1 00:00:01,160 --> 00:00:04,920 Speaker 1: Podcasting Will and Woody and Nicola. Wow, what a show 2 00:00:05,000 --> 00:00:07,560 Speaker 1: show We'll never forget. Ten year old Nicholay came in here, 3 00:00:08,560 --> 00:00:11,319 Speaker 1: stole the limelight, stole the mic, stole Kyle Sandland's mike. 4 00:00:11,400 --> 00:00:12,159 Speaker 1: She might she still have that. 5 00:00:12,200 --> 00:00:13,760 Speaker 2: I'm not sure if she got did she steal the 6 00:00:13,800 --> 00:00:14,680 Speaker 2: most risked. 7 00:00:14,400 --> 00:00:16,920 Speaker 1: On the way out the front door there? But if 8 00:00:16,960 --> 00:00:18,040 Speaker 1: I was there, I would have taken it. 9 00:00:18,079 --> 00:00:19,000 Speaker 2: No one's allowed to touch that. 10 00:00:19,440 --> 00:00:21,319 Speaker 1: It was in a safe. She saw the code. She 11 00:00:21,320 --> 00:00:23,439 Speaker 1: told us what the code was, but she might have 12 00:00:23,440 --> 00:00:25,320 Speaker 1: it anyway. Look, she was. She was a star this afternoon. 13 00:00:25,320 --> 00:00:28,240 Speaker 1: Whether she's got the mic or not. She was amazing, guys, 14 00:00:28,280 --> 00:00:29,639 Speaker 1: as good as we ever could have thought she was, 15 00:00:29,720 --> 00:00:32,040 Speaker 1: and proved to us and you guys that well, if 16 00:00:32,040 --> 00:00:34,960 Speaker 1: a ten year old can do our job, anyone probably could. 17 00:00:35,479 --> 00:00:37,800 Speaker 2: Yeah, it's a stark realization for you and I to 18 00:00:37,840 --> 00:00:40,400 Speaker 2: be accepting. But enjoy this show. It might be our 19 00:00:40,479 --> 00:00:42,360 Speaker 2: last one. Who knows, because the bosses might also have 20 00:00:42,400 --> 00:00:45,800 Speaker 2: that realization. But we actually had a pretty good show today. 21 00:00:45,800 --> 00:00:48,239 Speaker 2: Even outside of Nicola. We spoke to Alicia Roddis. Now 22 00:00:48,320 --> 00:00:53,400 Speaker 2: this is wild. She is an intimacy choreographer and coordinator. 23 00:00:53,760 --> 00:00:56,160 Speaker 1: Coordinator. I don't think she's a choreographer. 24 00:00:55,560 --> 00:00:57,280 Speaker 2: But she choreographs. 25 00:00:57,320 --> 00:01:01,160 Speaker 1: Yeah, nice choreographs, and choreographer car Good grabs. 26 00:01:01,200 --> 00:01:04,760 Speaker 2: Sex scenes in movies because obviously that's that's obviously something 27 00:01:04,760 --> 00:01:06,800 Speaker 2: that needs to be done. It's just an intriguing chat 28 00:01:06,800 --> 00:01:07,080 Speaker 2: with her. 29 00:01:07,160 --> 00:01:11,440 Speaker 1: So you enjoy that very good stuff. She was really 30 00:01:11,480 --> 00:01:14,560 Speaker 1: fascinating if you ever watched a sex scene in a 31 00:01:14,560 --> 00:01:17,199 Speaker 1: TV show or a film and tried to figure out 32 00:01:17,240 --> 00:01:20,360 Speaker 1: how they orchestrated that. Yeah, that's a good listen. That's 33 00:01:20,360 --> 00:01:20,760 Speaker 1: first up. 34 00:01:20,800 --> 00:01:21,240 Speaker 2: That's the chat. 35 00:01:21,240 --> 00:01:22,480 Speaker 1: We talk about the fact that Wood he could have 36 00:01:22,480 --> 00:01:26,280 Speaker 1: a girlfriend. Enjoy that. And then Nikola joins us, what's up? 37 00:01:26,319 --> 00:01:28,560 Speaker 1: You're not saying anything there? Move on, but if you 38 00:01:28,560 --> 00:01:30,280 Speaker 1: signed a non disclosure agreement, I've. 39 00:01:30,080 --> 00:01:32,240 Speaker 2: Just signed a non disclosure but it's obviously making me uncomfortable. 40 00:01:32,720 --> 00:01:33,160 Speaker 3: Ah. 41 00:01:33,200 --> 00:01:36,200 Speaker 2: And then after Nicola leaves, I got torched by Nicola 42 00:01:36,240 --> 00:01:38,080 Speaker 2: a little bit. And then you just thought you joined 43 00:01:38,120 --> 00:01:40,520 Speaker 2: the party and torch me about an incident that happened 44 00:01:40,560 --> 00:01:41,560 Speaker 2: with me on the project. 45 00:01:41,560 --> 00:01:42,679 Speaker 1: It's a real snowball effect. 46 00:01:42,680 --> 00:01:44,760 Speaker 2: Once it gets going, you know what, I actually don't 47 00:01:44,800 --> 00:01:45,160 Speaker 2: like this show. 48 00:01:45,240 --> 00:01:51,160 Speaker 1: Enjoy it, guys, cinema. Yeah, actually, sorry, before you go. 49 00:01:53,200 --> 00:01:59,080 Speaker 2: It's our button PUSH's birthday. 50 00:01:59,080 --> 00:02:00,840 Speaker 1: Are you sitting there with this look on your face? 51 00:02:00,880 --> 00:02:02,600 Speaker 1: I was like, what do you want? Charl and you've 52 00:02:03,080 --> 00:02:05,520 Speaker 1: clearly gone and sauced? Is that the Michael? Is that 53 00:02:05,560 --> 00:02:06,320 Speaker 1: the Michael Jackson? 54 00:02:06,720 --> 00:02:08,720 Speaker 2: Stevie Wonder? No, I knew you were going to throw 55 00:02:08,720 --> 00:02:11,680 Speaker 2: the quiz question, but I just couldn't resist. 56 00:02:13,960 --> 00:02:16,079 Speaker 1: You only turned forty five, you know, once in your life. 57 00:02:16,080 --> 00:02:18,760 Speaker 2: Thanks for leaving it in the podcast intro? What's that 58 00:02:19,200 --> 00:02:23,280 Speaker 2: the birthday message where everyone listens? Yeah, people love this bit. 59 00:02:23,360 --> 00:02:28,160 Speaker 1: No one skipping this this it's a good gear anyway. Clue. 60 00:02:28,280 --> 00:02:29,000 Speaker 1: Halfway through the. 61 00:02:28,919 --> 00:02:31,040 Speaker 2: Podcast, noticed a clue. It's actually an answer. 62 00:02:31,120 --> 00:02:32,520 Speaker 1: Yeah, we do that. We do we do both, We 63 00:02:32,560 --> 00:02:35,000 Speaker 1: do both. I tend to tune out, so I see 64 00:02:35,000 --> 00:02:35,640 Speaker 1: it half time. 65 00:02:38,480 --> 00:02:52,040 Speaker 4: Yeah, try my Nikola, she's telling you she's on the 66 00:02:52,760 --> 00:02:54,160 Speaker 4: hell what else. 67 00:03:04,320 --> 00:03:05,680 Speaker 1: Can listen? Listen? 68 00:03:05,880 --> 00:03:06,280 Speaker 5: Listen? 69 00:03:07,080 --> 00:03:08,600 Speaker 1: Shocking idea this woods. 70 00:03:09,200 --> 00:03:11,720 Speaker 2: I actually think this will be our first ever good show. 71 00:03:12,400 --> 00:03:14,440 Speaker 2: I mean, you and me together a sloppy, but we 72 00:03:14,560 --> 00:03:17,560 Speaker 2: finally have Nikola, the ten year old who challenged us 73 00:03:17,600 --> 00:03:19,280 Speaker 2: two weeks ago. Sam, we wouldn't be able to go 74 00:03:19,320 --> 00:03:22,639 Speaker 2: back to school. She won that challenge because we failed dismally. 75 00:03:22,720 --> 00:03:25,000 Speaker 2: She wants to go at our jobs and she joins 76 00:03:25,080 --> 00:03:27,160 Speaker 2: us from five o'clock today. And if you haven't heard 77 00:03:27,200 --> 00:03:29,160 Speaker 2: of Nikola, I mean she is just a treat me 78 00:03:29,160 --> 00:03:32,440 Speaker 2: And have listened to some of this kiar a farm 79 00:03:32,840 --> 00:03:33,440 Speaker 2: I didn't know that. 80 00:03:33,520 --> 00:03:37,320 Speaker 6: I was thinking that we could do like funny farm story. 81 00:03:38,000 --> 00:03:41,480 Speaker 2: Jesus, that's a good pitch. That's we can work with that. 82 00:03:42,040 --> 00:03:43,680 Speaker 2: We can work with that. And did you want to hear. 83 00:03:43,520 --> 00:03:43,880 Speaker 1: More of that? 84 00:03:44,000 --> 00:03:47,640 Speaker 7: Gear at five o'clock five o'clock, she's gonna be live 85 00:03:47,720 --> 00:03:48,240 Speaker 7: in the city. 86 00:03:48,400 --> 00:03:50,200 Speaker 1: You can check out the socials. Get her on the podcast, 87 00:03:50,200 --> 00:03:52,920 Speaker 1: will and what if you miss any of it, We're 88 00:03:52,920 --> 00:03:54,880 Speaker 1: gonna be talking how did you get your nickname? A 89 00:03:54,880 --> 00:03:59,720 Speaker 1: segment which has made a very very enjoyable, comfortable, laugh, 90 00:04:00,120 --> 00:04:04,480 Speaker 1: laugh filled bed to conclude an awful metaphor. There right 91 00:04:04,560 --> 00:04:08,320 Speaker 1: up next though, Alisha Rhoders. She's a Hollywood intimacy coach. 92 00:04:08,360 --> 00:04:10,720 Speaker 1: She literally works with these guys one on ones to 93 00:04:11,040 --> 00:04:14,720 Speaker 1: figure out sex scenes. Yeah, intrigue, wild stuff. Recently on 94 00:04:14,760 --> 00:04:17,640 Speaker 1: show with James Franco and Maggie Gillen Hall. So we're 95 00:04:17,640 --> 00:04:19,800 Speaker 1: going to learn all about that right up next day 96 00:04:19,800 --> 00:04:22,800 Speaker 1: with us kids in cars stick around, but you know 97 00:04:22,839 --> 00:04:25,520 Speaker 1: you might learn something. It's all very sad. If anybody's 98 00:04:25,560 --> 00:04:27,520 Speaker 1: watched a little bit of this show recently, you're going 99 00:04:27,560 --> 00:04:29,200 Speaker 1: to be interested in this. This is the juice. 100 00:04:29,880 --> 00:04:33,920 Speaker 6: There's been a change in the law, something about community standards. 101 00:04:34,200 --> 00:04:38,600 Speaker 3: What about community standards? Apparently New York has not. 102 00:04:39,040 --> 00:04:41,160 Speaker 1: That's Jake, Jillenhall and James Franco doing some of their 103 00:04:41,160 --> 00:04:46,480 Speaker 1: best work on HBO Woods And that's a steamy, steamy show. 104 00:04:47,000 --> 00:04:48,839 Speaker 1: And so we've got one of the most interesting characters 105 00:04:48,880 --> 00:04:50,760 Speaker 1: I reckon we've ever had on this show. Joins us 106 00:04:50,960 --> 00:04:54,120 Speaker 1: right now, particularly when we're talking sex in Hollywood, you 107 00:04:54,240 --> 00:05:00,600 Speaker 1: need what they call an intimacy coordinator. So enter Alisha Rhodis. 108 00:05:00,640 --> 00:05:03,719 Speaker 8: Welcome to Will and what Hey, thanks for having me. 109 00:05:04,520 --> 00:05:08,840 Speaker 2: Hey, Alicia, first question, can you just clarify for us 110 00:05:09,040 --> 00:05:12,120 Speaker 2: what it is that an intimacy coordinator does? 111 00:05:12,600 --> 00:05:19,240 Speaker 8: Yeah, in general, I am there to coordinate hyper exposed scenes, 112 00:05:19,400 --> 00:05:23,719 Speaker 8: be that of nudity or simulated sexts. I work as 113 00:05:23,760 --> 00:05:28,720 Speaker 8: a liaison between actors and production, as a choreographer, and 114 00:05:28,800 --> 00:05:29,640 Speaker 8: as an advocate. 115 00:05:29,880 --> 00:05:32,720 Speaker 1: Wow. Yeah, it sounds super saucy mate. I can I 116 00:05:32,760 --> 00:05:35,240 Speaker 1: ask just like, first of all, though, how did you 117 00:05:35,279 --> 00:05:37,560 Speaker 1: get into this? Because we've done a little bit of 118 00:05:37,560 --> 00:05:41,599 Speaker 1: background work obviously on you. You apparently did an on 119 00:05:41,680 --> 00:05:44,640 Speaker 1: stage kiss at the age of fifteen. We're going back 120 00:05:44,640 --> 00:05:49,799 Speaker 1: through your intimacy catalog here and quote faked and orgasm 121 00:05:50,320 --> 00:05:52,640 Speaker 1: at aged eighteen, So you had that feather in your 122 00:05:52,680 --> 00:05:54,360 Speaker 1: cap at that age? Can you? 123 00:05:55,000 --> 00:05:55,320 Speaker 9: Is this? 124 00:05:56,520 --> 00:05:56,640 Speaker 10: Like? 125 00:05:56,720 --> 00:05:58,719 Speaker 1: How do they know? Do they sort of sit you 126 00:05:58,760 --> 00:06:01,480 Speaker 1: down and they or audition you for to be an 127 00:06:01,480 --> 00:06:05,080 Speaker 1: intimacy coordinator? Or I mean, did somebody hook up with 128 00:06:05,120 --> 00:06:06,880 Speaker 1: you and then they're like, oh, no, she she she 129 00:06:06,960 --> 00:06:08,920 Speaker 1: really directed me last night. She knows what she's doing. 130 00:06:08,960 --> 00:06:11,159 Speaker 1: I mean, how did you how did you get to 131 00:06:11,200 --> 00:06:13,040 Speaker 1: that to this position? 132 00:06:14,920 --> 00:06:18,600 Speaker 8: Yeah, that's a great question. So, so first of all, 133 00:06:20,680 --> 00:06:23,360 Speaker 8: my background is, you know, I came up as an 134 00:06:23,400 --> 00:06:27,560 Speaker 8: actor and as a performer. You know, from the time 135 00:06:27,600 --> 00:06:30,960 Speaker 8: I was around like fifteen sixteen, I was often cast 136 00:06:31,120 --> 00:06:40,040 Speaker 8: as the slutty best friend character. Wow, that was often 137 00:06:40,080 --> 00:06:42,240 Speaker 8: what I was what I was cast as. You know, 138 00:06:42,560 --> 00:06:45,000 Speaker 8: we had different types that people get cast in, and 139 00:06:45,120 --> 00:06:47,479 Speaker 8: that's what I had and where and some of them 140 00:06:47,720 --> 00:06:51,000 Speaker 8: had a really good experience, and some of them I 141 00:06:51,040 --> 00:06:53,120 Speaker 8: didn't have a great experience, And a lot of it 142 00:06:53,240 --> 00:06:58,640 Speaker 8: was silence around it. There was no conversation around what 143 00:06:58,880 --> 00:07:01,680 Speaker 8: exactly we were going to be doing, what the boundaries were. 144 00:07:01,960 --> 00:07:03,599 Speaker 1: So you'd rock up on a set, you know that 145 00:07:03,640 --> 00:07:06,479 Speaker 1: you're doing a sex saying, but no one's briefing you 146 00:07:06,720 --> 00:07:09,960 Speaker 1: as to what the parameters around the sex scene. Now 147 00:07:10,000 --> 00:07:11,480 Speaker 1: you don't know what the boundaries are, you don't know 148 00:07:11,520 --> 00:07:14,080 Speaker 1: what the sife woulds You just kind of like get 149 00:07:14,080 --> 00:07:16,480 Speaker 1: in there and just give it a go with someone 150 00:07:16,800 --> 00:07:18,800 Speaker 1: I assume that you'd never really meant before. 151 00:07:18,960 --> 00:07:22,960 Speaker 8: Right right, and you know there's there. It's really uncomfortable 152 00:07:23,080 --> 00:07:26,120 Speaker 8: for even the director or whoever it was that was 153 00:07:26,120 --> 00:07:28,680 Speaker 8: putting together the scene to really talk about it, because 154 00:07:28,960 --> 00:07:30,800 Speaker 8: you know, they're in a position where they don't want 155 00:07:30,800 --> 00:07:34,880 Speaker 8: to be asking you to be bringing your actual sexuality. 156 00:07:34,960 --> 00:07:37,280 Speaker 8: They want you to be bringing the sexuality of the 157 00:07:37,360 --> 00:07:40,440 Speaker 8: character versus you, And you know, there's a lot of 158 00:07:40,480 --> 00:07:44,560 Speaker 8: shame around even talking about sex, So asking someone to 159 00:07:45,520 --> 00:07:48,440 Speaker 8: perform something like that, there just wasn't a lot of 160 00:07:48,480 --> 00:07:53,440 Speaker 8: tools available. I started working in stunts. I was a 161 00:07:53,640 --> 00:07:57,280 Speaker 8: fight director and working in on stage violence and I noticed, 162 00:07:57,680 --> 00:08:00,520 Speaker 8: you know, on stage violence and on camera vice would 163 00:08:00,560 --> 00:08:03,320 Speaker 8: be choreographed to a tea. So we get and then 164 00:08:03,360 --> 00:08:05,760 Speaker 8: I think back to any of the intimate moments that 165 00:08:05,800 --> 00:08:08,760 Speaker 8: I had and I was like, where was someone who 166 00:08:08,960 --> 00:08:09,760 Speaker 8: advocates for me? 167 00:08:09,800 --> 00:08:13,120 Speaker 1: Then chat? Wow, all right, well Alicia stayed with us. 168 00:08:13,200 --> 00:08:15,080 Speaker 1: This is a fascinating chat. We're gonna have more with 169 00:08:15,080 --> 00:08:17,360 Speaker 1: a Lisha Rhodis right up next. But we are having 170 00:08:17,400 --> 00:08:20,560 Speaker 1: a fascinating chat with Alisha Rhodus, who joins us right now. 171 00:08:20,600 --> 00:08:23,280 Speaker 1: She's over in the US, Alicia, welcome back to the show. 172 00:08:23,320 --> 00:08:27,960 Speaker 1: Alisha is an intimacy coordinator over in Hollywood working on 173 00:08:28,000 --> 00:08:30,400 Speaker 1: season two of HBOS The Juice, which is James Franco 174 00:08:30,520 --> 00:08:34,440 Speaker 1: Jake Gyllenhalls. Huge show there, mate, But Maggie gill Maggie Gillen, 175 00:08:35,200 --> 00:08:37,120 Speaker 1: Jake's not around there though you know they're brothers and sisters. 176 00:08:37,160 --> 00:08:38,120 Speaker 1: They might be the same. 177 00:08:38,160 --> 00:08:41,000 Speaker 2: Beyond set is does Jake rock up to set? Alisha? 178 00:08:41,800 --> 00:08:41,920 Speaker 5: Uh? 179 00:08:42,240 --> 00:08:43,280 Speaker 8: Not while I was there? 180 00:08:43,400 --> 00:08:43,600 Speaker 9: Yeah? 181 00:08:43,640 --> 00:08:45,920 Speaker 1: Sure, sure, sure, But you know you didn't have to 182 00:08:45,920 --> 00:08:46,920 Speaker 1: shoot me down there, Alicia. 183 00:08:46,960 --> 00:08:50,360 Speaker 2: You couldn't just run with me. I did a question 184 00:08:50,400 --> 00:08:53,280 Speaker 2: about it, all right. The Juice, though, Alisha So you 185 00:08:53,280 --> 00:08:56,439 Speaker 2: were talking before before the song there about how action 186 00:08:56,640 --> 00:09:00,840 Speaker 2: scenes are so closely choreographed. So the scenes that we're 187 00:09:00,880 --> 00:09:04,480 Speaker 2: seeing now in shows like The Juice, like how much 188 00:09:04,520 --> 00:09:07,640 Speaker 2: of it is choreographed? Like is every single hand movement, 189 00:09:07,720 --> 00:09:11,360 Speaker 2: every every grope for want of a better word, is 190 00:09:11,360 --> 00:09:14,119 Speaker 2: that all choreographs? Are they following like a dance routine? 191 00:09:14,320 --> 00:09:18,040 Speaker 8: You know, it really depends on the situation. There are 192 00:09:19,000 --> 00:09:22,400 Speaker 8: sometimes where an actor or director will want to get, 193 00:09:22,480 --> 00:09:25,280 Speaker 8: you know, down to the nitty gritty specific and then 194 00:09:25,320 --> 00:09:28,440 Speaker 8: there are sometimes that we want to keep certain things open, 195 00:09:28,880 --> 00:09:32,520 Speaker 8: but we always discuss what the boundaries are so that regardless, 196 00:09:32,600 --> 00:09:36,040 Speaker 8: we know it's safe because we find that then one ever, 197 00:09:36,640 --> 00:09:38,760 Speaker 8: no one's getting hurt. And also we find people do 198 00:09:38,840 --> 00:09:41,960 Speaker 8: their best work when they feel safe and feel they 199 00:09:41,960 --> 00:09:43,080 Speaker 8: can get right. 200 00:09:43,240 --> 00:09:46,440 Speaker 1: Because I was gonna ask, like, it's obviously, I mean, 201 00:09:46,480 --> 00:09:50,000 Speaker 1: it's hard to navigate this, but I've had friends that 202 00:09:50,040 --> 00:09:52,600 Speaker 1: have been actors and actresses before and been in very 203 00:09:52,600 --> 00:09:56,440 Speaker 1: steamy scenes, and you know, girls can find it easier 204 00:09:56,480 --> 00:09:59,480 Speaker 1: to hide the fact that they're turned on, but guys, 205 00:10:00,679 --> 00:10:05,760 Speaker 1: there's a presence. How does that work? Is that just 206 00:10:05,840 --> 00:10:09,319 Speaker 1: a chat beforehand between the actors you. 207 00:10:09,280 --> 00:10:11,880 Speaker 8: Know, I'm not gonna lie. We will have a conversation 208 00:10:12,000 --> 00:10:15,360 Speaker 8: about it, uh, you know, because there's you know, this 209 00:10:15,440 --> 00:10:17,920 Speaker 8: can this happens to anyone, regardless of what kind of 210 00:10:18,000 --> 00:10:21,600 Speaker 8: genitals you have about the reaction can occur and someone 211 00:10:21,600 --> 00:10:23,040 Speaker 8: doesn't even have to be turned on. 212 00:10:23,600 --> 00:10:25,560 Speaker 1: Yeah, that's true. 213 00:10:25,559 --> 00:10:29,400 Speaker 8: For someone to have a reaction like yeah, So it's 214 00:10:29,440 --> 00:10:33,160 Speaker 8: more a conversation normalizing it, even having you know, a 215 00:10:33,160 --> 00:10:35,760 Speaker 8: little bit of a laugh around it, but just you know, 216 00:10:35,880 --> 00:10:39,800 Speaker 8: normalizing that it's a it's okay. And if people are 217 00:10:39,840 --> 00:10:42,280 Speaker 8: are up against each other, we make sure that they 218 00:10:42,320 --> 00:10:43,520 Speaker 8: have something between them. 219 00:10:44,120 --> 00:10:48,800 Speaker 1: Yeah, talking like like when you get nixt right and 220 00:10:48,800 --> 00:10:52,679 Speaker 1: you wear one of those like lead whist belts. 221 00:10:52,400 --> 00:10:57,080 Speaker 2: Or how strong is yours, you will need some kiva 222 00:10:57,240 --> 00:11:00,240 Speaker 2: body But most people it's a small pillow, but it's 223 00:11:00,280 --> 00:11:01,560 Speaker 2: a standard plank of wood. 224 00:11:02,520 --> 00:11:04,480 Speaker 5: You do it, will, I will. 225 00:11:04,559 --> 00:11:05,880 Speaker 8: I will take that note down. 226 00:11:08,200 --> 00:11:11,600 Speaker 2: Nothing can hold Bill down. I know, I think we've 227 00:11:11,760 --> 00:11:12,880 Speaker 2: probably got into it enough. 228 00:11:13,160 --> 00:11:16,760 Speaker 1: Final question for you, Elisha, because I know we mentioned 229 00:11:16,800 --> 00:11:20,040 Speaker 1: before Bridget and it's obviously been you know, watched. I 230 00:11:20,040 --> 00:11:24,680 Speaker 1: think it's Netflix's most watched show ever, which is just massive, 231 00:11:24,720 --> 00:11:27,400 Speaker 1: and it's obviously riddled with sex scenes. Do you look 232 00:11:27,440 --> 00:11:28,320 Speaker 1: at it and critique it? 233 00:11:28,760 --> 00:11:31,240 Speaker 8: I mean, I can't help, you know, It's it's when 234 00:11:31,559 --> 00:11:34,800 Speaker 8: you work in a certain faction of the industry you 235 00:11:34,880 --> 00:11:37,839 Speaker 8: can help. But when you see it in movies or 236 00:11:37,920 --> 00:11:41,000 Speaker 8: on TV that of course you're you're thinking, you know, 237 00:11:41,720 --> 00:11:44,080 Speaker 8: my head is trained to the side, and I'm going, oh, oh, 238 00:11:44,240 --> 00:11:46,320 Speaker 8: interesting choice there. I wonder how that went. 239 00:11:48,440 --> 00:11:50,800 Speaker 2: What's your Alicia, what's what's your what's your favorite sex 240 00:11:50,880 --> 00:11:53,920 Speaker 2: scene of all time? Like of all Hollywood films, what's 241 00:11:53,920 --> 00:11:54,199 Speaker 2: the one? 242 00:11:54,240 --> 00:11:54,400 Speaker 6: Way? 243 00:11:54,440 --> 00:11:57,640 Speaker 2: You go, oh, yeah, they nailed the choreography in that one. 244 00:11:58,640 --> 00:12:01,000 Speaker 8: Oh God, you're putting me on the spot here. I 245 00:12:01,040 --> 00:12:03,280 Speaker 8: will say I am a big fan of a lot 246 00:12:03,320 --> 00:12:06,360 Speaker 8: of the bridget In sex scenes. And if I may 247 00:12:06,440 --> 00:12:09,440 Speaker 8: give a shout out to Lizzy Talbot, who was the 248 00:12:09,480 --> 00:12:14,240 Speaker 8: intimacy coordinator, My good friend Lizzy Talbot, tip of the 249 00:12:14,280 --> 00:12:19,000 Speaker 8: cap because I think they did absolutely and to enter 250 00:12:19,040 --> 00:12:21,400 Speaker 8: those performers as well, what did you all think? Did 251 00:12:21,440 --> 00:12:22,320 Speaker 8: you think they did well? 252 00:12:22,400 --> 00:12:25,640 Speaker 2: I thought John paj was incredibly sexy, no doubt I 253 00:12:25,679 --> 00:12:28,800 Speaker 2: thought his And I'm not sure whether this is something 254 00:12:28,840 --> 00:12:30,839 Speaker 2: that goes on in your mind, Elisia, but I thought 255 00:12:30,840 --> 00:12:33,160 Speaker 2: his flexibility could have been better at certain stages, like 256 00:12:33,320 --> 00:12:35,520 Speaker 2: do you get frustrated that you've choreographed as saying and 257 00:12:35,520 --> 00:12:37,839 Speaker 2: you go, you know what, just can't get his leg 258 00:12:37,920 --> 00:12:38,280 Speaker 2: up there. 259 00:12:38,200 --> 00:12:43,400 Speaker 1: Thode, So where's the hip flexibility, Alicia? All of it 260 00:12:43,400 --> 00:12:48,280 Speaker 1: has just been totally eye opening, uh and completely enthralling. 261 00:12:48,400 --> 00:12:50,520 Speaker 1: So thank you for shedding a light on a part 262 00:12:50,559 --> 00:12:53,600 Speaker 1: of the industry that I think everybody has always asked 263 00:12:53,600 --> 00:12:57,600 Speaker 1: the question about but had no idea about. This has 264 00:12:57,640 --> 00:13:00,920 Speaker 1: been a fascinating chat from top to toe in that respect, 265 00:13:00,960 --> 00:13:03,559 Speaker 1: So thank you so much for joining us. We really 266 00:13:03,600 --> 00:13:07,360 Speaker 1: really appreciate it. Here on Willamy, some huge news for 267 00:13:07,440 --> 00:13:09,840 Speaker 1: two of the biggest stars in the world this afternoon, 268 00:13:09,880 --> 00:13:12,240 Speaker 1: as they announced officially that they're together. 269 00:13:12,280 --> 00:13:14,880 Speaker 11: Have a listening to this, Corney Kardashian is getting blank 270 00:13:14,920 --> 00:13:17,520 Speaker 11: one of the two, drummer Travis Barker. A source tells 271 00:13:17,559 --> 00:13:19,960 Speaker 11: people that they've been dating for about a month or two, 272 00:13:20,120 --> 00:13:22,800 Speaker 11: saying they've been friends for a long time, but it's 273 00:13:22,800 --> 00:13:23,680 Speaker 11: turned romantic. 274 00:13:25,480 --> 00:13:26,400 Speaker 5: I will not go. 275 00:13:29,600 --> 00:13:32,959 Speaker 1: Now knocking Courtney Kardashian's drums. How good is that? Officially? 276 00:13:34,360 --> 00:13:42,360 Speaker 1: Now Woods the it doesn't even make sense, but now 277 00:13:42,920 --> 00:13:46,880 Speaker 1: they've posted on Instagram, which really these days is the 278 00:13:47,120 --> 00:13:49,120 Speaker 1: sign that you're official. 279 00:13:49,400 --> 00:13:51,480 Speaker 2: Well, I would say that they'd have a that had 280 00:13:51,480 --> 00:13:54,840 Speaker 2: a conversation before the post. I think the post was 281 00:13:54,840 --> 00:13:57,400 Speaker 2: more going public about the fact that they're together, but 282 00:13:57,440 --> 00:13:59,680 Speaker 2: they would have had a conversation before that way they said, 283 00:13:59,720 --> 00:14:01,040 Speaker 2: so what is this? 284 00:14:02,400 --> 00:14:04,880 Speaker 1: Yeah, I don't know about that. I think you're a 285 00:14:04,920 --> 00:14:06,719 Speaker 1: big I think they would have had a conversation to 286 00:14:06,760 --> 00:14:10,040 Speaker 1: whether they should post a photo, knowing implicitly sure that 287 00:14:10,200 --> 00:14:12,640 Speaker 1: posting the photo would mean that they were announcing that 288 00:14:12,640 --> 00:14:13,319 Speaker 1: they were official. 289 00:14:13,360 --> 00:14:15,360 Speaker 2: So you don't think the trave went to her at 290 00:14:15,360 --> 00:14:17,120 Speaker 2: some stage? Do you want to be girlfriend? Boyfriend? 291 00:14:17,960 --> 00:14:18,000 Speaker 10: No? 292 00:14:18,960 --> 00:14:21,120 Speaker 1: I don't think. I don't think I think that happens. 293 00:14:21,160 --> 00:14:23,440 Speaker 7: I think I stopped when you're in your four when 294 00:14:23,440 --> 00:14:26,160 Speaker 7: you walk out, when you're walking out to the back quad. 295 00:14:26,960 --> 00:14:30,480 Speaker 1: Maybe not very much, Maybe not that wording my girlfriend 296 00:14:30,640 --> 00:14:31,720 Speaker 1: want to be my girlfriend? 297 00:14:31,920 --> 00:14:34,360 Speaker 2: They would have had a wee together. Do you do you. 298 00:14:34,520 --> 00:14:37,680 Speaker 1: Know about that? Man? You are very old fashioned about this. 299 00:14:38,800 --> 00:14:41,480 Speaker 1: I mean I feel like you're I mean, well, you're 300 00:14:41,480 --> 00:14:43,600 Speaker 1: currently seeing someone at the moment. 301 00:14:43,400 --> 00:14:46,200 Speaker 2: So yeah, I'm seeing someone, but we have do you 302 00:14:46,200 --> 00:14:46,680 Speaker 2: have to talk to. 303 00:14:46,680 --> 00:14:48,480 Speaker 1: Our old man before she's officially your girlfriend. 304 00:14:48,600 --> 00:14:51,440 Speaker 2: No, it's not that for one, but we would we're 305 00:14:51,440 --> 00:14:54,880 Speaker 2: not an item yet or we're not going out yet. 306 00:14:55,280 --> 00:14:56,480 Speaker 1: Is she staying over at your place? 307 00:14:56,800 --> 00:14:57,040 Speaker 2: Yes? 308 00:14:59,000 --> 00:15:01,120 Speaker 1: Yeah, but that's yeah, she got you got any stuff 309 00:15:01,120 --> 00:15:01,680 Speaker 1: at your place? 310 00:15:02,680 --> 00:15:02,840 Speaker 10: Uh? 311 00:15:03,800 --> 00:15:07,960 Speaker 2: Good question. There's a toothbrush there, but I gave her 312 00:15:07,960 --> 00:15:11,440 Speaker 2: the toothbrush. I gave her the toothbrush, so technically it's 313 00:15:11,480 --> 00:15:12,239 Speaker 2: my toothbrush. 314 00:15:12,680 --> 00:15:14,360 Speaker 1: Does she speak to members of your family? 315 00:15:14,800 --> 00:15:21,480 Speaker 2: I live with my brother Tom at home. 316 00:15:21,520 --> 00:15:23,040 Speaker 1: Does she know where you are at all times? 317 00:15:24,160 --> 00:15:25,840 Speaker 2: What do you mean? Does she have a track around? 318 00:15:25,960 --> 00:15:27,360 Speaker 1: But like, would she know where you are? Like if 319 00:15:27,360 --> 00:15:29,160 Speaker 1: you asked if I sped her at any time? Where 320 00:15:29,160 --> 00:15:31,200 Speaker 1: do you think what he is right now? Would she know? Not? 321 00:15:31,200 --> 00:15:32,760 Speaker 2: Not at all times, but most of the time. Yeah, 322 00:15:32,800 --> 00:15:35,520 Speaker 2: she probably knows on radio four. 323 00:15:35,320 --> 00:15:36,920 Speaker 1: Out of four or four out of four? Aren't we? 324 00:15:37,560 --> 00:15:39,600 Speaker 2: But I think there's still okay. So it's like it 325 00:15:39,640 --> 00:15:42,360 Speaker 2: may be heading in that direction, but there still needs 326 00:15:42,360 --> 00:15:45,200 Speaker 2: to be a conversation where we go, Hey are we 327 00:15:45,360 --> 00:15:46,800 Speaker 2: are we? Not we girlfriend boyfriend? 328 00:15:46,840 --> 00:15:47,440 Speaker 1: But we are? 329 00:15:47,480 --> 00:15:48,760 Speaker 2: We? 330 00:15:48,520 --> 00:15:49,280 Speaker 1: Are we? 331 00:15:49,360 --> 00:15:49,480 Speaker 10: Now? 332 00:15:49,520 --> 00:15:49,880 Speaker 2: A thing? 333 00:15:50,040 --> 00:15:50,120 Speaker 5: Like? 334 00:15:50,320 --> 00:15:52,040 Speaker 2: Is this is this a thing? 335 00:15:52,360 --> 00:15:56,400 Speaker 1: Now? That I disagree? I think you're a social post 336 00:15:56,440 --> 00:15:59,400 Speaker 1: away from being a couple. I think you're close. You're 337 00:15:59,640 --> 00:16:02,040 Speaker 1: very c open a social post and see a social 338 00:16:02,080 --> 00:16:05,040 Speaker 1: post or a weekend away from me, like you two 339 00:16:06,040 --> 00:16:10,080 Speaker 1: in a non car get away, a non car get away, 340 00:16:10,280 --> 00:16:12,200 Speaker 1: an aeroplane get away, or you could take a ferry 341 00:16:12,200 --> 00:16:14,720 Speaker 1: if you like. But I reckon you're a non car 342 00:16:14,800 --> 00:16:16,920 Speaker 1: getaway or a social post away from being a couple. 343 00:16:16,960 --> 00:16:18,920 Speaker 2: And you think there's not a conversation conversation. It's just 344 00:16:18,960 --> 00:16:20,600 Speaker 2: like both of us go over a couple one hundred 345 00:16:20,880 --> 00:16:21,560 Speaker 2: without a chat. 346 00:16:21,680 --> 00:16:22,960 Speaker 1: Yeah, And I think this is a good thing for 347 00:16:22,960 --> 00:16:25,680 Speaker 1: you to hear, actually, because we all know you're susceptible 348 00:16:25,720 --> 00:16:30,040 Speaker 1: to slipping into relationships very quickly. But let's let's take 349 00:16:30,040 --> 00:16:33,280 Speaker 1: some course, let's touch, let's take some course on this 350 00:16:33,520 --> 00:16:36,960 Speaker 1: right now. Thirteen one six fives I phone number. Because 351 00:16:36,760 --> 00:16:39,920 Speaker 1: because I know you're a conversation guy, how do you 352 00:16:40,000 --> 00:16:41,280 Speaker 1: know that you're official. 353 00:16:42,120 --> 00:16:43,640 Speaker 2: Outside of conversation. 354 00:16:43,720 --> 00:16:46,240 Speaker 1: Let's lead the conversations. I think we all agree. If 355 00:16:46,280 --> 00:16:47,720 Speaker 1: you know, if you get them to sign a contract, 356 00:16:47,760 --> 00:16:51,400 Speaker 1: then yes, you're definitely definitely going out. What are the 357 00:16:51,400 --> 00:16:53,920 Speaker 1: signs to indicate that you're official? We are talking on 358 00:16:53,960 --> 00:16:55,880 Speaker 1: thirty one O six five. How do you know that 359 00:16:55,920 --> 00:16:58,840 Speaker 1: you're official? The reason we're asking that because Courtney Kardashian 360 00:16:58,840 --> 00:17:01,080 Speaker 1: and tramp bark are just posting on on social media 361 00:17:01,440 --> 00:17:03,760 Speaker 1: their hands, just their hands. I love how creative these 362 00:17:03,760 --> 00:17:05,520 Speaker 1: guys get. That's how they're pat in the Big Bucks. 363 00:17:07,040 --> 00:17:09,200 Speaker 2: Got a whole PR company to come up with that idea. 364 00:17:09,320 --> 00:17:10,240 Speaker 2: I reckon pat a lot of money. 365 00:17:10,240 --> 00:17:11,320 Speaker 1: I don't know what I reckon. They would be sitting 366 00:17:11,320 --> 00:17:12,439 Speaker 1: in the car and they took a shot of their 367 00:17:12,440 --> 00:17:18,840 Speaker 1: hands waiting. So negative. But anyway, we're talking now you 368 00:17:19,000 --> 00:17:21,840 Speaker 1: know whether or not their official? Woulds you like to 369 00:17:21,880 --> 00:17:24,120 Speaker 1: think that you have a are you my girlfriend? Sort 370 00:17:24,119 --> 00:17:24,560 Speaker 1: of a chat? 371 00:17:24,760 --> 00:17:27,359 Speaker 2: Well, not using those words, but there is always a 372 00:17:27,800 --> 00:17:30,960 Speaker 2: conversation where you go where now a thing? We're now 373 00:17:31,000 --> 00:17:31,440 Speaker 2: going out? 374 00:17:31,480 --> 00:17:32,640 Speaker 1: So what are the words that you use? 375 00:17:33,920 --> 00:17:37,560 Speaker 2: Well if if it leads that because I'm currently seeing someone, 376 00:17:37,680 --> 00:17:39,639 Speaker 2: but yeah, the conversation would be like, hey, like you know, 377 00:17:39,760 --> 00:17:41,960 Speaker 2: so you know what is this like we are we 378 00:17:42,080 --> 00:17:44,119 Speaker 2: now a thing now? And you know if hopefully if 379 00:17:44,119 --> 00:17:48,960 Speaker 2: that's if that's it, yes, if that's a yes, then 380 00:17:49,000 --> 00:17:51,040 Speaker 2: you probably a bit of a smooch and you know, 381 00:17:51,119 --> 00:17:52,480 Speaker 2: then I can say yeah, we're going out? 382 00:17:52,640 --> 00:17:55,359 Speaker 1: Cool? All right, Ian, it's pretty old fashioned. Let's go 383 00:17:55,400 --> 00:17:57,159 Speaker 1: to the calls. I've got Liz here on thirty one 384 00:17:57,240 --> 00:17:58,399 Speaker 1: or six five, Liz, what do you reckon? 385 00:17:59,440 --> 00:18:02,960 Speaker 12: It's got to be a Facebook profile picture or status 386 00:18:03,040 --> 00:18:03,400 Speaker 12: on there. 387 00:18:03,760 --> 00:18:05,720 Speaker 1: Social media pos the deal. 388 00:18:06,280 --> 00:18:09,639 Speaker 2: It's so late you there will be no conversation, and 389 00:18:09,680 --> 00:18:11,679 Speaker 2: then you just post a photo together and then there 390 00:18:11,680 --> 00:18:14,000 Speaker 2: doesn't need to be a conversation after that's just accepted 391 00:18:14,000 --> 00:18:15,040 Speaker 2: that you're going out. 392 00:18:15,840 --> 00:18:17,840 Speaker 12: Well, yeah, I didn't really have a conversation when I 393 00:18:17,880 --> 00:18:20,720 Speaker 12: got into my relationship, but once that was put on Facebook, 394 00:18:20,760 --> 00:18:24,520 Speaker 12: then I was officials the generation. 395 00:18:24,840 --> 00:18:26,360 Speaker 1: Yeah, No, I think I think you're right. I think 396 00:18:26,440 --> 00:18:29,399 Speaker 1: it has I mean, dare I say it? I'll ask Lisa. 397 00:18:29,520 --> 00:18:31,520 Speaker 1: Lisa if you if you're dating a guy and he 398 00:18:31,560 --> 00:18:32,840 Speaker 1: turns to you and has the do you want to 399 00:18:32,840 --> 00:18:34,800 Speaker 1: be my girlfriend? Chat? 400 00:18:35,440 --> 00:18:35,560 Speaker 10: Uh? 401 00:18:36,160 --> 00:18:37,960 Speaker 1: You are you immediately thinking that this guy's a bit 402 00:18:38,000 --> 00:18:38,400 Speaker 1: of a jok? 403 00:18:39,400 --> 00:18:42,399 Speaker 8: Well, I'm gay, so I don't really do boys enough. 404 00:18:44,640 --> 00:18:46,920 Speaker 1: At bit a girl. It's a girl saying that to you. 405 00:18:47,760 --> 00:18:49,520 Speaker 8: If you have a conversation and say are you going 406 00:18:49,600 --> 00:18:50,480 Speaker 8: to sleep with anyone else? 407 00:18:50,560 --> 00:18:50,639 Speaker 5: No? 408 00:18:50,760 --> 00:18:51,080 Speaker 9: Are you? 409 00:18:51,200 --> 00:18:54,480 Speaker 1: Then you Breeze exclusive exclusive. 410 00:18:55,600 --> 00:19:00,240 Speaker 2: So if you had the interesting interesting, you have, we 411 00:19:00,280 --> 00:19:01,480 Speaker 2: have she whizz. 412 00:19:01,440 --> 00:19:03,200 Speaker 1: So that they're all adding up here for Woody, I 413 00:19:03,240 --> 00:19:05,040 Speaker 1: mean Lisa. I'm not sure if you've heard the other ones, 414 00:19:05,040 --> 00:19:07,879 Speaker 1: but currently she leaves stuff at his house, she speaks 415 00:19:07,880 --> 00:19:10,200 Speaker 1: to his family members. She knows we're all he is 416 00:19:10,240 --> 00:19:14,399 Speaker 1: at all times. They don't hook up with other other people. 417 00:19:14,480 --> 00:19:15,960 Speaker 1: I mean, does it sound official. 418 00:19:15,680 --> 00:19:15,920 Speaker 10: To you. 419 00:19:17,840 --> 00:19:22,679 Speaker 1: Together? It's getting there, it's getting there. 420 00:19:22,680 --> 00:19:24,000 Speaker 2: I mean they're adding up, they're adding up. 421 00:19:24,000 --> 00:19:26,920 Speaker 1: The Apocas is definitely stacked one way right now. I'm 422 00:19:26,920 --> 00:19:28,920 Speaker 1: saying that tonight. So of course you are. Of course 423 00:19:28,920 --> 00:19:31,840 Speaker 1: you are. She's your partner. Let's go, let's go. Let's 424 00:19:31,840 --> 00:19:35,040 Speaker 1: go to Troy on thirty one and six five. I 425 00:19:35,080 --> 00:19:37,199 Speaker 1: don't know how you continue to deny this. 426 00:19:37,680 --> 00:19:38,280 Speaker 2: I don't know. 427 00:19:38,359 --> 00:19:40,720 Speaker 7: It's like it's like, you know, it's like plausible deniability. 428 00:19:41,640 --> 00:19:43,720 Speaker 7: Feel like you're like you're like Richard Nixon on the 429 00:19:43,720 --> 00:19:47,760 Speaker 7: Watergate scandal. You're just say it's not a cross, just 430 00:19:47,840 --> 00:19:51,280 Speaker 7: on toast. You need a presidential pardoner to get out 431 00:19:51,320 --> 00:19:53,119 Speaker 7: of this one, mate. Let's go to Troy on thirty 432 00:19:53,160 --> 00:19:53,880 Speaker 7: one and six five. 433 00:19:53,960 --> 00:19:54,280 Speaker 2: Troy. 434 00:19:55,280 --> 00:20:00,840 Speaker 1: First question is Woody official. Definitely, definitely, you know, we're. 435 00:20:00,640 --> 00:20:04,080 Speaker 2: Just taking It's like, at the moment, Troy, you've only 436 00:20:04,119 --> 00:20:08,480 Speaker 2: known each other for two weeks and weeks. 437 00:20:06,720 --> 00:20:11,120 Speaker 9: To official, it's official three weeks? 438 00:20:11,160 --> 00:20:14,280 Speaker 1: So what was the what was the straw that broke 439 00:20:14,280 --> 00:20:19,280 Speaker 1: the relationships back? So to speak? There for you, Troy, 440 00:20:19,520 --> 00:20:21,800 Speaker 1: I will like, well, what's the thing for you that 441 00:20:21,960 --> 00:20:23,240 Speaker 1: decides that they're official? 442 00:20:24,280 --> 00:20:24,440 Speaker 6: Oh? 443 00:20:24,520 --> 00:20:26,040 Speaker 9: If you've done it more than three times? 444 00:20:26,080 --> 00:20:34,760 Speaker 2: Oh well, it's a personal question. Hey, how are a halftime? 445 00:20:35,280 --> 00:20:41,280 Speaker 2: The quiz question is how much water can you fit 446 00:20:41,480 --> 00:20:45,480 Speaker 2: in a one liter water bottle? And the answer is 447 00:20:45,520 --> 00:20:49,239 Speaker 2: one leader the question the producers disappeared, so I had 448 00:20:49,280 --> 00:20:50,840 Speaker 2: to take it upon my own volition. 449 00:20:51,760 --> 00:20:52,919 Speaker 1: Think the question is going to be a little bit 450 00:20:52,920 --> 00:20:55,520 Speaker 1: more tricky than that, does it? Yeah? Like, what about 451 00:20:55,520 --> 00:20:58,560 Speaker 1: we go with name a brand of water? In Which 452 00:20:58,600 --> 00:21:01,240 Speaker 1: country is the Can Film Festival held? 453 00:21:02,600 --> 00:21:04,560 Speaker 2: Uh? Is that? 454 00:21:04,800 --> 00:21:05,440 Speaker 1: What do we think about? 455 00:21:05,480 --> 00:21:05,720 Speaker 2: That? 456 00:21:05,640 --> 00:21:05,840 Speaker 10: Is that? 457 00:21:05,920 --> 00:21:06,200 Speaker 1: France? 458 00:21:06,640 --> 00:21:06,879 Speaker 2: Is it? 459 00:21:07,040 --> 00:21:09,639 Speaker 1: You've been there? Have I been to Cahn with your family? 460 00:21:10,119 --> 00:21:13,399 Speaker 2: A lovely trip? Actually lovely? Okay, we have you with that? 461 00:21:13,800 --> 00:21:15,520 Speaker 2: Where is the Can Film Festival? 462 00:21:15,720 --> 00:21:19,840 Speaker 1: You've got that you've been listening for the last week. 463 00:21:20,000 --> 00:21:23,120 Speaker 1: You are very excited about the next guest that joins us. 464 00:21:23,160 --> 00:21:25,879 Speaker 1: If you haven't, well, all you need to know is 465 00:21:25,880 --> 00:21:28,360 Speaker 1: that we've been hustled into allowing a ten year old 466 00:21:28,400 --> 00:21:31,080 Speaker 1: girl to co host the show with us. Her name 467 00:21:31,800 --> 00:21:34,480 Speaker 1: is Nikola. 468 00:21:34,800 --> 00:21:37,960 Speaker 5: Yeah, will. 469 00:21:40,480 --> 00:21:43,000 Speaker 4: Try by NIKOLAA. 470 00:21:44,119 --> 00:21:45,120 Speaker 1: She's saying. 471 00:21:47,600 --> 00:21:50,240 Speaker 5: She's on their Hello, what else. 472 00:21:55,880 --> 00:21:58,960 Speaker 1: We Anicola? 473 00:22:00,119 --> 00:22:00,800 Speaker 5: Who here? 474 00:22:01,080 --> 00:22:01,920 Speaker 1: Listen? Listen? 475 00:22:02,160 --> 00:22:02,560 Speaker 5: Listen? 476 00:22:03,359 --> 00:22:09,960 Speaker 1: Ah right, Nikola? Welcome hu Hi, Hello, Hello, Hello. Pleasure 477 00:22:09,960 --> 00:22:12,560 Speaker 1: to have you in the studio here. Nicholas going to 478 00:22:12,600 --> 00:22:14,160 Speaker 1: be on the air for the next little while, which 479 00:22:14,200 --> 00:22:15,040 Speaker 1: is really exciting. 480 00:22:15,119 --> 00:22:17,040 Speaker 2: Yeah, we pulled you in early, Nikola. We were supposed 481 00:22:17,040 --> 00:22:18,639 Speaker 2: to be at five o'clock. We were worried about all 482 00:22:18,680 --> 00:22:20,359 Speaker 2: the sugar you were having in the green room. Is 483 00:22:20,400 --> 00:22:20,760 Speaker 2: that right? 484 00:22:21,080 --> 00:22:21,280 Speaker 6: Yeah? 485 00:22:21,320 --> 00:22:22,040 Speaker 1: That Yeah. 486 00:22:22,240 --> 00:22:23,960 Speaker 6: You don't want to know how much sugar. 487 00:22:23,800 --> 00:22:26,720 Speaker 2: I had on a scale of one to ten. Hand Jack, 488 00:22:26,800 --> 00:22:27,520 Speaker 2: dare you right now? 489 00:22:28,440 --> 00:22:29,040 Speaker 6: Twenty five? 490 00:22:29,320 --> 00:22:31,359 Speaker 2: Holy moly, it's going to be a wild half an 491 00:22:31,359 --> 00:22:32,280 Speaker 2: hour radio everyone. 492 00:22:33,440 --> 00:22:36,200 Speaker 1: All right, Nikola, Well, let's jump into it, mate, because 493 00:22:36,200 --> 00:22:39,879 Speaker 1: you've joined us. Write in time for a segment that 494 00:22:39,880 --> 00:22:44,119 Speaker 1: we do on a Thursday afternoon called what's your nickname? 495 00:22:44,440 --> 00:22:49,600 Speaker 1: They call me, they call me, they call me, they 496 00:22:49,640 --> 00:22:51,920 Speaker 1: call me, what's name? 497 00:22:52,680 --> 00:22:57,200 Speaker 2: What's your nickname? What's shock name? What's name? 498 00:22:58,160 --> 00:22:59,800 Speaker 1: Alright, so thirty one of six five you're going to 499 00:22:59,840 --> 00:23:02,720 Speaker 1: join will Wood? You, Nikola, hear this afternoon? Is your 500 00:23:02,840 --> 00:23:07,920 Speaker 1: nickname a description of something dumb that you once did? Yeah? 501 00:23:07,960 --> 00:23:10,320 Speaker 2: So thirteen one oh six five that's you? But Nikola, 502 00:23:10,640 --> 00:23:13,359 Speaker 2: while you're here, do you have a nickname with a 503 00:23:13,359 --> 00:23:14,480 Speaker 2: bit of a story behind her? 504 00:23:14,680 --> 00:23:17,080 Speaker 6: I do have a nickname with a story behind it? 505 00:23:17,280 --> 00:23:18,160 Speaker 1: Okay, okay? 506 00:23:19,119 --> 00:23:22,800 Speaker 6: For us, my nickname is p p P Yes, no, 507 00:23:22,920 --> 00:23:28,240 Speaker 6: not like not like toilet, pe like p e a 508 00:23:28,520 --> 00:23:30,560 Speaker 6: like a green pea, yeah, like a green pea. Yeah? 509 00:23:30,680 --> 00:23:33,680 Speaker 2: Okay, what's the story? Why do they call you pee? 510 00:23:33,920 --> 00:23:37,920 Speaker 6: So one of my best friends are Her nickname's princess 511 00:23:38,280 --> 00:23:40,760 Speaker 6: and where the picture and catcher in softball? So we're 512 00:23:40,800 --> 00:23:43,159 Speaker 6: princess and the pe Oh. 513 00:23:42,920 --> 00:23:46,280 Speaker 1: No, I like, wait, you the picture or the catcher. 514 00:23:46,440 --> 00:23:49,200 Speaker 6: I'm the catcher and I'm Pee. She gets to be princess. 515 00:23:50,760 --> 00:23:52,320 Speaker 1: You're furious about that, are you? 516 00:23:52,760 --> 00:23:53,080 Speaker 5: Well? 517 00:23:53,320 --> 00:23:55,840 Speaker 6: Her nickname was already princess. 518 00:23:55,800 --> 00:23:58,680 Speaker 1: So ah, so you just tacked on. It's not really 519 00:23:58,720 --> 00:24:00,800 Speaker 1: your nickname. You're just part of somebody else's nickname. 520 00:24:00,880 --> 00:24:04,280 Speaker 6: No, I'm a part of it, a small part of it. 521 00:24:05,040 --> 00:24:07,880 Speaker 6: Like the story isn't just princess and then nothing. It's 522 00:24:07,920 --> 00:24:08,520 Speaker 6: Princess and the. 523 00:24:08,440 --> 00:24:13,720 Speaker 1: Pee and it's a good pine very good, very very good. 524 00:24:13,760 --> 00:24:19,280 Speaker 1: All right, So thir one, Dick's do you know what 525 00:24:19,280 --> 00:24:21,120 Speaker 1: Princess and the Pea is about? Yes? 526 00:24:21,760 --> 00:24:23,640 Speaker 6: Yes, yes, yes, Okay, I don't. 527 00:24:23,840 --> 00:24:24,680 Speaker 1: You don't know what it's about. 528 00:24:25,240 --> 00:24:26,040 Speaker 2: What's it about, Nikola? 529 00:24:26,280 --> 00:24:26,560 Speaker 1: Okay? 530 00:24:26,600 --> 00:24:30,040 Speaker 6: So basically, there's this princess and she's got like a 531 00:24:30,080 --> 00:24:34,920 Speaker 6: billion mattresses on a bed, okay, and the pee goes 532 00:24:34,960 --> 00:24:36,280 Speaker 6: into one of the mattresses. 533 00:24:36,520 --> 00:24:45,119 Speaker 1: Yeah, she can feel the stories that she can still 534 00:24:45,200 --> 00:24:48,400 Speaker 1: feel the pee, no matter how many her So she's 535 00:24:48,480 --> 00:24:51,359 Speaker 1: very precious. So are you precious? Precious Niccola, No. 536 00:24:51,480 --> 00:24:53,600 Speaker 6: I'm the pee. I'm not the princess. 537 00:24:54,760 --> 00:24:56,639 Speaker 1: And the mattresses. All right, very good. We've got Rachel 538 00:24:56,640 --> 00:25:00,879 Speaker 1: has joined us on thirty one sixty five. Rachel is 539 00:25:00,920 --> 00:25:03,120 Speaker 1: your nickname a description of something dumb you once did. 540 00:25:05,000 --> 00:25:08,679 Speaker 12: It's more so what I look like, or not what 541 00:25:08,720 --> 00:25:11,800 Speaker 12: I look like, but yeah, something what somebody else think 542 00:25:11,840 --> 00:25:12,160 Speaker 12: I did. 543 00:25:14,440 --> 00:25:20,520 Speaker 2: It's pigst pigstar, pigstar, And what's the story. 544 00:25:21,720 --> 00:25:24,760 Speaker 12: So I thought it was because I used to eat 545 00:25:24,880 --> 00:25:29,359 Speaker 12: like a pig. But it's come from my family and 546 00:25:29,640 --> 00:25:31,800 Speaker 12: when I was born, my dad said that I came 547 00:25:31,840 --> 00:25:35,920 Speaker 12: out looking like a little pink baby pig. So I've 548 00:25:35,960 --> 00:25:37,640 Speaker 12: been forever known as pig Star. 549 00:25:39,119 --> 00:25:47,400 Speaker 1: That's cute. Cute they called me, they call me the 550 00:25:47,400 --> 00:25:51,600 Speaker 1: they call what's what's your nickname? 551 00:25:52,280 --> 00:25:55,120 Speaker 2: What's your name? What's your name? 552 00:25:55,760 --> 00:25:57,480 Speaker 1: All right? So thirty one and six five. The way 553 00:25:57,520 --> 00:26:00,399 Speaker 1: this works is you say, is your nickname a description 554 00:26:00,680 --> 00:26:03,520 Speaker 1: of something dumb you once did? That's the question for 555 00:26:03,560 --> 00:26:07,080 Speaker 1: you guys Australia. Let's go to Emily, who's called us first? Emily, 556 00:26:07,080 --> 00:26:08,640 Speaker 1: you're on Wilwoody and Nicola. 557 00:26:10,040 --> 00:26:16,080 Speaker 3: Thanks for having me, guys. My nickname was Emma I yeah, 558 00:26:16,400 --> 00:26:19,320 Speaker 3: because when I was younger, I would lie to my 559 00:26:19,440 --> 00:26:21,920 Speaker 3: parents about where it was and what I was doing. 560 00:26:21,960 --> 00:26:24,440 Speaker 3: Nothing too bad, but I just thought I was a 561 00:26:24,480 --> 00:26:27,360 Speaker 3: little bit too cool for my age, and it's actually 562 00:26:27,480 --> 00:26:29,960 Speaker 3: stuck in. My friends and family all call me Emma I. 563 00:26:30,000 --> 00:26:34,240 Speaker 2: Now it's crafty one lead from the parents there. 564 00:26:34,280 --> 00:26:35,720 Speaker 1: What do you think about that? What do you think 565 00:26:35,720 --> 00:26:38,080 Speaker 1: about that? Nicola, it's still right, it's not. 566 00:26:39,840 --> 00:26:43,560 Speaker 6: It's not like original original, but it's quite cool. 567 00:26:45,920 --> 00:26:48,239 Speaker 1: It wasn't a great goal, very honest, if you if 568 00:26:48,240 --> 00:26:48,920 Speaker 1: you weren't listening. 569 00:26:49,000 --> 00:26:52,119 Speaker 2: Before the song, Nicola revealed that her nickname is P 570 00:26:52,359 --> 00:26:54,040 Speaker 2: because you once wet your pants when you went to 571 00:26:54,040 --> 00:26:54,439 Speaker 2: school with. 572 00:26:56,920 --> 00:26:59,640 Speaker 6: He doesn't wear shoes or socks. 573 00:27:04,040 --> 00:27:06,359 Speaker 1: When she's in the corner. She just swings, doesn't she. 574 00:27:06,480 --> 00:27:11,840 Speaker 1: All right, we've got Heather, who's called Hello, Heather. How 575 00:27:11,880 --> 00:27:15,440 Speaker 1: are you, hi? Hi, Heather? How old are you? 576 00:27:16,720 --> 00:27:17,440 Speaker 3: Nine years old? 577 00:27:17,880 --> 00:27:21,240 Speaker 1: Oh? Wow? And are you enjoying Nicola being on the 578 00:27:21,240 --> 00:27:22,040 Speaker 1: show with us? Heather? 579 00:27:22,960 --> 00:27:23,919 Speaker 5: Yeah, she's great. 580 00:27:24,200 --> 00:27:26,359 Speaker 1: Yeah, she's sounding pretty good. To go fan already, Nicola, 581 00:27:26,840 --> 00:27:32,080 Speaker 1: Thank you now, Heather. Have you got a nickname with 582 00:27:32,160 --> 00:27:36,359 Speaker 1: a story behind it? Yes, okay, far away. 583 00:27:39,000 --> 00:27:43,640 Speaker 10: My nickname is Bubbles because when my name was one 584 00:27:43,720 --> 00:27:45,600 Speaker 10: years old, my mom used. 585 00:27:45,480 --> 00:27:50,520 Speaker 3: To always play bubbles for me, and the bubbles and 586 00:27:50,640 --> 00:27:55,320 Speaker 3: I sniff, and then and then everyone started to call 587 00:27:55,400 --> 00:27:56,359 Speaker 3: me bubble. 588 00:27:56,720 --> 00:28:01,720 Speaker 2: A very cute, very very good stuff. 589 00:28:03,040 --> 00:28:08,000 Speaker 3: And I still blow bubbles on our balcony. 590 00:28:08,200 --> 00:28:10,879 Speaker 1: Thanks for joining us. It's the goddamn babysitter's clib out here. 591 00:28:10,880 --> 00:28:13,560 Speaker 2: All of a sudden, all right, all of a sudden, 592 00:28:13,560 --> 00:28:18,040 Speaker 2: That demographic is ten years place call with Will. 593 00:28:18,080 --> 00:28:22,199 Speaker 1: The money all very good stuff. Nick, You're happy to 594 00:28:22,200 --> 00:28:24,520 Speaker 1: stick around obviously. Yeah, what do you think of the 595 00:28:24,560 --> 00:28:26,080 Speaker 1: What do you think of that last call? Oh that 596 00:28:26,240 --> 00:28:28,720 Speaker 1: was very cute, which was only a year younger than you, mate, 597 00:28:28,760 --> 00:28:29,680 Speaker 1: don't patronize her. 598 00:28:29,760 --> 00:28:34,679 Speaker 6: Well I okay, he got me. 599 00:28:35,760 --> 00:28:38,200 Speaker 1: If you've been listening for the last week, you are 600 00:28:38,480 --> 00:28:41,440 Speaker 1: very excited about the guests that joins us right up 601 00:28:41,440 --> 00:28:44,880 Speaker 1: next on Will and Woodie. If you haven't been, all 602 00:28:44,920 --> 00:28:47,440 Speaker 1: you need to know is that we've been hustled into 603 00:28:47,480 --> 00:28:51,160 Speaker 1: allowing a ten year old girl to co host with us. 604 00:28:51,520 --> 00:28:54,920 Speaker 1: There's some chat about you coming in and co hosting 605 00:28:54,960 --> 00:28:59,360 Speaker 1: a show with us. Wow, really, I'm we're tabling it 606 00:28:59,400 --> 00:29:01,880 Speaker 1: with you, though, I personally I don't think that you're 607 00:29:01,920 --> 00:29:02,680 Speaker 1: quite up to it. 608 00:29:02,840 --> 00:29:04,800 Speaker 3: Well, I think I can talk, so. 609 00:29:08,520 --> 00:29:08,800 Speaker 1: Talking. 610 00:29:08,880 --> 00:29:09,920 Speaker 6: Put a microphone on. 611 00:29:10,160 --> 00:29:13,960 Speaker 13: Yeah, Nicholas in the studio with this note. 612 00:29:14,000 --> 00:29:30,080 Speaker 4: Now, yeah, listen, try my NIKOLAA. She's saying she's on 613 00:29:37,920 --> 00:29:45,000 Speaker 4: where Okay, listen listen listen. 614 00:29:45,040 --> 00:29:48,040 Speaker 1: Yeah, good off tonight and run. Good afternoon, Nikola. How 615 00:29:48,120 --> 00:29:52,640 Speaker 1: are you good? You're here? You're finally here in the studio. 616 00:29:52,840 --> 00:29:55,040 Speaker 1: So there's a big car that picked you up is 617 00:29:55,040 --> 00:29:57,280 Speaker 1: that right? You've been traded like a star today. Tell 618 00:29:57,360 --> 00:29:57,920 Speaker 1: us about it. 619 00:29:58,280 --> 00:29:58,480 Speaker 10: Yeah. 620 00:29:58,520 --> 00:30:01,080 Speaker 6: I got picked up in this really big limo and 621 00:30:01,120 --> 00:30:02,960 Speaker 6: there was like led light everywhere. 622 00:30:03,400 --> 00:30:04,440 Speaker 5: Oh nice. 623 00:30:04,640 --> 00:30:06,320 Speaker 2: And then there was a there was a green room 624 00:30:06,360 --> 00:30:08,520 Speaker 2: waiting for you at the radio station. Nicola. 625 00:30:08,840 --> 00:30:11,000 Speaker 6: Yeah, it had all treated and. 626 00:30:10,760 --> 00:30:13,840 Speaker 2: All that nice. So you're all jacked up on sugar. 627 00:30:14,240 --> 00:30:20,560 Speaker 1: Yeah, just where we wanted you, now, Nicola, to kick 628 00:30:20,600 --> 00:30:23,600 Speaker 1: things off this afternoon. You know what we do every 629 00:30:23,760 --> 00:30:25,880 Speaker 1: I mean, I know you listen to the show. You 630 00:30:25,880 --> 00:30:28,840 Speaker 1: know what we do every day at five o'clock. Yeah, okay, 631 00:30:28,960 --> 00:30:31,320 Speaker 1: did you know that you're going to be playing Australia's 632 00:30:31,320 --> 00:30:32,280 Speaker 1: Easy as Quiz today? 633 00:30:32,960 --> 00:30:33,160 Speaker 10: Ah? 634 00:30:33,520 --> 00:30:34,520 Speaker 9: Not, well you are. 635 00:30:34,680 --> 00:30:36,160 Speaker 1: That's the best thing we're doing. 636 00:30:37,520 --> 00:30:41,400 Speaker 5: As reliusesuschoys. 637 00:30:42,480 --> 00:30:45,600 Speaker 2: Okay, so Nikola, you are going to be playing actually 638 00:30:45,640 --> 00:30:48,760 Speaker 2: for Amy. So if you get all the questions, what right, 639 00:30:48,920 --> 00:30:51,960 Speaker 2: you're going to win five hundred dollars for Amy. Now 640 00:30:52,000 --> 00:30:54,760 Speaker 2: do you know the rules of the quiz? Nicola? Yes? 641 00:30:54,840 --> 00:30:56,640 Speaker 6: But I feel bad if I don't get it. 642 00:30:57,000 --> 00:31:00,360 Speaker 2: No, we've got Amy on the line here. Have you 643 00:31:00,400 --> 00:31:01,600 Speaker 2: got any messages for Nicola? 644 00:31:02,240 --> 00:31:06,320 Speaker 10: Hey, Nicola, I just love your work. Go get them, 645 00:31:06,400 --> 00:31:08,640 Speaker 10: you know, show these boys what you made of Hey. 646 00:31:09,120 --> 00:31:12,920 Speaker 1: Thank you. You've been listening to the back to school 647 00:31:12,960 --> 00:31:14,840 Speaker 1: stuff with Nikola. You're a fan of her work? 648 00:31:15,440 --> 00:31:17,960 Speaker 10: I have, Yeah, I listened every afternoon on my way 649 00:31:17,960 --> 00:31:21,840 Speaker 10: home from work. And you're just so witty, Nikola. I 650 00:31:21,880 --> 00:31:24,080 Speaker 10: think you're just an amazing young woman, and I think 651 00:31:24,080 --> 00:31:25,880 Speaker 10: you're going to go really far in your life, and 652 00:31:25,920 --> 00:31:28,360 Speaker 10: I just I just can't wait to see what you 653 00:31:28,400 --> 00:31:32,520 Speaker 10: can achieve, because yeah, you're just You're wonderful on radio 654 00:31:32,680 --> 00:31:33,040 Speaker 10: so far? 655 00:31:33,680 --> 00:31:36,560 Speaker 6: Oh wow, what a start? 656 00:31:36,800 --> 00:31:40,200 Speaker 1: Only gets harder from here, Nikola. Don't don't get too 657 00:31:40,320 --> 00:31:44,000 Speaker 1: much of a big head. Maybe start all right? You're 658 00:31:44,040 --> 00:31:47,080 Speaker 1: ready to go, Nicholas? So Amy wins five hundred dollars. 659 00:31:47,160 --> 00:31:49,800 Speaker 1: You know how it works. I'm going to ask you 660 00:31:49,840 --> 00:31:56,600 Speaker 1: ten questions in thirty seconds. Okay, okay, okay, you can 661 00:32:00,880 --> 00:32:02,840 Speaker 1: you can do this, mate, you can do this. I 662 00:32:02,920 --> 00:32:04,960 Speaker 1: believe in you. Amy believes in you. Are you ready 663 00:32:04,960 --> 00:32:05,640 Speaker 1: to go? Nikola? 664 00:32:06,080 --> 00:32:06,400 Speaker 13: Okay? 665 00:32:06,440 --> 00:32:06,960 Speaker 6: I'm ready? 666 00:32:07,040 --> 00:32:09,280 Speaker 1: Okay? What sized feet? Have you got? 667 00:32:09,560 --> 00:32:10,040 Speaker 3: A fourth? 668 00:32:10,280 --> 00:32:11,480 Speaker 1: Who's smarter you are? Woody? 669 00:32:11,920 --> 00:32:12,480 Speaker 5: Are me? In? 670 00:32:12,520 --> 00:32:15,280 Speaker 1: Which country is the taj Mahal India? What's better softball 671 00:32:15,320 --> 00:32:15,760 Speaker 1: or soccer? 672 00:32:15,920 --> 00:32:16,320 Speaker 6: Softball? 673 00:32:16,320 --> 00:32:18,280 Speaker 1: How often do you brush your teeth every day? What's 674 00:32:18,280 --> 00:32:20,240 Speaker 1: five plus five ten? Do boys smell? 675 00:32:20,560 --> 00:32:20,760 Speaker 6: Yes? 676 00:32:20,840 --> 00:32:22,240 Speaker 1: True or false? It's cold in England? 677 00:32:23,120 --> 00:32:23,840 Speaker 6: True and false? 678 00:32:24,000 --> 00:32:25,200 Speaker 1: What's your favorite teacher called? 679 00:32:25,600 --> 00:32:26,160 Speaker 6: Missus Smith? 680 00:32:26,200 --> 00:32:28,040 Speaker 1: Are you having fun right now? Yes? Did you just 681 00:32:28,080 --> 00:32:29,080 Speaker 1: wind five hundred dollars? 682 00:32:29,240 --> 00:32:29,520 Speaker 3: Maybe? 683 00:32:29,600 --> 00:32:29,800 Speaker 1: Yes? 684 00:32:35,560 --> 00:32:39,400 Speaker 10: Nam, wonderful? How amazing? 685 00:32:40,160 --> 00:32:41,800 Speaker 2: What are you going to spend the five hundred bucks on? 686 00:32:41,840 --> 00:32:43,400 Speaker 13: Amy? Oh? 687 00:32:44,320 --> 00:32:47,320 Speaker 10: You know, probably put it straight back into my new 688 00:32:47,360 --> 00:32:52,440 Speaker 10: business that I've started. So yeah, I'll probably do that, 689 00:32:52,560 --> 00:32:53,960 Speaker 10: So don't do hygiene clinic. 690 00:32:55,320 --> 00:32:58,120 Speaker 1: There you go. Well, Nicola brushes her teeth every day, 691 00:32:58,160 --> 00:33:00,400 Speaker 1: we just found out, so she doesn't need to visit. 692 00:33:00,560 --> 00:33:02,680 Speaker 1: You lost a customer, bad luck. You just got five 693 00:33:02,760 --> 00:33:03,360 Speaker 1: hundred bucks. 694 00:33:03,680 --> 00:33:07,320 Speaker 10: Congratulations, thanks, thank. 695 00:33:07,040 --> 00:33:09,200 Speaker 6: You all good, all good. 696 00:33:09,520 --> 00:33:12,560 Speaker 2: Justition had five hundred on today's work. 697 00:33:12,640 --> 00:33:15,440 Speaker 1: She's going to stay with us for Nicola. Right up 698 00:33:15,520 --> 00:33:20,080 Speaker 1: next podcasting Now, Nicola, welcome back to the studio. Great 699 00:33:20,080 --> 00:33:20,640 Speaker 1: to have you here. 700 00:33:21,240 --> 00:33:22,720 Speaker 6: Hi, thank you. 701 00:33:23,160 --> 00:33:25,520 Speaker 1: Now as a co host this afternoon, you've got to 702 00:33:25,520 --> 00:33:28,760 Speaker 1: carry your weight as well, so you've brought a bit 703 00:33:28,760 --> 00:33:31,960 Speaker 1: of your own topic this afternoon. Yep, what have you 704 00:33:32,000 --> 00:33:32,360 Speaker 1: got for it? 705 00:33:32,440 --> 00:33:32,520 Speaker 5: All? 706 00:33:32,600 --> 00:33:32,800 Speaker 3: Right? 707 00:33:32,880 --> 00:33:38,160 Speaker 6: So it's a sort of like you call in sort 708 00:33:38,160 --> 00:33:39,360 Speaker 6: of game sort of thing. 709 00:33:39,440 --> 00:33:42,760 Speaker 2: Yes, people can call in on thirteen one oh six five. Yep, yeah, Okay, 710 00:33:42,800 --> 00:33:43,400 Speaker 2: what's the question? 711 00:33:43,520 --> 00:33:47,800 Speaker 6: It's like it is, what's the most trouble you've been in? 712 00:33:48,200 --> 00:33:49,320 Speaker 6: DJ drop a beat? 713 00:33:57,120 --> 00:33:57,480 Speaker 1: Very good? 714 00:33:57,600 --> 00:33:59,320 Speaker 2: So if you can relate to that thirteen one oh 715 00:33:59,440 --> 00:34:02,960 Speaker 2: six five, what's the most trouble you've ever been in? Now, Nicola, 716 00:34:03,040 --> 00:34:04,280 Speaker 2: why are you asking that question? 717 00:34:04,800 --> 00:34:10,480 Speaker 6: Because today at school we were doing some writing. Oh yeah, no, 718 00:34:10,600 --> 00:34:13,759 Speaker 6: and it was about the convictas and they were in 719 00:34:13,880 --> 00:34:18,360 Speaker 6: a lot of trouble coming to Australia. 720 00:34:17,920 --> 00:34:20,600 Speaker 2: The convicts and they got Pani, I've. 721 00:34:20,480 --> 00:34:23,319 Speaker 1: Gotten a lot of trouble? What did you learn? 722 00:34:23,360 --> 00:34:23,440 Speaker 6: Like? 723 00:34:23,480 --> 00:34:25,160 Speaker 1: What sort of trouble did the convicts get in? 724 00:34:25,800 --> 00:34:28,520 Speaker 6: I'm like we all had a different topic to write about, 725 00:34:28,560 --> 00:34:30,799 Speaker 6: like we could choose it, and I just chose, like 726 00:34:31,320 --> 00:34:33,560 Speaker 6: about how hard it would have been in like the 727 00:34:33,640 --> 00:34:34,960 Speaker 6: stages they went through. 728 00:34:34,760 --> 00:34:36,640 Speaker 1: And what sort of stuff? What sort of stuff did 729 00:34:36,640 --> 00:34:38,239 Speaker 1: you learn? The stuff that they went through, the. 730 00:34:38,400 --> 00:34:40,880 Speaker 6: Boats that they had to come to Australia on it 731 00:34:40,920 --> 00:34:44,880 Speaker 6: was like moldy cold and bloody. 732 00:34:44,560 --> 00:34:48,280 Speaker 1: And moldy cold and bloody sounds pretty hectic. 733 00:34:48,280 --> 00:34:49,480 Speaker 6: And there was rats everywhere. 734 00:34:49,600 --> 00:34:54,240 Speaker 2: Ah, sounds like my bedroom, Nikola. What's the most trouble 735 00:34:54,280 --> 00:34:54,839 Speaker 2: you've been in? 736 00:34:56,840 --> 00:35:00,359 Speaker 6: So, the most trouble I've been in was not being 737 00:35:00,440 --> 00:35:02,239 Speaker 6: able to go to a sleepover? 738 00:35:03,400 --> 00:35:04,560 Speaker 2: Why weren't you allowed to go? 739 00:35:05,400 --> 00:35:10,360 Speaker 6: Because I was sort of eating, like so I can't 740 00:35:10,440 --> 00:35:14,080 Speaker 6: have stuff too much forward before dinner because then I 741 00:35:14,200 --> 00:35:15,759 Speaker 6: like don't eat my dinner or something like that. 742 00:35:15,800 --> 00:35:17,359 Speaker 1: Of course, yeah, yeah, unders standard place. 743 00:35:17,440 --> 00:35:18,440 Speaker 2: Parents always roll with that. 744 00:35:18,560 --> 00:35:23,680 Speaker 6: People I may or may not have had six cookies so. 745 00:35:23,160 --> 00:35:28,040 Speaker 1: Six six yeah, So and then you weren't allowed to 746 00:35:28,040 --> 00:35:29,200 Speaker 1: go to the sleepover after that? 747 00:35:29,440 --> 00:35:29,840 Speaker 6: Yeah? 748 00:35:29,880 --> 00:35:32,279 Speaker 1: Wow, I'm gonna be honest. I think the trouble is 749 00:35:32,600 --> 00:35:34,960 Speaker 1: disproportionate to the crime there. I know your mom, I 750 00:35:34,960 --> 00:35:36,960 Speaker 1: know your mum. Kelly's in the studio, Kelly, I mean 751 00:35:37,400 --> 00:35:39,439 Speaker 1: maybe a little bit ott with the punishment there, mate. 752 00:35:40,120 --> 00:35:44,960 Speaker 2: There was a few other things that happened before. There 753 00:35:45,440 --> 00:35:50,000 Speaker 2: was room cleaning not happening, and then chawls were just 754 00:35:50,160 --> 00:35:52,920 Speaker 2: left and dogs weren't fed. 755 00:35:54,120 --> 00:35:58,160 Speaker 6: I think them at five it was four twenty. 756 00:35:58,280 --> 00:35:59,759 Speaker 2: So I'm. 757 00:36:01,760 --> 00:36:03,640 Speaker 1: I don't think you're going to win that one. Kelly. 758 00:36:03,880 --> 00:36:05,960 Speaker 1: Thirty one and six five. What's the most trouble you've 759 00:36:05,960 --> 00:36:07,719 Speaker 1: ever been in as a kid. We'd love to hear 760 00:36:07,760 --> 00:36:12,640 Speaker 1: from you, guys. Nick I know earlier. Just then, I'll 761 00:36:12,680 --> 00:36:14,120 Speaker 1: tell you could be in a little bit of trouble 762 00:36:14,160 --> 00:36:17,040 Speaker 1: yourself because I just saw you. Somehow you managed to 763 00:36:17,040 --> 00:36:20,000 Speaker 1: find Kyle Sandaland's microphone in the studio, the gold plated 764 00:36:20,040 --> 00:36:24,759 Speaker 1: mic or you've got in front of you. Still you've 765 00:36:24,760 --> 00:36:25,840 Speaker 1: got a message for Kyle. 766 00:36:26,600 --> 00:36:32,000 Speaker 6: Oh, I hope he's not watching this. It's very pretty. 767 00:36:33,120 --> 00:36:35,400 Speaker 6: I love your guest setup. 768 00:36:36,040 --> 00:36:38,279 Speaker 2: That's not I'm not sure if he was going for 769 00:36:38,360 --> 00:36:40,239 Speaker 2: pretty with his microphone. 770 00:36:39,719 --> 00:36:42,280 Speaker 6: But it's very very efficient. 771 00:36:42,320 --> 00:36:47,520 Speaker 1: Efficient efficient, Nickol. You've also brought a phone topic at 772 00:36:47,600 --> 00:36:49,200 Speaker 1: the table today. What's the topic? Mate? 773 00:36:49,320 --> 00:36:53,799 Speaker 6: Okay, so it's what is the most trouble you've been? 774 00:36:54,400 --> 00:36:54,800 Speaker 1: Okay? 775 00:36:54,960 --> 00:36:59,160 Speaker 6: Okay for me? 776 00:37:00,000 --> 00:37:01,239 Speaker 1: Oh you didn't get to throw your audio? Do you 777 00:37:01,239 --> 00:37:01,839 Speaker 1: want to do it again? 778 00:37:02,040 --> 00:37:02,279 Speaker 2: Yeah? 779 00:37:02,360 --> 00:37:03,080 Speaker 1: Okay, go for it. 780 00:37:04,200 --> 00:37:05,280 Speaker 6: So do I stuf from the beginning? 781 00:37:05,360 --> 00:37:05,560 Speaker 10: Yeah? 782 00:37:05,680 --> 00:37:06,960 Speaker 6: Okay, So. 783 00:37:11,160 --> 00:37:11,960 Speaker 1: What's your phone topic? 784 00:37:12,200 --> 00:37:14,359 Speaker 6: My phone topic is what's the most trouble you've been? 785 00:37:14,400 --> 00:37:14,440 Speaker 10: In? 786 00:37:14,560 --> 00:37:23,480 Speaker 2: DJ dramer beat all right, full boarder calls Nichola. A 787 00:37:23,520 --> 00:37:25,680 Speaker 2: lot of people are going to come on their stories. 788 00:37:25,719 --> 00:37:28,799 Speaker 2: We've got Jordy here, on thirteen, one oh six five. 789 00:37:29,440 --> 00:37:31,480 Speaker 2: Hey Jordy, what happened in primary school? 790 00:37:32,320 --> 00:37:32,560 Speaker 10: Hey? 791 00:37:32,640 --> 00:37:34,520 Speaker 5: Will will Woody get out? 792 00:37:34,560 --> 00:37:36,040 Speaker 1: Nikola? How are you going good? 793 00:37:37,360 --> 00:37:37,600 Speaker 5: Yeah? 794 00:37:37,680 --> 00:37:40,000 Speaker 1: Way back when when I was in primary school, I 795 00:37:40,040 --> 00:37:41,640 Speaker 1: was probably in grade two or something like that. 796 00:37:42,080 --> 00:37:44,600 Speaker 3: I thought at lunch time it was a good idea 797 00:37:44,680 --> 00:37:49,400 Speaker 3: to break into the teacher's room classroom, and. 798 00:37:49,480 --> 00:37:52,480 Speaker 7: I stole sold a few chocolates and gave him out 799 00:37:52,480 --> 00:37:53,360 Speaker 7: to a few of mates. 800 00:37:54,920 --> 00:37:55,920 Speaker 8: But one of my. 801 00:37:56,280 --> 00:37:58,960 Speaker 7: Mates was had a pet up allergy and I really 802 00:37:59,000 --> 00:38:01,960 Speaker 7: gave it to him and that went down pretty well 803 00:38:01,960 --> 00:38:02,319 Speaker 7: for him. 804 00:38:02,640 --> 00:38:09,360 Speaker 1: Yea god, Jeordie. So he survived obviously, Yeah, okay, okay, 805 00:38:09,480 --> 00:38:11,759 Speaker 1: gee wiz and what and what sort of trouble did 806 00:38:11,760 --> 00:38:16,840 Speaker 1: you get into their, Jordie? My parents kind of designed 807 00:38:16,880 --> 00:38:17,680 Speaker 1: me for a few weeks. 808 00:38:17,680 --> 00:38:21,440 Speaker 5: I think the teachers were pretty pretty feed off of 809 00:38:21,560 --> 00:38:22,080 Speaker 5: me as well. 810 00:38:23,520 --> 00:38:25,960 Speaker 8: Man nearly suspended or something like that. 811 00:38:26,040 --> 00:38:30,879 Speaker 2: Yeah, wow, that takes it before that moment though, Jesus legend, 812 00:38:30,960 --> 00:38:34,040 Speaker 2: isn't he like he's going and stolen? Rob It's the 813 00:38:34,080 --> 00:38:36,680 Speaker 2: milky back kid. Yeah, literally, it was the milki Back 814 00:38:36,960 --> 00:38:39,120 Speaker 2: for a little bit. It's the dream. 815 00:38:39,120 --> 00:38:41,759 Speaker 1: But good lesson there, of course, particularly given that we're 816 00:38:41,800 --> 00:38:44,799 Speaker 1: hosting with a ten year old Nicola. Be aware of 817 00:38:44,840 --> 00:38:49,000 Speaker 1: your mate's allergies. Don't dish out and chocolate, Nicola. You'd 818 00:38:49,000 --> 00:38:51,440 Speaker 1: be very across that these days, Nicola, at school, wouldn't 819 00:38:51,480 --> 00:38:55,840 Speaker 1: you like? Who's and stuff? Right? Yeah, that's great, all right, 820 00:38:55,880 --> 00:38:59,160 Speaker 1: good stuff. We've got Tie here on are you wearing 821 00:38:59,160 --> 00:38:59,600 Speaker 1: your crown? 822 00:39:00,160 --> 00:39:00,359 Speaker 5: Yes? 823 00:39:00,400 --> 00:39:02,080 Speaker 6: I'm wearing my ice queen crown. 824 00:39:04,640 --> 00:39:06,600 Speaker 1: We're going to get to exactly what they did in 825 00:39:06,600 --> 00:39:08,840 Speaker 1: a second. But she is famous for her burdens, Nicola, 826 00:39:08,920 --> 00:39:10,719 Speaker 1: if you've missed any of them, we will get into 827 00:39:10,719 --> 00:39:12,719 Speaker 1: that up next. But before then, thirty one and six five, 828 00:39:12,800 --> 00:39:15,160 Speaker 1: she's she's throwing a phone topic out there for everyone. 829 00:39:15,239 --> 00:39:18,759 Speaker 1: What's the most trouble you've ever been in? We've got Tie? 830 00:39:18,880 --> 00:39:20,320 Speaker 1: Who's called Tie? 831 00:39:20,880 --> 00:39:21,439 Speaker 9: How are you going? 832 00:39:21,520 --> 00:39:21,840 Speaker 1: Boys? 833 00:39:22,120 --> 00:39:22,640 Speaker 9: And Nikola? 834 00:39:23,239 --> 00:39:23,439 Speaker 10: Hi? 835 00:39:25,120 --> 00:39:27,000 Speaker 9: Nicola? First of all, I just want to say, look, 836 00:39:27,160 --> 00:39:30,480 Speaker 9: you've got a lot of talent, more than these boys, 837 00:39:32,040 --> 00:39:35,600 Speaker 9: better a better job than radio. 838 00:39:36,200 --> 00:39:41,600 Speaker 1: Come on, I love your boy. Now let's get the story, 839 00:39:41,719 --> 00:39:42,080 Speaker 1: shall we. 840 00:39:42,880 --> 00:39:45,839 Speaker 9: Okay, So when I was Nicola's age, I'm like her, 841 00:39:45,960 --> 00:39:50,200 Speaker 9: I actually had a girlfriend, and to impress her and 842 00:39:50,280 --> 00:39:57,000 Speaker 9: keep her on my side. 843 00:39:54,800 --> 00:39:58,920 Speaker 1: I won't I don't careful what you say off the microphone. 844 00:39:58,920 --> 00:39:59,840 Speaker 1: We can hear everything. 845 00:40:00,080 --> 00:40:02,359 Speaker 6: All right, he doesn't know that I might. 846 00:40:03,040 --> 00:40:07,000 Speaker 1: Okay, all right, very good. You had a girlfriend, you 847 00:40:07,160 --> 00:40:08,040 Speaker 1: you were ten years old. 848 00:40:09,200 --> 00:40:14,160 Speaker 9: So I went to my mum's jewelry box and grabbed 849 00:40:14,160 --> 00:40:16,120 Speaker 9: a ring out to give my girlfriend. It was my 850 00:40:16,200 --> 00:40:17,319 Speaker 9: mum's engagement ring. 851 00:40:17,480 --> 00:40:22,120 Speaker 1: Oh what did you didn't lose it though? 852 00:40:23,400 --> 00:40:23,440 Speaker 10: No? 853 00:40:23,719 --> 00:40:26,280 Speaker 9: Na, No, her mom rang up and told my dad 854 00:40:26,360 --> 00:40:28,480 Speaker 9: and uh yeah, my dad give me a bit of 855 00:40:28,480 --> 00:40:29,200 Speaker 9: a whooping for that. 856 00:40:29,280 --> 00:40:31,040 Speaker 1: So she so, she just so, she just walked in 857 00:40:31,080 --> 00:40:34,000 Speaker 1: the door after school with a diamond ring on her finger. 858 00:40:35,040 --> 00:40:37,600 Speaker 9: Yeah, yeah, yeah, which is pretty good. I thought, well 859 00:40:37,640 --> 00:40:39,520 Speaker 9: I should be still, I should marry I should have 860 00:40:39,560 --> 00:40:40,160 Speaker 9: married her by. 861 00:40:40,120 --> 00:40:42,320 Speaker 2: Now was she impressed? Was she impressed? 862 00:40:42,840 --> 00:40:45,880 Speaker 9: She was? She was mum and dad not so. 863 00:40:46,160 --> 00:40:50,640 Speaker 1: No, absolutely no, thanks for the call tie kill me? 864 00:40:52,320 --> 00:40:53,200 Speaker 2: Did you say kill me? 865 00:40:55,120 --> 00:40:59,359 Speaker 1: The story wasn't that bad. You haven't even got into 866 00:40:59,400 --> 00:41:06,760 Speaker 1: yours yet. We are joined by a very very special guest. Nicola, 867 00:41:07,200 --> 00:41:10,080 Speaker 1: the ten year old girl who sent us back to school, 868 00:41:10,880 --> 00:41:13,000 Speaker 1: said that she could do our jobs, and now she 869 00:41:13,080 --> 00:41:14,840 Speaker 1: gets her crack. If you just joined, you just won 870 00:41:14,920 --> 00:41:16,520 Speaker 1: five and a bucks Nicholas. So you're off to a 871 00:41:16,560 --> 00:41:17,400 Speaker 1: flying start. 872 00:41:18,200 --> 00:41:20,640 Speaker 2: But I think we want to lean into now, Nicola, 873 00:41:20,680 --> 00:41:21,719 Speaker 2: what you're really good at? 874 00:41:21,760 --> 00:41:25,400 Speaker 1: People have loved hearing you burn Woody and I. Have 875 00:41:25,440 --> 00:41:27,320 Speaker 1: you enjoyed burning Woody and I on the show? 876 00:41:28,320 --> 00:41:30,640 Speaker 6: It was quite fun? But I can be nice. I 877 00:41:30,680 --> 00:41:32,600 Speaker 6: can be nice. Promise I promised. 878 00:41:32,680 --> 00:41:34,080 Speaker 2: I haven't seen that yet, haven't. 879 00:41:34,360 --> 00:41:35,200 Speaker 6: I'll be nice today. 880 00:41:35,840 --> 00:41:37,440 Speaker 2: No, we want you to burn. We actually want you 881 00:41:37,480 --> 00:41:39,799 Speaker 2: to burn. We want to see you burn some people. 882 00:41:39,840 --> 00:41:42,840 Speaker 2: And they're actually people who have contacted the show because 883 00:41:42,880 --> 00:41:45,200 Speaker 2: they want to be burnt by They've enjoyed listening to 884 00:41:45,280 --> 00:41:47,799 Speaker 2: you burn us that they want to experience it. So 885 00:41:48,200 --> 00:41:50,040 Speaker 2: are you want for burning some more people? Nichola? 886 00:41:50,400 --> 00:41:52,520 Speaker 1: Yes, all right, Well before we get into him, if 887 00:41:52,520 --> 00:41:56,239 Speaker 1: you've missed Nicholas burns before, have a listen to this row. 888 00:41:56,680 --> 00:41:58,719 Speaker 1: What hey, Nikola, how are you going? 889 00:41:59,360 --> 00:42:02,600 Speaker 2: Are you sitting there thinking that school is actually quite difficult? 890 00:42:02,920 --> 00:42:03,080 Speaker 3: Yes? 891 00:42:03,160 --> 00:42:05,080 Speaker 6: All you guys have to do is going at four 892 00:42:05,080 --> 00:42:06,400 Speaker 6: o'clock and just start talking. 893 00:42:08,800 --> 00:42:10,799 Speaker 2: Did you see us at show? 894 00:42:10,840 --> 00:42:13,560 Speaker 5: And tell Nicola I think it was quite a tragedy. 895 00:42:15,560 --> 00:42:19,080 Speaker 6: I start, I'm right, and you can't hand the school 896 00:42:19,400 --> 00:42:20,759 Speaker 6: and I could be a job any day. 897 00:42:21,040 --> 00:42:24,880 Speaker 1: You could do our job. I could be your job, Nicola. 898 00:42:25,160 --> 00:42:27,399 Speaker 1: All Right, the breaks a little bit, Nichol. At least 899 00:42:27,800 --> 00:42:30,120 Speaker 1: five thousand people that listen to our podcast, so jam it. 900 00:42:31,440 --> 00:42:33,400 Speaker 6: Some people are listening to me right now, so it 901 00:42:33,400 --> 00:42:37,520 Speaker 6: doesn't seem that hard, all. 902 00:42:37,480 --> 00:42:39,280 Speaker 2: Right, Nichola Winnicle. 903 00:42:39,520 --> 00:42:40,399 Speaker 1: Are you ready to go? 904 00:42:40,840 --> 00:42:41,360 Speaker 6: I'm ready? 905 00:42:41,400 --> 00:42:44,280 Speaker 1: Okay. So these people are genuinely called up to get 906 00:42:44,280 --> 00:42:46,480 Speaker 1: burned by you. What's going to happen is is they're 907 00:42:46,480 --> 00:42:49,440 Speaker 1: just going to say their name and their job, okay, okay, 908 00:42:49,520 --> 00:42:51,719 Speaker 1: and then you just come up with whatever comes to 909 00:42:51,760 --> 00:42:55,080 Speaker 1: the top of your head based on what their job is. Okay, okay. 910 00:42:55,120 --> 00:42:55,759 Speaker 6: Can it be mean? 911 00:42:57,000 --> 00:42:58,200 Speaker 2: Of course you. 912 00:43:00,239 --> 00:43:00,560 Speaker 7: Can be. 913 00:43:00,719 --> 00:43:01,440 Speaker 1: That's the idea. 914 00:43:01,560 --> 00:43:02,040 Speaker 10: Here you go. 915 00:43:02,120 --> 00:43:05,920 Speaker 1: All right. We've got Julia, who's called up first. 916 00:43:06,480 --> 00:43:11,760 Speaker 2: Okay, Julie, Hi, my name is Julie and I'm an accountant. 917 00:43:12,680 --> 00:43:16,800 Speaker 1: What was that the burn? 918 00:43:16,880 --> 00:43:22,040 Speaker 2: What's an accountant? Even when it's unintentional? 919 00:43:22,160 --> 00:43:26,560 Speaker 1: She burns, Nicola. 920 00:43:28,160 --> 00:43:31,799 Speaker 2: Let's move on to Matt. Matt you then, yes, could 921 00:43:31,840 --> 00:43:32,000 Speaker 2: I go? 922 00:43:32,320 --> 00:43:35,400 Speaker 1: Are we good good? Nicola? Are you going good? 923 00:43:35,560 --> 00:43:38,640 Speaker 10: How are you? I'm fantastic? Thank you? How's your day going? 924 00:43:38,880 --> 00:43:42,960 Speaker 9: It's been all right, all right, suns out, can't complain. 925 00:43:43,320 --> 00:43:43,719 Speaker 1: M hmm. 926 00:43:45,040 --> 00:43:48,440 Speaker 2: What's your job, Bett, I'm a really stat agent. 927 00:43:49,400 --> 00:43:52,000 Speaker 6: Okay, that's a hard one. 928 00:43:52,600 --> 00:43:53,440 Speaker 1: Yeah it is. 929 00:43:55,320 --> 00:43:56,240 Speaker 6: Do you have a house? 930 00:43:59,920 --> 00:44:05,360 Speaker 1: You even have a house? Back, you don't even have 931 00:44:05,480 --> 00:44:08,399 Speaker 1: our house. She's done it again. Wack. 932 00:44:09,200 --> 00:44:13,160 Speaker 2: Let's go to Jane now to complete the drive factor. Nikola, 933 00:44:13,280 --> 00:44:18,239 Speaker 2: you are amazing. We've We've got Jane here. 934 00:44:18,360 --> 00:44:21,240 Speaker 5: Hi, Jane, Hi, Hi, how are you? 935 00:44:23,360 --> 00:44:26,040 Speaker 8: I'm fifty one and I'm a chicken inspector. 936 00:44:26,440 --> 00:44:30,320 Speaker 6: Inspector okay, like you put it on cars? 937 00:44:30,520 --> 00:44:33,840 Speaker 1: Okay, okay, no, no, I'm I'm on the tram. 938 00:44:34,680 --> 00:44:39,480 Speaker 5: Oh yeah, I'm a revenue collector for the state government. 939 00:44:39,600 --> 00:44:40,200 Speaker 1: Oh wow. 940 00:44:40,400 --> 00:44:42,520 Speaker 6: That's just a little bit higher than cars, isn't it. 941 00:44:42,640 --> 00:44:55,520 Speaker 13: Who feel that she came up with a bang scorches 942 00:44:55,560 --> 00:44:56,279 Speaker 13: the fifty one? 943 00:44:57,640 --> 00:44:59,319 Speaker 5: Did you leave any one? I feel bad? 944 00:45:01,680 --> 00:45:03,799 Speaker 1: They loved it. They called up, they wanted it. They 945 00:45:03,800 --> 00:45:07,960 Speaker 1: wanted to experience the full Nicola burn Nicola great stuff 946 00:45:08,080 --> 00:45:10,000 Speaker 1: on fire. So far, mate, what we're gonna do is 947 00:45:10,000 --> 00:45:12,640 Speaker 1: we're gonna go to the traffic. Are you able to 948 00:45:12,719 --> 00:45:13,359 Speaker 1: stay with us? 949 00:45:13,760 --> 00:45:13,960 Speaker 5: Yeah? 950 00:45:14,080 --> 00:45:16,560 Speaker 1: Okay great. On the other side, you get to choose 951 00:45:16,600 --> 00:45:20,279 Speaker 1: the next song on the show. So okay, yeah, what 952 00:45:20,280 --> 00:45:20,840 Speaker 1: are you thinking? 953 00:45:22,080 --> 00:45:23,720 Speaker 6: I don't know. 954 00:45:24,440 --> 00:45:28,000 Speaker 1: Question, You've got some time to think about it. Nicola, 955 00:45:28,320 --> 00:45:30,520 Speaker 1: the ten year old girl who's sent us to school, 956 00:45:30,600 --> 00:45:33,320 Speaker 1: is in the studio co hosting with us. She chooses 957 00:45:33,360 --> 00:45:36,600 Speaker 1: the tune right up next to Nicola, We've got a 958 00:45:36,600 --> 00:45:38,920 Speaker 1: big surprise for you up next as well. Oh, okay, 959 00:45:43,680 --> 00:45:50,520 Speaker 1: podcasting now, nick final little bit here, last spot for 960 00:45:50,600 --> 00:45:53,560 Speaker 1: the show. Nicholas been with for the last hour nearly 961 00:45:54,040 --> 00:45:55,840 Speaker 1: on the show, So thank you so much for coming in. 962 00:45:55,840 --> 00:45:56,560 Speaker 1: If you had a good. 963 00:45:56,400 --> 00:45:59,120 Speaker 6: Time, Yes, I've had an amazing time. 964 00:45:59,280 --> 00:46:01,279 Speaker 1: You've been, you've been, You've been really starting all missed it? 965 00:46:01,360 --> 00:46:04,200 Speaker 1: Good on the podcast, William Wood wherever you get your podcast. 966 00:46:04,239 --> 00:46:06,160 Speaker 2: Your time is running out though, Nicola, is there anything 967 00:46:06,200 --> 00:46:07,880 Speaker 2: you want to get off your chest or anything? Just 968 00:46:07,920 --> 00:46:12,640 Speaker 2: while you've got the air waves. 969 00:46:13,120 --> 00:46:15,200 Speaker 1: You were you were asking what are your question of 970 00:46:15,239 --> 00:46:16,480 Speaker 1: the song about his girlfriend? 971 00:46:16,719 --> 00:46:16,919 Speaker 5: Oh? 972 00:46:17,040 --> 00:46:18,520 Speaker 1: Yes, are you? 973 00:46:18,719 --> 00:46:22,840 Speaker 6: Are you still you know talking to Abby Chaffield? 974 00:46:23,680 --> 00:46:24,960 Speaker 1: Thank you's going to care? 975 00:46:29,000 --> 00:46:32,240 Speaker 2: No, we weren't. We weren't talking, Nicola. 976 00:46:32,400 --> 00:46:35,319 Speaker 6: We just well, I think you've gone on a date. 977 00:46:36,000 --> 00:46:36,239 Speaker 1: Wow. 978 00:46:36,440 --> 00:46:39,160 Speaker 2: No, not with Abby, Wow, it's with someone else. 979 00:46:39,800 --> 00:46:44,799 Speaker 1: Sounds skeptical, doesn't it. Do we believe in Nicola? No, no, no, Nick, 980 00:46:44,880 --> 00:46:47,080 Speaker 1: if anyone missed it, like she has been red hot 981 00:46:47,120 --> 00:46:49,480 Speaker 1: today singing thature burned there you just got a little 982 00:46:49,520 --> 00:46:52,200 Speaker 1: bit of a taste y. But people called up for 983 00:46:52,200 --> 00:46:54,880 Speaker 1: for just to get burt by Nichola, just to feel 984 00:46:54,880 --> 00:46:57,040 Speaker 1: the full effect of a Nicola Burne. Ever listen to 985 00:46:57,040 --> 00:46:57,880 Speaker 1: some of these. 986 00:46:58,760 --> 00:46:59,440 Speaker 9: Were married her. 987 00:46:59,440 --> 00:47:00,840 Speaker 2: But now was she impressed? 988 00:47:01,400 --> 00:47:01,799 Speaker 6: She was? 989 00:47:02,040 --> 00:47:04,360 Speaker 1: She was kill me? 990 00:47:06,000 --> 00:47:10,480 Speaker 2: Did you kill me? And I'm the chicken inspector? 991 00:47:10,600 --> 00:47:11,520 Speaker 6: You put it on cars? 992 00:47:12,239 --> 00:47:14,240 Speaker 5: No, no, no, I'm on the tram. 993 00:47:14,400 --> 00:47:16,839 Speaker 6: Oh that's just a little bit higher than cars, isn't it? 994 00:47:21,480 --> 00:47:25,600 Speaker 1: In savage Nick? You mean it, You're savage best. Thank 995 00:47:25,640 --> 00:47:27,680 Speaker 1: you so much for coming on the show. I think 996 00:47:27,800 --> 00:47:29,719 Speaker 1: I speak on behalf of the rest of Australia when 997 00:47:29,719 --> 00:47:32,479 Speaker 1: I say you have been absolutely brilliant. But we've got 998 00:47:32,840 --> 00:47:38,120 Speaker 1: one final flourish here because you are going to choose 999 00:47:38,120 --> 00:47:41,360 Speaker 1: the tune this afternoon. I'll let you throw to that 1000 00:47:41,440 --> 00:47:43,520 Speaker 1: in a sec you can. You can throw to the 1001 00:47:43,600 --> 00:47:45,279 Speaker 1: DJ again because I know how much you like that. 1002 00:47:46,040 --> 00:47:47,759 Speaker 1: But before we get out of here, everyone should know 1003 00:47:47,760 --> 00:47:53,400 Speaker 1: that Nikola is a star softballer. She plays state softballer softball. 1004 00:47:53,440 --> 00:47:57,360 Speaker 1: She's the catcher, Nick, shout out to your softball teammates. 1005 00:47:57,600 --> 00:48:01,440 Speaker 6: Yeah, the princess out there, princess. 1006 00:48:04,600 --> 00:48:08,160 Speaker 1: Okay, all right, mate. So what we're gonna do, what 1007 00:48:09,000 --> 00:48:11,279 Speaker 1: we're gonna do for you is for coming on the 1008 00:48:11,280 --> 00:48:13,440 Speaker 1: show today. As a big thank you, we've got for 1009 00:48:13,480 --> 00:48:16,160 Speaker 1: you one thousand dollars to spend on eBay to buy 1010 00:48:16,160 --> 00:48:23,080 Speaker 1: as much softball gear as you like. Will it all 1011 00:48:23,120 --> 00:48:23,920 Speaker 1: be softball gear? 1012 00:48:24,040 --> 00:48:25,439 Speaker 2: Nikola? Is there anything else you want? 1013 00:48:25,800 --> 00:48:29,560 Speaker 6: Maybe? Maybe I mean a thousand dollars. 1014 00:48:30,000 --> 00:48:31,680 Speaker 1: A lot of cash. 1015 00:48:31,719 --> 00:48:32,279 Speaker 6: Thank you. 1016 00:48:32,440 --> 00:48:34,480 Speaker 1: That's all right, mate, Thank you for coming on the show. 1017 00:48:34,480 --> 00:48:36,239 Speaker 1: You've been a staff for this show for the last 1018 00:48:36,280 --> 00:48:38,960 Speaker 1: two weeks. Everybody has loved you. Everybody wanted you to 1019 00:48:38,960 --> 00:48:41,200 Speaker 1: come on and co host with us, And honestly, we've 1020 00:48:41,200 --> 00:48:43,319 Speaker 1: had some really talented people in this studio with us, 1021 00:48:43,400 --> 00:48:46,680 Speaker 1: and you are up there with comfortably, pound for pounds, 1022 00:48:47,040 --> 00:48:48,759 Speaker 1: one of the most talented people we've had in the 1023 00:48:48,800 --> 00:48:50,960 Speaker 1: studio with us. You've been a joy. So thanks so 1024 00:48:51,040 --> 00:48:54,520 Speaker 1: much for brightening up our lives in here and everybody 1025 00:48:54,520 --> 00:48:56,120 Speaker 1: else's lives in the car on the way home. You've 1026 00:48:56,120 --> 00:49:01,280 Speaker 1: been awesome men podcasting carl step Vic and Brooke Bony 1027 00:49:01,280 --> 00:49:03,400 Speaker 1: teaming out on the Today Show Today Absolute stitch up, 1028 00:49:03,680 --> 00:49:06,799 Speaker 1: Absolute stitch up from Carlen Brook. He threw out her 1029 00:49:06,800 --> 00:49:10,279 Speaker 1: for a bit of media goss without her knowing that 1030 00:49:10,400 --> 00:49:13,040 Speaker 1: he was throwing to her. Now, I think we pinched 1031 00:49:13,080 --> 00:49:15,960 Speaker 1: this off her Instagram, but have listened to the audio 1032 00:49:16,000 --> 00:49:17,960 Speaker 1: here as he throws to her and she's lying on 1033 00:49:18,000 --> 00:49:22,680 Speaker 1: the couch trawling through her own feed to stitch up. Well, 1034 00:49:22,719 --> 00:49:24,520 Speaker 1: it's been a huge day and entertained. Let's get something 1035 00:49:24,520 --> 00:49:33,719 Speaker 1: now and Brook there's much more for pen very good 1036 00:49:33,760 --> 00:49:37,200 Speaker 1: gin now. It reminded me unmistakably of the time that 1037 00:49:37,280 --> 00:49:40,280 Speaker 1: you were on the project for the first and only 1038 00:49:40,360 --> 00:49:44,120 Speaker 1: time and ever will ever be played enough when they 1039 00:49:44,160 --> 00:49:46,919 Speaker 1: threw to you to do a whip and you didn't 1040 00:49:46,960 --> 00:49:49,440 Speaker 1: reply to them live on National TV. Get some of 1041 00:49:49,480 --> 00:49:51,520 Speaker 1: these guys about twenty takes on the show. 1042 00:49:51,560 --> 00:50:14,279 Speaker 5: Would you go for it? Yo? Yeah? 1043 00:50:14,360 --> 00:50:16,880 Speaker 2: I never called me back, did they? That was my 1044 00:50:16,920 --> 00:50:20,520 Speaker 2: one appearance on the project and you can see why. 1045 00:50:20,640 --> 00:50:22,920 Speaker 2: You can see why the of the show and I 1046 00:50:23,080 --> 00:50:24,400 Speaker 2: was like, do would he go? 1047 00:50:25,800 --> 00:50:27,320 Speaker 1: Here's the thing I couldn't. 1048 00:50:27,719 --> 00:50:29,480 Speaker 2: I didn't want to do this, but I couldn't hear 1049 00:50:29,840 --> 00:50:32,160 Speaker 2: because the moron was playing bongos in my ear, and 1050 00:50:32,200 --> 00:50:33,919 Speaker 2: I said to him before the bit, I said, mate, 1051 00:50:34,120 --> 00:50:36,879 Speaker 2: you're gonna have to stop playing the bongos because I'm 1052 00:50:36,920 --> 00:50:39,680 Speaker 2: doing a cross. And he stepped up his bongos and. 1053 00:50:39,640 --> 00:50:42,040 Speaker 13: I'm going to find that bug because he has destroyed 1054 00:50:42,040 --> 00:50:43,000 Speaker 13: my teav a career. 1055 00:50:43,840 --> 00:50:47,000 Speaker 1: See what you're hearing. Find us on Instagram and Facebook 1056 00:50:47,160 --> 00:50:48,160 Speaker 1: search Will and Woody