1 00:00:01,080 --> 00:00:04,400 Speaker 1: Powered by the radio w APP from ninety six air 2 00:00:04,680 --> 00:00:06,800 Speaker 1: m to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,840 Speaker 2: This is Clearsy and Lisa's podcast. 4 00:00:10,119 --> 00:00:14,680 Speaker 3: On today's podcast, story behind the song song is danger Zone. 5 00:00:14,960 --> 00:00:17,760 Speaker 4: We took calls on Wen Diday Practical Joke Backfire. Thank 6 00:00:17,800 --> 00:00:18,720 Speaker 4: you to Gregor, producer. 7 00:00:18,960 --> 00:00:23,160 Speaker 3: We learned all about the sex craze zombie cicadas in Chicago. 8 00:00:22,960 --> 00:00:25,599 Speaker 4: And a really weird story about Russell Crow and exsis 9 00:00:25,600 --> 00:00:27,200 Speaker 4: and movies from benonchet Hey. 10 00:00:27,240 --> 00:00:30,240 Speaker 2: There's a bit of a situation developing in. 11 00:00:32,320 --> 00:00:37,120 Speaker 3: Walking Dead type situation developing in Chicago in the US. 12 00:00:38,320 --> 00:00:43,479 Speaker 3: Apparently cicada's in Chicago are facing a massive health problem. 13 00:00:43,680 --> 00:00:45,879 Speaker 2: It's being reported that they're turning into. 14 00:00:45,720 --> 00:00:50,240 Speaker 3: Sex crazed zombies sorry, thanks to a fungus that tears 15 00:00:50,280 --> 00:00:53,320 Speaker 3: off their genitals but drives them to keep on mating. Nonetheless, 16 00:00:54,280 --> 00:00:57,640 Speaker 3: in fact that cicadas have already been found in Champagne, Illinois, 17 00:00:58,200 --> 00:01:01,120 Speaker 3: and experts in Missouri sicarda as there have been affected 18 00:01:01,120 --> 00:01:03,920 Speaker 3: by the fungus. Also, scientists aren't clear on when the 19 00:01:04,000 --> 00:01:07,440 Speaker 3: insects are exposed to the spores of the fungus. It 20 00:01:07,480 --> 00:01:09,600 Speaker 3: could be it could happen when they first hit the 21 00:01:09,600 --> 00:01:16,840 Speaker 3: ground as babies. But Massapora cicadina only affects the cicadas. 22 00:01:17,080 --> 00:01:23,120 Speaker 3: So humans are safe from goodness from the infection and 23 00:01:23,240 --> 00:01:28,280 Speaker 3: still going like I never ready, buddy. So humans are 24 00:01:28,280 --> 00:01:32,399 Speaker 3: safe from the infection, according to CNN, but birds that 25 00:01:32,520 --> 00:01:38,800 Speaker 3: eat the infected cicadas are having hallucinations. It's it's like Woodstock. 26 00:01:38,920 --> 00:01:40,640 Speaker 3: Please don't eat the brown cicadas. 27 00:01:41,720 --> 00:01:44,920 Speaker 2: The warning that I've received, you may take it with. However, 28 00:01:45,040 --> 00:01:48,480 Speaker 2: many grains of salt you wish that the brown ausets 29 00:01:48,520 --> 00:01:52,760 Speaker 2: that is circulating around us is not specifically too good. 30 00:01:54,680 --> 00:01:58,040 Speaker 2: It suggests that you do stay away from that. Fun fact. 31 00:01:58,840 --> 00:02:03,000 Speaker 3: Fun fact that guy his name is Chipmunk. Oh, yes, 32 00:02:03,280 --> 00:02:06,440 Speaker 3: he's eighty five years old. Now he was the lighting 33 00:02:06,480 --> 00:02:09,080 Speaker 3: designer at Woodstock and because no one else was around, 34 00:02:09,160 --> 00:02:10,639 Speaker 3: they were all out the back of the brown House's 35 00:02:10,639 --> 00:02:14,520 Speaker 3: funny he stepped in to do the stage announcements on 36 00:02:14,639 --> 00:02:17,320 Speaker 3: and off as well. Now he ended up living in Melbourne. 37 00:02:17,440 --> 00:02:19,720 Speaker 3: Interview this guy, right, I have He ended up living 38 00:02:19,760 --> 00:02:22,600 Speaker 3: in Melbourne in Fitzroy. And in ninety four I was 39 00:02:22,639 --> 00:02:25,160 Speaker 3: also living in Melbourne and I did a little documentary, 40 00:02:26,400 --> 00:02:29,440 Speaker 3: a rockumentary. If you will on the anniversary. It was 41 00:02:29,480 --> 00:02:32,080 Speaker 3: just the twenty fifth anniversary at that stage of Woodstock, 42 00:02:32,160 --> 00:02:36,400 Speaker 3: and I interviewed this guy, and never in my life 43 00:02:36,840 --> 00:02:41,320 Speaker 3: have I felt as cool as when I interviewed Chip Monk. 44 00:02:41,440 --> 00:02:43,440 Speaker 4: I'm real that didn't want to say he was at 45 00:02:43,440 --> 00:02:45,600 Speaker 4: the Alban or Theodore because it's such a cool name, 46 00:02:45,919 --> 00:02:49,240 Speaker 4: Chip m O n c K. And how cool was 47 00:02:49,240 --> 00:02:51,160 Speaker 4: he in the delivery right there? You know, if you 48 00:02:51,200 --> 00:02:52,480 Speaker 4: want to try it. 49 00:02:52,400 --> 00:02:56,880 Speaker 2: Dude, it's your trip in guess that is awesome. It's 50 00:02:57,280 --> 00:02:59,679 Speaker 2: great to flick with ben Oshe. 51 00:03:00,440 --> 00:03:06,800 Speaker 5: Morning, Good morning, guys. We're talking Russell Crow's The Exorcism 52 00:03:06,840 --> 00:03:07,400 Speaker 5: this morning. 53 00:03:07,680 --> 00:03:10,320 Speaker 3: Can I just ask off the bat nothing to do 54 00:03:10,400 --> 00:03:12,560 Speaker 3: with the Pope sex. I was just about to say. 55 00:03:13,000 --> 00:03:15,560 Speaker 5: Regular listeners might be hearing this and going, hang on 56 00:03:15,600 --> 00:03:18,120 Speaker 5: a minute, have we already done this? 57 00:03:19,360 --> 00:03:20,720 Speaker 2: Days boo, going on? 58 00:03:21,200 --> 00:03:23,720 Speaker 5: So last year he was in a movie called The 59 00:03:23,760 --> 00:03:29,959 Speaker 5: Pope's Exorcist, where he paid a Catholic priest who performed exorcisms. Right, 60 00:03:30,120 --> 00:03:33,320 Speaker 5: so now in this new movie, The Exorcism, he plays 61 00:03:33,320 --> 00:03:38,280 Speaker 5: a Catholic priest performing exorcisms, but they are completely unrelated. 62 00:03:39,280 --> 00:03:41,160 Speaker 5: Even though The Pope's Exorcist did pretty well, at the 63 00:03:41,160 --> 00:03:43,680 Speaker 5: box office and they're probably making a sequel. This is 64 00:03:43,680 --> 00:03:46,480 Speaker 5: not it, This has nothing. 65 00:03:46,280 --> 00:03:47,960 Speaker 2: To do with it. Okay, this is nothing. 66 00:03:48,240 --> 00:03:52,440 Speaker 5: So it gets even weirder because this second movie was 67 00:03:52,440 --> 00:03:55,600 Speaker 5: actually made first. No, so, this movie was shot in 68 00:03:55,720 --> 00:04:00,040 Speaker 5: twenty nineteen, was in the cannon twenty nineteen before The 69 00:04:00,040 --> 00:04:05,120 Speaker 5: Pope's Exorcist was even conceived, and then it went into development. 70 00:04:05,200 --> 00:04:09,680 Speaker 5: Hell so it really languished during the pandemic COVID. No 71 00:04:09,720 --> 00:04:11,720 Speaker 5: one really knew what was going to happen with it. 72 00:04:12,240 --> 00:04:14,280 Speaker 5: Maybe they thought, I don't know if there's a market 73 00:04:14,320 --> 00:04:16,880 Speaker 5: for it. But then The Pope's Exorcist did pretty well 74 00:04:17,200 --> 00:04:19,400 Speaker 5: and they're like, maybe we'll just go along with it, 75 00:04:19,839 --> 00:04:20,280 Speaker 5: and so then. 76 00:04:20,240 --> 00:04:20,880 Speaker 2: They've released it. 77 00:04:21,400 --> 00:04:24,680 Speaker 5: So yeah, so this is the second Russell Crowe Exorcism 78 00:04:24,720 --> 00:04:26,600 Speaker 5: movie months. 79 00:04:26,240 --> 00:04:28,360 Speaker 2: Not related, a completely different movie. 80 00:04:28,520 --> 00:04:31,159 Speaker 5: And this one is so meta it might be one 81 00:04:31,200 --> 00:04:34,080 Speaker 5: of the most meta horror movies ever made. So movies 82 00:04:34,080 --> 00:04:37,520 Speaker 5: that reference other movies, right, that's that's the meta thing 83 00:04:37,560 --> 00:04:38,520 Speaker 5: for people who don't know. 84 00:04:39,120 --> 00:04:40,159 Speaker 2: And you're ready. 85 00:04:40,279 --> 00:04:42,920 Speaker 5: So we're ready for a deep dive into the horror 86 00:04:42,920 --> 00:04:48,159 Speaker 5: genre now. So the director Joshua Miller is the son 87 00:04:48,720 --> 00:04:53,120 Speaker 5: of Jason Miller, who played Father Damien Carras in The 88 00:04:53,240 --> 00:04:57,919 Speaker 5: Exorcist back in nineteen seventy three. The original Bloody, the 89 00:04:57,920 --> 00:05:02,920 Speaker 5: original all Exorcist movie is considered probably the greatest horror 90 00:05:02,960 --> 00:05:05,280 Speaker 5: movie of all time, the scariest movie of all time, 91 00:05:06,279 --> 00:05:11,520 Speaker 5: and so so the son of Father Damien made this movie, 92 00:05:11,520 --> 00:05:14,520 Speaker 5: The Exorcism. So I'm assuming he grew up hearing stories 93 00:05:14,560 --> 00:05:17,800 Speaker 5: about his dad making The Exorcist, and it was there 94 00:05:17,800 --> 00:05:21,560 Speaker 5: were so many stories. It was a famously trouble plagued production. 95 00:05:22,200 --> 00:05:25,680 Speaker 5: The stars were injured, serious back injuries, all sorts of 96 00:05:25,760 --> 00:05:29,160 Speaker 5: weird stuff happened on said people died. There was rumors 97 00:05:29,160 --> 00:05:32,040 Speaker 5: that the production was cursed. They actually had Catholic priests 98 00:05:32,080 --> 00:05:34,279 Speaker 5: coming onto set to provide blessing. 99 00:05:35,760 --> 00:05:37,200 Speaker 2: Oh yeah, pretty. 100 00:05:37,400 --> 00:05:40,440 Speaker 5: There was a lot going on, so urban myth, urban 101 00:05:40,480 --> 00:05:45,400 Speaker 5: myths around the original Exorcist movie. And so Joshua Miller 102 00:05:45,440 --> 00:05:47,920 Speaker 5: has decided, you know what, it'd be cool to make 103 00:05:48,120 --> 00:05:51,360 Speaker 5: a movie that references some of that stuff. And so 104 00:05:51,440 --> 00:05:53,359 Speaker 5: what he's done, He's made this film. And the premise 105 00:05:53,480 --> 00:05:57,360 Speaker 5: is these actors all get together to make a horror 106 00:05:57,400 --> 00:06:01,800 Speaker 5: movie about exorcisms, and the film in the film. In 107 00:06:01,839 --> 00:06:03,760 Speaker 5: the film see this is we're getting we're getting meta 108 00:06:03,839 --> 00:06:07,640 Speaker 5: now is called the Georgetown Project, which in itself is 109 00:06:07,640 --> 00:06:12,880 Speaker 5: a reference to the Exorcist, which was exactly original original. 110 00:06:13,279 --> 00:06:16,160 Speaker 5: The original Exorcist was shot in Georgetown, So so there 111 00:06:16,200 --> 00:06:18,880 Speaker 5: you go. So Russell Crowe plays an actor who's down 112 00:06:18,920 --> 00:06:21,080 Speaker 5: on his luck. He once was famous, so this is 113 00:06:21,080 --> 00:06:25,320 Speaker 5: a very close to the reality guy. So he was 114 00:06:25,360 --> 00:06:27,919 Speaker 5: an actor who once had a very very you know, 115 00:06:28,040 --> 00:06:32,559 Speaker 5: superstar career and fell on hard times alcoholism, His wife 116 00:06:32,600 --> 00:06:34,880 Speaker 5: died of cancer, and so now he's trying to get 117 00:06:34,920 --> 00:06:38,599 Speaker 5: back to some sort of respect, rebuild his relationship with 118 00:06:38,640 --> 00:06:41,240 Speaker 5: his teen daughter. So he just takes on this job 119 00:06:41,440 --> 00:06:45,279 Speaker 5: starring in this Exorcism movie playing a Catholic priest. But 120 00:06:45,400 --> 00:06:48,240 Speaker 5: as the production goes on, weird stuff starts to happen 121 00:06:48,640 --> 00:06:51,720 Speaker 5: and he himself gets possessed by demon. 122 00:06:52,120 --> 00:06:53,599 Speaker 2: Yeah, so it's taken. 123 00:06:53,640 --> 00:06:54,479 Speaker 5: It's taking the risk. 124 00:06:54,880 --> 00:06:56,200 Speaker 2: Yeah yeah, And so so you go. 125 00:06:56,240 --> 00:06:57,480 Speaker 5: You might be thinking, you know what, that's what a 126 00:06:57,520 --> 00:06:59,920 Speaker 5: great idea for a film and for horror officion art. 127 00:07:00,760 --> 00:07:03,400 Speaker 5: So many references throughout the film to the original Exorcist, 128 00:07:03,480 --> 00:07:05,040 Speaker 5: which is a fun kind of thing if you like 129 00:07:05,080 --> 00:07:10,280 Speaker 5: Easter eggs and trainsport and so The problem with this 130 00:07:10,360 --> 00:07:15,000 Speaker 5: film is so many laters. I'm not talking about the 131 00:07:15,040 --> 00:07:19,200 Speaker 5: chocolate ones. They're good as well. And it's going along 132 00:07:19,240 --> 00:07:21,960 Speaker 5: and going, okay, I'm here with It's it's pretty good. 133 00:07:21,960 --> 00:07:24,160 Speaker 5: It is not amazing, but it's going along. Okay, you 134 00:07:24,280 --> 00:07:26,680 Speaker 5: kind of you're getting invested in it. Sam Worthington makes 135 00:07:26,720 --> 00:07:28,760 Speaker 5: an appearance, blink and you're missing, so ta get to 136 00:07:28,800 --> 00:07:35,960 Speaker 5: attach to that. But then when Rusty gets the demon 137 00:07:36,240 --> 00:07:40,560 Speaker 5: inside him, that's when things start to go downhill a 138 00:07:40,600 --> 00:07:42,560 Speaker 5: little bit. And I'm not talking about in terms of 139 00:07:42,600 --> 00:07:45,120 Speaker 5: the plot. I'm talking about in terms of one's enjoyment 140 00:07:45,120 --> 00:07:48,360 Speaker 5: of the film. And never before have I seen a 141 00:07:48,400 --> 00:07:51,640 Speaker 5: movie where one single line has ruined it for me. 142 00:07:52,880 --> 00:07:56,760 Speaker 5: And so he's he gets he gets possessed by the demon, 143 00:07:56,920 --> 00:08:00,120 Speaker 5: and then he says something to his teen daughter that 144 00:08:00,240 --> 00:08:04,920 Speaker 5: is so off color. I was just no, I'm out, 145 00:08:05,000 --> 00:08:08,720 Speaker 5: You're out a shame and it's just there's just no 146 00:08:08,840 --> 00:08:11,480 Speaker 5: com no coming editing room floor. 147 00:08:11,640 --> 00:08:11,840 Speaker 2: Yeah. 148 00:08:11,880 --> 00:08:14,120 Speaker 5: But the but then one of the fun things about 149 00:08:14,120 --> 00:08:15,760 Speaker 5: this film. 150 00:08:15,560 --> 00:08:17,200 Speaker 2: Donald Trump talking to a bunker. 151 00:08:17,360 --> 00:08:17,560 Speaker 6: Yeah. 152 00:08:18,400 --> 00:08:21,640 Speaker 5: Really, it's the girl on the bus not not not 153 00:08:21,640 --> 00:08:23,640 Speaker 5: good and so but maybe if you're a horror fan, 154 00:08:23,720 --> 00:08:26,200 Speaker 5: you like because demons are pretty, you know, freaking decky. 155 00:08:27,080 --> 00:08:29,600 Speaker 5: You know, maybe you get down with it. Remember Caros 156 00:08:29,600 --> 00:08:31,960 Speaker 5: in the first you remember the great TV show Fraser 157 00:08:32,920 --> 00:08:38,199 Speaker 5: so Nile the brother David Hype is in this film. 158 00:08:38,240 --> 00:08:40,920 Speaker 5: He plays like an actual Catholic priest who is on 159 00:08:41,000 --> 00:08:44,280 Speaker 5: set as a consultant. He is actually awesome. That's a 160 00:08:44,320 --> 00:08:48,880 Speaker 5: fun piece, fun piece right there. And so he gets 161 00:08:48,920 --> 00:08:51,720 Speaker 5: tasked with trying to save Russell Crowe's character from the demon. 162 00:08:52,200 --> 00:08:53,720 Speaker 2: And that's from that line. 163 00:08:53,760 --> 00:08:56,400 Speaker 5: Well, is there any music from thirty odd foot of 164 00:08:56,440 --> 00:09:01,080 Speaker 5: Grunts that banned? Just to tell you how bad that 165 00:09:01,120 --> 00:09:02,760 Speaker 5: one line was. I would have rather listened to the 166 00:09:02,840 --> 00:09:06,160 Speaker 5: latest thirty on full of grum album that is indeed 167 00:09:06,160 --> 00:09:09,560 Speaker 5: saying something so yeah, so yeah, just didn'tquite it there. 168 00:09:09,840 --> 00:09:11,840 Speaker 2: Well, how many go Ruscos? 169 00:09:11,960 --> 00:09:12,280 Speaker 7: Are you? 170 00:09:13,640 --> 00:09:14,360 Speaker 2: Are you giving it? 171 00:09:14,679 --> 00:09:14,880 Speaker 8: You know? 172 00:09:14,960 --> 00:09:16,559 Speaker 5: You know, I'm only going to give it to two 173 00:09:16,920 --> 00:09:18,840 Speaker 5: two idea? 174 00:09:18,920 --> 00:09:20,640 Speaker 2: All right, thank you bad. 175 00:09:21,320 --> 00:09:23,000 Speaker 5: Talk to you next week about the next Russell crow 176 00:09:23,000 --> 00:09:24,000 Speaker 5: Excism movie. 177 00:09:24,200 --> 00:09:28,079 Speaker 2: Max Fondo will be rolling in his grave. Thanks see you, guys. 178 00:09:28,280 --> 00:09:32,079 Speaker 1: Let me tell you a story One time Cleary releases 179 00:09:32,280 --> 00:09:38,439 Speaker 1: the story behind the song danger Zone needs very little introduction, 180 00:09:39,360 --> 00:09:42,920 Speaker 1: recorded by American singer songwriter Kenny Loggins in nineteen eighty six, 181 00:09:42,960 --> 00:09:46,400 Speaker 1: with music composed by Georgie Moroder and lyrics written by 182 00:09:46,520 --> 00:09:47,360 Speaker 1: Tom Whitlock. 183 00:09:47,559 --> 00:09:51,319 Speaker 3: It was of course a huge hit from the soundtrack 184 00:09:51,400 --> 00:09:54,120 Speaker 3: to the nineteen eighty six film Top Gun. It was 185 00:09:54,160 --> 00:09:56,839 Speaker 3: the best selling soundtrack of nineteen eighty six and one 186 00:09:56,880 --> 00:09:58,640 Speaker 3: of the best selling of all time. As a matter 187 00:09:58,640 --> 00:10:01,440 Speaker 3: of fact, according to all music dot com, the album 188 00:10:01,480 --> 00:10:05,760 Speaker 3: remains a quintessential artifact of the mid eighties. That's a 189 00:10:05,800 --> 00:10:09,280 Speaker 3: love the way they put that, quinter central artifact of 190 00:10:09,280 --> 00:10:13,000 Speaker 3: the mid eighties. The song is also featured in the 191 00:10:13,000 --> 00:10:17,280 Speaker 3: twenty twenty two sequel Top Gun Maverick and its soundtrack, 192 00:10:17,720 --> 00:10:21,560 Speaker 3: using the same original recording. We never we never did 193 00:10:21,559 --> 00:10:22,800 Speaker 3: a skyworks without it. 194 00:10:22,960 --> 00:10:25,600 Speaker 4: I know, incredible, wasn't it. Yeah, well out there in 195 00:10:25,600 --> 00:10:27,079 Speaker 4: the dangers that everyone would look up. 196 00:10:27,160 --> 00:10:30,320 Speaker 2: So let's get to the story behind the song. 197 00:10:30,360 --> 00:10:31,920 Speaker 4: Soltenly and there was a song Lesse that was knocked 198 00:10:31,920 --> 00:10:34,440 Speaker 4: back by several people. It was originally offered to Jefferson 199 00:10:34,480 --> 00:10:38,440 Speaker 4: Starship and oh really busy deep in the danger side. 200 00:10:39,640 --> 00:10:44,240 Speaker 4: Canadian Corey Hart knocked it back as well. His future 201 00:10:44,240 --> 00:10:46,520 Speaker 4: was so bright he didn't need danger Side. Even Kevin 202 00:10:46,600 --> 00:10:49,040 Speaker 4: Cronan for Mario Speedwagon said it's a bit high for 203 00:10:49,080 --> 00:10:51,600 Speaker 4: my range, and they had a pretty high voice himself. 204 00:10:52,240 --> 00:10:54,839 Speaker 2: So Kenny, he's Kenny Loggins saying they didn't like it. Yeah, 205 00:10:54,840 --> 00:10:55,240 Speaker 2: that's right. 206 00:10:55,280 --> 00:10:58,720 Speaker 4: So Kenny Loggins, he's this is him talking about getting 207 00:10:58,760 --> 00:11:01,080 Speaker 4: the gig after he'd had that success in a number one. 208 00:11:01,559 --> 00:11:04,160 Speaker 2: Of course, with footloots from another movie soundtrack. 209 00:11:03,960 --> 00:11:07,080 Speaker 9: They did what's called a Cattle Call. That was a 210 00:11:07,080 --> 00:11:11,080 Speaker 9: Bruckheimer Simpson movie, and they had every pop act in 211 00:11:11,160 --> 00:11:13,920 Speaker 9: the business was coming to see a screening of Tom 212 00:11:14,040 --> 00:11:19,280 Speaker 9: Cruise's new movie. This was like his second movie, Risky 213 00:11:19,320 --> 00:11:22,800 Speaker 9: Business was the breakthrough, right, and so everybody knew that 214 00:11:22,880 --> 00:11:25,040 Speaker 9: Cruise was going to take off. So they had a 215 00:11:25,080 --> 00:11:29,560 Speaker 9: powerful opportunity to get the biggest AACS. So I went 216 00:11:29,679 --> 00:11:34,160 Speaker 9: with my writing partner and we saw the movie and 217 00:11:34,240 --> 00:11:37,640 Speaker 9: I said, let's not compete with those opening credits. Let's 218 00:11:37,640 --> 00:11:40,080 Speaker 9: write for the volleyball scene. Nobody's going to write for that, 219 00:11:40,679 --> 00:11:42,120 Speaker 9: so we'll get a song in the movie. 220 00:11:42,280 --> 00:11:42,800 Speaker 2: So we did. 221 00:11:42,840 --> 00:11:45,960 Speaker 9: We wrote a song called Playing with the Boys, and 222 00:11:46,200 --> 00:11:48,319 Speaker 9: I was in the studio recording Playing with the Boys 223 00:11:48,320 --> 00:11:49,000 Speaker 9: when I got. 224 00:11:48,800 --> 00:11:50,240 Speaker 2: A call from Georgio. 225 00:11:49,920 --> 00:11:54,360 Speaker 9: Moroder, who had written the bulk of danger Zone and 226 00:11:54,840 --> 00:11:57,439 Speaker 9: quite a few of the songs in Top Gun, and 227 00:11:57,600 --> 00:12:00,800 Speaker 9: he said, I've got a I've got to put a 228 00:12:00,880 --> 00:12:04,000 Speaker 9: voice on this song, and the band I had, the 229 00:12:04,040 --> 00:12:06,520 Speaker 9: lawyers killed the deal, so I have no singer for 230 00:12:06,600 --> 00:12:07,040 Speaker 9: this song. 231 00:12:07,280 --> 00:12:10,200 Speaker 2: So he has danger Zone now, but he needs a singer. 232 00:12:10,240 --> 00:12:13,000 Speaker 9: He needs a singer and it wasn't supposed to be me. 233 00:12:13,080 --> 00:12:16,000 Speaker 9: It was supposed to be Jefferson Starship, but they got 234 00:12:16,000 --> 00:12:17,920 Speaker 9: pulled out of the project, so. 235 00:12:20,360 --> 00:12:20,760 Speaker 5: He knew. 236 00:12:20,800 --> 00:12:23,559 Speaker 9: I was in the studio down the street. So this 237 00:12:23,640 --> 00:12:25,520 Speaker 9: is how it works, right, you think this is like 238 00:12:25,600 --> 00:12:30,679 Speaker 9: somebody thought about this. I'm in the studio and he says, 239 00:12:31,679 --> 00:12:33,040 Speaker 9: do you want to sing my signs? 240 00:12:33,120 --> 00:12:33,280 Speaker 7: Well? 241 00:12:33,360 --> 00:12:34,120 Speaker 2: Is it up tempo? 242 00:12:34,480 --> 00:12:37,640 Speaker 9: Because I've been writing nothing but ballads and I need 243 00:12:37,640 --> 00:12:40,240 Speaker 9: something up tempo. He says, yeah, rock, So okay, I'll 244 00:12:40,240 --> 00:12:40,760 Speaker 9: be right there. 245 00:12:41,200 --> 00:12:43,480 Speaker 2: You have the business books. Isn't it pretty furtureous? 246 00:12:43,600 --> 00:12:46,920 Speaker 3: Because I imagine being the person behind a song that 247 00:12:47,440 --> 00:12:51,079 Speaker 3: now is pretty much associated with any time you see 248 00:12:51,120 --> 00:12:53,560 Speaker 3: a plane going for truth, you know, sometimes the ref 249 00:12:53,600 --> 00:12:55,880 Speaker 3: guys are doing stuff and they go over your house 250 00:12:56,200 --> 00:12:57,800 Speaker 3: and as soon as they go over my house, I 251 00:12:57,960 --> 00:12:59,640 Speaker 3: hear dangers my hat. 252 00:13:00,040 --> 00:13:03,079 Speaker 4: Yeah, yeah, it comes to mind. And Kenny was being 253 00:13:03,080 --> 00:13:04,760 Speaker 4: honest there, and a lot of his stuff had been 254 00:13:04,920 --> 00:13:06,320 Speaker 4: you know, with Logans and the scene or had been 255 00:13:06,320 --> 00:13:08,599 Speaker 4: feeling mellow. Foot Looks was a little bit different, and 256 00:13:08,679 --> 00:13:10,440 Speaker 4: probably his last thing before that was a hit code 257 00:13:10,480 --> 00:13:13,480 Speaker 4: on all right, But this is him talking Kenny Logans again, 258 00:13:13,559 --> 00:13:16,480 Speaker 4: talking about his inspiration behind the vocal style, and at 259 00:13:16,520 --> 00:13:18,600 Speaker 4: first he wasn't impressed with the song itself. 260 00:13:18,640 --> 00:13:21,040 Speaker 9: Well, when I initially heard the song, I did have 261 00:13:21,120 --> 00:13:24,680 Speaker 9: some reservations about it, and I sat with Tom, the 262 00:13:24,760 --> 00:13:30,000 Speaker 9: co writer with Georgio, and I added some chord substitutions 263 00:13:30,080 --> 00:13:33,480 Speaker 9: and changes in the bridge because to me, it was 264 00:13:34,040 --> 00:13:36,200 Speaker 9: the same thing over and over and over again, and 265 00:13:36,280 --> 00:13:38,199 Speaker 9: so I wanted to just mix it up, make it 266 00:13:38,200 --> 00:13:40,839 Speaker 9: a little more interesting. And so I messed with it, 267 00:13:40,880 --> 00:13:43,560 Speaker 9: and then I really liked it, and it gave me 268 00:13:43,600 --> 00:13:46,760 Speaker 9: an opportunity to use a voice that I hadn't used, 269 00:13:46,800 --> 00:13:50,280 Speaker 9: you know, that my own material had been softer. The 270 00:13:50,320 --> 00:13:54,200 Speaker 9: most rocking thing I'd done was Footloose. During a period 271 00:13:54,280 --> 00:13:56,600 Speaker 9: of when I got a call from Georgio and then 272 00:13:56,640 --> 00:13:59,760 Speaker 9: I went into a studio I was deep into the 273 00:13:59,800 --> 00:14:04,000 Speaker 9: Tea A Turner Private Dancer album, and so I sort 274 00:14:04,040 --> 00:14:07,400 Speaker 9: of imitated her in the where I was putting my 275 00:14:07,480 --> 00:14:12,400 Speaker 9: voice and enunciations of the things dangers aum that kind 276 00:14:12,400 --> 00:14:14,959 Speaker 9: of thing was very much her R and B interpretation 277 00:14:15,080 --> 00:14:17,199 Speaker 9: of her version of rock and roll. So I just 278 00:14:17,280 --> 00:14:18,920 Speaker 9: took that and took it another place. 279 00:14:19,360 --> 00:14:23,600 Speaker 4: Tina, amazing, further inspirational. But I think that's a great story. 280 00:14:23,600 --> 00:14:26,560 Speaker 4: I love it, and she inspired that one. Yeah, well 281 00:14:26,560 --> 00:14:27,840 Speaker 4: we're up. There were the best of the best this 282 00:14:27,920 --> 00:14:28,760 Speaker 4: morning from the eighties. 283 00:14:28,920 --> 00:14:32,080 Speaker 2: Loved that. That was today's story behind the song can 284 00:14:32,120 --> 00:14:33,040 Speaker 2: You Be My Wing? One? 285 00:14:33,520 --> 00:14:40,280 Speaker 1: More Crazy More Lisa, More podcasts, Lise. 286 00:14:40,400 --> 00:14:43,280 Speaker 4: If you're a person who designs in life, they're going 287 00:14:43,320 --> 00:14:47,040 Speaker 4: to play practical jokes on people. Part of the deal, 288 00:14:47,080 --> 00:14:49,160 Speaker 4: of course, is to be good about accepting the fact 289 00:14:49,160 --> 00:14:52,040 Speaker 4: that someone will pay you back or at least get revenge. 290 00:14:52,080 --> 00:14:56,840 Speaker 3: Oh, you shouldn't go down that road unless you're willing to. 291 00:14:57,680 --> 00:15:02,320 Speaker 4: Got to copy it, Yeah, and you've got to do 292 00:15:02,360 --> 00:15:05,000 Speaker 4: it in good humor because you've got plenty of laughs. 293 00:15:05,000 --> 00:15:06,600 Speaker 4: And I've put plenty of things in your handbag. 294 00:15:07,160 --> 00:15:10,120 Speaker 2: Yes you have, yes, And every now and then someone 295 00:15:10,120 --> 00:15:11,160 Speaker 2: gets revenge and I blame you. 296 00:15:11,320 --> 00:15:14,960 Speaker 3: Don't need lollipops. No, the next three years. 297 00:15:16,560 --> 00:15:16,840 Speaker 2: Isn't it? 298 00:15:17,840 --> 00:15:19,920 Speaker 4: How many times I've blamed you When someone's going back 299 00:15:19,920 --> 00:15:23,360 Speaker 4: it's normally Greg, Greg, you're not really you don't really 300 00:15:23,360 --> 00:15:28,320 Speaker 4: do that very often. Our day and enormous doctor Chris 301 00:15:28,560 --> 00:15:29,040 Speaker 4: cut out. 302 00:15:29,760 --> 00:15:33,480 Speaker 3: Oh you know those big cardboard cutouts was atop my 303 00:15:33,600 --> 00:15:35,600 Speaker 3: roof when I went down to my car. 304 00:15:37,160 --> 00:15:40,440 Speaker 4: That's funny. Some people go too far and completely cover 305 00:15:40,520 --> 00:15:42,560 Speaker 4: your carroen plastic or something. 306 00:15:43,000 --> 00:15:45,120 Speaker 2: That's not necessary. That's not funny. It's going to be funny. 307 00:15:45,200 --> 00:15:45,400 Speaker 10: Yeah. 308 00:15:45,480 --> 00:15:48,400 Speaker 4: So yesterday I go to the toilet, simple act of 309 00:15:48,400 --> 00:15:50,840 Speaker 4: going to the toilet. I'm standing at the urinal and 310 00:15:51,160 --> 00:15:52,080 Speaker 4: the lights go out. 311 00:15:53,640 --> 00:15:54,040 Speaker 8: All right. 312 00:15:54,400 --> 00:15:56,640 Speaker 2: My first thought is did I just die? No? No, 313 00:15:56,760 --> 00:15:57,600 Speaker 2: I'm still urinating. 314 00:15:57,640 --> 00:15:57,920 Speaker 11: All good. 315 00:15:58,680 --> 00:16:00,480 Speaker 4: My second thought is, well, the power and go out 316 00:16:00,480 --> 00:16:02,440 Speaker 4: here very often, so some idiot has turned those switch 317 00:16:02,440 --> 00:16:05,320 Speaker 4: off and walk walked away. It happened to be, said 318 00:16:05,320 --> 00:16:09,120 Speaker 4: producer Greg Sparty. Fans out there he turned the lights 319 00:16:09,120 --> 00:16:10,840 Speaker 4: off and giggling all these play in Yes. 320 00:16:11,600 --> 00:16:14,600 Speaker 2: Greg, However, because one is using the urinal, didn't have 321 00:16:14,640 --> 00:16:16,120 Speaker 2: a urinal space, so he had to go to another 322 00:16:16,160 --> 00:16:19,040 Speaker 2: part of the gents. I don't want to know what 323 00:16:19,080 --> 00:16:21,840 Speaker 2: goes on it. In other words, behind her closed door. Okay, okay, 324 00:16:21,920 --> 00:16:23,160 Speaker 2: so we're laughing about it. 325 00:16:23,240 --> 00:16:24,880 Speaker 4: No, I look good humor. He said, I did that 326 00:16:24,880 --> 00:16:27,400 Speaker 4: to the boss once and he wasn't happy. Really funny, 327 00:16:27,440 --> 00:16:29,120 Speaker 4: I said, Okay, wait did he jump? 328 00:16:29,280 --> 00:16:31,360 Speaker 2: Yeah? I think well, I think the boss was doing I. 329 00:16:31,360 --> 00:16:33,280 Speaker 3: Can't imagine the boss using the urinal. I would have 330 00:16:33,320 --> 00:16:34,960 Speaker 3: known he always went behind closed doors. 331 00:16:35,000 --> 00:16:37,360 Speaker 4: The boss was su seated at the time and was 332 00:16:37,520 --> 00:16:39,200 Speaker 4: not happy about the brank being played. 333 00:16:39,320 --> 00:16:41,600 Speaker 2: I help it along. However, after we had. 334 00:16:41,560 --> 00:16:44,120 Speaker 4: A little laugh and I washed my hands, I thought, actually, 335 00:16:44,160 --> 00:16:47,000 Speaker 4: he set himself up here because he's trapped behind the door. 336 00:16:47,200 --> 00:16:48,720 Speaker 4: So on my way out, I turned the light off. 337 00:16:50,200 --> 00:16:52,560 Speaker 4: I think it was a squeal for a moment. However, 338 00:16:52,800 --> 00:16:54,720 Speaker 4: unlike what Greg did, I left the light off for 339 00:16:54,760 --> 00:16:56,200 Speaker 4: a little bit longer and just let my hand on 340 00:16:56,200 --> 00:16:58,760 Speaker 4: the switch, waiting for another noise. There was no other noise, 341 00:16:58,800 --> 00:17:02,160 Speaker 4: but twenty seconds or so. It's awkward amount of time. 342 00:17:02,400 --> 00:17:04,400 Speaker 4: So that's the thing. You have to accept the payback 343 00:17:05,040 --> 00:17:06,240 Speaker 4: when you were practical joke. 344 00:17:06,359 --> 00:17:09,280 Speaker 2: You guys are hilarious. Oh how come we don't have 345 00:17:09,280 --> 00:17:11,639 Speaker 2: this much fun in the toilet, Susie, Well you can 346 00:17:11,720 --> 00:17:13,959 Speaker 2: do that can be range. You know, we get in there, 347 00:17:14,000 --> 00:17:15,160 Speaker 2: we do, it's got to be done. We're out. 348 00:17:15,240 --> 00:17:17,920 Speaker 4: Yep, small things, have you small minds, and we're both 349 00:17:17,920 --> 00:17:20,280 Speaker 4: as smaller minded as each other. But I thought today 350 00:17:20,280 --> 00:17:22,679 Speaker 4: we'd open up the phones to the practical joke that 351 00:17:22,760 --> 00:17:25,400 Speaker 4: you tried to play the backfired on you. How about 352 00:17:25,400 --> 00:17:27,440 Speaker 4: the guy that we know that faked the lotto numbers 353 00:17:27,440 --> 00:17:27,720 Speaker 4: for his. 354 00:17:27,720 --> 00:17:32,680 Speaker 2: Wife, right, that was cruel, Josh. And then I was 355 00:17:32,720 --> 00:17:36,080 Speaker 2: going to say something else him. 356 00:17:37,680 --> 00:17:41,680 Speaker 4: Anyway, not because of that. 357 00:17:41,680 --> 00:17:43,560 Speaker 2: That was so wasn't that cruel? 358 00:17:43,720 --> 00:17:48,080 Speaker 3: He was a real elaborate scam to the ticket is 359 00:17:48,280 --> 00:17:51,359 Speaker 3: very handy with you know, a printer, and he made 360 00:17:51,359 --> 00:17:53,879 Speaker 3: the ticket look like it was, you know, for that week, 361 00:17:54,000 --> 00:17:56,040 Speaker 3: and she's gone through and she's thought she's one. 362 00:17:56,119 --> 00:17:58,080 Speaker 2: He didn't tell her until the next day. 363 00:17:58,480 --> 00:18:01,480 Speaker 4: He's played the video of the recorded thing and gone 364 00:18:01,480 --> 00:18:03,199 Speaker 4: out and bought it. I think he's going bought a 365 00:18:03,200 --> 00:18:07,480 Speaker 4: ticket and structured and so I had the numbers. So 366 00:18:07,520 --> 00:18:10,760 Speaker 4: she's watching a lotto ticking it off gone one millions? 367 00:18:12,240 --> 00:18:13,680 Speaker 2: So long do you know how long you let it 368 00:18:13,760 --> 00:18:13,879 Speaker 2: go for? 369 00:18:14,040 --> 00:18:16,359 Speaker 4: Until the next day, I was an Then that's cruel, 370 00:18:16,480 --> 00:18:19,680 Speaker 4: My god, that's cruel. That's the reasons for trouble. Then 371 00:18:19,680 --> 00:18:22,920 Speaker 4: there was that there was more trouble in the earliest. 372 00:18:22,600 --> 00:18:27,040 Speaker 3: Tell us when a prank backfired. Yeah, John in Singleton, good. 373 00:18:26,840 --> 00:18:29,920 Speaker 2: Morning, Good morning, How are you good? Tell us about 374 00:18:29,960 --> 00:18:30,399 Speaker 2: your prank? 375 00:18:30,600 --> 00:18:34,679 Speaker 11: Okay, well, I'm working in an industrial scenario, working in 376 00:18:34,720 --> 00:18:37,719 Speaker 11: the same room. My colleague always knows that I have 377 00:18:38,400 --> 00:18:41,320 Speaker 11: veggie stix and salads for lunch. So when I had 378 00:18:41,320 --> 00:18:43,800 Speaker 11: my morning tea with my six and it was like 379 00:18:43,840 --> 00:18:46,760 Speaker 11: carrot capsican, et cetera, and I was like. 380 00:18:46,680 --> 00:18:48,919 Speaker 8: Oh, this is really hot. What's going on with that? 381 00:18:49,080 --> 00:18:52,159 Speaker 11: You know sometimes capsican has that inner little capsican in 382 00:18:52,240 --> 00:18:54,439 Speaker 11: that yeah, And I thought, oh, maybe it was that. 383 00:18:55,119 --> 00:18:57,520 Speaker 11: I didn't think anything just I mean, yeah, I couldn't 384 00:18:57,520 --> 00:18:58,919 Speaker 11: eat it, so I put that in the bin. And 385 00:18:59,000 --> 00:19:01,399 Speaker 11: when I just found something helps Anyway, I went to 386 00:19:01,400 --> 00:19:03,280 Speaker 11: have my lunch the same sort of thing. I was like, 387 00:19:03,320 --> 00:19:05,240 Speaker 11: what the hell is wrong with my lunch? 388 00:19:05,640 --> 00:19:06,000 Speaker 8: Anyway? 389 00:19:06,000 --> 00:19:07,960 Speaker 11: I looked up and I can see my colleague across 390 00:19:08,000 --> 00:19:11,680 Speaker 11: the way just smirking at me. And because we're always 391 00:19:11,680 --> 00:19:13,960 Speaker 11: paying practical jokes, and I said, what the hell have 392 00:19:14,080 --> 00:19:16,080 Speaker 11: you done itself? May have just put a bit of 393 00:19:16,080 --> 00:19:19,960 Speaker 11: a chili in there, and I was like, you bug us. Anyway, 394 00:19:20,000 --> 00:19:22,840 Speaker 11: he'd already gone pre went to the canteen and bought 395 00:19:22,840 --> 00:19:25,600 Speaker 11: me another salad than a snack to replace because he 396 00:19:25,680 --> 00:19:29,040 Speaker 11: knew that I'm bitch thlawing it out. Anyway, he went 397 00:19:29,080 --> 00:19:31,720 Speaker 11: back onto Sigh and he always leaves his lunch bag open, 398 00:19:31,680 --> 00:19:35,280 Speaker 11: and I was like, rite, payback. So then I went 399 00:19:35,680 --> 00:19:38,719 Speaker 11: to his lunch box, found the chilies that he was 400 00:19:39,080 --> 00:19:43,640 Speaker 11: he put in my salad and I rimmed his cup, fork, spoon. 401 00:19:45,280 --> 00:19:49,400 Speaker 2: Anything now, yes. 402 00:19:49,520 --> 00:19:51,720 Speaker 11: So then anyway, he came back and being you know, 403 00:19:51,920 --> 00:19:54,679 Speaker 11: being on signs fork just like wipes her on his 404 00:19:54,800 --> 00:19:58,479 Speaker 11: panses in to getting lunch, and he just looked at 405 00:19:58,520 --> 00:19:59,880 Speaker 11: me and I was like, hey. 406 00:19:59,760 --> 00:19:59,840 Speaker 7: B. 407 00:20:02,320 --> 00:20:04,919 Speaker 2: The very definition to be careful what you wish for. 408 00:20:07,400 --> 00:20:11,320 Speaker 11: One of those really hot chilies too, So yeah, that's 409 00:20:11,480 --> 00:20:14,840 Speaker 11: all afternoon. It was tasting chili no matter what he had, 410 00:20:14,920 --> 00:20:17,359 Speaker 11: because it was sort of like confused in the falcon. 411 00:20:19,800 --> 00:20:22,680 Speaker 3: I wonder how often chili features in practical jokes. 412 00:20:25,040 --> 00:20:25,960 Speaker 2: It's a good go to. 413 00:20:26,880 --> 00:20:31,840 Speaker 11: Thanks exactly, probably have that. 414 00:20:31,800 --> 00:20:34,440 Speaker 2: Hot chili war. My first taste of was sabi. 415 00:20:35,280 --> 00:20:37,720 Speaker 3: You came in the form of a whole teaspoonful from 416 00:20:37,720 --> 00:20:39,880 Speaker 3: a friend who said, you've got to try this Japanese mayo. 417 00:20:40,160 --> 00:20:46,520 Speaker 2: No how it yeah, yeah, it's cruel. I had to 418 00:20:46,520 --> 00:20:46,920 Speaker 2: work for you. 419 00:20:48,200 --> 00:20:52,000 Speaker 3: I was I was breathing very free for a long time, 420 00:20:52,119 --> 00:20:52,520 Speaker 3: but you're. 421 00:20:52,400 --> 00:20:55,720 Speaker 2: Going to have to go to tongues of us. Horrible 422 00:20:56,200 --> 00:20:59,840 Speaker 2: it was, it was, It was a lot. I wonder. 423 00:20:59,880 --> 00:21:03,040 Speaker 3: I feel like was harvy person. But you know we're 424 00:21:03,040 --> 00:21:05,920 Speaker 3: talking about pranks. Backfiring, Jane and give you again up Hello. 425 00:21:06,359 --> 00:21:09,640 Speaker 7: Years ago, I moved down from up north to per 426 00:21:10,760 --> 00:21:15,760 Speaker 7: to live, and I worked in a brank branch and 427 00:21:16,119 --> 00:21:20,000 Speaker 7: I started buying all the really expensive stone fruit because 428 00:21:20,040 --> 00:21:23,760 Speaker 7: we never had it up there, and it kept disappearing 429 00:21:23,800 --> 00:21:24,919 Speaker 7: out the fridge at work. 430 00:21:25,440 --> 00:21:26,679 Speaker 8: Someone kept taking it. 431 00:21:26,840 --> 00:21:29,720 Speaker 7: Yes, And I was talking to a friend who was 432 00:21:30,359 --> 00:21:34,480 Speaker 7: studying chemistry and was going to become a pharmacist at UNI, 433 00:21:35,280 --> 00:21:38,720 Speaker 7: and he suggested that I get a diabetic syringe and 434 00:21:38,880 --> 00:21:44,520 Speaker 7: liquid laxative and injected into the stone fruit on the 435 00:21:44,520 --> 00:21:47,040 Speaker 7: belly button part so you couldn't see any jab march 436 00:21:47,520 --> 00:21:50,639 Speaker 7: and put it back in the fridge and wait to 437 00:21:50,680 --> 00:21:52,520 Speaker 7: see who was taking your fruit. 438 00:21:53,960 --> 00:21:55,920 Speaker 2: That'd be off for the rest of the afternoon walking 439 00:21:55,960 --> 00:21:56,439 Speaker 2: past you off. 440 00:21:56,840 --> 00:21:58,840 Speaker 8: Yes, So I did that. 441 00:21:59,040 --> 00:22:01,240 Speaker 7: I injected a few piece of fruit, put them in 442 00:22:01,240 --> 00:22:05,320 Speaker 7: the fridge in the morning, and by late afternoon I 443 00:22:05,400 --> 00:22:08,639 Speaker 7: knew exactly who it was that's been taking my fruit. 444 00:22:09,640 --> 00:22:12,640 Speaker 7: And it turned out to be the actual bank manager 445 00:22:13,480 --> 00:22:19,280 Speaker 7: brand the person that could afford the best fruit. And 446 00:22:19,320 --> 00:22:23,120 Speaker 7: he never ever found out that That's why he had 447 00:22:23,119 --> 00:22:26,600 Speaker 7: to rush home in the afternoon that day. And when 448 00:22:26,600 --> 00:22:31,159 Speaker 7: I was leaving that branch about a year later, I 449 00:22:31,600 --> 00:22:34,960 Speaker 7: happened to tell him why he had this ship that day. 450 00:22:36,280 --> 00:22:41,159 Speaker 7: It's great down Well, he sort of just looked at 451 00:22:41,160 --> 00:22:43,800 Speaker 7: me and he went, oh, okay, And I said, well, 452 00:22:44,320 --> 00:22:46,440 Speaker 7: you let your left and you never touched my fruit 453 00:22:46,520 --> 00:22:46,879 Speaker 7: after you. 454 00:22:46,960 --> 00:22:49,800 Speaker 2: I was going to say, did he cease to pill 455 00:22:49,880 --> 00:22:50,480 Speaker 2: for your fruit? 456 00:22:51,000 --> 00:22:51,880 Speaker 11: He certainly did. 457 00:22:52,320 --> 00:22:56,200 Speaker 2: Well, there you go, But did not try this? No, 458 00:22:56,359 --> 00:23:01,440 Speaker 2: maybe not just in case you don't want to do 459 00:23:01,440 --> 00:23:03,320 Speaker 2: it for the wrong person fires in a way that 460 00:23:03,400 --> 00:23:05,600 Speaker 2: you really don't want to deal with. 461 00:23:06,840 --> 00:23:11,320 Speaker 3: Jess in Mount Hawthorne, Hello, Jess, Hi, what's your prank? 462 00:23:12,080 --> 00:23:12,159 Speaker 7: So? 463 00:23:12,960 --> 00:23:15,399 Speaker 12: I was doing this pregnancy test to roulette with one 464 00:23:15,440 --> 00:23:20,119 Speaker 12: of my friends, and I decided to fake a pregnancy 465 00:23:20,200 --> 00:23:22,920 Speaker 12: test for her to make her think she was pregnant. 466 00:23:24,000 --> 00:23:26,880 Speaker 12: It was pretty elaborate, but then both pregnancy tests came 467 00:23:26,880 --> 00:23:28,920 Speaker 12: out positive and it turned out I was pregnant. 468 00:23:29,040 --> 00:23:33,440 Speaker 2: Oh yeah, it's great. 469 00:23:33,600 --> 00:23:38,040 Speaker 3: I mean, yes, it was great, wasn't it? 470 00:23:36,480 --> 00:23:36,520 Speaker 9: Was? 471 00:23:38,160 --> 00:23:43,119 Speaker 3: It great for everyone with emotions there, It was a 472 00:23:43,160 --> 00:23:44,000 Speaker 3: great outcome. 473 00:23:44,520 --> 00:23:47,280 Speaker 12: She wasn't too happy with my prank, but she was 474 00:23:47,280 --> 00:23:50,520 Speaker 12: grateful that she wasn't pregnant the time. 475 00:23:50,960 --> 00:23:57,880 Speaker 2: She didn't want to be, want to and you are yeah? 476 00:23:58,000 --> 00:23:59,439 Speaker 2: Are you still friends down? Jess? 477 00:24:00,119 --> 00:24:09,120 Speaker 12: We are yeah, yeah, no worry, Thank you. 478 00:24:09,520 --> 00:24:14,679 Speaker 2: Virginia in warn Broo, Hello, good morning. What is story Virginia? 479 00:24:15,040 --> 00:24:17,640 Speaker 10: Well, my brother in law was it for us from 480 00:24:17,720 --> 00:24:21,800 Speaker 10: South Africa and my brother in law and his husband 481 00:24:21,960 --> 00:24:24,399 Speaker 10: or my husband Mike, they both. 482 00:24:24,160 --> 00:24:26,240 Speaker 8: Are very similar in ages. 483 00:24:27,560 --> 00:24:30,959 Speaker 6: And my brother in law needed to have get some 484 00:24:31,080 --> 00:24:34,880 Speaker 6: new prescription glasses, so we took him across to our 485 00:24:35,200 --> 00:24:40,160 Speaker 6: regular Specsavers where they fitted him with a nice frame which. 486 00:24:39,960 --> 00:24:44,200 Speaker 10: Happened to be exactly the same as my husband. But 487 00:24:44,480 --> 00:24:47,560 Speaker 10: we told him that, or actually the optician told him 488 00:24:47,560 --> 00:24:50,440 Speaker 10: when he gets his prescription back, he needs to make 489 00:24:50,480 --> 00:24:53,040 Speaker 10: sure he uses them before he goes back to South 490 00:24:53,080 --> 00:24:58,760 Speaker 10: Africa so that if there's any issues they can rectify them. Yep, 491 00:24:58,920 --> 00:25:02,840 Speaker 10: So mister Artie Pens decided he's you know, there's nothing 492 00:25:02,880 --> 00:25:06,280 Speaker 10: wrong with his they'll be fine. He didn't bother testing them. 493 00:25:06,320 --> 00:25:09,840 Speaker 10: Despite me he's reminding him that you better get them, 494 00:25:10,080 --> 00:25:12,960 Speaker 10: you use them. No, he's saving them for when he 495 00:25:13,000 --> 00:25:17,120 Speaker 10: goes back home. Anyhow, we went out to dinner and 496 00:25:17,200 --> 00:25:21,360 Speaker 10: he decided to take along his new specs and off 497 00:25:21,400 --> 00:25:23,840 Speaker 10: he went to the bathroom and left them on the table. 498 00:25:25,000 --> 00:25:28,240 Speaker 10: So my husband decided to change the glasses around and 499 00:25:28,280 --> 00:25:32,360 Speaker 10: put his down and put you know, put his brother's 500 00:25:32,440 --> 00:25:35,840 Speaker 10: ones on. And when he came back, my husband says 501 00:25:35,840 --> 00:25:38,199 Speaker 10: to him, hey, Keith, can you can you see the 502 00:25:38,280 --> 00:25:40,600 Speaker 10: TV clearly now with your new glasses? 503 00:25:42,240 --> 00:25:45,040 Speaker 8: So he puts them on and he could not see 504 00:25:45,040 --> 00:25:48,720 Speaker 8: a thing. They were so blurred, and he didn't know. 505 00:25:48,640 --> 00:25:52,400 Speaker 6: What to do because all he could think was I'm 506 00:25:52,440 --> 00:25:54,840 Speaker 6: gonna he's. 507 00:25:54,680 --> 00:25:56,920 Speaker 10: Going to be in the dog box with me because 508 00:25:57,560 --> 00:26:01,840 Speaker 10: I've kept telling him to test them and listen, and 509 00:26:01,880 --> 00:26:04,840 Speaker 10: now you cannot see a thing. 510 00:26:05,359 --> 00:26:11,160 Speaker 2: On his face was priceless. So we will never ever 511 00:26:11,240 --> 00:26:12,320 Speaker 2: let him live there. 512 00:26:16,520 --> 00:26:18,200 Speaker 11: So that's going to be the joke. 513 00:26:18,119 --> 00:26:20,040 Speaker 2: To come for I don't know how long. But the 514 00:26:20,119 --> 00:26:21,320 Speaker 2: listen he learned. 515 00:26:21,119 --> 00:26:26,280 Speaker 13: Is he needs to listen all your different trains different, 516 00:26:27,040 --> 00:26:32,600 Speaker 13: Get the black, pray, yeah, yeah, identify, get the gray. 517 00:26:33,960 --> 00:26:37,280 Speaker 3: Virginia, Bye, welcome, have a good day. 518 00:26:38,200 --> 00:26:41,440 Speaker 4: Well you got to listen to someone's telling you over 519 00:26:41,520 --> 00:26:43,600 Speaker 4: and over you do right instructions? 520 00:26:43,600 --> 00:26:47,840 Speaker 3: Absolutely, I mean, is it that hard to put them in? 521 00:26:47,920 --> 00:26:49,560 Speaker 3: How hard is it to put them on and just 522 00:26:49,600 --> 00:26:50,200 Speaker 3: make sure they. 523 00:26:50,160 --> 00:26:52,719 Speaker 2: Were He's waiting for a special occasional, So you do 524 00:26:52,800 --> 00:26:54,400 Speaker 2: that before you leave Specsavers. 525 00:26:54,840 --> 00:26:58,680 Speaker 3: I would have thought to Serena and Billia, Hello, Hi, 526 00:26:58,960 --> 00:27:00,560 Speaker 3: what's your prank story? 527 00:27:00,880 --> 00:27:04,400 Speaker 8: Oh? One that went badly wrong. It was a very 528 00:27:04,440 --> 00:27:07,360 Speaker 8: long time ago. I used to work for an organization, 529 00:27:07,960 --> 00:27:11,040 Speaker 8: a nursing home that looked after children that had cerebral palsy. 530 00:27:11,240 --> 00:27:14,480 Speaker 8: And one week we took these kids on a camp 531 00:27:14,600 --> 00:27:18,880 Speaker 8: down to Fairbridge and the guy and look, he didn't 532 00:27:18,920 --> 00:27:22,640 Speaker 8: do anything to deserve it. It's just me. I thought 533 00:27:22,640 --> 00:27:24,920 Speaker 8: it would be fun. For some strange reason. The guy 534 00:27:24,960 --> 00:27:27,159 Speaker 8: that was in charge, he was like the you know, 535 00:27:27,200 --> 00:27:34,400 Speaker 8: the activities coordinator. I got all the other carers and 536 00:27:34,600 --> 00:27:36,200 Speaker 8: put it in their head that would be really fun 537 00:27:36,880 --> 00:27:39,440 Speaker 8: if we waited till he was fast asleep and stood 538 00:27:39,440 --> 00:27:43,600 Speaker 8: around his bed and we filled up balloons with flower, 539 00:27:44,840 --> 00:27:46,960 Speaker 8: just enough so that when they popped, the flower would 540 00:27:47,000 --> 00:27:49,880 Speaker 8: coat coat our faces, and then stood around his bed 541 00:27:50,040 --> 00:27:53,119 Speaker 8: with shining torches into our faces. Could we spring his mate? 542 00:27:53,560 --> 00:28:04,040 Speaker 2: Hilarious? Yeah, it was bad, Yeah, ideas elaborate. 543 00:28:04,119 --> 00:28:04,280 Speaker 7: Yah. 544 00:28:05,560 --> 00:28:08,439 Speaker 8: We still whispered his name, and then as he wake up, 545 00:28:08,440 --> 00:28:11,320 Speaker 8: the idea would be pop the balloons code our faces have. 546 00:28:11,320 --> 00:28:14,560 Speaker 2: A good laughs, yes, yes. 547 00:28:14,600 --> 00:28:18,120 Speaker 8: But instead what happened once he woke up and when 548 00:28:18,280 --> 00:28:22,040 Speaker 8: all we heard was and then he bolted and we 549 00:28:22,080 --> 00:28:23,919 Speaker 8: didn't see him for the rest of the night. So 550 00:28:23,960 --> 00:28:26,040 Speaker 8: then I didn't sleep because I felt so bad. I 551 00:28:26,080 --> 00:28:28,600 Speaker 8: was looking for him and couldn't find him, and couldn't 552 00:28:28,600 --> 00:28:30,320 Speaker 8: really look too long because I had kids that I 553 00:28:30,359 --> 00:28:33,960 Speaker 8: had to be looking after. And then it got worse 554 00:28:34,000 --> 00:28:37,800 Speaker 8: because the next morning he finally appeared, looking a bit disheveled, 555 00:28:37,800 --> 00:28:41,640 Speaker 8: and he's really fit, really active young guy, and he 556 00:28:41,720 --> 00:28:44,960 Speaker 8: shared with us, well, he said to us that when 557 00:28:44,960 --> 00:28:47,280 Speaker 8: he was a little boy, he's been traumatized by balloons. 558 00:28:47,320 --> 00:28:49,880 Speaker 8: Ever sits a little boy because of this clown that 559 00:28:49,920 --> 00:28:51,960 Speaker 8: popped a balloon in his face at the children's party, 560 00:28:52,680 --> 00:28:54,520 Speaker 8: and so it ended up sleeping in his truck. 561 00:28:54,680 --> 00:29:00,320 Speaker 2: Yes, because you've triggered him. He's back to the house. 562 00:29:01,960 --> 00:29:04,719 Speaker 2: What a shocker. You didn't know that still would have 563 00:29:04,720 --> 00:29:07,680 Speaker 2: been a good, good prank come off would be beauty. 564 00:29:07,760 --> 00:29:10,680 Speaker 3: It would have been anyone but balloon boy. 565 00:29:11,160 --> 00:29:17,640 Speaker 2: It would have been Alo. Never mind about it. 566 00:29:17,600 --> 00:29:22,840 Speaker 4: Now looks since not a wink at night. 567 00:29:24,600 --> 00:29:31,560 Speaker 3: It hasn't been Ado. No worries Joe and Serpentine. 568 00:29:31,680 --> 00:29:34,360 Speaker 14: Morning clear, Lisa. I've gone back years ago when I 569 00:29:34,400 --> 00:29:37,200 Speaker 14: was at school. I went to agricultural school up in Tardan, 570 00:29:37,800 --> 00:29:40,400 Speaker 14: and me and a couple of mates were down at 571 00:29:40,400 --> 00:29:43,440 Speaker 14: the horse stables having a sneaky cigarette away from the brothers, 572 00:29:44,280 --> 00:29:47,920 Speaker 14: and another student come running down one of the brothers coming. 573 00:29:47,920 --> 00:29:50,160 Speaker 14: One of the brothers come and took off around the 574 00:29:50,160 --> 00:29:53,480 Speaker 14: back of the horse stables and ran straight into the 575 00:29:53,560 --> 00:29:58,120 Speaker 14: open septic. Oh yeah, yeah, straight through. They were really 576 00:29:58,160 --> 00:30:01,920 Speaker 14: hard crush and sunk, disappeared into it. 577 00:30:03,560 --> 00:30:05,240 Speaker 2: And around. 578 00:30:06,640 --> 00:30:09,120 Speaker 14: The funniest part was that it took about nearly a 579 00:30:09,160 --> 00:30:12,080 Speaker 14: week for the smell to go away. You could not 580 00:30:12,200 --> 00:30:13,480 Speaker 14: get the bench. 581 00:30:13,200 --> 00:30:15,400 Speaker 2: Off of him. Yeah, so horrible. 582 00:30:16,320 --> 00:30:19,360 Speaker 14: It completely backfired on him. And then we were all 583 00:30:19,400 --> 00:30:20,200 Speaker 14: having a great. 584 00:30:20,040 --> 00:30:21,720 Speaker 2: Laugh because there were no brothers coming. 585 00:30:21,920 --> 00:30:24,840 Speaker 14: No, no, no no. He was just trying to pull 586 00:30:24,880 --> 00:30:27,120 Speaker 14: our legs and get us to put our cigarettes out 587 00:30:27,120 --> 00:30:28,960 Speaker 14: and run and hide, you know what I mean, which 588 00:30:28,960 --> 00:30:34,360 Speaker 14: we did. Of course, you could have heard him when 589 00:30:34,360 --> 00:30:37,360 Speaker 14: he went through the crust, because it was quite funny. 590 00:30:37,520 --> 00:30:39,440 Speaker 4: Could you imagine how much elbow grease he put in 591 00:30:39,480 --> 00:30:41,160 Speaker 4: describing himself and it still didn't go. 592 00:30:43,480 --> 00:30:46,160 Speaker 14: He was in the shower for about an hour, and 593 00:30:46,240 --> 00:30:48,440 Speaker 14: like I said, it still didn't It still didn't come 594 00:30:48,440 --> 00:30:49,760 Speaker 14: out for days and. 595 00:30:49,760 --> 00:30:56,680 Speaker 2: Days followed him around like an entity. Thanks he was 596 00:30:56,680 --> 00:31:03,560 Speaker 2: followed by flies. More clear more Lisa More podcast Soon. 597 00:31:07,440 --> 00:31:14,960 Speaker 4: There's sure report on ninety six a FM. 598 00:31:12,440 --> 00:31:15,920 Speaker 3: There is going to be a season two of Apple 599 00:31:16,000 --> 00:31:21,680 Speaker 3: TV's Hijack, which starred Idris Elba. He's also the executive producer. 600 00:31:22,160 --> 00:31:25,320 Speaker 3: Bafter winner Toby Jones, who was recently in mis Debates 601 00:31:25,400 --> 00:31:28,680 Speaker 3: Versus the Post Office joins Iddress in season two, which 602 00:31:28,720 --> 00:31:32,200 Speaker 3: is actually currently filming in the UK. Season one, which 603 00:31:32,280 --> 00:31:35,360 Speaker 3: was a big rating success, followed a plane hijacking plot. 604 00:31:35,400 --> 00:31:39,000 Speaker 3: Details for season two are being kept firmly under wraps. 605 00:31:40,240 --> 00:31:43,040 Speaker 3: But did I mention it stars in dresselb I've got. 606 00:31:42,840 --> 00:31:44,520 Speaker 2: Two hundred people on this slide. 607 00:31:45,600 --> 00:31:47,920 Speaker 9: If they try something and. 608 00:31:47,880 --> 00:31:50,720 Speaker 2: Then this plane goes down, I don't get into my family. 609 00:31:52,600 --> 00:31:53,720 Speaker 11: Let me make you an offer. 610 00:31:55,840 --> 00:31:59,920 Speaker 2: Do you think I'm pregnant? Fans know ither fa that? 611 00:32:00,560 --> 00:32:02,920 Speaker 2: Do you fancy him a bit? It as Elba? 612 00:32:03,120 --> 00:32:03,360 Speaker 7: Yeah? 613 00:32:03,520 --> 00:32:09,560 Speaker 2: Excuse me? Human? Only human? I know what's up. Seeinger. 614 00:32:09,600 --> 00:32:12,960 Speaker 3: Linda Perry for None Blondes You Know is the subject 615 00:32:12,960 --> 00:32:15,600 Speaker 3: of a new documentary, which just had its premiere at 616 00:32:15,600 --> 00:32:19,520 Speaker 3: the Tribeca Film Festival, called Linda Perry Let It Die Here. 617 00:32:19,720 --> 00:32:22,080 Speaker 3: She reveals a lot about her life, including her battle 618 00:32:22,120 --> 00:32:25,720 Speaker 3: with breast cancer, which she kept to herself until now. 619 00:32:25,880 --> 00:32:28,920 Speaker 3: Because Perry revealed she underwent a double mastectomy in twenty 620 00:32:28,960 --> 00:32:31,600 Speaker 3: twenty one. She says she was in the midst of 621 00:32:31,640 --> 00:32:34,680 Speaker 3: filming the documentary when she got the diagnosis and decided 622 00:32:34,720 --> 00:32:37,440 Speaker 3: to let the cameras keep rolling. I don't know where 623 00:32:37,440 --> 00:32:39,480 Speaker 3: we'll be able to watch this here yet, but I 624 00:32:39,520 --> 00:32:42,959 Speaker 3: expect it's coming to one of the streamers. Okay, remember 625 00:32:42,960 --> 00:32:46,080 Speaker 3: the Blair Witch Project. Yes, I can't believe it was 626 00:32:46,200 --> 00:32:47,440 Speaker 3: nineteen ninety nine. 627 00:32:47,680 --> 00:32:49,480 Speaker 7: Not because of me that we're here now. 628 00:32:51,000 --> 00:33:08,200 Speaker 2: Hungry cold are just followize Mike's mom and Joshu's mom. 629 00:33:01,320 --> 00:33:08,800 Speaker 9: What is that? 630 00:33:08,880 --> 00:33:09,320 Speaker 2: Indeed? 631 00:33:09,640 --> 00:33:14,200 Speaker 3: Game changing stuff sharing the pants office with that shaky 632 00:33:14,360 --> 00:33:17,040 Speaker 3: point of view camera angle and the is it or 633 00:33:17,120 --> 00:33:18,360 Speaker 3: isn't it? A true story? 634 00:33:18,440 --> 00:33:18,800 Speaker 2: Hype? 635 00:33:19,200 --> 00:33:24,200 Speaker 3: Made for thirty five thousand dollars, the independent film was very, 636 00:33:25,040 --> 00:33:28,280 Speaker 3: very profitable, and yet those three kids that made it 637 00:33:28,320 --> 00:33:31,200 Speaker 3: are still waiting for their share all those spoils. Yeah, 638 00:33:31,200 --> 00:33:34,520 Speaker 3: apparently they all got sent a fruit basket. When the 639 00:33:34,560 --> 00:33:37,720 Speaker 3: movie hit the one hundred million dollar market the box office, 640 00:33:37,720 --> 00:33:39,120 Speaker 3: it went on to a mate to make I think 641 00:33:39,160 --> 00:33:40,720 Speaker 3: it was about two hundred and forty eight million. 642 00:33:40,840 --> 00:33:44,200 Speaker 2: Literally, fruit basket. A fruit basket was a good stone 643 00:33:44,240 --> 00:33:44,640 Speaker 2: fruit in. 644 00:33:44,600 --> 00:33:49,720 Speaker 3: That basically they just didn't fully understand the fine print 645 00:33:49,760 --> 00:33:52,560 Speaker 3: clauses in their deal with a giant corporation. I think 646 00:33:52,560 --> 00:33:55,440 Speaker 3: it was Lion's Gate. And they want their they want 647 00:33:55,480 --> 00:33:59,040 Speaker 3: their experience to be a warning to others. Yeah, I 648 00:33:59,120 --> 00:34:04,240 Speaker 3: mean I would imagine that today it probably wouldn't happen. 649 00:34:04,600 --> 00:34:07,960 Speaker 2: Yeah, I would agree. Well it's twenty five years ago. Yeah, yeah, yeah, 650 00:34:08,239 --> 00:34:09,560 Speaker 2: isn't that long happened to so many? 651 00:34:09,840 --> 00:34:13,480 Speaker 4: Yet it is young creative people, musos and filmmakers everything 652 00:34:13,760 --> 00:34:15,879 Speaker 4: fruit basket want to rip off. 653 00:34:16,239 --> 00:34:18,560 Speaker 3: We made you, you know, two hundred and forty eight 654 00:34:18,600 --> 00:34:20,719 Speaker 3: million dollars and we've got a fruit basket. 655 00:34:21,000 --> 00:34:26,080 Speaker 2: That's just insulting, isn't It's ridiculous as scary as some 656 00:34:26,120 --> 00:34:26,600 Speaker 2: of the scenes that 657 00:34:26,680 --> 00:34:29,440 Speaker 3: I would have been leaving little wooden things outside those 658 00:34:29,880 --> 00:34:34,640 Speaker 3: absolutely crazy and Lisa