1
00:00:00,480 --> 00:00:02,840
Speaker 1: This is the Will and Woody podcast.

2
00:00:03,040 --> 00:00:09,239
Speaker 2: Yeah, sad, let's torch some dudes. Thirteen one oh sixty

3
00:00:09,320 --> 00:00:11,479
Speaker 2: five is our number. If you have a story about

4
00:00:11,480 --> 00:00:15,360
Speaker 2: a man trying and failing to be romantic.

5
00:00:18,480 --> 00:00:19,799
Speaker 3: Let's just have a good giggle about it.

6
00:00:20,600 --> 00:00:22,440
Speaker 2: If you're a blog by the way, and you know

7
00:00:22,600 --> 00:00:24,960
Speaker 2: you've had a failed attempt at being romantic as well,

8
00:00:25,360 --> 00:00:28,720
Speaker 2: I will also take the confessions we're talking about it, Wilbert,

9
00:00:28,720 --> 00:00:31,560
Speaker 2: because there's some footage that's been taken at a college

10
00:00:31,600 --> 00:00:35,400
Speaker 2: basketball game of a guy who was clearly trying to

11
00:00:35,479 --> 00:00:39,640
Speaker 2: flirt with a blonde woman, and you can just tell

12
00:00:39,880 --> 00:00:41,480
Speaker 2: the way he's standing, the mannerisms, etc.

13
00:00:41,840 --> 00:00:43,680
Speaker 3: That he was trying to impress her.

14
00:00:44,320 --> 00:00:47,960
Speaker 2: And at one point he dips into his wallet and

15
00:00:48,479 --> 00:00:50,800
Speaker 2: pulls out his Costco membership card.

16
00:00:50,880 --> 00:00:53,000
Speaker 1: Oh wow, and looks.

17
00:00:52,800 --> 00:00:55,639
Speaker 2: To hand the Costco card over to her as if

18
00:00:55,640 --> 00:00:58,840
Speaker 2: to go like a baby, full member, I got the

19
00:00:58,840 --> 00:01:04,600
Speaker 2: gold package. Let's do this thing, which is just extraordinary stuff.

20
00:01:05,280 --> 00:01:07,280
Speaker 3: So yeah, thirteen one six five is our number.

21
00:01:07,280 --> 00:01:09,240
Speaker 2: I do want to hear more stories of men trying

22
00:01:09,280 --> 00:01:10,560
Speaker 2: to be romantic and failing.

23
00:01:10,640 --> 00:01:11,520
Speaker 3: I believe, Wilbur.

24
00:01:12,640 --> 00:01:14,959
Speaker 1: You and just before you come for me, sure you

25
00:01:14,959 --> 00:01:18,200
Speaker 1: want to. I read about six down before in the song,

26
00:01:18,240 --> 00:01:19,240
Speaker 1: but go go for it.

27
00:01:20,040 --> 00:01:24,280
Speaker 2: Can I can I just have one? I'm just going

28
00:01:24,360 --> 00:01:27,080
Speaker 2: to do one little? Can we just go let's just

29
00:01:27,080 --> 00:01:29,759
Speaker 2: do one? Me do a pea shooter at you. We

30
00:01:29,760 --> 00:01:33,959
Speaker 2: put it down? No, I think I've got one, and

31
00:01:33,959 --> 00:01:36,200
Speaker 2: I always find money. Yeah, come on, let us put

32
00:01:36,240 --> 00:01:39,360
Speaker 2: it down. I just think the radiation needs to keep moving.

33
00:01:39,360 --> 00:01:41,760
Speaker 2: So after minds, we'll go to some calls, we'll play

34
00:01:41,800 --> 00:01:44,080
Speaker 2: some songs. It's going to be great radio. So let's

35
00:01:44,120 --> 00:01:46,600
Speaker 2: just focus on you. But I remember when we were

36
00:01:46,600 --> 00:01:49,640
Speaker 2: living in Perth. You had a it was a former partner,

37
00:01:50,000 --> 00:01:52,480
Speaker 2: and you thought it would be hot to try and

38
00:01:52,480 --> 00:01:54,520
Speaker 2: impress her that you would You would bring her down

39
00:01:54,560 --> 00:01:56,840
Speaker 2: to your DJ gigs and she would literally sit in

40
00:01:56,880 --> 00:02:01,280
Speaker 2: the corner and watch you DJ for for hours. And

41
00:02:01,400 --> 00:02:04,360
Speaker 2: I just I just can't believe in what world you

42
00:02:04,440 --> 00:02:05,040
Speaker 2: thought that was.

43
00:02:05,000 --> 00:02:08,200
Speaker 1: A romantic test, Homandic. It was hot. It was hotter

44
00:02:08,200 --> 00:02:12,560
Speaker 1: than a man's spinning the wheels of steel. If we

45
00:02:12,600 --> 00:02:15,600
Speaker 1: can go to you, no, I'm not sure if we have,

46
00:02:17,400 --> 00:02:20,640
Speaker 1: because that was a while ago for me. Yeah, I'm

47
00:02:20,639 --> 00:02:24,399
Speaker 1: gonna talk recently for you. Go on, well, I think

48
00:02:24,800 --> 00:02:27,000
Speaker 1: in and around MIM's birthday. You tend to try your

49
00:02:27,000 --> 00:02:28,160
Speaker 1: most romantic stuff on.

50
00:02:28,360 --> 00:02:30,799
Speaker 3: I tend to have missus on the birth pressure.

51
00:02:30,880 --> 00:02:32,560
Speaker 1: You went for the You dressed up as the Mad

52
00:02:32,560 --> 00:02:33,359
Speaker 1: Hatter this year.

53
00:02:33,680 --> 00:02:35,919
Speaker 3: Last year, that was I was a pussy cat this.

54
00:02:35,919 --> 00:02:37,200
Speaker 1: Year and actually terrified her.

55
00:02:37,440 --> 00:02:39,880
Speaker 3: Yeah I did scare her. Yeah, yeah, yeah, she was rattled.

56
00:02:40,600 --> 00:02:41,200
Speaker 1: You're a freak.

57
00:02:42,280 --> 00:02:44,520
Speaker 2: Was a freak that was hang on to give some context,

58
00:02:44,520 --> 00:02:47,400
Speaker 2: she was in Wonderland, yes, but I went full method.

59
00:02:47,800 --> 00:02:50,680
Speaker 3: I became the Hatter, and yeah, she was very scared.

60
00:02:50,720 --> 00:02:54,760
Speaker 1: And then the other one that comes to mind. For

61
00:02:54,960 --> 00:02:58,520
Speaker 1: her birthday, you got a dressing count with a name

62
00:02:58,560 --> 00:03:02,480
Speaker 1: on it, with a new which you ordered from the States,

63
00:03:03,160 --> 00:03:06,720
Speaker 1: which which didn't arrive because the whole thing was a scam.

64
00:03:06,880 --> 00:03:09,320
Speaker 2: I think they're still taking money from my account. I

65
00:03:09,360 --> 00:03:10,720
Speaker 2: really need to do something about.

66
00:03:10,520 --> 00:03:13,040
Speaker 1: That, which is really great. One of my favorites.

67
00:03:13,040 --> 00:03:17,240
Speaker 2: All right, give me to you arrest. Let's go to Matthew. Matthew,

68
00:03:17,320 --> 00:03:19,760
Speaker 2: you've got a story. This is a confession, mate.

69
00:03:20,200 --> 00:03:22,560
Speaker 4: A bit of a confession, A big fil on my behalf.

70
00:03:22,840 --> 00:03:23,200
Speaker 1: What did you do?

71
00:03:23,360 --> 00:03:27,160
Speaker 4: Maddie married to my wife for over twenty years and

72
00:03:27,200 --> 00:03:29,160
Speaker 4: I was on a promise. I was on a thank you.

73
00:03:29,280 --> 00:03:31,239
Speaker 4: I was on a promise that night, but she was

74
00:03:31,280 --> 00:03:33,600
Speaker 4: going out and I was a bit tired, so I thought, oh,

75
00:03:33,639 --> 00:03:37,040
Speaker 4: I can't miss this opportunity. So I tied the drawstring

76
00:03:37,280 --> 00:03:40,680
Speaker 4: on her pajama pants to me toe, hoping that when

77
00:03:40,720 --> 00:03:42,960
Speaker 4: she walked in in the middle of the night, she'd

78
00:03:43,280 --> 00:03:46,280
Speaker 4: grab them and wake me up and I'll be ready. Unfortunately,

79
00:03:46,320 --> 00:03:48,320
Speaker 4: I wake up in the morning with them around me foot.

80
00:03:48,400 --> 00:03:50,520
Speaker 4: Still she got another pair out.

81
00:03:52,760 --> 00:03:56,440
Speaker 2: That is just such an elaborate plan that.

82
00:03:57,920 --> 00:03:58,280
Speaker 3: Failed.

83
00:03:59,280 --> 00:04:02,400
Speaker 1: Listen to you, so you wanted to wake up when

84
00:04:02,400 --> 00:04:04,600
Speaker 1: she got home, so you tied the draw string of

85
00:04:04,640 --> 00:04:07,640
Speaker 1: her pajama pants around your toe.

86
00:04:07,960 --> 00:04:10,920
Speaker 4: Yes, I'd be awake.

87
00:04:12,840 --> 00:04:15,080
Speaker 1: The good old alarm clock. Mate. What time are you

88
00:04:15,160 --> 00:04:15,440
Speaker 1: going to be?

89
00:04:17,200 --> 00:04:18,240
Speaker 4: Time she was going to be home.

90
00:04:18,320 --> 00:04:21,320
Speaker 2: Yeah, don't let her get to sleep with that work.

91
00:04:21,360 --> 00:04:23,960
Speaker 3: You know, I've made Maddie.

92
00:04:23,760 --> 00:04:25,760
Speaker 1: Men trying to be romantic and failing.

93
00:04:25,839 --> 00:04:26,359
Speaker 3: Woods.

94
00:04:26,880 --> 00:04:31,400
Speaker 1: You got a story, the story of you, an intimate

95
00:04:31,440 --> 00:04:35,520
Speaker 1: trip to Japan with a form of flame yep booked

96
00:04:35,520 --> 00:04:41,160
Speaker 1: a hotel in Tokyo, the two of you. Turns out

97
00:04:41,200 --> 00:04:42,279
Speaker 1: you booked a sex hotel.

98
00:04:42,960 --> 00:04:44,000
Speaker 3: I couldn't believe that cheap.

99
00:04:44,040 --> 00:04:47,680
Speaker 2: It was like this, this is unfortunately, this is the

100
00:04:47,680 --> 00:04:48,400
Speaker 2: true story.

101
00:04:48,680 --> 00:04:52,039
Speaker 3: You booked it for a week, four week and isn't true.

102
00:04:52,040 --> 00:04:53,560
Speaker 1: When you got there, they were like, because it was

103
00:04:53,600 --> 00:04:54,120
Speaker 1: just a one.

104
00:04:54,040 --> 00:04:56,799
Speaker 2: Night special sort of a plan, a one hour special place.

105
00:04:57,360 --> 00:05:00,479
Speaker 2: Usually the usual thing is people booking for the hour.

106
00:05:02,480 --> 00:05:04,160
Speaker 2: The booking wasn't a week. It was like, and you're

107
00:05:04,200 --> 00:05:07,320
Speaker 2: here for three thousand hours. And it looked at me

108
00:05:07,400 --> 00:05:09,200
Speaker 2: like I was a god. They were just like, oh

109
00:05:09,240 --> 00:05:12,600
Speaker 2: my god. The just praised me. That was just like

110
00:05:12,640 --> 00:05:14,479
Speaker 2: you're gonna go all week?

111
00:05:14,960 --> 00:05:16,200
Speaker 3: Well, what else are you doing here?

112
00:05:16,720 --> 00:05:16,920
Speaker 4: Yeah?

113
00:05:17,320 --> 00:05:19,240
Speaker 3: They praised me. They praised men.

114
00:05:19,279 --> 00:05:24,039
Speaker 1: I am is called good an I am.

115
00:05:22,360 --> 00:05:23,760
Speaker 4: Yeah, Hello, Hi, Hi.

116
00:05:23,880 --> 00:05:26,279
Speaker 1: This is a guy that couldn't be romantic with you.

117
00:05:27,160 --> 00:05:29,320
Speaker 5: Oh, he could not be romantic at all.

118
00:05:29,480 --> 00:05:31,600
Speaker 6: I'm just going to keep a knife in short.

119
00:05:31,800 --> 00:05:34,080
Speaker 7: So this is a gentleman that I liked for quite

120
00:05:34,080 --> 00:05:37,360
Speaker 7: some time. Okay, So I decided one night it would

121
00:05:37,360 --> 00:05:39,200
Speaker 7: be cute to sort of get him to come over

122
00:05:39,560 --> 00:05:43,440
Speaker 7: and you know, I just have a chill watch a movie.

123
00:05:43,600 --> 00:05:46,320
Speaker 7: So I just I spent two hours thinking what I

124
00:05:46,360 --> 00:05:48,599
Speaker 7: was going to cook. Oh, if I should just get

125
00:05:48,640 --> 00:05:51,600
Speaker 7: something simple? Now, I decided to go with a platter,

126
00:05:51,720 --> 00:05:55,600
Speaker 7: a full platter with everything in it. And because I

127
00:05:55,720 --> 00:05:57,279
Speaker 7: like my drink, I work a lot.

128
00:05:57,400 --> 00:05:59,720
Speaker 1: I decided I was keeping it short and I am.

129
00:06:00,040 --> 00:06:02,760
Speaker 1: So you can have three minutes, a couple of minutes

130
00:06:02,760 --> 00:06:05,240
Speaker 1: in and you can think about your bunchline. No, we've

131
00:06:05,240 --> 00:06:07,000
Speaker 1: got to Stephanie. We've got to Stephanie.

132
00:06:07,720 --> 00:06:09,320
Speaker 3: You'd hate to hear the long version.

133
00:06:09,440 --> 00:06:12,680
Speaker 1: She's got some time, she's got some time to think

134
00:06:12,720 --> 00:06:14,080
Speaker 1: about how she's going to craft that.

135
00:06:14,240 --> 00:06:15,919
Speaker 3: Yeah, we'll go back to her, back to her.

136
00:06:16,320 --> 00:06:19,839
Speaker 1: I lost her at platter. Yeah, I think anyone that

137
00:06:19,920 --> 00:06:21,840
Speaker 1: starts this story with him and to keep it sure.

138
00:06:22,000 --> 00:06:24,080
Speaker 2: She also justified while she likes to drink, she goes,

139
00:06:24,120 --> 00:06:25,800
Speaker 2: I like a good drink because I work really hard.

140
00:06:25,839 --> 00:06:28,040
Speaker 3: Like we don't need to know that anyway.

141
00:06:28,720 --> 00:06:31,880
Speaker 2: To Stephanie, Stephanie, this was your dad who was trying

142
00:06:31,880 --> 00:06:33,239
Speaker 2: to be romantic and failing.

143
00:06:34,560 --> 00:06:36,120
Speaker 5: I'll actually keep it short.

144
00:06:41,240 --> 00:06:44,039
Speaker 1: I'll tell you what, how about this in the waiting room?

145
00:06:44,080 --> 00:06:45,719
Speaker 1: Would like to be in the green room right now.

146
00:06:47,839 --> 00:06:51,000
Speaker 5: My mum got a promotion at work, and my dad

147
00:06:51,040 --> 00:06:53,719
Speaker 5: thought it'd be a great idea to get her trophy.

148
00:06:54,800 --> 00:06:58,320
Speaker 5: But she decided that he'd make it. And so he

149
00:06:58,360 --> 00:07:03,719
Speaker 5: went down to kmart and got some kitchen utentil kitchen utensils,

150
00:07:03,920 --> 00:07:07,120
Speaker 5: pluck them together and then got a little plastic soccer

151
00:07:07,160 --> 00:07:09,760
Speaker 5: ball and put it on top. That was a trophy.

152
00:07:09,880 --> 00:07:12,000
Speaker 1: Oh my god? And that happened?

153
00:07:12,120 --> 00:07:17,320
Speaker 3: And how was it received? Step it received received? Well, mamam, did.

154
00:07:17,160 --> 00:07:18,640
Speaker 1: She know it was a trophy?

155
00:07:18,680 --> 00:07:18,880
Speaker 8: Well?

156
00:07:19,040 --> 00:07:19,600
Speaker 3: Not so well.

157
00:07:20,240 --> 00:07:21,680
Speaker 1: You know, it was a trophy. I'd be looking at

158
00:07:21,720 --> 00:07:23,880
Speaker 1: that thinking it was like a meat pounder or something.

159
00:07:24,240 --> 00:07:24,960
Speaker 4: It was weird.

160
00:07:25,160 --> 00:07:27,200
Speaker 1: It was weird pound Yeah, you know one of those

161
00:07:27,240 --> 00:07:31,560
Speaker 1: like socerball, meat gavels, soccer ball, you know, World Cup

162
00:07:31,680 --> 00:07:32,640
Speaker 1: edition meat Pamela.

163
00:07:32,880 --> 00:07:36,280
Speaker 2: Oh yeah, I think it was a trophy that if

164
00:07:36,320 --> 00:07:41,880
Speaker 2: someone makes making like making something, that's a lovely gesture.

165
00:07:42,240 --> 00:07:43,840
Speaker 3: Shame on the mate.

166
00:07:44,280 --> 00:07:46,720
Speaker 1: From a guy who's the worst gift giver in the world.

167
00:07:46,800 --> 00:07:49,600
Speaker 1: You're thinking about giving Mime a mattress for Christmas? If

168
00:07:49,640 --> 00:07:52,080
Speaker 1: you say that, let's go back to nam. Who's going

169
00:07:52,120 --> 00:07:54,080
Speaker 1: to have a second creak at this? I am, You've

170
00:07:54,080 --> 00:07:56,120
Speaker 1: got You've got twenty seconds to get to your post.

171
00:07:56,440 --> 00:08:00,240
Speaker 7: We'll keep a knife in short, all right. So al right,

172
00:08:01,080 --> 00:08:03,360
Speaker 7: he ended up coming over with a Hennessy bottle.

173
00:08:03,880 --> 00:08:05,840
Speaker 3: Yeah, oh yeah, do you like a drink yet?

174
00:08:06,480 --> 00:08:07,040
Speaker 4: Because I do?

175
00:08:08,000 --> 00:08:11,960
Speaker 7: Anyways, So as I poured a bit of the Hennessy

176
00:08:12,080 --> 00:08:15,000
Speaker 7: into the two cups that I took out, it turned

177
00:08:15,000 --> 00:08:15,760
Speaker 7: out to be a water.

178
00:08:16,320 --> 00:08:18,040
Speaker 9: Ah.

179
00:08:21,560 --> 00:08:22,680
Speaker 7: How embarrassing is that?

180
00:08:23,200 --> 00:08:25,680
Speaker 1: I see? He was trying to be romantic.

181
00:08:27,520 --> 00:08:28,320
Speaker 10: You're romantic.

182
00:08:29,240 --> 00:08:31,200
Speaker 1: He rocked over with Hennessy. He rocked over the bottle

183
00:08:31,240 --> 00:08:31,600
Speaker 1: of water.

184
00:08:32,200 --> 00:08:34,760
Speaker 7: But it's not a Hennessy bottle.

185
00:08:34,840 --> 00:08:35,720
Speaker 4: But thank you guys.

186
00:08:36,280 --> 00:08:36,520
Speaker 3: Great.

187
00:08:36,600 --> 00:08:38,800
Speaker 1: No, you can have one hundred bucks to spend at

188
00:08:38,840 --> 00:08:42,800
Speaker 1: Red Roast and the roast is killing you, so pleasure, mate,

189
00:08:43,120 --> 00:08:43,720
Speaker 1: great stuff.

190
00:08:43,720 --> 00:08:45,679
Speaker 3: He is an absolute stitch up on the bloke though.

191
00:08:45,800 --> 00:08:48,800
Speaker 1: It's actually a really funny punch line. It was a

192
00:08:48,920 --> 00:08:50,360
Speaker 1: really funny. Well, it wasn't great.

193
00:08:50,559 --> 00:08:51,000
Speaker 3: It was good.

194
00:08:51,200 --> 00:08:52,760
Speaker 1: We find out that she works hard and she loves

195
00:08:52,760 --> 00:08:55,400
Speaker 1: a platter. On the way there, did you enjoy the ina?

196
00:08:55,679 --> 00:08:58,080
Speaker 1: There's got two glasses out? I was like, mate, I

197
00:08:58,080 --> 00:09:01,480
Speaker 1: swear to God if we get one more detail from you, Philip.

198
00:09:01,520 --> 00:09:03,120
Speaker 1: I felt like I was trying to solve a mystery

199
00:09:03,160 --> 00:09:05,239
Speaker 1: the whole way through, Like, what's going to be significant?

200
00:09:05,240 --> 00:09:10,760
Speaker 1: What detail? Philip's called? Phil? Last call here? Keep it short,

201
00:09:11,040 --> 00:09:13,040
Speaker 1: you were trying to impress a girl far away.

202
00:09:13,960 --> 00:09:15,640
Speaker 6: Oh yeah, So this was in a park when I

203
00:09:15,679 --> 00:09:17,880
Speaker 6: was just trying to dance and then I slipped on

204
00:09:17,920 --> 00:09:20,319
Speaker 6: Donku and I got all over my shirt and face.

205
00:09:22,840 --> 00:09:27,640
Speaker 1: I tell you, tell the story. I ever listening. It's

206
00:09:27,720 --> 00:09:31,680
Speaker 1: the will and Woody podcast. You've got an interrogation to run.

207
00:09:31,760 --> 00:09:33,880
Speaker 3: Well, I'm just shocked that I exist, William.

208
00:09:34,320 --> 00:09:37,240
Speaker 2: I am shocked that I'm sitting here in front of

209
00:09:37,280 --> 00:09:40,680
Speaker 2: you because of something that Dad did early in the

210
00:09:40,760 --> 00:09:44,360
Speaker 2: relationship with my mum. And you know, before I go

211
00:09:44,440 --> 00:09:47,480
Speaker 2: on beautiful relationship now, you know that there's just so

212
00:09:47,559 --> 00:09:49,840
Speaker 2: much romance between the two of them and they couldn't

213
00:09:49,840 --> 00:09:54,240
Speaker 2: be much better. But honestly, I'm shocked and got there

214
00:09:54,280 --> 00:09:59,760
Speaker 2: because now Dad's on the phone right now. Now, Dad,

215
00:10:00,240 --> 00:10:03,000
Speaker 2: if it's okay with you, I'm going to just go

216
00:10:03,080 --> 00:10:07,120
Speaker 2: through I'm going to go through the specs of the story.

217
00:10:07,160 --> 00:10:10,520
Speaker 2: You can jump in anytime if you think I'm exaggerating anything,

218
00:10:10,840 --> 00:10:13,040
Speaker 2: and then we can just have a discussion about the incident.

219
00:10:13,760 --> 00:10:14,800
Speaker 6: Okay, go for it.

220
00:10:14,880 --> 00:10:15,200
Speaker 3: Okay.

221
00:10:15,280 --> 00:10:21,240
Speaker 2: So early in the relationship, you're you're seeing mum and

222
00:10:21,520 --> 00:10:24,800
Speaker 2: one night when she's over at your place, she notices

223
00:10:24,920 --> 00:10:27,079
Speaker 2: a flight number on a piece of paper on the

224
00:10:27,120 --> 00:10:27,920
Speaker 2: bedside table.

225
00:10:28,880 --> 00:10:31,199
Speaker 3: M So she's a bit sush.

226
00:10:31,280 --> 00:10:33,400
Speaker 2: She's like, that's interesting, that's a flight number. He's obviously

227
00:10:33,400 --> 00:10:37,120
Speaker 2: going to pick someone up. Then in the morning, when

228
00:10:37,600 --> 00:10:40,960
Speaker 2: obviously both of you woke up, you said to her, Hey,

229
00:10:41,240 --> 00:10:43,600
Speaker 2: I've got to get going, so sort of can you

230
00:10:43,720 --> 00:10:48,320
Speaker 2: leave effectively? And then she said why, and you said, oh,

231
00:10:48,520 --> 00:10:50,800
Speaker 2: I've got to go and move some rocks.

232
00:10:52,640 --> 00:10:55,080
Speaker 6: My brother's place, at your brother's place.

233
00:10:55,120 --> 00:10:57,720
Speaker 2: So that's I mean, you had such a long time

234
00:10:57,760 --> 00:11:00,400
Speaker 2: to come up with that excuse, and you decided moved

235
00:11:00,400 --> 00:11:03,559
Speaker 2: some rocks with my brother. And then you actually so

236
00:11:03,679 --> 00:11:06,120
Speaker 2: you both left the house. You put on some rock

237
00:11:06,200 --> 00:11:07,480
Speaker 2: moving clothes. Is that right down?

238
00:11:07,520 --> 00:11:08,800
Speaker 6: Rock moving clothes exactly?

239
00:11:08,880 --> 00:11:09,040
Speaker 11: Yep.

240
00:11:09,520 --> 00:11:10,679
Speaker 1: And then they consists of.

241
00:11:13,120 --> 00:11:16,280
Speaker 6: Uh shorts and you know, what do you call those

242
00:11:16,320 --> 00:11:20,480
Speaker 6: boots that I had had or something like.

243
00:11:20,440 --> 00:11:25,920
Speaker 2: That, speaking like a true trade, real rock movie.

244
00:11:26,440 --> 00:11:26,880
Speaker 4: It was hard.

245
00:11:27,679 --> 00:11:30,160
Speaker 2: And then you got in the car and just drove

246
00:11:30,200 --> 00:11:32,760
Speaker 2: around the blog, then went and got changed, and then

247
00:11:32,800 --> 00:11:37,040
Speaker 2: you went and picked up another woman from the airport.

248
00:11:38,720 --> 00:11:43,520
Speaker 8: That because I had the the girlfriend, so the sister

249
00:11:43,679 --> 00:11:48,040
Speaker 8: of the girl that I just started to see, she

250
00:11:48,240 --> 00:11:51,000
Speaker 8: was picking me up to go to the airport. So

251
00:11:51,080 --> 00:11:53,200
Speaker 8: I knew that the front door bell was going to go,

252
00:11:54,040 --> 00:11:57,280
Speaker 8: and I had to get your mother out of the

253
00:11:57,400 --> 00:12:02,160
Speaker 8: house before but before all she arrived. So that's when

254
00:12:02,160 --> 00:12:04,040
Speaker 8: I came up with the story. So I drove around

255
00:12:04,080 --> 00:12:08,840
Speaker 8: and rechanged out by laboring there got into my going

256
00:12:08,880 --> 00:12:09,880
Speaker 8: to the airport gear.

257
00:12:10,040 --> 00:12:12,080
Speaker 1: What was the difference there? So what's the going to

258
00:12:12,120 --> 00:12:12,960
Speaker 1: the airport gear?

259
00:12:13,520 --> 00:12:16,199
Speaker 6: Oh, you know, just normal stuff jeans.

260
00:12:17,480 --> 00:12:19,880
Speaker 3: Classically classic lore.

261
00:12:20,000 --> 00:12:21,680
Speaker 1: Yeah, yeah, and then.

262
00:12:22,000 --> 00:12:24,880
Speaker 6: And then then ran off and and did that.

263
00:12:24,960 --> 00:12:27,440
Speaker 3: Yeah, okay, So let's get down to the air let's

264
00:12:27,920 --> 00:12:28,640
Speaker 3: what's wrong.

265
00:12:28,440 --> 00:12:31,439
Speaker 2: With that so much? Let's get down to the interrogation.

266
00:12:31,640 --> 00:12:34,040
Speaker 2: So how because because I know, I've spoken to mum

267
00:12:34,120 --> 00:12:36,520
Speaker 2: about this incident, and she she knew you were going

268
00:12:36,520 --> 00:12:38,760
Speaker 2: to pick up a girl. She actually spoke to a

269
00:12:38,760 --> 00:12:42,040
Speaker 2: girlfriend of hers. They considered going to the airport.

270
00:12:41,640 --> 00:12:44,560
Speaker 3: And confronting you. How did you How did you move

271
00:12:44,720 --> 00:12:45,800
Speaker 3: past this incident?

272
00:12:50,200 --> 00:12:50,480
Speaker 4: Yeah?

273
00:12:50,800 --> 00:12:53,040
Speaker 6: Good question. I think you should ask who.

274
00:12:54,440 --> 00:12:54,679
Speaker 1: Did you?

275
00:12:56,080 --> 00:12:58,200
Speaker 3: Did you ever talk about it?

276
00:12:58,800 --> 00:12:59,000
Speaker 12: Yeah?

277
00:12:59,040 --> 00:13:01,480
Speaker 6: I think so. I think so well we did talk

278
00:13:01,520 --> 00:13:03,400
Speaker 6: about it, because now it's coming back to me because

279
00:13:04,160 --> 00:13:10,280
Speaker 6: when we got married, we were invited for dinner, and

280
00:13:10,440 --> 00:13:14,720
Speaker 6: the people, the people who lived opposite at my house.

281
00:13:15,200 --> 00:13:19,080
Speaker 6: We lived in a double story townhouse, and they had

282
00:13:19,120 --> 00:13:22,960
Speaker 6: been undernown to me and anyone else, they had observed

283
00:13:23,120 --> 00:13:25,679
Speaker 6: all the comings and goings. So we went to dinner

284
00:13:25,679 --> 00:13:29,840
Speaker 6: at these people's place, and then they told the story

285
00:13:30,640 --> 00:13:33,720
Speaker 6: to us, and they said, we're watching this. Within three

286
00:13:33,800 --> 00:13:37,200
Speaker 6: we couldn't take our eyes off your house, Stephen, because

287
00:13:38,000 --> 00:13:41,079
Speaker 6: you know, we saw you were right. And then we

288
00:13:41,800 --> 00:13:45,320
Speaker 6: saw the driving out changing clothes, and then this other

289
00:13:45,400 --> 00:13:48,000
Speaker 6: girl arrived and you went off with this other girl.

290
00:13:48,040 --> 00:13:51,920
Speaker 6: And then it was very complicated. That's how it came out.

291
00:13:52,440 --> 00:13:57,680
Speaker 6: And yeah, that you know, we lived to tell the

292
00:13:57,720 --> 00:14:01,319
Speaker 6: stories at the moment. But one thing, the reason why

293
00:14:01,320 --> 00:14:04,400
Speaker 6: I did it, I made a promise to the girl.

294
00:14:04,720 --> 00:14:05,880
Speaker 6: She was not nothing serious.

295
00:14:05,920 --> 00:14:07,960
Speaker 8: I just start going, you know, taking him out a

296
00:14:08,000 --> 00:14:10,000
Speaker 8: few times.

297
00:14:09,280 --> 00:14:10,880
Speaker 3: About you're talking about my mum, or are you.

298
00:14:10,960 --> 00:14:12,640
Speaker 1: Talking about at the airport?

299
00:14:13,240 --> 00:14:16,200
Speaker 8: I was seeing a little bit. She went on a

300
00:14:16,240 --> 00:14:19,080
Speaker 8: holiday and I may have commitment to promise to her

301
00:14:19,120 --> 00:14:20,880
Speaker 8: that I pick her up from the airport. And as

302
00:14:20,920 --> 00:14:23,720
Speaker 8: you can remember, your grandmother and my mother used to

303
00:14:23,840 --> 00:14:25,880
Speaker 8: drill it into us if you make a promise to

304
00:14:25,960 --> 00:14:27,880
Speaker 8: someone you always have to keep it.

305
00:14:28,600 --> 00:14:30,720
Speaker 6: So I did the honorable thing.

306
00:14:32,200 --> 00:14:36,760
Speaker 13: Well, I'm not sure that we can come back, sure

307
00:14:36,840 --> 00:14:38,200
Speaker 13: that you're going to be able to pull all over

308
00:14:38,240 --> 00:14:40,480
Speaker 13: her eyes there, but nice try.

309
00:14:40,800 --> 00:14:43,120
Speaker 6: It made me easy just to ignore that, but no,

310
00:14:43,280 --> 00:14:47,640
Speaker 6: I stuck to it. Promise in the moral ground.

311
00:14:47,760 --> 00:14:50,640
Speaker 3: Well as all white laws have.

312
00:14:50,840 --> 00:14:57,160
Speaker 1: Dad well said my man. Don't sup saved? Still few

313
00:14:57,360 --> 00:15:01,960
Speaker 1: questions to write the will podcast wards outrageous story again

314
00:15:02,040 --> 00:15:05,680
Speaker 1: from Sydney Taronga Zoo after the lions escaped last week.

315
00:15:05,720 --> 00:15:06,800
Speaker 1: They are having a mayor.

316
00:15:06,600 --> 00:15:09,720
Speaker 3: Great marketing campaign. I could be we're talking about.

317
00:15:09,400 --> 00:15:11,480
Speaker 1: The least the lions. Guys, everyone will talk about us.

318
00:15:12,000 --> 00:15:16,040
Speaker 1: I don't think that happened anyway, there is There is

319
00:15:16,080 --> 00:15:19,760
Speaker 1: a story today which really caught my It's a sensational bit.

320
00:15:19,800 --> 00:15:22,840
Speaker 1: Have a listen. A liar bird at Taronga Zoo has

321
00:15:22,920 --> 00:15:26,920
Speaker 1: learned a new trick after a recent emergency, mimicking the

322
00:15:26,960 --> 00:15:31,400
Speaker 1: sound of a siren and the evacuate warning. You want

323
00:15:31,440 --> 00:15:42,840
Speaker 1: to hear it, I'd love to. Okay, listen. That is brilliant, phenomenal,

324
00:15:42,920 --> 00:15:47,320
Speaker 1: What a performance. Yeah, incredible, It's unreal. Yeah yeah, libirds

325
00:15:47,320 --> 00:15:51,520
Speaker 1: are amazing. Anyway, it got me thinking about how entertaining

326
00:15:51,960 --> 00:15:53,200
Speaker 1: impressions are woods?

327
00:15:53,320 --> 00:15:53,560
Speaker 3: Sure?

328
00:15:54,520 --> 00:15:57,760
Speaker 1: Now, about six months ago, you and I did this

329
00:15:57,880 --> 00:15:58,480
Speaker 1: on this show.

330
00:15:59,600 --> 00:16:01,120
Speaker 3: I can't, I can't really this well.

331
00:16:01,160 --> 00:16:04,200
Speaker 1: We asked people to call up if they we decided

332
00:16:04,200 --> 00:16:06,400
Speaker 1: on Kermit the Frog. We wanted to have an impression off.

333
00:16:06,440 --> 00:16:09,120
Speaker 1: We decided Kermit the Frog. Lots of people have got

334
00:16:09,120 --> 00:16:11,440
Speaker 1: a good Kermit in their back pocket. Let's get the

335
00:16:11,440 --> 00:16:15,760
Speaker 1: best Kermits in Australia to call. They called, and then

336
00:16:16,000 --> 00:16:17,960
Speaker 1: what happened was, because I need to explain this, because

337
00:16:17,960 --> 00:16:19,640
Speaker 1: you're gonna hear the audio right now, guys, and it's

338
00:16:19,640 --> 00:16:24,440
Speaker 1: a train wreck. We numbered the Kermits Kermit one, come

339
00:16:24,440 --> 00:16:26,720
Speaker 1: At two, Commit three, Comet five. We didn't know what

340
00:16:26,760 --> 00:16:28,600
Speaker 1: their actual names were. We just knew them by the number.

341
00:16:29,240 --> 00:16:34,680
Speaker 1: The producers, who have since all been fired, didn't tell

342
00:16:34,720 --> 00:16:39,400
Speaker 1: the Kermits that they were Kermit one, Kermit two, Keermit three,

343
00:16:39,480 --> 00:16:41,920
Speaker 1: Kerve four and Curveent five. So when they came to

344
00:16:42,080 --> 00:16:46,640
Speaker 1: air and we tried to throw between the Kermits, this happened.

345
00:16:47,240 --> 00:16:50,560
Speaker 1: Let's go to Kermit four, call of four.

346
00:16:51,200 --> 00:16:52,280
Speaker 3: What is going on?

347
00:16:53,920 --> 00:16:57,040
Speaker 7: We don't know what you're asking Kit, and we don't know.

348
00:16:59,080 --> 00:17:10,600
Speaker 4: In the history book, I can tell you.

349
00:17:06,960 --> 00:17:10,240
Speaker 2: It was are and they are all the they came.

350
00:17:10,800 --> 00:17:12,359
Speaker 3: They were like a little of Kerman.

351
00:17:12,480 --> 00:17:17,760
Speaker 1: Yeah yeah, yeah, Okay, we're gonna try it again. We're

352
00:17:17,800 --> 00:17:23,960
Speaker 1: done with kerm Okay, okay, good Miss piggies. I've got

353
00:17:23,960 --> 00:17:25,960
Speaker 1: a two hundred dollars my out you here.

354
00:17:25,920 --> 00:17:26,880
Speaker 3: Don't give him a price.

355
00:17:27,280 --> 00:17:29,560
Speaker 1: Two hundred dollars my vout your here for the person

356
00:17:29,600 --> 00:17:31,440
Speaker 1: that can do the best Miss Piggy in Australia.

357
00:17:32,080 --> 00:17:34,360
Speaker 3: I crack the whip, she jumps through the You.

358
00:17:34,359 --> 00:17:36,720
Speaker 7: Open your mouth, my fistal self.

359
00:17:40,119 --> 00:17:40,920
Speaker 3: You got good chemistry?

360
00:17:41,920 --> 00:17:44,359
Speaker 1: One five if you do a great Miss Piggy gives

361
00:17:45,280 --> 00:17:47,920
Speaker 1: two hundred dollars my voucher for the best Miss Piggy

362
00:17:47,960 --> 00:17:48,639
Speaker 1: in Australia.

363
00:17:48,800 --> 00:17:51,280
Speaker 3: Can I remember the number them this time? Let's switch

364
00:17:51,320 --> 00:17:53,680
Speaker 3: on everyone, Come on, what.

365
00:17:53,600 --> 00:17:55,359
Speaker 1: Are you trying to find the person that does the

366
00:17:55,359 --> 00:17:59,720
Speaker 1: best Miss Piggy in Australia. It's an outrageous topics. You

367
00:17:59,880 --> 00:18:02,120
Speaker 1: just joined us. We have done this before with Keermit

368
00:18:02,240 --> 00:18:03,760
Speaker 1: the Frogs. It was it was arguably the worst thing

369
00:18:03,760 --> 00:18:06,080
Speaker 1: we've ever done, because they attacked, they came for.

370
00:18:06,040 --> 00:18:07,719
Speaker 3: It, they fought back, and it was all confused.

371
00:18:07,720 --> 00:18:09,720
Speaker 2: I didn't know which Kermit was which it was, and

372
00:18:09,960 --> 00:18:11,080
Speaker 2: there was anonymity.

373
00:18:11,560 --> 00:18:14,600
Speaker 1: There was a procedural issue as well. Go to it

374
00:18:14,600 --> 00:18:17,399
Speaker 1: this time round. We think we've got them. Okay, but

375
00:18:18,080 --> 00:18:20,320
Speaker 1: just for a reminder of what Miss Piggy sounds like. Well,

376
00:18:20,359 --> 00:18:22,200
Speaker 1: I'll start with the reason we're doing this is because

377
00:18:22,200 --> 00:18:24,879
Speaker 1: the liar bird at the Taronga Zoo managed to imitate

378
00:18:24,920 --> 00:18:25,760
Speaker 1: the alarm. Haven't listen.

379
00:18:29,320 --> 00:18:31,680
Speaker 3: That's amazing, give me your best.

380
00:18:31,600 --> 00:18:43,280
Speaker 14: Orm sound like I'm better than expected?

381
00:18:43,320 --> 00:18:45,960
Speaker 1: Though that was better expected. You sounded a bit like

382
00:18:45,960 --> 00:18:51,399
Speaker 1: a whale who was hungry. All right, At what point

383
00:18:51,440 --> 00:18:58,440
Speaker 1: does this stop becoming entertaining? Right about now? All so,

384
00:18:59,359 --> 00:19:02,760
Speaker 1: let's get into it best, Miss Piggy and two hundred

385
00:19:02,760 --> 00:19:04,520
Speaker 1: dollars about you? You want to hear some Miss Piggy.

386
00:19:05,800 --> 00:19:08,399
Speaker 2: I cracked the whip, she jumps through the You open

387
00:19:08,440 --> 00:19:09,679
Speaker 2: your mouth my fist.

388
00:19:13,880 --> 00:19:15,320
Speaker 1: You're always beating up on Kerman?

389
00:19:15,800 --> 00:19:18,199
Speaker 2: Yeah, and fair enough that Kerman was a boy. Now

390
00:19:18,280 --> 00:19:20,400
Speaker 2: let's got a Piggy one, Miss Piggy one.

391
00:19:20,720 --> 00:19:26,520
Speaker 1: Hello you, my fisca.

392
00:19:27,480 --> 00:19:29,920
Speaker 3: Is that.

393
00:19:32,440 --> 00:19:35,080
Speaker 1: I've never done a Miss Piggy in your life, but crack,

394
00:19:35,119 --> 00:19:44,640
Speaker 1: I appreciated caller one Piggie one. Miss Piggy number two.

395
00:19:41,920 --> 00:19:45,480
Speaker 6: I love you so much, but if you open your mouth,

396
00:19:45,640 --> 00:19:47,840
Speaker 6: my fissel.

397
00:19:48,320 --> 00:19:49,520
Speaker 3: Better than one.

398
00:19:49,720 --> 00:19:51,960
Speaker 2: I think what's working for her is that she was

399
00:19:52,040 --> 00:19:54,480
Speaker 2: next to caller one and so bad.

400
00:19:54,560 --> 00:19:57,720
Speaker 1: What's the line mean, you open your mouth, my fist

401
00:19:57,720 --> 00:19:58,280
Speaker 1: go south?

402
00:19:59,040 --> 00:19:59,320
Speaker 15: I think?

403
00:20:00,560 --> 00:20:01,080
Speaker 1: Is that right?

404
00:20:01,800 --> 00:20:02,240
Speaker 3: Is that right?

405
00:20:02,320 --> 00:20:04,880
Speaker 2: Fist going south? It's going to his next I can't

406
00:20:05,720 --> 00:20:06,720
Speaker 2: big nut punch.

407
00:20:08,760 --> 00:20:10,480
Speaker 1: For a muppet to say it's subtle?

408
00:20:10,880 --> 00:20:11,040
Speaker 2: Is it?

409
00:20:11,119 --> 00:20:11,600
Speaker 3: We're not sure?

410
00:20:11,640 --> 00:20:11,720
Speaker 12: Like?

411
00:20:11,720 --> 00:20:13,679
Speaker 3: What do you mean by my fist go south? You know?

412
00:20:14,320 --> 00:20:16,800
Speaker 1: Call her three? Miss Piggy three.

413
00:20:18,400 --> 00:20:21,080
Speaker 7: Hello, I am mister Piggy from the.

414
00:20:22,520 --> 00:20:24,040
Speaker 1: Piggy very good.

415
00:20:24,080 --> 00:20:25,320
Speaker 3: We won't leave that one.

416
00:20:26,000 --> 00:20:28,280
Speaker 1: I mean, I think we're finding out that she's very

417
00:20:28,400 --> 00:20:29,159
Speaker 1: very hard to do.

418
00:20:29,520 --> 00:20:32,600
Speaker 2: Let's go call it Piggy two. Piggy two says else,

419
00:20:32,600 --> 00:20:34,000
Speaker 2: you're clearly the bears go again.

420
00:20:35,840 --> 00:20:38,359
Speaker 5: Oh curmy, oh curmy, my life.

421
00:20:38,880 --> 00:20:43,880
Speaker 6: Let's go down, Miss pee two.

422
00:20:45,000 --> 00:20:49,160
Speaker 16: First of all, you've earned yourself a Maya voucher, two

423
00:20:49,280 --> 00:20:50,919
Speaker 16: dollars back to go and spend at my this year,

424
00:20:50,920 --> 00:20:53,080
Speaker 16: grab Christmas by the ball shop, your festive favorites at

425
00:20:53,119 --> 00:20:56,520
Speaker 16: mya my store. And also, miss Piggy two, you've earned

426
00:20:56,520 --> 00:21:01,200
Speaker 16: yourself a date with Kermit It joins us as well.

427
00:21:01,480 --> 00:21:05,480
Speaker 1: Here we go, Kurmy, are you there, Kermet?

428
00:21:07,200 --> 00:21:07,480
Speaker 4: Hello?

429
00:21:07,600 --> 00:21:08,000
Speaker 1: Kermet?

430
00:21:08,160 --> 00:21:09,960
Speaker 3: Oh, Camic, don't you do it again?

431
00:21:10,960 --> 00:21:11,480
Speaker 13: What's going on?

432
00:21:12,560 --> 00:21:12,800
Speaker 1: Cart?

433
00:21:12,840 --> 00:21:14,320
Speaker 3: We've got Miss Piggy here for you.

434
00:21:15,080 --> 00:21:19,920
Speaker 6: Oh hello, oh Cury, where are your feelings?

435
00:21:20,320 --> 00:21:22,040
Speaker 10: You work hard?

436
00:21:22,880 --> 00:21:24,440
Speaker 6: Can I borrow a cassel? Give the back?

437
00:21:24,480 --> 00:21:29,240
Speaker 4: Don't worry.

438
00:21:29,400 --> 00:21:31,880
Speaker 3: Miss Piggy is getting creeped out. Miss's quite clearly. Miss

439
00:21:31,920 --> 00:21:34,760
Speaker 3: Piggy's trying to drop the character. But Keurmy's going hard

440
00:21:34,760 --> 00:21:36,440
Speaker 3: for it. I like it.

441
00:21:38,480 --> 00:21:41,679
Speaker 1: Michael's been shown up. Are you still there, Kemmy?

442
00:21:42,720 --> 00:21:45,480
Speaker 3: Yeah, I'm still Here's method.

443
00:21:46,680 --> 00:21:48,520
Speaker 1: Piggy. Do you speak again?

444
00:21:48,520 --> 00:21:50,080
Speaker 6: I have a weakness for that voice.

445
00:21:51,760 --> 00:21:57,720
Speaker 1: Oh, Kurmy, just come to the same thing. It's the

446
00:21:57,800 --> 00:22:00,840
Speaker 1: same thing every time. It's guys, all right?

447
00:22:00,920 --> 00:22:03,520
Speaker 10: The tunes right up next and do not go anywhere

448
00:22:03,720 --> 00:22:07,160
Speaker 10: because Peaking Duck join us in CON's cafe to let

449
00:22:07,280 --> 00:22:10,960
Speaker 10: his let us use his wall for our makeout mural.

450
00:22:11,320 --> 00:22:14,680
Speaker 1: Right next the quest begins. Stay with us, Will and

451
00:22:14,720 --> 00:22:15,720
Speaker 1: Woody back for.

452
00:22:15,800 --> 00:22:19,679
Speaker 9: More in just a bit the Will and Woody Podcast.

453
00:22:19,800 --> 00:22:23,720
Speaker 1: We are so close to getting out in studio makeout

454
00:22:23,880 --> 00:22:27,520
Speaker 1: made into an iconic four by four meter mural in

455
00:22:27,600 --> 00:22:30,600
Speaker 1: one of the best locations in Australia. Guys can miss

456
00:22:30,640 --> 00:22:34,639
Speaker 1: anything from the journey. Have a listen to this the

457
00:22:34,760 --> 00:22:36,719
Speaker 1: cash on the other side, what do you and I

458
00:22:36,840 --> 00:22:41,720
Speaker 1: make out live in the studio? Daniel Webber, one of

459
00:22:41,720 --> 00:22:44,000
Speaker 1: the best treat artists in the world, reached out. You

460
00:22:44,040 --> 00:22:47,120
Speaker 1: want to paint us. I knew you guys are key

461
00:22:47,400 --> 00:22:50,720
Speaker 1: about doing a mural, and I saw the passionate.

462
00:22:50,400 --> 00:22:53,360
Speaker 5: Kiss and I thought, what better a way to celebrate

463
00:22:53,480 --> 00:22:54,240
Speaker 5: the beautiful bond?

464
00:22:54,240 --> 00:22:54,600
Speaker 10: But you have.

465
00:22:57,960 --> 00:22:59,240
Speaker 3: Now we need a wall.

466
00:23:00,200 --> 00:23:03,720
Speaker 2: We had a preliminary sort of chat about us potentially

467
00:23:03,800 --> 00:23:06,000
Speaker 2: putting a mural on your beautiful.

468
00:23:05,600 --> 00:23:10,640
Speaker 15: War Yeah, very brief chat, but yeah, okay, I've got

469
00:23:10,640 --> 00:23:15,640
Speaker 15: the sweet pieces I will shake off on our wall.

470
00:23:16,119 --> 00:23:19,920
Speaker 4: He can bring three a music celebs in for a

471
00:23:19,960 --> 00:23:20,480
Speaker 4: coffee and.

472
00:23:21,080 --> 00:23:23,199
Speaker 1: Three How long have we got to get three out

473
00:23:23,200 --> 00:23:24,240
Speaker 1: of the celebrities in there?

474
00:23:24,960 --> 00:23:27,080
Speaker 4: Well, I'll give you all next week.

475
00:23:28,040 --> 00:23:30,920
Speaker 1: Next week. You and I very part about the next guest.

476
00:23:31,000 --> 00:23:33,800
Speaker 1: Sammy Jay joins us. We have a small.

477
00:23:33,480 --> 00:23:36,480
Speaker 2: Favor to ask, how about a coffee with your old

478
00:23:36,520 --> 00:23:38,720
Speaker 2: mates Will and Woody.

479
00:23:39,840 --> 00:23:43,200
Speaker 3: My whole schedule is full, So which which which were which?

480
00:23:43,800 --> 00:23:45,160
Speaker 3: Which thing You're going to cancel.

481
00:23:44,880 --> 00:23:48,720
Speaker 12: On what are you Saron Hayes, Listen, I'm not trying

482
00:23:49,200 --> 00:23:51,360
Speaker 12: to Australia to go to a coffee shop to talk

483
00:23:51,400 --> 00:23:52,520
Speaker 12: at a bit of the two of you kissing.

484
00:23:52,720 --> 00:23:54,360
Speaker 1: I actually think there's someone that I think we can

485
00:23:54,400 --> 00:23:58,720
Speaker 1: call Peaking Duck Boys. Oh hello, we have a favor

486
00:23:58,800 --> 00:24:01,080
Speaker 1: to ask really simply coffee.

487
00:24:02,800 --> 00:24:06,879
Speaker 6: Yeah, yes, the.

488
00:24:08,520 --> 00:24:11,639
Speaker 1: Boys, Adam and Rubin. Honestly a chance to meet the

489
00:24:11,640 --> 00:24:13,560
Speaker 1: guys from Beaking back therese people that have They are

490
00:24:13,760 --> 00:24:16,159
Speaker 1: genuinely the biggest legends on the planet and they proved it.

491
00:24:16,280 --> 00:24:16,600
Speaker 3: Yeah.

492
00:24:16,640 --> 00:24:20,560
Speaker 1: Today with only legends respond to a call from friends

493
00:24:20,920 --> 00:24:23,520
Speaker 1: to take a flight so they can have a coffee

494
00:24:23,520 --> 00:24:25,920
Speaker 1: in a random cafe with a sixty year old Greek dude.

495
00:24:26,600 --> 00:24:29,320
Speaker 2: We asked them yesterday, said yesterday, can you make it?

496
00:24:29,359 --> 00:24:31,680
Speaker 3: And they were like, yeah, whatever.

497
00:24:32,000 --> 00:24:36,240
Speaker 1: Our legends. Yeah. And the big hurdle from here though,

498
00:24:36,280 --> 00:24:39,280
Speaker 1: is that we knew they were legends. They obviously know

499
00:24:39,359 --> 00:24:43,680
Speaker 1: their legends. Australia knows their legends. Sixty one year old

500
00:24:43,760 --> 00:24:45,280
Speaker 1: Greek man named con.

501
00:24:45,520 --> 00:24:47,720
Speaker 3: Not really their demo, not really their demo.

502
00:24:47,800 --> 00:24:50,480
Speaker 1: Would we convince him that these guys are our first

503
00:24:50,520 --> 00:24:52,280
Speaker 1: A graders to get the mural.

504
00:24:53,160 --> 00:24:54,280
Speaker 3: Down to business cone.

505
00:24:54,760 --> 00:24:59,520
Speaker 2: So you requested we bring three A grade musicians into

506
00:24:59,560 --> 00:25:00,879
Speaker 2: your cafe to have a photo.

507
00:25:01,359 --> 00:25:04,359
Speaker 17: That's right, and a coffee. I'm happy to spring one

508
00:25:04,400 --> 00:25:05,160
Speaker 17: free coffee.

509
00:25:05,640 --> 00:25:08,600
Speaker 2: So free coffy you have shot for coffee. I think

510
00:25:08,640 --> 00:25:11,119
Speaker 2: I can start to read out some stats here. Con

511
00:25:11,520 --> 00:25:15,640
Speaker 2: five hundred and thirty million streams globally on all platforms.

512
00:25:16,600 --> 00:25:21,000
Speaker 2: That's half a bill a million monthly Spotify listeners, five

513
00:25:21,200 --> 00:25:26,400
Speaker 2: top forty Australian chart singles, forty million video views, two

514
00:25:26,600 --> 00:25:29,960
Speaker 2: ARIA Awards and fourteen ARIA nominations.

515
00:25:30,400 --> 00:25:31,400
Speaker 9: Oh that it's the bill.

516
00:25:32,200 --> 00:25:33,600
Speaker 1: Yeah, that's it's a great the bill.

517
00:25:33,640 --> 00:25:34,360
Speaker 3: That's the bill.

518
00:25:34,800 --> 00:25:35,720
Speaker 9: That's unbelievable.

519
00:25:35,800 --> 00:25:37,560
Speaker 1: Okay have you had a name? Have you had a

520
00:25:37,640 --> 00:25:38,760
Speaker 1: name in your mind? When you hear that?

521
00:25:38,920 --> 00:25:41,119
Speaker 9: Nothing, it's a complete blank.

522
00:25:41,640 --> 00:25:44,600
Speaker 2: Okay, right, well, get ready to be blown away.

523
00:25:44,680 --> 00:25:51,679
Speaker 1: Con boys Hello, con Hello, this is picking Duck, This

524
00:25:51,800 --> 00:25:54,560
Speaker 1: is Adam, this is made love It.

525
00:25:56,040 --> 00:25:57,320
Speaker 3: Have you heard of Peking Duck?

526
00:25:57,440 --> 00:25:57,600
Speaker 10: No?

527
00:25:58,080 --> 00:26:01,720
Speaker 17: Okay, no, Look, once you go past bb King, Stevie

528
00:26:01,720 --> 00:26:04,080
Speaker 17: Wonder and a few people like that, there's.

529
00:26:03,880 --> 00:26:04,400
Speaker 9: Not much there.

530
00:26:06,920 --> 00:26:08,720
Speaker 2: Are you still are You're still sort of happy about

531
00:26:08,760 --> 00:26:10,480
Speaker 2: the fact that you're in front of you know, Australian

532
00:26:10,600 --> 00:26:11,320
Speaker 2: Royalty here.

533
00:26:11,359 --> 00:26:13,359
Speaker 9: Oh yeah, I have those numbers. Unbelievable.

534
00:26:13,359 --> 00:26:14,560
Speaker 3: We got told that.

535
00:26:14,920 --> 00:26:18,000
Speaker 11: You know, you wanted someone to come and you wanted

536
00:26:18,040 --> 00:26:19,480
Speaker 11: to get a photo with someone.

537
00:26:19,640 --> 00:26:22,040
Speaker 9: Definitely hands up.

538
00:26:22,200 --> 00:26:24,200
Speaker 11: Yeah, yeah, we flew in from.

539
00:26:24,000 --> 00:26:24,560
Speaker 3: Sydney for this.

540
00:26:25,480 --> 00:26:27,160
Speaker 9: You flew in from Sydney for this, or.

541
00:26:27,119 --> 00:26:27,720
Speaker 1: They flew us in.

542
00:26:27,800 --> 00:26:33,080
Speaker 18: We're not paying to to Was it worth it?

543
00:26:33,560 --> 00:26:34,159
Speaker 9: Absolutely?

544
00:26:34,280 --> 00:26:36,560
Speaker 17: Probably the guys at work, he will know you and

545
00:26:36,600 --> 00:26:37,680
Speaker 17: I'll know what you do.

546
00:26:38,480 --> 00:26:41,680
Speaker 3: But yeah, your staff is taking photos.

547
00:26:43,000 --> 00:26:43,800
Speaker 18: That's a good sign.

548
00:26:44,640 --> 00:26:47,520
Speaker 3: They know they know. There we go.

549
00:26:48,720 --> 00:26:49,879
Speaker 1: Do you boys want a coffee?

550
00:26:50,480 --> 00:26:50,640
Speaker 10: Oh?

551
00:26:50,680 --> 00:26:51,800
Speaker 11: Yeah, how's the coffee?

552
00:26:52,119 --> 00:26:52,760
Speaker 9: You're asking me?

553
00:26:52,880 --> 00:26:54,840
Speaker 1: It's good, It's really sell it to me.

554
00:26:54,920 --> 00:26:55,800
Speaker 9: It's going to be great.

555
00:26:56,040 --> 00:26:58,800
Speaker 18: Yeah, but how do you feel it's the greatest?

556
00:26:58,960 --> 00:27:01,840
Speaker 11: Oh yeah, yeah, I was about to say the same

557
00:27:01,880 --> 00:27:03,160
Speaker 11: about peaking Ducks music.

558
00:27:03,840 --> 00:27:06,960
Speaker 18: You're gonna love it.

559
00:27:05,160 --> 00:27:09,160
Speaker 11: It's going to be up there with your coffee.

560
00:27:09,160 --> 00:27:15,800
Speaker 9: I hope, mate. It's one of my favorite foods. So okay,

561
00:27:17,080 --> 00:27:17,560
Speaker 9: So we're.

562
00:27:21,119 --> 00:27:24,480
Speaker 1: On the other side speaking duck. Our first A grade

563
00:27:24,600 --> 00:27:27,600
Speaker 1: musicians in at the cafe. One step conser to the

564
00:27:27,680 --> 00:27:30,680
Speaker 1: mural on the wall. It's wheel peaking Duck got great

565
00:27:30,720 --> 00:27:34,600
Speaker 1: summer grooves. Those boys, and they are also absolute legends,

566
00:27:34,960 --> 00:27:38,240
Speaker 1: and they joined us. If you just joined this show, guys,

567
00:27:38,400 --> 00:27:42,840
Speaker 1: we've been tasked with getting three A grade musicians into

568
00:27:42,880 --> 00:27:45,000
Speaker 1: a sixty year old Greek man's cafe.

569
00:27:45,600 --> 00:27:48,600
Speaker 2: Yes, so we can use his wall. Yes, so paint

570
00:27:48,600 --> 00:27:52,120
Speaker 2: a mural of us making out. It's an epic wall.

571
00:27:52,160 --> 00:27:54,440
Speaker 2: That's high foot traffic there. It's a famous it's.

572
00:27:54,240 --> 00:27:57,760
Speaker 1: An iconic mural wall. Without giving too much way, it's

573
00:27:57,760 --> 00:28:01,520
Speaker 1: an iconic mural wall, and it's the only place that

574
00:28:01,560 --> 00:28:03,720
Speaker 1: we can get our mural. To be honest, Daniel, we're

575
00:28:03,720 --> 00:28:05,320
Speaker 1: with the street artist who wants.

576
00:28:05,080 --> 00:28:05,320
Speaker 4: To do it.

577
00:28:05,359 --> 00:28:07,520
Speaker 1: We've searched high and high and low. This is the

578
00:28:07,600 --> 00:28:10,600
Speaker 1: spot for our makeout murals. I'm sure of it, no doubt.

579
00:28:10,640 --> 00:28:10,720
Speaker 11: So.

580
00:28:10,760 --> 00:28:12,639
Speaker 3: Anyway, Peaking Duck we called him yesterday.

581
00:28:12,680 --> 00:28:15,119
Speaker 2: They actually flew into state to come to this cafe

582
00:28:15,200 --> 00:28:16,800
Speaker 2: just for a coffee with the sixty one year old

583
00:28:16,800 --> 00:28:19,680
Speaker 2: Greek man. That is con if you missed it before

584
00:28:19,720 --> 00:28:21,520
Speaker 2: the song there, we played the audio in.

585
00:28:21,880 --> 00:28:26,320
Speaker 1: Mark you missed exactly what you thought would happen had.

586
00:28:26,160 --> 00:28:28,560
Speaker 2: Their rockstar entrant, and Commas was like, I have no

587
00:28:28,640 --> 00:28:30,880
Speaker 2: idea who you are, but I'm sure you guys are great.

588
00:28:30,920 --> 00:28:33,639
Speaker 1: Yeah, he was impressed by their stats. And right now

589
00:28:33,680 --> 00:28:36,320
Speaker 1: you're going to hear part two of Peaking Duck meets

590
00:28:36,400 --> 00:28:38,880
Speaker 1: Con in order to get our mural on his wall.

591
00:28:38,880 --> 00:28:42,200
Speaker 1: Have a listen, all right, So we're here with Peaking Duck,

592
00:28:42,240 --> 00:28:45,000
Speaker 1: the first of our a great musicians down into CON's cafe.

593
00:28:45,160 --> 00:28:47,000
Speaker 3: Woards make some cafe noises.

594
00:28:47,040 --> 00:28:51,240
Speaker 11: Boys, Yeah, oh oh yeah.

595
00:28:50,560 --> 00:28:52,480
Speaker 1: I really appreciate you flying down and coming to having

596
00:28:52,480 --> 00:28:53,800
Speaker 1: coffee with us. It does mean a lot, and it

597
00:28:53,880 --> 00:28:55,240
Speaker 1: does mean we are a step close to get in

598
00:28:55,280 --> 00:28:56,640
Speaker 1: the mural here of us making.

599
00:28:57,640 --> 00:29:00,160
Speaker 3: But one of the obviously just a quick question, is

600
00:29:00,160 --> 00:29:00,680
Speaker 3: ever kissed?

601
00:29:00,880 --> 00:29:02,440
Speaker 18: No? I think we have at a party.

602
00:29:03,080 --> 00:29:05,320
Speaker 1: We did one for a photo just then with Vanilla.

603
00:29:07,360 --> 00:29:10,720
Speaker 11: Well it just doesn't always touch, but it's a fun

604
00:29:10,760 --> 00:29:12,320
Speaker 11: makeout about.

605
00:29:12,160 --> 00:29:15,080
Speaker 1: Kissing we're talking about. Yeah, yeah, yeah, I thought there

606
00:29:15,120 --> 00:29:18,719
Speaker 1: might have been a chance. I'm joking. I'm joking, I'm joking.

607
00:29:19,920 --> 00:29:20,560
Speaker 4: I apologize.

608
00:29:20,640 --> 00:29:22,959
Speaker 1: Rub has just had a baby. It could be it's

609
00:29:23,360 --> 00:29:25,800
Speaker 1: it's my kid, bloody.

610
00:29:25,800 --> 00:29:29,120
Speaker 11: Well hope not, because I'll be talking sternly to Emma afterwards.

611
00:29:29,120 --> 00:29:34,960
Speaker 3: If baby popped out with long curly hair. Boys, you

612
00:29:34,960 --> 00:29:36,080
Speaker 3: you popped out of the kid.

613
00:29:35,960 --> 00:29:37,800
Speaker 11: Though, didn't you baby came out of my tummy?

614
00:29:39,360 --> 00:29:43,040
Speaker 1: Phenomena y progressive.

615
00:29:43,480 --> 00:29:46,760
Speaker 13: All right, we'll look I'm away from Reuben giving birth.

616
00:29:46,520 --> 00:29:48,320
Speaker 1: Because part of the dealer of you guys coming here

617
00:29:48,440 --> 00:29:50,400
Speaker 1: is we've got a special segment in CON's Cafe called

618
00:29:50,440 --> 00:29:53,040
Speaker 1: CON's Comments. So he's lawed to ask you guys a

619
00:29:53,080 --> 00:29:54,360
Speaker 1: question while you here, If that's okay.

620
00:29:54,440 --> 00:29:55,720
Speaker 3: Absolutely so.

621
00:29:55,880 --> 00:30:00,520
Speaker 17: My question is, if you're an electronic band peking duck,

622
00:30:00,760 --> 00:30:01,640
Speaker 17: where did that come from?

623
00:30:02,200 --> 00:30:03,680
Speaker 1: Well, that's question.

624
00:30:06,280 --> 00:30:09,120
Speaker 11: It's so funny because in my head it seems so obvious,

625
00:30:09,760 --> 00:30:11,880
Speaker 11: but that's because we've lived it.

626
00:30:12,120 --> 00:30:14,760
Speaker 3: Yeah, I mean, I'll let you elaborate.

627
00:30:14,960 --> 00:30:19,240
Speaker 11: You know, when we turned eighteen, we first started going

628
00:30:19,240 --> 00:30:22,560
Speaker 11: out to nightclubs and after a few too many beers,

629
00:30:22,840 --> 00:30:26,280
Speaker 11: one would end up peaking so much that you turn

630
00:30:26,360 --> 00:30:28,160
Speaker 11: into a duck and start.

631
00:30:28,000 --> 00:30:30,240
Speaker 3: Going like that that face.

632
00:30:30,280 --> 00:30:32,040
Speaker 11: And you'd be stuck in the corner of the room

633
00:30:32,720 --> 00:30:35,400
Speaker 11: while all you made go, oh my god, he's absolutely

634
00:30:35,440 --> 00:30:36,520
Speaker 11: peaking duck right now.

635
00:30:37,160 --> 00:30:39,440
Speaker 1: Brilliant. And then there was one night where we.

636
00:30:40,920 --> 00:30:43,160
Speaker 18: Need a name for this music, and at the time

637
00:30:43,200 --> 00:30:44,840
Speaker 18: we were peaking, and he looked like a duck and

638
00:30:44,880 --> 00:30:46,400
Speaker 18: said peaking duck for ye, And.

639
00:30:46,360 --> 00:30:48,880
Speaker 11: I remember it was like written on and it was

640
00:30:48,960 --> 00:30:50,400
Speaker 11: real funny and we had a photo of it.

641
00:30:50,440 --> 00:30:53,280
Speaker 1: The next day. We're like, oh, yeah, use that name.

642
00:30:53,520 --> 00:30:54,080
Speaker 1: You wrote it.

643
00:30:54,160 --> 00:30:55,160
Speaker 3: You wrote it on your.

644
00:30:55,000 --> 00:30:59,840
Speaker 1: Own, you're joking. Wow.

645
00:31:00,400 --> 00:31:02,120
Speaker 18: And you know, if we could turn back time, I'm

646
00:31:02,120 --> 00:31:06,240
Speaker 18: sure probably, but we're here now. Yeah, and hey, it's

647
00:31:06,280 --> 00:31:08,120
Speaker 18: taken us here to be in your beautiful spot.

648
00:31:08,160 --> 00:31:10,440
Speaker 1: So what a great, cone amazing question.

649
00:31:11,400 --> 00:31:13,160
Speaker 9: I thought I had something to do with Chinese food.

650
00:31:13,480 --> 00:31:16,000
Speaker 1: Yeah, well we do love a bit of chinoir. That's

651
00:31:16,200 --> 00:31:19,040
Speaker 1: French for Chinese. It is.

652
00:31:22,400 --> 00:31:23,040
Speaker 3: So cultured.

653
00:31:26,520 --> 00:31:29,400
Speaker 1: Let's go into it. So you guys got a podcast. Yeah,

654
00:31:29,440 --> 00:31:29,880
Speaker 1: we've had a.

655
00:31:29,840 --> 00:31:32,480
Speaker 3: Podcast, right, Okay, what's the podcast? What's the vibe? What's

656
00:31:32,480 --> 00:31:32,800
Speaker 3: it about?

657
00:31:32,880 --> 00:31:36,320
Speaker 18: Well, it's essentially tales Tails from the Tour Bus.

658
00:31:36,360 --> 00:31:37,680
Speaker 3: Pretty tilS from the tour Bus.

659
00:31:37,720 --> 00:31:42,680
Speaker 18: We've been in many cuzy situations, mafia situations, snake blood situations.

660
00:31:42,760 --> 00:31:45,360
Speaker 18: It's also a good platform for us to talk to

661
00:31:45,440 --> 00:31:48,320
Speaker 18: people that we met along this journey. We're lucky enough

662
00:31:48,360 --> 00:31:50,720
Speaker 18: to call friends or foes. We'd love to have you

663
00:31:50,760 --> 00:31:52,040
Speaker 18: guys on and yeah.

664
00:31:52,640 --> 00:31:54,600
Speaker 3: Gone, are you open to being on their podcast?

665
00:31:55,240 --> 00:31:55,440
Speaker 4: Oh?

666
00:31:55,560 --> 00:31:56,240
Speaker 9: Yeah, why not.

667
00:31:56,720 --> 00:31:59,160
Speaker 11: Yeah, it to dig into the history of milk bars

668
00:31:59,160 --> 00:32:01,800
Speaker 11: and stuff like. Actually, I find that really interesting, definitely.

669
00:32:02,240 --> 00:32:02,480
Speaker 1: Yeah.

670
00:32:02,520 --> 00:32:06,560
Speaker 17: Look, it's actually a book published, a book on photographic

671
00:32:06,920 --> 00:32:09,520
Speaker 17: a journal of milk bas in and around Melbourne.

672
00:32:09,520 --> 00:32:11,880
Speaker 1: All right, I think CON's contents are over for today.

673
00:32:12,120 --> 00:32:15,080
Speaker 13: Whilst this chat is absolutely sensational.

674
00:32:15,720 --> 00:32:19,000
Speaker 1: I wanted to say that the podcast, the podcast.

675
00:32:18,880 --> 00:32:20,960
Speaker 13: Get that chat on baking Dug podcasts, they can do

676
00:32:20,960 --> 00:32:24,360
Speaker 13: that on their own program right now, though, boys, thank

677
00:32:24,400 --> 00:32:29,959
Speaker 13: you so much for coming in, really really appreciate so

678
00:32:30,000 --> 00:32:31,280
Speaker 13: good to see you guys, and.

679
00:32:31,240 --> 00:32:33,520
Speaker 1: We're one step so Con, we got till Friday to

680
00:32:33,560 --> 00:32:36,480
Speaker 1: get two more A graders, two more and then we've

681
00:32:36,480 --> 00:32:38,720
Speaker 1: got a mural of us making out on your wall?

682
00:32:39,600 --> 00:32:40,880
Speaker 3: Is that actually what's happening?

683
00:32:41,920 --> 00:32:44,840
Speaker 1: Is it taking over Santorini? Nothing takes over Santorini, man,

684
00:32:45,080 --> 00:32:46,480
Speaker 1: Thank goodness. Streak for Chris.

685
00:32:50,320 --> 00:32:53,800
Speaker 14: You realize this comes at a very in our term time.

686
00:32:53,840 --> 00:32:54,560
Speaker 1: Will and Woody.

687
00:32:54,680 --> 00:32:57,080
Speaker 9: I'm also just a girl standing in front of.

688
00:32:57,000 --> 00:33:05,560
Speaker 1: A boy lost cute. Alrighty, Woods all these movies, yeah,

689
00:33:05,720 --> 00:33:11,240
Speaker 1: are all Julia Roberts related. Great, okay, hit she was

690
00:33:11,280 --> 00:33:13,800
Speaker 1: in your game yesterday, believe.

691
00:33:13,520 --> 00:33:13,840
Speaker 7: It or not.

692
00:33:14,440 --> 00:33:15,840
Speaker 3: But we do it every Monday. You should know the

693
00:33:15,920 --> 00:33:16,440
Speaker 3: name by now.

694
00:33:16,480 --> 00:33:18,560
Speaker 1: I just call it easy. All right, here we go,

695
00:33:19,360 --> 00:33:23,160
Speaker 1: Here we go, first movie hit Australia. Anyone can call

696
00:33:23,200 --> 00:33:28,320
Speaker 1: for anyone who six five at anytime. Economically better to

697
00:33:28,400 --> 00:33:32,480
Speaker 1: buy a carton of twelve eggs than a curtain of six.

698
00:33:33,960 --> 00:33:35,920
Speaker 3: By twelve eggs.

699
00:33:37,240 --> 00:33:41,400
Speaker 2: Then six eggs, yes.

700
00:33:41,480 --> 00:33:43,360
Speaker 1: Is yeah, twelve kids.

701
00:33:43,520 --> 00:33:44,480
Speaker 8: I couldn't keep her off me.

702
00:33:46,080 --> 00:33:48,680
Speaker 1: Very good, well done, Thank you. Now Roberts as a

703
00:33:48,840 --> 00:33:52,440
Speaker 1: kid in Aaron Rockovic and there's that's about kids as well.

704
00:33:53,160 --> 00:33:55,640
Speaker 1: Right here we go, We're going to try and go

705
00:33:55,680 --> 00:34:00,640
Speaker 1: to the song here. Girl blindsides her youngest sister for

706
00:34:00,720 --> 00:34:05,280
Speaker 1: fifteen seconds of fame. That's a movie thirteen one O

707
00:34:05,440 --> 00:34:07,240
Speaker 1: six five. If you think you know what it is,

708
00:34:07,960 --> 00:34:11,640
Speaker 1: girl blindsides her younger sister for fifteen seconds of fame,

709
00:34:12,040 --> 00:34:12,880
Speaker 1: it's lost the plot.

710
00:34:13,120 --> 00:34:16,239
Speaker 3: I realized this comes at a very time.

711
00:34:16,640 --> 00:34:18,160
Speaker 1: Will and woodis.

712
00:34:17,640 --> 00:34:19,880
Speaker 4: Also just a girl standing in front.

713
00:34:19,680 --> 00:34:20,120
Speaker 18: Of a boy.

714
00:34:20,360 --> 00:34:25,440
Speaker 1: Lock cute. All right, I'm gonna go to Ian first.

715
00:34:25,480 --> 00:34:28,160
Speaker 1: You've had a few guesses, and what's the movie there?

716
00:34:29,440 --> 00:34:30,600
Speaker 6: He's a probably woman.

717
00:34:32,000 --> 00:34:35,719
Speaker 1: No, they are Julia Roberts related movies. But you can't

718
00:34:35,840 --> 00:34:36,560
Speaker 1: just call up with.

719
00:34:39,280 --> 00:34:39,400
Speaker 13: Her.

720
00:34:39,480 --> 00:34:44,720
Speaker 2: Sister was also on the street, Richard, come for me.

721
00:34:45,120 --> 00:34:47,279
Speaker 1: She's in the b roll. She had a sister that

722
00:34:47,320 --> 00:34:48,239
Speaker 1: didn't get picked up.

723
00:34:48,920 --> 00:34:51,440
Speaker 3: Games games looks very good.

724
00:34:51,719 --> 00:34:52,080
Speaker 10: Very old.

725
00:34:54,320 --> 00:34:54,800
Speaker 18: I bothered.

726
00:34:54,920 --> 00:35:00,000
Speaker 1: Here's a tribute there you go. So yeah, yeah, sister blindside.

727
00:35:00,200 --> 00:35:02,920
Speaker 1: Now look, ordinarily I know a lot of these links. Well,

728
00:35:02,960 --> 00:35:05,080
Speaker 1: it's not a competition, mat it's just a bit of fun. Now,

729
00:35:05,200 --> 00:35:10,759
Speaker 1: ordinarily take it very What I do is I the

730
00:35:10,800 --> 00:35:13,920
Speaker 1: links are a bit tenuous between who the lost the

731
00:35:13,960 --> 00:35:17,600
Speaker 1: plots about and the actual movies. But in a movie. Sorry.

732
00:35:17,640 --> 00:35:22,960
Speaker 1: In an interview very in twenty fourteen, Julia Roberts said

733
00:35:22,960 --> 00:35:25,719
Speaker 1: she had no idea who catnus Everden was. So there

734
00:35:25,760 --> 00:35:28,200
Speaker 1: you go, final one here if we.

735
00:35:28,160 --> 00:35:31,920
Speaker 3: Can, good link, thank you, good link. Yeah, good fun factors.

736
00:35:32,400 --> 00:35:34,399
Speaker 1: Well I actually had to google Julia Roberts Hunger games

737
00:35:34,440 --> 00:35:36,120
Speaker 1: because I had nothing. And then it was like, oh,

738
00:35:36,239 --> 00:35:38,920
Speaker 1: Julia Robts doesn't know who catnus Everden is amazing. Vanity

739
00:35:38,960 --> 00:35:43,120
Speaker 1: Fair twenty fourteen article that one we use that final

740
00:35:43,160 --> 00:35:47,680
Speaker 1: one here woods, Julia Robins related hit me life isn't

741
00:35:47,760 --> 00:35:51,560
Speaker 1: going swimmingly for young women, but after meeting a boy

742
00:35:52,239 --> 00:35:54,000
Speaker 1: she starts to feel human.

743
00:35:55,360 --> 00:35:58,560
Speaker 3: Life isn't going swimmingly? Oh it's some Ariel's.

744
00:36:00,239 --> 00:36:08,120
Speaker 1: Isn't it good? Would complete now? Bonus pot. How is

745
00:36:08,200 --> 00:36:10,360
Speaker 1: Juliet Roberts related to the Little Mermade?

746
00:36:10,600 --> 00:36:15,759
Speaker 2: She actually early in her career played Aeriel Park.

747
00:36:16,600 --> 00:36:17,879
Speaker 3: No, she didn't, she did.

748
00:36:18,040 --> 00:36:20,439
Speaker 1: No, she was in the Ocean series and Little Made

749
00:36:20,440 --> 00:36:21,280
Speaker 1: takes place in the Ocean.

750
00:36:21,880 --> 00:36:22,840
Speaker 3: What the hell's the oceans?

751
00:36:23,560 --> 00:36:24,440
Speaker 1: Oceans movie?

752
00:36:24,640 --> 00:36:26,440
Speaker 11: It's well and woody.

753
00:36:27,280 --> 00:36:29,799
Speaker 2: That was big, that was really big secure in those

754
00:36:29,800 --> 00:36:33,400
Speaker 2: two Like, let's be honest. When when samanthah Jade said no,

755
00:36:33,520 --> 00:36:36,000
Speaker 2: I was worried because that's the first time.

756
00:36:35,880 --> 00:36:37,640
Speaker 3: That I was like, schedule is a big issue here.

757
00:36:37,640 --> 00:36:38,520
Speaker 3: This is such late.

758
00:36:38,360 --> 00:36:41,239
Speaker 1: Notice Like and as you said, we're mates. We're mates

759
00:36:41,280 --> 00:36:42,319
Speaker 1: with sam Jade, you know.

760
00:36:42,480 --> 00:36:43,960
Speaker 2: And I was about to say another flex here, but

761
00:36:44,000 --> 00:36:47,359
Speaker 2: like we've been interviewing musicians for quite a few years now.

762
00:36:47,360 --> 00:36:51,319
Speaker 2: We're buddy ish, like to the point where it's like

763
00:36:51,360 --> 00:36:54,120
Speaker 2: it's not so weird of us to call a lot

764
00:36:54,160 --> 00:36:56,680
Speaker 2: of like really good musicians and like, hey, could you

765
00:36:56,680 --> 00:36:57,160
Speaker 2: help us out?

766
00:36:57,280 --> 00:37:00,400
Speaker 3: I want to catch up for coffee, Like, but shed jewels.

767
00:37:00,400 --> 00:37:01,280
Speaker 3: Schedules are scary.

768
00:37:01,280 --> 00:37:04,040
Speaker 2: These positions they fly everywhere, they're into state, et cetera.

769
00:37:04,520 --> 00:37:08,720
Speaker 2: So when Samantha Jade said no, like, I was pretty stressed,

770
00:37:09,440 --> 00:37:11,920
Speaker 2: pretty stressed speaking, which is.

771
00:37:11,920 --> 00:37:13,520
Speaker 1: Which is why you reached out to Darren Hayes.

772
00:37:13,840 --> 00:37:16,799
Speaker 3: That was that was a stretch because I thought I've.

773
00:37:16,719 --> 00:37:18,520
Speaker 1: Had a great time with Darren reasently he's been very

774
00:37:18,520 --> 00:37:18,960
Speaker 1: good to us.

775
00:37:19,000 --> 00:37:20,560
Speaker 2: But I know in his voicemail he made me feel

776
00:37:20,600 --> 00:37:22,279
Speaker 2: a bit silly because in his voicemail he was like,

777
00:37:22,320 --> 00:37:25,800
Speaker 2: I'm not going to fly from la I thought he's.

778
00:37:25,800 --> 00:37:27,879
Speaker 1: Going to fly from l A to have we got

779
00:37:27,880 --> 00:37:29,560
Speaker 1: the voicemail there, I think, I think we need to

780
00:37:29,600 --> 00:37:30,319
Speaker 1: play because I mean.

781
00:37:30,320 --> 00:37:31,640
Speaker 3: Darren he made me feel silly.

782
00:37:31,719 --> 00:37:35,600
Speaker 1: Darn being Darren is but I thought he was potentially

783
00:37:35,640 --> 00:37:36,640
Speaker 1: a little bit too much fun with it.

784
00:37:37,200 --> 00:37:39,120
Speaker 4: Here it is Darren Hayes.

785
00:37:39,160 --> 00:37:39,399
Speaker 1: Listen.

786
00:37:39,680 --> 00:37:41,560
Speaker 12: Oh my god, I just had to cancel my pump

787
00:37:41,600 --> 00:37:43,399
Speaker 12: and players class to get back to you. No, I'm

788
00:37:43,440 --> 00:37:46,600
Speaker 12: not flying to Australia to go to a coffee shop

789
00:37:46,640 --> 00:37:47,560
Speaker 12: just to look at a picture of the two of

790
00:37:47,600 --> 00:37:49,800
Speaker 12: you kissing. I was very offended that I wasn't invited

791
00:37:49,840 --> 00:37:50,760
Speaker 12: to the thing anyway.

792
00:37:50,800 --> 00:37:52,840
Speaker 4: And you know what, here's the thing I've.

793
00:37:52,680 --> 00:37:54,440
Speaker 12: Been putting you guys on a pedestal for too long.

794
00:37:54,520 --> 00:37:56,280
Speaker 12: I need to get some power back in this relationship.

795
00:37:56,280 --> 00:37:58,640
Speaker 4: Okay, the world already sees me as like.

796
00:37:58,600 --> 00:38:02,200
Speaker 12: The bottom in this relationship. I'm turning you down for change.

797
00:38:02,200 --> 00:38:04,399
Speaker 12: So no, I'm not coming to your wall. I still

798
00:38:04,440 --> 00:38:06,399
Speaker 12: love you both. I didn't say that. If I did,

799
00:38:06,560 --> 00:38:07,840
Speaker 12: this is a strange relationship.

800
00:38:08,760 --> 00:38:09,640
Speaker 3: Those are quite sweet.

801
00:38:09,680 --> 00:38:15,799
Speaker 2: Really, he's a madman. But I didn't realize he was

802
00:38:15,800 --> 00:38:18,160
Speaker 2: in l A. I thought, because he's got it, we wendy.

803
00:38:17,880 --> 00:38:21,239
Speaker 1: Here, Oh that's fair here in fair.

804
00:38:21,280 --> 00:38:24,520
Speaker 2: I thought that was December, so I thought, anyway, that

805
00:38:24,600 --> 00:38:26,520
Speaker 2: was a not so a couple of nose in a row.

806
00:38:26,800 --> 00:38:27,880
Speaker 1: I don't know if we're going to be able to

807
00:38:27,880 --> 00:38:29,080
Speaker 1: go to that show. By the way, like, if he

808
00:38:29,120 --> 00:38:31,279
Speaker 1: finds out we're at that show, he'll come for us.

809
00:38:31,320 --> 00:38:32,600
Speaker 1: I don't think we're going home.

810
00:38:32,640 --> 00:38:36,720
Speaker 3: No, definitely not. We'll be staying in his penthouse sweep

811
00:38:38,120 --> 00:38:39,080
Speaker 3: penthouse guy, wouldn't it.

812
00:38:39,120 --> 00:38:39,520
Speaker 4: Yeah?

813
00:38:39,520 --> 00:38:42,400
Speaker 3: Absolutely, it'd be in the presidential suite.

814
00:38:42,120 --> 00:38:45,440
Speaker 1: Somewhere, usually stadium to it in Australia.

815
00:38:45,680 --> 00:38:47,239
Speaker 3: We're going to be like a couple of bottles in

816
00:38:47,239 --> 00:38:47,839
Speaker 3: his mini bar.

817
00:38:52,400 --> 00:38:59,640
Speaker 1: Anything from the mini bar they're still up there. Yeah,

818
00:38:59,719 --> 00:39:03,680
Speaker 1: looking to it. He's alleged, so that's going to be Yeah,

819
00:39:03,719 --> 00:39:05,680
Speaker 1: so he can't come. But then look the beaking duck

820
00:39:05,760 --> 00:39:06,360
Speaker 1: boys today.

821
00:39:07,400 --> 00:39:09,720
Speaker 3: That's just legends. Yes, such good.

822
00:39:09,880 --> 00:39:12,560
Speaker 1: Another massive faux pa on the phone, though, like if

823
00:39:12,560 --> 00:39:14,040
Speaker 1: we can talk a little bit. We didn't get to

824
00:39:14,080 --> 00:39:15,960
Speaker 1: do a debrief yesterday with you guys because we were

825
00:39:15,960 --> 00:39:22,320
Speaker 1: at Mayer, but I gave Ruben very clear instruction, Rubes,

826
00:39:22,880 --> 00:39:25,320
Speaker 1: you're coming on the show this afternoon. I'm going to

827
00:39:25,400 --> 00:39:28,920
Speaker 1: need to make you call you no doubt. I didn't

828
00:39:28,960 --> 00:39:30,680
Speaker 1: know what your responsible was from Darren Hayes, but I

829
00:39:30,680 --> 00:39:33,160
Speaker 1: assumed he lives in LA. It wasn't going to go well,

830
00:39:33,600 --> 00:39:37,560
Speaker 1: so I said to Ruben, please be casual on the phone. Yeah,

831
00:39:37,680 --> 00:39:39,719
Speaker 1: I want this to I wanted I wanted the audience to,

832
00:39:39,920 --> 00:39:42,040
Speaker 1: you know, make it. I wanted to make it sound

833
00:39:42,040 --> 00:39:45,000
Speaker 1: like we're mates, like I've called you casually. I wanted

834
00:39:45,040 --> 00:39:47,320
Speaker 1: to be the same, you know, relax for the audience.

835
00:39:48,400 --> 00:39:52,440
Speaker 1: He did the opposite. He obviously had the phone sitting

836
00:39:52,480 --> 00:39:54,600
Speaker 1: in front of him waiting for the call. I mean,

837
00:39:54,600 --> 00:39:57,600
Speaker 1: he was going live on radio and this was his

838
00:39:57,680 --> 00:39:58,720
Speaker 1: response when he answered.

839
00:39:58,719 --> 00:40:02,160
Speaker 3: It just threw the audio there. Hang on, I don't

840
00:40:02,200 --> 00:40:08,160
Speaker 3: have the audio just yet. This is a podcast debrief,

841
00:40:08,200 --> 00:40:11,200
Speaker 3: like George is like taking a lot. When we start

842
00:40:11,239 --> 00:40:13,320
Speaker 3: throwing to audio in the debrief, it's a bit harsh.

843
00:40:13,320 --> 00:40:17,000
Speaker 2: On he's hung up with his boots.

844
00:40:17,160 --> 00:40:20,920
Speaker 1: He's the best of Wood two thousand and hang on,

845
00:40:21,960 --> 00:40:23,239
Speaker 1: it's always have you found it?

846
00:40:23,719 --> 00:40:24,040
Speaker 6: Ruben?

847
00:40:24,840 --> 00:40:26,640
Speaker 1: We can ask the ham sandwich. We're can ask the

848
00:40:26,640 --> 00:40:27,200
Speaker 1: ham sandwich.

849
00:40:27,200 --> 00:40:29,040
Speaker 2: It feels like a lot of work. The hands of

850
00:40:29,080 --> 00:40:30,360
Speaker 2: the phone and went, well.

851
00:40:31,120 --> 00:40:40,360
Speaker 1: Oh my god, perfectly. Oh hello guys, we have a

852
00:40:40,400 --> 00:40:44,240
Speaker 1: favor to ask coffee tomorrow. Are you around?

853
00:40:45,840 --> 00:40:48,120
Speaker 2: Hang on, but would you also happily have your photo

854
00:40:48,200 --> 00:40:51,239
Speaker 2: taken with the cafe owner and then potentially placed.

855
00:40:50,920 --> 00:40:52,680
Speaker 3: On the wall for no remuneration?

856
00:40:56,040 --> 00:40:56,800
Speaker 1: Yes?

857
00:40:57,160 --> 00:40:57,399
Speaker 6: Yeah.

858
00:40:57,560 --> 00:41:01,640
Speaker 1: The boys came in. They ordered to sound waiges. Reuben

859
00:41:01,719 --> 00:41:03,680
Speaker 1: ordered a Reuben, which is hilarious, and.

860
00:41:03,800 --> 00:41:07,400
Speaker 2: He Adam's Reuben. And then and then they got like

861
00:41:07,440 --> 00:41:07,880
Speaker 2: the Adam.

862
00:41:08,120 --> 00:41:13,239
Speaker 1: Adam had a large chocolate chip cookie on his plate.

863
00:41:13,320 --> 00:41:13,520
Speaker 11: Yeah.

864
00:41:13,640 --> 00:41:15,600
Speaker 3: They walked out with bags of crossing.

865
00:41:17,640 --> 00:41:23,720
Speaker 1: The absolutely the joint. Yeah, we have two sandwiches, chocolate

866
00:41:23,800 --> 00:41:26,000
Speaker 1: chip cookie and everything in your cabinet.

867
00:41:26,480 --> 00:41:27,560
Speaker 3: It was just it was clinical.

868
00:41:27,719 --> 00:41:31,600
Speaker 1: The rocks us. We did say rockstar entrance. Con was impressed.

869
00:41:31,640 --> 00:41:33,200
Speaker 1: Con had no idea who they were, like Gene the

870
00:41:33,280 --> 00:41:34,719
Speaker 1: idea who they were. But true to his word, he

871
00:41:34,719 --> 00:41:36,640
Speaker 1: said he's bringing a grader in and good idea of

872
00:41:36,680 --> 00:41:37,719
Speaker 1: reading the stats.

873
00:41:37,360 --> 00:41:39,360
Speaker 3: Out at the Yeah built him right up.

874
00:41:39,400 --> 00:41:42,520
Speaker 1: Half a billion streams like wow, yeah it is so

875
00:41:43,120 --> 00:41:47,080
Speaker 1: they are. They're amazing And it was amazing and Con

876
00:41:47,120 --> 00:41:48,880
Speaker 1: was true to his words. So it's good to know

877
00:41:48,960 --> 00:41:50,960
Speaker 1: that we can bring younger people in there.

878
00:41:51,000 --> 00:41:52,000
Speaker 3: Because he will.

879
00:41:52,040 --> 00:41:55,160
Speaker 2: He will accept as long as they're a grade. It

880
00:41:55,160 --> 00:41:57,160
Speaker 2: doesn't matter if he's not a fan. Yeah, that's big.

881
00:41:57,320 --> 00:42:00,200
Speaker 2: Now let's talk brass text though, who like we've got

882
00:42:00,239 --> 00:42:03,520
Speaker 2: what it's Tuesday Friday, so Friday six pm? Might say

883
00:42:03,600 --> 00:42:05,000
Speaker 2: that cut off front because we need to do it

884
00:42:05,000 --> 00:42:09,160
Speaker 2: on the radio show. Two more people? Who are you calling?

885
00:42:09,400 --> 00:42:11,520
Speaker 3: Because I think I should probably just I think I

886
00:42:11,560 --> 00:42:13,279
Speaker 3: should back away. I think I'm a bit of a.

887
00:42:13,280 --> 00:42:16,160
Speaker 2: I'm like a poison ivy on this whole thing.

888
00:42:18,400 --> 00:42:20,239
Speaker 3: Have you? But usually i'd make a plan, like if

889
00:42:20,239 --> 00:42:21,239
Speaker 3: you know, have you got a plan?

890
00:42:21,320 --> 00:42:22,719
Speaker 1: I've got a couple of names written down.

891
00:42:23,160 --> 00:42:25,080
Speaker 3: You're not even going to bring them back back because you're.

892
00:42:25,520 --> 00:42:27,319
Speaker 1: You'll laugh at me, though you'll laugh at me.

893
00:42:27,440 --> 00:42:31,080
Speaker 2: Don't say Eldon John or Billy Joel because we're not getting.

894
00:42:32,320 --> 00:42:35,360
Speaker 1: No George, can you give me some summer rain? Just

895
00:42:35,440 --> 00:42:40,279
Speaker 1: everyone knows. I just thought summer artist. I was like, right,

896
00:42:40,320 --> 00:42:43,880
Speaker 1: we're going to need someone summer rain, summer artist, and

897
00:42:43,880 --> 00:42:45,040
Speaker 1: give me the hook if you can, George, I know

898
00:42:45,080 --> 00:42:49,480
Speaker 1: I'm putting you to work here for George, Sorry for George.

899
00:42:50,160 --> 00:42:51,239
Speaker 1: All Right, have we got it?

900
00:42:51,800 --> 00:42:52,399
Speaker 3: Summer rain?

901
00:42:53,120 --> 00:42:55,040
Speaker 1: Summer rain A.

902
00:42:55,000 --> 00:43:00,200
Speaker 3: Big like can you tell me the name? I appreciate it.

903
00:43:00,200 --> 00:43:03,800
Speaker 1: It's by Belinda Carlile, Belinda Carlyle.

904
00:43:03,880 --> 00:43:08,400
Speaker 3: Yeah, you want to get Belinda Carlyle. You want to

905
00:43:08,400 --> 00:43:10,759
Speaker 3: get Belinda Carlyle in town? Is she in town?

906
00:43:11,520 --> 00:43:13,279
Speaker 1: It's a tune, it's a chune.

907
00:43:13,320 --> 00:43:15,560
Speaker 3: She also did five thousand steps or whatever it's called,

908
00:43:15,640 --> 00:43:18,360
Speaker 3: no thing. She did one hundred miles. That was Carlos,

909
00:43:18,880 --> 00:43:20,399
Speaker 3: the Scottish guys, the Scottish guys.

910
00:43:20,480 --> 00:43:23,000
Speaker 1: Yeah, that's the p.

911
00:43:23,400 --> 00:43:28,720
Speaker 2: Famous a thousand miles, thousand miles, Sanessa Carleton, Vanessa Carlton.

912
00:43:29,560 --> 00:43:32,400
Speaker 1: This is what you're not calling the artist? Do you

913
00:43:32,560 --> 00:43:34,880
Speaker 1: give me his background music? George kept that rolling if

914
00:43:34,920 --> 00:43:38,000
Speaker 1: you like so you're going to call Belinda Carlyle, Belinda Carlisle.

915
00:43:38,200 --> 00:43:43,360
Speaker 1: I'll just check she's still alive. She no, she's American.

916
00:43:43,960 --> 00:43:44,839
Speaker 1: But I think she'd be good.

917
00:43:44,880 --> 00:43:46,920
Speaker 2: I think we've learned from Darren Hayes that think she's

918
00:43:46,960 --> 00:43:48,319
Speaker 2: going to fly overseas.

919
00:43:48,600 --> 00:43:51,800
Speaker 1: She's only sixty four, So I opon Carlyle would be

920
00:43:51,840 --> 00:43:52,319
Speaker 1: a good one.

921
00:43:52,520 --> 00:43:53,520
Speaker 3: Belinda Carlyle.

922
00:43:53,560 --> 00:43:55,600
Speaker 1: Yeah, man, have listen to this tune Crank George, I

923
00:43:55,719 --> 00:43:58,520
Speaker 1: like you have listen. This is an unbeltable imagine if

924
00:43:58,560 --> 00:44:02,400
Speaker 1: she walks into the cafe singing with me was hold

925
00:44:02,440 --> 00:44:03,320
Speaker 1: on Love.

926
00:44:04,960 --> 00:44:12,960
Speaker 2: Team say somewhere away?

927
00:44:13,200 --> 00:44:16,319
Speaker 3: Stands it with the sun wreck?

928
00:44:16,600 --> 00:44:16,839
Speaker 6: Alright?

929
00:44:16,960 --> 00:44:17,359
Speaker 1: So hard?

930
00:44:17,400 --> 00:44:21,120
Speaker 2: That is ship A sixty four year old like, that's shipper,

931
00:44:21,480 --> 00:44:21,959
Speaker 2: that's a beach.

932
00:44:22,239 --> 00:44:27,160
Speaker 1: Just get on a plane. You shouldn't played contact Foix.

933
00:44:27,719 --> 00:44:30,920
Speaker 1: I've got a sixty four year old Los Angeles. If

934
00:44:30,920 --> 00:44:39,560
Speaker 1: you could bag a tagger and dragon budget from God

935
00:44:39,600 --> 00:44:44,120
Speaker 1: from the Fright Company. So you guys, the fell at

936
00:44:44,120 --> 00:44:53,080
Speaker 1: the back of the gone excuse try to go. That's

937
00:44:53,120 --> 00:44:56,920
Speaker 1: like a thousand miles that some bad things bulling off ships.

938
00:44:56,960 --> 00:45:06,120
Speaker 1: But Belinda col oh, God, okay, so calling her tomorrow

939
00:45:06,840 --> 00:45:24,600
Speaker 1: on the list, she would be good. Yeah, carl Craig somewhere.

940
00:45:30,840 --> 00:45:33,920
Speaker 1: Really a couple of options. Carlile's up there, She's not

941
00:45:34,760 --> 00:45:35,840
Speaker 1: call her out of the marri.

942
00:45:37,880 --> 00:45:40,480
Speaker 3: Let's call her. We have to call her now, Carlisle,

943
00:45:41,040 --> 00:45:41,440
Speaker 3: we have to.

944
00:45:42,960 --> 00:45:46,759
Speaker 1: Ol JJ are we only contact with Belinda Carlisle? Like

945
00:45:46,960 --> 00:45:47,960
Speaker 1: we any chance.

946
00:45:48,440 --> 00:45:53,480
Speaker 3: Getting there on the phone before Friday? Yeah, tomorrow, preferably.

947
00:45:55,120 --> 00:45:58,000
Speaker 3: Try what do I always say, shoot for the stars boys.

948
00:45:58,000 --> 00:46:01,200
Speaker 1: Let's try Jesus issued for the bottom of the sea.

949
00:46:02,719 --> 00:46:05,480
Speaker 1: You might be there anyway. Yeah, she's good. Obviously. A

950
00:46:05,520 --> 00:46:07,680
Speaker 1: couple of the big A greats that I'm lining up

951
00:46:08,000 --> 00:46:08,400
Speaker 1: chats with.

952
00:46:10,080 --> 00:46:12,560
Speaker 3: One name is realistic, okay, No.

953
00:46:12,600 --> 00:46:14,880
Speaker 1: A few others that I've got thoughts on. Give me one.

954
00:46:14,920 --> 00:46:16,160
Speaker 1: Do you want to do you want to actually know

955
00:46:16,200 --> 00:46:17,279
Speaker 1: who I'm actually angling at.

956
00:46:17,360 --> 00:46:18,359
Speaker 3: I would might just give you one.

957
00:46:18,480 --> 00:46:19,920
Speaker 1: I don't want to ruin it for the audience.

958
00:46:20,239 --> 00:46:21,480
Speaker 3: I think the audience there's some hope.

959
00:46:21,760 --> 00:46:24,560
Speaker 1: Okay, Well, one of them is a genuine surprise, so

960
00:46:24,640 --> 00:46:26,160
Speaker 1: I'm not going to tell you guys who that is.

961
00:46:26,760 --> 00:46:27,960
Speaker 1: That'll be later in the week.

962
00:46:28,400 --> 00:46:29,920
Speaker 3: Can you can handle one of these to me? I

963
00:46:29,960 --> 00:46:30,680
Speaker 3: wouldn't mind to win.

964
00:46:32,160 --> 00:46:37,680
Speaker 1: You know, you ruin every day well you can have Okay, Well, kidman,

965
00:46:37,800 --> 00:46:39,279
Speaker 1: she's talking my list, so you can.

966
00:46:39,600 --> 00:46:42,200
Speaker 3: It's a joke, joke. You want me to fail, you're

967
00:46:42,200 --> 00:46:42,560
Speaker 3: setting me.

968
00:46:43,120 --> 00:46:44,480
Speaker 1: I think that would be good. I think that'd be

969
00:46:44,520 --> 00:46:47,480
Speaker 1: a good call for you. We've spoken about her.

970
00:46:47,560 --> 00:46:48,880
Speaker 3: Now I could call Danny Minoakye.

971
00:46:48,960 --> 00:46:51,000
Speaker 1: I could thank you. I would actually like that to happen.

972
00:46:51,120 --> 00:46:54,240
Speaker 3: Done, Dan oak perfect, that's your job. Well, no, because

973
00:46:54,239 --> 00:46:57,719
Speaker 3: that manager is friendly. And I'll call Mark tomorrow. I'll

974
00:46:57,719 --> 00:47:01,839
Speaker 3: put on the list. Great Siri, Siriah cool Mark tomorrow morning.

975
00:47:02,320 --> 00:47:03,759
Speaker 3: Darry Entry, how do you do that?

976
00:47:07,560 --> 00:47:08,960
Speaker 1: Say tomorrow guy? Tune the guy.

977
00:47:09,640 --> 00:47:09,799
Speaker 5: It's