1 00:00:00,400 --> 00:00:04,400 Speaker 1: Get Born is turning twenty and to celebrate, jetiking a 2 00:00:04,400 --> 00:00:06,960 Speaker 1: bit at Metropolis in Frio for they Get Born twentieth 3 00:00:06,960 --> 00:00:10,760 Speaker 1: Anniversary tour on Friday May seventeen. Tickets are available through 4 00:00:10,840 --> 00:00:13,080 Speaker 1: Live Nation and bass player Mirke Wilson is with us. Now, 5 00:00:13,119 --> 00:00:17,440 Speaker 1: good morning, good morning, thanks for having me twenty Oh wow, 6 00:00:19,640 --> 00:00:21,959 Speaker 1: none of us can quite believe it. World, what do 7 00:00:22,360 --> 00:00:26,880 Speaker 1: same boat here? No, it's a celebration of the twenty years. 8 00:00:27,240 --> 00:00:28,880 Speaker 1: Is it going to be the album in full or 9 00:00:29,000 --> 00:00:31,680 Speaker 1: O mix of songs from other albums as well? 10 00:00:32,080 --> 00:00:34,760 Speaker 2: You have to really have to wait. Okay, it's surprise. 11 00:00:35,000 --> 00:00:35,680 Speaker 2: Get your tickets. 12 00:00:35,760 --> 00:00:36,720 Speaker 3: You would have to kill me. 13 00:00:36,720 --> 00:00:38,959 Speaker 2: I don't give away all the truth, can Yeah? 14 00:00:39,159 --> 00:00:40,680 Speaker 3: Now we'll get you to read the whole set list 15 00:00:40,680 --> 00:00:41,800 Speaker 3: out for us Mark and they have to play the 16 00:00:41,800 --> 00:00:42,240 Speaker 3: same songs. 17 00:00:42,640 --> 00:00:44,080 Speaker 2: I'll email you a PDF of it. 18 00:00:45,360 --> 00:00:47,239 Speaker 3: Yeah, we can do that. 19 00:00:47,479 --> 00:00:48,400 Speaker 2: You need to come to the gig. 20 00:00:48,640 --> 00:00:51,280 Speaker 3: This gig here is as they said, it's Metropolis sur Frio. 21 00:00:51,360 --> 00:00:52,839 Speaker 3: But I did see you a few years ago at 22 00:00:53,080 --> 00:00:54,840 Speaker 3: Metro City and I don't know if we've had this chat, 23 00:00:54,880 --> 00:00:57,000 Speaker 3: but it was a night when there was the power 24 00:00:57,040 --> 00:00:59,280 Speaker 3: went out and your amps went down just near the 25 00:00:59,360 --> 00:01:02,320 Speaker 3: end of the and I remember seeing I remember seeing 26 00:01:02,360 --> 00:01:04,520 Speaker 3: a bass guitar go flying through the air at one 27 00:01:04,520 --> 00:01:05,480 Speaker 3: stage and then great with You. 28 00:01:05,640 --> 00:01:08,479 Speaker 2: Yeah, I think that was that some time ago. 29 00:01:08,760 --> 00:01:10,800 Speaker 3: I was about ten, twelve years ago, something like that. 30 00:01:10,920 --> 00:01:14,040 Speaker 2: Yeah, yeah, I do remember that happening. Yeah, probably a 31 00:01:14,040 --> 00:01:15,479 Speaker 2: little probably a little frustrated. 32 00:01:15,760 --> 00:01:18,640 Speaker 3: Yeah, I was right at finale too. You're doing that song, so. 33 00:01:18,720 --> 00:01:21,600 Speaker 2: You know, yeah, yeah, yeah, yeah. It's not great when 34 00:01:21,640 --> 00:01:23,720 Speaker 2: you when your power goes down or something goes wrong 35 00:01:23,840 --> 00:01:25,760 Speaker 2: right at the end. But you know, a bit of 36 00:01:25,800 --> 00:01:27,839 Speaker 2: a few more years under my belt, I'm probably handed 37 00:01:27,840 --> 00:01:29,119 Speaker 2: a little bit. Yeah. 38 00:01:29,160 --> 00:01:32,280 Speaker 1: It would leave you sort of like, you know, launching 39 00:01:32,319 --> 00:01:34,480 Speaker 1: there feeling like I've got to get this out and 40 00:01:34,560 --> 00:01:35,199 Speaker 1: now I can't. 41 00:01:35,360 --> 00:01:38,680 Speaker 2: You really just want to be great. Every night goes wrong. 42 00:01:38,920 --> 00:01:41,120 Speaker 2: It really does upstate you, you know. And it's not because 43 00:01:41,200 --> 00:01:43,880 Speaker 2: you're being precious. It's because you're up there to do, 44 00:01:44,240 --> 00:01:46,000 Speaker 2: like your people have paid to see you play, so 45 00:01:46,040 --> 00:01:47,720 Speaker 2: you want to give them the best show that they 46 00:01:47,920 --> 00:01:50,720 Speaker 2: You know, we're very much into that and giving people 47 00:01:50,760 --> 00:01:53,400 Speaker 2: good sets and songs. We know that they want to hear, 48 00:01:53,520 --> 00:01:55,760 Speaker 2: and you know, because we're absomally, you're there to entertain 49 00:01:56,440 --> 00:01:57,240 Speaker 2: I forget that sometimes. 50 00:01:57,240 --> 00:01:59,560 Speaker 3: And also you don't want your beloved instrument broken. And 51 00:01:59,600 --> 00:02:01,720 Speaker 3: it's not like Paul Stanley from Kiss Grabbing your cheek 52 00:02:01,720 --> 00:02:03,240 Speaker 3: one to do the smashing on the stage. 53 00:02:03,360 --> 00:02:05,560 Speaker 2: No, no, no no, it's a part of it all, 54 00:02:05,960 --> 00:02:09,680 Speaker 2: a lovely of them, of the base. They're pretty hard 55 00:02:09,720 --> 00:02:10,520 Speaker 2: to break, I must. 56 00:02:10,560 --> 00:02:13,880 Speaker 1: Yeah, let's just remind ourselves of what a game change 57 00:02:13,880 --> 00:02:17,480 Speaker 1: you get born the album was. It was an international 58 00:02:17,520 --> 00:02:21,519 Speaker 1: success as well as here you won six six Arias 59 00:02:21,560 --> 00:02:24,760 Speaker 1: for it. It went platinum nine times. It remains one 60 00:02:24,760 --> 00:02:28,600 Speaker 1: of the top I Beg Your Pardon ten now it 61 00:02:28,639 --> 00:02:31,560 Speaker 1: remains one of the top five highest selling Australian rock 62 00:02:31,600 --> 00:02:35,400 Speaker 1: albums of all time. Did you you know when you 63 00:02:35,440 --> 00:02:38,480 Speaker 1: are making it? Did anyone ever dare go? You know what? 64 00:02:38,639 --> 00:02:40,520 Speaker 1: This this is going to be bigger than Bead Hurt? 65 00:02:41,000 --> 00:02:42,960 Speaker 2: You know what? It's so hard to know when you're 66 00:02:42,960 --> 00:02:45,840 Speaker 2: in the middle of it, especially when it's the first record. 67 00:02:45,919 --> 00:02:47,639 Speaker 2: You have no idea. There's so many things that can 68 00:02:47,680 --> 00:02:49,240 Speaker 2: go wrong, so many things that can go right, and 69 00:02:49,360 --> 00:02:51,520 Speaker 2: often some of the stuff's just not up to you. You 70 00:02:51,480 --> 00:02:53,480 Speaker 2: don't know, Like you can say this is a great song, 71 00:02:53,520 --> 00:02:56,440 Speaker 2: but until it connects with people you've never have never seen, 72 00:02:56,480 --> 00:02:58,720 Speaker 2: you never heard, you like, you don't know. Until then, 73 00:02:58,760 --> 00:03:01,240 Speaker 2: obviously we speculated that it was all good. But at 74 00:03:01,280 --> 00:03:02,840 Speaker 2: the end of the day, a lot of great records 75 00:03:02,880 --> 00:03:06,080 Speaker 2: have gone unheard. You know, if I could have come 76 00:03:06,120 --> 00:03:07,960 Speaker 2: to believe this, you know, you need to have, you know, 77 00:03:07,960 --> 00:03:09,760 Speaker 2: a lot of skill and a lot of you know, talent, 78 00:03:09,840 --> 00:03:11,519 Speaker 2: but also you need a lot of luck on your side. 79 00:03:11,520 --> 00:03:12,840 Speaker 2: You need to be making the right music at the 80 00:03:12,919 --> 00:03:14,600 Speaker 2: right time time, and we were just happen to be. 81 00:03:14,680 --> 00:03:16,520 Speaker 3: I think, you know, maybe we've just had Awards season 82 00:03:16,560 --> 00:03:18,600 Speaker 3: in Hollywood and before that the Grammys, and every time 83 00:03:18,600 --> 00:03:20,760 Speaker 3: I watched the Awards, I go tesays, trophies are beautiful. 84 00:03:21,040 --> 00:03:21,959 Speaker 3: Have you got one of the Arias? 85 00:03:22,000 --> 00:03:24,440 Speaker 2: And yeah, we've got them all. We all get well, 86 00:03:24,480 --> 00:03:26,359 Speaker 2: we just got to inducted into the Hall of Fame, 87 00:03:26,400 --> 00:03:28,839 Speaker 2: so it's a gold one now beautiful. Yeah, so yeah, 88 00:03:29,000 --> 00:03:32,240 Speaker 2: everyone gets their own. We've got MTV Music Award. You know, 89 00:03:32,280 --> 00:03:35,120 Speaker 2: that's pretty good. They're all in my studio. And look, honestly, 90 00:03:35,160 --> 00:03:36,800 Speaker 2: I don't have a lot of the platinum records up 91 00:03:36,840 --> 00:03:38,240 Speaker 2: on the walls, but I've got some of my favorite 92 00:03:38,280 --> 00:03:40,680 Speaker 2: ones up You know in my studio and stuff not 93 00:03:40,680 --> 00:03:46,680 Speaker 2: in the house enough. I must have met. Most of 94 00:03:46,720 --> 00:03:50,320 Speaker 2: my platinum records are up in the roof space. Really, 95 00:03:50,800 --> 00:03:52,240 Speaker 2: I don't know what to do with them. Yeah, I 96 00:03:52,840 --> 00:03:53,600 Speaker 2: don't know where to put them. 97 00:03:53,680 --> 00:03:56,160 Speaker 3: I should do a Michael Jordan trophy, room mate, a 98 00:03:56,200 --> 00:03:56,880 Speaker 3: million trophy. 99 00:03:57,160 --> 00:03:59,640 Speaker 2: Yeah, I might need some of Michael Jordan's cash to. 100 00:03:59,560 --> 00:04:03,240 Speaker 1: Build a Apologies and advance. If you've been asked this, 101 00:04:03,480 --> 00:04:06,360 Speaker 1: you know a kajillion times, but I have to it 102 00:04:06,400 --> 00:04:09,280 Speaker 1: gets me every time. The cough at the beginning of 103 00:04:09,320 --> 00:04:11,200 Speaker 1: are you going to be My Girl? The little little 104 00:04:11,520 --> 00:04:11,840 Speaker 1: you know. 105 00:04:11,880 --> 00:04:16,839 Speaker 2: Throat clean? Tell me what did you know? Do you 106 00:04:16,880 --> 00:04:17,760 Speaker 2: think let's leave it? 107 00:04:17,839 --> 00:04:19,240 Speaker 1: That's going to be a talking point. 108 00:04:19,080 --> 00:04:21,200 Speaker 2: When we made that record. If you listen to what 109 00:04:21,320 --> 00:04:23,240 Speaker 2: was sort of what was big on the radio at 110 00:04:23,279 --> 00:04:25,839 Speaker 2: the times, really commercial rock, and it was very clean, 111 00:04:25,920 --> 00:04:30,280 Speaker 2: polished production, and we just didn't kind of care. If 112 00:04:30,279 --> 00:04:32,120 Speaker 2: you listen to Get Born with the headphones on, you 113 00:04:32,160 --> 00:04:34,800 Speaker 2: can hear us chatting in the background, and we left 114 00:04:34,839 --> 00:04:36,600 Speaker 2: all that in, and look, we could have edited it 115 00:04:36,640 --> 00:04:38,159 Speaker 2: all out, but we liked it. And a lot of 116 00:04:38,160 --> 00:04:40,480 Speaker 2: our favorite records you've listened to, Led Zeppelin records of 117 00:04:40,520 --> 00:04:43,560 Speaker 2: Beatles records. You hear a lot of artifacts in there 118 00:04:43,600 --> 00:04:46,960 Speaker 2: that make it cooler, like little Easter eggs fans, and 119 00:04:47,000 --> 00:04:48,320 Speaker 2: like I said, we could have cut it out. I 120 00:04:48,320 --> 00:04:50,160 Speaker 2: don't think we ever thought, oh, this will be cool 121 00:04:50,200 --> 00:04:52,040 Speaker 2: to leave it in. I just thought we were like, no, 122 00:04:52,320 --> 00:04:53,760 Speaker 2: leave it in. Who cares? You know, like, just leave 123 00:04:53,760 --> 00:04:54,359 Speaker 2: it in. It happened. 124 00:04:55,040 --> 00:04:57,760 Speaker 3: Everything has to be like Mutt Lang producing Deaf Leppards 125 00:04:57,800 --> 00:05:00,480 Speaker 3: Hysteria exactly. Yeah, yeah, I hope we produced and then 126 00:05:01,040 --> 00:05:04,320 Speaker 3: and Sugary Smooth. But you playing the Formula one Grand Prix. 127 00:05:04,680 --> 00:05:06,440 Speaker 3: Are you an F one man? You guys into it? 128 00:05:06,680 --> 00:05:08,560 Speaker 2: Yeah? I mean, look, I'm into it in a sense 129 00:05:08,560 --> 00:05:10,440 Speaker 2: that it's I'm not I wouldn't say I watch every race, 130 00:05:10,520 --> 00:05:13,359 Speaker 2: but yeah, something it's the only really motor sport that 131 00:05:13,400 --> 00:05:16,320 Speaker 2: I have watched over the years. And it's also you 132 00:05:16,360 --> 00:05:20,440 Speaker 2: know the places they race, like you know, Monaco and 133 00:05:20,440 --> 00:05:22,240 Speaker 2: in the tracks, and you know that kind of euro 134 00:05:22,360 --> 00:05:25,720 Speaker 2: glamour vibe is pretty cool, you know, private yachts and 135 00:05:25,880 --> 00:05:29,640 Speaker 2: roll ex As a kid growing up in the suburbs 136 00:05:29,640 --> 00:05:31,680 Speaker 2: and you're watching like you know, and Center and whatnot, 137 00:05:31,720 --> 00:05:32,520 Speaker 2: like it's pretty cool. 138 00:05:33,160 --> 00:05:34,599 Speaker 3: It's a beautiful Wooden Dead. 139 00:05:36,120 --> 00:05:36,760 Speaker 2: Beautiful work. 140 00:05:37,200 --> 00:05:41,040 Speaker 1: Yeah, you know, we we take our mixing of sport 141 00:05:41,120 --> 00:05:43,279 Speaker 1: and rock so seriously in this country, it must be 142 00:05:43,440 --> 00:05:44,760 Speaker 1: quite complimentary. 143 00:05:45,000 --> 00:05:49,839 Speaker 2: Yea. And gather round? Yeah, I know, I was over to. 144 00:05:50,400 --> 00:05:53,040 Speaker 2: I think there's another one about to be announced. I 145 00:05:53,080 --> 00:05:56,320 Speaker 2: probably can't let that one out yet, but yeah, it's 146 00:05:56,360 --> 00:05:59,160 Speaker 2: kicking off all of the all the major sporting events 147 00:05:59,200 --> 00:06:01,479 Speaker 2: in one week. Good. I'm a big Footy fan, so 148 00:06:01,560 --> 00:06:03,680 Speaker 2: I'm pumped about gather around, although I don't get to 149 00:06:03,680 --> 00:06:05,480 Speaker 2: see my team play because we're basically coming in the 150 00:06:05,560 --> 00:06:07,120 Speaker 2: day of the show and then flying the next day. 151 00:06:07,200 --> 00:06:09,720 Speaker 1: So I'm assuming your team as a Melbourne team. 152 00:06:09,920 --> 00:06:10,680 Speaker 2: No, I'm Geelong. 153 00:06:10,800 --> 00:06:16,719 Speaker 3: Oh yeah, long boy Mark. In twenty fourteen and then seventeen, 154 00:06:16,720 --> 00:06:18,640 Speaker 3: I saw Springsteen when he finally came to Australia and 155 00:06:18,720 --> 00:06:20,600 Speaker 3: did that Big two. He finally came to Perth and 156 00:06:20,640 --> 00:06:23,440 Speaker 3: he did the Saints just like Firewood at one gig 157 00:06:23,480 --> 00:06:26,640 Speaker 3: and he opened with ac DC another night. You've supported Springsteen, right. 158 00:06:26,560 --> 00:06:29,640 Speaker 2: So how we did? Yeah? We supported Springsteen in twenty seventeen. 159 00:06:29,760 --> 00:06:31,200 Speaker 3: Yeah, so how would you be if he came out 160 00:06:31,240 --> 00:06:32,400 Speaker 3: and did a cover of Are You Going to Be 161 00:06:32,440 --> 00:06:34,400 Speaker 3: My Girl? Because it sounds like a Springsteen kind of lyric, 162 00:06:34,440 --> 00:06:35,120 Speaker 3: doesn't it. 163 00:06:36,000 --> 00:06:40,839 Speaker 2: Yeah, it'd be pretty funny hear hearing him hit that night. Yeah, 164 00:06:41,120 --> 00:06:43,479 Speaker 2: he'd probably make it his own. I'm sure. It was 165 00:06:43,520 --> 00:06:46,120 Speaker 2: so good to you know, obviously doing the supports fantastic, 166 00:06:46,160 --> 00:06:48,720 Speaker 2: but just getting a free ticket to see Bruce Springsteen 167 00:06:48,839 --> 00:06:54,159 Speaker 2: like fifteen nights and worth it. You know. I'm a 168 00:06:54,200 --> 00:06:56,760 Speaker 2: massive Boss fan, and it was great. And just seeing 169 00:06:56,760 --> 00:06:58,960 Speaker 2: that band. They're just so good and they just placed 170 00:06:58,960 --> 00:07:00,560 Speaker 2: their well and you know, I'm not I'm a massive 171 00:07:00,560 --> 00:07:01,640 Speaker 2: fan of a really long gig. 172 00:07:02,160 --> 00:07:03,040 Speaker 1: Yeah they were. 173 00:07:04,240 --> 00:07:08,000 Speaker 2: Yeah, but there's no dead spot. They just just Yeah, 174 00:07:08,040 --> 00:07:10,520 Speaker 2: it was just all good and then surprises every night. 175 00:07:10,560 --> 00:07:12,560 Speaker 2: I was backstage showing to one of the crew his 176 00:07:12,600 --> 00:07:15,880 Speaker 2: guitar tech and he had like fifty guitars, so many 177 00:07:15,920 --> 00:07:18,440 Speaker 2: He's like, because he's got so many different tunings, and 178 00:07:18,440 --> 00:07:19,960 Speaker 2: if he calls out a song that they don't know 179 00:07:20,000 --> 00:07:21,520 Speaker 2: because it just call a song out that they hadn't 180 00:07:21,520 --> 00:07:23,960 Speaker 2: played in fifteen years, and he'll have to find that 181 00:07:24,040 --> 00:07:25,800 Speaker 2: guitar that's in that tuning and get it out to it. 182 00:07:26,320 --> 00:07:27,520 Speaker 2: The band remember it. 183 00:07:28,480 --> 00:07:31,440 Speaker 1: No pressure on his rider, wow or a. 184 00:07:31,400 --> 00:07:34,200 Speaker 3: Cover or whatever, you know, he's a rock and roll evangelist. 185 00:07:34,640 --> 00:07:36,120 Speaker 1: You don't want to disappoint. 186 00:07:35,680 --> 00:07:39,760 Speaker 2: Praise called the Boss. That's why when we got asked, 187 00:07:39,760 --> 00:07:41,040 Speaker 2: so you got to ask us to play with him, 188 00:07:41,040 --> 00:07:42,520 Speaker 2: we were just like, well, you can't send it the Boss, 189 00:07:42,560 --> 00:07:43,280 Speaker 2: can you? No? 190 00:07:43,760 --> 00:07:48,440 Speaker 1: I can't imagine asked before we will have to let 191 00:07:48,480 --> 00:07:52,040 Speaker 1: you go. Do you remember the first time you heard 192 00:07:52,040 --> 00:07:54,960 Speaker 1: yourself on the radio and where were you? 193 00:07:55,040 --> 00:07:56,560 Speaker 2: Yeah, it would have been in l A. And I 194 00:07:56,560 --> 00:07:58,880 Speaker 2: think what would have been when our first single came out, 195 00:07:58,920 --> 00:08:00,840 Speaker 2: which would have been even and it's start just getting 196 00:08:00,880 --> 00:08:03,000 Speaker 2: pumped on the radio, and yeah, we were still touring 197 00:08:03,040 --> 00:08:04,680 Speaker 2: in like a van then you know, it's like a 198 00:08:04,720 --> 00:08:07,360 Speaker 2: fifteen seat van with a trailer driving ourselves because we 199 00:08:07,400 --> 00:08:09,520 Speaker 2: did a lot of touring playing to no one in 200 00:08:09,920 --> 00:08:12,720 Speaker 2: America before it all took off. I remember it coming 201 00:08:12,760 --> 00:08:14,320 Speaker 2: on in the van and we just crank it and 202 00:08:15,200 --> 00:08:18,400 Speaker 2: fall out of the van. Lasting. Yeah, it's like in 203 00:08:18,440 --> 00:08:21,720 Speaker 2: a cartoon, like in a Beatles car. Yeah, yeah, absolutely. 204 00:08:21,520 --> 00:08:24,680 Speaker 1: All right, Well get Born twentieth Anniversary Tour Friday, May 205 00:08:24,760 --> 00:08:28,880 Speaker 1: seventeen at Metropolis Fremantle. Get your tickets pretty quick, smart, 206 00:08:28,920 --> 00:08:29,960 Speaker 1: I would say, through. 207 00:08:29,840 --> 00:08:32,120 Speaker 2: Live years going really fast. I got to say they won't. 208 00:08:32,160 --> 00:08:33,200 Speaker 2: There won't be many left. 209 00:08:33,240 --> 00:08:34,280 Speaker 3: They were not last. 210 00:08:34,440 --> 00:08:35,920 Speaker 1: Mike Wilson lovely to chat. 211 00:08:36,040 --> 00:08:37,440 Speaker 2: I talk to you mate, Thank you so much for 212 00:08:37,440 --> 00:08:37,839 Speaker 2: having me