WEBVTT - Getting feral 🥴

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<v Speaker 1>I'm back. Yes, it is me, Art Simone, and I

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<v Speaker 1>think it has been far too long since I've been

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<v Speaker 1>in your e holes. So I have returned, and with me,

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<v Speaker 1>I have brought along more fascinating and peculiar people. So

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<v Speaker 1>together we can uncover the weird ways seemingly normal people

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<v Speaker 1>make money, spend their spare time, or even the big

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<v Speaker 1>secrets have kept hidden until now. This is concealed with me,

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<v Speaker 1>Art Simone, let's get to it. Bring me now.

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<v Speaker 2>Guess hi.

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<v Speaker 3>My name is Emma. I run a successful or a

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<v Speaker 3>medial massage business. I'm a sole practitioner. I also used

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<v Speaker 3>to be an intensive care cutting of thoracic.

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<v Speaker 2>Nurse for many years. I live in the suburbs. I

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<v Speaker 2>have two kids. I'm actually in a blend of family

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<v Speaker 2>that's six kids.

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<v Speaker 3>But Art actually knows me, but would not recognize me

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<v Speaker 3>if she saw me.

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<v Speaker 1>Oh my goodness, Hello Emma, how are you going? Thank

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<v Speaker 1>you are the mystery, the mystery I may know you. Yes, so,

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<v Speaker 1>remedial massage practition person, practitioner, sole person, all the above,

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<v Speaker 1>all of that remedial that means like fixing things with massage,

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<v Speaker 1>right it does. Yeah, I'm a bit dumb. So I

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<v Speaker 1>just like that.

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<v Speaker 2>No, everybody asked, what is remedial? What's the difference.

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<v Speaker 1>Yeah, so you're not doing, like, you know, massages in

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<v Speaker 1>that dark, little like venue that I walked past with

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<v Speaker 1>the red light out the front. You know, you're doing

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<v Speaker 1>things in which you can help people.

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<v Speaker 2>That's right, and you can claim on your health.

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<v Speaker 1>Oh that's good. Actually, that's good. What's your favorite thing

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<v Speaker 1>to massage?

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<v Speaker 3>I would say probably shoulders. I'll give you a nice clean.

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<v Speaker 1>Answer there, shoulders. Okay, just thriting that down. This could

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<v Speaker 1>be a clue. This could be a clue, shoulders. And

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<v Speaker 1>you used to be a nurse in akasak about.

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<v Speaker 2>With hearts, and.

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<v Speaker 1>So you can do nursing with heart's intensive care. What

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<v Speaker 1>got you out of it? Too many hearts? Too much love?

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<v Speaker 3>Well, the other thing that you'd know me for. I

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<v Speaker 3>would dovetail the two of them. So I eventually got

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<v Speaker 3>out of nursing because I'd been out of it for

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<v Speaker 3>probably about five years, and I had to do a

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<v Speaker 3>refresher cause and it was going to cost me ten

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<v Speaker 3>thousand dollars and I went no, Hence why I am

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<v Speaker 3>now a medial massage therapy?

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<v Speaker 1>Yes, speaking of are you and your massage remedial massage uniform.

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<v Speaker 1>At the moment, I wasn't sure when you walked in,

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<v Speaker 1>because you look like you've come straight from work? Is

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<v Speaker 1>that correct? Or you just wear this? Do you just

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<v Speaker 1>go to Cols? You like to put it on? Is

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<v Speaker 1>it part of your advertising? You put it on to

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<v Speaker 1>go walk around Cols?

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<v Speaker 2>You know I came straight from what?

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<v Speaker 1>Okay, so it looks like a nursing top.

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<v Speaker 2>It does at the hospital scrubs.

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<v Speaker 1>Yeah, but blue hospital scrubs. Your hair's tied back, You're

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<v Speaker 1>all prim and proper and ready to help remedy some shoulders.

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<v Speaker 2>That's right.

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<v Speaker 1>Okay. Now, what I'm going to do is ask you

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<v Speaker 1>three questions, and from the answers to those three questions,

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<v Speaker 1>I have to determine what it is you're concealing from me.

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<v Speaker 2>May the odds be ever in your favor?

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<v Speaker 1>Okay. With all the information put together, right, we've got

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<v Speaker 1>remedial message, We've got shoulders, we've got six kids, blended family,

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<v Speaker 1>nurse hearts, and apparently I may know you.

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<v Speaker 2>Okay, Yes, I think you might even love me.

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<v Speaker 1>I might love you, Oh my goodness, adore me. I

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<v Speaker 1>might know you might love well, this is so, it's

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<v Speaker 1>so koky. This is like what I met a meet

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<v Speaker 1>and greet and I meet someone and they're like, we've

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<v Speaker 1>met three times before, you don't remember me. I'm like, ma'am,

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<v Speaker 1>I'm sorry. Okay, you're just another person at the moment. Okay,

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<v Speaker 1>I meet a lot of people really lovely, but I don't.

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<v Speaker 1>I don't remember you. I'm sorry. Okay. Have I met

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<v Speaker 1>you at a meet and greet before?

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<v Speaker 2>No, not that I'm aware of.

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<v Speaker 1>All right, let's get that out of the way. Okay,

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<v Speaker 1>first question, do you have any pets?

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<v Speaker 2>I do? I have two dogs and a cat.

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<v Speaker 1>Okay, what are their names?

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<v Speaker 2>Buddy Maker and Ziggy?

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<v Speaker 1>Oh my god, my car was called Ziggy because their

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<v Speaker 1>number plate was d HD. But she just went out

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<v Speaker 1>to pasture. I had to upgrade. I know, little blue

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<v Speaker 1>yarist's gone. No more. Question number two, Yes, what vegetable

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<v Speaker 1>do you most align with?

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<v Speaker 2>A vegetable would have to be a carrot? A carrot?

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<v Speaker 1>And what do you like about a carrot? What functions?

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<v Speaker 2>Crunchy?

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<v Speaker 1>Oh yeah, crunchy. That's so you're more of a raw

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<v Speaker 1>carrot rather than a cook. Well you can eat them

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<v Speaker 1>cooked too, Yeah, I love a cooked carrot, baked carrot.

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<v Speaker 2>And it is full of vitamin C.

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<v Speaker 1>Okay, stop selling me the carrots. It's fine. Vegetables, it's fine.

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<v Speaker 1>And the third question is do you have an alter ego?

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<v Speaker 1>If so, a bit about them? What's their personality?

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<v Speaker 2>Yes?

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<v Speaker 3>Absolutely, Cheeky gets away with anything, completely inclusive of everybody,

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<v Speaker 3>loves everybody, and naughty as all get out and non

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<v Speaker 3>stop talking.

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<v Speaker 1>This is really hard this week. Okay, I'm going to

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<v Speaker 1>talk it out all right. Suck radial massage, used to

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<v Speaker 1>be an earth work with the hearts, likes to touch shoulders,

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<v Speaker 1>six kids, two dogs, and a cat, ziggy car that's

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<v Speaker 1>my thing. Carrots, crunchy and cheeky gets away, inclusive, naughty.

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<v Speaker 1>Oh Emma, this is a hard one. And I may

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<v Speaker 1>know you somehow, do Okay. All that's coming to mind is, so,

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<v Speaker 1>there's this man that walks around in Melbourne with a

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<v Speaker 1>giant carrot. He's the Carrot Man and he has a

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<v Speaker 1>giant carrot and he just shows up all the time

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<v Speaker 1>and walks into venues and has his carrot. No one

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<v Speaker 1>knows why, except for the fact that he just says

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<v Speaker 1>it makes people feel good. So maybe, just maybe because

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<v Speaker 1>you're in Sydney. Maybe you were the Sydney equivalent of

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<v Speaker 1>carrot person or is it a carrot man your carrot woman?

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<v Speaker 1>Maybe that's maybe that's who you are. Are you, Emma?

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<v Speaker 1>Are you a carrant woman?

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<v Speaker 2>I would love to be, but I'm not. No, I'm not.

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<v Speaker 3>I am a professional puppeteer and voice artist. I have

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<v Speaker 3>been doing professional puppeteering since the early nineties. One of

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<v Speaker 3>my most favorite things I've ever worked on was the Ferrals,

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<v Speaker 3>where I was mixy for two series Affairs and then two.

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<v Speaker 1>Wait, I pulled my headphones out. Wait, don't say anything,

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<v Speaker 1>don't say anything, let me pull Then well, I have

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<v Speaker 1>to start again. I pulled my headphones out. Go back,

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<v Speaker 1>Go back.

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<v Speaker 3>I am a professional puppeteer and voice artist. I have

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<v Speaker 3>been doing professional puppeteering since the early nineties. One of

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<v Speaker 3>my most favorite things I've ever worked on was the Ferrels,

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<v Speaker 3>where I was mixy for two series of Ferrels and

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<v Speaker 3>then two series of Feral TV. I've also been a magpie,

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<v Speaker 3>metrtoise and multiple farm yarn animals on bananas in pajamas, and.

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<v Speaker 2>A whole hip of other things. I can never remember.

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<v Speaker 2>This is so exciting ever, whoa.

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<v Speaker 1>This is cooked? I love it. You're a papetier. You're

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<v Speaker 1>like a famous papetier. You are my childhood. Oh why

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<v Speaker 1>Emma's not a current person. She's Mixy MIXI sitting in

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<v Speaker 1>front of me. Mixy Mixy Metoda Mixy the puppet got you.

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<v Speaker 1>Do you think she knows that I've got a tattoo.

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<v Speaker 1>I've got a tattoo with it? Is that weird? Should

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<v Speaker 1>I show it? I don't know it's weird, But I've

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<v Speaker 1>got a tatto show show. I'm gona thing. I'm going

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<v Speaker 1>to show it.

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<v Speaker 4>Niche watching them.

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<v Speaker 1>Okay, we're here with Emma, and I've just found out

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<v Speaker 1>that no, she is not carrot woman from Sydney. She is,

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<v Speaker 1>in fact a puppetier, such a famous puppeteer, in fact

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<v Speaker 1>that she was the puppeteer for MIXI in the Ferals

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<v Speaker 1>Mixed Mitosis. Oh my goodness. Well you got so much

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<v Speaker 1>to get into. We'll go back to the start. How

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<v Speaker 1>did you get into puppeteering and voice work?

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<v Speaker 3>Well, puppeteering I basically learned through some friends. I'd always

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<v Speaker 3>wanted to be a performer of some description, and I

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<v Speaker 3>happened to be at the studio where they were making

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<v Speaker 3>these friends doing their own little puppet thing, going to

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<v Speaker 3>be making kids series. ABC came to see their puppets

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<v Speaker 3>and to see if they were the type of animals

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<v Speaker 3>they wanted to make for their show, The Ferals, and

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<v Speaker 3>I happened to be there that day, and they went on,

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<v Speaker 3>not really the puppets. Does anyone want to audition? Though,

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<v Speaker 3>i'd probably last time I picked up a puppet was

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<v Speaker 3>a year before that, and had very rudimentary.

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<v Speaker 2>Skills, But I went yes, yes, yes, yes.

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<v Speaker 3>And they said, well, yeah, come on in. I auditioned

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<v Speaker 3>and my skills were abominable, but I had the little

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<v Speaker 3>voice that they wanted for the little pink bunny rabbit.

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<v Speaker 2>They so that's perfect.

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<v Speaker 1>So your first proper puppeteering gig was the ferohs it was.

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<v Speaker 1>It's pretty cool, isn't it.

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<v Speaker 3>I know, it was very cool. It was a dream

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<v Speaker 3>come true. It was so much fun.

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<v Speaker 1>So you get told you're going to be mixy. How

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<v Speaker 1>does it work into developing? I guess she's like scripted,

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<v Speaker 1>of course, but how much of that, like, is there

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<v Speaker 1>a lot of development in you working out like who

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<v Speaker 1>she is and what she's going to be like and

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<v Speaker 1>how does that how you develop the character?

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<v Speaker 2>Sure, so.

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<v Speaker 3>To start off with we I think we had a

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<v Speaker 3>big chunk of time where we had rehearsals and your

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<v Speaker 3>work out relationship between the different characters, and we really

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<v Speaker 3>as a series developed, we'd realize, oh, my character would

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<v Speaker 3>never do that or say that or be like that,

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<v Speaker 3>so very much it became what how we reacted. We

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<v Speaker 3>had our scripts always set up underneath the set so

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<v Speaker 3>we could see. We'd be doing the script and watching

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<v Speaker 3>television monitor which was reverse scan, so it looked like

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<v Speaker 3>we're looking in a mirror. So we could often get

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<v Speaker 3>some ad lib stuff, stuff that just worked with it.

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<v Speaker 3>And yeah, often scriptwriters a new scriptwriter and write something

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<v Speaker 3>because they've been given the brief, and then we'd go, ah,

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<v Speaker 3>my character never to say that, so we'd end up

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<v Speaker 3>rewriting things on the go. Basically, Wow, didn't you have.

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<v Speaker 5>A dream about during the world with a rock band?

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<v Speaker 4>Oh right, it's it's never got to work. Even the

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<v Speaker 4>Beatles started somewhere with music lessons.

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<v Speaker 1>There's no Beatles in you just call quotes you guys mind,

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<v Speaker 1>We've got to practice. How did you develop the voice

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<v Speaker 1>to mix you?

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<v Speaker 3>I think that came from being an ID and just

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<v Speaker 3>making funny noises and funny voices, and I think it

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<v Speaker 3>was actually a baby voice that I sort of developed

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<v Speaker 3>and then it became Mixy. One time we were showing

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<v Speaker 3>This is Chinese Delegate the studios and they wanted to

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<v Speaker 3>hear me doing the voice, and they actually said, through

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<v Speaker 3>the translator, what has she got in the mouth doing?

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<v Speaker 2>What do you mean? What have I got in my mouth?

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<v Speaker 2>How are you making that noise? They said, how are

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<v Speaker 2>you making that noise?

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<v Speaker 3>And surprisingly, it's exactly whatever I'm doing is whatever helium

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<v Speaker 3>does dear throat. Ah, So if I suck helium, I

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<v Speaker 3>sound like Mixy.

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<v Speaker 1>Oh when you can just get your vocal cords to

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<v Speaker 1>do that? Can you put an extra dose of helium

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<v Speaker 1>on Mixy? And then she's just super high.

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<v Speaker 3>I've tried that, Yes, I haven't they And then she

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<v Speaker 3>talks in a registered and nobody can hear.

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<v Speaker 2>Except the dogs.

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<v Speaker 1>Only the dogs can hear. Only the dogs, only Darren

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<v Speaker 1>can hear. What was it like basically being famous but

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<v Speaker 1>having no one know it?

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<v Speaker 2>Hilarious?

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<v Speaker 1>Like would you sometimes be on a telephone and just

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<v Speaker 1>like slip into voice just to like confuse people.

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<v Speaker 2>I would do it for people.

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<v Speaker 3>I'd get people who would request that I ring up

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<v Speaker 3>some and so for their birthday, and so I do

0:12:18.320 --> 0:12:23.160
<v Speaker 3>that for them. It was a weird time when any

0:12:23.200 --> 0:12:26.880
<v Speaker 3>other famous Australian would be recognized or ask for an

0:12:26.880 --> 0:12:30.160
<v Speaker 3>autograph and you'd walk through and no one would know

0:12:30.200 --> 0:12:30.600
<v Speaker 3>who you were.

0:12:30.720 --> 0:12:33.560
<v Speaker 1>No, do you know that I have a mixy tattoo?

0:12:33.720 --> 0:12:35.000
<v Speaker 2>I've seen it, yes.

0:12:35.640 --> 0:12:38.400
<v Speaker 1>But it's crazy though, because you're a celebrity, but you

0:12:38.440 --> 0:12:40.560
<v Speaker 1>get to be in disguised because most people they just

0:12:40.600 --> 0:12:44.360
<v Speaker 1>know the puppet. But even puppeteering is really hard. I

0:12:44.400 --> 0:12:46.680
<v Speaker 1>have like a box filled with all puppets that I

0:12:46.720 --> 0:12:50.000
<v Speaker 1>can't even begin to operate at all because there's so

0:12:50.080 --> 0:12:53.920
<v Speaker 1>many motor skills that are being used. Because you're retraining

0:12:53.960 --> 0:12:54.719
<v Speaker 1>your hand.

0:12:54.640 --> 0:12:56.959
<v Speaker 2>Yeah, to move at the same time as your mouth.

0:12:57.320 --> 0:12:59.080
<v Speaker 1>Yeah, at the same time as your mouth. The puppets

0:12:59.120 --> 0:13:01.160
<v Speaker 1>are like you can have with them for their hands.

0:13:01.200 --> 0:13:02.880
<v Speaker 2>Yeah, their muppet style puppets.

0:13:02.960 --> 0:13:05.440
<v Speaker 1>Yeah. Were you operating both her hands at the same time.

0:13:05.520 --> 0:13:09.000
<v Speaker 3>Yeah, So I just sort of had my arm stretched

0:13:09.040 --> 0:13:09.560
<v Speaker 3>up in the air.

0:13:09.600 --> 0:13:12.640
<v Speaker 2>A perfect just put it this way, A perfect.

0:13:12.760 --> 0:13:15.679
<v Speaker 3>Gene pool of people that would be born with those

0:13:15.840 --> 0:13:18.600
<v Speaker 3>with an arm sticking out where their head was and

0:13:18.640 --> 0:13:20.560
<v Speaker 3>their headstcking out where their arm was, because you've got

0:13:20.600 --> 0:13:22.080
<v Speaker 3>to keep your head out a shot all the time

0:13:22.120 --> 0:13:23.480
<v Speaker 3>and have your arm up in the air and the

0:13:23.520 --> 0:13:26.679
<v Speaker 3>other hand sort of like chopsticks operating the other rods

0:13:26.720 --> 0:13:29.440
<v Speaker 3>coming out from the rabbit's arms.

0:13:29.640 --> 0:13:32.000
<v Speaker 1>You have to tell me, because I don't remember. Was

0:13:32.040 --> 0:13:33.760
<v Speaker 1>it like a big hit or was it? Is it

0:13:33.800 --> 0:13:35.200
<v Speaker 1>something that's just grown.

0:13:35.520 --> 0:13:37.280
<v Speaker 2>It certainly was very popular.

0:13:37.400 --> 0:13:37.720
<v Speaker 4>Yeah.

0:13:37.760 --> 0:13:40.480
<v Speaker 3>It was aimed at the eight to twelve year olds, yes,

0:13:40.520 --> 0:13:42.520
<v Speaker 3>and it was very popular.

0:13:42.559 --> 0:13:43.079
<v Speaker 2>When I was on.

0:13:43.360 --> 0:13:45.240
<v Speaker 3>We used to get a lot of fan mail, a

0:13:45.320 --> 0:13:47.480
<v Speaker 3>lot of kids racing home from school to watch it.

0:13:47.520 --> 0:13:48.920
<v Speaker 2>This is before digital.

0:13:48.600 --> 0:13:51.600
<v Speaker 3>TV, of course, so you didn't get to really choose

0:13:51.600 --> 0:13:55.440
<v Speaker 3>what you were watching. And then in later years when

0:13:55.480 --> 0:13:59.240
<v Speaker 3>it came was no longer being aired, had lots of repeats.

0:13:59.240 --> 0:14:01.959
<v Speaker 3>But when it wasn't anymore, we seem to get at

0:14:02.120 --> 0:14:04.839
<v Speaker 3>that era of kid it was growing up became cult

0:14:05.040 --> 0:14:06.720
<v Speaker 3>like in the following event.

0:14:06.559 --> 0:14:09.719
<v Speaker 1>Yeah, because I think I hooked onto it during like

0:14:09.840 --> 0:14:12.640
<v Speaker 1>the reruns, because I'm a bit I'm a ninety two baby,

0:14:12.720 --> 0:14:15.600
<v Speaker 1>so little one, lidle one, so I was a bit

0:14:15.600 --> 0:14:17.199
<v Speaker 1>too young when it first came out, but I remember

0:14:17.360 --> 0:14:20.360
<v Speaker 1>still watching it like with reruns repeatedly and falling in

0:14:20.360 --> 0:14:22.240
<v Speaker 1>love and I think it's so funny. If no one

0:14:22.240 --> 0:14:24.600
<v Speaker 1>has seen The Ferrels, I just love it because it's

0:14:24.640 --> 0:14:29.560
<v Speaker 1>like this weird, like Bogan version of like the Muppets,

0:14:29.560 --> 0:14:31.840
<v Speaker 1>but it's like the Australian version because everyone is a

0:14:31.840 --> 0:14:34.040
<v Speaker 1>bit rough around the edges. They're all feral. Of course,

0:14:34.400 --> 0:14:38.040
<v Speaker 1>it's so disgustingly camp and it makes me so happy.

0:14:39.640 --> 0:14:42.520
<v Speaker 1>It's good. Do you have any like fun stories from

0:14:42.720 --> 0:14:45.800
<v Speaker 1>filming The Ferals, Like, what are some of the funniest

0:14:46.080 --> 0:14:46.880
<v Speaker 1>best moments?

0:14:47.320 --> 0:14:51.000
<v Speaker 3>Ah, there are way too many to recall, but a

0:14:51.040 --> 0:14:55.040
<v Speaker 3>couple of occasions it'd be scripted a funny line and

0:14:55.080 --> 0:14:58.320
<v Speaker 3>we'd shoot it, but we'd have to reshoot it because

0:14:58.920 --> 0:15:00.920
<v Speaker 3>one of the camera guys to be laughing his head

0:15:00.960 --> 0:15:05.480
<v Speaker 3>off and it would bleed through into the MIC's.

0:15:04.440 --> 0:15:07.960
<v Speaker 1>That happens sometimes? I wonder where that happens sometimes, So

0:15:08.160 --> 0:15:10.680
<v Speaker 1>I'm just looking at my producer at the moment, who

0:15:10.720 --> 0:15:15.480
<v Speaker 1>loves to laugh, and I'm very hilarious jokes. I've seen

0:15:15.520 --> 0:15:19.200
<v Speaker 1>the rolled mixing out many times, like in the later years.

0:15:19.600 --> 0:15:23.080
<v Speaker 1>She's now dressed a lot nicer who gets to perform

0:15:23.120 --> 0:15:25.320
<v Speaker 1>her in those points. Have you been able to me?

0:15:25.640 --> 0:15:27.840
<v Speaker 1>You still get to go back and.

0:15:27.760 --> 0:15:31.560
<v Speaker 3>Do her there is fortunately, well it's a bit sad actually.

0:15:31.640 --> 0:15:34.720
<v Speaker 3>When the ABC moved from in Sydney from it's one

0:15:34.760 --> 0:15:37.920
<v Speaker 3>place to its next place, there was a huge clean

0:15:37.960 --> 0:15:41.800
<v Speaker 3>out from the ABC there and I got a phone

0:15:41.800 --> 0:15:44.600
<v Speaker 3>call from one of the wardrobe women saying, am I

0:15:44.720 --> 0:15:47.160
<v Speaker 3>quick come. They're putting all the puppets and all the

0:15:47.200 --> 0:15:50.480
<v Speaker 3>clothes and everything into the bin. So I went, I've

0:15:50.480 --> 0:15:53.840
<v Speaker 3>got a garage quick, I'll grab them. So they came

0:15:53.880 --> 0:15:57.680
<v Speaker 3>to live with me for a while. They started to disintegrate.

0:15:57.240 --> 0:15:59.080
<v Speaker 1>Because they're just mostly foam, aren't they?

0:15:59.200 --> 0:16:04.800
<v Speaker 3>Rich Texango and so I wasn't in a hermetically sealed environment.

0:16:05.440 --> 0:16:08.200
<v Speaker 3>Mixy is the version that you see now. She's the

0:16:08.320 --> 0:16:11.800
<v Speaker 3>newer version. There were two versions of her Maid because

0:16:12.400 --> 0:16:14.880
<v Speaker 3>for about five years.

0:16:14.440 --> 0:16:16.800
<v Speaker 2>Mixy hosted all the kids programs I did that.

0:16:17.120 --> 0:16:20.920
<v Speaker 1>Yeah, it seems like they've brought Mixy and Medigliana out

0:16:21.160 --> 0:16:23.400
<v Speaker 1>a lot because she hosted this pet.

0:16:23.200 --> 0:16:25.320
<v Speaker 2>Show for a while was called Creature Features.

0:16:25.400 --> 0:16:27.080
<v Speaker 1>Yes, because I used to watch that too, and so

0:16:27.120 --> 0:16:30.160
<v Speaker 1>it's funny that they've been able to have lives. They're

0:16:30.200 --> 0:16:33.440
<v Speaker 1>like real celebrities, which is, you know, like it's so

0:16:33.480 --> 0:16:35.040
<v Speaker 1>good that they don't just have to live within the

0:16:35.040 --> 0:16:36.720
<v Speaker 1>world of the falls. They're like, how we can bring

0:16:36.760 --> 0:16:39.600
<v Speaker 1>out Mixy for this? Yeah, that's so fascinat because I

0:16:39.640 --> 0:16:42.240
<v Speaker 1>was worried that someone else gets to perform her. But no,

0:16:42.360 --> 0:16:42.800
<v Speaker 1>it's true.

0:16:43.200 --> 0:16:46.080
<v Speaker 3>Well, the last thing I did, which was for New

0:16:46.160 --> 0:16:50.400
<v Speaker 3>Year's Eve, yes in Sydney and ABC had a little

0:16:50.400 --> 0:16:53.920
<v Speaker 3>pre recorded thing and one of the things was it

0:16:54.040 --> 0:16:59.240
<v Speaker 3>had Moody and Mixy there and unfortunately I was away

0:16:59.360 --> 0:17:01.520
<v Speaker 3>when they were going to be filming it. So the

0:17:01.560 --> 0:17:06.080
<v Speaker 3>puppet maker puppeteered for me and then I revoiced it.

0:17:06.160 --> 0:17:09.199
<v Speaker 3>Oh yeah, So that's one of the very few times

0:17:09.400 --> 0:17:12.280
<v Speaker 3>that I have not actually been the pupperteer for the puppet.

0:17:12.440 --> 0:17:15.600
<v Speaker 1>So when they had to move out of your garage,

0:17:15.640 --> 0:17:17.440
<v Speaker 1>where did they go? Where are they living? Now?

0:17:17.920 --> 0:17:21.160
<v Speaker 3>Well, very sad truth, they went to the next garage

0:17:21.480 --> 0:17:24.479
<v Speaker 3>and they just disintegrated, Yes, and they fell apart and

0:17:24.520 --> 0:17:25.959
<v Speaker 3>they were on the curb side cleaner.

0:17:26.280 --> 0:17:29.520
<v Speaker 2>Oh not went to the bin. They became an offering

0:17:29.560 --> 0:17:30.719
<v Speaker 2>to the landfilled gods.

0:17:31.000 --> 0:17:33.399
<v Speaker 1>So the ones we see today are like remax.

0:17:33.720 --> 0:17:38.720
<v Speaker 3>Well, Mudy isn't and Mixy isn't because they were sort

0:17:38.720 --> 0:17:41.840
<v Speaker 3>of precious to Mal and myself and I grew up

0:17:41.880 --> 0:17:44.640
<v Speaker 3>with Mao. That's how I learned my puppetry. Really, yeah,

0:17:44.680 --> 0:17:46.120
<v Speaker 3>who does Moudy and.

0:17:47.480 --> 0:17:47.720
<v Speaker 2>They?

0:17:48.040 --> 0:17:50.760
<v Speaker 3>I think because Mudy been used for creature features as well,

0:17:50.880 --> 0:17:54.879
<v Speaker 3>so those two had been kept at the ABC. The

0:17:54.960 --> 0:17:58.359
<v Speaker 3>rest of them were just being thrown out, so that's

0:17:58.400 --> 0:18:01.359
<v Speaker 3>why they were. The Mixy that you see now was

0:18:01.440 --> 0:18:03.720
<v Speaker 3>made for the link, so she's not feralized.

0:18:04.000 --> 0:18:08.200
<v Speaker 2>She's not. She's very sweet looking these days, but underneath

0:18:08.280 --> 0:18:08.560
<v Speaker 2>she's not.

0:18:08.880 --> 0:18:11.600
<v Speaker 1>If you had to adapt your character play with her

0:18:11.680 --> 0:18:12.879
<v Speaker 1>a little bit, well.

0:18:12.920 --> 0:18:16.359
<v Speaker 3>Well, I did have an extended season of me just

0:18:16.400 --> 0:18:19.399
<v Speaker 3>writing the script for Mixie. We then brought in another

0:18:19.480 --> 0:18:22.320
<v Speaker 3>character as well, which was a kangaroo, which Mal did

0:18:22.600 --> 0:18:25.399
<v Speaker 3>and it was so it was so boring, just you

0:18:25.560 --> 0:18:28.959
<v Speaker 3>talking to camera over and over again. So I developed

0:18:29.040 --> 0:18:33.280
<v Speaker 3>for MIXI a little sock puppet called Sally, Sally the

0:18:33.320 --> 0:18:36.800
<v Speaker 3>sock Puppet, which was Mixy's puppet. And Sally the sock

0:18:36.920 --> 0:18:41.560
<v Speaker 3>Puppet was awful. She was a complete b r. She

0:18:41.720 --> 0:18:44.400
<v Speaker 3>screamed at everybody and hated everybody, and it was.

0:18:44.760 --> 0:18:46.399
<v Speaker 1>Fine, and you can be like, well, it's not Mixie

0:18:46.440 --> 0:18:48.720
<v Speaker 1>that's saying it. It's the sock puppet dolls. That's exactly.

0:18:49.200 --> 0:18:52.199
<v Speaker 2>It's not me. It's not even mix It's a sock puppet.

0:18:52.240 --> 0:18:57.440
<v Speaker 2>It's hilarious. So yes, that's easy to get around those moments.

0:18:57.600 --> 0:19:01.360
<v Speaker 1>But do you feel a certain level of ownership over

0:19:01.480 --> 0:19:06.679
<v Speaker 1>Mixy one? And what's that like? Because I guess ABC

0:19:07.119 --> 0:19:08.280
<v Speaker 1>owns who are owned.

0:19:08.320 --> 0:19:10.359
<v Speaker 3>Oh yes, you said that with a question and voice,

0:19:10.400 --> 0:19:14.520
<v Speaker 3>as everybody does. Because once they went, they can go

0:19:14.600 --> 0:19:16.560
<v Speaker 3>off and to the Skip Pico and go where.

0:19:16.920 --> 0:19:19.320
<v Speaker 1>Yeah, you're ready to show it out, like I know.

0:19:19.880 --> 0:19:24.000
<v Speaker 3>So out of integrity, I know Mal wouldn't and I wouldn't.

0:19:24.040 --> 0:19:25.879
<v Speaker 3>We wouldn't just go and start our own thing with

0:19:26.000 --> 0:19:29.320
<v Speaker 3>those puppets and make something with them. Why not having

0:19:29.359 --> 0:19:31.320
<v Speaker 3>the money to do it. But I think we've out

0:19:31.359 --> 0:19:34.760
<v Speaker 3>of integrity and for memory sake, we've looked after them

0:19:35.000 --> 0:19:37.520
<v Speaker 3>and kept them and I'll bring them out for kids

0:19:38.000 --> 0:19:40.520
<v Speaker 3>and do the puppet thing for them and stuff like that.

0:19:40.800 --> 0:19:42.800
<v Speaker 3>But at the moment, the last few years they've been

0:19:42.880 --> 0:19:47.119
<v Speaker 3>down in Melbourne at the ACMI, which is Cinema and

0:19:47.920 --> 0:19:51.720
<v Speaker 3>ACME Institute, and they've been on display there. But I'm

0:19:51.760 --> 0:19:54.359
<v Speaker 3>the one they've contacted and I'm the one who signs

0:19:54.359 --> 0:19:56.200
<v Speaker 3>all the contracts that it's okay, and if they want

0:19:56.200 --> 0:19:58.400
<v Speaker 3>to extend it, they have to get my permission.

0:19:58.720 --> 0:20:02.280
<v Speaker 1>So you like, the rules are, if she comes out,

0:20:02.520 --> 0:20:05.040
<v Speaker 1>you have to be able to do her unless you like, Sorry, babes,

0:20:05.040 --> 0:20:06.240
<v Speaker 1>I don't want her. You get someone else.

0:20:06.440 --> 0:20:09.000
<v Speaker 3>Basically, I get asked, it has been off at all?

0:20:09.040 --> 0:20:10.720
<v Speaker 3>Can we just since you're not about it, can we

0:20:10.800 --> 0:20:11.639
<v Speaker 3>just get someone else to do it?

0:20:11.680 --> 0:20:12.080
<v Speaker 4>Again't know?

0:20:12.480 --> 0:20:14.880
<v Speaker 1>But that's good though, That's fabulous, because I'd be worried.

0:20:14.920 --> 0:20:17.040
<v Speaker 1>You know, you put in years of work and this

0:20:17.280 --> 0:20:19.600
<v Speaker 1>is your character. You know, it'd be like someone else

0:20:19.760 --> 0:20:21.159
<v Speaker 1>voicing Bart Simpson. Why no?

0:20:21.640 --> 0:20:26.000
<v Speaker 3>Exactly exactly the point I made to a friend yesterday. Actually,

0:20:26.080 --> 0:20:29.119
<v Speaker 3>they said, well, couldn't anybody don't know, be like saying,

0:20:29.440 --> 0:20:31.320
<v Speaker 3>now Bat Simpson's voice by somebody else?

0:20:31.359 --> 0:20:34.600
<v Speaker 2>You know, because the whole you know, you just know.

0:20:34.920 --> 0:20:36.520
<v Speaker 1>You and you know the character better than it. It's

0:20:36.560 --> 0:20:38.200
<v Speaker 1>not even about the voice, is it. It's like you

0:20:38.280 --> 0:20:40.960
<v Speaker 1>know the character. It's because it's you. I'd like someone

0:20:41.000 --> 0:20:43.719
<v Speaker 1>else trying to someone playing me exactly. I wouldn't let

0:20:43.720 --> 0:20:45.280
<v Speaker 1>that happen. You could put them in the same dress,

0:20:45.520 --> 0:20:47.119
<v Speaker 1>put them in the same makeup, but it wouldn't be

0:20:47.200 --> 0:20:49.760
<v Speaker 1>the same, not at all. We don't want an Aldie

0:20:49.840 --> 0:20:51.240
<v Speaker 1>version of mixy, do we not?

0:20:51.480 --> 0:20:51.520
<v Speaker 4>Me?

0:20:55.160 --> 0:21:00.360
<v Speaker 1>So the pharaohs ends are awful. We're upset. What other

0:21:00.440 --> 0:21:03.080
<v Speaker 1>work does that push you into? Or you're open for you?

0:21:03.320 --> 0:21:03.440
<v Speaker 4>Do you?

0:21:03.520 --> 0:21:05.400
<v Speaker 1>Did you do more puppeteering and voicemail?

0:21:05.480 --> 0:21:05.920
<v Speaker 2>Absolutely?

0:21:05.920 --> 0:21:06.360
<v Speaker 4>And I haven't.

0:21:06.520 --> 0:21:09.720
<v Speaker 2>I haven't stopped. Basically, if anything comes up, I.

0:21:09.840 --> 0:21:10.280
<v Speaker 1>Work on it.

0:21:10.440 --> 0:21:12.840
<v Speaker 3>It was about a ten year period where I worked

0:21:12.920 --> 0:21:14.560
<v Speaker 3>on some Domeo commercials.

0:21:16.280 --> 0:21:23.399
<v Speaker 2>Yes, I did get out of town so that that

0:21:23.560 --> 0:21:25.000
<v Speaker 2>was like working on a TV series.

0:21:25.119 --> 0:21:27.600
<v Speaker 1>You were not fun. Okay, you can made me adds

0:21:27.680 --> 0:21:29.680
<v Speaker 1>this for me because I swear they used those like

0:21:29.800 --> 0:21:33.760
<v Speaker 1>puppets across the world. They did. So were they based

0:21:33.800 --> 0:21:34.879
<v Speaker 1>from here or were they?

0:21:35.080 --> 0:21:36.880
<v Speaker 2>Yes, they were made here. It was all filmed here.

0:21:37.080 --> 0:21:39.080
<v Speaker 3>We barely saw a fraction of all the ads that

0:21:39.200 --> 0:21:42.240
<v Speaker 3>were made. They made the most beautiful advertisements.

0:21:42.359 --> 0:21:45.560
<v Speaker 1>And mom, I think of these days even bad before.

0:21:46.400 --> 0:21:56.960
<v Speaker 1>That's because the mother's inatun Domio girl has just made

0:21:56.960 --> 0:22:00.440
<v Speaker 1>a resurgence recently. She is like mean fame as on

0:22:00.560 --> 0:22:03.960
<v Speaker 1>my train. Hello, you did Tommio girl.

0:22:03.960 --> 0:22:04.520
<v Speaker 3>I did.

0:22:07.000 --> 0:22:09.560
<v Speaker 2>The one with the long dark Yes, yes, that's me.

0:22:10.280 --> 0:22:10.800
<v Speaker 2>I didn't do a.

0:22:10.880 --> 0:22:12.880
<v Speaker 1>Voice though, it was all no but no of course,

0:22:12.960 --> 0:22:18.720
<v Speaker 1>but you Poppatito, that's cab So one of the ones.

0:22:18.760 --> 0:22:20.159
<v Speaker 1>Have you done? Tell me? Tell me?

0:22:21.480 --> 0:22:23.560
<v Speaker 2>I said, I can never remember. I knowed long list.

0:22:24.040 --> 0:22:26.879
<v Speaker 3>I worked recently on an ad that's in America, but

0:22:26.960 --> 0:22:31.640
<v Speaker 3>it's this squirrel, an amazing squirrel. The special effects company

0:22:31.720 --> 0:22:35.560
<v Speaker 3>that do hates the stuff like Alien and yeah, Massive

0:22:35.640 --> 0:22:39.480
<v Speaker 3>movies and thor and so I operated that. That was

0:22:39.600 --> 0:22:43.480
<v Speaker 3>for investment company. But the voice that I was doing

0:22:43.520 --> 0:22:45.560
<v Speaker 3>it too was Christopher Walker.

0:22:47.000 --> 0:22:49.400
<v Speaker 5>In first thing is not for everyone, right.

0:22:50.960 --> 0:22:51.240
<v Speaker 1>Wrong.

0:22:51.680 --> 0:22:57.120
<v Speaker 4>Wealth comes from pennies like oaks come from Acorn's wealth comes.

0:22:56.920 --> 0:22:58.560
<v Speaker 2>From So that was That was pretty cool.

0:22:59.160 --> 0:23:02.159
<v Speaker 3>But I've worked on a series that was a co

0:23:02.359 --> 0:23:06.040
<v Speaker 3>production with Henson's and with an Australian company.

0:23:07.600 --> 0:23:10.680
<v Speaker 2>This was called Bambaloo. I had live action and puppets

0:23:10.720 --> 0:23:13.360
<v Speaker 2>in it, and I was Porscha of the parish.

0:23:13.119 --> 0:23:13.359
<v Speaker 1>In that.

0:23:15.080 --> 0:23:20.280
<v Speaker 2>I'm Porscha and they make a hollerble And we did

0:23:20.280 --> 0:23:21.960
<v Speaker 2>a couple of series of that. That was about twenty

0:23:22.080 --> 0:23:22.480
<v Speaker 2>years ago.

0:23:22.720 --> 0:23:24.880
<v Speaker 1>And you said, you worked on Bana's in pajamas. Who

0:23:24.920 --> 0:23:25.359
<v Speaker 1>were you in that?

0:23:25.800 --> 0:23:29.240
<v Speaker 3>So I didn't do a banana because they ate and

0:23:29.280 --> 0:23:31.200
<v Speaker 3>a half foot tool and so they were six foot

0:23:31.240 --> 0:23:32.760
<v Speaker 3>tall men in the banana suit.

0:23:33.320 --> 0:23:36.600
<v Speaker 2>But I did some extra characters in there. I did.

0:23:36.720 --> 0:23:39.760
<v Speaker 3>There was a magpie, she was in several series of that.

0:23:40.440 --> 0:23:43.119
<v Speaker 3>I had to sit in the car before I started

0:23:43.160 --> 0:23:46.800
<v Speaker 3>filming that and practice cowardling like a magpie.

0:23:47.240 --> 0:23:53.400
<v Speaker 1>I can't do it. You will have to do better

0:23:53.480 --> 0:23:56.880
<v Speaker 1>than that to get a munchie. Honeycake Maggie. Now say

0:23:57.280 --> 0:24:01.119
<v Speaker 1>pretty Maggie. You know Maggie.

0:24:03.680 --> 0:24:04.360
<v Speaker 2>Yeah, I'm so good.

0:24:05.160 --> 0:24:08.679
<v Speaker 3>Come to me from any bird calling advice. Then Maggie

0:24:08.720 --> 0:24:10.639
<v Speaker 3>had a little baby as well. So I did that

0:24:10.880 --> 0:24:14.679
<v Speaker 3>and there was a tortoise in it, and the tortoise it.

0:24:18.680 --> 0:24:19.919
<v Speaker 2>His name was to Stoy.

0:24:20.440 --> 0:24:23.720
<v Speaker 1>Toll Stoy and his new friend Thomasina had some exciting

0:24:23.840 --> 0:24:31.959
<v Speaker 1>news for the bananas. You're getting married. You want us

0:24:32.080 --> 0:24:37.879
<v Speaker 1>to be your best bananas sounds like they're scattering in

0:24:37.880 --> 0:24:46.560
<v Speaker 1>a jazz bed, scutting tortoise. You can have that, that's yours.

0:24:46.840 --> 0:24:50.360
<v Speaker 3>Then they did other series and they had farmyard animals

0:24:50.600 --> 0:24:54.840
<v Speaker 3>and there were pigs and chickens and sheep, and it

0:24:54.960 --> 0:24:55.600
<v Speaker 3>was even a cow.

0:24:55.920 --> 0:24:58.640
<v Speaker 1>It's crazy how you can recall them all, because I've

0:24:58.720 --> 0:25:02.000
<v Speaker 1>done some things before, like acting things, and I could

0:25:02.000 --> 0:25:03.480
<v Speaker 1>not tell you what they sounded like. I think I

0:25:03.600 --> 0:25:05.800
<v Speaker 1>just always revert back to sounding like a poor bogain.

0:25:05.880 --> 0:25:08.200
<v Speaker 1>But it's amazing how you get like it looks like

0:25:08.240 --> 0:25:09.640
<v Speaker 1>you can just flip a switch and then it comes

0:25:09.720 --> 0:25:10.040
<v Speaker 1>back to you.

0:25:10.800 --> 0:25:13.280
<v Speaker 3>And I think that's from the repetition of doing it.

0:25:13.600 --> 0:25:16.440
<v Speaker 3>Mixy is just so ingrained into me, and there's no

0:25:16.560 --> 0:25:18.200
<v Speaker 3>way I can forget what she sounds like.

0:25:20.480 --> 0:25:21.800
<v Speaker 1>I know I'm going to wake up in the middle

0:25:21.800 --> 0:25:23.440
<v Speaker 1>of the night and be like, I didn't ask that,

0:25:23.680 --> 0:25:27.480
<v Speaker 1>But we do have to wrap it up. But to

0:25:27.640 --> 0:25:31.639
<v Speaker 1>close it out, can I have a conversation with Mixy

0:25:31.880 --> 0:25:34.680
<v Speaker 1>one hundred? Okay, MIXI in the room.

0:25:35.720 --> 0:25:40.760
<v Speaker 2>I'll just have a look, Mixio, Hi.

0:25:42.040 --> 0:25:43.960
<v Speaker 1>I'll Mixy. It's so good to have you here in

0:25:44.040 --> 0:25:45.160
<v Speaker 1>the studio. How are you going?

0:25:45.840 --> 0:25:51.000
<v Speaker 5>Look, I'm really really good, except just a little bit hungry.

0:25:53.160 --> 0:25:59.439
<v Speaker 5>I I'm not really because just a little bit crazy.

0:26:00.080 --> 0:26:03.679
<v Speaker 5>But you know, I think it's a season for everything,

0:26:04.920 --> 0:26:09.439
<v Speaker 5>and so I will try that sometime to not eat chocolate.

0:26:09.480 --> 0:26:12.240
<v Speaker 2>But I think there comes a time when mom one must.

0:26:12.080 --> 0:26:14.560
<v Speaker 1>Eat chocolate because yea, I do. Just want to know

0:26:14.720 --> 0:26:18.600
<v Speaker 1>what is a secret, because you must know Emma very well.

0:26:18.960 --> 0:26:21.000
<v Speaker 1>Is there a secret, a top secret you can tell

0:26:21.040 --> 0:26:22.040
<v Speaker 1>me about Emma?

0:26:24.000 --> 0:26:25.520
<v Speaker 2>All see if she can hear me?

0:26:26.720 --> 0:26:31.439
<v Speaker 5>Emma, I think I think she can hear me. Okay,

0:26:32.320 --> 0:26:38.920
<v Speaker 5>she's deaf, that's a secret. She's partly deaf. I can't

0:26:38.960 --> 0:26:42.320
<v Speaker 5>hear anything you're saying. So you could call her a

0:26:42.400 --> 0:26:44.960
<v Speaker 5>big fat poo head and she wouldn't know.

0:26:46.119 --> 0:26:48.520
<v Speaker 2>So you watch this. You're a big fat poo head.

0:26:48.560 --> 0:26:56.200
<v Speaker 5>Emma say nothing nothing. You can't even hear it. Hi,

0:26:56.320 --> 0:26:59.760
<v Speaker 5>I'm on my way here. I saw a couple of

0:26:59.840 --> 0:27:02.359
<v Speaker 5>my friends and they just wanted to throw you a

0:27:02.480 --> 0:27:03.240
<v Speaker 5>quick message.

0:27:03.400 --> 0:27:04.760
<v Speaker 1>Oh God, love to hear it.

0:27:07.040 --> 0:27:10.520
<v Speaker 4>Hollo art it's meticularly out of here. I just wanted

0:27:10.560 --> 0:27:13.280
<v Speaker 4>to say a huge, big hello. Are you great? How

0:27:13.400 --> 0:27:14.120
<v Speaker 4>guss back?

0:27:14.720 --> 0:27:14.880
<v Speaker 1>Oh?

0:27:15.000 --> 0:27:17.240
<v Speaker 4>Sorry, I can't be with you today. I have much

0:27:17.280 --> 0:27:22.159
<v Speaker 4>more important things to do, like yeah, something, I just

0:27:22.240 --> 0:27:25.920
<v Speaker 4>come from a hot wold. Excuse me? Can I say

0:27:26.040 --> 0:27:29.840
<v Speaker 4>something moddy cood shup? This is only for the pharaohs,

0:27:29.880 --> 0:27:33.960
<v Speaker 4>not the nadies. Ah, stay your cris, I Navi get

0:27:34.040 --> 0:27:38.119
<v Speaker 4>to say hi, Oh, stop your wings in. Sorry about

0:27:38.119 --> 0:27:39.159
<v Speaker 4>that art anyway.

0:27:39.359 --> 0:27:40.240
<v Speaker 1>I love your work, I.

0:27:40.480 --> 0:27:43.160
<v Speaker 4>Catch around, I love Mody, Puzzy, Gizzy.

0:27:46.359 --> 0:27:51.200
<v Speaker 1>Oh thank you. Oh my goodness, I'm so oh, thank

0:27:51.240 --> 0:27:53.000
<v Speaker 1>you so much. It makes you for giving me some

0:27:53.080 --> 0:27:54.720
<v Speaker 1>of your time. Is it a pleasure to meet you?

0:27:55.440 --> 0:27:57.400
<v Speaker 5>I got pleasure to meet you too.

0:28:00.119 --> 0:28:04.159
<v Speaker 1>Oh my goodness. That's made me bloody. Here, that's fabulous.

0:28:08.040 --> 0:28:10.960
<v Speaker 1>Emma isn't carrot woman. She is the voice of some

0:28:11.080 --> 0:28:15.600
<v Speaker 1>of the most iconic characters in history. You've been listening

0:28:15.680 --> 0:28:19.720
<v Speaker 1>to an iHeart Australia production Concealed with artsimone to see

0:28:19.720 --> 0:28:21.679
<v Speaker 1>the face of a woman who spent most of her

0:28:21.760 --> 0:28:24.360
<v Speaker 1>career with her hand up her Puppetzar's check us out

0:28:24.400 --> 0:28:25.359
<v Speaker 1>on the socials.