1 00:00:05,800 --> 00:00:06,160 Speaker 1: Guys. 2 00:00:06,400 --> 00:00:09,440 Speaker 2: Next week you can win twenty thousand dollars if you 3 00:00:09,480 --> 00:00:11,080 Speaker 2: can tell the difference between. 4 00:00:10,960 --> 00:00:13,240 Speaker 1: Beer and soft drink just by the sound of it. 5 00:00:13,280 --> 00:00:21,640 Speaker 1: Open now would The. 6 00:00:21,600 --> 00:00:23,920 Speaker 2: Big question is for a lot of people, ken, is 7 00:00:23,960 --> 00:00:25,320 Speaker 2: there actually something to hear? 8 00:00:25,720 --> 00:00:26,599 Speaker 3: Can you hear it? 9 00:00:26,680 --> 00:00:29,319 Speaker 2: If I come along down to the Cantest which is 10 00:00:29,440 --> 00:00:32,680 Speaker 2: next Thursday or next week hosted by Kirks. 11 00:00:33,120 --> 00:00:33,800 Speaker 1: What better way to. 12 00:00:33,840 --> 00:00:35,400 Speaker 2: Enjoy a great zie meal than with the Kirks to 13 00:00:35,440 --> 00:00:38,880 Speaker 2: bring family and friends together. Am I actually listening out 14 00:00:38,880 --> 00:00:41,320 Speaker 2: for something? Is there something here to hear? Or are 15 00:00:41,320 --> 00:00:42,159 Speaker 2: people just guessing? 16 00:00:42,360 --> 00:00:42,479 Speaker 4: Well? 17 00:00:42,520 --> 00:00:45,960 Speaker 5: I think the closest we've had to proving that yes, 18 00:00:46,159 --> 00:00:49,360 Speaker 5: you can actually hear something is through a man called 19 00:00:49,440 --> 00:00:54,080 Speaker 5: Joe Jonas. He DMed us he saw us playing this 20 00:00:54,160 --> 00:00:57,240 Speaker 5: game on social media. He believed he'd be good at it, 21 00:00:57,320 --> 00:00:59,760 Speaker 5: so we allowed him to play the game. And if 22 00:00:59,760 --> 00:01:03,800 Speaker 5: you did his out win. Why do you think you 23 00:01:03,960 --> 00:01:05,840 Speaker 5: are going to be so good at this joke? 24 00:01:05,880 --> 00:01:09,360 Speaker 3: Because we've only ever had one person get all five 25 00:01:09,560 --> 00:01:10,240 Speaker 3: five in a row? 26 00:01:10,560 --> 00:01:13,240 Speaker 6: Right? Yeah, you know I'm going into this humbly. I 27 00:01:13,280 --> 00:01:16,440 Speaker 6: think I have drank a lot of soft drinks in 28 00:01:16,440 --> 00:01:19,040 Speaker 6: my life thus far of the of the young age 29 00:01:19,040 --> 00:01:21,360 Speaker 6: of thirty three. I've had quite a few. I've also 30 00:01:21,400 --> 00:01:26,040 Speaker 6: had quite a few adult beverages beers. I can hear 31 00:01:26,120 --> 00:01:27,560 Speaker 6: that frothy sound. 32 00:01:27,959 --> 00:01:30,040 Speaker 5: Let's puddy do this. I mean, gee wiz, it's been 33 00:01:30,040 --> 00:01:32,520 Speaker 5: a long time in the making. Joe Jonas playing. 34 00:01:33,000 --> 00:01:33,760 Speaker 3: Can you hear it? 35 00:01:33,920 --> 00:01:43,680 Speaker 5: We're gonna go for five here, mate, can number one? 36 00:01:43,720 --> 00:01:46,680 Speaker 3: Was that a soft drink or was that a beer? 37 00:01:47,319 --> 00:01:47,520 Speaker 7: You know? 38 00:01:47,920 --> 00:01:51,680 Speaker 6: I will say on first click, I went, okay, I 39 00:01:51,680 --> 00:01:53,559 Speaker 6: know exactly what it is, but there was a little 40 00:01:53,560 --> 00:01:55,880 Speaker 6: bit of a fizz that took place after the fact, 41 00:01:56,360 --> 00:01:58,200 Speaker 6: and I can even I think I even know exactly 42 00:01:58,280 --> 00:02:00,000 Speaker 6: the product. But I'm gonna go with soft drinks. 43 00:02:00,600 --> 00:02:04,600 Speaker 5: We got ourselves a player where you have got cool. 44 00:02:04,880 --> 00:02:06,360 Speaker 1: I was gonna say, copa pola. 45 00:02:06,440 --> 00:02:09,880 Speaker 3: Wow, here we go. Joe Jonas is one from one. 46 00:02:09,919 --> 00:02:12,440 Speaker 3: This is totally wild. Okay, here we go. 47 00:02:17,560 --> 00:02:18,520 Speaker 6: I believe that's a beer. 48 00:02:19,639 --> 00:02:24,640 Speaker 8: Oh my god, Joe Jonas Jonas. 49 00:02:25,160 --> 00:02:28,120 Speaker 1: Oh, let's go. 50 00:02:28,760 --> 00:02:31,080 Speaker 3: You're legit, by the way, you are legit. Like, I'm 51 00:02:31,080 --> 00:02:32,760 Speaker 3: gonna be honest, Joe. When you first got in touch 52 00:02:32,800 --> 00:02:33,960 Speaker 3: with this, I was like, you just want to come 53 00:02:33,960 --> 00:02:35,720 Speaker 3: on here and have a bit of fun. You are legit. 54 00:02:35,800 --> 00:02:37,680 Speaker 5: You think you can do this. You are two from 55 00:02:37,720 --> 00:02:40,840 Speaker 5: two right now, I'm blown away. If we get three more, 56 00:02:41,120 --> 00:02:44,160 Speaker 5: you are one of two people in Australia, I'm gonna say, 57 00:02:44,160 --> 00:02:44,440 Speaker 5: in the. 58 00:02:44,400 --> 00:02:47,600 Speaker 1: World who was successfully pulled in the world. 59 00:02:49,200 --> 00:02:50,760 Speaker 3: Will this be a career highlight for your Joe? 60 00:02:50,800 --> 00:02:52,359 Speaker 6: If you pulled this up, you know this should look 61 00:02:52,560 --> 00:02:56,320 Speaker 6: you know, performing at the White House multiple times, nominated 62 00:02:56,360 --> 00:03:00,320 Speaker 6: for many awards, nothing compares to being Hones Will and 63 00:03:00,360 --> 00:03:02,359 Speaker 6: Buddy Show and getting two for two those far. 64 00:03:02,520 --> 00:03:07,640 Speaker 3: So I appreciate your honesty. I appreciate your honesty. All right, 65 00:03:07,760 --> 00:03:09,680 Speaker 3: let's go can number three. 66 00:03:09,800 --> 00:03:18,560 Speaker 1: Joe. 67 00:03:19,360 --> 00:03:23,440 Speaker 6: Wow, that fizz, that fizz on the end, I believe 68 00:03:23,440 --> 00:03:25,919 Speaker 6: that's the carbonation of a of a soda, my friend 69 00:03:26,000 --> 00:03:26,840 Speaker 6: of a fizzy drink. 70 00:03:27,200 --> 00:03:30,480 Speaker 1: He's shut us. 71 00:03:34,520 --> 00:03:39,920 Speaker 3: Wow, this is wow. Pumpo, I'm so pumpedfoy. 72 00:03:40,160 --> 00:03:42,800 Speaker 5: Okay, you are three from three, my friend is it's 73 00:03:43,040 --> 00:03:44,920 Speaker 5: rare for people to get three from three. 74 00:03:45,240 --> 00:03:47,280 Speaker 6: A lot of birds in the background trying to distract me. 75 00:03:47,640 --> 00:03:49,480 Speaker 6: You guys sent the birds all the way to England. 76 00:03:49,880 --> 00:03:51,840 Speaker 1: You're trying. You're trying to throw me off now. 77 00:03:54,000 --> 00:03:56,000 Speaker 3: Mother nights against you. I like it, all right? Let's 78 00:03:56,000 --> 00:04:00,960 Speaker 3: go to can number four. Joe, all right, I'm ready 79 00:04:01,160 --> 00:04:02,480 Speaker 3: soft drink or be it. 80 00:04:02,600 --> 00:04:03,000 Speaker 1: Here we go. 81 00:04:12,840 --> 00:04:19,880 Speaker 6: Oh man, that's a toughie. Oh wow, oh Joe, I 82 00:04:19,920 --> 00:04:22,479 Speaker 6: think I think we're going soft drink again. 83 00:04:23,440 --> 00:04:36,000 Speaker 9: He's good him, don't mind him, John join us? 84 00:04:37,680 --> 00:04:41,400 Speaker 3: Wow, Oh wow, let's do this. The suspense can only 85 00:04:41,440 --> 00:04:44,440 Speaker 3: go on for so long. Here comes the fifth. 86 00:04:44,240 --> 00:04:54,280 Speaker 2: Ken Wow. 87 00:04:55,640 --> 00:04:59,479 Speaker 1: Wow, Wow, Wow, it's gonna be a toughie. Can number five. 88 00:04:59,520 --> 00:05:01,480 Speaker 6: I'm gonna oh whizz fer. 89 00:05:06,200 --> 00:05:19,120 Speaker 1: Jeorg Jonas has now here's a question. Yes, here's a question. 90 00:05:19,320 --> 00:05:21,360 Speaker 3: Yes, you know that's five for five. 91 00:05:21,640 --> 00:05:23,159 Speaker 6: I don't like tying with anyone. 92 00:05:23,320 --> 00:05:25,200 Speaker 3: Oh wow, you want to go for six? Legit. 93 00:05:25,440 --> 00:05:27,880 Speaker 6: I just feel like at this point I like to 94 00:05:27,920 --> 00:05:31,320 Speaker 6: walk away knowing that I'm the world champ, the reigning 95 00:05:31,360 --> 00:05:33,400 Speaker 6: world champ. I can't walk away knowing that I like 96 00:05:33,480 --> 00:05:35,440 Speaker 6: to share the podium. But I also thinking, oh my, 97 00:05:35,880 --> 00:05:36,960 Speaker 6: it would feel pretty. 98 00:05:36,720 --> 00:05:39,240 Speaker 3: Good, Oh my god, to just go one more. 99 00:05:40,480 --> 00:05:40,800 Speaker 1: There you go. 100 00:05:41,080 --> 00:05:44,719 Speaker 2: So Joe Jonas on five cans a few weeks ago, 101 00:05:45,040 --> 00:05:47,360 Speaker 2: damned us wanted to play proved he can hear it. 102 00:05:47,400 --> 00:05:49,320 Speaker 2: If you're listening to that and you're thinking, gee whiz, 103 00:05:49,680 --> 00:05:53,320 Speaker 2: I can hear it too. Head along to Willemwoody dot 104 00:05:53,440 --> 00:05:56,040 Speaker 2: com if you would like to play for twenty thousand 105 00:05:56,080 --> 00:06:00,800 Speaker 2: dollars in our massive twenty thousand dollars hand test. It's 106 00:06:00,800 --> 00:06:03,120 Speaker 2: happening next week. We want our best players there. Mate, 107 00:06:03,320 --> 00:06:04,800 Speaker 2: it's twenty thousand dollars bloody eight. 108 00:06:04,880 --> 00:06:07,160 Speaker 3: So if you can do it, get there Willemwoody dot com. 109 00:06:07,279 --> 00:06:09,360 Speaker 3: Twenty k could be yours, but if you've just joined us. 110 00:06:09,640 --> 00:06:13,520 Speaker 5: Joe Jonas proved that he definitely can hear something before 111 00:06:13,560 --> 00:06:15,240 Speaker 5: the song there, we replayed the moment where he got 112 00:06:15,320 --> 00:06:17,960 Speaker 5: five cans in a row. But then he looked us 113 00:06:17,960 --> 00:06:20,560 Speaker 5: both in the eyes and he said, boys, I don't 114 00:06:20,600 --> 00:06:23,040 Speaker 5: play to tie because someone had got five before. 115 00:06:23,160 --> 00:06:25,599 Speaker 1: Zoey had got five in a row before he wanted six. 116 00:06:25,760 --> 00:06:27,200 Speaker 2: It's really it was a bit sad in the way, 117 00:06:27,360 --> 00:06:29,520 Speaker 2: wasn't it Like it was like a David and Goliath situation, 118 00:06:29,680 --> 00:06:30,640 Speaker 2: but Goliath wins. 119 00:06:31,200 --> 00:06:32,480 Speaker 1: No one wants Goliath to win. 120 00:06:32,800 --> 00:06:33,679 Speaker 3: Oh, don't give it away. 121 00:06:34,320 --> 00:06:38,440 Speaker 5: He knows how Goliath slash Joe went with can number six. 122 00:06:39,520 --> 00:06:41,520 Speaker 5: Let's get down to it. Currently tit in first. You 123 00:06:41,600 --> 00:06:43,760 Speaker 5: are going for outright first right now? To get six 124 00:06:43,920 --> 00:06:48,200 Speaker 5: cans in a row, Joe Jonas, here is your keyn. 125 00:07:05,160 --> 00:07:07,160 Speaker 1: Oh man, is there is? 126 00:07:07,200 --> 00:07:07,320 Speaker 2: There? 127 00:07:07,440 --> 00:07:09,840 Speaker 6: Is there some like can I get some drum roll 128 00:07:10,040 --> 00:07:11,240 Speaker 6: or background music or anything. 129 00:07:11,360 --> 00:07:12,560 Speaker 3: I'm sure we can give you like a you want, 130 00:07:12,560 --> 00:07:16,280 Speaker 3: like a drone or something, or like a just anything. Yeah, okay, 131 00:07:16,400 --> 00:07:18,320 Speaker 3: if you guys can pretend like you've done this before. 132 00:07:21,600 --> 00:07:24,760 Speaker 1: Here we go, ladies and gentlemen. 133 00:07:25,240 --> 00:07:26,560 Speaker 6: I believe that was a soft drink. 134 00:07:28,920 --> 00:07:41,239 Speaker 8: He's the only man in the world to get six 135 00:07:41,720 --> 00:07:42,480 Speaker 8: from six. 136 00:07:42,880 --> 00:07:44,920 Speaker 1: Wow, wow, wow. 137 00:07:45,760 --> 00:07:48,280 Speaker 3: Totally wild. But there has been a development. 138 00:07:48,320 --> 00:07:52,040 Speaker 2: Will there has, Woody, there there has and you know, 139 00:07:52,400 --> 00:07:55,360 Speaker 2: just we spoke about David and Goliath before, I feel 140 00:07:55,480 --> 00:07:58,480 Speaker 2: like David's back on the block to have another crack 141 00:07:58,520 --> 00:08:01,280 Speaker 2: at Goliath. And I may have on far too deep 142 00:08:01,400 --> 00:08:04,280 Speaker 2: into my Old Testament reference there, But the point is. 143 00:08:04,360 --> 00:08:06,880 Speaker 3: And is that a short joke towards the person who 144 00:08:06,960 --> 00:08:07,960 Speaker 3: is contending. 145 00:08:07,680 --> 00:08:09,800 Speaker 1: Could be a bit of a short joke could also 146 00:08:09,920 --> 00:08:11,440 Speaker 1: be a bit of a reference to the fact. Look, 147 00:08:11,440 --> 00:08:12,720 Speaker 1: I was gonna get down to what it is because 148 00:08:12,960 --> 00:08:14,920 Speaker 1: I'm getting lost in it. But the point is. 149 00:08:16,040 --> 00:08:18,720 Speaker 2: Gary Barlow from Take That Here we Go was in 150 00:08:18,800 --> 00:08:21,160 Speaker 2: the studio this week. We had a lovely chat with him. 151 00:08:21,560 --> 00:08:25,160 Speaker 2: We even sung the go This song with him in 152 00:08:25,200 --> 00:08:26,600 Speaker 2: the studio. We had any great time with him. 153 00:08:26,640 --> 00:08:27,040 Speaker 3: Pretty well. 154 00:08:27,520 --> 00:08:30,120 Speaker 1: He's on the way out of the studio and I said, Gary, 155 00:08:31,080 --> 00:08:32,600 Speaker 1: you know what like given the ear here. 156 00:08:33,000 --> 00:08:35,320 Speaker 2: Yeah, we've got this thing on next week. We've got 157 00:08:35,360 --> 00:08:38,199 Speaker 2: this cantest happening. It's worth twenty thousand dollars. Do you 158 00:08:38,280 --> 00:08:40,640 Speaker 2: think you can tell the difference between beer and soft drink? 159 00:08:40,960 --> 00:08:42,719 Speaker 2: Soft drink? I didn't have a lisp. I was a 160 00:08:42,760 --> 00:08:44,640 Speaker 2: bit nervous at the time, but I definly didn't caught 161 00:08:44,679 --> 00:08:47,760 Speaker 2: soft drink. Do you think you can tell the difference 162 00:08:47,760 --> 00:08:49,319 Speaker 2: between beer and throft drink? The thirst found of it 163 00:08:49,400 --> 00:08:51,120 Speaker 2: opening and he looked at me and he was like, 164 00:08:52,400 --> 00:08:53,760 Speaker 2: first of all, will I want to say I love 165 00:08:53,800 --> 00:08:55,600 Speaker 2: you and I love the fate. Your eyes changed color 166 00:08:55,600 --> 00:08:57,000 Speaker 2: and I think you're an amazing radio announcer. 167 00:08:57,120 --> 00:08:58,679 Speaker 1: And then he said weird that he said that I 168 00:08:59,200 --> 00:08:59,920 Speaker 1: saw it me a bit by. 169 00:09:00,600 --> 00:09:01,640 Speaker 3: I said, what about me, Gary? 170 00:09:01,720 --> 00:09:03,720 Speaker 1: And then he just ignored Gary that he made out 171 00:09:03,760 --> 00:09:05,560 Speaker 1: with me. But then after we made out, he said, 172 00:09:06,360 --> 00:09:07,480 Speaker 1: I think I can tell the difference. 173 00:09:08,000 --> 00:09:11,400 Speaker 2: And then the funny thing was I said to him, well, 174 00:09:11,760 --> 00:09:14,720 Speaker 2: there's currently a world champion, and a lot of people 175 00:09:14,840 --> 00:09:17,120 Speaker 2: think that there's nothing to hear here, But there is 176 00:09:17,160 --> 00:09:18,840 Speaker 2: someone who's guessed six cans in a row. 177 00:09:19,520 --> 00:09:24,439 Speaker 1: I said, Jim, Gary Body Barlow, do you know George 178 00:09:24,480 --> 00:09:33,599 Speaker 1: Journas And he said yes, all those music exams have 179 00:09:33,760 --> 00:09:34,160 Speaker 1: led to this. 180 00:09:39,720 --> 00:09:40,160 Speaker 4: Here we go. 181 00:09:41,559 --> 00:09:42,360 Speaker 3: I think I can't. 182 00:09:43,960 --> 00:09:48,079 Speaker 2: Maybe, Okay, so Gary Barlow, I mean again, what do 183 00:09:48,200 --> 00:09:50,520 Speaker 2: we talk about the people that are sonically superior in 184 00:09:50,600 --> 00:09:51,040 Speaker 2: this game? 185 00:09:51,400 --> 00:09:52,640 Speaker 3: Is Gary Barlow one of them? 186 00:09:52,720 --> 00:09:53,400 Speaker 1: One of the great. 187 00:09:53,240 --> 00:09:54,280 Speaker 3: Songwriters of our time. 188 00:09:54,480 --> 00:09:57,240 Speaker 1: You'd think you'd know. It's the difference between a sof 189 00:09:57,320 --> 00:09:58,680 Speaker 1: drinking to be so we do it. 190 00:09:58,679 --> 00:10:00,640 Speaker 3: With real cans go you'll have to ose your eyes. 191 00:10:00,920 --> 00:10:02,640 Speaker 3: If that's okay, you're actually gonna do it? 192 00:10:04,480 --> 00:10:04,959 Speaker 7: Yeah, with it? 193 00:10:05,040 --> 00:10:11,920 Speaker 3: I'm with it, Okay, okay, can one Gary. 194 00:10:18,960 --> 00:10:26,640 Speaker 1: Soft drink? He ship going down? 195 00:10:28,760 --> 00:10:30,679 Speaker 3: He was hooked coming for him, isn't he? 196 00:10:30,920 --> 00:10:32,760 Speaker 1: And did he ever? 197 00:10:34,600 --> 00:10:38,640 Speaker 2: Guys, make sure you're tuning in on Monday. Gary Barlow 198 00:10:39,200 --> 00:10:40,160 Speaker 2: plays can You Hear It? 199 00:10:40,240 --> 00:10:40,480 Speaker 7: Live? 200 00:10:41,559 --> 00:10:46,160 Speaker 2: And without giving too much away, has a real tilt 201 00:10:46,280 --> 00:10:47,239 Speaker 2: at the championship. 202 00:10:47,840 --> 00:10:50,520 Speaker 1: How deep did he go? Gary Barlow? A question a 203 00:10:50,559 --> 00:10:53,719 Speaker 1: lot of women ask in the nineties find out on Monday. Oh, 204 00:10:53,920 --> 00:10:57,280 Speaker 1: come on, hope, you're having a great drive home. We'll see. 205 00:10:57,360 --> 00:10:57,520 Speaker 4: Then. 206 00:10:59,400 --> 00:11:01,920 Speaker 2: Last night I went out for my sister's birthday, Hay Birthday, Claire. 207 00:11:02,280 --> 00:11:04,959 Speaker 2: We went out to a little Italian restaurant and I 208 00:11:05,120 --> 00:11:10,560 Speaker 2: walked out the back and there was probably fifteen young, 209 00:11:10,960 --> 00:11:13,319 Speaker 2: very cool kids, each of them with a skateboard. 210 00:11:13,679 --> 00:11:14,960 Speaker 3: When you say kids, are you just. 211 00:11:14,960 --> 00:11:16,520 Speaker 5: Saying that is like, because you're in your thirties now 212 00:11:16,559 --> 00:11:18,319 Speaker 5: and a kid is anyone under the age of like 213 00:11:18,400 --> 00:11:22,000 Speaker 5: twenty five? Okay, yeah, because I'm picturing like a daycare 214 00:11:22,040 --> 00:11:24,600 Speaker 5: at this time, they're in their twenties. 215 00:11:25,040 --> 00:11:27,320 Speaker 2: He said that they're probably the early twenties. Yeh, very 216 00:11:27,400 --> 00:11:28,040 Speaker 2: low pants. 217 00:11:28,160 --> 00:11:29,160 Speaker 3: Yeah, the low pans. 218 00:11:29,200 --> 00:11:31,480 Speaker 1: One, well, they are the thing I admire about. 219 00:11:31,920 --> 00:11:34,640 Speaker 2: The thing I admire about skate about skateboarders, I think 220 00:11:34,760 --> 00:11:36,640 Speaker 2: is that like the fashion hasn't changed the. 221 00:11:36,760 --> 00:11:38,520 Speaker 3: Skate You hadn't time to their skateboarders. 222 00:11:38,600 --> 00:11:41,120 Speaker 1: So they've all got a skateboard. Oh, were all holding 223 00:11:41,200 --> 00:11:42,320 Speaker 1: every single one of them. 224 00:11:42,360 --> 00:11:45,040 Speaker 2: They're all sitting down at this table. Every single one 225 00:11:45,080 --> 00:11:47,920 Speaker 2: of them had a skateboard like leaning up against their chair. Well, 226 00:11:48,080 --> 00:11:50,480 Speaker 2: very cool, well, super cool. Anyway, I'm looking at this 227 00:11:50,559 --> 00:11:51,840 Speaker 2: and going, jeez, you guys are cool. 228 00:11:52,200 --> 00:11:56,239 Speaker 1: What hell you know? Is this the conference? 229 00:11:56,440 --> 00:11:56,600 Speaker 4: Oh? 230 00:11:56,760 --> 00:11:59,959 Speaker 2: No, skateboarders or you know conference. There's a bit cool 231 00:12:00,000 --> 00:12:02,280 Speaker 2: people are going there. And I didn't land it, but 232 00:12:02,559 --> 00:12:03,839 Speaker 2: but I was looking at it and I was like, 233 00:12:03,960 --> 00:12:07,920 Speaker 2: you know how, why is there such a conglomerate of skaters? 234 00:12:08,040 --> 00:12:11,280 Speaker 3: They must be ordering the bowl? Oh, very good, there 235 00:12:11,320 --> 00:12:11,600 Speaker 3: it is. 236 00:12:13,240 --> 00:12:13,640 Speaker 1: Anyway. 237 00:12:14,040 --> 00:12:17,640 Speaker 2: Anyway, so before I I'm kind of like scanning them. 238 00:12:17,679 --> 00:12:19,360 Speaker 2: I'm like, you know, what what's going on here? You know, 239 00:12:19,400 --> 00:12:22,000 Speaker 2: doing this quite a nice Italian restaurant, I might mention, 240 00:12:22,120 --> 00:12:25,880 Speaker 2: like in the middle of the table is the one 241 00:12:25,920 --> 00:12:26,640 Speaker 2: and only. 242 00:12:27,960 --> 00:12:28,800 Speaker 1: Tony Hawk. 243 00:12:30,480 --> 00:12:33,720 Speaker 3: Yet out of town? A lot of Yeah, so Tony 244 00:12:33,760 --> 00:12:35,600 Speaker 3: Hawk with a whole with a whole bunch of kids 245 00:12:35,640 --> 00:12:36,319 Speaker 3: in their twenties. 246 00:12:36,720 --> 00:12:40,040 Speaker 1: Yes, he's a skater. Like you can't imagine everybody. 247 00:12:40,120 --> 00:12:42,280 Speaker 2: It's weird, isn't It's like it's like you and me though, 248 00:12:42,320 --> 00:12:43,719 Speaker 2: Like you know, in radio, you just end up just 249 00:12:43,720 --> 00:12:45,280 Speaker 2: getting very old and you end up just working with 250 00:12:45,400 --> 00:12:48,040 Speaker 2: kids in their twenties. I was hanging out with junior 251 00:12:48,080 --> 00:12:51,319 Speaker 2: producer around Lease and kV that's so true, and the 252 00:12:51,400 --> 00:12:54,040 Speaker 2: you dog and the acoustic I mean, everybody on our team. 253 00:12:53,960 --> 00:12:54,880 Speaker 1: Is a lot younger than. 254 00:12:56,360 --> 00:12:56,560 Speaker 4: Hawk. 255 00:12:57,000 --> 00:12:59,880 Speaker 3: Yeah, okay, it looked weird like it. 256 00:13:00,040 --> 00:13:04,280 Speaker 2: It almost looked like Grandpa was right taking his grandkids 257 00:13:04,320 --> 00:13:05,600 Speaker 2: out for for a nice dinner. 258 00:13:05,720 --> 00:13:07,520 Speaker 1: That's what it looked like. Did hed he was he 259 00:13:07,679 --> 00:13:08,320 Speaker 1: in skategear? 260 00:13:08,320 --> 00:13:08,480 Speaker 3: Though? 261 00:13:08,520 --> 00:13:09,920 Speaker 1: Was he still wearing his pants low? 262 00:13:10,160 --> 00:13:13,959 Speaker 2: And he's wearing a black tea hands low? The belt 263 00:13:14,520 --> 00:13:15,560 Speaker 2: one of those cotton belts with. 264 00:13:15,600 --> 00:13:19,720 Speaker 1: The thing hanging off at under like it was Undeeniably 265 00:13:19,800 --> 00:13:20,199 Speaker 1: Tony Hawk. 266 00:13:20,200 --> 00:13:22,199 Speaker 2: Anyway, I'm blown away by this right Like he's, you know, 267 00:13:22,280 --> 00:13:24,240 Speaker 2: one of the most famous people in the world and 268 00:13:25,040 --> 00:13:27,480 Speaker 2: an icon like he sort of transcended the sport. 269 00:13:27,600 --> 00:13:29,559 Speaker 3: Does everyone listening know who Tony Hawk is? 270 00:13:29,600 --> 00:13:29,719 Speaker 6: Do you? 271 00:13:29,960 --> 00:13:32,719 Speaker 5: You'd have to I don't know whether this is a 272 00:13:33,120 --> 00:13:36,040 Speaker 5: like we're getting old thing, but like, okay, so, like, 273 00:13:36,160 --> 00:13:37,680 Speaker 5: did did you you produce analysts? 274 00:13:37,720 --> 00:13:39,400 Speaker 3: Did you know who Tony Hawk is? Did you know 275 00:13:40,520 --> 00:13:41,240 Speaker 3: ska a boy? 276 00:13:41,559 --> 00:13:41,760 Speaker 6: Yeah? 277 00:13:41,800 --> 00:13:44,280 Speaker 5: So' and you're fully across it. You've definitely heard of 278 00:13:44,360 --> 00:13:45,360 Speaker 5: him Tony Hawk? 279 00:13:45,440 --> 00:13:46,959 Speaker 1: Yeah, video game he's iconic. 280 00:13:47,400 --> 00:13:48,920 Speaker 3: He is, isn't he he is? 281 00:13:49,360 --> 00:13:51,320 Speaker 1: He's iconic and he transcends his sport. 282 00:13:51,400 --> 00:13:51,480 Speaker 10: Is that? 283 00:13:51,559 --> 00:13:54,000 Speaker 2: Michael Jordan transcending this book totally. But the issue was, 284 00:13:54,160 --> 00:13:56,840 Speaker 2: I said, I was like totally, you know, all struck. 285 00:13:56,920 --> 00:14:00,079 Speaker 2: My sister was all her partner Jane Sam all of 286 00:14:00,160 --> 00:14:02,160 Speaker 2: us were like, wow, this is Tony Hawk, like he 287 00:14:02,320 --> 00:14:04,600 Speaker 2: is one of the most famous people on the planet. 288 00:14:05,920 --> 00:14:09,920 Speaker 1: Of course, not not that person Hawky. Oh good God. 289 00:14:12,440 --> 00:14:16,600 Speaker 1: So the musing thing though, was that my mom Mum 290 00:14:16,720 --> 00:14:17,520 Speaker 1: had no idea who. 291 00:14:17,480 --> 00:14:21,480 Speaker 2: Tony Hawk was, right, And the really fascinating thing was 292 00:14:22,000 --> 00:14:24,080 Speaker 2: I then went to go and explain to Mom who 293 00:14:24,160 --> 00:14:24,920 Speaker 2: Tony Hawk was. 294 00:14:25,280 --> 00:14:29,840 Speaker 1: Yeah, sure, which much harder thing than you'd think. 295 00:14:29,920 --> 00:14:30,560 Speaker 3: What did you go for? 296 00:14:30,800 --> 00:14:33,440 Speaker 2: Well, eventually I went for the Michael Jordan thing. The 297 00:14:33,480 --> 00:14:35,480 Speaker 2: analogy I just used that. I was like, bigger than 298 00:14:35,480 --> 00:14:38,280 Speaker 2: the sport cultural icon. You've never watched it in your life, 299 00:14:38,760 --> 00:14:41,480 Speaker 2: but you know who he is, example, Michael Jordan. But 300 00:14:41,520 --> 00:14:43,840 Speaker 2: then my sister reminded me that when she was watching 301 00:14:43,880 --> 00:14:46,520 Speaker 2: the Last Dance about Michael Jordan, there was a bit 302 00:14:46,560 --> 00:14:49,600 Speaker 2: of commentary where one of his teammates said he is 303 00:14:49,720 --> 00:14:51,800 Speaker 2: the best person at his job of all time. 304 00:14:52,240 --> 00:14:54,880 Speaker 1: And then Mom turned to my sister and goes, what's 305 00:14:54,920 --> 00:14:55,400 Speaker 1: this job? 306 00:14:56,360 --> 00:14:58,280 Speaker 3: She did know what Michael Jordan's job was in. 307 00:14:58,320 --> 00:15:02,240 Speaker 2: The middle of the Michael Jordan documentary. So so it's 308 00:15:02,280 --> 00:15:04,840 Speaker 2: been half an hour trying to explain half an hour. 309 00:15:04,920 --> 00:15:06,560 Speaker 2: It's been half an hour trying to expain Tony who 310 00:15:06,640 --> 00:15:08,680 Speaker 2: Tony Hawk was. What I would like to do now 311 00:15:08,960 --> 00:15:12,840 Speaker 2: is just call mum. Yeah, and I just want to 312 00:15:12,840 --> 00:15:14,560 Speaker 2: see if she can explain how Tony Hawk is. 313 00:15:14,720 --> 00:15:17,320 Speaker 3: Oh great, Like did she actually digest what you. 314 00:15:17,360 --> 00:15:19,280 Speaker 1: Were an idea? Or what's she doing? 315 00:15:19,320 --> 00:15:21,400 Speaker 2: The mom thing where she asked a question, regretted it 316 00:15:21,440 --> 00:15:24,280 Speaker 2: and then just nodded and said, yes, darling, amazing. 317 00:15:24,320 --> 00:15:26,240 Speaker 5: Can you can you make sure? Can you make sure 318 00:15:26,280 --> 00:15:28,160 Speaker 5: when you call her, don't even bring up Tony Hawk? 319 00:15:28,200 --> 00:15:29,560 Speaker 5: Just go what do you think of dinner last night? 320 00:15:29,560 --> 00:15:30,920 Speaker 5: And honest, see how long it takes her sort to 321 00:15:30,920 --> 00:15:32,440 Speaker 5: bring up the fact that the most famous place she. 322 00:15:32,440 --> 00:15:33,040 Speaker 3: Won't bring it up. 323 00:15:33,200 --> 00:15:34,400 Speaker 1: It won't be a thing for her. 324 00:15:34,400 --> 00:15:36,640 Speaker 5: I want to prove that, and then say can we 325 00:15:36,680 --> 00:15:38,680 Speaker 5: talk about Tony Hawk? And then I want to hear what. 326 00:15:38,720 --> 00:15:46,800 Speaker 1: She's Hello, Darling, Hi Mom, how you going good? 327 00:15:46,880 --> 00:15:47,480 Speaker 10: How are you going? 328 00:15:47,640 --> 00:15:47,800 Speaker 2: Yeah? 329 00:15:47,880 --> 00:15:50,200 Speaker 1: So well, I'm just I'm just here with Woody. 330 00:15:51,600 --> 00:15:55,560 Speaker 2: And I was just explaining to Woods that we had 331 00:15:55,600 --> 00:15:59,320 Speaker 2: dinner last night and and and who was sitting behind me? 332 00:16:01,120 --> 00:16:01,800 Speaker 10: Tom Hawk? 333 00:16:03,200 --> 00:16:03,920 Speaker 7: So close? 334 00:16:04,880 --> 00:16:06,720 Speaker 3: Really, you're so close, Penny? 335 00:16:08,400 --> 00:16:13,320 Speaker 1: Who who is? Because I said towards? 336 00:16:13,320 --> 00:16:16,120 Speaker 2: I was like, I spent at least half an hour 337 00:16:16,440 --> 00:16:19,960 Speaker 2: trying to explain to mum who Tom Hawk was. 338 00:16:20,840 --> 00:16:23,960 Speaker 1: Who is Tom Hawk skateboard man? 339 00:16:25,200 --> 00:16:26,720 Speaker 10: A motivational speaker? 340 00:16:27,520 --> 00:16:28,080 Speaker 3: I don't know that. 341 00:16:31,680 --> 00:16:31,960 Speaker 6: He's not. 342 00:16:32,160 --> 00:16:36,040 Speaker 1: You've just had a tumps there. He's not a motivational here. 343 00:16:36,240 --> 00:16:38,840 Speaker 10: Apparently he's here doing motivational talk. 344 00:16:38,920 --> 00:16:42,720 Speaker 1: No, he's here for a brand launch. Who are you confusing? 345 00:16:42,840 --> 00:16:44,080 Speaker 1: Who are you confusing him for? 346 00:16:44,680 --> 00:16:45,400 Speaker 3: Tony Robbins? 347 00:16:45,440 --> 00:16:47,960 Speaker 10: Maybe is Tom Hawk the footballer? 348 00:16:48,280 --> 00:16:51,560 Speaker 1: Is that the Geelong footballer Tom Hawk? Oh? 349 00:16:51,800 --> 00:16:53,880 Speaker 10: Nearly so? 350 00:16:54,800 --> 00:16:56,160 Speaker 3: Also, Penny, his name is Tony. 351 00:16:57,040 --> 00:16:58,920 Speaker 10: Oh, that's it, Tony Hawk. 352 00:16:58,760 --> 00:16:59,800 Speaker 3: Tony Who? 353 00:17:00,040 --> 00:17:01,040 Speaker 1: Who did you hear that was? 354 00:17:01,160 --> 00:17:03,240 Speaker 3: He was doing motivational talks? 355 00:17:04,359 --> 00:17:06,680 Speaker 10: I thought that I read that he was because I 356 00:17:06,840 --> 00:17:11,879 Speaker 10: looked up, you know, what was he? And who is he? 357 00:17:12,040 --> 00:17:13,800 Speaker 10: And because he looked like a middle aged man. 358 00:17:13,960 --> 00:17:15,400 Speaker 1: He looked like he did look old. 359 00:17:15,680 --> 00:17:18,520 Speaker 2: He looked he looked old, Yeah, he did look old, yeah, 360 00:17:18,680 --> 00:17:21,560 Speaker 2: and thin and he was quite gaunt. 361 00:17:22,680 --> 00:17:22,920 Speaker 4: Yeah. 362 00:17:23,000 --> 00:17:25,720 Speaker 10: I watched a field clip of him and he looked amazing. 363 00:17:26,080 --> 00:17:27,320 Speaker 1: You watched a film clip of him. 364 00:17:27,560 --> 00:17:29,880 Speaker 10: When did you do this skateboarding? 365 00:17:29,960 --> 00:17:30,120 Speaker 1: Yeah? 366 00:17:30,160 --> 00:17:32,640 Speaker 10: But when oh this morning in bed? 367 00:17:35,880 --> 00:17:38,040 Speaker 2: So you got home and you were like wow, really, 368 00:17:38,080 --> 00:17:39,959 Speaker 2: because I got to say we did talk about him 369 00:17:39,960 --> 00:17:40,600 Speaker 2: for a long time. 370 00:17:40,680 --> 00:17:42,320 Speaker 1: I'm really glad that you that you. 371 00:17:42,480 --> 00:17:44,360 Speaker 2: I mean it, despite watching him on YouTube for half 372 00:17:44,359 --> 00:17:46,360 Speaker 2: an hour this morning, you've still called him Tom. But yeah, 373 00:17:46,480 --> 00:17:49,840 Speaker 2: his name is Tony Hawk and he's quite amazing, isn't 374 00:17:49,840 --> 00:17:51,800 Speaker 2: he incredible? Yeah? 375 00:17:52,359 --> 00:17:52,959 Speaker 10: Incredible. 376 00:17:53,160 --> 00:17:55,840 Speaker 11: He looked like he could be an amazing surfer in 377 00:17:55,960 --> 00:17:58,680 Speaker 11: the seat because his balance was extraordinary. 378 00:18:00,080 --> 00:18:01,760 Speaker 1: A surfer in the sea. Yeah, I couldn't. 379 00:18:02,160 --> 00:18:05,280 Speaker 5: I'm sure the skills were translated. Skills wouldred. What was 380 00:18:05,520 --> 00:18:06,920 Speaker 5: what was the best move that he did? 381 00:18:08,680 --> 00:18:09,600 Speaker 1: What was what was the best? 382 00:18:11,320 --> 00:18:13,480 Speaker 2: He's got a famous move? He's got a famous move? 383 00:18:14,480 --> 00:18:15,800 Speaker 2: Who has Tony Hawk? 384 00:18:16,160 --> 00:18:16,440 Speaker 1: Tom? 385 00:18:18,320 --> 00:18:19,680 Speaker 10: What what's his move? 386 00:18:19,840 --> 00:18:22,879 Speaker 3: I don't know what was the When you're watching YouTube 387 00:18:22,960 --> 00:18:23,560 Speaker 3: videos of him? 388 00:18:23,600 --> 00:18:23,800 Speaker 2: This mo? 389 00:18:23,960 --> 00:18:26,760 Speaker 1: Yeah, what did you see him do? Most use? 390 00:18:26,760 --> 00:18:30,359 Speaker 11: Then when he goes up and down the skateboard ramp 391 00:18:30,400 --> 00:18:32,360 Speaker 11: thing and he does a sort of flip thing. 392 00:18:33,119 --> 00:18:37,200 Speaker 2: Oh yeah, no, no, no, there's a famous move that 393 00:18:37,240 --> 00:18:40,040 Speaker 2: he does in the It's called Are you talking about 394 00:18:40,080 --> 00:18:40,760 Speaker 2: the half pipe? 395 00:18:40,800 --> 00:18:42,640 Speaker 1: Are you talking about the ball? Yeah? 396 00:18:43,359 --> 00:18:47,240 Speaker 2: A half pike, a half pipe, half pipe mum, and 397 00:18:47,359 --> 00:18:50,160 Speaker 2: he does it not a half pike, no, no, that's 398 00:18:50,160 --> 00:18:52,560 Speaker 2: a diving term. No, but he does a move in 399 00:18:52,640 --> 00:18:55,160 Speaker 2: the half pipe though, which is iconic. I was telling 400 00:18:55,200 --> 00:18:56,160 Speaker 2: you about this last night. 401 00:18:57,080 --> 00:18:58,120 Speaker 10: Well maybe I couldn't hear. 402 00:18:58,400 --> 00:19:02,840 Speaker 3: Yeah, maybe, Okay, was that selective hearing? Penny? 403 00:19:03,840 --> 00:19:04,399 Speaker 10: Possibly? 404 00:19:06,200 --> 00:19:06,560 Speaker 7: Do you know? 405 00:19:07,200 --> 00:19:08,960 Speaker 1: Do you know the mom? There's a person that I 406 00:19:09,320 --> 00:19:09,800 Speaker 1: who would you? 407 00:19:09,960 --> 00:19:11,040 Speaker 2: So now you've had a bit of a look up 408 00:19:11,040 --> 00:19:12,520 Speaker 2: about him, because I was trying to say that it's 409 00:19:12,520 --> 00:19:15,639 Speaker 2: really hard to share with other people exactly who this 410 00:19:15,720 --> 00:19:18,040 Speaker 2: guy is because he doesn't necessarily translate if you don't 411 00:19:18,040 --> 00:19:20,280 Speaker 2: know who he is. But as a cultural phenomenon, he 412 00:19:20,400 --> 00:19:21,879 Speaker 2: sort of transcended the sport. 413 00:19:22,520 --> 00:19:24,800 Speaker 1: Now, who would you? I gave you someone who I 414 00:19:24,840 --> 00:19:26,400 Speaker 1: thought would be on part. 415 00:19:27,720 --> 00:19:28,080 Speaker 6: What was that? 416 00:19:29,040 --> 00:19:29,840 Speaker 10: Georgey? 417 00:19:30,800 --> 00:19:35,000 Speaker 1: I said it was the George George Clooney. George because 418 00:19:35,240 --> 00:19:38,359 Speaker 1: why George Clooney would impress it? Because she was like, 419 00:19:38,359 --> 00:19:41,440 Speaker 1: because you know all moms love George Clooney. So mom 420 00:19:41,600 --> 00:19:43,000 Speaker 1: was like, who is this guy? How do I was like, 421 00:19:43,040 --> 00:19:43,920 Speaker 1: how do I make him big enough? 422 00:19:43,960 --> 00:19:46,480 Speaker 2: I was like, Mom's like George Clooney, and she was like, oh, 423 00:19:47,440 --> 00:19:50,760 Speaker 2: and then that's probably why you're watching YouTube clips of 424 00:19:50,840 --> 00:19:51,399 Speaker 2: him this morning? 425 00:19:52,640 --> 00:19:57,520 Speaker 3: Possibly, Yeah, would you go on a date with him? 426 00:19:57,560 --> 00:19:58,960 Speaker 3: Like choosing between George and. 427 00:20:00,119 --> 00:20:02,400 Speaker 10: Very old, which I choose George any day? 428 00:20:02,640 --> 00:20:07,800 Speaker 2: Okay with that saying, all right, mum, great work. Well 429 00:20:08,119 --> 00:20:10,560 Speaker 2: thanks for your insights, very very. 430 00:20:12,040 --> 00:20:12,680 Speaker 1: Very valuable. 431 00:20:13,040 --> 00:20:13,440 Speaker 3: I'm glad. 432 00:20:13,720 --> 00:20:15,119 Speaker 2: What makes me really happy to know that you got 433 00:20:15,160 --> 00:20:17,760 Speaker 2: up this morning to watch videos of Tony Hawk in 434 00:20:17,840 --> 00:20:18,440 Speaker 2: a half pike? 435 00:20:19,200 --> 00:20:21,560 Speaker 10: Well, I thought, who is this man? And who were 436 00:20:21,600 --> 00:20:22,680 Speaker 10: all the entourage? 437 00:20:22,720 --> 00:20:26,760 Speaker 11: Because he also he travels with a band, some sort 438 00:20:26,800 --> 00:20:28,160 Speaker 11: of music band as well. 439 00:20:29,119 --> 00:20:29,600 Speaker 4: Why I. 440 00:20:31,640 --> 00:20:33,920 Speaker 3: Want to follow this, why, Penny, why does he travel 441 00:20:33,960 --> 00:20:34,400 Speaker 3: with a band? 442 00:20:35,320 --> 00:20:35,560 Speaker 2: Yeah? 443 00:20:35,840 --> 00:20:40,080 Speaker 10: I think he travels with a band that you know obviously, 444 00:20:40,680 --> 00:20:43,919 Speaker 10: and I think he does do motivational speaking groups. 445 00:20:44,359 --> 00:20:47,399 Speaker 2: Okay, you've obviously seen this today. To be to be 446 00:20:47,560 --> 00:20:50,360 Speaker 2: making to be saying that, you'd have to be I'm guessing, 447 00:20:50,520 --> 00:20:54,400 Speaker 2: but you're guessing. Okay, Well, I think that that's. 448 00:20:54,280 --> 00:20:57,000 Speaker 11: What they were saying when I watched the little skateboard 449 00:20:57,080 --> 00:21:01,080 Speaker 11: thing on a timber looked like a timber skateboard ramp. 450 00:21:02,080 --> 00:21:03,760 Speaker 10: But he looked like he was a bit old to 451 00:21:03,840 --> 00:21:04,320 Speaker 10: be doing it. 452 00:21:04,440 --> 00:21:04,720 Speaker 2: Really. 453 00:21:05,480 --> 00:21:10,639 Speaker 3: Yeah, he looks a bit like an accountant, doesn't he Like, 454 00:21:10,760 --> 00:21:11,840 Speaker 3: he looks like my accountant. 455 00:21:12,560 --> 00:21:16,200 Speaker 10: Well, he certainly had an entourage with Yeah, he did. 456 00:21:16,400 --> 00:21:20,240 Speaker 3: He was was the band there that he travels with. 457 00:21:23,640 --> 00:21:24,000 Speaker 4: The band? 458 00:21:28,720 --> 00:21:32,159 Speaker 1: All right, Mom, I love you, I think yeah, okay, bye? 459 00:21:32,560 --> 00:21:40,640 Speaker 5: Blieble motivational speaker travels with the band. 460 00:21:41,400 --> 00:21:42,480 Speaker 3: Who has She looked at. 461 00:21:44,160 --> 00:21:50,800 Speaker 1: Tom Hawk. Tommy Hawk is, Oh, that's really what he 462 00:21:50,920 --> 00:21:53,960 Speaker 1: cus Wood's got a question for you and everyone else 463 00:21:54,080 --> 00:21:55,000 Speaker 1: driving perfect. 464 00:21:56,400 --> 00:21:59,720 Speaker 2: Imagine you're in a scenario where you're trying to get 465 00:21:59,720 --> 00:22:05,000 Speaker 2: onto I'm one, okay, right, and then at the same 466 00:22:05,240 --> 00:22:08,320 Speaker 2: time you realize that they're trying to get onto you. 467 00:22:08,880 --> 00:22:09,080 Speaker 3: Yeah. 468 00:22:09,240 --> 00:22:11,360 Speaker 1: Now you realize that because you got to call them 469 00:22:11,440 --> 00:22:13,280 Speaker 1: and you get their voicemail. But then you're getting a 470 00:22:13,320 --> 00:22:16,439 Speaker 1: miscall from them. Now, there's two things that you can 471 00:22:16,520 --> 00:22:17,280 Speaker 1: do in that scenario. 472 00:22:17,480 --> 00:22:18,520 Speaker 3: Do this a lot with my dad? 473 00:22:19,320 --> 00:22:19,520 Speaker 11: Yeah? 474 00:22:19,600 --> 00:22:21,840 Speaker 2: Great, So there's two things that you can do in 475 00:22:21,880 --> 00:22:25,879 Speaker 2: that scenario. I often, I don't know why this happens 476 00:22:25,960 --> 00:22:28,639 Speaker 2: to me, but you can. You can either desist calling 477 00:22:28,720 --> 00:22:31,280 Speaker 2: and let them through, or you can just call more. 478 00:22:31,640 --> 00:22:35,280 Speaker 5: You gotta decide who the dominant is exactly, so exactly, 479 00:22:35,359 --> 00:22:37,919 Speaker 5: they're often the dumb or you're the dumb with me, yeah, on. 480 00:22:37,960 --> 00:22:43,399 Speaker 1: The dumb dot com. So what happens is it is 481 00:22:43,480 --> 00:22:46,840 Speaker 1: lost dumb lost status. You just invented. You don't know 482 00:22:46,880 --> 00:22:49,680 Speaker 1: what it feels, it's true. Yeah, so we need the 483 00:22:49,760 --> 00:22:50,320 Speaker 1: dumb dot com. 484 00:22:50,560 --> 00:22:54,720 Speaker 2: You you see when they're saying the gate in the 485 00:22:54,720 --> 00:22:56,880 Speaker 2: gag that was you know the word you know, dominance 486 00:22:56,960 --> 00:22:58,520 Speaker 2: used in the in the gay world, Tommy. 487 00:23:00,160 --> 00:23:00,919 Speaker 1: Thrown around dominant. 488 00:23:00,960 --> 00:23:06,080 Speaker 2: Come on, no, So when so when that like that 489 00:23:06,280 --> 00:23:09,159 Speaker 2: dominance sort of like takes you, I start getting a 490 00:23:09,240 --> 00:23:09,920 Speaker 2: bit competitive. 491 00:23:11,800 --> 00:23:14,040 Speaker 1: I'm the one who's like, I've got to be the 492 00:23:14,080 --> 00:23:14,920 Speaker 1: one to connect here. 493 00:23:14,960 --> 00:23:15,879 Speaker 3: You need to control. 494 00:23:16,280 --> 00:23:16,320 Speaker 10: No. 495 00:23:17,359 --> 00:23:21,920 Speaker 2: I realized that, you know, ultimately can be counterproductive because 496 00:23:21,920 --> 00:23:23,639 Speaker 2: it means that the other person can't get through, and 497 00:23:23,680 --> 00:23:25,399 Speaker 2: then you never end up conting each other. 498 00:23:25,400 --> 00:23:27,120 Speaker 1: Unless I like to be the one who makes the call, 499 00:23:27,240 --> 00:23:28,879 Speaker 1: unless you're doing it with a person like me. 500 00:23:29,600 --> 00:23:30,919 Speaker 3: That's why you assumed. 501 00:23:30,960 --> 00:23:31,600 Speaker 1: I just assume. 502 00:23:31,840 --> 00:23:34,520 Speaker 3: I'm very happy to be sub there, and I'm also there. 503 00:23:34,720 --> 00:23:36,960 Speaker 5: There's a twofold effect here, like not only am I 504 00:23:37,480 --> 00:23:39,159 Speaker 5: the one being called, but I'm also like, you know 505 00:23:39,240 --> 00:23:41,400 Speaker 5: what if I don't get onto this person, that's totally fine. 506 00:23:41,720 --> 00:23:44,680 Speaker 3: Yeah, because I don't. I don't. I'm anti phone calls. 507 00:23:45,920 --> 00:23:48,520 Speaker 5: I'm never like actively got to get in there, get 508 00:23:48,520 --> 00:23:51,960 Speaker 5: in there, great voice machine, perfect aeroplane. 509 00:23:52,000 --> 00:23:52,679 Speaker 1: But you know that the. 510 00:23:54,200 --> 00:23:57,639 Speaker 3: Bus and it's like, well, I tried, tried, tried, we 511 00:23:57,720 --> 00:24:00,840 Speaker 3: missed it. Whereas you, Yeah, if you want something, I. 512 00:24:00,880 --> 00:24:02,280 Speaker 1: Want to connect, you want you want to I want 513 00:24:02,320 --> 00:24:02,960 Speaker 1: to make the connection. 514 00:24:03,080 --> 00:24:04,520 Speaker 5: And I think most people would know that about you, 515 00:24:04,560 --> 00:24:07,600 Speaker 5: and they'd know we both he'll call each other, he'll try, 516 00:24:08,080 --> 00:24:11,040 Speaker 5: he'll call me and let it ring a bit, you know, honestly, 517 00:24:11,160 --> 00:24:14,200 Speaker 5: the people the people on the other side who try 518 00:24:14,240 --> 00:24:15,639 Speaker 5: to get calls from you, I'll get calls from you. 519 00:24:15,760 --> 00:24:17,520 Speaker 3: We leave it three or four ring? Do you really 520 00:24:17,600 --> 00:24:19,000 Speaker 3: And I know how frustrated you're getting. 521 00:24:21,960 --> 00:24:24,760 Speaker 5: Well, But where it becomes hard, honestly, is if you 522 00:24:25,200 --> 00:24:27,960 Speaker 5: if you can't figure out the power structure in a relationships. 523 00:24:27,960 --> 00:24:29,560 Speaker 2: Okay, So this is this is the situation that I'm 524 00:24:29,600 --> 00:24:31,280 Speaker 2: talking about because a lot of people would hear me 525 00:24:31,520 --> 00:24:33,960 Speaker 2: when I'm saying there, hey, look, call more to get through, 526 00:24:34,280 --> 00:24:36,040 Speaker 2: and a lot of people be hearing that, going hey, 527 00:24:36,480 --> 00:24:38,240 Speaker 2: you just you're going to keep blocking each other. 528 00:24:38,480 --> 00:24:45,000 Speaker 5: But here, but here it is for all you submissive types, 529 00:24:45,119 --> 00:24:46,280 Speaker 5: the ones who don't try to call. 530 00:24:46,520 --> 00:24:50,960 Speaker 2: Yes, you if you're if you both decide not to call. There, 531 00:24:51,400 --> 00:24:53,239 Speaker 2: if you both rely on the fact that the other 532 00:24:53,320 --> 00:24:56,680 Speaker 2: person is going to call, you can end up in 533 00:24:56,720 --> 00:24:57,520 Speaker 2: a situation. 534 00:24:57,240 --> 00:24:58,280 Speaker 1: With neither of you calls. 535 00:24:58,560 --> 00:24:59,919 Speaker 3: So a Mexican standoff will. 536 00:25:00,080 --> 00:25:03,320 Speaker 2: Yeah, and then you're because I've never been in that situation, 537 00:25:03,400 --> 00:25:05,000 Speaker 2: And maybe this is a good question for you and 538 00:25:05,080 --> 00:25:07,359 Speaker 2: a question for everybody else. Yeah, if you trying to 539 00:25:07,359 --> 00:25:09,000 Speaker 2: get on, if you if you realize that you're trying 540 00:25:09,040 --> 00:25:10,440 Speaker 2: to get into someone as they're trying to get onto you, 541 00:25:10,920 --> 00:25:12,600 Speaker 2: do you keep calling or do you stop calling? 542 00:25:12,760 --> 00:25:15,080 Speaker 3: It really depends on what Why do I need to 543 00:25:15,160 --> 00:25:16,480 Speaker 3: get on? Why do I need to talk to this person? 544 00:25:16,760 --> 00:25:18,239 Speaker 1: Let's say you both need to talk to each other. 545 00:25:18,400 --> 00:25:20,200 Speaker 5: So if I really need to talk to the person 546 00:25:21,000 --> 00:25:23,760 Speaker 5: that that that will peel me out of my submissive nature. 547 00:25:23,880 --> 00:25:26,240 Speaker 3: Really, Yeah, I even leave it for five minutes. 548 00:25:26,680 --> 00:25:28,800 Speaker 1: I'd go five minutes is a long time. 549 00:25:28,920 --> 00:25:30,840 Speaker 5: There's a there's a headbut we were both trying to 550 00:25:30,880 --> 00:25:32,240 Speaker 5: call each other, and then I'm probably leaving. 551 00:25:32,240 --> 00:25:33,720 Speaker 3: I'm putting it down for five so. 552 00:25:33,800 --> 00:25:35,639 Speaker 1: You're not so it hasn't peeled you out of your 553 00:25:36,040 --> 00:25:38,840 Speaker 1: isn't it you? You still put it down for five minutes? 554 00:25:39,080 --> 00:25:39,560 Speaker 3: Five minutes? 555 00:25:41,000 --> 00:25:44,080 Speaker 2: What about you broken your leg? You're broken your leg. 556 00:25:44,520 --> 00:25:46,159 Speaker 2: You try to get someone, you clash, and you go. 557 00:25:46,960 --> 00:25:48,919 Speaker 2: I keep going despite the fact that I've broken my leg. 558 00:25:48,960 --> 00:25:50,240 Speaker 2: I'm going to put it down to the line because 559 00:25:50,240 --> 00:25:51,359 Speaker 2: they can't deal with the awkwardness. 560 00:25:51,440 --> 00:25:53,280 Speaker 5: No, no, I'd keep going, really, and that would be 561 00:25:53,320 --> 00:25:55,760 Speaker 5: a real real issue because I imagine anyone who knows 562 00:25:55,840 --> 00:25:56,840 Speaker 5: me knows I'm a submissive. 563 00:25:57,640 --> 00:25:58,600 Speaker 1: Yeah, And so it's. 564 00:25:58,440 --> 00:26:01,200 Speaker 2: About knowing the person, isn't it You know the persons 565 00:26:01,240 --> 00:26:03,159 Speaker 2: because like with me, you know I'm gonna call so 566 00:26:03,280 --> 00:26:06,960 Speaker 2: I can leave it right. Okay, let's ask some other people, 567 00:26:07,760 --> 00:26:09,320 Speaker 2: because it is a dilemma that I mentioned. 568 00:26:09,359 --> 00:26:10,320 Speaker 1: We've all found ourselves. 569 00:26:11,840 --> 00:26:13,680 Speaker 2: You're trying to get onto someone as they're trying to 570 00:26:13,720 --> 00:26:16,200 Speaker 2: get onto you. You keep blocking each other's calls. Sometimes 571 00:26:16,240 --> 00:26:17,800 Speaker 2: you block each other's two or three calls two or 572 00:26:17,840 --> 00:26:21,119 Speaker 2: three times. Do you call more to get through or 573 00:26:21,200 --> 00:26:22,840 Speaker 2: do you stop calling to let them through? 574 00:26:22,960 --> 00:26:24,760 Speaker 3: And at what number do you put it down? So 575 00:26:24,840 --> 00:26:26,920 Speaker 3: if your head butt four times? Is that your limit? 576 00:26:27,359 --> 00:26:28,360 Speaker 3: Or do you just keep going? 577 00:26:28,680 --> 00:26:30,760 Speaker 1: Told you get it gets competitive for me. I want 578 00:26:30,760 --> 00:26:31,600 Speaker 1: to be the one to make the call. 579 00:26:31,920 --> 00:26:34,680 Speaker 3: If you have ten head bunts, there's ten times you 580 00:26:34,760 --> 00:26:35,680 Speaker 3: have tried to dial someone. 581 00:26:35,840 --> 00:26:38,960 Speaker 1: Yep, you will still Yeah, I'm like, yield? 582 00:26:39,680 --> 00:26:40,159 Speaker 4: When will you? 583 00:26:40,280 --> 00:26:40,800 Speaker 7: When will you? 584 00:26:41,960 --> 00:26:45,200 Speaker 1: When will you yield? When we When were you surrendered 585 00:26:45,240 --> 00:26:46,000 Speaker 1: to the dom dot com? 586 00:26:46,280 --> 00:26:46,320 Speaker 9: Like? 587 00:26:46,400 --> 00:26:49,320 Speaker 1: When are you gonna You're just gonna? When are you 588 00:26:49,400 --> 00:26:52,080 Speaker 1: gonna let what's that to lay down your guns? 589 00:26:52,200 --> 00:26:52,240 Speaker 10: Like? 590 00:26:52,320 --> 00:26:55,880 Speaker 5: I just want them won't be so reckless? Yeah, I'll 591 00:26:55,920 --> 00:26:57,080 Speaker 5: been reckless in this situation. 592 00:26:57,200 --> 00:26:58,800 Speaker 1: Say down your phone. 593 00:26:59,040 --> 00:27:00,639 Speaker 2: That's what I want. That's what I want. I want, 594 00:27:00,640 --> 00:27:03,360 Speaker 2: I want the phone down. I want them to yield surrender. 595 00:27:03,400 --> 00:27:04,560 Speaker 3: Okay, let's go to Sarah here. 596 00:27:06,000 --> 00:27:08,879 Speaker 5: Sarah, First off, what do you think about what do 597 00:27:08,920 --> 00:27:10,520 Speaker 5: you think this says about Will the fact that he 598 00:27:10,600 --> 00:27:12,560 Speaker 5: feels like he needs to be the one to be 599 00:27:12,680 --> 00:27:14,240 Speaker 5: calling after a phone heeadbutt. 600 00:27:15,359 --> 00:27:17,680 Speaker 11: To be honest, I do exactly the same thing. 601 00:27:18,000 --> 00:27:19,240 Speaker 9: I do not surrender. 602 00:27:19,359 --> 00:27:21,760 Speaker 10: I ring until I get through Sarah. 603 00:27:21,800 --> 00:27:24,080 Speaker 5: Sarah, Sarah, So can we just let's just go through 604 00:27:24,119 --> 00:27:27,600 Speaker 5: the situation here? You've broken your leg Sarah you're calling. 605 00:27:27,720 --> 00:27:31,080 Speaker 5: Will you know that he also doesn't want to yield 606 00:27:31,160 --> 00:27:34,680 Speaker 5: out of this weird pride principle. Surely at that point 607 00:27:34,720 --> 00:27:36,920 Speaker 5: you've got a broken leg. Just put your phone now. 608 00:27:38,119 --> 00:27:40,600 Speaker 6: No, but then what if he does exactly the same thing. 609 00:27:41,119 --> 00:27:41,720 Speaker 4: That's what I say. 610 00:27:43,000 --> 00:27:46,560 Speaker 1: That's what I said, Sarah, That's what I said. And 611 00:27:47,240 --> 00:27:49,040 Speaker 1: you know we've got the classic submissive over here. 612 00:27:49,440 --> 00:27:52,000 Speaker 2: He's not thinking about that hypothetically, you've got a broken. 613 00:27:51,840 --> 00:27:52,840 Speaker 3: Leg, Just put it down. 614 00:27:52,880 --> 00:27:53,880 Speaker 1: You know what I do as well? 615 00:27:54,240 --> 00:27:55,920 Speaker 2: This is this is okay, this is what I do, Sarah, 616 00:27:55,960 --> 00:27:57,320 Speaker 2: And I'm sure you can empathize with this, and all 617 00:27:57,359 --> 00:27:59,119 Speaker 2: the other dom dot comes out there can get around there. 618 00:27:59,160 --> 00:28:00,000 Speaker 1: So you're in a headline. 619 00:28:00,200 --> 00:28:03,440 Speaker 2: You've buttered phone heads a number of times. What I'll 620 00:28:03,520 --> 00:28:07,080 Speaker 2: often do if I realized they're not going to yield, 621 00:28:07,440 --> 00:28:09,639 Speaker 2: I'll call someone else. So my phone line's busy, but 622 00:28:09,680 --> 00:28:11,840 Speaker 2: I've still got the wind elsewhere you pie, and then 623 00:28:11,880 --> 00:28:12,840 Speaker 2: they love. 624 00:28:12,760 --> 00:28:15,280 Speaker 1: It get through. 625 00:28:17,960 --> 00:28:19,920 Speaker 2: Because then you then you're off. Then you're on for 626 00:28:20,040 --> 00:28:21,919 Speaker 2: ten minutes, and then you call them. Sorry I had 627 00:28:21,960 --> 00:28:25,600 Speaker 2: to call someone else. Yeah, of course someone else, Kathy. 628 00:28:27,560 --> 00:28:29,520 Speaker 1: Guys, what are you doing? 629 00:28:29,680 --> 00:28:31,480 Speaker 3: Phone Headbut what do you do. 630 00:28:31,640 --> 00:28:33,600 Speaker 7: I normally ring a few times and I will do 631 00:28:33,680 --> 00:28:35,480 Speaker 7: it two times and it keeps on going. 632 00:28:35,400 --> 00:28:37,440 Speaker 3: And I just stop on my Yeah, so you go, 633 00:28:37,520 --> 00:28:38,600 Speaker 3: what's your number? What's your number? 634 00:28:38,680 --> 00:28:40,200 Speaker 1: Kathy zero? 635 00:28:40,720 --> 00:28:41,320 Speaker 2: I'm not doing that. 636 00:28:41,760 --> 00:28:48,800 Speaker 5: No, not your phone number. Phone heads need to happen 637 00:28:48,880 --> 00:28:52,680 Speaker 5: before you put it down. But yeah, so you're a 638 00:28:52,680 --> 00:28:54,560 Speaker 5: pretty early submissive. Welcome to my family. 639 00:28:54,720 --> 00:28:58,440 Speaker 2: Surely if you know that, like Kathy, you're a submissive, 640 00:28:58,480 --> 00:29:02,840 Speaker 2: you're a submissive, right, yeah, and sorry, we are just 641 00:29:02,920 --> 00:29:03,600 Speaker 2: talking phone. 642 00:29:04,320 --> 00:29:07,760 Speaker 4: We are just they want to waste their credit, and 643 00:29:07,800 --> 00:29:08,600 Speaker 4: I will just wait. 644 00:29:08,680 --> 00:29:14,160 Speaker 2: And surely if you're on phone credit, then surely you 645 00:29:14,280 --> 00:29:17,480 Speaker 2: just called a hotline mate, you're about to get fleeced. Surely, 646 00:29:17,880 --> 00:29:19,920 Speaker 2: surely if you if you're in a head butt situation 647 00:29:20,000 --> 00:29:21,880 Speaker 2: and you're a submissive, you get one head butt and 648 00:29:21,960 --> 00:29:23,560 Speaker 2: you go, oh, they're trying to get onto me, and 649 00:29:23,680 --> 00:29:25,480 Speaker 2: you stop calling off one surely. 650 00:29:25,960 --> 00:29:26,120 Speaker 10: Yeah. 651 00:29:26,160 --> 00:29:28,400 Speaker 7: But control freak as well, So I still like to 652 00:29:28,480 --> 00:29:30,320 Speaker 7: give it a go, and then I'll give it up. 653 00:29:30,600 --> 00:29:33,000 Speaker 5: Hell, what a cocktail a control freak that is a submissive. 654 00:29:33,000 --> 00:29:34,040 Speaker 5: I don't know how you manage that. 655 00:29:34,720 --> 00:29:35,000 Speaker 2: I like that. 656 00:29:35,040 --> 00:29:37,440 Speaker 1: So Kathy is the kind of person, you know, you 657 00:29:37,520 --> 00:29:39,280 Speaker 1: know what, you know what you're talking about as the 658 00:29:39,360 --> 00:29:41,920 Speaker 1: dom dot com. I love a person like Kathy because 659 00:29:41,920 --> 00:29:44,040 Speaker 1: they give a little bit of fight. They just a 660 00:29:44,080 --> 00:29:44,480 Speaker 1: little bit, but. 661 00:29:44,520 --> 00:29:46,400 Speaker 2: Then eventually they yield and then it's a bit more 662 00:29:46,440 --> 00:29:47,680 Speaker 2: pleasure and they throw down their guns. 663 00:29:48,240 --> 00:29:54,480 Speaker 1: Tell me they yield, they been the knee. 664 00:29:55,040 --> 00:29:56,000 Speaker 3: It's a more pleasurable win. 665 00:29:56,120 --> 00:29:59,200 Speaker 1: I almost like sigh when they when they finally answer. 666 00:29:59,320 --> 00:30:00,400 Speaker 1: You can hear it in my voice. 667 00:30:00,800 --> 00:30:07,480 Speaker 3: I'm like, Selene, what do you do? Selene? 668 00:30:08,920 --> 00:30:11,560 Speaker 1: Will Helene, we're not learning. 669 00:30:12,480 --> 00:30:14,560 Speaker 7: This is actually something that my brother and I do, 670 00:30:14,960 --> 00:30:18,680 Speaker 7: so we'll continually blow each other's phones up until. 671 00:30:18,480 --> 00:30:21,800 Speaker 3: One of us gets through blowing your brother. 672 00:30:24,640 --> 00:30:33,600 Speaker 1: Come on now, on, no one, no one. I'm so 673 00:30:33,880 --> 00:30:35,120 Speaker 1: sorry Selene. 674 00:30:37,480 --> 00:30:38,400 Speaker 11: For submissive. 675 00:30:38,480 --> 00:30:43,720 Speaker 1: That was a pretty He's getting your taste in the 676 00:30:43,800 --> 00:30:44,520 Speaker 1: dumb dot com? 677 00:30:44,640 --> 00:30:46,600 Speaker 3: Isn't he just trying it out. I'm just trying to 678 00:30:46,720 --> 00:30:47,400 Speaker 3: just trying it out. 679 00:30:48,240 --> 00:30:50,960 Speaker 1: Hey, good on your Selene. Thanks for the call. No worry, 680 00:30:57,160 --> 00:30:59,920 Speaker 1: Holly Bennett, she's in the studio. She was the move. 681 00:31:00,000 --> 00:31:04,280 Speaker 2: I've been choreographer for Austin Butler in Elvis, more recently 682 00:31:04,440 --> 00:31:06,840 Speaker 2: for Saltburn and that famous dancer. 683 00:31:06,880 --> 00:31:07,880 Speaker 1: Then at the end. 684 00:31:07,960 --> 00:31:11,520 Speaker 2: But then, of course Rami Malek as Freddie Mercury in 685 00:31:11,640 --> 00:31:13,920 Speaker 2: Bahamian Rhapsody for wid You on the Oscar Polly, What 686 00:31:14,120 --> 00:31:14,600 Speaker 2: was that like? 687 00:31:15,240 --> 00:31:17,520 Speaker 12: That was like my first I did a bit of 688 00:31:17,600 --> 00:31:21,320 Speaker 12: work on Stan and Ollie, which was a really great 689 00:31:21,400 --> 00:31:24,520 Speaker 12: film about Lauren and Hard and I was the assistant 690 00:31:24,760 --> 00:31:28,400 Speaker 12: choreographer on that. And so out of that experience, one 691 00:31:28,560 --> 00:31:31,840 Speaker 12: producer said to another, there's this there's this tiny girl 692 00:31:32,120 --> 00:31:35,160 Speaker 12: that's doing magical things. Because I was only you know, 693 00:31:35,320 --> 00:31:36,520 Speaker 12: twenty five. 694 00:31:36,800 --> 00:31:37,040 Speaker 2: Wow. 695 00:31:38,240 --> 00:31:41,360 Speaker 12: So then I, you know, suddenly was in an interview 696 00:31:41,480 --> 00:31:44,960 Speaker 12: with Ramy and two producers and I was like, oh 697 00:31:45,040 --> 00:31:47,840 Speaker 12: my god, I've got no idea but the thing that 698 00:31:48,800 --> 00:31:52,240 Speaker 12: but I do because I'm really curious about how people move, 699 00:31:52,400 --> 00:31:55,880 Speaker 12: what makes them move. And so sitting with Rami and 700 00:31:55,920 --> 00:31:57,080 Speaker 12: he was going, I don't know how to do this 701 00:31:57,160 --> 00:32:01,080 Speaker 12: because he's such a great showman. I'm going, what makes 702 00:32:01,120 --> 00:32:01,880 Speaker 12: the showman good? 703 00:32:03,080 --> 00:32:03,200 Speaker 2: You know? 704 00:32:03,640 --> 00:32:06,240 Speaker 12: You know, Oh, he's really charming. Okay, well, what is charm? 705 00:32:06,480 --> 00:32:09,680 Speaker 12: Charm is that it is the action of gesturing out, 706 00:32:09,760 --> 00:32:12,000 Speaker 12: bringing people in. How do you do that? And how 707 00:32:12,080 --> 00:32:14,360 Speaker 12: do you do that? On stage? He was a boxer, 708 00:32:14,680 --> 00:32:17,880 Speaker 12: So the minute that Ramy and I started boxing. Suddenly 709 00:32:18,560 --> 00:32:21,880 Speaker 12: you get all those power punches because he's he's doing 710 00:32:21,960 --> 00:32:24,680 Speaker 12: what's in his body in the same way that you know, 711 00:32:24,840 --> 00:32:27,360 Speaker 12: I still stand in first position quite a lot, even 712 00:32:27,400 --> 00:32:29,440 Speaker 12: though I haven't done ballet for about fifteen years, but 713 00:32:29,600 --> 00:32:32,240 Speaker 12: still it's still in my body. Again. It was like 714 00:32:32,320 --> 00:32:36,160 Speaker 12: the start of me understanding what makes people move, and 715 00:32:36,720 --> 00:32:37,760 Speaker 12: then that led to the Crown. 716 00:32:37,840 --> 00:32:42,320 Speaker 5: And so when you're working with Rahmi before filming starts 717 00:32:42,400 --> 00:32:45,240 Speaker 5: or whatever, how long are you with him to turn 718 00:32:45,320 --> 00:32:47,320 Speaker 5: him into free I was with. 719 00:32:47,520 --> 00:32:49,560 Speaker 12: Him on and off because he was still filming Mister 720 00:32:49,720 --> 00:32:50,680 Speaker 12: Robot in New Oh. 721 00:32:51,000 --> 00:32:51,200 Speaker 1: Yeah. 722 00:32:51,400 --> 00:32:54,680 Speaker 12: So I was flown to New York and just sort 723 00:32:54,720 --> 00:32:58,080 Speaker 12: of waited for him to finish filming most days, and 724 00:32:58,160 --> 00:33:00,760 Speaker 12: then sort of attacked him in a you know, in 725 00:33:00,840 --> 00:33:04,560 Speaker 12: a dance studio after he was like exhausted you from 726 00:33:04,720 --> 00:33:06,360 Speaker 12: playing Elliot all day, and I was like, now we've 727 00:33:06,360 --> 00:33:09,240 Speaker 12: got to get big, you know. So I worked with 728 00:33:09,320 --> 00:33:10,800 Speaker 12: him on that, and then he came to London and 729 00:33:11,360 --> 00:33:13,480 Speaker 12: so I was with him all in all for about 730 00:33:13,640 --> 00:33:17,840 Speaker 12: five six months, right, and because also you know the 731 00:33:17,920 --> 00:33:20,840 Speaker 12: same with Elvis, we had to chart his movements, like 732 00:33:20,920 --> 00:33:23,480 Speaker 12: the next question across his whole career. 733 00:33:23,280 --> 00:33:25,520 Speaker 2: And there's two IIoT and you've got two of the 734 00:33:25,720 --> 00:33:29,920 Speaker 2: most iconic movers in history. 735 00:33:30,440 --> 00:33:33,640 Speaker 1: Like the Elvis thing. How much how much? How much 736 00:33:33,680 --> 00:33:34,840 Speaker 1: Elvis tape are you watching? 737 00:33:35,320 --> 00:33:38,959 Speaker 12: I'd say most of those YouTube watches are me, oh god, 738 00:33:39,520 --> 00:33:42,120 Speaker 12: I mean like that because that again, that was forty 739 00:33:42,200 --> 00:33:42,680 Speaker 12: years of his. 740 00:33:42,760 --> 00:33:46,800 Speaker 1: Life, right, and obviously he changes so much over time, and. 741 00:33:46,920 --> 00:33:49,880 Speaker 12: His influence has changed. And what's in his body for 742 00:33:50,080 --> 00:33:53,520 Speaker 12: free changes. You know, he starts doing karate and like wow, 743 00:33:53,760 --> 00:33:56,800 Speaker 12: nineteen six O my god, So then his karate moves 744 00:33:56,840 --> 00:33:58,560 Speaker 12: coming in you're trying to work out, so getting that 745 00:33:58,720 --> 00:34:01,080 Speaker 12: all in Austin's body. So that also, there's so many 746 00:34:01,120 --> 00:34:03,320 Speaker 12: performances in Elvis that we don't have footage of, so 747 00:34:03,400 --> 00:34:06,200 Speaker 12: we have to make them. So the one the Russwood 748 00:34:06,200 --> 00:34:09,279 Speaker 12: footage raised in black and white, like you know, gets 749 00:34:11,440 --> 00:34:14,600 Speaker 12: his master's voice dog and like is moving around on stage. 750 00:34:15,120 --> 00:34:18,080 Speaker 12: That's all created by me and Austin because we looked 751 00:34:18,120 --> 00:34:19,959 Speaker 12: at all the photographs that we have at that event 752 00:34:20,040 --> 00:34:23,560 Speaker 12: and then he sit together to try and work out 753 00:34:23,640 --> 00:34:26,920 Speaker 12: what happened in between, as well as charting what movements 754 00:34:26,960 --> 00:34:29,520 Speaker 12: we would have already seen in different performances in the film. 755 00:34:30,080 --> 00:34:33,040 Speaker 12: So we put the sidewinder way, you know, moves his 756 00:34:33,200 --> 00:34:35,680 Speaker 12: arm like that and shuffles across the stage. Put that 757 00:34:35,719 --> 00:34:37,200 Speaker 12: there because we hadn't seen it anywhere else. 758 00:34:38,080 --> 00:34:40,400 Speaker 2: So we're having to like make a moment in history, 759 00:34:41,480 --> 00:34:43,440 Speaker 2: created a moment history question just on Saltburn. 760 00:34:43,560 --> 00:34:46,040 Speaker 5: I saw Jacob Alordie in an interview and he was 761 00:34:46,080 --> 00:34:48,520 Speaker 5: saying that while he was filming Saltburn, he was going 762 00:34:48,600 --> 00:34:51,040 Speaker 5: back to his trailer or going back to an area, 763 00:34:51,120 --> 00:34:54,840 Speaker 5: and then working on figuring out playing Elvis to be 764 00:34:54,920 --> 00:34:56,919 Speaker 5: in the new film Priscilla, which I think is out 765 00:34:57,080 --> 00:34:58,400 Speaker 5: or coming out very very shortly. 766 00:34:59,640 --> 00:35:00,759 Speaker 3: Did you work with him? 767 00:35:00,960 --> 00:35:03,759 Speaker 12: No, he he I didn't know he was going to 768 00:35:03,840 --> 00:35:06,239 Speaker 12: do that, and then you know, suddenly some you know, 769 00:35:06,320 --> 00:35:09,520 Speaker 12: he was like, so what did you do? And I 770 00:35:09,640 --> 00:35:11,960 Speaker 12: was like, what are you asking? Someone was like, oh, 771 00:35:12,000 --> 00:35:13,800 Speaker 12: you know, he's paying Elvis, and I was like, ah, 772 00:35:14,440 --> 00:35:17,320 Speaker 12: and I've known this because other actors had been auditioning 773 00:35:17,360 --> 00:35:19,640 Speaker 12: for other parts and had asked for help and stuff 774 00:35:19,680 --> 00:35:21,960 Speaker 12: with their auditions. But no, I didn't. I didn't work 775 00:35:22,000 --> 00:35:24,320 Speaker 12: with him, And to be honest, it's it's nothing to 776 00:35:24,440 --> 00:35:26,960 Speaker 12: do with him. I've just lived Elvis for so long. 777 00:35:27,640 --> 00:35:32,160 Speaker 12: I was like, I'm cool, maybe I'll judge in Elvis 778 00:35:32,200 --> 00:35:33,120 Speaker 12: competition in the. 779 00:35:34,600 --> 00:35:36,560 Speaker 2: I just don't really. 780 00:35:36,440 --> 00:35:37,160 Speaker 12: Want to sit here. 781 00:35:38,880 --> 00:35:41,680 Speaker 5: Yeah, and Polie, so you went to the Oscars with Ramy. 782 00:35:42,000 --> 00:35:44,880 Speaker 5: I've been told that something happened on this night at 783 00:35:44,920 --> 00:35:45,720 Speaker 5: the Oscars, which. 784 00:35:45,600 --> 00:35:46,160 Speaker 3: You need to tell me. 785 00:35:46,320 --> 00:35:48,280 Speaker 12: That is mad, isn't it? That I went to the Oscars. 786 00:35:48,320 --> 00:35:51,400 Speaker 12: It was so weird because you know, as the Humble 787 00:35:51,480 --> 00:35:53,479 Speaker 12: Movement Coach, which is on the credits of the film, 788 00:35:53,560 --> 00:35:55,880 Speaker 12: you know, sort of underneath the you know, the chefs 789 00:35:55,920 --> 00:36:00,800 Speaker 12: and the I was like, okay, so yeah, and I 790 00:36:01,239 --> 00:36:04,360 Speaker 12: was there, and obviously Ramy wins, so yeah, I'm like 791 00:36:04,440 --> 00:36:06,200 Speaker 12: proud not in the Oscars. 792 00:36:06,239 --> 00:36:09,160 Speaker 2: It's the Oscars where the actor you've been working with 793 00:36:09,400 --> 00:36:10,080 Speaker 2: winds best. 794 00:36:11,000 --> 00:36:12,480 Speaker 1: You know, that's that's phenomenal. 795 00:36:12,600 --> 00:36:16,120 Speaker 12: It's insane. And so yes, I was sitting with Ramy's 796 00:36:16,200 --> 00:36:19,759 Speaker 12: mum and we were both like, oh my god. It 797 00:36:19,880 --> 00:36:22,279 Speaker 12: was just so intense. And then you know, it's an 798 00:36:22,320 --> 00:36:25,320 Speaker 12: absolute countle market the Oscars because everyone's trying to go 799 00:36:25,360 --> 00:36:27,960 Speaker 12: to parties and there's all these different events to go 800 00:36:28,080 --> 00:36:30,160 Speaker 12: to and whatever. I was just happy to be there 801 00:36:30,200 --> 00:36:32,520 Speaker 12: and just along for the right which takes me to 802 00:36:33,200 --> 00:36:34,240 Speaker 12: Madonna's house. 803 00:36:34,920 --> 00:36:36,560 Speaker 1: And shut up. 804 00:36:36,920 --> 00:36:39,879 Speaker 12: It was just like, yeah, I don't know because even 805 00:36:39,960 --> 00:36:42,480 Speaker 12: I was sort of walking and being like what you know, 806 00:36:42,560 --> 00:36:45,040 Speaker 12: when you like underage and you got into a club that. 807 00:36:46,640 --> 00:36:49,440 Speaker 1: That was the Vibe Hose, Like who was there? 808 00:36:50,120 --> 00:36:53,800 Speaker 12: We like went in and you know, celeb celeb celeb celeb, 809 00:36:53,800 --> 00:36:56,880 Speaker 12: and they've all got out of their mad outfits, but 810 00:36:57,239 --> 00:37:00,239 Speaker 12: well they're not. They're still like my equivalent of dressing up, 811 00:37:00,520 --> 00:37:04,400 Speaker 12: but you know what I mean, and looked amazing, and 812 00:37:04,520 --> 00:37:07,000 Speaker 12: I was sort of like, you know, bumbling around. And 813 00:37:07,080 --> 00:37:10,960 Speaker 12: I'd made friends with Lady Gargar's dad because she she 814 00:37:11,080 --> 00:37:17,560 Speaker 12: had been nominated forting up the parents here. You know, 815 00:37:17,719 --> 00:37:19,960 Speaker 12: but that this is a tip. So if you go 816 00:37:20,080 --> 00:37:22,400 Speaker 12: to these events, everyone's always got a kind of like 817 00:37:22,640 --> 00:37:27,000 Speaker 12: humble person that they're with. J Lo's friend from school, 818 00:37:27,560 --> 00:37:28,560 Speaker 12: Lady's dad. 819 00:37:28,920 --> 00:37:29,520 Speaker 4: I was in there. 820 00:37:30,360 --> 00:37:33,880 Speaker 1: Yeah, it's really because then around you. 821 00:37:34,600 --> 00:37:35,000 Speaker 4: Well. 822 00:37:36,760 --> 00:37:39,520 Speaker 12: They're nice people. I was having a nice time. They're 823 00:37:39,520 --> 00:37:42,680 Speaker 12: also the ones that aren't being spoken to normal. Yeah, 824 00:37:43,640 --> 00:37:46,600 Speaker 12: it as normal. Chat as possible with lady's dad and 825 00:37:46,719 --> 00:37:48,879 Speaker 12: he was very very nice. Did you talk to lady 826 00:37:50,320 --> 00:37:52,640 Speaker 12: No memory of you know, it's a whole different podcast. 827 00:37:52,719 --> 00:37:54,800 Speaker 1: So did you talk to lady as a result? Was 828 00:37:54,880 --> 00:37:56,759 Speaker 1: he like, oh, by the way, you know what I think? 829 00:37:56,800 --> 00:38:01,360 Speaker 12: I curtsied to make yeah, you know, overwhelmed. Yeah, so 830 00:38:01,440 --> 00:38:03,360 Speaker 12: I gave her a lot of affection. And then and 831 00:38:03,520 --> 00:38:07,359 Speaker 12: Madonna had like lots of dances around her and the house. Yeah, 832 00:38:07,760 --> 00:38:09,480 Speaker 12: And so they would like move around her and like 833 00:38:09,600 --> 00:38:10,480 Speaker 12: poets and stuff. 834 00:38:10,880 --> 00:38:15,960 Speaker 3: And I was like, where she went, she had dances 835 00:38:16,040 --> 00:38:16,759 Speaker 3: surrounding it. 836 00:38:18,040 --> 00:38:20,560 Speaker 12: It was so cool that you would though, wouldn't you 837 00:38:21,560 --> 00:38:22,359 Speaker 12: absolutely would? 838 00:38:23,360 --> 00:38:23,560 Speaker 6: Yeah. 839 00:38:23,719 --> 00:38:25,759 Speaker 12: And then we had to put little slippers on so 840 00:38:26,000 --> 00:38:32,880 Speaker 12: to not ruin the floors. And we put little slippers on, 841 00:38:33,360 --> 00:38:35,319 Speaker 12: and then fast forward to the end of the night 842 00:38:35,360 --> 00:38:37,319 Speaker 12: where me and Ramire and the Matt Donald's and I'm 843 00:38:37,360 --> 00:38:39,160 Speaker 12: holding his oscar and I've got little slippers. 844 00:38:42,160 --> 00:38:42,319 Speaker 2: Wo. 845 00:38:44,080 --> 00:38:47,000 Speaker 1: We could talk to you so much. Good stuff. But 846 00:38:47,160 --> 00:38:51,959 Speaker 1: thanks for coming in. No thanks again? Here on will 847 00:38:52,280 --> 00:38:54,520 Speaker 1: and what he met. 848 00:38:54,400 --> 00:38:57,520 Speaker 10: You j. 849 00:39:02,920 --> 00:39:06,920 Speaker 2: We're talking people that your parents love to brag they 850 00:39:07,000 --> 00:39:07,520 Speaker 2: hooked up with. 851 00:39:08,080 --> 00:39:09,520 Speaker 3: Yeah, going for the well known ones. 852 00:39:09,880 --> 00:39:13,120 Speaker 1: Obviously they haven't all been well known, That's true. 853 00:39:13,239 --> 00:39:13,560 Speaker 3: We did. 854 00:39:14,000 --> 00:39:15,239 Speaker 1: We had a test front of this on there the 855 00:39:15,280 --> 00:39:16,640 Speaker 1: other day. There is a little bit of searching. 856 00:39:17,080 --> 00:39:19,000 Speaker 2: But some of them, some of them because your your 857 00:39:19,080 --> 00:39:21,120 Speaker 2: mom my mum both bragging about someone that neither. 858 00:39:20,920 --> 00:39:21,640 Speaker 1: Of us know who they are. 859 00:39:21,640 --> 00:39:25,120 Speaker 2: But it's just the opportunity, of course to point out 860 00:39:25,200 --> 00:39:28,120 Speaker 2: that they you know, they once were a single pringle 861 00:39:28,239 --> 00:39:29,240 Speaker 2: and they were out and about. 862 00:39:29,320 --> 00:39:30,480 Speaker 1: That's all it's all about. 863 00:39:30,920 --> 00:39:33,839 Speaker 5: Have a listen to some of these sky your your 864 00:39:33,920 --> 00:39:37,720 Speaker 5: mum used to date someone well known? Yeah, road strike 865 00:39:37,840 --> 00:39:38,960 Speaker 5: it for a minute, work. 866 00:39:41,440 --> 00:39:43,320 Speaker 3: Right, Your mum's got a few simon. 867 00:39:44,360 --> 00:39:47,600 Speaker 7: Yeah, so she used to hook up with Mike's the dentist, 868 00:39:47,800 --> 00:39:52,239 Speaker 7: the guide that they couldn't show his face, and the 869 00:39:52,360 --> 00:39:55,600 Speaker 7: other one with the Mulborough man who rode off onto 870 00:39:56,520 --> 00:39:59,239 Speaker 7: on a horse steam hooked up with. 871 00:39:59,320 --> 00:40:00,200 Speaker 1: The Mulborough man. 872 00:40:00,640 --> 00:40:00,839 Speaker 4: Yeah. 873 00:40:00,920 --> 00:40:03,360 Speaker 5: So again at the moment, I think Marlborough Man is 874 00:40:03,400 --> 00:40:06,120 Speaker 5: in the league. But let's go to Cheryl here on 875 00:40:06,239 --> 00:40:09,040 Speaker 5: thirty one O sixty five. Cheryl, So you're you're the 876 00:40:09,120 --> 00:40:11,960 Speaker 5: mum here, Cheryl who used to date someone quite well known, 877 00:40:12,920 --> 00:40:13,839 Speaker 5: be very well known. 878 00:40:14,000 --> 00:40:15,320 Speaker 1: Yes, who's Cheryl? 879 00:40:16,280 --> 00:40:16,920 Speaker 4: Keith David? 880 00:40:17,520 --> 00:40:20,240 Speaker 1: Again, that who's Keith David? 881 00:40:20,400 --> 00:40:23,720 Speaker 4: He was on something about Mary. He was Mary's step dad. 882 00:40:24,320 --> 00:40:28,120 Speaker 1: Keith David, and he was the colonel in Armageddon. 883 00:40:29,080 --> 00:40:31,799 Speaker 4: He was in the Tiger Woods movie as. 884 00:40:31,800 --> 00:40:33,719 Speaker 8: Tiger as and. 885 00:40:35,360 --> 00:40:37,360 Speaker 1: Okay, all right, well look we'll take your word for it. 886 00:40:37,440 --> 00:40:38,560 Speaker 1: I mean, there's all. 887 00:40:40,080 --> 00:40:42,240 Speaker 3: How long did you see Keith David for Cheryl? 888 00:40:43,880 --> 00:40:44,560 Speaker 2: He's that guy? 889 00:40:44,800 --> 00:40:48,080 Speaker 1: He's that guy? You know who this guy is, as. 890 00:40:49,239 --> 00:40:51,400 Speaker 3: You know exactly who he is and he long did 891 00:40:51,440 --> 00:40:52,400 Speaker 3: you see him for Cheryl? 892 00:40:53,200 --> 00:40:53,839 Speaker 10: For three months? 893 00:40:53,880 --> 00:40:55,440 Speaker 4: While he was forming on the Gold Coast? 894 00:40:55,800 --> 00:40:56,080 Speaker 6: Wow? 895 00:40:56,160 --> 00:40:57,040 Speaker 1: Wow? Just had a bit. 896 00:40:57,160 --> 00:40:57,359 Speaker 4: Wow. 897 00:40:57,560 --> 00:40:59,120 Speaker 5: So was there was there potential for it to be 898 00:40:59,239 --> 00:41:01,440 Speaker 5: more or did you both go into it knowing that 899 00:41:01,480 --> 00:41:03,080 Speaker 5: you here for three months unless you just have some fun? 900 00:41:03,600 --> 00:41:05,480 Speaker 7: Yeah, it was probably more of that. 901 00:41:06,040 --> 00:41:07,719 Speaker 6: Yeah, it's probably on my side. 902 00:41:07,840 --> 00:41:11,719 Speaker 7: Yeah, but you know, you never know, do you. I'm 903 00:41:11,880 --> 00:41:14,160 Speaker 7: still in contact Facebook. 904 00:41:14,800 --> 00:41:17,200 Speaker 3: And could there be something there Cheryl A little rekindling. 905 00:41:17,480 --> 00:41:20,719 Speaker 7: No, no, no, he's he's now married with two grown 906 00:41:20,800 --> 00:41:24,080 Speaker 7: up children. So but yeah, good find. 907 00:41:25,160 --> 00:41:26,759 Speaker 1: At the time though, Cheryl Older. 908 00:41:26,520 --> 00:41:28,960 Speaker 7: Thought hilarious, he's hilarious. 909 00:41:29,000 --> 00:41:29,880 Speaker 1: Oh he's a funny man. 910 00:41:30,000 --> 00:41:30,800 Speaker 3: Is he brilliant? 911 00:41:30,880 --> 00:41:31,200 Speaker 12: Cheryl? 912 00:41:32,000 --> 00:41:33,480 Speaker 3: Thanks for the call. Let's go to Justine. 913 00:41:33,520 --> 00:41:36,759 Speaker 5: Now, Justine, now you're dobbing and your mom, your mum 914 00:41:36,880 --> 00:41:39,000 Speaker 5: used to date someone who was well known who is 915 00:41:39,080 --> 00:41:39,440 Speaker 5: well known. 916 00:41:39,640 --> 00:41:43,960 Speaker 4: She didn't date him boys, but she worked at the 917 00:41:44,320 --> 00:41:47,120 Speaker 4: US Embassy in London back in the day, so she 918 00:41:47,239 --> 00:41:51,080 Speaker 4: had quite a few celebrities coming through, and one day 919 00:41:51,239 --> 00:41:55,080 Speaker 4: she had Neil Armstrong come through to try and ask 920 00:41:55,160 --> 00:41:57,080 Speaker 4: her out to dinner by showing her a piece of 921 00:41:57,200 --> 00:41:57,560 Speaker 4: the mood. 922 00:41:58,200 --> 00:42:02,799 Speaker 2: Oh wow, and I assume that's not showing Airy's hours. 923 00:42:04,320 --> 00:42:04,600 Speaker 9: Was not. 924 00:42:06,280 --> 00:42:09,480 Speaker 1: A little for the man who's been up there. 925 00:42:10,120 --> 00:42:11,160 Speaker 9: Do you like some of this? 926 00:42:14,760 --> 00:42:18,040 Speaker 1: Yeah, oh wow, that's amazing. Thanks, just dain a good 927 00:42:18,120 --> 00:42:19,320 Speaker 1: one mine. I appreciate it.