1 00:00:00,560 --> 00:00:02,200 Speaker 1: On What a way to start a Friday and head 2 00:00:02,200 --> 00:00:10,520 Speaker 1: towards the weekend celebrating the fiftieth anniversary of this show. 3 00:00:15,800 --> 00:00:19,040 Speaker 2: There were two amazing guys associated with Countdown, one of 4 00:00:19,079 --> 00:00:22,279 Speaker 2: course was Molly Meldrum and the other is the voice, 5 00:00:22,760 --> 00:00:26,480 Speaker 2: Gavin Wood. And we are so thrilled to have Gavin 6 00:00:26,600 --> 00:00:34,440 Speaker 2: join us this morning. Hello morning, there's the voice. 7 00:00:34,600 --> 00:00:34,880 Speaker 1: Thanks. 8 00:00:35,760 --> 00:00:38,080 Speaker 2: Can you believe it's been fifty years. 9 00:00:38,440 --> 00:00:41,519 Speaker 3: Oh, I'm so old. We're getting there. 10 00:00:42,040 --> 00:00:43,720 Speaker 1: You're all good, You're all good. 11 00:00:44,360 --> 00:00:47,240 Speaker 3: Well, I was lucky I joined in eight. Paul Turner 12 00:00:47,360 --> 00:00:49,879 Speaker 3: was the original voice over guy. Yeah, it started off. 13 00:00:49,920 --> 00:00:52,559 Speaker 3: It started off as a half hour show in November 14 00:00:52,680 --> 00:00:56,440 Speaker 3: Today with Grand Goldman, John O'Donnell and a couple of 15 00:00:56,440 --> 00:00:59,400 Speaker 3: the other DJs, And then they realized that they needed 16 00:00:59,400 --> 00:01:03,560 Speaker 3: to have it compare and a talent coordinator and Robbie 17 00:01:03,600 --> 00:01:05,720 Speaker 3: Weeks and Michael Shrimpton were having a beer at the 18 00:01:05,760 --> 00:01:08,080 Speaker 3: pub and all of a sudden, this green selika mounted 19 00:01:08,080 --> 00:01:12,280 Speaker 3: the curb and this mad guy with a hat ran 20 00:01:12,319 --> 00:01:14,399 Speaker 3: out into the bottle shop and picked up a bottle 21 00:01:14,440 --> 00:01:16,360 Speaker 3: and came back into the car and took off, and 22 00:01:16,560 --> 00:01:19,080 Speaker 3: Robbie Weeks said, there's you knew host to Countdown and 23 00:01:19,720 --> 00:01:20,600 Speaker 3: it was Molly Meldram. 24 00:01:21,240 --> 00:01:22,080 Speaker 2: That's amazing. 25 00:01:22,520 --> 00:01:26,080 Speaker 1: Is it true the original black and white episodes of Countdown? 26 00:01:26,120 --> 00:01:28,560 Speaker 1: Was that first series or whatever? Were raised, Gavin? Is 27 00:01:28,600 --> 00:01:29,720 Speaker 1: that myth or true? 28 00:01:30,520 --> 00:01:33,600 Speaker 3: Yeah, that's true. The ABC wanted wanted to reuse all 29 00:01:33,600 --> 00:01:36,840 Speaker 3: the tape and that Ted Emery who was running Trouble. 30 00:01:37,360 --> 00:01:40,080 Speaker 3: Ted Emory, who's probably one of the greatest comedy directors 31 00:01:40,120 --> 00:01:45,840 Speaker 3: in this country, he actually took episodes of Countdown and 32 00:01:45,880 --> 00:01:49,000 Speaker 3: hit them in the boot of his car and drove 33 00:01:49,080 --> 00:01:51,800 Speaker 3: around with them for about three months so they could 34 00:01:51,840 --> 00:01:54,120 Speaker 3: get over this purge that the ABC were doing. 35 00:01:54,280 --> 00:01:59,320 Speaker 2: Oh that is fantasticational there's a movie in that belt 36 00:01:59,320 --> 00:01:59,760 Speaker 2: in the boost. 37 00:02:00,680 --> 00:02:03,080 Speaker 3: Well, it just goes to show the passion that everyone 38 00:02:03,120 --> 00:02:06,520 Speaker 3: had for this show. Absolutely, we were all into it 39 00:02:06,520 --> 00:02:07,279 Speaker 3: one hundred percent. 40 00:02:07,720 --> 00:02:10,959 Speaker 2: Being there on set each week was did you feel 41 00:02:11,000 --> 00:02:13,400 Speaker 2: sometimes like you were going to have to be herding 42 00:02:13,480 --> 00:02:15,760 Speaker 2: cats there with all the madness going on around you? 43 00:02:16,160 --> 00:02:19,880 Speaker 3: Lisia, I was terrified one because one because there were 44 00:02:19,880 --> 00:02:22,520 Speaker 3: big black curtains all around me, and then the stars 45 00:02:22,560 --> 00:02:25,200 Speaker 3: would come from the VIP dressing room across the hallway, 46 00:02:25,720 --> 00:02:29,000 Speaker 3: past my boots and up onto the stage, so at 47 00:02:29,000 --> 00:02:31,360 Speaker 3: any moment I could have Elton John or Boy George 48 00:02:31,400 --> 00:02:33,919 Speaker 3: behind me. But the most terrifying one was Bolly. He 49 00:02:33,960 --> 00:02:35,440 Speaker 3: had come in and put his hand over the mouth 50 00:02:35,520 --> 00:02:36,280 Speaker 3: in the middle of the reed. 51 00:02:37,919 --> 00:02:41,760 Speaker 1: Terah, Molly, There's no one like Bally, right. I remember 52 00:02:41,840 --> 00:02:43,800 Speaker 1: interviewing Molly about five or six years ago, and just 53 00:02:44,000 --> 00:02:46,840 Speaker 1: as an exercise, after we did the recorded interview, we 54 00:02:46,960 --> 00:02:49,040 Speaker 1: edited all the arms and ours out and it literally 55 00:02:49,040 --> 00:02:52,280 Speaker 1: sounded like a totally different human being. It was so weird. 56 00:02:52,680 --> 00:02:55,440 Speaker 1: He's like that right. No, No, it wasn't right. He's 57 00:02:55,520 --> 00:02:56,520 Speaker 1: like nobody else is he. 58 00:02:57,280 --> 00:02:58,960 Speaker 3: Well, I've got to stick up for him. Here. The 59 00:02:59,040 --> 00:03:04,920 Speaker 3: old ABC videotape machines took five to ten seconds to 60 00:03:04,960 --> 00:03:08,120 Speaker 3: sync up. So if he was going to if he 61 00:03:08,240 --> 00:03:11,560 Speaker 3: was going to say, here's the Boomtown rat, yep, you know, 62 00:03:11,600 --> 00:03:13,440 Speaker 3: there'd be another four or five seconds. 63 00:03:13,040 --> 00:03:14,799 Speaker 1: Because he had to feel. 64 00:03:18,320 --> 00:03:23,799 Speaker 3: Right, and that happens covering the old professional Well, there 65 00:03:23,840 --> 00:03:24,760 Speaker 3: you go. 66 00:03:25,840 --> 00:03:29,200 Speaker 2: We've been We've been talking with our listeners this morning about, 67 00:03:29,480 --> 00:03:32,400 Speaker 2: you know, some of our favorite memories and a couple 68 00:03:32,440 --> 00:03:35,320 Speaker 2: that have come up a lot are Molly with Prince 69 00:03:35,400 --> 00:03:41,480 Speaker 2: Charles and and a rather excited, inebriated. Eggy Pop was 70 00:03:41,520 --> 00:03:42,160 Speaker 2: another that. 71 00:03:42,160 --> 00:03:43,840 Speaker 3: Was an actor. That was an actor. I can tell 72 00:03:43,880 --> 00:03:44,480 Speaker 3: you all about that. 73 00:03:44,640 --> 00:03:45,480 Speaker 1: Oh yeah, pretty good. 74 00:03:45,760 --> 00:03:49,600 Speaker 3: Especially let's talk about Prince Charles. It's just flown back 75 00:03:49,600 --> 00:03:53,080 Speaker 3: from London, right, So those flights back then were brutal, 76 00:03:53,120 --> 00:03:55,680 Speaker 3: twenty four hours to get back to Melbourne and he 77 00:03:55,760 --> 00:03:59,480 Speaker 3: had to learn all this stuff for the Prince Charles. Trust. Yeah, 78 00:03:59,520 --> 00:04:03,000 Speaker 3: now you try sitting beside of you know, Prince Charles 79 00:04:03,520 --> 00:04:06,480 Speaker 3: and remembering what you've got to say. The ABC didn't 80 00:04:06,520 --> 00:04:11,040 Speaker 3: give him an autocue, remember it, so they threw the 81 00:04:11,040 --> 00:04:14,480 Speaker 3: poor bugger to the wolves. I'm going to stick up 82 00:04:14,520 --> 00:04:14,960 Speaker 3: for that. 83 00:04:15,160 --> 00:04:16,200 Speaker 1: Yeah, no, absolutely. 84 00:04:16,920 --> 00:04:19,359 Speaker 3: And then Eggy Pop he nearly decapitated one of the 85 00:04:19,360 --> 00:04:21,840 Speaker 3: girls in the audience of the mic stand after he 86 00:04:22,160 --> 00:04:25,760 Speaker 3: after he called Molly dog face, he jumped around, Yeah, 87 00:04:26,080 --> 00:04:28,839 Speaker 3: he said. He said, Oh, look, I'm on at Bombay 88 00:04:28,920 --> 00:04:30,720 Speaker 3: Rocks and I come down and see the show. So 89 00:04:30,920 --> 00:04:32,520 Speaker 3: Molly and I said, oh, we've got to go and 90 00:04:32,520 --> 00:04:36,080 Speaker 3: see this. So we walked backstage and here's Eggy Pop 91 00:04:36,120 --> 00:04:39,240 Speaker 3: sipping on a cup of tea and I've said, that's 92 00:04:39,279 --> 00:04:42,560 Speaker 3: not rock and roll, he said. He said, Gavin, if 93 00:04:42,560 --> 00:04:44,400 Speaker 3: I drank what everybody thought I drank. He said, I 94 00:04:44,400 --> 00:04:47,720 Speaker 3: would have died ten years ago. Yeah, exactly. It was 95 00:04:47,760 --> 00:04:48,240 Speaker 3: all in act. 96 00:04:50,279 --> 00:04:52,600 Speaker 1: Yeah, but like Georgie sorry good, I think he could 97 00:04:52,640 --> 00:04:55,400 Speaker 1: be a bit like that made the influence that Countdown 98 00:04:55,400 --> 00:04:58,960 Speaker 1: and Molly and all of the team had over careers, 99 00:04:58,960 --> 00:05:01,039 Speaker 1: like from Madonna to a lot of the Aussie acts. 100 00:05:01,360 --> 00:05:03,560 Speaker 1: It is incredible a lot of those international acts still 101 00:05:03,560 --> 00:05:05,840 Speaker 1: to this day, so that you helped to break them, 102 00:05:05,920 --> 00:05:08,680 Speaker 1: not just in Australia but internationally. It's pretty influential, isn't it. 103 00:05:08,720 --> 00:05:12,080 Speaker 3: Well, yeah, Martha, Martha Davis from the motel See you've 104 00:05:12,080 --> 00:05:17,440 Speaker 3: always credited Countdown and Soda Zabba. Yes, because because Molly 105 00:05:17,560 --> 00:05:21,000 Speaker 3: just played Mma mea non stop for five weeks and 106 00:05:21,600 --> 00:05:24,200 Speaker 3: they heard about it and then that's where that's that 107 00:05:24,320 --> 00:05:26,760 Speaker 3: was their platform to take off worldwide. You've got to 108 00:05:26,760 --> 00:05:29,160 Speaker 3: remember that. You know, if we back then, if we 109 00:05:29,279 --> 00:05:33,200 Speaker 3: got good, good chart positions because of Countdown, the rest 110 00:05:33,200 --> 00:05:35,680 Speaker 3: of the all the record companies around the world watch 111 00:05:35,760 --> 00:05:39,640 Speaker 3: the Australian charts so they can see what was happening 112 00:05:39,680 --> 00:05:42,440 Speaker 3: down here, what was hot and back then you know 113 00:05:42,680 --> 00:05:45,839 Speaker 3: you've got Elton John making eight hundred thousand dollars film clips, 114 00:05:46,400 --> 00:05:48,880 Speaker 3: you know, like I'm still standing and all that. And yes, 115 00:05:49,240 --> 00:05:51,440 Speaker 3: the record the record company would just fly them out 116 00:05:51,520 --> 00:05:55,479 Speaker 3: just to do Countdown. Yes, yeah, that's how influential it was. 117 00:05:55,520 --> 00:05:58,039 Speaker 3: But the good thing is, guys, Molly and I never 118 00:05:58,040 --> 00:06:01,080 Speaker 3: took the show for granted. He tried to work very 119 00:06:01,080 --> 00:06:04,000 Speaker 3: hard on making it a good show every week to 120 00:06:04,040 --> 00:06:07,200 Speaker 3: elevate the Australian music up to the international standard, and 121 00:06:07,240 --> 00:06:07,560 Speaker 3: it did. 122 00:06:07,839 --> 00:06:12,120 Speaker 2: Without Countdown, our industry would not would never have become, 123 00:06:12,440 --> 00:06:15,320 Speaker 2: you know, the force that it is. And Molly is 124 00:06:15,640 --> 00:06:19,919 Speaker 2: a national treasure. We love him and we you know, 125 00:06:20,080 --> 00:06:23,240 Speaker 2: sadly he did have that terrible accident a few years 126 00:06:23,279 --> 00:06:25,880 Speaker 2: ago and so we don't see so much of him. 127 00:06:26,200 --> 00:06:27,960 Speaker 2: Are you still in touch with him? 128 00:06:28,920 --> 00:06:33,280 Speaker 3: Yeah, Look, Molly's happily retired now. Yeah, you know, he's 129 00:06:33,320 --> 00:06:36,760 Speaker 3: eighty two and January. Yes, and he just wants to 130 00:06:38,800 --> 00:06:40,640 Speaker 3: I shouldn't say it, but he wants to favor Black. 131 00:06:40,760 --> 00:06:44,640 Speaker 3: I shouldn't say that, but he just wants to I 132 00:06:44,680 --> 00:06:46,799 Speaker 3: have a quiet He just wants to have a quiet 133 00:06:46,839 --> 00:06:50,520 Speaker 3: life and I think I think he deserves that. And 134 00:06:52,160 --> 00:06:54,839 Speaker 3: we're all there to support him. His a dear, dear friend. 135 00:06:55,720 --> 00:06:58,719 Speaker 3: He supported me. We supported each other. I was young. 136 00:06:58,920 --> 00:07:00,760 Speaker 3: I was a young DJ for in Brisbane when I 137 00:07:00,800 --> 00:07:04,200 Speaker 3: started at three, and I was too scared to talk 138 00:07:04,240 --> 00:07:06,800 Speaker 3: to him. It took me six months. It took me 139 00:07:06,839 --> 00:07:08,400 Speaker 3: six months to talk to him. Then we found out 140 00:07:08,400 --> 00:07:12,400 Speaker 3: we're both aquariums and both mad and that that was 141 00:07:12,440 --> 00:07:14,440 Speaker 3: the chemistry, that was the bond, and we just went 142 00:07:14,520 --> 00:07:20,760 Speaker 3: for it. Yeah, yeah, I never said I never said 143 00:07:20,800 --> 00:07:25,040 Speaker 3: that sounded a little bit different to the other. 144 00:07:25,040 --> 00:07:27,600 Speaker 1: One's not surprising. It was a bit daunting, man, I mean, 145 00:07:27,640 --> 00:07:30,280 Speaker 1: he produced a real thing. For Russell Morrison, he'd done 146 00:07:30,320 --> 00:07:32,280 Speaker 1: so much in his career it would have been one. 147 00:07:32,160 --> 00:07:34,240 Speaker 3: Of those things maybe as a life force. There is 148 00:07:34,280 --> 00:07:36,080 Speaker 3: no one else in this country that could have done 149 00:07:36,520 --> 00:07:40,800 Speaker 3: what Molly has done. You know, no one had the passion, 150 00:07:41,640 --> 00:07:46,880 Speaker 3: the enthusiasm, the madness, the craziness as Molly. He He lived, 151 00:07:46,920 --> 00:07:48,360 Speaker 3: eat and breathes it well. 152 00:07:48,400 --> 00:07:52,840 Speaker 2: Gavin. We we also thank you Aynonymous with an amazing 153 00:07:52,880 --> 00:07:54,680 Speaker 2: show that we all grew up with and just love 154 00:07:54,760 --> 00:07:56,160 Speaker 2: to pieces. And I hope you're going to have a 155 00:07:56,200 --> 00:07:59,160 Speaker 2: little bit of a celebration today and we absolutely love 156 00:07:59,240 --> 00:08:00,400 Speaker 2: that you joined us as morning. 157 00:08:00,560 --> 00:08:03,000 Speaker 3: It's my pleasure and look out for the live show 158 00:08:03,000 --> 00:08:06,480 Speaker 3: on the ABC Saturday Night. I've seen some of the 159 00:08:06,480 --> 00:08:08,800 Speaker 3: footage and it's just brilliant next weekend. 160 00:08:08,920 --> 00:08:10,840 Speaker 1: If I'm ever run in West Australia my past, I 161 00:08:10,920 --> 00:08:14,400 Speaker 1: know best to molly specting Bud because he's much loved. 162 00:08:14,000 --> 00:08:15,120 Speaker 3: I certainly will. 163 00:08:15,160 --> 00:08:18,160 Speaker 1: Guys, Thanks Kevin, say you about bye bye? Thanks by 164 00:08:18,200 --> 00:08:23,000 Speaker 1: bye Kevin. Good funny. You got to get the real 165 00:08:23,000 --> 00:08:27,480 Speaker 1: one just to hear his voice again. 166 00:08:27,640 --> 00:08:27,800 Speaker 3: Going