1 00:00:00,520 --> 00:00:02,160 Speaker 1: It's the Will and Woody podcast. 2 00:00:02,480 --> 00:00:05,600 Speaker 2: It's interesting topic from you. Give us a call thirty 3 00:00:05,640 --> 00:00:07,800 Speaker 2: one and sixty five. If you're single and on the dating. 4 00:00:07,600 --> 00:00:11,160 Speaker 3: Apps and a woman, I might add, yes, which is 5 00:00:11,320 --> 00:00:12,080 Speaker 3: you know, all. 6 00:00:12,680 --> 00:00:16,840 Speaker 2: Screaming of dodgy from a man who has taken. 7 00:00:16,160 --> 00:00:20,120 Speaker 4: Well had for the assertion? Well just you know, but yeah, 8 00:00:20,120 --> 00:00:21,880 Speaker 4: look from face value, this could look a bit dodgy. 9 00:00:21,920 --> 00:00:23,240 Speaker 5: But at the end of the day, all. 10 00:00:23,120 --> 00:00:28,240 Speaker 4: I'm doing is testing this theory I've heard around dating 11 00:00:29,520 --> 00:00:30,840 Speaker 4: that's going on right now? 12 00:00:30,840 --> 00:00:31,160 Speaker 5: Where'd you? 13 00:00:31,160 --> 00:00:32,000 Speaker 3: Where do you do the theory? 14 00:00:32,320 --> 00:00:33,320 Speaker 5: Read it in an article? 15 00:00:33,400 --> 00:00:33,559 Speaker 6: Oh? 16 00:00:33,680 --> 00:00:35,440 Speaker 5: Nice? So yeah. 17 00:00:35,479 --> 00:00:37,200 Speaker 4: So if you are female and on the dating apps, 18 00:00:37,200 --> 00:00:38,440 Speaker 4: give us score thirty one and six five. 19 00:00:38,440 --> 00:00:39,199 Speaker 5: We've got Kobe here. 20 00:00:39,240 --> 00:00:42,360 Speaker 7: Hey, Kobe, Hey, Hey, how are you going? 21 00:00:42,680 --> 00:00:43,800 Speaker 5: Very very well? Thank you? 22 00:00:43,840 --> 00:00:47,600 Speaker 4: Now you're on the datting apps, Kobe, first question, how 23 00:00:47,640 --> 00:00:48,279 Speaker 4: are you going in there? 24 00:00:48,280 --> 00:00:49,599 Speaker 5: It's a bit of a battlefield, isn't it. 25 00:00:49,760 --> 00:00:53,239 Speaker 8: Oh it's hidden, miss very hidden, miss pretty dire at 26 00:00:53,240 --> 00:00:53,960 Speaker 8: the moment. 27 00:00:53,760 --> 00:00:55,520 Speaker 5: Pretty roller coaster. 28 00:00:55,680 --> 00:00:57,160 Speaker 3: I heard about a new one the other day, a 29 00:00:57,280 --> 00:00:59,120 Speaker 3: dating app, yes, called Field. 30 00:00:59,520 --> 00:01:00,280 Speaker 5: What is far you'll do? 31 00:01:00,360 --> 00:01:01,480 Speaker 9: Will? 32 00:01:03,080 --> 00:01:06,119 Speaker 2: It's for it's for you can filter out and filter 33 00:01:06,240 --> 00:01:10,039 Speaker 2: in sexual kinks so you can catch up with, you know, 34 00:01:10,240 --> 00:01:12,559 Speaker 2: a couple and if you're exploring that sort of stuff 35 00:01:13,160 --> 00:01:16,319 Speaker 2: polysexuals and bisexuals and pan sexuals, all that sort of stuff, 36 00:01:16,920 --> 00:01:18,199 Speaker 2: there you go, Koby, if you're interested. 37 00:01:19,840 --> 00:01:20,560 Speaker 10: No, I don't think so. 38 00:01:20,800 --> 00:01:25,080 Speaker 4: Not that why horses, for course, horses there as well, 39 00:01:25,120 --> 00:01:28,920 Speaker 4: I think now kby the question though, this is what 40 00:01:29,000 --> 00:01:32,520 Speaker 4: I read an article today. Apparently guys that are good 41 00:01:32,640 --> 00:01:37,760 Speaker 4: at the banter over texting, so text on the dating 42 00:01:37,840 --> 00:01:40,920 Speaker 4: app have awful banter in person. 43 00:01:41,760 --> 00:01:43,679 Speaker 5: Is that true from your experience? 44 00:01:44,800 --> 00:01:48,040 Speaker 11: From my experience that that has been the case in 45 00:01:48,120 --> 00:01:49,880 Speaker 11: many case on many occasions. 46 00:01:50,440 --> 00:01:51,400 Speaker 12: And I don't know what it is. 47 00:01:51,440 --> 00:01:54,320 Speaker 13: There's been guys where I've literally gone, oh, we've got 48 00:01:54,360 --> 00:01:58,400 Speaker 13: so much in common and that, and it's just amazing. 49 00:01:58,440 --> 00:02:02,000 Speaker 8: It just rolls, it dis flows firetext and then you 50 00:02:02,080 --> 00:02:04,640 Speaker 8: meet up and I don't know what it is. It's 51 00:02:04,720 --> 00:02:07,640 Speaker 8: just something in the way that they hold themselves or what. 52 00:02:08,200 --> 00:02:11,120 Speaker 8: I can't explain it, but they just can't follow through. 53 00:02:12,639 --> 00:02:15,600 Speaker 2: I feel like this is Kobe crime me if I'm 54 00:02:15,600 --> 00:02:17,639 Speaker 2: wrong and you're still on the dating scene. But when 55 00:02:17,680 --> 00:02:19,960 Speaker 2: I was on the dating scene back in ninety seven, 56 00:02:21,320 --> 00:02:23,840 Speaker 2: the theory of the. 57 00:02:24,160 --> 00:02:25,200 Speaker 3: Map not matching. 58 00:02:25,240 --> 00:02:31,200 Speaker 2: The terrain seemed to persevere across all categories. So like, 59 00:02:31,240 --> 00:02:33,960 Speaker 2: if you met somebody who said that they were quite 60 00:02:34,040 --> 00:02:38,000 Speaker 2: sexually outgoing, that would often mean that they weren't very promiscuous. 61 00:02:38,240 --> 00:02:39,680 Speaker 2: Do you know what I mean? I feel like that's 62 00:02:39,800 --> 00:02:42,760 Speaker 2: the way it is. Didn't We find out recently that 63 00:02:42,800 --> 00:02:45,880 Speaker 2: it like on a survey that accountants were the wildest 64 00:02:45,880 --> 00:02:49,000 Speaker 2: people in the bedroom across all different professions. 65 00:02:49,240 --> 00:02:50,160 Speaker 5: Yes, we did hear that. 66 00:02:50,200 --> 00:02:52,519 Speaker 4: There are a lot of anecdotes saying that the accountants 67 00:02:52,520 --> 00:02:55,200 Speaker 4: really did like to. 68 00:02:54,200 --> 00:02:54,960 Speaker 5: To go there you go. 69 00:02:55,000 --> 00:02:57,800 Speaker 3: But it just the way that somebody often likes to put. 70 00:02:57,600 --> 00:03:00,760 Speaker 2: Themselves or perceived, likes to be perceived, often not how 71 00:03:00,800 --> 00:03:01,520 Speaker 2: they really are. 72 00:03:01,800 --> 00:03:04,760 Speaker 4: Yeah, but so, but if it's you writing the messages, 73 00:03:04,800 --> 00:03:07,440 Speaker 4: how can your band to be so good from writing 74 00:03:07,440 --> 00:03:09,480 Speaker 4: a text? And then when you're in person, like, isn't 75 00:03:09,480 --> 00:03:11,760 Speaker 4: it's the same brain that's coming up with stuff. 76 00:03:11,560 --> 00:03:11,880 Speaker 5: Isn't it? 77 00:03:12,880 --> 00:03:13,120 Speaker 14: Yeah? 78 00:03:13,240 --> 00:03:15,440 Speaker 2: I suppose so, But it's the same brain that's saying, hey, 79 00:03:15,440 --> 00:03:18,040 Speaker 2: look I'm really kinky. Yeah, but then that's actually not 80 00:03:18,120 --> 00:03:20,519 Speaker 2: really kinky. I think people also get the security you 81 00:03:20,560 --> 00:03:23,000 Speaker 2: know what, it's like keyboard warriors or not you find 82 00:03:23,000 --> 00:03:24,799 Speaker 2: out who the keyboard warrior is, are the most timid 83 00:03:24,800 --> 00:03:25,760 Speaker 2: person in the corner. 84 00:03:25,800 --> 00:03:27,720 Speaker 5: A lot of confidence. Yeah, they're actually not face to face. 85 00:03:27,720 --> 00:03:29,960 Speaker 4: It's got l here l. What are your thoughts on this? 86 00:03:30,160 --> 00:03:32,079 Speaker 4: People that are really good on the band are over 87 00:03:32,160 --> 00:03:33,520 Speaker 4: text not so good in person. 88 00:03:34,480 --> 00:03:37,800 Speaker 13: I AE hundred and ten percent agree. It's like you'll 89 00:03:37,800 --> 00:03:41,240 Speaker 13: have everything going to them online it's such someng center, 90 00:03:41,560 --> 00:03:43,640 Speaker 13: and then when you meet them in person, the only 91 00:03:43,680 --> 00:03:45,840 Speaker 13: thing that's going for them is their looks. They'll just 92 00:03:45,880 --> 00:03:47,880 Speaker 13: be nothing with the personality. 93 00:03:48,200 --> 00:03:48,440 Speaker 15: Yeah. 94 00:03:48,600 --> 00:03:51,480 Speaker 13: I honestly think it's because they're just doing stuff online 95 00:03:52,400 --> 00:03:56,360 Speaker 13: smooth as in person. They just can't google really quick. 96 00:03:57,000 --> 00:03:58,320 Speaker 3: Yeah right, you. 97 00:03:58,280 --> 00:04:00,320 Speaker 5: Can google band. You can also ask you man, it's. 98 00:04:00,160 --> 00:04:02,080 Speaker 3: Your bants, like Ellie, what's your bance? 99 00:04:02,200 --> 00:04:02,240 Speaker 10: Like? 100 00:04:03,560 --> 00:04:07,000 Speaker 13: I sew my band's pretty good. But I feel like 101 00:04:07,080 --> 00:04:10,880 Speaker 13: when you're online depends. I feel like anyone who's fun 102 00:04:11,000 --> 00:04:13,240 Speaker 13: isn't the best online because they're too busy out of life. 103 00:04:13,680 --> 00:04:13,920 Speaker 16: Yeah. 104 00:04:16,800 --> 00:04:18,080 Speaker 3: On the apps, good point. 105 00:04:18,200 --> 00:04:19,640 Speaker 4: Oh, just before you go, sorry, do you think it 106 00:04:19,640 --> 00:04:22,160 Speaker 4: goes the other way? So if someone is ranked the 107 00:04:22,480 --> 00:04:25,560 Speaker 4: rancors chat over the app, so over the messages, are 108 00:04:25,560 --> 00:04:27,919 Speaker 4: you often more excited because you know they're going to 109 00:04:27,920 --> 00:04:29,000 Speaker 4: be more excited in person. 110 00:04:30,240 --> 00:04:33,760 Speaker 13: Honestly at this point. Yes, Like, the less say they 111 00:04:33,800 --> 00:04:36,200 Speaker 13: have over the messages at this point, the more kind 112 00:04:36,200 --> 00:04:39,480 Speaker 13: of interested I am, because clearly they're a genuine person 113 00:04:39,560 --> 00:04:40,440 Speaker 13: in real life, just. 114 00:04:40,400 --> 00:04:41,800 Speaker 5: Out and about bloody hell. 115 00:04:41,960 --> 00:04:44,880 Speaker 2: There you go over on the authenticity part of it 116 00:04:44,960 --> 00:04:47,320 Speaker 2: is the big bit, really, isn't it? Like you just 117 00:04:47,440 --> 00:04:50,600 Speaker 2: nobody is that charismatic? Yeah, like to think about how 118 00:04:50,600 --> 00:04:52,560 Speaker 2: you write an email. No one's charismatic. 119 00:04:53,520 --> 00:04:54,320 Speaker 5: I'll do a few gags. 120 00:04:54,320 --> 00:04:57,560 Speaker 2: Ever, email mate, you put fifty exclamation marks over three lines. 121 00:04:57,560 --> 00:04:58,360 Speaker 3: It's bloody annoying. 122 00:04:58,440 --> 00:05:00,680 Speaker 5: You know it's important screen. 123 00:05:00,720 --> 00:05:02,560 Speaker 1: It's the Wood podcast. 124 00:05:03,200 --> 00:05:07,840 Speaker 4: Beyonce and her daughter Blue Ivy put out a song together. 125 00:05:08,360 --> 00:05:11,640 Speaker 4: Because it's such a special moment for Beyonce and her daughter. 126 00:05:11,680 --> 00:05:14,560 Speaker 4: I want to give our listeners an opportunity to have 127 00:05:14,600 --> 00:05:16,839 Speaker 4: that equally special moment with their child. 128 00:05:16,920 --> 00:05:20,080 Speaker 5: So we've got Jamie and. 129 00:05:19,400 --> 00:05:20,720 Speaker 3: We're doing live jewets. 130 00:05:20,760 --> 00:05:21,760 Speaker 5: Absolutely. 131 00:05:22,440 --> 00:05:23,200 Speaker 3: Okay, cool. 132 00:05:23,400 --> 00:05:27,920 Speaker 4: We've got Jamie and Tanya here who have called Hello, Hello, Hi. 133 00:05:28,080 --> 00:05:29,719 Speaker 5: Now you guys are happy to do a duet in 134 00:05:29,760 --> 00:05:30,040 Speaker 5: the car? 135 00:05:30,960 --> 00:05:31,200 Speaker 17: Yes? 136 00:05:31,600 --> 00:05:34,400 Speaker 4: Amazing, Okay, I believe you guys want to do George 137 00:05:34,440 --> 00:05:37,640 Speaker 4: Ezra's song Shotgun, Shotgun? 138 00:05:39,640 --> 00:05:40,120 Speaker 5: Is that right? 139 00:05:42,080 --> 00:05:42,359 Speaker 16: Nice? 140 00:05:42,440 --> 00:05:45,520 Speaker 5: All right? Guys? The floor is yours, guys. 141 00:05:47,200 --> 00:06:00,640 Speaker 6: I'll be right shut down one, all right, shot sound 142 00:06:00,800 --> 00:06:03,280 Speaker 6: my my right. 143 00:06:03,360 --> 00:06:06,000 Speaker 14: I feel like I'm gonna look. 144 00:06:07,920 --> 00:06:12,440 Speaker 2: Right, work right word, guys, Well done, Thank thank you, 145 00:06:12,600 --> 00:06:14,040 Speaker 2: great work, well done. 146 00:06:14,160 --> 00:06:17,520 Speaker 3: Wow hard debate. I don't know if I could have 147 00:06:17,560 --> 00:06:20,920 Speaker 3: done another chorus there, let's try to DJ DJ and 148 00:06:21,000 --> 00:06:25,799 Speaker 3: Holly who have joined DJ and Holly? Hi, So, Holly, 149 00:06:25,839 --> 00:06:26,520 Speaker 3: how old are you? 150 00:06:27,880 --> 00:06:29,520 Speaker 13: I'm ken all. 151 00:06:29,440 --> 00:06:30,919 Speaker 5: Right, okay, DJ. 152 00:06:31,040 --> 00:06:32,680 Speaker 2: We won't ask your name, but you sound not a 153 00:06:32,760 --> 00:06:34,159 Speaker 2: day older than twenty one. 154 00:06:37,320 --> 00:06:37,680 Speaker 5: Chances? 155 00:06:37,680 --> 00:06:39,320 Speaker 3: All right? So what are you singing? Holly? What are 156 00:06:39,360 --> 00:06:39,800 Speaker 3: you singing? 157 00:06:40,680 --> 00:06:46,239 Speaker 17: I'm cousing me in Sunshine in Sunshine, which is actually 158 00:06:46,279 --> 00:06:50,559 Speaker 17: a mother daughter of combo already, so you'll know the parts, 159 00:06:50,560 --> 00:06:50,840 Speaker 17: all right? 160 00:06:50,880 --> 00:06:52,640 Speaker 5: Take it away, DJ and Holly. 161 00:06:53,720 --> 00:06:56,960 Speaker 16: Any ship in sunshine? 162 00:06:58,320 --> 00:07:06,520 Speaker 17: Show me tell me the world? And I was gonna beyond. 163 00:07:08,920 --> 00:07:11,600 Speaker 5: Well, Doug, guy, that was lovely. That was better than 164 00:07:11,680 --> 00:07:13,560 Speaker 5: pink and uh what's her daughter? 165 00:07:13,600 --> 00:07:13,760 Speaker 7: God? 166 00:07:14,040 --> 00:07:15,680 Speaker 3: Will Argon? 167 00:07:15,800 --> 00:07:16,600 Speaker 5: You guys were better? 168 00:07:16,840 --> 00:07:21,200 Speaker 2: Do you think you? 169 00:07:21,200 --> 00:07:22,440 Speaker 3: Guys? Have yourself wonderful? 170 00:07:22,760 --> 00:07:23,080 Speaker 13: Don't you? 171 00:07:23,400 --> 00:07:25,240 Speaker 5: I'm genuine there? Yeah, Argon, they were better. 172 00:07:25,320 --> 00:07:27,480 Speaker 4: Okay, that might a bit of a whack towards pink there, 173 00:07:27,480 --> 00:07:30,120 Speaker 4: but igon they are amazing. Okay, let's bring it home 174 00:07:30,160 --> 00:07:35,800 Speaker 4: with Sean and Gracie. Hello, Hi, how are you Gracie? 175 00:07:36,640 --> 00:07:38,400 Speaker 8: I'm eleven eleven? 176 00:07:38,520 --> 00:07:40,360 Speaker 5: Okay? What song do you want to do? Gracie? 177 00:07:41,280 --> 00:07:42,600 Speaker 17: I wonder break Free? 178 00:07:43,880 --> 00:07:48,920 Speaker 5: Wow, powerful ballad? How are you feeling about this? 179 00:07:49,040 --> 00:07:51,000 Speaker 15: Mum right? 180 00:07:51,200 --> 00:07:54,679 Speaker 18: I'm ready? 181 00:07:55,600 --> 00:07:59,280 Speaker 3: All right, guys, we'll take it away when you're ready. 182 00:07:59,880 --> 00:08:01,920 Speaker 17: I want to break free. 183 00:08:03,200 --> 00:08:07,840 Speaker 6: I want to break free. I want to break free 184 00:08:07,960 --> 00:08:12,880 Speaker 6: from your life. You're so sad as fine you. 185 00:08:14,360 --> 00:08:15,960 Speaker 16: I've got to break. 186 00:08:15,720 --> 00:08:20,160 Speaker 10: Free, God knows. 187 00:08:20,280 --> 00:08:21,920 Speaker 6: I want to race free. 188 00:08:22,080 --> 00:08:29,320 Speaker 2: Very good, well done, bar Bo, guys, it's fantastic. 189 00:08:30,280 --> 00:08:32,160 Speaker 3: What was what was the what was the choice with 190 00:08:32,240 --> 00:08:34,479 Speaker 3: the queen there, Gracie? Was that your choice? 191 00:08:35,400 --> 00:08:35,720 Speaker 6: Well? 192 00:08:35,800 --> 00:08:36,280 Speaker 14: Kind of? 193 00:08:36,480 --> 00:08:38,120 Speaker 6: It just popped into my head and I. 194 00:08:38,120 --> 00:08:41,080 Speaker 3: Thought, and I still do that one perfect Well. 195 00:08:41,440 --> 00:08:43,880 Speaker 2: Jean, how did you feel when Gracie came running over 196 00:08:43,920 --> 00:08:45,079 Speaker 2: to you and said you want to do a live 197 00:08:45,160 --> 00:08:47,120 Speaker 2: jewet archipella with no backing on the radio? 198 00:08:47,240 --> 00:08:47,400 Speaker 7: Oh? 199 00:08:47,600 --> 00:08:48,440 Speaker 16: I just couldn't lie. 200 00:08:48,800 --> 00:08:55,079 Speaker 1: Ah. It's the Will and Woody Podcast. 201 00:08:55,200 --> 00:09:01,040 Speaker 4: Have you ever accidentally wandered into a dangerous situation overseas. 202 00:09:02,240 --> 00:09:05,640 Speaker 4: We are talking about it because that is exactly what 203 00:09:05,760 --> 00:09:11,360 Speaker 4: a bloke called Miles Rutledge has done on a recent holiday. 204 00:09:13,000 --> 00:09:13,520 Speaker 5: There is. 205 00:09:16,400 --> 00:09:19,319 Speaker 4: I'm gonna tone shift right away here, because he chose 206 00:09:19,960 --> 00:09:24,440 Speaker 4: to go for a holiday in Afghanistan. So, I mean, 207 00:09:24,600 --> 00:09:27,680 Speaker 4: and everyone has seen the news there, like honestly, it 208 00:09:27,760 --> 00:09:30,839 Speaker 4: is really really grim scenes there in Afghanistan with the 209 00:09:30,920 --> 00:09:31,760 Speaker 4: Taliban takeover. 210 00:09:31,880 --> 00:09:33,840 Speaker 3: So he went in a holiday there, so he. 211 00:09:33,840 --> 00:09:35,400 Speaker 4: Chose to go on a hold actually one of his 212 00:09:35,440 --> 00:09:39,840 Speaker 4: friends because obviously there's huge media attention to this UK guy, 213 00:09:39,840 --> 00:09:42,760 Speaker 4: this British before it blew up. Yes, so he went 214 00:09:42,760 --> 00:09:46,000 Speaker 4: there before before the Taliban takeover. He chose to go 215 00:09:46,000 --> 00:09:47,800 Speaker 4: on a holiday there because apparently this is one of 216 00:09:47,800 --> 00:09:50,199 Speaker 4: his friends said he wanted to do something weird during 217 00:09:50,240 --> 00:09:53,240 Speaker 4: summer to show off about wow. So that was his 218 00:09:53,280 --> 00:09:55,079 Speaker 4: reason to go over there. And then obviously two or 219 00:09:55,160 --> 00:09:57,679 Speaker 4: three days into his holiday in yourself a nice car 220 00:09:57,800 --> 00:10:04,400 Speaker 4: mate like christ I No, he's obviously a weird dude. Anyways, 221 00:10:04,440 --> 00:10:08,080 Speaker 4: over there, two or three days later, the Taliban takeover happens. 222 00:10:08,360 --> 00:10:11,120 Speaker 4: He's caught there in Kabul and he has had to 223 00:10:11,120 --> 00:10:15,280 Speaker 4: be like an emergency evacuation. That's happened, so like the 224 00:10:15,400 --> 00:10:18,000 Speaker 4: UN had to get involved because anyone who was who 225 00:10:18,080 --> 00:10:21,640 Speaker 4: was there, who was from overseas had to be evacuated 226 00:10:21,679 --> 00:10:24,199 Speaker 4: out of this. He was woken up at two am 227 00:10:24,360 --> 00:10:25,600 Speaker 4: emergency evacuation. 228 00:10:25,960 --> 00:10:27,160 Speaker 5: It's just I mean, it's. 229 00:10:27,040 --> 00:10:30,600 Speaker 4: An extraordinary story, true, But again thought it was a 230 00:10:30,600 --> 00:10:33,959 Speaker 4: great reason to maybe hear some more stories of when 231 00:10:34,000 --> 00:10:36,520 Speaker 4: you just accidentally wandered into a really dangerous situation. 232 00:10:37,320 --> 00:10:40,719 Speaker 2: My parents were stuck in Vanuatu when Hurricane Katrina went 233 00:10:40,760 --> 00:10:43,360 Speaker 2: through there. Oh bloody he yeah, they had to get 234 00:10:43,400 --> 00:10:44,360 Speaker 2: airlifted out of there. 235 00:10:44,840 --> 00:10:45,240 Speaker 1: Really. 236 00:10:45,640 --> 00:10:48,480 Speaker 3: Yeah, Mum's bewed on the air on the helicopter pilot. 237 00:10:49,920 --> 00:10:55,160 Speaker 5: Nice, totally. What when I was in Rio Dejaneiro, I've 238 00:10:55,160 --> 00:10:57,800 Speaker 5: got a bit of Peter Alm there. Let you find 239 00:10:57,800 --> 00:11:01,800 Speaker 5: it a fair throaw. It wasn't a fair throw, but I. 240 00:11:01,720 --> 00:11:08,800 Speaker 4: Didn't Budon Busher has rightly flipped me the bird there. 241 00:11:10,440 --> 00:11:12,319 Speaker 4: I was in Reo Deijoneo, and so I didn't know 242 00:11:12,360 --> 00:11:14,160 Speaker 4: this was a thing. But you know, I'll tell you 243 00:11:14,200 --> 00:11:16,800 Speaker 4: the story up next. But I almost got shot quite seriously. 244 00:11:16,920 --> 00:11:17,560 Speaker 8: Yeah, And it was. 245 00:11:17,559 --> 00:11:20,480 Speaker 3: Something that was going to be about Woody Junr but no. 246 00:11:20,600 --> 00:11:21,600 Speaker 5: I was proud of that. 247 00:11:22,679 --> 00:11:25,199 Speaker 4: But yeah, the locals knew of something that happens in 248 00:11:25,320 --> 00:11:28,000 Speaker 4: Rio Dejaneiro and I had no idea, and honestly it 249 00:11:28,000 --> 00:11:28,520 Speaker 4: almost led to. 250 00:11:28,480 --> 00:11:30,520 Speaker 5: Me getting shot. But I'll tell that story up next. 251 00:11:30,559 --> 00:11:32,120 Speaker 4: But for you guys thirteen one oh six five, have 252 00:11:32,240 --> 00:11:37,079 Speaker 4: you accidentally wandered into a dangerous situation overseas? 253 00:11:37,120 --> 00:11:37,520 Speaker 3: Wow? 254 00:11:38,440 --> 00:11:41,240 Speaker 2: This is the other situation that this reminds me of 255 00:11:41,360 --> 00:11:45,440 Speaker 2: is when you walked into somebody trying to sell you sapphires. 256 00:11:45,800 --> 00:11:47,640 Speaker 4: He convinced me that there was a public holiday in 257 00:11:47,679 --> 00:11:51,200 Speaker 4: Sri Lanka which was fifty percent offires, and I was like, 258 00:11:51,240 --> 00:11:52,640 Speaker 4: well that's a public holiday, I need jo and. 259 00:11:52,720 --> 00:11:54,559 Speaker 3: Sell you tell you it was Lady dies Satif Fire. 260 00:11:54,640 --> 00:11:58,520 Speaker 5: Yeah, her sapphire, she were at the wedding. I bought it. 261 00:11:58,920 --> 00:12:01,439 Speaker 4: Taking calls now, if you you've accidentally wandered into a 262 00:12:01,520 --> 00:12:05,080 Speaker 4: dangerous situation overseas Because a twenty one year old student 263 00:12:05,120 --> 00:12:12,920 Speaker 4: called Miles Rutledge decided to go on a holiday in 264 00:12:12,960 --> 00:12:17,080 Speaker 4: Afghanistan and that was like two or three days before 265 00:12:17,120 --> 00:12:19,440 Speaker 4: the Taliban takeover in Kabul and he has had to 266 00:12:19,480 --> 00:12:25,240 Speaker 4: have an emergency evacuation, which the UN facilitated just ge 267 00:12:25,320 --> 00:12:29,640 Speaker 4: is terrifying story. I also started half of my story 268 00:12:29,640 --> 00:12:31,000 Speaker 4: in Rio de ja Niro. 269 00:12:32,960 --> 00:12:33,400 Speaker 5: So I get this. 270 00:12:33,880 --> 00:12:36,439 Speaker 4: So I was there New Year's Eve or a few 271 00:12:36,480 --> 00:12:38,840 Speaker 4: days before. To be honest, the whole trip's pretty blurry, 272 00:12:39,679 --> 00:12:41,160 Speaker 4: but apparently. 273 00:12:40,760 --> 00:12:44,560 Speaker 2: A few days before give myself before the buffer there. 274 00:12:44,480 --> 00:12:47,320 Speaker 4: Didn't go away from up or down, but when I 275 00:12:47,360 --> 00:12:50,600 Speaker 4: was there, so apparently the police will occasionally raid the favelas, 276 00:12:51,000 --> 00:12:53,959 Speaker 4: which is sort of a slum territory around the main city, 277 00:12:54,559 --> 00:12:57,160 Speaker 4: and they raided them the drug laws. Effectively, there were 278 00:12:57,200 --> 00:12:59,720 Speaker 4: drug raide But what is known amongst the locals is 279 00:12:59,720 --> 00:13:01,640 Speaker 4: if the police do a drug raid, there is a 280 00:13:01,679 --> 00:13:06,199 Speaker 4: favela retaliation right a few days after, So the locals, no, 281 00:13:06,400 --> 00:13:08,559 Speaker 4: don't be on the streets within forty eight. 282 00:13:08,360 --> 00:13:09,120 Speaker 5: Hours of a raid. 283 00:13:09,320 --> 00:13:12,520 Speaker 4: Right Anyway, a few days after a raid, I had 284 00:13:12,559 --> 00:13:14,720 Speaker 4: no bloody idea, and I thought I had Cobacabana Beach 285 00:13:14,760 --> 00:13:15,400 Speaker 4: to myself. 286 00:13:16,400 --> 00:13:19,199 Speaker 5: Anyway, I was minutes away from a shootout on. 287 00:13:19,160 --> 00:13:21,200 Speaker 4: A street where a bus was All the windows were 288 00:13:21,240 --> 00:13:23,200 Speaker 4: shot out, police cars were shot. 289 00:13:22,960 --> 00:13:26,120 Speaker 5: Out, and I had no idea. Wow, bloody, terrifying. 290 00:13:26,200 --> 00:13:29,440 Speaker 3: You shouldn't travel alone, no, I know, I don't think 291 00:13:29,440 --> 00:13:29,800 Speaker 3: you should. 292 00:13:30,000 --> 00:13:30,960 Speaker 5: I found out a few times. 293 00:13:31,040 --> 00:13:34,080 Speaker 2: Let's go to a Von on thirty one oh six five. Von, 294 00:13:34,240 --> 00:13:36,520 Speaker 2: you were in a bit of a dicey situation overseas. 295 00:13:36,960 --> 00:13:37,120 Speaker 12: Yeah. 296 00:13:37,160 --> 00:13:40,680 Speaker 19: Absolutely, I was in tije of a Mexico. I saw 297 00:13:40,760 --> 00:13:43,440 Speaker 19: all these Mexicans with a big sombrero side of trecked 298 00:13:43,440 --> 00:13:44,920 Speaker 19: to me over and I was taking all his video, 299 00:13:45,320 --> 00:13:47,120 Speaker 19: So wit a tough to get a hot dog? And 300 00:13:47,160 --> 00:13:49,840 Speaker 19: then the next the man next to me collapsed down 301 00:13:50,800 --> 00:13:52,880 Speaker 19: and his blood coming into with well, he'd been shot. 302 00:13:53,120 --> 00:13:56,240 Speaker 19: Oh so a girl grabbed my hand and she said, 303 00:13:56,320 --> 00:13:58,000 Speaker 19: run for your life. And then when I got to 304 00:13:58,040 --> 00:14:00,360 Speaker 19: the end, she said, you got So we were doing 305 00:14:00,360 --> 00:14:04,400 Speaker 19: a drug bust over the roads here and somebody had 306 00:14:04,440 --> 00:14:05,240 Speaker 19: taken a shot at me. 307 00:14:05,559 --> 00:14:09,800 Speaker 5: Oh my word, Von, did you protect the hot dog? Though? 308 00:14:09,840 --> 00:14:10,040 Speaker 15: Was on? 309 00:14:11,160 --> 00:14:12,319 Speaker 19: Yes, well I've got it on video. 310 00:14:13,440 --> 00:14:16,360 Speaker 4: Great, But did you did you? 311 00:14:17,679 --> 00:14:20,280 Speaker 3: She got the hot dog on video? Was let gee whiz? 312 00:14:20,320 --> 00:14:20,920 Speaker 2: That is wild. 313 00:14:20,960 --> 00:14:23,480 Speaker 3: Let's go to Sarah on thirty one six five. 314 00:14:24,920 --> 00:14:26,920 Speaker 2: I think you know that you're in trouble when you're 315 00:14:26,920 --> 00:14:29,040 Speaker 2: getting a hot dog in Mexico. Sarah talked to us, 316 00:14:29,160 --> 00:14:31,800 Speaker 2: you found yourself in a dicey situation overseas. 317 00:14:32,360 --> 00:14:37,040 Speaker 11: Look, I found myself in Many. But three years ago, 318 00:14:37,120 --> 00:14:39,080 Speaker 11: I was a nanny in London and I was just 319 00:14:39,120 --> 00:14:43,360 Speaker 11: casually walking on the London Bridge one day when some 320 00:14:43,440 --> 00:14:46,120 Speaker 11: guy just pulls out a knife and starts going kind 321 00:14:46,160 --> 00:14:48,320 Speaker 11: of on a rampage stabbing people. 322 00:14:48,560 --> 00:14:51,800 Speaker 2: Oh you're talking that that incident on the bridge. 323 00:14:51,920 --> 00:14:56,280 Speaker 5: Yeah you were there, Yeah, so sorry. How close were 324 00:14:56,320 --> 00:14:57,280 Speaker 5: you to the guy? 325 00:14:58,440 --> 00:14:59,520 Speaker 11: Oh like one hundred meters? 326 00:15:01,520 --> 00:15:01,880 Speaker 12: Wheez. 327 00:15:03,560 --> 00:15:06,080 Speaker 5: That's yeah, that is well. So did you run? You 328 00:15:06,120 --> 00:15:07,320 Speaker 5: just ran? Did you run those here? 329 00:15:08,240 --> 00:15:12,280 Speaker 12: I kindly just like stoodn't watching. I didn't know what 330 00:15:12,320 --> 00:15:12,680 Speaker 12: to do. 331 00:15:12,680 --> 00:15:15,720 Speaker 5: So I kind of just like, oh my was just paralyzed. 332 00:15:16,040 --> 00:15:16,920 Speaker 12: Sounds really bad? 333 00:15:17,040 --> 00:15:22,160 Speaker 2: No, no, yeah, yeah, wow wait, thanks so much, Hell, thank. 334 00:15:22,000 --> 00:15:22,360 Speaker 5: You, Sarah. 335 00:15:22,400 --> 00:15:26,040 Speaker 4: These are absolutely one. Let's stru Let's go to Vince. Vince, 336 00:15:26,240 --> 00:15:27,880 Speaker 4: what happened? You're in Syria? 337 00:15:28,800 --> 00:15:29,040 Speaker 14: Yeah? 338 00:15:29,120 --> 00:15:30,880 Speaker 16: So I was in Syria days at ten. We were 339 00:15:31,240 --> 00:15:34,240 Speaker 16: holiday in there. We were doing a crossover to Iraq. 340 00:15:34,360 --> 00:15:37,920 Speaker 16: So we went to a passport check in sort of 341 00:15:37,920 --> 00:15:41,200 Speaker 16: thing like a checkpoint, and when we were there, my 342 00:15:41,320 --> 00:15:44,880 Speaker 16: mom got separated, well, my mom got separated into two 343 00:15:44,880 --> 00:15:48,280 Speaker 16: separate rooms with two soldiers pulling me aside. The two 344 00:15:48,320 --> 00:15:51,200 Speaker 16: soldiers holding AK forty sevens at the time decide to 345 00:15:51,720 --> 00:15:56,000 Speaker 16: uncock their guns and aim them directly at me when 346 00:15:56,040 --> 00:15:58,400 Speaker 16: they asked me the question about what they thought what 347 00:15:58,480 --> 00:16:01,120 Speaker 16: I thought about the president Now at the time, I 348 00:16:01,280 --> 00:16:04,720 Speaker 16: was warned by everyone to call him Baba Saidam, which 349 00:16:05,640 --> 00:16:09,480 Speaker 16: was basically Papa Saidam or father Saidam in Arabic and uh. 350 00:16:09,560 --> 00:16:11,240 Speaker 16: Basically when they said so, what do you think it's 351 00:16:11,400 --> 00:16:14,160 Speaker 16: the same, I replied as quickly as possible with my 352 00:16:14,240 --> 00:16:17,240 Speaker 16: heart racing, and mind you, the guns aimed right on 353 00:16:17,320 --> 00:16:21,520 Speaker 16: my head. They basically basically said, nah, don't you mean uh, 354 00:16:22,080 --> 00:16:25,480 Speaker 16: Baba Saidam. And they're like okay, and they very nice, 355 00:16:26,320 --> 00:16:29,600 Speaker 16: you know. And then again so yeah. 356 00:16:29,800 --> 00:16:32,680 Speaker 2: Oh god, Vince. 357 00:16:32,760 --> 00:16:34,760 Speaker 16: That had me pretty sure she's lucky. 358 00:16:34,880 --> 00:16:37,680 Speaker 3: And you heard that that's what you had to say. 359 00:16:38,440 --> 00:16:40,320 Speaker 16: Yeah. They warned me quite a while we were crossing 360 00:16:40,320 --> 00:16:40,600 Speaker 16: the border. 361 00:16:41,440 --> 00:16:43,120 Speaker 2: So when you crossing the border, they're like, if anybody 362 00:16:43,200 --> 00:16:44,680 Speaker 2: asks you about Saddam, who's then you have to say, 363 00:16:44,680 --> 00:16:45,360 Speaker 2: Papa Saddam. 364 00:16:45,840 --> 00:16:47,600 Speaker 16: Yeah, as a child, that's what you have to call him. 365 00:16:47,920 --> 00:16:48,880 Speaker 16: Call him by his full name. 366 00:16:49,840 --> 00:16:52,720 Speaker 3: Wow. Way much like who's your daddy? 367 00:16:53,480 --> 00:16:56,520 Speaker 5: What's that man? Isn't it. It's pretty much like who's 368 00:16:56,520 --> 00:16:57,240 Speaker 5: your daddy? Isn't it? 369 00:16:58,600 --> 00:16:58,720 Speaker 20: Who? 370 00:16:59,240 --> 00:16:59,520 Speaker 3: From this? 371 00:17:00,160 --> 00:17:01,560 Speaker 5: Like it's weird call? 372 00:17:02,120 --> 00:17:02,280 Speaker 15: Yeah? 373 00:17:02,360 --> 00:17:04,320 Speaker 2: Yeah, yeah, no, one hundred percent weird. I don't think 374 00:17:04,320 --> 00:17:06,400 Speaker 2: it's like an Arnold Schwartzenegger line. 375 00:17:06,840 --> 00:17:08,320 Speaker 3: Who's your daddy? And what does you do? 376 00:17:08,880 --> 00:17:14,120 Speaker 2: Let's let's let's go to Kira, Kira. These are seriously 377 00:17:14,200 --> 00:17:17,119 Speaker 2: hectic stories, and I suppose, given that we've got you 378 00:17:17,160 --> 00:17:18,840 Speaker 2: at the end here, I imagine this is going to 379 00:17:18,880 --> 00:17:20,760 Speaker 2: be absolutely wild as well. What have you got for us? 380 00:17:20,840 --> 00:17:21,359 Speaker 2: What happened to you? 381 00:17:21,400 --> 00:17:21,520 Speaker 11: Ever? 382 00:17:21,560 --> 00:17:21,760 Speaker 12: See? 383 00:17:21,880 --> 00:17:24,280 Speaker 1: Think it's I don't think it's sentences. 384 00:17:23,800 --> 00:17:26,720 Speaker 13: Everybody else, but I was basically held hostage by some 385 00:17:26,760 --> 00:17:27,680 Speaker 13: monkeys in Thailand. 386 00:17:28,960 --> 00:17:30,480 Speaker 5: Did you hear the call before. 387 00:17:31,920 --> 00:17:37,119 Speaker 1: The Will and Woody podcast Wild Woodies Alone? 388 00:17:37,600 --> 00:17:39,320 Speaker 5: That's seen? One six five is the number? 389 00:17:39,480 --> 00:17:41,679 Speaker 4: You call us and convince us that you're in the 390 00:17:41,760 --> 00:17:45,240 Speaker 4: car with someone else? Will we try and detect is 391 00:17:45,280 --> 00:17:48,199 Speaker 4: someone else actually there or are they just putting on 392 00:17:48,320 --> 00:17:48,879 Speaker 4: a voice. 393 00:17:49,240 --> 00:17:51,320 Speaker 5: We've got George, who was giving us a ring day. 394 00:17:51,359 --> 00:17:53,040 Speaker 16: George. 395 00:17:53,240 --> 00:17:53,679 Speaker 5: How are you? 396 00:17:54,320 --> 00:17:54,760 Speaker 16: I'm good? 397 00:17:54,760 --> 00:17:56,040 Speaker 5: How are you very very well? 398 00:17:56,080 --> 00:17:56,159 Speaker 15: Man? 399 00:17:56,200 --> 00:17:57,480 Speaker 5: Who are you in the car with? George? 400 00:17:57,840 --> 00:17:59,280 Speaker 16: I'm here with another George. 401 00:17:59,480 --> 00:18:03,040 Speaker 3: Another George. How do you know George? 402 00:18:03,600 --> 00:18:03,800 Speaker 1: Ah? 403 00:18:04,040 --> 00:18:06,840 Speaker 16: Me and Georgia go way back. We we worked together 404 00:18:06,840 --> 00:18:08,520 Speaker 16: at the moment, but we met each other, just had 405 00:18:08,520 --> 00:18:09,680 Speaker 16: a pup maybe a few years ago. 406 00:18:10,119 --> 00:18:12,679 Speaker 5: Beautiful. What a story can you throw? George too on? 407 00:18:14,240 --> 00:18:14,640 Speaker 16: All right? 408 00:18:16,080 --> 00:18:21,720 Speaker 5: Hello, good a George too very well? What did you 409 00:18:22,040 --> 00:18:24,160 Speaker 5: work with George as the other George? 410 00:18:25,119 --> 00:18:26,840 Speaker 12: Actually we're working back together. 411 00:18:27,920 --> 00:18:29,359 Speaker 5: It sounds like a different person. 412 00:18:29,400 --> 00:18:32,480 Speaker 4: There's two people there we reckon, there's actually two George's. 413 00:18:33,520 --> 00:18:37,199 Speaker 16: You got up there, George. 414 00:18:37,640 --> 00:18:40,080 Speaker 3: I feel like you would have made us think a 415 00:18:40,080 --> 00:18:40,760 Speaker 3: bit harder. 416 00:18:40,560 --> 00:18:45,280 Speaker 2: If you didn't go for the old ah yeah, probably yeah, 417 00:18:46,359 --> 00:18:50,639 Speaker 2: didn't mind red hearing the old mid care red hearring. 418 00:18:52,119 --> 00:18:55,320 Speaker 4: No one's ever tried that before, fake clearing of the throat. 419 00:18:55,640 --> 00:18:56,639 Speaker 4: Here I am about to put on a. 420 00:18:56,680 --> 00:18:59,680 Speaker 3: Voice I could not. 421 00:18:59,800 --> 00:19:01,960 Speaker 2: All right, we're going to go to the next caller 422 00:19:02,080 --> 00:19:05,679 Speaker 2: here on thirteen one oh six ' five. We are no, 423 00:19:05,920 --> 00:19:08,760 Speaker 2: they've been taken away from us a little bit. We've 424 00:19:08,760 --> 00:19:11,040 Speaker 2: got Carmella here we go. Good o, Carmella. How are you going? 425 00:19:11,760 --> 00:19:12,639 Speaker 3: I'm good? How are you? 426 00:19:12,720 --> 00:19:13,280 Speaker 13: Yeah? Well? 427 00:19:13,320 --> 00:19:13,840 Speaker 5: Really well? 428 00:19:14,320 --> 00:19:15,600 Speaker 3: Who are you in the car with Kamela. 429 00:19:16,160 --> 00:19:18,840 Speaker 18: I'm just in the car with my sister, Brittany. 430 00:19:19,600 --> 00:19:23,640 Speaker 4: Brittany, Brittany okay, yeah, sorrow Brittany on the phone, please, 431 00:19:23,680 --> 00:19:27,159 Speaker 4: Carmela Okay, hello. 432 00:19:28,080 --> 00:19:31,520 Speaker 5: Hi Britney. Are you older or younger than Carmela. I'm younger, 433 00:19:33,320 --> 00:19:34,719 Speaker 5: you're younger. 434 00:19:35,600 --> 00:19:38,240 Speaker 4: Let's see what's your fondest memory of your sister Carmela? 435 00:19:39,560 --> 00:19:42,880 Speaker 8: Oh, always getting me into trouble with her. 436 00:19:44,200 --> 00:19:47,399 Speaker 4: Okays, a whole lot of memories that you've pulled together. 437 00:19:47,400 --> 00:19:49,520 Speaker 4: There thrown a blanket over, can you throw? Can you 438 00:19:49,520 --> 00:19:50,920 Speaker 4: put Carmela back on the phone, plase. 439 00:19:50,720 --> 00:19:56,280 Speaker 9: Brittany Okay, bye bye, Hello geez. 440 00:19:56,560 --> 00:19:58,440 Speaker 4: I mean they're really similar, all of a sudden, I 441 00:19:59,080 --> 00:20:01,679 Speaker 4: definitely thought it was just in person. Yeah, Britney's a 442 00:20:01,680 --> 00:20:02,640 Speaker 4: bit squeakier though. 443 00:20:02,880 --> 00:20:04,040 Speaker 3: Yeah, that's the bit. 444 00:20:04,880 --> 00:20:08,200 Speaker 5: I think it's just Camella, Camello. We think you're alone? 445 00:20:09,320 --> 00:20:13,480 Speaker 4: Yes, that will plod Cammella, because you know, it wasn't 446 00:20:13,560 --> 00:20:14,480 Speaker 4: that rageous voice. 447 00:20:14,720 --> 00:20:18,160 Speaker 5: It was very very similar to work on the backstory 448 00:20:18,160 --> 00:20:18,640 Speaker 5: a little bit. 449 00:20:19,240 --> 00:20:21,040 Speaker 2: Yeah, let's go to Will on thirday and one of 450 00:20:21,040 --> 00:20:22,639 Speaker 2: the sixth five Will, who isn't you. 451 00:20:22,600 --> 00:20:23,280 Speaker 3: Who you in the car with? 452 00:20:25,880 --> 00:20:27,640 Speaker 16: I'm just with my mate, Peter. 453 00:20:27,920 --> 00:20:30,080 Speaker 5: Peter, Peter, I put Peter on the fine Will. 454 00:20:31,000 --> 00:20:31,520 Speaker 20: He's Peter. 455 00:20:33,280 --> 00:20:34,640 Speaker 12: Oh hated Peter. 456 00:20:38,920 --> 00:20:39,160 Speaker 15: Peter. 457 00:20:39,480 --> 00:20:40,560 Speaker 5: How do you know, Will? How'd you? Mate? 458 00:20:40,560 --> 00:20:42,800 Speaker 16: Will Well? 459 00:20:42,840 --> 00:20:45,359 Speaker 12: I actually jumped through his TV here one. 460 00:20:45,280 --> 00:20:48,320 Speaker 5: Day, you jumped through his TV? 461 00:20:49,600 --> 00:20:50,119 Speaker 11: What do you mean? 462 00:20:51,359 --> 00:20:53,280 Speaker 12: We shouldn't be in a lump room, mate? And from 463 00:20:53,640 --> 00:20:56,440 Speaker 12: chap and I was just I was broadcasting on the 464 00:20:56,520 --> 00:20:59,200 Speaker 12: cles and I thought I'd just jumped through and shang hai, 465 00:20:59,359 --> 00:21:01,240 Speaker 12: you know. 466 00:21:01,760 --> 00:21:02,720 Speaker 10: Not too bad? 467 00:21:03,800 --> 00:21:05,560 Speaker 3: Not too bad, Will. That's the best. 468 00:21:05,560 --> 00:21:09,520 Speaker 2: That's the boldest Peter Griffin I've heard on this show. Great, 469 00:21:09,960 --> 00:21:13,280 Speaker 2: very good game matey, very very good. 470 00:21:14,240 --> 00:21:16,800 Speaker 16: I've been practicing since I was giving you five, mate, So. 471 00:21:18,240 --> 00:21:19,320 Speaker 5: The hard work's paid off. 472 00:21:19,359 --> 00:21:23,439 Speaker 2: World got yourself fifteen for fifteen second bit on final 473 00:21:23,480 --> 00:21:25,479 Speaker 2: line and Bunny love it mate, the role you were 474 00:21:25,480 --> 00:21:27,880 Speaker 2: born to play? Five hundred bucks at five o'clock, Stay 475 00:21:27,960 --> 00:21:29,480 Speaker 2: with us, swell the money on your wednesdaye. 476 00:21:29,600 --> 00:21:31,280 Speaker 1: It's the Will and Woody podcast. 477 00:21:32,200 --> 00:21:34,879 Speaker 2: Right now we're playing a brand new game. It's called 478 00:21:35,720 --> 00:21:41,760 Speaker 2: Have these Celebrities Ever Speared? The Bearded clam whoa. We're 479 00:21:41,760 --> 00:21:43,199 Speaker 2: still working on the title a bit, but you know, 480 00:21:43,240 --> 00:21:43,800 Speaker 2: you get the point. 481 00:21:44,160 --> 00:21:47,120 Speaker 4: You actually added words to the clunky one because I. 482 00:21:47,040 --> 00:21:49,600 Speaker 2: Got told that I couldn't say the the s e 483 00:21:49,840 --> 00:21:50,200 Speaker 2: X word. 484 00:21:51,640 --> 00:21:55,520 Speaker 4: Spearing the bedded clam is more appropriate saying the word. 485 00:21:56,080 --> 00:21:58,040 Speaker 3: All Right, you get a kid trying and figure that out. 486 00:21:58,920 --> 00:22:00,840 Speaker 2: It's all about the kids, man, think about the kids. 487 00:22:01,000 --> 00:22:02,080 Speaker 3: You never think about the children. 488 00:22:02,200 --> 00:22:02,720 Speaker 5: Yeah, that's fair. 489 00:22:02,760 --> 00:22:05,159 Speaker 4: Actually, yeah, it's a negative of my personality. 490 00:22:05,200 --> 00:22:05,439 Speaker 11: All right. 491 00:22:05,480 --> 00:22:07,960 Speaker 2: So we're just going to get a couple who have 492 00:22:08,000 --> 00:22:10,840 Speaker 2: acted together in something woods or perform that performed a 493 00:22:10,920 --> 00:22:13,520 Speaker 2: song together. Yes, yes, and then we have to guess 494 00:22:13,640 --> 00:22:14,480 Speaker 2: whether or not. 495 00:22:14,560 --> 00:22:16,760 Speaker 5: It continued when the cameras stopped. 496 00:22:17,200 --> 00:22:18,800 Speaker 3: Did they rinse the squirrel off screen? 497 00:22:18,800 --> 00:22:19,240 Speaker 16: Here we go? 498 00:22:19,280 --> 00:22:19,880 Speaker 5: What have we got? 499 00:22:19,960 --> 00:22:20,320 Speaker 11: All right? 500 00:22:20,640 --> 00:22:23,840 Speaker 21: Boys were going to continue the theme here, obviously inspired 501 00:22:23,840 --> 00:22:26,080 Speaker 21: by Jennifer Andison David Schwimmer from Friends? 502 00:22:26,480 --> 00:22:27,680 Speaker 5: Did that happen? Did it not happen? 503 00:22:27,720 --> 00:22:27,960 Speaker 2: Well? 504 00:22:28,080 --> 00:22:32,960 Speaker 21: Jen Aniston and Vince Vaughn from the Breakup Vince Fawn? 505 00:22:33,080 --> 00:22:34,480 Speaker 5: Yes, did they really? 506 00:22:35,119 --> 00:22:36,760 Speaker 3: My answer was almost definitely. 507 00:22:36,800 --> 00:22:38,200 Speaker 5: No, they're in a relationship for a while. 508 00:22:38,480 --> 00:22:41,560 Speaker 2: You're kidding your knowledge about this is embarrassing for you. 509 00:22:42,840 --> 00:22:43,760 Speaker 2: That's what we'd love to go with. 510 00:22:44,560 --> 00:22:48,199 Speaker 4: Yeah, oh yeah, this is The chemistry was amazing on 511 00:22:48,240 --> 00:22:49,240 Speaker 4: screen during the break. 512 00:22:49,359 --> 00:22:51,359 Speaker 2: Showing I think people are starting to get a glimpse 513 00:22:51,400 --> 00:22:53,640 Speaker 2: on how many copies of Women's Day you've got buried 514 00:22:53,680 --> 00:22:54,520 Speaker 2: under your coffee table. 515 00:22:54,560 --> 00:22:56,360 Speaker 5: I love gospel, all right. The next one. 516 00:22:56,560 --> 00:22:59,600 Speaker 21: Next celebrity on screen couple was Emma Stone and Ryan 517 00:22:59,600 --> 00:23:02,439 Speaker 21: Gosling the Oscar winning film La La Land. Did they 518 00:23:02,440 --> 00:23:05,639 Speaker 21: hook up off screen? Stay away from your keyboards, boys, 519 00:23:06,200 --> 00:23:07,720 Speaker 21: so you're away from your keep? 520 00:23:08,200 --> 00:23:10,359 Speaker 4: So it was Goslin with When was he with Eva Mendez? 521 00:23:10,359 --> 00:23:12,480 Speaker 4: They've got a child together, and Lala. 522 00:23:12,280 --> 00:23:15,760 Speaker 5: Lamb would have been got a child with Mendes. Mendes, 523 00:23:16,840 --> 00:23:17,639 Speaker 5: you are awful of this. 524 00:23:17,720 --> 00:23:21,800 Speaker 4: I don't know if I'm playing alone, but so I 525 00:23:21,800 --> 00:23:24,320 Speaker 4: would say no, it didn't continue given that, I'm pretty 526 00:23:24,359 --> 00:23:29,600 Speaker 4: sure he was with Mendes, right correct? I am unstoppable, 527 00:23:30,280 --> 00:23:33,280 Speaker 4: be over celebrated A little bit is embarrassment embarrassed. 528 00:23:33,160 --> 00:23:36,440 Speaker 5: Pre correct celebrity facts from Woody Way in Front. Next 529 00:23:36,440 --> 00:23:39,640 Speaker 5: celebrity couple on screen together? Did it happen off screen? 530 00:23:39,800 --> 00:23:43,320 Speaker 21: Weren Oonna Writer and Johnny Depp Edwards hands in the 531 00:23:43,320 --> 00:23:43,760 Speaker 21: early night? 532 00:23:44,040 --> 00:23:46,160 Speaker 20: Yes, we did definitely have him because he actually got 533 00:23:46,440 --> 00:23:48,200 Speaker 20: wait for it, I got a factor, I got a factor, 534 00:23:48,600 --> 00:23:50,600 Speaker 20: he got a he got a tattoo on his saying 535 00:23:50,640 --> 00:23:56,280 Speaker 20: WERENA for life, which he changed to whyo for live. 536 00:23:59,800 --> 00:24:08,320 Speaker 21: So why no, amazingly both of those facts are correct. 537 00:24:08,480 --> 00:24:14,680 Speaker 2: Oh my god, he is you are invincible, superpower, finally. 538 00:24:14,320 --> 00:24:19,920 Speaker 5: Finally one for you. He would and will participant. 539 00:24:23,920 --> 00:24:26,800 Speaker 21: Sandra Bullock and Hugh Grant, who start together in two weeks, 540 00:24:26,840 --> 00:24:30,840 Speaker 21: notice in the early two thousands, early two thousands, so Bullock. 541 00:24:31,680 --> 00:24:32,960 Speaker 5: No, what do we know about? 542 00:24:33,280 --> 00:24:34,320 Speaker 3: What's Bullock's past? 543 00:24:34,400 --> 00:24:35,000 Speaker 5: So Bullock? 544 00:24:35,600 --> 00:24:38,520 Speaker 4: I think Grant's past is that he actually really doesn't 545 00:24:38,640 --> 00:24:40,800 Speaker 4: like his co stars. I've got a feeling that Bullock 546 00:24:40,960 --> 00:24:42,760 Speaker 4: was one that he really did not get along with 547 00:24:42,800 --> 00:24:44,159 Speaker 4: and they struggled to film together. 548 00:24:44,800 --> 00:24:47,479 Speaker 5: I also know that Grant was bullet. 549 00:24:47,480 --> 00:24:50,520 Speaker 4: No, Bullock's been married for a while, and she she 550 00:24:50,520 --> 00:24:52,359 Speaker 4: she divorced would have been two or three years, so 551 00:24:52,359 --> 00:24:53,800 Speaker 4: she would have been married married. 552 00:24:54,040 --> 00:24:55,119 Speaker 3: Who is she married to? 553 00:24:55,359 --> 00:24:56,200 Speaker 5: She's not married anymore. 554 00:24:56,240 --> 00:24:58,520 Speaker 4: She was married to a guy who then started dating 555 00:24:58,520 --> 00:24:59,760 Speaker 4: the woman with a lot of tattoos. 556 00:25:00,640 --> 00:25:04,560 Speaker 5: And that's true. So all of these facts are correct. 557 00:25:04,560 --> 00:25:07,520 Speaker 3: This is terrifying. You're like the rain man of celebrity couples. 558 00:25:07,520 --> 00:25:07,879 Speaker 5: Thank you? 559 00:25:07,960 --> 00:25:08,800 Speaker 3: What is going on? 560 00:25:08,920 --> 00:25:10,440 Speaker 5: I just I love woman's day. 561 00:25:12,280 --> 00:25:21,320 Speaker 4: So the answer is no, Joe correct, Well, that was terrifying. 562 00:25:21,960 --> 00:25:23,960 Speaker 3: Oh my god, that was amazing. 563 00:25:24,000 --> 00:25:25,040 Speaker 16: We don't have to do that again. 564 00:25:25,359 --> 00:25:26,480 Speaker 1: What the hell? 565 00:25:26,600 --> 00:25:29,200 Speaker 5: I should have a gossip other segment or something. Yeah, 566 00:25:29,240 --> 00:25:31,120 Speaker 5: we can do that. Let's do that, all right, I'm 567 00:25:31,119 --> 00:25:33,640 Speaker 5: good at it. Yeah, get around me again? 568 00:25:33,720 --> 00:25:33,920 Speaker 12: Yeah? 569 00:25:33,960 --> 00:25:35,320 Speaker 5: No, why flightened a little bit? 570 00:25:35,440 --> 00:25:41,840 Speaker 1: No, I got around ye the podcast. 571 00:25:42,320 --> 00:25:44,800 Speaker 2: Twenty five years on from the release of this song, 572 00:25:49,200 --> 00:25:52,080 Speaker 2: Spice Girls have admitted that that wasn't meant to be 573 00:25:52,280 --> 00:25:55,520 Speaker 2: the original release in nineteen ninety six. It was meant 574 00:25:55,560 --> 00:25:58,840 Speaker 2: to be this other song called Feed Your Love, which 575 00:25:58,880 --> 00:25:59,800 Speaker 2: we can play a little bit. 576 00:25:59,720 --> 00:26:04,680 Speaker 3: Of absolute snow first would have been the death of them. 577 00:26:04,720 --> 00:26:07,119 Speaker 3: So you know, do you bit of a sliding doors moment? 578 00:26:07,200 --> 00:26:07,919 Speaker 3: Dare I say? 579 00:26:08,440 --> 00:26:08,640 Speaker 6: Now? 580 00:26:08,800 --> 00:26:11,080 Speaker 5: Actually that's true. If they went with that, Yeah, the 581 00:26:11,080 --> 00:26:12,879 Speaker 5: spot Sculls would never have taken out. It's not a 582 00:26:12,880 --> 00:26:13,240 Speaker 5: good song. 583 00:26:13,720 --> 00:26:15,239 Speaker 2: Shocking and look at the end of the day, as 584 00:26:15,280 --> 00:26:17,880 Speaker 2: I said before, so the reason they didn't release that song, 585 00:26:17,960 --> 00:26:19,720 Speaker 2: feed to Your Love, is because they the lyrics were 586 00:26:19,720 --> 00:26:22,680 Speaker 2: too saucy, and I reckon, that's lazy songwriting. 587 00:26:22,720 --> 00:26:24,240 Speaker 3: Okay, it's lazy songwriting. Okon. 588 00:26:24,280 --> 00:26:26,200 Speaker 2: If you're a songwriter worth your salt. You should be 589 00:26:26,280 --> 00:26:29,639 Speaker 2: able to desource any lyric. And that's what you and 590 00:26:29,640 --> 00:26:31,280 Speaker 2: I are going to do right now. Woods, You and 591 00:26:31,320 --> 00:26:33,960 Speaker 2: I tet to tet men are men in the studio. 592 00:26:34,200 --> 00:26:36,720 Speaker 2: We're going to be throwing saucy songs at each other. Sure, 593 00:26:36,840 --> 00:26:39,040 Speaker 2: and then the other one has to desource the lyrics 594 00:26:39,040 --> 00:26:40,480 Speaker 2: of that song tasty? 595 00:26:40,560 --> 00:26:40,880 Speaker 15: All right? 596 00:26:41,080 --> 00:26:42,560 Speaker 5: Do you want to go first? To go first? I 597 00:26:42,600 --> 00:26:44,399 Speaker 5: can go first. Okay, do you want to go first? 598 00:26:44,600 --> 00:26:45,840 Speaker 5: I don't care, I'll go first, all right? 599 00:26:45,840 --> 00:26:46,000 Speaker 8: Cool. 600 00:26:46,040 --> 00:26:48,840 Speaker 3: I want you to disource the lyrics this song. 601 00:26:49,119 --> 00:26:59,280 Speaker 22: Okay, the to Vinyls pretty saucy song speaking about touching themselves. 602 00:27:00,800 --> 00:27:06,120 Speaker 2: The musical cut out for the line I touched myself. Kay, right, 603 00:27:06,119 --> 00:27:11,280 Speaker 2: here we go, desource it, Woods. 604 00:27:13,920 --> 00:27:16,399 Speaker 5: I teach myself French bone. 605 00:27:22,280 --> 00:27:22,639 Speaker 3: Give me it. 606 00:27:22,720 --> 00:27:25,720 Speaker 5: Yeah, beautiful, thank you, very good. 607 00:27:25,760 --> 00:27:26,000 Speaker 3: Damn it. 608 00:27:26,040 --> 00:27:28,120 Speaker 5: I put the pressure on myself with the pressure. Here 609 00:27:28,160 --> 00:27:28,359 Speaker 5: we go. 610 00:27:28,359 --> 00:27:31,000 Speaker 4: We on this song by Little John and the East 611 00:27:31,040 --> 00:27:35,359 Speaker 4: Side Boys. It's get low. 612 00:27:35,800 --> 00:27:43,880 Speaker 14: You don't know, oh yeah, oh wow. 613 00:27:44,000 --> 00:27:45,560 Speaker 5: There's obviously a line there. 614 00:27:46,240 --> 00:27:48,400 Speaker 4: They've actually already disourced a bit, but there's an original 615 00:27:48,440 --> 00:27:50,399 Speaker 4: line the which is pretty naughty to. 616 00:27:50,480 --> 00:27:53,440 Speaker 3: The window, to the wall till the sweat dripped down. 617 00:27:53,520 --> 00:27:57,679 Speaker 5: Oh yeah, okay, and then you're going to take over. Okay, yeah, okay, 618 00:27:57,920 --> 00:27:58,440 Speaker 5: ready to go. 619 00:28:02,920 --> 00:28:07,320 Speaker 3: Till the threat of a lion, raw ra raw raw. 620 00:28:08,359 --> 00:28:15,800 Speaker 2: Thank you, thank you very much, very good top game 621 00:28:15,160 --> 00:28:16,840 Speaker 2: the lion. 622 00:28:18,119 --> 00:28:19,800 Speaker 3: They could have almost used that in that song. 623 00:28:20,119 --> 00:28:24,040 Speaker 5: All right, no, next one, Oh. 624 00:28:24,119 --> 00:28:31,080 Speaker 2: Okay, brings all the milkshakes to the yard. She's obviously 625 00:28:32,160 --> 00:28:35,240 Speaker 2: making it's an analogy about her breasts, which is, you know, 626 00:28:35,520 --> 00:28:38,280 Speaker 2: pretty saucy stuff, don't tweaking nipples, don't tweaking nipples? 627 00:28:38,320 --> 00:28:39,360 Speaker 5: Why breasts? 628 00:28:40,440 --> 00:28:43,000 Speaker 2: So what we're going to do is you'll just have 629 00:28:43,040 --> 00:28:45,280 Speaker 2: to kicks off from the start, my milkshake, bring all 630 00:28:45,280 --> 00:28:46,040 Speaker 2: the boys to the yard. 631 00:28:46,080 --> 00:28:49,120 Speaker 5: That's when you'll come in from there. Well, bloody hell, 632 00:28:50,480 --> 00:28:52,160 Speaker 5: you're making me change a lot here. 633 00:28:52,160 --> 00:28:54,120 Speaker 2: My milkshap bring all the boys to the yard. You 634 00:28:54,160 --> 00:28:55,520 Speaker 2: can have a second to think about it. 635 00:28:55,760 --> 00:29:04,920 Speaker 5: Yeah, okay, okay. My silk makes seal skin feel nice. 636 00:29:05,000 --> 00:29:12,640 Speaker 5: Oh yeah, very I remember I had one silk. My silk. 637 00:29:23,400 --> 00:29:27,960 Speaker 5: Let's move on there. I'm gonna get my silk makes 638 00:29:28,000 --> 00:29:29,400 Speaker 5: my skin feel nice. 639 00:29:30,400 --> 00:29:32,800 Speaker 4: Not Actually that's a tight lyric And have you ever 640 00:29:32,840 --> 00:29:35,400 Speaker 4: had silk on your face, it's beautiful anyway. All right, 641 00:29:36,600 --> 00:29:43,600 Speaker 4: we all know this song by Missy Elliott that's very naughty. 642 00:29:44,240 --> 00:29:45,720 Speaker 4: So you know where it's gonna cut out. 643 00:29:45,760 --> 00:29:47,640 Speaker 13: Well, here we go. 644 00:29:47,760 --> 00:29:55,040 Speaker 5: Hey yeah, oh gee whiz can't be worse than mine, mate, 645 00:29:55,040 --> 00:29:56,160 Speaker 5: don't worry the pressures off. 646 00:29:56,960 --> 00:30:01,120 Speaker 3: Ah uh oh god, yeah, I don't know. 647 00:30:01,240 --> 00:30:04,040 Speaker 5: How away am I rhyming with my my p and 648 00:30:04,200 --> 00:30:07,120 Speaker 5: my c where you're rhyming? I didn't bother with the rhyme? 649 00:30:07,200 --> 00:30:08,560 Speaker 5: And where am I starting from here? 650 00:30:11,920 --> 00:30:12,080 Speaker 6: Oh? 651 00:30:12,160 --> 00:30:12,600 Speaker 5: Yeah, okay? 652 00:30:12,680 --> 00:30:12,880 Speaker 12: Cool? 653 00:30:12,960 --> 00:30:15,680 Speaker 5: Alright, alright, yeah yeah, cool, cool cook cool? Al right. Uh, 654 00:30:16,440 --> 00:30:22,480 Speaker 5: I don't know, Okay, I know I haven't gone anything. 655 00:30:22,560 --> 00:30:25,600 Speaker 2: I nearly said like my pussy and I was like, okay, 656 00:30:25,640 --> 00:30:27,000 Speaker 2: where is That's what I don't want to say. 657 00:30:30,120 --> 00:30:31,920 Speaker 1: It's the Woody Podcast. 658 00:30:32,320 --> 00:30:34,200 Speaker 2: You've joined it at a great time because wood he 659 00:30:34,280 --> 00:30:36,520 Speaker 2: thinks he's the boss of GOSS in Australia. 660 00:30:37,280 --> 00:30:45,920 Speaker 15: Is the boss of Gosh? Well, Richard read knock him 661 00:30:46,000 --> 00:30:47,040 Speaker 15: from him? Insteed? 662 00:30:48,760 --> 00:30:49,560 Speaker 1: Yeah, that's the question. 663 00:30:49,920 --> 00:30:50,480 Speaker 5: What's reckons? 664 00:30:50,520 --> 00:30:51,920 Speaker 2: He's the boss and Goss He wants to prove it 665 00:30:52,000 --> 00:30:54,360 Speaker 2: by taking down every entertainment reporter in the country. 666 00:30:54,400 --> 00:30:56,400 Speaker 3: It's been a clean sweep so far. And to be honest, guys, 667 00:30:56,440 --> 00:30:59,080 Speaker 3: if you've missed it, Renee Barges, see your ladder's gone. 668 00:30:59,320 --> 00:31:00,640 Speaker 3: Look bony gone. 669 00:31:01,120 --> 00:31:04,200 Speaker 2: Really stepped up in class last week when Ange Bishop, 670 00:31:04,240 --> 00:31:06,000 Speaker 2: who's been the game for twenty six years. 671 00:31:06,080 --> 00:31:08,280 Speaker 3: She's General ten's number one entertainment reporter. 672 00:31:08,840 --> 00:31:10,440 Speaker 5: She was, she was a great adversary. 673 00:31:10,640 --> 00:31:13,040 Speaker 4: Actually, Angela Bishop, she's the Queen of gossip, no doubt 674 00:31:13,040 --> 00:31:13,360 Speaker 4: about her. 675 00:31:13,400 --> 00:31:14,760 Speaker 5: At the end of the day, I wipe the floor 676 00:31:14,800 --> 00:31:15,000 Speaker 5: with her. 677 00:31:15,680 --> 00:31:19,200 Speaker 3: Now today we're speaking of step ups in class. 678 00:31:19,320 --> 00:31:22,920 Speaker 2: This guy has done daily stories for Access Hollywood Entertainment 679 00:31:23,000 --> 00:31:24,240 Speaker 2: Tonight The Insider. 680 00:31:24,640 --> 00:31:28,720 Speaker 3: He's currently a panelist on Studio ten. Please welcome Richard Reid. 681 00:31:29,280 --> 00:31:30,440 Speaker 17: Wow, oh. 682 00:31:31,960 --> 00:31:34,360 Speaker 10: Hello, oh my god, hey hello. 683 00:31:34,720 --> 00:31:38,440 Speaker 9: You know what, I the Boss of God. Got a 684 00:31:38,520 --> 00:31:41,400 Speaker 9: lot of nerve, mister, a lot of nerve. 685 00:31:41,720 --> 00:31:43,480 Speaker 5: But I'm walking the walk Richard Read. 686 00:31:43,640 --> 00:31:45,480 Speaker 4: I mean, sure, it was all talk a couple of 687 00:31:45,520 --> 00:31:48,240 Speaker 4: weeks ago, but I am knocking off you goss reporters left, 688 00:31:48,320 --> 00:31:50,440 Speaker 4: right and center, my friend, and I look forward to 689 00:31:50,560 --> 00:31:51,680 Speaker 4: knocking you off your purchase. 690 00:31:51,720 --> 00:31:55,480 Speaker 10: Well Richard, oh yes, you've knocked off Oh my god, 691 00:31:55,800 --> 00:31:59,479 Speaker 10: Brook Nah nah, you know and yeah, no, come on now. 692 00:31:59,560 --> 00:32:02,640 Speaker 16: And that was it was very quote and special. 693 00:32:02,760 --> 00:32:05,080 Speaker 9: Actually, I got to tell you, she warned me a 694 00:32:05,080 --> 00:32:08,240 Speaker 9: little bit. I got a voicemail from her earlier today. 695 00:32:08,600 --> 00:32:12,800 Speaker 18: Richard exchange, I know today today you're taking Now, listen, 696 00:32:13,000 --> 00:32:15,680 Speaker 18: make sure you've beat him. I lost all the technicality, 697 00:32:15,840 --> 00:32:18,080 Speaker 18: and the only thing worth being beaten by you is 698 00:32:18,200 --> 00:32:21,200 Speaker 18: being beaten by him technicality. 699 00:32:29,240 --> 00:32:31,000 Speaker 2: Let's get down to it, shall we. We're gonna be 700 00:32:31,040 --> 00:32:32,680 Speaker 2: going head to head, Richie. You know the rules here, 701 00:32:32,760 --> 00:32:36,240 Speaker 2: so obviously speed's the key. Name is Buzzers. That will 702 00:32:36,280 --> 00:32:38,560 Speaker 2: get you an answer to the question. But if you 703 00:32:38,720 --> 00:32:41,880 Speaker 2: don't get to answer the question, you can trump the 704 00:32:42,080 --> 00:32:47,520 Speaker 2: other person's answer with a tidbit about the same question. 705 00:32:47,880 --> 00:32:49,040 Speaker 3: Are you ready to go, Richard? 706 00:32:49,960 --> 00:32:50,400 Speaker 16: I'm ready? 707 00:32:50,480 --> 00:32:51,800 Speaker 3: Okay, names is Buzzes. 708 00:32:51,960 --> 00:32:54,840 Speaker 5: Here we go, Good luck rich True or false? 709 00:32:55,880 --> 00:32:58,960 Speaker 2: Zach Efron played a shirtless bartender in Ricky Martin's She 710 00:32:59,160 --> 00:32:59,880 Speaker 2: Bangs Music for. 711 00:33:01,440 --> 00:33:08,080 Speaker 5: Wood He false false is correct? 712 00:33:12,240 --> 00:33:14,520 Speaker 2: It was It was not chan It was not zach 713 00:33:14,600 --> 00:33:17,240 Speaker 2: Efron who was the bartender in Ricky Martin She Bangs? 714 00:33:17,280 --> 00:33:17,720 Speaker 15: It was. 715 00:33:19,280 --> 00:33:20,600 Speaker 5: Any Idea Channing Titum. 716 00:33:20,640 --> 00:33:21,480 Speaker 3: It was Channing Titum. 717 00:33:22,240 --> 00:33:22,600 Speaker 14: It was. 718 00:33:25,000 --> 00:33:27,880 Speaker 5: Channing Titum. Was actually a stripper you don't don't get 719 00:33:27,920 --> 00:33:29,120 Speaker 5: any double points. Absolutely not. 720 00:33:29,240 --> 00:33:31,040 Speaker 3: All right, we're gonna move on. 721 00:33:31,160 --> 00:33:31,520 Speaker 5: Where are you? 722 00:33:31,680 --> 00:33:32,640 Speaker 16: Richard did so. 723 00:33:33,000 --> 00:33:36,240 Speaker 9: The first time I met zach Efron, he was still 724 00:33:36,280 --> 00:33:39,400 Speaker 9: doing high school musical And I will say I'm not 725 00:33:39,520 --> 00:33:42,520 Speaker 9: saying he's not pretty, but he's good from far from 726 00:33:42,680 --> 00:33:45,040 Speaker 9: far from good. Because when I got up clothes, he 727 00:33:45,200 --> 00:33:49,920 Speaker 9: was wearing so much make up, so much foundation. Wow, 728 00:33:50,000 --> 00:33:52,320 Speaker 9: I really thought he might be trans Wow. 729 00:33:53,160 --> 00:33:56,400 Speaker 3: Not bad, Richard, I'm not going to give it. 730 00:33:56,440 --> 00:33:59,240 Speaker 11: To you like wow, it was. 731 00:33:59,640 --> 00:34:00,680 Speaker 9: It was pretty desperate. 732 00:34:04,360 --> 00:34:05,160 Speaker 3: I like the effort though. 733 00:34:05,160 --> 00:34:05,480 Speaker 7: Here we go. 734 00:34:05,600 --> 00:34:06,120 Speaker 3: Next question. 735 00:34:06,880 --> 00:34:11,240 Speaker 2: Sandra Bullock's marriage ended just days after what huge moment 736 00:34:11,320 --> 00:34:13,040 Speaker 2: in her career whet Rich. 737 00:34:13,760 --> 00:34:16,680 Speaker 5: Rich, you're up Academy award? 738 00:34:17,040 --> 00:34:18,279 Speaker 3: She yes, she did. She won the. 739 00:34:18,280 --> 00:34:20,839 Speaker 2: Academy Award for the blind Side in twenty ten. 740 00:34:22,400 --> 00:34:25,359 Speaker 3: All right, so you won a piece. Well done and Rich, 741 00:34:25,440 --> 00:34:27,560 Speaker 3: gee whiz you were hot on that one mate starting 742 00:34:27,600 --> 00:34:29,360 Speaker 3: to prove his he. 743 00:34:30,920 --> 00:34:31,200 Speaker 13: Was hot. 744 00:34:31,239 --> 00:34:32,800 Speaker 5: All right, here we go, which. 745 00:34:32,719 --> 00:34:36,440 Speaker 2: Ossie TV host completely cooked the finale of Australia's Next 746 00:34:36,480 --> 00:34:37,919 Speaker 2: Top Model in two thousand and seven. 747 00:34:39,920 --> 00:34:45,200 Speaker 9: Rich she's blonde and I've worked with her and she's 748 00:34:45,560 --> 00:34:48,880 Speaker 9: married to a packer now. 749 00:34:48,880 --> 00:34:50,600 Speaker 3: I'm not going to get to your originally, I need 750 00:34:50,680 --> 00:34:54,760 Speaker 3: her name. I need her name, Sarah. Sarah Medock's correct, 751 00:34:56,640 --> 00:34:58,960 Speaker 3: Sarah Medock is correct. We're going to go to her song. 752 00:34:59,080 --> 00:35:00,879 Speaker 3: Mac Goossopkin your news up next. 753 00:35:00,960 --> 00:35:01,200 Speaker 15: Wood. 754 00:35:01,200 --> 00:35:04,200 Speaker 14: He's two to one against Richard Reid gee whizz in 755 00:35:04,320 --> 00:35:05,600 Speaker 14: his red hot out of him. 756 00:35:05,920 --> 00:35:08,160 Speaker 2: Woods thinks he could be the best goss reporter in 757 00:35:08,200 --> 00:35:10,440 Speaker 2: the country and he's about to prove it by taking 758 00:35:10,520 --> 00:35:14,200 Speaker 2: on the entertainment reporters in Australia one at a time. 759 00:35:14,320 --> 00:35:15,760 Speaker 3: And a genuine goss Off. 760 00:35:16,280 --> 00:35:19,000 Speaker 5: Is the boss of goss. 761 00:35:22,520 --> 00:35:26,640 Speaker 15: Oh well, Richard read knock him from him? Steve, Yeah, 762 00:35:26,680 --> 00:35:26,960 Speaker 15: that's right. 763 00:35:27,000 --> 00:35:29,160 Speaker 2: If you're just joining us, it's been Renee Bash gone, 764 00:35:29,239 --> 00:35:32,000 Speaker 2: Brooke Boney, he beat her as well, Channel nine's entertainent reporter. 765 00:35:32,080 --> 00:35:35,960 Speaker 2: He's taken out and Bishop Channel ten's entertainment reporter. Today, 766 00:35:36,520 --> 00:35:38,920 Speaker 2: Richard Reid joins us in the goss Off. It's a 767 00:35:38,960 --> 00:35:42,600 Speaker 2: best of five names as buzzers style quiz scenario. A 768 00:35:42,719 --> 00:35:45,680 Speaker 2: tidbit will get you a reversal of the points as well. 769 00:35:45,719 --> 00:35:49,160 Speaker 2: We haven't seen a tidbit provider reversal just yet. Richard, 770 00:35:49,160 --> 00:35:52,919 Speaker 2: how are you feeling oh oh wow. 771 00:35:53,040 --> 00:35:54,880 Speaker 12: That was like acid be thrown in. 772 00:35:59,000 --> 00:36:01,320 Speaker 5: We've both attempted to bits. You both had failed. 773 00:36:01,719 --> 00:36:03,960 Speaker 2: We both had attempted tidbits, no doubt about it. They 774 00:36:03,960 --> 00:36:05,880 Speaker 2: haven't quite been up to the scratch yet. But as 775 00:36:05,920 --> 00:36:08,719 Speaker 2: I said, it's two to one best of five, so 776 00:36:08,920 --> 00:36:12,480 Speaker 2: Wood he gets another one, Richard, he will win. 777 00:36:13,320 --> 00:36:13,880 Speaker 3: Are you ready? 778 00:36:14,640 --> 00:36:14,839 Speaker 6: Yeah? 779 00:36:15,440 --> 00:36:20,279 Speaker 5: Okay, get out of my head, Richard. 780 00:36:20,680 --> 00:36:24,279 Speaker 2: In twenty fourteen, whilst visiting Australia, which singer send a 781 00:36:24,320 --> 00:36:27,480 Speaker 2: twenty one page report on what journalists can and can't do? 782 00:36:29,160 --> 00:36:29,480 Speaker 5: Would he? 783 00:36:29,960 --> 00:36:30,160 Speaker 6: Yeah? 784 00:36:31,040 --> 00:36:33,719 Speaker 9: Arianna Grande Richard got in there. 785 00:36:33,880 --> 00:36:36,320 Speaker 3: He got in there, Riches. 786 00:36:37,880 --> 00:36:39,160 Speaker 5: Wow, sneaky. 787 00:36:39,719 --> 00:36:43,000 Speaker 4: Ariana Grande on that same trip was embroiled in a 788 00:36:43,040 --> 00:36:45,160 Speaker 4: scandal where she spat on donuts. 789 00:36:45,480 --> 00:36:48,080 Speaker 5: She spat on some donuts and she was videos. Do 790 00:36:48,360 --> 00:36:49,440 Speaker 5: you know that story, Richard? 791 00:36:50,320 --> 00:36:51,800 Speaker 16: I don't know the donut story. 792 00:36:51,960 --> 00:36:53,760 Speaker 9: I know the fake tan story. 793 00:36:54,360 --> 00:36:55,520 Speaker 3: What's the fake tan story? 794 00:36:55,880 --> 00:36:58,920 Speaker 9: Someone gave her a fake tan and she threw a 795 00:36:59,040 --> 00:37:02,880 Speaker 9: fifty fit. She goes, I am not canned Dory orange. 796 00:37:03,239 --> 00:37:04,920 Speaker 16: I need to be Mocha brown. 797 00:37:08,320 --> 00:37:11,759 Speaker 2: Both pretty awful tidbits, believe it, Richard, Richard, both your 798 00:37:11,840 --> 00:37:14,400 Speaker 2: tidbits to date have been fake Tan stories, believe it 799 00:37:14,480 --> 00:37:14,600 Speaker 2: or not. 800 00:37:18,640 --> 00:37:27,239 Speaker 10: Well, did I mention I've got a Tan Brandy piece? 801 00:37:27,840 --> 00:37:28,160 Speaker 13: This is it? 802 00:37:28,239 --> 00:37:28,799 Speaker 3: Final question? 803 00:37:28,880 --> 00:37:35,200 Speaker 2: Okay, place these former John Mayer girlfriends in chronological order. 804 00:37:35,360 --> 00:37:41,680 Speaker 2: Oh you are Jessica Simpson, Jennifer Aniston, Katie Perry, Vanessa Carlton. 805 00:37:44,040 --> 00:37:44,799 Speaker 5: Can I have a pin? 806 00:37:46,280 --> 00:37:46,320 Speaker 1: No? 807 00:37:46,920 --> 00:37:53,600 Speaker 5: No, he said, no John Mayer, Carlton. Who's who's the 808 00:37:53,640 --> 00:37:54,040 Speaker 5: second one? 809 00:37:55,320 --> 00:37:59,360 Speaker 3: Who's scam Carlton, Simpson and Aniston and Perry. 810 00:37:59,600 --> 00:38:07,040 Speaker 5: Yeah it's Carlton. I'm going to give you the last. 811 00:38:07,600 --> 00:38:11,920 Speaker 4: It's Perry most recent, then Aniston, Perry, Aniston the other one, 812 00:38:11,960 --> 00:38:12,800 Speaker 4: I said, And then Carlton. 813 00:38:12,880 --> 00:38:14,400 Speaker 5: Who's that Jessica Simpson, Carlton. 814 00:38:15,000 --> 00:38:15,480 Speaker 12: Let's get it. 815 00:38:15,560 --> 00:38:16,520 Speaker 10: Let's get a final. 816 00:38:18,200 --> 00:38:19,640 Speaker 3: I have some chronological order. 817 00:38:19,760 --> 00:38:23,240 Speaker 5: Carlton, Simpson, Aniston, Perry. 818 00:38:24,760 --> 00:38:25,400 Speaker 3: That's correct. 819 00:38:31,040 --> 00:38:43,680 Speaker 10: Richard reminds me of that time that Tanya Hardy clubbed 820 00:38:44,040 --> 00:38:46,400 Speaker 10: that other skater's foot and she said, why. 821 00:38:50,520 --> 00:38:54,640 Speaker 3: Oh god, Richard, Well wait, what a performance? Rich I 822 00:38:54,719 --> 00:38:58,480 Speaker 3: imagine you had them as well. Carlton, Simpson, Aniston. 823 00:38:58,080 --> 00:39:00,520 Speaker 5: Perry, I did. 824 00:39:00,560 --> 00:39:05,640 Speaker 12: It was so close, Woody, you know what I am. 825 00:39:06,200 --> 00:39:09,120 Speaker 10: I hand it to you, I can it to you and. 826 00:39:09,239 --> 00:39:14,239 Speaker 9: I can't wait until my friend Big Dick Richard Wilkins. 827 00:39:16,000 --> 00:39:20,040 Speaker 5: Yes, he's my Moby Dick. He's my Moby Dickie. I 828 00:39:20,160 --> 00:39:21,319 Speaker 5: want him, I want him bad. 829 00:39:22,320 --> 00:39:24,480 Speaker 9: He's a lot of people's Moby Dick. I got it. 830 00:39:27,400 --> 00:39:32,040 Speaker 16: Just that Brookshield, that's gonna be. 831 00:39:33,920 --> 00:39:34,240 Speaker 12: Richard. 832 00:39:34,360 --> 00:39:35,840 Speaker 3: Hi, thank you so much for joining us. 833 00:39:35,840 --> 00:39:37,560 Speaker 2: If we don't say to Richard's but he's currently writing 834 00:39:37,640 --> 00:39:39,680 Speaker 2: for New Idea and this weekend you can see him 835 00:39:39,680 --> 00:39:41,360 Speaker 2: on Celeberty Mastermind, which is on s b S. 836 00:39:41,480 --> 00:39:43,320 Speaker 3: Richard, it's been a pleasure having only shown thanks so 837 00:39:43,400 --> 00:39:44,080 Speaker 3: much for coming. 838 00:39:43,960 --> 00:39:45,000 Speaker 16: On a pleasure. 839 00:39:45,040 --> 00:39:47,320 Speaker 9: I'm not a sore loser, but I'm a loser and 840 00:39:47,480 --> 00:39:48,000 Speaker 9: I'm sore. 841 00:39:51,719 --> 00:39:55,399 Speaker 3: It's been a pleasure. You got it there on Will 842 00:39:55,480 --> 00:39:58,719 Speaker 3: and what he Moves on file in the gossil give 843 00:39:58,800 --> 00:40:03,320 Speaker 3: me Dicky, well me. The next step is rich and Wilkins. 844 00:40:03,040 --> 00:40:03,640 Speaker 5: Give me the dick. 845 00:40:03,800 --> 00:40:04,480 Speaker 14: Can you do it? 846 00:40:05,120 --> 00:40:05,319 Speaker 15: Wow? 847 00:40:05,400 --> 00:40:06,840 Speaker 3: We're going to find out next time th. 848 00:40:08,360 --> 00:40:08,960 Speaker 1: Podcast. 849 00:40:09,600 --> 00:40:12,280 Speaker 2: What methods did your parents employee to try and stop 850 00:40:12,320 --> 00:40:17,439 Speaker 2: you being intimate as a kid. I used that word 851 00:40:17,640 --> 00:40:21,520 Speaker 2: kid liberally obviously, I mean in your younger years, guys, 852 00:40:22,120 --> 00:40:23,200 Speaker 2: teenage years. 853 00:40:23,200 --> 00:40:25,480 Speaker 3: Well potentially who knows who knows woods. 854 00:40:25,800 --> 00:40:27,319 Speaker 2: You might still be living with your mother and you're 855 00:40:27,360 --> 00:40:31,120 Speaker 2: thirty five and she doesn't like you doing the horizontal 856 00:40:31,200 --> 00:40:33,200 Speaker 2: greas weasel tango in the room next to her, so 857 00:40:33,280 --> 00:40:35,400 Speaker 2: you know, maybe she plays her opera very loudly. 858 00:40:35,840 --> 00:40:37,920 Speaker 3: M we take that call, am I right? 859 00:40:38,520 --> 00:40:46,959 Speaker 2: Anyway, let's get Let's go to produce house because eld 860 00:40:47,040 --> 00:40:50,280 Speaker 2: your parents used to employ some methods to stop. 861 00:40:50,080 --> 00:40:51,520 Speaker 3: You being intimate as a teenager. 862 00:40:52,680 --> 00:40:56,440 Speaker 7: Yeah, so if I had a boy around to the house, 863 00:40:56,800 --> 00:40:59,480 Speaker 7: I had to keep my bedroom door open at all 864 00:40:59,600 --> 00:41:02,840 Speaker 7: time so that we couldn't get up to any mischief. 865 00:41:04,000 --> 00:41:06,440 Speaker 7: Of course, unfortunately my mom and dad didn't realize at 866 00:41:06,480 --> 00:41:08,560 Speaker 7: the time that I was actually figuring out that I 867 00:41:08,680 --> 00:41:12,600 Speaker 7: was gay. My girlfriend's round the door could be closed. 868 00:41:12,960 --> 00:41:15,040 Speaker 10: Well, had no idea. 869 00:41:15,280 --> 00:41:21,320 Speaker 14: Funny got him joke on them? Oh god, At what 870 00:41:21,480 --> 00:41:24,480 Speaker 14: point did they realize? And while we were always closing 871 00:41:24,560 --> 00:41:26,719 Speaker 14: the door when the women were coming over, we're playing 872 00:41:26,800 --> 00:41:27,359 Speaker 14: lego again. 873 00:41:27,440 --> 00:41:28,439 Speaker 2: Don't want to be able to hear. 874 00:41:28,360 --> 00:41:30,719 Speaker 5: You out there, my son punts off. 875 00:41:33,560 --> 00:41:37,840 Speaker 3: Alright, let's go to Mandy on thirty six five. Mandy, 876 00:41:37,880 --> 00:41:38,319 Speaker 3: how are you going? 877 00:41:38,400 --> 00:41:43,719 Speaker 2: Your parents tried to mitigate intimacy through a technique they 878 00:41:43,880 --> 00:41:45,360 Speaker 2: did far away. 879 00:41:46,640 --> 00:41:50,160 Speaker 8: So I had a boyfriend when I was about eighteen 880 00:41:50,239 --> 00:41:54,759 Speaker 8: who i'm now married to. I'm nearly forty. Oh thank you. 881 00:41:55,840 --> 00:41:59,319 Speaker 8: But yeah, So when he came around and started staying over, 882 00:41:59,880 --> 00:42:04,920 Speaker 8: my dad's a pretty hard man with a lot of rules, 883 00:42:05,400 --> 00:42:07,440 Speaker 8: and we were sitting down to dinner before we went 884 00:42:07,480 --> 00:42:10,640 Speaker 8: to bed, and he asked my boyfriend at the time, 885 00:42:11,480 --> 00:42:13,839 Speaker 8: is he allowed sleeper and does he move a lot? 886 00:42:14,840 --> 00:42:17,320 Speaker 8: And my friend kind of said no, not really, I 887 00:42:17,360 --> 00:42:19,279 Speaker 8: don't think So he said, oh, that's good, because I'm 888 00:42:19,320 --> 00:42:22,080 Speaker 8: going to tie a pair of bells around your ankles tonight. 889 00:42:21,840 --> 00:42:23,000 Speaker 6: Before you go to bed. 890 00:42:25,520 --> 00:42:29,120 Speaker 8: Then, and then we'll stay good night and see what happened. 891 00:42:32,480 --> 00:42:33,880 Speaker 3: Bells around the ankles. 892 00:42:33,960 --> 00:42:35,040 Speaker 5: Wouldn't that be exciting? 893 00:42:35,080 --> 00:42:35,200 Speaker 16: Though? 894 00:42:35,320 --> 00:42:38,800 Speaker 5: Trying to keep the ankles still? Wouldn't that just be wild? 895 00:42:38,960 --> 00:42:40,360 Speaker 5: Not the movie A quiet Place? 896 00:42:40,960 --> 00:42:43,160 Speaker 2: Yes it is woods, Let's go to Joe. You don't 897 00:42:43,160 --> 00:42:46,000 Speaker 2: think that would be excited trying to keep your ankles still? 898 00:42:47,480 --> 00:42:49,759 Speaker 5: Yeah, think about it? No, what do you mean on 899 00:42:49,880 --> 00:42:51,839 Speaker 5: thinking about it? I just think about it. Let's got 900 00:42:51,880 --> 00:42:54,279 Speaker 5: to Jody here. For anyone who's six five Jody. 901 00:42:54,080 --> 00:42:56,520 Speaker 3: He's probably he's probably targeted the wrong thing, isn't he. 902 00:42:57,520 --> 00:42:59,239 Speaker 5: Where do you want to tie You wanted to tie 903 00:42:59,280 --> 00:42:59,960 Speaker 5: around the dingers. 904 00:43:01,400 --> 00:43:02,479 Speaker 3: Just run your hips or something. 905 00:43:02,960 --> 00:43:05,160 Speaker 5: Yeah, without your hips, you'd be in you'd be in striped. 906 00:43:05,200 --> 00:43:05,400 Speaker 6: Not you. 907 00:43:05,520 --> 00:43:07,000 Speaker 5: You're established. Let's go to. 908 00:43:09,160 --> 00:43:12,280 Speaker 1: See what you're hearing. Find us on Instagram and Facebook 909 00:43:12,480 --> 00:43:13,480 Speaker 1: search Will and Woody