1 00:00:00,560 --> 00:00:04,680 Speaker 1: Let Me tell You a Story Time Cleary releases the 2 00:00:04,840 --> 00:00:07,560 Speaker 1: story behind the song on this day. 3 00:00:07,760 --> 00:00:11,959 Speaker 2: In nineteen seventy five, the Eagles released their fourth album, 4 00:00:12,280 --> 00:00:15,720 Speaker 2: One of These Nights. Line Eyes was the second single 5 00:00:15,800 --> 00:00:18,040 Speaker 2: off that album. It was written by Don Henley and 6 00:00:18,040 --> 00:00:22,080 Speaker 2: Glen Fry and recorded in nineteen seventy five, with Fries 7 00:00:22,120 --> 00:00:25,440 Speaker 2: singing lead vocals. It was the second single from their 8 00:00:25,480 --> 00:00:27,680 Speaker 2: album One of These Nights. It reached number two on 9 00:00:27,680 --> 00:00:29,680 Speaker 2: the Billboard Hot one hundred chart and number eight on 10 00:00:29,720 --> 00:00:33,080 Speaker 2: the Billboard Country chart. See this is what you didn't 11 00:00:33,159 --> 00:00:36,120 Speaker 2: just invent the crossover post Malone amazing. 12 00:00:36,080 --> 00:00:37,720 Speaker 3: They Where were they? 13 00:00:38,040 --> 00:00:38,199 Speaker 2: No? 14 00:00:38,320 --> 00:00:38,839 Speaker 3: Or Taylor? 15 00:00:39,280 --> 00:00:43,040 Speaker 2: It remained their only top forty country hit until how Long. 16 00:00:43,080 --> 00:00:45,479 Speaker 2: In two thousand and seven, they got a Grammy for 17 00:00:45,560 --> 00:00:48,200 Speaker 2: Lion Eyes and were nominated for Record of the Year. 18 00:00:48,560 --> 00:00:51,240 Speaker 3: So just what is it about? 19 00:00:51,280 --> 00:00:52,880 Speaker 1: It's all about the song that was kept off the 20 00:00:52,960 --> 00:00:54,960 Speaker 1: number one spot by Ireland Girl by Elton John. 21 00:00:55,000 --> 00:00:56,680 Speaker 4: Of all that, my god, I wouldn't have been happy by. 22 00:00:56,640 --> 00:00:59,720 Speaker 2: The Island Girl's eyes were a line again. 23 00:01:00,120 --> 00:01:02,240 Speaker 1: They went line, well, let's dig date, we'll stop why 24 00:01:02,360 --> 00:01:04,880 Speaker 1: hearing from management and you know some of their producers 25 00:01:05,080 --> 00:01:07,800 Speaker 1: who marveled how Glenn Fry and Don Hendley worked together 26 00:01:08,080 --> 00:01:09,160 Speaker 1: as a songwriting team. 27 00:01:09,319 --> 00:01:11,679 Speaker 5: And I've watched the creative process with lots of other people, 28 00:01:11,959 --> 00:01:14,120 Speaker 5: but I've never seen it the way it fell in 29 00:01:14,120 --> 00:01:14,839 Speaker 5: place with them. 30 00:01:15,600 --> 00:01:17,480 Speaker 4: I remember watching Lion Eyes written. 31 00:01:18,400 --> 00:01:20,800 Speaker 5: Glenn just had a way of coming up with a phrase, 32 00:01:20,920 --> 00:01:22,839 Speaker 5: you know, he had written some kind of a tune 33 00:01:22,840 --> 00:01:25,520 Speaker 5: and they were sitting in Tana's one night and looking 34 00:01:25,560 --> 00:01:28,280 Speaker 5: at some young girl with an older guy at the bar, 35 00:01:28,400 --> 00:01:32,399 Speaker 5: and Glenn said, look at those lion eyes, and just like. 36 00:01:32,400 --> 00:01:33,720 Speaker 4: That, Wow, there's the song. 37 00:01:39,080 --> 00:01:41,200 Speaker 5: It was just about all these girls who'd come down 38 00:01:41,240 --> 00:01:43,640 Speaker 5: to Dan Towna's looking beautiful, and they'd be there from 39 00:01:43,760 --> 00:01:46,600 Speaker 5: eight o'clock to midnight and have dinner and drinks with 40 00:01:46,640 --> 00:01:47,920 Speaker 5: all of us rockers. 41 00:01:47,520 --> 00:01:51,000 Speaker 1: And then they go home because they were kept women. 42 00:01:53,720 --> 00:01:56,720 Speaker 2: Whim the Dan Town is talking about is their favorite 43 00:01:56,800 --> 00:01:59,760 Speaker 2: restaurant slash bar in Los Angeles, and they said they'd 44 00:01:59,760 --> 00:02:01,800 Speaker 2: go down there to perve on beautiful women, of course, 45 00:02:01,840 --> 00:02:02,240 Speaker 2: but they. 46 00:02:02,160 --> 00:02:03,960 Speaker 3: Would, you know, see all these women. 47 00:02:03,720 --> 00:02:08,160 Speaker 2: That they assumed were cheating on their husbands, just you know, 48 00:02:08,320 --> 00:02:11,000 Speaker 2: just because a beautiful woman is with an older, not 49 00:02:11,120 --> 00:02:13,960 Speaker 2: as attractive man, just not and because. 50 00:02:13,720 --> 00:02:15,080 Speaker 3: She didn't want to go home with you. 51 00:02:16,240 --> 00:02:19,520 Speaker 1: This isn't automatically means didn't say hanging out with us rockers. 52 00:02:19,560 --> 00:02:22,239 Speaker 2: Yeah, it didn't automatically mean she was doing the dirty 53 00:02:22,240 --> 00:02:22,799 Speaker 2: on her hubby. 54 00:02:23,200 --> 00:02:26,040 Speaker 3: Maybe not, but they were pretty convinced in this case. 55 00:02:25,800 --> 00:02:27,920 Speaker 4: They were maybe she was a gold digger. 56 00:02:28,040 --> 00:02:28,560 Speaker 3: What did he say? 57 00:02:28,600 --> 00:02:32,040 Speaker 2: What did I believe? One said to the other said, Henley, 58 00:02:32,400 --> 00:02:33,839 Speaker 2: she can't even hide. 59 00:02:33,560 --> 00:02:35,840 Speaker 4: Those lines, and that was the start of the song. 60 00:02:35,960 --> 00:02:38,440 Speaker 2: Yeah, this is about the woman in question, who was beautiful, 61 00:02:38,440 --> 00:02:41,280 Speaker 2: but with the older less attractive primarily man and beauty 62 00:02:41,320 --> 00:02:42,440 Speaker 2: is in the eye of the behold. 63 00:02:42,400 --> 00:02:44,280 Speaker 4: Rearly a Glenn Fry song. Let's be honest that don 64 00:02:44,360 --> 00:02:45,080 Speaker 4: helped out a little bit. 65 00:02:45,080 --> 00:02:46,720 Speaker 1: Now I'm writing a lot of songs up there in 66 00:02:46,760 --> 00:02:51,280 Speaker 1: the spot and the Beverly Hills area, which was just incredible. 67 00:02:51,320 --> 00:02:54,399 Speaker 2: Me thinks that he might have been rejected by said 68 00:02:54,400 --> 00:02:57,880 Speaker 2: beautiful occasions rapped to their table. 69 00:02:58,040 --> 00:02:59,880 Speaker 3: Maybe there's peanuts and drink. 70 00:03:00,400 --> 00:03:03,919 Speaker 2: So if she can't even hide those. 71 00:03:03,360 --> 00:03:07,000 Speaker 4: Lying eyes because they were kept women women, Yeah, so 72 00:03:07,040 --> 00:03:07,400 Speaker 4: there you. 73 00:03:07,360 --> 00:03:09,560 Speaker 3: Go this statement, I'd love to be a kept woman. 74 00:03:09,560 --> 00:03:14,720 Speaker 4: A little bit of the story behind Yeah it is, Well, 75 00:03:14,720 --> 00:03:15,760 Speaker 4: there's down there now. 76 00:03:17,360 --> 00:03:20,280 Speaker 1: I'll take you to Dan Turner's Yeah yeah, with the 77 00:03:20,360 --> 00:03:23,480 Speaker 1: boys from the Eagles, the late Glen Frye, and he 78 00:03:23,600 --> 00:03:25,359 Speaker 1: was there was only the only song he sang alone 79 00:03:25,400 --> 00:03:28,200 Speaker 1: on that album all those years ago, which was such 80 00:03:28,440 --> 00:03:29,040 Speaker 1: a huge album. 81 00:03:29,040 --> 00:03:31,919 Speaker 4: But it was pre Hotel California. So I would imagine 82 00:03:31,960 --> 00:03:34,200 Speaker 4: those where those women were. 83 00:03:34,080 --> 00:03:36,640 Speaker 1: Well and truly zeroed in on the boys because they 84 00:03:36,720 --> 00:03:37,880 Speaker 1: knew that they had the money, that. 85 00:03:37,960 --> 00:03:41,920 Speaker 2: The Hotel California sounds better than Hotel dan Tana quite possibly. 86 00:03:42,000 --> 00:03:46,320 Speaker 1: Yeah, yes, the one of them place, one of these nights, 87 00:03:47,320 --> 00:03:48,440 Speaker 1: such a place of rejection. 88 00:03:49,520 --> 00:03:52,160 Speaker 2: They actually recorded the song just a little bit further 89 00:03:52,280 --> 00:03:55,120 Speaker 2: to our behind the song moment there. 90 00:03:54,640 --> 00:03:56,520 Speaker 3: In Dorothy Lemore's old house. 91 00:03:56,600 --> 00:03:57,480 Speaker 4: Isn't that amazing? 92 00:03:57,760 --> 00:03:58,000 Speaker 2: Yeah? 93 00:03:58,120 --> 00:04:01,000 Speaker 3: Well, she was in the road Trip movies with Crosby. 94 00:04:00,560 --> 00:04:02,360 Speaker 4: And Home, wasn't she she was? 95 00:04:02,480 --> 00:04:04,960 Speaker 1: Yeah, those houses and so many of those houses have 96 00:04:05,120 --> 00:04:08,160 Speaker 1: so many famous owners in the beaver Are Hills. 97 00:04:08,280 --> 00:04:08,840 Speaker 4: Absolutely