560 --> 00:19:25,000
Speaker 11: to conceal something, because it was like a clear plastic bag.

417
00:19:26,720 --> 00:19:30,159
Speaker 11: Clearly see what was in there. It wasn't like I

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00:19:30,240 --> 00:19:32,760
Speaker 11: went looking for you know, I just thought it was

419
00:19:32,760 --> 00:19:37,480
Speaker 11: was right there. How much how much was confirmed that

420
00:19:37,520 --> 00:19:38,840
Speaker 11: you can confirm that as well?

421
00:19:38,840 --> 00:19:41,560
Speaker 3: I'm pretty sure, Yeah, no, I can't, because Diamian came

422
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Speaker 3: upstairs because I was upstairs and time and goes B.

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Speaker 3: I was just moving your bed and there's a.

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Speaker 1: Little bit of stuff there.

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Speaker 3: And then I came downstairs Damian, and we just didn't

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Speaker 3: talk about it.

427
00:19:51,880 --> 00:19:56,639
Speaker 2: I just picked up the bag of loop. Did you

428
00:19:56,680 --> 00:20:01,720
Speaker 2: say a bag of loop like multiple tubes of lube

429
00:20:01,720 --> 00:20:03,280
Speaker 2: in a bag. Are we just talking about a bag

430
00:20:03,440 --> 00:20:06,399
Speaker 2: that you've just got, like a bulk purchased lube. No,

431
00:20:06,520 --> 00:20:08,200
Speaker 2: and you got it in a SnapLock bag.

432
00:20:08,280 --> 00:20:09,600
Speaker 1: No, No, it's not like a shopping bag.

433
00:20:09,680 --> 00:20:12,960
Speaker 3: It was just like a yes, thank you Damien glube

434
00:20:13,040 --> 00:20:16,399
Speaker 3: showing back lube and other other other little tricks.

435
00:20:16,520 --> 00:20:20,240
Speaker 11: But obviously yeah, actually that's right. There wasn't just.

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00:20:25,600 --> 00:20:28,040
Speaker 2: Damien, is there. No, then if a woman ever gets

437
00:20:28,080 --> 00:20:30,200
Speaker 2: the third basement wood, they don't think get lucky when

438
00:20:30,200 --> 00:20:37,480
Speaker 2: he whips out. The SnapLock bags.

439
00:20:35,040 --> 00:20:40,080
Speaker 5: And woody podcast will and woody silks are bad choice lost.

440
00:20:41,320 --> 00:20:44,440
Speaker 2: Plots. The Brando's cut were plants free. It's such a

441
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Speaker 2: lot to I would so I explained a movie plot

442
00:20:47,800 --> 00:20:49,520
Speaker 2: really badly. You and the rest of Australia have to

443
00:20:49,520 --> 00:20:51,960
Speaker 2: guess what that movie plot is based purely on the

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00:20:52,000 --> 00:20:54,320
Speaker 2: plot description Are you ready to go? Yes, you've been

445
00:20:54,359 --> 00:20:56,679
Speaker 2: good recently. Last week you were good. Remember Australia. You

446
00:20:56,720 --> 00:20:58,840
Speaker 2: can call it anytime on thirtay one and six five.

447
00:20:58,920 --> 00:21:01,359
Speaker 2: If you think you know the aren't, get a chance

448
00:21:01,400 --> 00:21:02,960
Speaker 2: to tell Woody to suck it and then give the

449
00:21:03,000 --> 00:21:08,040
Speaker 2: true answer. All the movies today are article. There was

450
00:21:08,040 --> 00:21:10,280
Speaker 2: an article today about TV shows and films that haven't

451
00:21:10,320 --> 00:21:11,639
Speaker 2: aged very well.

452
00:21:11,880 --> 00:21:12,800
Speaker 1: Because they're offensive.

453
00:21:12,840 --> 00:21:17,680
Speaker 2: Now yes, yeah, yes, offensive, yeah, bit pongy sure, yeah,

454
00:21:17,720 --> 00:21:19,280
Speaker 2: probably step on some toes that we're a little bit

455
00:21:19,320 --> 00:21:21,679
Speaker 2: more aware of these days, which is good, but a

456
00:21:21,680 --> 00:21:23,399
Speaker 2: lot of the time they can be very famous movies.

457
00:21:23,800 --> 00:21:31,600
Speaker 2: So movies that haven't aged well. First one, Hero proves

458
00:21:33,480 --> 00:21:36,240
Speaker 2: that being tickled is the only way to fly.

459
00:21:39,880 --> 00:21:41,400
Speaker 1: Hook hook incorrect.

460
00:21:42,880 --> 00:21:45,080
Speaker 2: Hero proves that being tickled is the only way to

461
00:21:45,119 --> 00:21:47,359
Speaker 2: fly thirty one oh sixty five. If you think you

462
00:21:47,480 --> 00:21:50,280
Speaker 2: know avatar, what the film is? No? When does he

463
00:21:50,320 --> 00:21:51,199
Speaker 2: get tickled an avatar?

464
00:21:51,800 --> 00:21:54,000
Speaker 1: Someone tickles Jake Suy?

465
00:21:54,280 --> 00:21:57,919
Speaker 2: Yeah he gets tickled Jack, No, he's McDow.

466
00:21:58,119 --> 00:21:59,440
Speaker 1: Does he get tickled by his own tail?

467
00:21:59,560 --> 00:22:01,080
Speaker 2: No? Ticket, pay his owntail?

468
00:22:01,320 --> 00:22:01,760
Speaker 1: Fair enough?

469
00:22:03,040 --> 00:22:07,720
Speaker 2: Some weird avatar porn you're watching in your own in

470
00:22:07,800 --> 00:22:09,920
Speaker 2: your own time. All right, you think you know what

471
00:22:09,960 --> 00:22:11,919
Speaker 2: the movie is, we'll continue right up next Lost the Plots,

472
00:22:11,920 --> 00:22:12,159
Speaker 2: Will and.

473
00:22:12,560 --> 00:22:14,199
Speaker 1: It's the Will and Woody podcast.

474
00:22:15,160 --> 00:22:17,640
Speaker 2: Surely you can't be serious, Will and Woodies.

475
00:22:18,000 --> 00:22:20,000
Speaker 1: I am serious, Lost.

476
00:22:21,240 --> 00:22:27,040
Speaker 2: Plots and don't call me Shirt. All right, So I

477
00:22:27,160 --> 00:22:29,320
Speaker 2: explained a movie plot really badly. You guys in Woody

478
00:22:29,400 --> 00:22:30,919
Speaker 2: have to guess what the film is based on the

479
00:22:30,920 --> 00:22:34,040
Speaker 2: poor explanation. What's good last week? Look like you're in

480
00:22:34,040 --> 00:22:35,040
Speaker 2: a bit of a hole this week?

481
00:22:35,800 --> 00:22:37,960
Speaker 1: But you know I crawl my way out of holes

482
00:22:37,960 --> 00:22:38,400
Speaker 1: all the time.

483
00:22:39,400 --> 00:22:46,400
Speaker 2: Yeah, metaphorically what holes? What holes are you in? Hero

484
00:22:46,520 --> 00:22:48,760
Speaker 2: proves being tickled is the only way to fly? Crawl

485
00:22:48,800 --> 00:22:49,320
Speaker 2: out of that man?

486
00:22:49,440 --> 00:22:50,040
Speaker 1: Condor Man?

487
00:22:50,160 --> 00:22:54,400
Speaker 2: Incorrect? Good movie The Rocketeer. Maybe Condor Man?

488
00:22:54,840 --> 00:22:55,720
Speaker 1: Is he the Rocketeer?

489
00:22:55,760 --> 00:22:55,920
Speaker 4: Yeah?

490
00:22:55,920 --> 00:22:57,120
Speaker 2: If he's in The Rocketeer as well?

491
00:22:57,160 --> 00:22:59,840
Speaker 1: Now happens in the Rocket? Great movie Grinch, The Grinch,

492
00:23:00,200 --> 00:23:02,639
Speaker 1: The Grinch. No, No, I'm.

493
00:23:02,520 --> 00:23:04,680
Speaker 2: Going to go to Cody on thirty mine or sixty five? Cody,

494
00:23:04,720 --> 00:23:08,879
Speaker 2: what's the film? Hi? I think it's Peter Pan No, No,

495
00:23:08,920 --> 00:23:12,600
Speaker 2: I've already heard that, Cody. Would he get where's the where?

496
00:23:12,600 --> 00:23:13,520
Speaker 2: Where does he get tickled?

497
00:23:13,560 --> 00:23:13,679
Speaker 4: There?

498
00:23:13,720 --> 00:23:13,840
Speaker 2: Well?

499
00:23:13,840 --> 00:23:15,680
Speaker 3: It doesn't get tickled per se. But she sprinkles the

500
00:23:15,760 --> 00:23:17,720
Speaker 3: dust and many giggles and he flies.

501
00:23:17,840 --> 00:23:20,160
Speaker 2: Yeah. Yeah, he doesn't dig, he doesn't giggle. He sneezes.

502
00:23:20,760 --> 00:23:23,119
Speaker 1: Yeah, good cool, Captain Marvel.

503
00:23:25,920 --> 00:23:27,480
Speaker 2: No, does she get tickled.

504
00:23:27,680 --> 00:23:32,280
Speaker 3: I think her friend tickles her. You know, a friend

505
00:23:32,280 --> 00:23:33,000
Speaker 3: at the air Force.

506
00:23:33,280 --> 00:23:35,160
Speaker 2: Yeah, I know a friend of the air The scene.

507
00:23:34,920 --> 00:23:36,960
Speaker 1: Where I think she goes, oh good flying and gives her.

508
00:23:40,119 --> 00:23:42,880
Speaker 2: I don't think that exists. I don't quite know what's

509
00:23:42,880 --> 00:23:44,119
Speaker 2: going on outside. It looks like there's a lot of

510
00:23:44,160 --> 00:23:46,880
Speaker 2: people that have got it. Amanda, Amanda, what's the movie?

511
00:23:46,960 --> 00:23:49,240
Speaker 2: Hero proves being tickled is the only way to fly?

512
00:23:50,480 --> 00:23:51,440
Speaker 9: It is dumb boat.

513
00:23:51,520 --> 00:23:53,760
Speaker 10: If he has to suck up his father up his

514
00:23:53,840 --> 00:23:54,320
Speaker 10: nose to.

515
00:23:54,320 --> 00:23:56,160
Speaker 2: Fly, it is Amanda.

516
00:23:56,240 --> 00:23:57,520
Speaker 1: What does he suck up his nose?

517
00:23:57,600 --> 00:23:59,639
Speaker 2: A feather? A feather?

518
00:24:00,400 --> 00:24:03,360
Speaker 3: Yes, that's what he does every time he needs to fly.

519
00:24:03,400 --> 00:24:04,640
Speaker 1: He sucks a feather up his nose.

520
00:24:05,160 --> 00:24:06,480
Speaker 2: Yeah. I don't think he sucks a feather up. He

521
00:24:06,760 --> 00:24:08,159
Speaker 2: gets tickled on the nose and then he you know,

522
00:24:08,320 --> 00:24:10,199
Speaker 2: that's where he goes so dumbo.

523
00:24:10,280 --> 00:24:11,440
Speaker 1: He tickled himself on the nose.

524
00:24:12,080 --> 00:24:13,760
Speaker 2: I think he could tickle himself on the nose if

525
00:24:13,760 --> 00:24:16,040
Speaker 2: he wanted to. But I think, to be honest, I'm

526
00:24:16,080 --> 00:24:20,720
Speaker 2: in the movie in twenty years. But look, it is

527
00:24:20,760 --> 00:24:23,240
Speaker 2: a Disney flick, and a lot of those older Disney

528
00:24:23,240 --> 00:24:25,960
Speaker 2: flicks are coming up with warnings. We're talking about all

529
00:24:26,000 --> 00:24:28,160
Speaker 2: the movies today and lost the plot, movies that haven't

530
00:24:28,200 --> 00:24:30,760
Speaker 2: aged very well, and a lot of those older really,

531
00:24:31,119 --> 00:24:35,080
Speaker 2: you know, almost like antique Disney films coming up with

532
00:24:35,080 --> 00:24:37,120
Speaker 2: a lot of warnings and stuff on streaming platforms, saying

533
00:24:37,160 --> 00:24:40,160
Speaker 2: they use stereotypes in the old movies and there's something

534
00:24:40,160 --> 00:24:43,399
Speaker 2: that they apologize for and recognize. So in Dumbo, the

535
00:24:43,480 --> 00:24:51,120
Speaker 2: black crows are all racial stereotypes of black men.

536
00:24:50,320 --> 00:24:50,520
Speaker 11: Fly.

537
00:24:52,400 --> 00:24:54,520
Speaker 2: Yeah, right, so the head crow is this guy called

538
00:24:54,600 --> 00:24:57,960
Speaker 2: Jim Crow, which is a racist depiction of African men

539
00:24:58,000 --> 00:24:58,600
Speaker 2: and their culture.

540
00:24:58,680 --> 00:25:02,800
Speaker 3: Oh wow, order elephants performing as circuses.

541
00:25:03,000 --> 00:25:04,880
Speaker 2: Of course, and of course I've missed one there, Thank

542
00:25:04,920 --> 00:25:11,119
Speaker 2: you very much. Now it's we're talking movies and films

543
00:25:11,119 --> 00:25:14,320
Speaker 2: that haven't aged very well, lost the plot. Try and

544
00:25:14,359 --> 00:25:16,280
Speaker 2: guess what the film is based on the plot. Yep,

545
00:25:16,800 --> 00:25:22,920
Speaker 2: mammal gets tied up in shoe string. Debarcle free Willy incorrect.

546
00:25:24,119 --> 00:25:24,720
Speaker 1: Shoe string?

547
00:25:24,760 --> 00:25:25,800
Speaker 2: Did your shoe string.

548
00:25:28,280 --> 00:25:29,440
Speaker 1: And maybe Dick.

549
00:25:30,440 --> 00:25:34,840
Speaker 2: No, no, you're just going straight from the water.

550
00:25:34,880 --> 00:25:39,440
Speaker 1: Mammals don't just good good point when.

551
00:25:39,359 --> 00:25:40,240
Speaker 2: You're a you're a mammal.

552
00:25:40,880 --> 00:25:44,280
Speaker 1: Yeah, oh oh well you are.

553
00:25:45,000 --> 00:25:46,640
Speaker 2: Yeah, but I could be leading you down the garden

554
00:25:46,680 --> 00:25:49,760
Speaker 2: path to the jungle. No, oh my god. It just

555
00:25:49,920 --> 00:25:52,159
Speaker 2: opened it up to every movie all of a sudden,

556
00:25:52,480 --> 00:25:56,800
Speaker 2: It's not thirty one six five mammal gets tied up

557
00:25:56,920 --> 00:26:01,040
Speaker 2: in shoe string debarcle. This movie has not aged well.

558
00:26:02,040 --> 00:26:03,280
Speaker 2: If you think you know what it is, give us

559
00:26:03,280 --> 00:26:05,280
Speaker 2: a call. Thirty one six five and lost the plot?

560
00:26:05,480 --> 00:26:08,600
Speaker 1: This girl a tasty barker Will and Woodies.

561
00:26:08,359 --> 00:26:12,199
Speaker 5: Where's my super lost the plot?

562
00:26:12,320 --> 00:26:16,040
Speaker 7: I have had it with these monkey fas on this money.

563
00:26:16,640 --> 00:26:20,480
Speaker 2: Pray now, woods you get a chance to or people

564
00:26:20,480 --> 00:26:21,760
Speaker 2: get a chance to tell you to suck it if

565
00:26:21,760 --> 00:26:23,520
Speaker 2: they beat you to it. You've had a couple of

566
00:26:23,520 --> 00:26:27,240
Speaker 2: loose guesses here, So I'm going to go with Nathan first. Nathan,

567
00:26:27,280 --> 00:26:29,120
Speaker 2: what do you think the movie is? Mammal gets tied

568
00:26:29,200 --> 00:26:37,080
Speaker 2: up in shoestring debarcle? Mouse hunt, mouse, mouse hunt. I've

569
00:26:37,119 --> 00:26:39,760
Speaker 2: never seen that, Nathan. What's the explanation for it?

570
00:26:41,200 --> 00:26:45,320
Speaker 9: Well, a mouse causes havoc on two brothers that inherit

571
00:26:45,480 --> 00:26:47,240
Speaker 9: a string factory.

572
00:26:47,400 --> 00:26:50,200
Speaker 2: Gee wizh. Sounds like a shocker. It's definitely not the movie.

573
00:26:50,320 --> 00:26:52,439
Speaker 2: It's definitely not I'm not sure why that would have

574
00:26:52,600 --> 00:26:55,879
Speaker 2: aged well. Mammal gets tied up in shoes string debarcle,

575
00:26:55,920 --> 00:26:56,359
Speaker 2: what do you reckon?

576
00:26:56,400 --> 00:26:57,680
Speaker 1: It is flipper.

577
00:26:59,800 --> 00:27:00,560
Speaker 2: In correct?

578
00:27:00,880 --> 00:27:04,119
Speaker 4: Andre Andre Andre the Seal.

579
00:27:05,400 --> 00:27:06,040
Speaker 1: It's a great movie.

580
00:27:06,080 --> 00:27:06,520
Speaker 2: Incorrect.

581
00:27:06,560 --> 00:27:08,679
Speaker 3: Seal wears a Hawaiian shirt, which is why it has

582
00:27:08,720 --> 00:27:13,080
Speaker 3: an age beld. Don't put a wine shirt on a seal, yeah, Bud.

583
00:27:14,520 --> 00:27:14,840
Speaker 1: Correct.

584
00:27:14,920 --> 00:27:17,120
Speaker 2: So now you're gonna hate this. I'm gonna throw to Kim.

585
00:27:17,280 --> 00:27:18,280
Speaker 1: No, I've got a few.

586
00:27:18,400 --> 00:27:20,040
Speaker 2: Okay, keep going. What else, King Kong?

587
00:27:20,640 --> 00:27:26,720
Speaker 3: No, Dustin checks in checks into a hotel? You know, mccaullay, Culkin,

588
00:27:27,359 --> 00:27:28,240
Speaker 3: I don't know the movie.

589
00:27:28,240 --> 00:27:31,639
Speaker 2: It's not that Dustin checkson. I re that in years

590
00:27:31,960 --> 00:27:35,040
Speaker 2: movies that haven't aged well. This movie hasn't aged very well. Kim,

591
00:27:35,080 --> 00:27:37,040
Speaker 2: what's the movie? What are you gonna hate this? Mammal

592
00:27:37,040 --> 00:27:43,800
Speaker 2: gets tied up in shoestring debarka, what's the movie? It

593
00:27:43,880 --> 00:27:46,679
Speaker 2: is a ventura? Ki is iron Horn.

594
00:27:47,640 --> 00:27:53,720
Speaker 6: Ein Horn is a man, Oh my god, is a man?

595
00:27:54,160 --> 00:27:56,160
Speaker 2: So yeah, a Spentura Kim, well done. You do get

596
00:27:56,160 --> 00:28:02,840
Speaker 2: the rights to tell what you to suck it him?

597
00:28:03,200 --> 00:28:05,280
Speaker 1: You go sounds a lot like a recorded joan.

598
00:28:07,080 --> 00:28:10,560
Speaker 2: She waved her right. And now the reason Aventur hasn't

599
00:28:10,560 --> 00:28:12,280
Speaker 2: aged badly, of course, is because of all the trans

600
00:28:12,320 --> 00:28:15,920
Speaker 2: gear obviously around around and think on the vilification of

601
00:28:15,960 --> 00:28:17,320
Speaker 2: her and the fact that it was such a bad

602
00:28:17,359 --> 00:28:20,719
Speaker 2: thing and and a yuck thing that she transitioned, and

603
00:28:20,720 --> 00:28:22,880
Speaker 2: that it was viewed as disgusting and all that sort

604
00:28:22,920 --> 00:28:25,040
Speaker 2: of stuff. So that's the first one. Yeah, the scene

605
00:28:25,040 --> 00:28:28,159
Speaker 2: with the mental asylum is totally wild in a Ventur

606
00:28:28,240 --> 00:28:29,040
Speaker 2: in the past.

607
00:28:29,040 --> 00:28:31,560
Speaker 3: Now, I rewatched the movie recently, and it's funny when

608
00:28:31,600 --> 00:28:33,680
Speaker 3: when you're watching it twenty years ago, you didn't even

609
00:28:33,680 --> 00:28:35,280
Speaker 3: think twice about it, whereas at.

610
00:28:35,200 --> 00:28:39,000
Speaker 2: All, oh yes, whoa yes, yeah, you can't have that

611
00:28:39,120 --> 00:28:41,120
Speaker 2: film for all the movie fans. Mammal gets tied up

612
00:28:41,120 --> 00:28:44,440
Speaker 2: in shoe string debarcle. Mammal obviously the porpoise, Snowflake or

613
00:28:44,480 --> 00:28:49,200
Speaker 2: dolphin and the shoe string debarcle laces out Dawn one

614
00:28:49,240 --> 00:28:51,760
Speaker 2: of your favorite movies, not anymore. That's got to hurt

615
00:28:57,240 --> 00:28:59,560
Speaker 2: movies that are films that have an age. Well, next one,

616
00:28:59,600 --> 00:29:03,200
Speaker 2: we move on Predators Ruin Christmas.

617
00:29:03,640 --> 00:29:12,200
Speaker 8: Gremlins incorrect, taking it very literally, Precious, ruin Christmas. Predator

618
00:29:12,240 --> 00:29:19,360
Speaker 8: to ruin Christmas incorrect, incorrect, Ruined Christmas Jingle all the

619
00:29:19,400 --> 00:29:20,240
Speaker 8: Way incorrect.

620
00:29:21,480 --> 00:29:24,040
Speaker 2: Predators ruin You got to go through Christmas movies. Just

621
00:29:24,080 --> 00:29:25,160
Speaker 2: stop and think about.

622
00:29:24,960 --> 00:29:27,440
Speaker 1: It, man, Predators Ruin Christmas.

623
00:29:27,440 --> 00:29:30,560
Speaker 2: Predator, No, there's no Christmas in the movie Predator, the

624
00:29:30,640 --> 00:29:36,120
Speaker 2: Christmas edition Predator. There is. Actually, Oh that's jingle all

625
00:29:36,120 --> 00:29:36,400
Speaker 2: the way?

626
00:29:36,440 --> 00:29:37,760
Speaker 1: What's that is that?

627
00:29:37,760 --> 00:29:40,840
Speaker 3: That's Al Schwartz and attack him when he's trying to

628
00:29:40,840 --> 00:29:47,840
Speaker 3: get the Christmas Predators beers ruin Christmas?

629
00:29:48,200 --> 00:29:49,160
Speaker 1: Is there is there Christmas?

630
00:29:49,320 --> 00:29:53,880
Speaker 2: I think you're taking it too literally. Predators ruin Christmas.

631
00:29:53,880 --> 00:29:58,920
Speaker 2: We're talking about movies that haven't aanged very well. Christs.

632
00:29:59,040 --> 00:30:01,080
Speaker 2: I think whispering it's gonna make it come to you.

633
00:30:02,240 --> 00:30:10,440
Speaker 14: Christmas with the crackers, Christmas with the crackers, the cranksank

634
00:30:10,480 --> 00:30:14,480
Speaker 14: excuse me, craggers enjoy a cracker at Christmas?

635
00:30:14,680 --> 00:30:17,880
Speaker 1: Porreditor, Predator, Well, a human could be a predator.

636
00:30:17,920 --> 00:30:18,800
Speaker 2: A human definitely can.

637
00:30:19,000 --> 00:30:21,040
Speaker 1: We ruined Christmas? Grene the Bridge.

638
00:30:21,560 --> 00:30:24,400
Speaker 2: That's the second time you've guessed the Gridge, I'm gonna

639
00:30:24,400 --> 00:30:28,880
Speaker 2: have to go to an express. No, in correct, Amanda. Welcome, Amanda,

640
00:30:28,880 --> 00:30:33,880
Speaker 2: welcome to Lost the plot, Oh, thank you, predators ruined Christmas?

641
00:30:33,920 --> 00:30:40,480
Speaker 2: What's the film? Love? Actually, who's the predator?

642
00:30:40,520 --> 00:30:41,280
Speaker 1: Who's the predator?

643
00:30:42,360 --> 00:30:46,200
Speaker 2: Well, I'll try to Amanda, Amanda, there more think about it.

644
00:30:46,240 --> 00:30:50,880
Speaker 2: That movie is littered with predators, exactly. There are so

645
00:30:50,880 --> 00:30:52,880
Speaker 2: so many of them. So we've got We've got Billy

646
00:30:52,920 --> 00:30:54,560
Speaker 2: Bob Thornton as the US President.

647
00:30:54,800 --> 00:30:59,880
Speaker 9: Yeah, creepily, he tries, he tries to slog, what's.

648
00:30:59,760 --> 00:31:03,000
Speaker 1: The assistant minister?

649
00:31:03,240 --> 00:31:06,520
Speaker 2: Yeah, plumpy? I think is her family calls it yes,

650
00:31:07,360 --> 00:31:09,200
Speaker 2: And that's one of the reasons that movie has an age. Well,

651
00:31:09,240 --> 00:31:11,840
Speaker 2: by the way, there's all sorts of about her thighs

652
00:31:11,880 --> 00:31:12,360
Speaker 2: in the movie.

653
00:31:13,480 --> 00:31:15,400
Speaker 11: I know, poor girl, poor girl.

654
00:31:15,960 --> 00:31:19,520
Speaker 2: She is good predator say she is a bit big

655
00:31:19,600 --> 00:31:27,320
Speaker 2: in the Suspenders Savage Amanda, Hey, I don't want to

656
00:31:27,400 --> 00:31:29,360
Speaker 2: keep it because Amanda, there's a couple of others here.

657
00:31:29,360 --> 00:31:32,160
Speaker 2: We've got Billy Bob Thornton hitting on her, and then

658
00:31:32,200 --> 00:31:34,680
Speaker 2: obviously Hugh Grant gets his moment back when he gets

659
00:31:34,720 --> 00:31:36,560
Speaker 2: to have a go at the press.

660
00:31:37,440 --> 00:31:42,960
Speaker 1: Country, but we're a great one too, Country of Shakespeare.

661
00:31:43,000 --> 00:31:45,800
Speaker 2: Church the Beatles, so he has that moment he tells

662
00:31:45,840 --> 00:31:47,880
Speaker 2: Billy Bob Thorton against grew to press comments also got

663
00:31:48,080 --> 00:31:53,240
Speaker 2: let's not forget the best mate who films Kiera Knightley

664
00:31:53,400 --> 00:31:55,840
Speaker 2: at the wedding, So then rocks up to her house

665
00:31:56,000 --> 00:31:59,440
Speaker 2: impersonates Choir Singer's super Grid and then gets a kiss

666
00:31:59,480 --> 00:32:00,640
Speaker 2: from her out the front.

667
00:32:00,440 --> 00:32:00,920
Speaker 4: Of her house.

668
00:32:01,320 --> 00:32:01,760
Speaker 7: Who is it?

669
00:32:02,480 --> 00:32:07,480
Speaker 2: Carol Singers? Totally wild. If anyone else is rattled by that,

670
00:32:07,640 --> 00:32:10,240
Speaker 2: please be reminded that Kira Knightley's eighteen in that scene.

671
00:32:11,120 --> 00:32:14,160
Speaker 1: Yeah, but I think she's playing someone older to be wild.

672
00:32:14,320 --> 00:32:17,760
Speaker 1: It's a bit wild. She's closer to the age of

673
00:32:17,880 --> 00:32:19,840
Speaker 1: the small boy Liam Neesean's son she.

674
00:32:20,080 --> 00:32:20,959
Speaker 2: Than she is to him.

675
00:32:21,080 --> 00:32:22,640
Speaker 1: Yes, yeah, much gymnist kid.

676
00:32:22,800 --> 00:32:25,040
Speaker 2: And final final predator that I had off the top

677
00:32:25,040 --> 00:32:28,120
Speaker 2: of my head was obviously the classic fool that is

678
00:32:28,160 --> 00:32:31,880
Speaker 2: Alan Rickman that gets seduced by his saucy secretary with

679
00:32:32,000 --> 00:32:35,120
Speaker 2: the with the horns and ends up Emma Thompson finds

680
00:32:35,160 --> 00:32:36,880
Speaker 2: the c D instead of the necklace.

681
00:32:37,680 --> 00:32:39,600
Speaker 5: In life would always be a little bit worse.

682
00:32:40,200 --> 00:32:43,160
Speaker 2: Very sad scene ends up into Jonnie Mitchell and to

683
00:32:43,240 --> 00:32:46,000
Speaker 2: celebrate that scene. I'm going to play Joonny Mitchell right now, nice,

684
00:32:46,360 --> 00:32:46,840
Speaker 2: nice time.

685
00:32:47,120 --> 00:32:50,480
Speaker 13: It's the Will Woody Podcast, Big trouble for the pussy

686
00:32:50,560 --> 00:32:51,520
Speaker 13: cat dolls.

687
00:32:54,200 --> 00:32:58,000
Speaker 1: Like me, Oh yeah, love that, love that?

688
00:32:58,200 --> 00:32:58,880
Speaker 4: What is that one?

689
00:32:59,040 --> 00:33:00,320
Speaker 2: Ji Ho ho?

690
00:33:00,640 --> 00:33:03,480
Speaker 1: Yeah sure it's not Tally no gi Ho?

691
00:33:03,960 --> 00:33:04,880
Speaker 2: Who is gi home?

692
00:33:05,480 --> 00:33:05,880
Speaker 13: Not sure?

693
00:33:06,680 --> 00:33:08,040
Speaker 3: It must be a great go there if the dolls

694
00:33:08,080 --> 00:33:10,680
Speaker 3: are singing about him. But the reason we are talking

695
00:33:10,720 --> 00:33:12,440
Speaker 3: about the dolls is because they were going to have

696
00:33:12,640 --> 00:33:15,000
Speaker 3: a reunion. They've been broken up for a while, they

697
00:33:15,040 --> 00:33:17,080
Speaker 3: haven't been doing music for a long time. They're going

698
00:33:17,120 --> 00:33:20,760
Speaker 3: to bring it all back together. But unfortunately that's looking

699
00:33:21,520 --> 00:33:26,080
Speaker 3: bad now because Shirt Singer the main cat, well.

700
00:33:25,960 --> 00:33:27,520
Speaker 2: We wouldn't call her the main cat. We've called her

701
00:33:27,520 --> 00:33:28,280
Speaker 2: top pussy.

702
00:33:30,360 --> 00:33:31,720
Speaker 1: Yep, top top puss.

703
00:33:32,560 --> 00:33:36,360
Speaker 3: She is potentially cats call them yea, yeah, no, of course,

704
00:33:36,600 --> 00:33:39,960
Speaker 3: of course make cat mature. But she is potentially out

705
00:33:40,040 --> 00:33:44,120
Speaker 3: now from the reunion because she requested seventy five percent

706
00:33:44,320 --> 00:33:48,400
Speaker 3: ownership and complete creative control.

707
00:33:49,360 --> 00:33:49,960
Speaker 2: Did she really?

708
00:33:50,320 --> 00:34:01,720
Speaker 1: And the other cats were obviously like the other cats and.

709
00:34:04,360 --> 00:34:06,880
Speaker 2: Really rogue comments.

710
00:34:09,440 --> 00:34:15,319
Speaker 3: I'm headed for a cliff on track, producers, don't you worry.

711
00:34:15,360 --> 00:34:16,080
Speaker 1: I'm back on track.

712
00:34:17,000 --> 00:34:19,680
Speaker 3: She wants complete creative control. And yeah, the other Pussycat

713
00:34:19,760 --> 00:34:21,640
Speaker 3: dolls were just like, nah, not up in here. So

714
00:34:22,040 --> 00:34:24,319
Speaker 3: so it looks like it looks like it's all over

715
00:34:24,360 --> 00:34:27,480
Speaker 3: the reunion now, Will, Yes, I wanted to talk to

716
00:34:27,600 --> 00:34:32,200
Speaker 3: you about this because Nicole Schertzinger was demanding complete creative control.

717
00:34:32,280 --> 00:34:34,440
Speaker 3: That was her number one non negotiable. I want to

718
00:34:34,480 --> 00:34:36,920
Speaker 3: be in control of every single decision. Yes, now, it

719
00:34:36,960 --> 00:34:39,680
Speaker 3: would be no lie, yeah, or no exaggeration that you

720
00:34:39,760 --> 00:34:42,120
Speaker 3: are also a bit of a control freak.

721
00:34:42,239 --> 00:34:45,960
Speaker 6: Will's a control freak. Control freak. Will, You're a control

722
00:34:46,040 --> 00:34:47,040
Speaker 6: free Yeah.

723
00:34:47,960 --> 00:34:53,600
Speaker 2: Back to you, Woody, Thank you, Woody, yourself one more

724
00:34:53,680 --> 00:34:56,520
Speaker 2: time in pre pre production. I will leave this studio.

725
00:34:57,120 --> 00:35:02,520
Speaker 3: You're somewhe you anchor this show, and you really like

726
00:35:02,600 --> 00:35:06,040
Speaker 3: being in control. And if I mean like sometimes you're

727
00:35:06,320 --> 00:35:09,520
Speaker 3: very uncomfortable when you're not in control of why.

728
00:35:09,520 --> 00:35:13,359
Speaker 2: Is that great? Christian? It actually is something that has

729
00:35:13,480 --> 00:35:15,800
Speaker 2: really bothered me because if I think about it rationally,

730
00:35:15,920 --> 00:35:18,840
Speaker 2: I actually I hate control freaks. No one likes control freaks,

731
00:35:18,880 --> 00:35:21,239
Speaker 2: and I really don't like it about myself when I

732
00:35:21,320 --> 00:35:23,520
Speaker 2: am like that. And I think that anybody that feels

733
00:35:23,560 --> 00:35:26,239
Speaker 2: like they need to be in control knows that it's

734
00:35:26,280 --> 00:35:29,520
Speaker 2: a nasty feeling, and what happens with me, this is

735
00:35:29,560 --> 00:35:31,960
Speaker 2: the worst part about it is I start getting really

736
00:35:32,160 --> 00:35:35,880
Speaker 2: pissed off, I start getting really angry, and it totally

737
00:35:36,000 --> 00:35:39,200
Speaker 2: unravels and to the point where, like I will walk

738
00:35:39,239 --> 00:35:43,520
Speaker 2: into meeting rooms sometimes and if particularly if I'm down

739
00:35:43,600 --> 00:35:45,160
Speaker 2: on myself, I will feel and if I feel like

740
00:35:45,200 --> 00:35:47,320
Speaker 2: things are under my control, I will be like so

741
00:35:47,560 --> 00:35:50,080
Speaker 2: angry that I won't even be able to communicate with

742
00:35:50,280 --> 00:35:51,160
Speaker 2: ideas and stuff.

743
00:35:51,840 --> 00:35:54,719
Speaker 1: So what's the fear there? What's the bye question?

744
00:35:54,840 --> 00:35:55,000
Speaker 4: Yeah?

745
00:35:55,040 --> 00:35:57,560
Speaker 2: Yeah, yeah, So I hate that I hate control freaks,

746
00:35:57,560 --> 00:35:58,920
Speaker 2: and I hate the fact that I get angry and

747
00:35:59,000 --> 00:36:01,400
Speaker 2: I'm not and I'm not an egomaniac. That's the other thing.

748
00:36:01,440 --> 00:36:03,920
Speaker 2: So I had to really look at this recently, and

749
00:36:04,000 --> 00:36:06,719
Speaker 2: actually I just talked to my psychologist about this because

750
00:36:06,719 --> 00:36:08,919
Speaker 2: I was like, I'm really worried that I'm turning into

751
00:36:09,360 --> 00:36:11,240
Speaker 2: I just I hate the fact that this is happening.

752
00:36:11,880 --> 00:36:19,040
Speaker 2: And it came down to the fact that I it

753
00:36:19,160 --> 00:36:22,680
Speaker 2: comes from a really deep seated thing, which I'm sure

754
00:36:22,719 --> 00:36:24,800
Speaker 2: a lot of people can understand, but I'm going to

755
00:36:24,840 --> 00:36:26,800
Speaker 2: There's there's a guy called David White, who's one of

756
00:36:26,800 --> 00:36:28,920
Speaker 2: my favorite poets, and he says that anger is the

757
00:36:29,040 --> 00:36:31,440
Speaker 2: deepest form of care for yourself.

758
00:36:32,200 --> 00:36:36,000
Speaker 3: Ah yeah, so it's anger is the deepest form of

759
00:36:36,120 --> 00:36:38,719
Speaker 3: care for yourself. Yes, it's like as in like it's

760
00:36:38,719 --> 00:36:40,960
Speaker 3: a defense. It's a you set up a defense for yourself.

761
00:36:41,200 --> 00:36:44,880
Speaker 2: Anger is what we what we call anger is just

762
00:36:44,960 --> 00:36:50,920
Speaker 2: the final remnants or resonance of you trying to protect

763
00:36:51,200 --> 00:36:53,840
Speaker 2: yourself or the most vulnerable part of yourself, and it

764
00:36:53,960 --> 00:36:55,040
Speaker 2: bursts to the surface.

765
00:36:55,200 --> 00:36:57,040
Speaker 3: So you think, so when you're trying to take control

766
00:36:57,120 --> 00:36:59,800
Speaker 3: and that can sometimes manifest into anger, Yes, that's you

767
00:37:00,080 --> 00:37:01,400
Speaker 3: protecting yourself essentially.

768
00:37:01,480 --> 00:37:03,640
Speaker 2: So it comes from a place, as I understand, and

769
00:37:03,719 --> 00:37:05,680
Speaker 2: I really don't want to bore everybody with my own

770
00:37:05,719 --> 00:37:08,200
Speaker 2: psychoanalysis here, but it comes from when I was a

771
00:37:08,320 --> 00:37:11,040
Speaker 2: child wanting to be loved and wanting to be noticed.

772
00:37:11,560 --> 00:37:14,520
Speaker 2: And the great catch all of being in control is

773
00:37:14,600 --> 00:37:16,840
Speaker 2: that you have to be noticed. If you're in control,

774
00:37:17,200 --> 00:37:20,120
Speaker 2: everybody notices you, everyone has to get around you because

775
00:37:20,120 --> 00:37:21,960
Speaker 2: you're in control. And so when that slips out of

776
00:37:22,000 --> 00:37:24,040
Speaker 2: your fingers, you feel like you're not in control, and

777
00:37:24,120 --> 00:37:25,840
Speaker 2: then you're not going to be loved. And then I

778
00:37:25,920 --> 00:37:29,120
Speaker 2: get angry because I'm I'm just trying to I'm scared

779
00:37:29,160 --> 00:37:31,399
Speaker 2: that I'm not going to be loved. Yeah, so it's

780
00:37:31,400 --> 00:37:33,960
Speaker 2: a really scary because I've alway looked at control freaks. Actually,

781
00:37:34,080 --> 00:37:36,320
Speaker 2: when I read that, and I knew that about myself recently,

782
00:37:36,400 --> 00:37:38,480
Speaker 2: I thought, I actually feel really sorry for shirtsing her

783
00:37:38,480 --> 00:37:39,839
Speaker 2: because she obviously.

784
00:37:39,520 --> 00:37:41,239
Speaker 1: The same thing. It's probably the same thing a lot

785
00:37:41,280 --> 00:37:42,399
Speaker 1: of narcissists as well.

786
00:37:42,480 --> 00:37:45,040
Speaker 2: They draw in attention, They want people to look at

787
00:37:45,080 --> 00:37:46,680
Speaker 2: them because they just actually want to be loved and

788
00:37:46,719 --> 00:37:48,839
Speaker 2: they've been really hurt and yeah, that's why they get

789
00:37:48,840 --> 00:37:49,480
Speaker 2: angry and stuff.

790
00:37:49,640 --> 00:37:52,680
Speaker 3: Well, thank you for sharing that. That was very open,

791
00:37:52,800 --> 00:37:55,600
Speaker 3: honors vulnerable. But the best way out of this will

792
00:37:56,120 --> 00:38:02,640
Speaker 3: is exposure therapy. So so my plan, and our junior

793
00:38:02,719 --> 00:38:05,000
Speaker 3: producer doesn't know this yet, So this is going to

794
00:38:05,040 --> 00:38:07,359
Speaker 3: be complete chaos. But I'm going to kick you out

795
00:38:07,400 --> 00:38:10,799
Speaker 3: of the radio studio. Analise, our junior producer, is going

796
00:38:10,880 --> 00:38:13,160
Speaker 3: to come live on the radio and then she can

797
00:38:13,239 --> 00:38:16,080
Speaker 3: just talk about whatever she wants and you cannot control

798
00:38:16,160 --> 00:38:16,600
Speaker 3: it at all.

799
00:38:17,040 --> 00:38:17,400
Speaker 2: I love it.

800
00:38:17,719 --> 00:38:19,520
Speaker 1: Just you are going to watch this show burn to

801
00:38:19,600 --> 00:38:20,080
Speaker 1: the ground.

802
00:38:20,960 --> 00:38:24,279
Speaker 6: Control freak, control freak, will control.

803
00:38:24,120 --> 00:38:25,680
Speaker 2: Analyse is going to come in and sit in my

804
00:38:25,840 --> 00:38:33,680
Speaker 2: sense and anchor and drink your tea. All right, I

805
00:38:33,760 --> 00:38:34,960
Speaker 2: have to watch from the outside.

806
00:38:35,040 --> 00:38:36,960
Speaker 3: Yes you do up next, Yes you do, and you're

807
00:38:36,960 --> 00:38:38,279
Speaker 3: going to give you a mile so we can hear

808
00:38:38,320 --> 00:38:40,080
Speaker 3: you outside, but we can turn you down if we want.

809
00:38:40,400 --> 00:38:41,279
Speaker 10: It's Will, and what do you for?

810
00:38:41,360 --> 00:38:42,760
Speaker 2: You drive home? On kiss?

811
00:38:43,600 --> 00:38:48,040
Speaker 1: Would you? I'm um, obviously this is not Will a

812
00:38:48,640 --> 00:38:52,480
Speaker 1: junior producer analyse and you are bloody on fire on

813
00:38:53,640 --> 00:38:54,439
Speaker 1: that sounded good.

814
00:38:54,640 --> 00:38:57,160
Speaker 3: There was some heart to your anchoram that I filed Analyse,

815
00:38:57,200 --> 00:38:59,920
Speaker 3: which I really really enjoyed. Now I should explain before

816
00:39:00,080 --> 00:39:02,880
Speaker 3: we do have a conversation that the reason you are

817
00:39:02,960 --> 00:39:05,680
Speaker 3: in here and you cannot hear Will is because he

818
00:39:05,960 --> 00:39:06,879
Speaker 3: is a control freak.

819
00:39:06,960 --> 00:39:11,040
Speaker 6: Will's a control freak. Control freak. Will got a control freak.

820
00:39:11,440 --> 00:39:14,280
Speaker 1: Yeah, back to you, Woody, Thank you, Woody.

821
00:39:15,200 --> 00:39:17,839
Speaker 3: So Nicole Schertzinger, she's pulled out of the Pussycat Dolls

822
00:39:17,880 --> 00:39:22,200
Speaker 3: because she wanted complete creative control, so she obviously has

823
00:39:22,239 --> 00:39:25,759
Speaker 3: the same issues as analse that Will has. Yes, yes,

824
00:39:26,719 --> 00:39:30,320
Speaker 3: so I thought Will needed some exposure therapy by losing

825
00:39:30,360 --> 00:39:31,839
Speaker 3: complete control of the radio show.

826
00:39:32,040 --> 00:39:33,680
Speaker 2: I Love I Love Your idea.

827
00:39:33,840 --> 00:39:35,759
Speaker 1: Thank you, thank you so much. Analyse. God, it's a

828
00:39:36,040 --> 00:39:39,960
Speaker 1: pleasant it's pleasant experience, refreshing it here, just great energy.

829
00:39:40,480 --> 00:39:41,080
Speaker 2: I'm feeling it.

830
00:39:41,280 --> 00:39:47,200
Speaker 1: I'm feeling this as well. Right's microphone. Do not give

831
00:39:47,320 --> 00:39:51,680
Speaker 1: him his control now, analyse. I mean, how's life going

832
00:39:51,760 --> 00:39:53,440
Speaker 1: for you? I mean, tell me how old? Don't tell

833
00:39:53,440 --> 00:39:55,640
Speaker 1: everyone how old you are? Anly so, I'm twenty one,

834
00:39:55,880 --> 00:40:00,279
Speaker 1: twenty one, yes, living in the beautiful country of Australia. Yeah,

835
00:40:00,440 --> 00:40:00,840
Speaker 1: you live in.

836
00:40:04,640 --> 00:40:05,759
Speaker 4: I'm so glad you live in this.

837
00:40:06,640 --> 00:40:07,000
Speaker 2: That is.

838
00:40:09,280 --> 00:40:11,120
Speaker 10: No hell on.

839
00:40:13,360 --> 00:40:14,040
Speaker 2: You think about this.

840
00:40:14,960 --> 00:40:19,520
Speaker 1: This is good stuff. This is good stuff. Twenty years old.

841
00:40:20,280 --> 00:40:22,000
Speaker 1: And you're looking at Will Slice. Do you want to

842
00:40:22,040 --> 00:40:26,920
Speaker 1: eat Will now known as the cake Queen.

843
00:40:27,280 --> 00:40:30,240
Speaker 2: Yes, yes, Will has got a few bits and bobs

844
00:40:30,280 --> 00:40:32,719
Speaker 2: in his area, and it would be rude for me

845
00:40:33,000 --> 00:40:34,880
Speaker 2: not to taste tests to slice.

846
00:40:35,000 --> 00:40:37,920
Speaker 1: I agree, only have a body. It's a lemon delicious there,

847
00:40:38,040 --> 00:40:45,160
Speaker 1: you bitch. He was looking forward to that all day.

848
00:40:46,440 --> 00:40:48,920
Speaker 1: He's going to be hangry. Okay, he's here, he's here.

849
00:40:50,160 --> 00:40:58,600
Speaker 13: Get her into Witness Protection's podcast, hates Ply Somebody Tuesday

850
00:40:58,680 --> 00:41:03,440
Speaker 13: Afternoon from a real hail Mary, throw the stumps here

851
00:41:03,520 --> 00:41:04,200
Speaker 13: woulds two.

852
00:41:04,120 --> 00:41:06,239
Speaker 1: Big cities in lockdown. It's a bad time for a hail.

853
00:41:06,320 --> 00:41:06,520
Speaker 2: Mary.

854
00:41:07,960 --> 00:41:10,799
Speaker 3: Thirteen one six four is our number. Have you ever

855
00:41:11,040 --> 00:41:18,719
Speaker 3: had to ride like the wind? To stint the people going?

856
00:41:18,920 --> 00:41:22,480
Speaker 2: Now? So? So when you say ride here though, ride anything?

857
00:41:22,640 --> 00:41:25,600
Speaker 2: So jet skis horse obviously, horse.

858
00:41:25,520 --> 00:41:29,040
Speaker 1: Water skis just no. You can't say your legs. It's

859
00:41:29,080 --> 00:41:32,879
Speaker 1: not riding anything. No, motor ride your.

860
00:41:32,840 --> 00:41:36,320
Speaker 2: Legs, motorbike, scooter, roller blades, skateboard.

861
00:41:36,480 --> 00:41:37,279
Speaker 1: Yeah, now here we go.

862
00:41:37,800 --> 00:41:41,839
Speaker 3: Heaps of options, guys, Buddy called the skoodoo.

863
00:41:42,840 --> 00:41:45,800
Speaker 1: Uh, toboggan, toboggan.

864
00:41:45,920 --> 00:41:46,959
Speaker 2: We're clutching straw.

865
00:41:47,000 --> 00:41:47,440
Speaker 1: I'll tell you what.

866
00:41:47,560 --> 00:41:49,680
Speaker 2: We're just naming things you can ride. I'll tell you what.

867
00:41:49,840 --> 00:41:52,040
Speaker 1: I'll take train if you jumped on a train.

868
00:41:52,480 --> 00:41:54,799
Speaker 2: Yeah, yeah, yeah, a train like the wind.

869
00:41:54,920 --> 00:41:57,280
Speaker 3: And the reason we are talking about this is because

870
00:41:57,680 --> 00:41:58,840
Speaker 3: there's a story out of it.

871
00:41:59,080 --> 00:42:06,160
Speaker 1: Oh yeah, hook blusted.

872
00:42:07,000 --> 00:42:08,600
Speaker 3: There was a woman in her sixties who won a

873
00:42:08,760 --> 00:42:13,080
Speaker 3: scratch and sniff scratch and win won five hundred and

874
00:42:13,160 --> 00:42:14,520
Speaker 3: eighty thousand dollars.

875
00:42:14,600 --> 00:42:18,319
Speaker 2: Scratcher, sniff the thing from the server.

876
00:42:18,600 --> 00:42:24,719
Speaker 3: Devastated in her sixties, she she wins the scratch and

877
00:42:24,760 --> 00:42:27,839
Speaker 3: win five hundred and eighty thousand dollars. She hands over

878
00:42:27,880 --> 00:42:29,880
Speaker 3: a winning tick to the shop employee to go like,

879
00:42:29,960 --> 00:42:32,200
Speaker 3: I've won five hundred eighty thousand dollars. This is bloody huge.

880
00:42:32,600 --> 00:42:34,680
Speaker 3: The employee goes, Yep, no, Orrisman's going to check with

881
00:42:34,760 --> 00:42:39,320
Speaker 3: the owner to verify the winning ticket. Anyway, here's the ticket,

882
00:42:40,120 --> 00:42:41,719
Speaker 3: ends the ticket to the owner, and then in the

883
00:42:41,800 --> 00:42:42,480
Speaker 3: distance she just.

884
00:42:42,520 --> 00:42:53,160
Speaker 5: Hears the owner jumped on his scooter and he has

885
00:42:53,360 --> 00:42:54,680
Speaker 5: rode like the wind.

886
00:42:56,239 --> 00:43:00,840
Speaker 1: The wind, and he bought get this one way ticket

887
00:43:00,920 --> 00:43:05,399
Speaker 1: to the Canary Islands as through at all.

888
00:43:06,680 --> 00:43:09,680
Speaker 3: And unfortunately for the big fella, he's been pulled up

889
00:43:10,120 --> 00:43:12,120
Speaker 3: at Oh, this is hilarious.

890
00:43:12,160 --> 00:43:13,640
Speaker 1: Sorry, sorry, I hadn't read this.

891
00:43:13,719 --> 00:43:16,200
Speaker 3: Before he gets pulled up at the airport, he was

892
00:43:16,440 --> 00:43:19,480
Speaker 3: detained at a tobacco shop. So clearly he was just

893
00:43:19,560 --> 00:43:25,279
Speaker 3: buying them out a dance to the Canary Islands, which

894
00:43:25,320 --> 00:43:26,120
Speaker 3: is totally wild.

895
00:43:26,200 --> 00:43:31,200
Speaker 1: Now we have one call. We have one call.

896
00:43:31,880 --> 00:43:35,200
Speaker 3: Projuicers don't want me to go to shaking their heads

897
00:43:35,320 --> 00:43:38,160
Speaker 3: to quote quote our executive producer to crap story.

898
00:43:42,000 --> 00:43:45,440
Speaker 1: We do have Kieran the Oh, he's getting a pep

899
00:43:45,520 --> 00:43:47,279
Speaker 1: talk from getting.

900
00:43:47,440 --> 00:43:51,200
Speaker 2: He's getting in talk fields up pointing his finger at him.

901
00:43:51,280 --> 00:43:54,200
Speaker 2: He goes, keep it tight, don't swear, make it good.

902
00:43:54,440 --> 00:43:56,400
Speaker 3: Here we go now, Kieren, thank you so much for

903
00:43:56,520 --> 00:44:00,680
Speaker 3: calling mate. You you have a story where you road

904
00:44:01,200 --> 00:44:01,840
Speaker 3: like the wind?

905
00:44:03,160 --> 00:44:03,880
Speaker 2: I do? I do?

906
00:44:04,800 --> 00:44:06,640
Speaker 9: Did you boys, when you were younger ever used to

907
00:44:06,760 --> 00:44:12,040
Speaker 9: make homemade bb gung No no, no, no good start

908
00:44:12,840 --> 00:44:15,520
Speaker 9: So you start with a pipe you get like one

909
00:44:15,520 --> 00:44:17,279
Speaker 9: of those rubber gloves. Cut the fingers off.

910
00:44:17,360 --> 00:44:18,960
Speaker 1: This isn't how to build a BB gun.

911
00:44:19,040 --> 00:44:21,480
Speaker 2: Mate's the story.

912
00:44:22,880 --> 00:44:24,160
Speaker 1: Pep talked to give him.

913
00:44:24,520 --> 00:44:27,919
Speaker 2: What did you say? Mate talks the bb gun chat.

914
00:44:28,040 --> 00:44:30,240
Speaker 2: We don't need to know how to build a pipe

915
00:44:30,280 --> 00:44:32,719
Speaker 2: bomb on the radio. Let's just get straight to the

916
00:44:32,840 --> 00:44:37,080
Speaker 2: riding by the wind. And he goes straight into it. Well,

917
00:44:37,719 --> 00:44:40,879
Speaker 2: there are some disappointed people outside. We've broken a lot

918
00:44:40,920 --> 00:44:41,440
Speaker 2: of codes.

919
00:44:41,920 --> 00:44:42,760
Speaker 4: See what you're hearing.

920
00:44:43,000 --> 00:44:46,200
Speaker 2: Find us on Instagram and Facebook search Will and Woody