WEBVTT - We May Soon Be Able To Free The Nip 🤳

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<v Speaker 1>The Flex and Rooms Daily podcast, brought to you by Cana.

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<v Speaker 2>It seems as though Meta, Facebook, Instagram want their name

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<v Speaker 2>to remain in the press.

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<v Speaker 1>Not too long.

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<v Speaker 2>Ago, it was yep, yep, yep, yep, yep, yeah, because

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<v Speaker 2>they had that really wild layoff. Think it was like

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<v Speaker 2>thirteen thousand employees, just like before Christmas in terrible timing.

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<v Speaker 1>But who has worse timing? Google?

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<v Speaker 2>I think just laid off like eleven thousand employees right

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<v Speaker 2>into the new year.

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<v Speaker 1>Again again, what are we doing?

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<v Speaker 3>What are we doing?

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<v Speaker 2>A happy Christmas news period? Yeah, but what is job

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<v Speaker 2>security in twenty twenty three? It's not there. Back to

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<v Speaker 2>the point though, basically something happened at Meta where the

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<v Speaker 2>board at Meta is asking Instagram and Facebook to consider

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<v Speaker 2>taking away the rule that says you can't.

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<v Speaker 1>Show nips off, which.

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<v Speaker 2>Is fantastic, And this is just information at this time

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<v Speaker 2>of recording. At this point, it's still in limbo. It's

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<v Speaker 2>a conversation and Meta has sixty days to respond to

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<v Speaker 2>the board and then we know if we can bear

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<v Speaker 2>our nips freely. So watch this space. But what I

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<v Speaker 2>will say, and what I'm getting bored of is.

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<v Speaker 1>Like these.

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<v Speaker 2>Objectively tiny leaps for humankind being just like blown out

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<v Speaker 2>of proportion because I'm feeling like babes of all the

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<v Speaker 2>things you let slide on Facebook and Instagram, I've seen

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<v Speaker 2>some real cook stuff, like stuff that is scarring me

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<v Speaker 2>to this day.

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<v Speaker 1>You're letting a little nip be the hill you die on.

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<v Speaker 2>It's so boring to me, it's so played out, And

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<v Speaker 2>it also makes me reconsider, not even reconsider, but it

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<v Speaker 2>makes me way more cynical about like corporate responsibility because

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<v Speaker 2>like it's all the things that are really great for

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<v Speaker 2>pr Like remember when Instagram was like we're taking away likes,

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<v Speaker 2>your mental health, your layers, in your layers, I can

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<v Speaker 2>still see them, and I believe that you believe that.

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<v Speaker 2>You know, I believe that you believe that. But then

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<v Speaker 2>like just be a corporation with your chest my other

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<v Speaker 2>gripe and we'll get into it on the podcast is

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<v Speaker 2>you know. I think that like the conversation about like

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<v Speaker 2>free the nip not free the nip is just so

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<v Speaker 2>twenty ten feminism, and like I want to be having

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<v Speaker 2>more complex conversations or at least like if we're going

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<v Speaker 2>to put our brains towards making change, let's make it

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<v Speaker 2>count in a big way, because I promise you, I

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<v Speaker 2>promise you that there are women who still aren't allowed

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<v Speaker 2>to vote, still aren't allowed to own homes, still aren't

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<v Speaker 2>allowed to decide for themselves what their body autonomy is.

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<v Speaker 2>And then here we're stuck in this redundant conversation about

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<v Speaker 2>whether or not you can show a nip on Instagram.

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<v Speaker 2>You don't even want to use Instagram like that. Just

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<v Speaker 2>yesterday you're like, I'm sick of this ap my mental health,

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<v Speaker 2>and now today you don't even want to be here.

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<v Speaker 4>All right, So ridden me this, when, if and when

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<v Speaker 4>Facebook freeze the nip, will you get nips out?

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<v Speaker 3>No?

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<v Speaker 2>I don't have Like getting my nips out is not

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<v Speaker 2>a matter of like whether or not Facebook is going

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<v Speaker 2>to penalize me about it or not. Right, Like, I

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<v Speaker 2>don't feel that strongly pulled to it either way. In

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<v Speaker 2>the same way, when Facebook released captions, people who didn't

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<v Speaker 2>have to monetize themselves on Instagram weren't moved. Of course,

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<v Speaker 2>people disabled people were like, this is fantastic because we

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<v Speaker 2>love accessibility, But it was such a small part of

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<v Speaker 2>the conversation. It was definitely a tool to meet people

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<v Speaker 2>who sell stuff have an easy time selling stuff, right.

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<v Speaker 2>How Yeah, So when captions came out, they framed it

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<v Speaker 2>as accessibility, right, so I thought it was great. However,

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<v Speaker 2>the captions weren't accessible. They weren't decoding people's language properly.

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<v Speaker 2>You still had to type to edit them. It wasn't

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<v Speaker 2>the most advanced formula, come to find out. At the

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<v Speaker 2>same time Instagram was uploading. So Instagram was introducing all

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<v Speaker 2>these other things make it easier to shop, easier to shop,

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<v Speaker 2>easy to add links, easier to add locations, easier to

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<v Speaker 2>turn your page into a shop. Always to assist you

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<v Speaker 2>in spending more time on the platform to buy stuff.

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<v Speaker 4>Interesting, So are they doing like the thing.

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<v Speaker 2>Where they and even now captions haven't worked on reels

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<v Speaker 2>since it launched full stop full stop auto captions, they's

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<v Speaker 2>never come up.

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<v Speaker 4>Were they doing that like to stract away from the

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<v Speaker 4>fact that I was making it.

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<v Speaker 2>I think they did it to like prime people for

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<v Speaker 2>all these changes that were coming. So give people like

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<v Speaker 2>what could be pitched as a win or pitch to

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<v Speaker 2>something for the greater community. While you're adding in all

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<v Speaker 2>these shopping function all these consumption functions, you know, consumption function.

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<v Speaker 2>It's a good way, Yes, I just think, like the

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<v Speaker 2>nips conversation is like number one, it's white feminism one

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<v Speaker 2>oh one, because I promise you it's it's the same

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<v Speaker 2>like derivative of the pay gap conversation, right, it's the

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<v Speaker 2>same deributive of the girl boss conversation. It's like presuming

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<v Speaker 2>that the woman who's most impacted by this is the

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<v Speaker 2>woman like capital W Like every woman is impacted this

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<v Speaker 2>in the impacted by this in the same way. And

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<v Speaker 2>so here's where we'll focus our attention. And it's like

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<v Speaker 2>in the grand scheme of thing where we talk about

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<v Speaker 2>like the emancipation of women, we talk about like getting

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<v Speaker 2>women to a point where they're overcoming their own suffering.

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<v Speaker 2>Showing your nips on this social media platform that is

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<v Speaker 2>going to be obsolete in the next five years isn't

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<v Speaker 2>the win we think it's gonna be. We think it's

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<v Speaker 2>it's such a distraction technique. It like dilutes the conversation.

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<v Speaker 2>It makes it so one dimensional, It makes it so

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<v Speaker 2>like bottom of the barrel, like this is.

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<v Speaker 1>Empowerment and not that it needs to be complex.

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<v Speaker 2>I'm not saying that everything needs to be like this

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<v Speaker 2>really draining conversation, but.

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<v Speaker 1>Then you have to start thinking like who is this full?

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<v Speaker 1>Like who is this really full?

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<v Speaker 2>When we're talking about autonomy of self, when we're talking

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<v Speaker 2>about how much you should be able.

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<v Speaker 1>To show or not show, who is this for?

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<v Speaker 2>Because like, at the same time, we have Instagram penalizing

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<v Speaker 2>people like sex workers who show their bodies freely every

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<v Speaker 2>single day, penalizing bigger bodies, disabled bodies for just existing

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<v Speaker 2>And suddenly you're like, let's get the nips out. That'll

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<v Speaker 2>be like that's gonna be a win for everyone. It's

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<v Speaker 2>just like so like one dimensional and it's just it's

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<v Speaker 2>gonna be the thing.

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<v Speaker 1>It's gonna do what Instagram wants it to do.

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<v Speaker 2>As well, Like it's gonna be like this is a

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<v Speaker 2>win for women, like when they do like the twenty

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<v Speaker 2>twenty three and if you wrap up.

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<v Speaker 1>Like we did one for women.

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<v Speaker 2>Yeah, just like I don't know, like are we still

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<v Speaker 2>not like are we still having these conversations? But I

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<v Speaker 2>just think like the average person has even less of

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<v Speaker 2>a grasp on why we're having these conversations. Like we

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<v Speaker 2>know these conversations are happening, but if you go and

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<v Speaker 2>ask an average person on the street, why is it

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<v Speaker 2>important that nipples aren't censored.

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<v Speaker 1>I don't think they're gonna link it back to where

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<v Speaker 1>it needs.

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<v Speaker 3>To be linked to.

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<v Speaker 2>I see, yeah, yeah, yeah, yeah, you know, I don't

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<v Speaker 2>think it's clicking. I don't think that they're going to

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<v Speaker 2>feel represented by that decision either.

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<v Speaker 4>No, I don't think I would.

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<v Speaker 2>You know, it's okay, cool, it's another cool feature like

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<v Speaker 2>Instagram quiet mode that came out the other day, like

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<v Speaker 2>an out of office sphere DMS or something.

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<v Speaker 4>Oh my god, cool, I'm gonna do that right now.

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<v Speaker 4>That's the real wind for women from no never. Oh yeah,

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<v Speaker 4>that's a cool way to think of it. I just like,

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<v Speaker 4>I'm so tapped out of nipple conversation.

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<v Speaker 1>That's exactly. It doesn't affect me.

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<v Speaker 4>I don't anyone to see my nipples tapped out.

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<v Speaker 2>And if we're gonna spend all this time, money and

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<v Speaker 2>energy having conversations, and if you know, you end up

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<v Speaker 2>having the luxury of reaching that many people and being

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<v Speaker 2>able to like instill something of value. It's not whether

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<v Speaker 2>or not you can show a nipple on Instagram. You'll live,

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<v Speaker 2>I promise you you'll. We need to see a peace,

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<v Speaker 2>We need to see the peace nipple with the hair.

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<v Speaker 1>Yeah, that's that's what I'm talking about.

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<v Speaker 4>If you know what I mean, I apologize.

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<v Speaker 2>And if you're a bad bitch, you nipples already on

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<v Speaker 2>Instagram anyway, tax you're you're not scared of authority.

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<v Speaker 1>You're not scared of a little a little algorithm. You're

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<v Speaker 1>not scared of a shadow band.

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<v Speaker 4>Unipples will be out, So mark one word to say

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<v Speaker 4>to you, eat my ass.

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<v Speaker 1>Flex and frames, flex and fremes, never miss a beat.

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<v Speaker 2>We are going to be giving a call to the winner.

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<v Speaker 2>Oh not the winner, There's been more than one. But

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<v Speaker 2>we have a live show with Specs Savor. It's called

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<v Speaker 2>Always Sonny. And as part of that, we have five

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<v Speaker 2>hundred no that's a lie, one hundred VIPs who are

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<v Speaker 2>going to be coming and we're going to call a

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<v Speaker 2>couple of them because we do have favorites. And these

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<v Speaker 2>are name Will they pick up the phone?

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<v Speaker 1>Who knows? But let's ring them and see this.

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<v Speaker 4>Sheik's name is Beatrice, which reminds me of those little.

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<v Speaker 3>Shry to a voice, Hello Beatrice, seeking.

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<v Speaker 4>Hello Beatrice, it's flexing froomes Hi.

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<v Speaker 3>How are you good?

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<v Speaker 4>How are you?

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<v Speaker 2>Oh good?

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<v Speaker 4>Thank you look beautiful voice New Zealander.

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<v Speaker 2>Yes, I am from is pretending like we didn't just

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<v Speaker 2>get this into this intel. Literally three seconds before we

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<v Speaker 2>picked up the phone to call you. Also, fan was like,

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<v Speaker 2>should I do a little voice? I was expecting some

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<v Speaker 2>improv It didn't happen. We're excited to be speaking to you.

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<v Speaker 2>By the way, I do want to say I appreciate

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<v Speaker 2>the way you picked up the phone because we've had

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<v Speaker 2>a few people who've done that. Hey, which, as we name,

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<v Speaker 2>you've got to grow out of it.

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<v Speaker 4>You can't say your name in case it's the irs?

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<v Speaker 1>The irs? Are we on the run? Anyway?

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<v Speaker 2>I always em and we do digress. You have one

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<v Speaker 2>VIP tickets to the Flex and Rooms Always Sunny Live

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<v Speaker 2>Show recording courtesy of Specsavors all in favor sake.

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<v Speaker 3>Yeah, yeah, oh my gosh, that's amazing.

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<v Speaker 2>It's gonna be so hot and sexy to see you.

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<v Speaker 2>We did hear that you broke every bone in your ankle,

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<v Speaker 2>which is completely unsexy, and it's postponed your London move

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<v Speaker 2>for how many months?

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<v Speaker 3>Yeah? Well, I'm not going anymore. I did it the

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<v Speaker 3>day of my flight.

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<v Speaker 1>How did you do it?

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<v Speaker 3>I slept on a wik parking line wearing ad boot.

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<v Speaker 1>Is that like, are we talking like, ohh and s

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<v Speaker 1>your little little kickback for that? Was it? Was it

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<v Speaker 1>your fault?

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<v Speaker 3>No, there was nothing. I just had to mess my flight.

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<v Speaker 3>Three months of treble dam is learned to walk again. Yeah,

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<v Speaker 3>not cute.

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<v Speaker 4>I'm speechless literally, So wait, how do they how do

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<v Speaker 4>they redo the bones if they're all smashed up?

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<v Speaker 3>I have a surgery to wait weeks? Was it just broken?

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<v Speaker 3>Lying in hospital until the swelling me down? And then

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<v Speaker 3>I had like a three and a half hour strow

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<v Speaker 3>dre and I think I've got like thirteen screws.

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<v Speaker 2>There be great when bad things happen to good people,

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<v Speaker 2>because there is no reason for this. You could have

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<v Speaker 2>gone your whole life without experiencing this, and they happened.

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<v Speaker 2>I don't know if a fellow control freak, but I

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<v Speaker 2>would die.

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<v Speaker 3>I'm in the biggest control freak, so I did. I

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<v Speaker 3>was literally like on my desput in hospital, like I

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<v Speaker 3>can't believe it. You pay consuming Yeah, you can cancel

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<v Speaker 3>trust as well, because I've got CON twenty twenties.

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<v Speaker 4>At COVID Beatrice. Well, this is a start of your

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<v Speaker 4>good luck. You're going to come to the island.

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<v Speaker 2>I know I'm so excited.

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<v Speaker 3>I wouldn't have been able to do this if that

0:11:41.200 --> 0:11:42.640
<v Speaker 3>didn't happen. So here you go.

0:11:43.280 --> 0:11:45.880
<v Speaker 4>That is the spirit, Beatrice. Okay, well we will see

0:11:45.880 --> 0:11:46.600
<v Speaker 4>you on fad third.

0:11:47.400 --> 0:11:50.040
<v Speaker 3>Okay, yay, thank you so much. I can't wait that pleasure.

0:11:50.559 --> 0:11:50.760
<v Speaker 1>Love.

0:11:51.640 --> 0:11:53.199
<v Speaker 2>Honestly, I don't know who I would need to fight

0:11:53.360 --> 0:11:56.040
<v Speaker 2>feel better about that. I don't know who would need

0:11:56.080 --> 0:11:58.920
<v Speaker 2>to suffer so I would feel good about missing a

0:11:58.960 --> 0:12:03.320
<v Speaker 2>planned relocation two times over two years.

0:12:03.400 --> 0:12:04.559
<v Speaker 1>It's not good enough.

0:12:04.760 --> 0:12:05.760
<v Speaker 4>Let's just say it was meant to be.

0:12:06.160 --> 0:12:07.760
<v Speaker 1>Yeah, I guess so it isn't.

0:12:07.800 --> 0:12:11.000
<v Speaker 4>Sorry, Beatrice, but yeah, can't wait to see you. Flex

0:12:11.040 --> 0:12:14.240
<v Speaker 4>and frooms they're the best. What did you FLEXI? Last

0:12:14.240 --> 0:12:16.560
<v Speaker 4>week a friend of mine came up from Melbourne to

0:12:16.600 --> 0:12:18.720
<v Speaker 4>see me. It's such a treat when someone comes into

0:12:18.720 --> 0:12:19.600
<v Speaker 4>state to hang out with you.

0:12:19.800 --> 0:12:21.160
<v Speaker 1>That's bold, isn't it.

0:12:21.200 --> 0:12:22.120
<v Speaker 4>And he brought you trip.

0:12:22.160 --> 0:12:22.720
<v Speaker 1>Yeah, it's sweet.

0:12:22.760 --> 0:12:24.520
<v Speaker 4>I like that a school friend. Also, I take a

0:12:24.559 --> 0:12:26.120
<v Speaker 4>lot of pride in the fact that I'm still friends

0:12:26.120 --> 0:12:27.520
<v Speaker 4>with all my friends from school.

0:12:27.520 --> 0:12:29.560
<v Speaker 2>Same not all of them, Like, there are a few

0:12:29.640 --> 0:12:33.400
<v Speaker 2>drags one dent, yeah, but the top top five definitely.

0:12:33.720 --> 0:12:35.400
<v Speaker 4>It's a real pleasure in a trait. So she came

0:12:35.480 --> 0:12:38.360
<v Speaker 4>up and saw me. We went surfing, we went to

0:12:38.400 --> 0:12:41.080
<v Speaker 4>the Imperial, We had big nights, we had big mornings,

0:12:41.080 --> 0:12:44.000
<v Speaker 4>did it all. But on a Sunday, I'm driving it

0:12:44.040 --> 0:12:46.319
<v Speaker 4>to the airport, which I thought was really nice. That's

0:12:46.400 --> 0:12:47.959
<v Speaker 4>very sweet of you, so sweet that was in the

0:12:47.960 --> 0:12:48.560
<v Speaker 4>middle of a nap.

0:12:48.640 --> 0:12:50.400
<v Speaker 2>I don't wish you to try to be those friends

0:12:50.520 --> 0:12:53.000
<v Speaker 2>generally the airport pick up and drop off friends.

0:12:53.240 --> 0:12:55.840
<v Speaker 4>Oh yeah, if I'm involved in the trip, I'll drop you.

0:12:55.880 --> 0:12:57.760
<v Speaker 4>But if you're just randomly like going to America, I'm

0:12:57.760 --> 0:12:59.320
<v Speaker 4>probably not going to get up at four to drive you.

0:12:59.400 --> 0:13:03.600
<v Speaker 4>That's fair anyway, Going along the highway to the airport,

0:13:04.080 --> 0:13:07.200
<v Speaker 4>and I am in the middle lane, No, I'm in

0:13:07.200 --> 0:13:08.600
<v Speaker 4>the far left lane. I'm like, I want to get

0:13:08.600 --> 0:13:09.480
<v Speaker 4>in to the middle lane.

0:13:09.520 --> 0:13:09.960
<v Speaker 1>So I go.

0:13:10.080 --> 0:13:13.120
<v Speaker 4>There's probably a car like fifty minutes like heaps far away,

0:13:13.400 --> 0:13:16.120
<v Speaker 4>but I can feel them coming up real fast. But

0:13:16.200 --> 0:13:18.360
<v Speaker 4>I indicate wait my time and go in. What do

0:13:18.400 --> 0:13:21.640
<v Speaker 4>they do? Ram up my ass? They're ming right up

0:13:21.640 --> 0:13:24.280
<v Speaker 4>my ass. Mercedes as well, which I'm gonna say, the

0:13:24.280 --> 0:13:29.160
<v Speaker 4>more luxury the vehicle, the more Karen the conspirator Okay,

0:13:29.240 --> 0:13:33.040
<v Speaker 4>find the wheel and this car comes rooting and booting

0:13:33.160 --> 0:13:36.040
<v Speaker 4>right up my ass and I slow down.

0:13:37.360 --> 0:13:39.920
<v Speaker 1>Threw me how dare you?

0:13:40.000 --> 0:13:42.520
<v Speaker 4>Like? I indicated I've got somewhere to go as well?

0:13:42.679 --> 0:13:45.360
<v Speaker 4>Then they zip around me, They zip around me, and

0:13:45.400 --> 0:13:46.400
<v Speaker 4>they go up in front of me.

0:13:47.000 --> 0:13:47.800
<v Speaker 1>Did you look at them?

0:13:48.080 --> 0:13:48.280
<v Speaker 4>Yeah?

0:13:49.200 --> 0:13:49.800
<v Speaker 1>Did they look at you?

0:13:50.240 --> 0:13:50.400
<v Speaker 4>Fo?

0:13:50.960 --> 0:13:51.200
<v Speaker 2>Yeah.

0:13:51.760 --> 0:13:53.880
<v Speaker 4>I've been doing this thing laily where if someone rams

0:13:53.960 --> 0:13:56.400
<v Speaker 4>up my bum or like spins around me or does

0:13:56.480 --> 0:13:59.480
<v Speaker 4>some sort of I would say illegal in a legal

0:13:59.480 --> 0:14:03.360
<v Speaker 4>manner of drive, I literally crank my neck behind my

0:14:03.559 --> 0:14:10.120
<v Speaker 4>seat and I follow them with the where roiling up. Well,

0:14:10.360 --> 0:14:13.840
<v Speaker 4>every time I do it, it like makes me reconsider my

0:14:13.960 --> 0:14:15.600
<v Speaker 4>current like.

0:14:17.280 --> 0:14:21.240
<v Speaker 1>Values. My current values are no road rage. Yeah, and

0:14:21.280 --> 0:14:22.520
<v Speaker 1>like you're very road rage.

0:14:22.680 --> 0:14:25.840
<v Speaker 4>I know I'm not, huh I actually.

0:14:25.800 --> 0:14:29.640
<v Speaker 2>Yeah, I honestly feel like what happens in your car

0:14:29.840 --> 0:14:32.680
<v Speaker 2>is a very individual experience, and if someone on the

0:14:32.680 --> 0:14:35.440
<v Speaker 2>outside of your car threatens to disrupt that, it's a

0:14:35.520 --> 0:14:38.920
<v Speaker 2>you problem, Like You've got to really temper that beast.

0:14:39.920 --> 0:14:43.080
<v Speaker 4>Well, it really hurt my feelings. I felt like I

0:14:43.240 --> 0:14:46.720
<v Speaker 4>just like to protect myself and not feel bullied on

0:14:46.760 --> 0:14:47.120
<v Speaker 4>the road.

0:14:47.720 --> 0:14:50.920
<v Speaker 2>Okay, the Karen is coming out she said, bullied on

0:14:50.920 --> 0:14:51.280
<v Speaker 2>the road.

0:14:51.440 --> 0:14:53.840
<v Speaker 1>It was a one time of fence and you saw

0:14:53.880 --> 0:14:54.400
<v Speaker 1>them coming.

0:14:55.000 --> 0:14:55.680
<v Speaker 4>I did see them.

0:14:55.840 --> 0:14:57.600
<v Speaker 2>I would say you were trying to antagonize them, so

0:14:57.680 --> 0:15:01.280
<v Speaker 2>you had fair grounds to be Karen in your mind.

0:15:01.360 --> 0:15:04.320
<v Speaker 4>Well, my favorite type of antagonization is, of course, the

0:15:04.320 --> 0:15:08.000
<v Speaker 4>plausible abilities. I think, Oh, I'm just a little driver

0:15:08.560 --> 0:15:10.800
<v Speaker 4>and the way around the.

0:15:10.840 --> 0:15:14.160
<v Speaker 1>Roads used to sell Carton. You've done this before.

0:15:14.280 --> 0:15:18.000
<v Speaker 4>Okay, that's like one of my core tenant personalities.

0:15:18.000 --> 0:15:20.880
<v Speaker 2>Your brand says so much about you. Well, thank you

0:15:20.920 --> 0:15:23.240
<v Speaker 2>for sharing. We can deduce you our in factor. Karen

0:15:23.320 --> 0:15:25.440
<v Speaker 2>will always be a Karen, But I do think they'll

0:15:25.800 --> 0:15:28.560
<v Speaker 2>there'll be, you know, errors in your life where you'll

0:15:28.560 --> 0:15:30.120
<v Speaker 2>evolve in and out of it. Right now is a

0:15:30.200 --> 0:15:32.920
<v Speaker 2>very peak Karen Era. Yes, I don't think it's a

0:15:32.960 --> 0:15:34.800
<v Speaker 2>bad thing. I don't think it's a good thing either.

0:15:35.200 --> 0:15:39.000
<v Speaker 4>Oh, I'll let myself be the judge.

0:15:39.520 --> 0:15:42.359
<v Speaker 3>Great flex and froomes.

0:15:42.600 --> 0:15:44.720
<v Speaker 1>You're listening to Flex and Frooms.

0:15:44.760 --> 0:15:47.640
<v Speaker 4>What the frick? Hello, welcome back to the Flex and

0:15:47.760 --> 0:15:50.440
<v Speaker 4>Froom Show. I want to talk to you FLEXI about

0:15:50.480 --> 0:15:52.760
<v Speaker 4>Ryan Gosling. Are you a fan? Yes or no?

0:15:52.760 --> 0:15:53.000
<v Speaker 1>No?

0:15:53.320 --> 0:15:58.080
<v Speaker 2>Okay, so you were saying, but now I'm not a fan,

0:15:58.200 --> 0:16:01.360
<v Speaker 2>doesn't mean I don't like him fan, You're not dying

0:16:01.360 --> 0:16:03.720
<v Speaker 2>on the hill of I don't identify as a fan,

0:16:04.800 --> 0:16:08.240
<v Speaker 2>but I would watch a Ryan Gosling movie. Would I

0:16:08.280 --> 0:16:10.560
<v Speaker 2>think of him outside of the context of this conversation.

0:16:10.640 --> 0:16:11.080
<v Speaker 2>Probably not.

0:16:11.360 --> 0:16:13.080
<v Speaker 4>Did you ever watch Some Crazy Shupid Love?

0:16:13.400 --> 0:16:14.360
<v Speaker 1>Yeah? I love that.

0:16:14.400 --> 0:16:16.240
<v Speaker 4>I watched it at the Driving Movies on my first day.

0:16:16.480 --> 0:16:21.480
<v Speaker 4>Oh alas you would have seen. On Sunday he closed down, personally.

0:16:21.160 --> 0:16:25.359
<v Speaker 1>Close, shut it down. Ryan Gosling shut down the Harbor.

0:16:25.080 --> 0:16:28.280
<v Speaker 4>Bridge, the Sydney Harbor Bridge. He was filming his new movie,

0:16:28.320 --> 0:16:31.760
<v Speaker 4>The Fallout Guy, the Full Guy. Whatever he did, he

0:16:31.800 --> 0:16:34.880
<v Speaker 4>closed down the whole bridge in the morning on a Sunday.

0:16:35.200 --> 0:16:37.320
<v Speaker 4>Everyone was thinking, whire's the bridge shut? What's going on?

0:16:37.360 --> 0:16:40.320
<v Speaker 4>It's because Ryan Gosling and his stunt double was doing

0:16:40.320 --> 0:16:42.280
<v Speaker 4>something on the Harbor Bridge.

0:16:42.320 --> 0:16:43.720
<v Speaker 1>I thought he did his own stunts.

0:16:44.200 --> 0:16:45.000
<v Speaker 3>No, I don't think so.

0:16:45.680 --> 0:16:48.240
<v Speaker 4>Maybe for the really big bridge based ones there's someone else.

0:16:49.760 --> 0:16:52.240
<v Speaker 4>But it's had people divided. Some people are thinking this

0:16:52.280 --> 0:16:54.480
<v Speaker 4>is great for the economy. We're going to see like

0:16:54.560 --> 0:16:56.760
<v Speaker 4>the Harbor Bridge and the movie blah blah blah. Other

0:16:56.760 --> 0:17:00.000
<v Speaker 4>people are thinking goddamn, why would you inconvenience?

0:17:00.040 --> 0:17:00.320
<v Speaker 3>It's me?

0:17:00.720 --> 0:17:05.120
<v Speaker 4>And most importantly, why is a woman called Deanna Violet

0:17:05.119 --> 0:17:08.359
<v Speaker 4>Coco thirty one sent to prison for eight months after

0:17:08.400 --> 0:17:11.280
<v Speaker 4>she blocked a lane in April with her climate protest?

0:17:11.359 --> 0:17:14.200
<v Speaker 4>Do you remember this? Oh yeah, yeah, so in April

0:17:14.280 --> 0:17:18.560
<v Speaker 4>last year, this cheek Violet, like I don't know how

0:17:18.560 --> 0:17:20.320
<v Speaker 4>she stopped it. Maybe she like just stopped her car

0:17:20.359 --> 0:17:22.040
<v Speaker 4>and got on the roof and like did a Facebook

0:17:22.119 --> 0:17:25.080
<v Speaker 4>live or whatever. Behavior, hotty behavior. I personally loved it,

0:17:25.440 --> 0:17:29.000
<v Speaker 4>and I actually think of her like once a week,

0:17:29.080 --> 0:17:32.000
<v Speaker 4>really randomly, because it's so unjust that she went to

0:17:32.080 --> 0:17:35.240
<v Speaker 4>jail and she was fined and it's just crazy. Is

0:17:35.280 --> 0:17:35.880
<v Speaker 4>it irony?

0:17:36.640 --> 0:17:36.880
<v Speaker 3>Yeah?

0:17:37.000 --> 0:17:37.960
<v Speaker 1>Or like double.

0:17:37.640 --> 0:17:40.480
<v Speaker 4>Standards that the government is allowing this ap and obviously

0:17:40.520 --> 0:17:41.639
<v Speaker 4>they're gonna make a lot of money from it.

0:17:41.680 --> 0:17:42.159
<v Speaker 1>Oh I think it.

0:17:42.960 --> 0:17:51.040
<v Speaker 4>Maybe it costs them money or like they took out.

0:17:48.600 --> 0:17:49.040
<v Speaker 2>For this one.

0:17:50.920 --> 0:17:54.200
<v Speaker 4>I'm scrolling down. Oh my god, Oh my god.

0:17:54.240 --> 0:17:55.120
<v Speaker 1>Guys, I don't know.

0:17:55.040 --> 0:17:59.960
<v Speaker 2>But after that copy is like you know, blonde headlings

0:18:00.160 --> 0:18:01.640
<v Speaker 2>saunters down with.

0:18:01.680 --> 0:18:02.800
<v Speaker 1>His perchetary hair.

0:18:04.000 --> 0:18:08.560
<v Speaker 4>Well, either way, I'll say I'm on Violet's side. I

0:18:08.560 --> 0:18:10.359
<v Speaker 4>think for all the time. Violet, if you're listening to

0:18:10.400 --> 0:18:13.960
<v Speaker 4>this from your cell, I support you. Now. She's on bail, she's.

0:18:13.760 --> 0:18:14.800
<v Speaker 1>Out either way.

0:18:15.200 --> 0:18:18.399
<v Speaker 2>You know, we always know that people will make accommodations

0:18:18.400 --> 0:18:21.800
<v Speaker 2>for entertainment where they wouldn't otherwise. This is just what happens.

0:18:22.000 --> 0:18:24.359
<v Speaker 2>No one's saying it's fair or just, but it is

0:18:24.480 --> 0:18:27.399
<v Speaker 2>unfortunately the reality of like the way the world works.

0:18:28.359 --> 0:18:30.960
<v Speaker 3>You've been listening to the Flex and Frooms Daily podcast.

0:18:31.119 --> 0:18:33.960
<v Speaker 1>For more, tune in Decater on DAB or stream it

0:18:34.040 --> 0:18:35.120
<v Speaker 1>on iHeartRadio.