1 00:00:00,120 --> 00:00:01,440 Speaker 1: Well, Amanda, what a podcast? 2 00:00:01,880 --> 00:00:05,360 Speaker 2: What a podcast? I found an old new weekly magazine 3 00:00:05,360 --> 00:00:08,440 Speaker 2: from nineteen ninety eight in which I'd done heaps featured 4 00:00:08,480 --> 00:00:12,000 Speaker 2: and stuff. I talk us through the nostalgia from nineteen 5 00:00:12,080 --> 00:00:14,440 Speaker 2: ninety eight. And you seem to have awful things to 6 00:00:14,480 --> 00:00:16,240 Speaker 2: say about most of the people in that magazine. 7 00:00:16,400 --> 00:00:17,840 Speaker 1: Just a lot of people that have passed away. 8 00:00:17,920 --> 00:00:20,239 Speaker 2: Yes, you don't need to mention awful things about them. 9 00:00:20,320 --> 00:00:22,280 Speaker 1: On the upside, your dress sense has come a long 10 00:00:22,320 --> 00:00:23,160 Speaker 1: way since back then. 11 00:00:23,760 --> 00:00:26,360 Speaker 2: I'll tell you what I wore the most shapeless clothes. 12 00:00:26,760 --> 00:00:27,639 Speaker 2: I look like a boy. 13 00:00:27,760 --> 00:00:28,560 Speaker 1: Actually, I look like. 14 00:00:28,560 --> 00:00:30,280 Speaker 2: Big care Of used to sell cleaning product. 15 00:00:30,400 --> 00:00:32,680 Speaker 1: Do you have a body under that journalmous shirt? 16 00:00:32,800 --> 00:00:34,920 Speaker 2: Dare you talk to me like that? And that's the 17 00:00:35,040 --> 00:00:36,120 Speaker 2: nicest stuff he said? 18 00:00:37,280 --> 00:00:40,600 Speaker 1: The pub test This is thanks to our newsreader Natasha Lee. 19 00:00:40,600 --> 00:00:43,600 Speaker 1: Convoluted chip flavors. Do they pass the pub test? 20 00:00:43,680 --> 00:00:47,320 Speaker 2: Em mcgillespie, our entertainment guru, talks about Baby Reindeer. This 21 00:00:47,400 --> 00:00:51,280 Speaker 2: is a hit Netflix series. It's an incredible show, but 22 00:00:51,320 --> 00:00:53,519 Speaker 2: there's also another story around it because it is a 23 00:00:53,560 --> 00:00:56,760 Speaker 2: true story and lots of people have done home sleuthing 24 00:00:56,840 --> 00:00:58,560 Speaker 2: to find out who the people are and the creators 25 00:00:58,560 --> 00:01:00,760 Speaker 2: are going don't do that? Well, how do we not? 26 00:01:01,040 --> 00:01:02,240 Speaker 2: So we'll talk about all of that. 27 00:01:02,360 --> 00:01:04,800 Speaker 1: The Minister for Women, Jody Harrison will be talking. As 28 00:01:04,840 --> 00:01:06,839 Speaker 1: the government has announced they're going to spend two hundred 29 00:01:06,840 --> 00:01:10,000 Speaker 1: and thirty million dollars on solving our DV. 30 00:01:09,880 --> 00:01:14,000 Speaker 2: Crisis, not solving initiatives towards it. And where exactly is 31 00:01:14,040 --> 00:01:14,800 Speaker 2: that money going. 32 00:01:14,840 --> 00:01:17,680 Speaker 1: I would say, let's start with our crazy lax bail laws. 33 00:01:17,720 --> 00:01:21,400 Speaker 1: Let's work on that. Also, what's freedom mean to you? 34 00:01:21,560 --> 00:01:25,120 Speaker 1: Furniture and Tucker Carlson, He's coming to town for a 35 00:01:25,160 --> 00:01:27,240 Speaker 1: freedom conference. The big question I want to know is 36 00:01:27,400 --> 00:01:29,840 Speaker 1: what freedoms have been taken away from me? Lately? All 37 00:01:29,880 --> 00:01:32,280 Speaker 1: I could think about is just one particular drink that 38 00:01:32,280 --> 00:01:33,920 Speaker 1: I would like to get after a certain time of 39 00:01:34,000 --> 00:01:35,880 Speaker 1: night when I'm at a pub. Can I bring that 40 00:01:36,000 --> 00:01:45,480 Speaker 1: up at the conference? You can enjoy the podcast everybody online. 41 00:01:47,240 --> 00:01:49,360 Speaker 1: I dot now that a miracle of recording. We have 42 00:01:49,480 --> 00:01:51,360 Speaker 1: so many requests for them to do it again. 43 00:01:51,480 --> 00:01:55,360 Speaker 3: Mistress Amanda's MS killer Amanda doesn't work alone. 44 00:01:56,840 --> 00:01:59,919 Speaker 4: Good friend in aroom making the tools of the trade. 45 00:02:00,000 --> 00:02:04,160 Speaker 5: I've heard them describe him as a drunken idiot, the 46 00:02:04,240 --> 00:02:08,079 Speaker 5: legendary party, Jonesy, Amanda the actress. 47 00:02:08,120 --> 00:02:12,320 Speaker 6: Congratulations, we're right now, Jonesy and Amanda, you're doing a 48 00:02:12,360 --> 00:02:12,880 Speaker 6: great job. 49 00:02:13,440 --> 00:02:16,280 Speaker 2: It could be for anyone but your Selfie Giant Now 50 00:02:16,360 --> 00:02:18,080 Speaker 2: the good radio. 51 00:02:18,320 --> 00:02:25,600 Speaker 6: Sorry, but if a tangle to twist set and Amanda's. 52 00:02:24,120 --> 00:02:28,320 Speaker 1: Shoot Timy, we're on the air. Hello, Amanda, how are 53 00:02:28,320 --> 00:02:28,680 Speaker 1: you today? 54 00:02:28,960 --> 00:02:29,120 Speaker 7: Well? 55 00:02:29,120 --> 00:02:29,960 Speaker 2: And how are you going? 56 00:02:30,040 --> 00:02:32,800 Speaker 1: I have my first complaint about the new location. 57 00:02:33,480 --> 00:02:34,040 Speaker 2: What's happened? 58 00:02:34,160 --> 00:02:35,680 Speaker 1: Had to be funnel next story. 59 00:02:35,720 --> 00:02:38,760 Speaker 2: We've moved from from North Ryde to North Sydney. 60 00:02:38,880 --> 00:02:40,919 Speaker 1: Yeah, okay, over to you. What's come up in the world? 61 00:02:40,960 --> 00:02:41,640 Speaker 2: What's the problem? 62 00:02:41,880 --> 00:02:43,600 Speaker 1: I love this place. I love this place, I love 63 00:02:43,639 --> 00:02:45,000 Speaker 1: the building, I love looking at. 64 00:02:44,880 --> 00:02:47,160 Speaker 2: You've counted how many less traffic lights it is. 65 00:02:47,160 --> 00:02:50,040 Speaker 1: For you between Cronulla and North Ride. Seventy six traffic 66 00:02:50,080 --> 00:02:54,120 Speaker 1: lights it used to be yep, now twenty six traffic lights. 67 00:02:54,480 --> 00:02:56,080 Speaker 1: Fifty traffic lights are gone. 68 00:02:56,160 --> 00:02:56,960 Speaker 2: Savant much. 69 00:02:57,480 --> 00:03:00,440 Speaker 1: It's twenty k's less today that I have to travel, 70 00:03:01,000 --> 00:03:04,160 Speaker 1: and it's an easy trip. Took me well, usually will 71 00:03:04,200 --> 00:03:06,720 Speaker 1: take me about twenty seven minutes to get here, which 72 00:03:06,760 --> 00:03:12,440 Speaker 1: is pretty good. But today such specifics twenty seven minutes 73 00:03:12,720 --> 00:03:15,480 Speaker 1: fifty eight traffic lights twenty six? 74 00:03:15,600 --> 00:03:16,760 Speaker 2: Oh sorry, my mistake. 75 00:03:17,800 --> 00:03:20,799 Speaker 1: But today the Eastern distributor was closed. I think they 76 00:03:20,800 --> 00:03:25,040 Speaker 1: were topping up these speed camera fluid in the tunnels 77 00:03:25,480 --> 00:03:27,360 Speaker 1: and it was blocked, so I had to go along 78 00:03:27,600 --> 00:03:32,480 Speaker 1: Southern Cross Drive and then up through what's that raid? Calld? 79 00:03:32,520 --> 00:03:34,760 Speaker 2: You know did you have to take? Because this us 80 00:03:34,840 --> 00:03:37,760 Speaker 2: happened when I was driving from Couldji through this morning. 81 00:03:37,760 --> 00:03:40,640 Speaker 2: It must have opened just after you. But so you 82 00:03:40,760 --> 00:03:43,720 Speaker 2: had to take was it Flinders Street? Down to Oxford Street, 83 00:03:43,880 --> 00:03:48,560 Speaker 2: turn left, turn right, then into College Street and then 84 00:03:48,800 --> 00:03:51,680 Speaker 2: vier Your way around was Carl Expressway. 85 00:03:51,800 --> 00:03:54,040 Speaker 1: So first thing, a guy in an Audi almost kills me. 86 00:03:54,920 --> 00:03:56,880 Speaker 2: Well, he was probably not sure where he was going on. 87 00:03:57,040 --> 00:03:58,520 Speaker 1: That's all well and good. But when I don't have 88 00:03:58,560 --> 00:04:00,640 Speaker 1: a leg and a spleen left, thanks mate, just check 89 00:04:00,680 --> 00:04:03,160 Speaker 1: your mirror. So I gave him a gobful and then 90 00:04:03,560 --> 00:04:07,480 Speaker 1: I'm traveling down Oxford Street. When did they become forty k? 91 00:04:08,080 --> 00:04:10,600 Speaker 2: That's what I've been done. I got a speeding ticket 92 00:04:10,600 --> 00:04:13,040 Speaker 2: then because I said the same thing, when did this 93 00:04:13,120 --> 00:04:17,560 Speaker 2: become forty k's it's almost like driving backwards at that time, Jay. 94 00:04:17,800 --> 00:04:20,599 Speaker 1: And all those people that are wandering through Oxford Street. 95 00:04:20,720 --> 00:04:23,080 Speaker 1: It's like going through the last of us. All these 96 00:04:23,080 --> 00:04:26,599 Speaker 1: clickers just walking around on the street. Get off the road, 97 00:04:27,279 --> 00:04:32,400 Speaker 1: get a job, a job. It's Tuesday morning, although Shaw 98 00:04:32,400 --> 00:04:34,960 Speaker 1: and Fraser around Newsreader pointed out every night it's a 99 00:04:35,000 --> 00:04:38,320 Speaker 1: Saturday night for them walking around that anyway, that's what 100 00:04:38,400 --> 00:04:38,760 Speaker 1: it make you. 101 00:04:38,760 --> 00:04:40,799 Speaker 2: Feel virtuous, because we I used to see people staggering 102 00:04:40,800 --> 00:04:43,680 Speaker 2: around Oxford Street. I would think, well, I've been up, 103 00:04:43,720 --> 00:04:47,080 Speaker 2: I've had a shower, I'm sober. I became everyone's grandmother. 104 00:04:48,000 --> 00:04:50,440 Speaker 1: Well there's a place selling pizza that looks all right. 105 00:04:51,400 --> 00:04:55,720 Speaker 1: Pizza at ten four yea burning breakfast pizza sounds all right. 106 00:04:55,760 --> 00:04:57,640 Speaker 2: The craffast pizza on me, that's on the road. 107 00:04:57,920 --> 00:05:01,839 Speaker 1: The coffee's hot and the pizza's brow. That's my only complaint. 108 00:05:02,320 --> 00:05:03,080 Speaker 1: What about you. 109 00:05:03,240 --> 00:05:05,320 Speaker 2: I don't have any complaints, though. I am still trying 110 00:05:05,360 --> 00:05:08,640 Speaker 2: to work out my trajectory around the building in terms 111 00:05:08,680 --> 00:05:11,200 Speaker 2: of going to the loo making a cup of tea, 112 00:05:11,200 --> 00:05:13,760 Speaker 2: because we don't have long when the news is on 113 00:05:13,839 --> 00:05:15,920 Speaker 2: or the songs are on, I've just quickly got to 114 00:05:16,040 --> 00:05:17,720 Speaker 2: rush to the loo or make a cup of tea. 115 00:05:18,080 --> 00:05:22,240 Speaker 2: I haven't worked out ergonomically how to best do it. 116 00:05:22,320 --> 00:05:23,600 Speaker 1: You worked out where the toilets were. 117 00:05:24,080 --> 00:05:26,760 Speaker 2: I almost went in the electrical cupboard with one that 118 00:05:26,800 --> 00:05:29,320 Speaker 2: could have been better. And I'm struggling with the recycling bins. 119 00:05:29,440 --> 00:05:31,840 Speaker 2: My brain just shuts down. When we first moved into 120 00:05:31,880 --> 00:05:34,760 Speaker 2: the building, we're all given a not an inoculation what's 121 00:05:34,760 --> 00:05:37,880 Speaker 2: the word we orientation and you had to sign off 122 00:05:37,920 --> 00:05:39,760 Speaker 2: that you've done it. And then you've got a kick cup. 123 00:05:39,800 --> 00:05:41,680 Speaker 2: If you'd signed off you haven't done that. You get 124 00:05:41,720 --> 00:05:42,880 Speaker 2: to learn how to sit on a chair. And I 125 00:05:42,920 --> 00:05:46,760 Speaker 2: wish I was joking. And then there's four different cycling 126 00:05:46,800 --> 00:05:50,520 Speaker 2: bins and you've been told that the buildings will not 127 00:05:50,680 --> 00:05:53,440 Speaker 2: sue you. What's the word fine you if you don't 128 00:05:53,480 --> 00:05:58,280 Speaker 2: follow protocol. There's mixed recycling, just a bit of glass recycling, 129 00:05:58,760 --> 00:06:03,000 Speaker 2: something else and phil and blah blah. I look at 130 00:06:03,040 --> 00:06:06,159 Speaker 2: them and my brain just stops. Yeah, where do I 131 00:06:06,160 --> 00:06:06,479 Speaker 2: put me? 132 00:06:06,560 --> 00:06:10,480 Speaker 1: Jump allow? 133 00:06:10,560 --> 00:06:11,960 Speaker 2: So that's what I'm trying to get used to. The 134 00:06:12,040 --> 00:06:13,600 Speaker 2: junk b Yeah, that's what I'm trying to get used 135 00:06:13,600 --> 00:06:15,280 Speaker 2: to it. And the landfill bin is the only one 136 00:06:15,279 --> 00:06:17,080 Speaker 2: that has a lid that's always closed, and that's the 137 00:06:17,080 --> 00:06:18,719 Speaker 2: one you've got to drop a tea bag in your hands? 138 00:06:18,720 --> 00:06:20,760 Speaker 2: Are busy all that stuff? Yeah, well the tea bag's 139 00:06:20,800 --> 00:06:21,480 Speaker 2: go in organics. 140 00:06:21,600 --> 00:06:22,920 Speaker 1: There's a Seabaggs's Organic. 141 00:06:22,960 --> 00:06:23,880 Speaker 2: But there's staples on that. 142 00:06:24,040 --> 00:06:26,440 Speaker 1: No, that's it, that's staple. It's fine, it's tiny. It'll 143 00:06:26,480 --> 00:06:31,880 Speaker 1: break down like me eventually, will break down like you 144 00:06:32,000 --> 00:06:35,120 Speaker 1: traveling down Oxford Street at forty K's Brown. We've got 145 00:06:35,160 --> 00:06:37,479 Speaker 1: an action packed show today. Coming up on the show 146 00:06:37,560 --> 00:06:40,280 Speaker 1: is Emma Gillespie. We're going to talk about Baby Reindeer. 147 00:06:40,279 --> 00:06:42,120 Speaker 1: I've been watching that well. 148 00:06:41,920 --> 00:06:44,320 Speaker 2: This If you haven't watched it, don't worry that you'll 149 00:06:44,320 --> 00:06:47,800 Speaker 2: be left out of the conversation because there's another bushfire 150 00:06:47,839 --> 00:06:50,520 Speaker 2: that started up around it. That's a very interesting conversation 151 00:06:50,560 --> 00:06:51,640 Speaker 2: to be had about Netflix. 152 00:06:51,720 --> 00:06:54,880 Speaker 1: Also, the new South Wales Minister for Women, Jody Harrison, 153 00:06:54,960 --> 00:06:56,560 Speaker 1: is going to be joining us. This is to crow 154 00:06:56,640 --> 00:06:59,919 Speaker 1: about the money that they're putting into domestic violence, the Albanezi. 155 00:07:00,360 --> 00:07:02,400 Speaker 2: It's fair to say Crow. We've asked them, we've asked 156 00:07:02,440 --> 00:07:04,240 Speaker 2: them to invest and we want to hear what they're doing. 157 00:07:04,240 --> 00:07:06,080 Speaker 1: But I want to talk. I would like to talk 158 00:07:06,120 --> 00:07:07,760 Speaker 1: to Jody about what are they doing about the bail 159 00:07:07,920 --> 00:07:09,520 Speaker 1: we sure ask of that are they putting any of 160 00:07:09,560 --> 00:07:12,520 Speaker 1: this money into our fractured court system. Ask of that 161 00:07:13,080 --> 00:07:15,960 Speaker 1: Instagram makes us return and we can't do anything until 162 00:07:16,040 --> 00:07:17,520 Speaker 1: we do the magnificent. 163 00:07:17,040 --> 00:07:20,040 Speaker 2: Seven question One Mother's Day is fast approaching? What date 164 00:07:20,400 --> 00:07:22,360 Speaker 2: does it fall on this year? What day and date? 165 00:07:22,440 --> 00:07:24,920 Speaker 1: Why don't you give us a call? Giray suddenly going, 166 00:07:24,960 --> 00:07:28,320 Speaker 1: who what it's not? It's not it is a Sunday. 167 00:07:28,960 --> 00:07:30,840 Speaker 2: Well, why don't you just give the answer? 168 00:07:31,480 --> 00:07:33,080 Speaker 1: That's not the date. I haven't given the data. 169 00:07:33,120 --> 00:07:39,600 Speaker 2: Way, it's cool if you want to, you know, really really. 170 00:07:39,640 --> 00:07:42,040 Speaker 1: Man is traveling down Oxford Street at forty. 171 00:07:41,840 --> 00:07:43,760 Speaker 2: I dream of doing that right now. 172 00:07:44,680 --> 00:07:48,120 Speaker 1: Where any of them? There are seven questions? Can you 173 00:07:48,160 --> 00:07:50,080 Speaker 1: go all the way and answer all seven questions correctly? 174 00:07:50,080 --> 00:07:51,480 Speaker 1: If you do that, a man will say. 175 00:07:51,440 --> 00:07:55,440 Speaker 2: You know, Alexander Graham Bell said, I'm working on this 176 00:07:55,760 --> 00:07:59,520 Speaker 2: inventing a telephone, and his brother Taco said, I'm also 177 00:07:59,520 --> 00:08:03,640 Speaker 2: working on some pretty big stuff. Let's tell that correctly. 178 00:08:04,240 --> 00:08:05,320 Speaker 2: I just read it on a meme. 179 00:08:05,520 --> 00:08:06,240 Speaker 1: Yeah, I like it. 180 00:08:06,240 --> 00:08:07,480 Speaker 2: It works better when you see it written. 181 00:08:07,600 --> 00:08:10,960 Speaker 1: Yeah, I know, but I get the sentiment. But it's 182 00:08:10,960 --> 00:08:13,720 Speaker 1: about getting question seven right. Stephen is in page War. 183 00:08:13,640 --> 00:08:19,280 Speaker 2: Hello, Stephen, Good morning guys. Now Jones it is and 184 00:08:19,400 --> 00:08:21,400 Speaker 2: Jones has done half that work for you. Yes, it is. 185 00:08:21,400 --> 00:08:25,320 Speaker 2: This Sunday. Everyone stay alert this Mother's Day, this Sunday. 186 00:08:25,000 --> 00:08:27,240 Speaker 1: And get yourself. You get your mom some good stuff. 187 00:08:26,960 --> 00:08:30,480 Speaker 2: Get yourself some good stuff. What a giveaway? Brenda? Question 188 00:08:30,560 --> 00:08:33,400 Speaker 2: number two? The Starry Night is a famous painting by 189 00:08:33,400 --> 00:08:34,559 Speaker 2: which artist? Stephen? 190 00:08:36,360 --> 00:08:37,040 Speaker 1: Which artist? 191 00:08:40,200 --> 00:08:41,000 Speaker 7: I don't know that one? 192 00:08:41,280 --> 00:08:42,040 Speaker 2: Sorry, Stephen. 193 00:08:43,160 --> 00:08:44,480 Speaker 1: Kathleen's in camps. 194 00:08:44,280 --> 00:08:48,080 Speaker 2: Hi, Kathleen, Hello, Hello? The Starry Night is a famous 195 00:08:48,080 --> 00:08:49,920 Speaker 2: painting by which artist? 196 00:08:50,360 --> 00:08:50,680 Speaker 8: Vincent? 197 00:08:51,280 --> 00:08:51,679 Speaker 2: That's it. 198 00:08:52,400 --> 00:08:53,439 Speaker 1: Let's play riffra. 199 00:09:00,000 --> 00:09:00,360 Speaker 9: Got to keep? 200 00:09:01,559 --> 00:09:03,439 Speaker 2: Okay, Catherine, what song has this riff? 201 00:09:08,720 --> 00:09:13,240 Speaker 1: You call this a riff? Kathleen? 202 00:09:13,280 --> 00:09:14,000 Speaker 2: What's that song? 203 00:09:15,320 --> 00:09:16,199 Speaker 10: The Crowded House? 204 00:09:18,720 --> 00:09:18,880 Speaker 11: Ah? 205 00:09:21,679 --> 00:09:22,920 Speaker 2: Sorry, Kathleen, I. 206 00:09:22,840 --> 00:09:23,800 Speaker 1: Don't know if that's a riff? 207 00:09:24,600 --> 00:09:29,959 Speaker 2: What's the difference between a river? So if I was 208 00:09:30,000 --> 00:09:31,880 Speaker 2: to look up the title of riff, that would what 209 00:09:32,000 --> 00:09:37,800 Speaker 2: that be? That's Ryan? Can you google for us right 210 00:09:37,800 --> 00:09:38,840 Speaker 2: now the definition of risk? 211 00:09:38,960 --> 00:09:42,679 Speaker 1: Find that? Okay? Ryan? Why are you doing that? Play 212 00:09:42,720 --> 00:09:45,440 Speaker 1: that button again? What's that? I know you're doing two 213 00:09:45,520 --> 00:09:50,199 Speaker 1: things at once? Okay? Does that sound like. 214 00:09:51,840 --> 00:09:53,720 Speaker 2: Only one song has the riff you're talking about? 215 00:09:53,760 --> 00:09:55,679 Speaker 1: That's hi way to hell that I'm doing. I'm just 216 00:09:55,720 --> 00:09:57,080 Speaker 1: saying we've got to choose these. 217 00:09:57,480 --> 00:10:05,760 Speaker 11: Riff short repeated pray yeah in popular that anyway. 218 00:10:03,800 --> 00:10:08,160 Speaker 2: What song is it? Give us a call podcast. 219 00:10:08,240 --> 00:10:10,439 Speaker 1: We're into the Magnificent seven and we find ourselves a 220 00:10:10,520 --> 00:10:19,400 Speaker 1: question number three. We're playing riff rash, got to. 221 00:10:19,400 --> 00:10:20,120 Speaker 9: Keep the riffron. 222 00:10:21,440 --> 00:10:23,120 Speaker 2: The question is what is this riff? 223 00:10:32,040 --> 00:10:34,880 Speaker 1: We've had some arguments about that's not actually a riff. 224 00:10:35,000 --> 00:10:36,520 Speaker 1: Jemi Ri's been shook. 225 00:10:36,760 --> 00:10:39,480 Speaker 2: So riff is a repetitive beat of music. 226 00:10:39,559 --> 00:10:41,440 Speaker 1: Well, let's say if Rick and Marulan can get this. 227 00:10:41,559 --> 00:10:45,120 Speaker 12: Hello, Rick, Paul and Marlin get it right? 228 00:10:47,600 --> 00:10:49,400 Speaker 1: I know it says Paul and marul And I don't 229 00:10:49,480 --> 00:10:50,280 Speaker 1: know where Rick came. 230 00:10:50,400 --> 00:10:52,240 Speaker 2: No, hello, Paul, do you know what the song is? 231 00:10:52,280 --> 00:10:53,080 Speaker 2: Can you get it right? 232 00:10:53,960 --> 00:10:56,600 Speaker 12: Even though it's not a riff? A true risk, it's 233 00:10:56,640 --> 00:10:59,040 Speaker 12: a Paul that you see bulls come. 234 00:10:58,920 --> 00:11:00,880 Speaker 2: Out fighting, Paul Spicy. 235 00:11:03,280 --> 00:11:06,600 Speaker 1: If that's his real name, But you're right, you will agree, Paul. 236 00:11:07,240 --> 00:11:10,000 Speaker 1: Can I just for education for Jimirah because he doesn't 237 00:11:10,200 --> 00:11:13,800 Speaker 1: know a lot of stuff. This is a riff. That's 238 00:11:14,000 --> 00:11:20,240 Speaker 1: a riff. Okay, this is a riff. That's this is 239 00:11:20,280 --> 00:11:20,720 Speaker 1: a riff? 240 00:11:22,679 --> 00:11:23,600 Speaker 2: Is it all a CDC? 241 00:11:23,800 --> 00:11:25,480 Speaker 1: This is a riff? 242 00:11:29,400 --> 00:11:30,120 Speaker 2: Yeah? 243 00:11:30,160 --> 00:11:33,280 Speaker 11: And your point, well, okay, that's a riff, and technically 244 00:11:33,400 --> 00:11:34,040 Speaker 11: this is a riff. 245 00:11:40,040 --> 00:11:41,800 Speaker 2: It's my favorite a CD song. 246 00:11:43,120 --> 00:11:44,520 Speaker 1: Maybe I should do the music question. 247 00:11:45,000 --> 00:11:47,880 Speaker 2: Here's question number four. This is multiple choice for you. Actually, 248 00:11:47,920 --> 00:11:52,160 Speaker 2: it's another musical question. In the song Escape by Rupert Holmes, 249 00:11:52,440 --> 00:11:54,880 Speaker 2: which of these things is listed as something he likes? 250 00:11:55,040 --> 00:11:59,760 Speaker 2: A health food, b yoga, see champagne, which is the 251 00:11:59,800 --> 00:12:00,840 Speaker 2: thing he likes. 252 00:12:03,880 --> 00:12:07,760 Speaker 12: I'm gonna guess, no idea, Let's go champagne. 253 00:12:07,880 --> 00:12:15,080 Speaker 1: Yes, like yoga as well? 254 00:12:15,400 --> 00:12:17,280 Speaker 2: You like to make it out of said if you're 255 00:12:17,360 --> 00:12:19,640 Speaker 2: not into yoga with your yoga pants. 256 00:12:19,760 --> 00:12:21,840 Speaker 1: I don't know about making out in the dunes. 257 00:12:21,600 --> 00:12:23,080 Speaker 2: No, no one likes. 258 00:12:23,200 --> 00:12:25,160 Speaker 1: Well, have you ever had it off in the sand? 259 00:12:25,440 --> 00:12:29,320 Speaker 2: Well, making out doesn't always mean having it off, Okay. 260 00:12:29,480 --> 00:12:29,560 Speaker 4: So. 261 00:12:31,160 --> 00:12:34,439 Speaker 2: Passing is one thing, Paul of you of that. 262 00:12:35,040 --> 00:12:37,000 Speaker 12: You don't want sand in your bump crpe. 263 00:12:37,040 --> 00:12:38,840 Speaker 2: No, that's why you keep your yoga pants on. 264 00:12:38,960 --> 00:12:41,559 Speaker 1: So we're presuming Paul's done all that you've gone into it. 265 00:12:42,760 --> 00:12:45,040 Speaker 12: Hey, I cannot concern nor deny that question. 266 00:12:45,400 --> 00:12:46,120 Speaker 2: Question number fine. 267 00:12:46,120 --> 00:12:48,720 Speaker 1: I'm putting that down and say, yes, a super. 268 00:12:48,440 --> 00:12:50,960 Speaker 2: Soaker is what kind of toy. 269 00:12:52,840 --> 00:12:53,640 Speaker 12: A water pistol? 270 00:12:53,760 --> 00:12:54,880 Speaker 2: Yeah, water gun? 271 00:12:55,040 --> 00:12:55,760 Speaker 1: So what you call it? 272 00:12:55,760 --> 00:13:01,440 Speaker 2: Paul onto this grubby? Leave Paul alone? 273 00:13:01,559 --> 00:13:05,320 Speaker 1: Go and it works for everyone else. Which Heritage listed 274 00:13:05,360 --> 00:13:08,199 Speaker 1: theater is found on forty seven to fifty on Market 275 00:13:08,240 --> 00:13:10,040 Speaker 1: Street in the Sydney CBD. 276 00:13:13,440 --> 00:13:13,600 Speaker 13: Oh? 277 00:13:13,920 --> 00:13:17,000 Speaker 12: What is the railway yards? 278 00:13:18,880 --> 00:13:20,720 Speaker 2: Which the theater is in Market Streets? 279 00:13:20,720 --> 00:13:23,560 Speaker 1: Pretty much the question Michelle Aisenson, Mary, I'm. 280 00:13:23,480 --> 00:13:29,360 Speaker 2: Michelle, good morning. Which heritage listed theater isn't Market Street 281 00:13:32,000 --> 00:13:32,640 Speaker 2: in the CBD? 282 00:13:34,040 --> 00:13:35,040 Speaker 1: Denise is in Blacket? 283 00:13:35,160 --> 00:13:38,880 Speaker 2: Hi, Denise? Do you know the state theater? 284 00:13:39,240 --> 00:13:41,880 Speaker 1: Sherriot's name with a much loved musical from the sixties 285 00:13:42,000 --> 00:13:45,120 Speaker 1: about a street Edgin? What is the most popular baby 286 00:13:45,160 --> 00:13:49,640 Speaker 1: boy name in New South Wales? 287 00:13:53,480 --> 00:13:53,760 Speaker 2: Gregg? 288 00:14:00,640 --> 00:14:02,360 Speaker 1: I love that musical, Greig. 289 00:14:07,440 --> 00:14:09,280 Speaker 2: I don't think Greg was a musical, And somehow I 290 00:14:09,280 --> 00:14:11,480 Speaker 2: don't think Greg's the most popular boy's name in New 291 00:14:11,520 --> 00:14:12,120 Speaker 2: South Wales. 292 00:14:12,240 --> 00:14:13,440 Speaker 1: Is calling their kids Greg? 293 00:14:13,520 --> 00:14:14,800 Speaker 2: You know, there's a whole lot of names that are 294 00:14:14,800 --> 00:14:17,199 Speaker 2: no longer popular, and all the old names like for girls, 295 00:14:17,280 --> 00:14:18,920 Speaker 2: Ruby and all that sort of stuff are coming back, 296 00:14:18,920 --> 00:14:23,240 Speaker 2: But there's no Susan's, Sharon's, Karen's, there's no Greg's. There's 297 00:14:23,280 --> 00:14:23,880 Speaker 2: no Brett's. 298 00:14:24,080 --> 00:14:27,000 Speaker 1: Greg is the subject of our new TV with the Dollies. 299 00:14:27,000 --> 00:14:30,080 Speaker 1: Have you've seen that a journal at Master's Last. 300 00:14:30,080 --> 00:14:32,040 Speaker 2: I don't have no people are naming babies Greg. Gregory 301 00:14:32,120 --> 00:14:35,320 Speaker 2: might be a middle name, but Greg the musical wasn't 302 00:14:35,320 --> 00:14:36,600 Speaker 2: famous either in the sixties. 303 00:14:36,640 --> 00:14:40,920 Speaker 1: Let's try with Alex Alex of Georgie's Hall Green Morning. 304 00:14:41,040 --> 00:14:43,119 Speaker 2: Why Alex read the question. 305 00:14:42,960 --> 00:14:46,120 Speaker 1: Again sharing its name with a much loved musical from 306 00:14:46,120 --> 00:14:48,880 Speaker 1: the sixties about a street urchin. What is the most 307 00:14:48,920 --> 00:14:52,280 Speaker 1: popular baby boy name in New South Wales? It's not Greg, 308 00:14:52,320 --> 00:14:55,520 Speaker 1: Alex Oliver. 309 00:14:56,400 --> 00:15:02,320 Speaker 14: Never before has a boy wanted more? Okay, congratulations and 310 00:15:02,400 --> 00:15:05,040 Speaker 14: from the jampack, it's all coming away, Alex. One hundred 311 00:15:05,080 --> 00:15:08,680 Speaker 14: fifty dollars TVs and Shopping Batch to shop TVFSNS Mother's 312 00:15:08,760 --> 00:15:11,800 Speaker 14: Day Catalog now go to TVSN dot com dot are 313 00:15:11,840 --> 00:15:14,000 Speaker 14: you one hundred and fifty dollars to spend it Flowers 314 00:15:14,000 --> 00:15:17,360 Speaker 14: for everyone, your one stop shop for Mother's Day flowers, 315 00:15:17,400 --> 00:15:20,360 Speaker 14: hampers and dessert boxes and Jonesie in noomatica you choose 316 00:15:20,400 --> 00:15:21,760 Speaker 14: for the color and sad of pencils. 317 00:15:21,760 --> 00:15:23,160 Speaker 1: Anything you'd like to add their Alex. 318 00:15:24,080 --> 00:15:26,320 Speaker 7: My mom's going to be very happy that I've won 319 00:15:26,440 --> 00:15:28,120 Speaker 7: something for her, So thank you. 320 00:15:28,360 --> 00:15:29,960 Speaker 2: That's fabulous. Thank you, Alex. 321 00:15:30,200 --> 00:15:31,600 Speaker 1: You don't even have to mention that we did it 322 00:15:31,600 --> 00:15:31,800 Speaker 1: for you. 323 00:15:31,960 --> 00:15:34,440 Speaker 2: I just say, yeah, take our sticker off. Do it 324 00:15:34,680 --> 00:15:38,560 Speaker 2: to save we That's my plan. Absolutely. 325 00:15:39,120 --> 00:15:39,800 Speaker 1: Congratulations. 326 00:15:39,880 --> 00:15:46,240 Speaker 15: Jallex Jonesy and Amanda Gamation podcast. 327 00:15:47,400 --> 00:15:51,160 Speaker 16: I was born really ready, way okay. 328 00:15:51,320 --> 00:15:52,560 Speaker 1: I just wanted to make sure that I. 329 00:15:52,560 --> 00:15:55,960 Speaker 2: Was ready ready cool gerlmanak I big book of music 330 00:15:55,960 --> 00:15:58,880 Speaker 2: with facts. Oh this is a good one. On this 331 00:15:58,960 --> 00:16:01,160 Speaker 2: day in nineteen eighty four, the Star Council at least 332 00:16:01,160 --> 00:16:04,320 Speaker 2: one of my favorite songs, Shout to the top. You 333 00:16:04,360 --> 00:16:08,360 Speaker 2: know what, Paul Weller, I get the impression he doesn't 334 00:16:08,400 --> 00:16:09,960 Speaker 2: tolerate fools. He's a bit of a cranky pants. 335 00:16:10,000 --> 00:16:10,760 Speaker 1: He's a prickly pair. 336 00:16:11,000 --> 00:16:13,480 Speaker 2: Apparently, though, when he was performing at the Opera House 337 00:16:13,520 --> 00:16:16,240 Speaker 2: in February this year, he did something he hasn't done 338 00:16:16,240 --> 00:16:19,040 Speaker 2: for a long time. He played some of his old stuff. 339 00:16:19,800 --> 00:16:21,840 Speaker 2: And how lucky Sydney was to hear it, because he 340 00:16:21,880 --> 00:16:25,000 Speaker 2: went on an episode of the podcast Desperately Seeking Paul, 341 00:16:25,440 --> 00:16:27,440 Speaker 2: and he speaks about why he doesn't like to play 342 00:16:27,480 --> 00:16:28,640 Speaker 2: old stuff a. 343 00:16:28,600 --> 00:16:32,360 Speaker 3: Few years ago where they were talking about heritage as right. 344 00:16:32,760 --> 00:16:35,360 Speaker 3: It's just like, I'm not going down that road, mate. 345 00:16:35,480 --> 00:16:37,560 Speaker 3: So I had to fight my little fight in a 346 00:16:37,640 --> 00:16:39,920 Speaker 3: sense to get through all that stuff right. And I've 347 00:16:39,920 --> 00:16:44,240 Speaker 3: probably lost a certain amount of audience along the way 348 00:16:44,680 --> 00:16:47,440 Speaker 3: during this last sort of ten or so years. The 349 00:16:47,480 --> 00:16:49,920 Speaker 3: ones who just wanted to wear the Jams stuff, they've 350 00:16:50,000 --> 00:16:52,600 Speaker 3: kind of gone now. But it's been my fit because 351 00:16:52,640 --> 00:16:56,000 Speaker 3: now I prove myself right that if you just plow 352 00:16:56,080 --> 00:17:00,320 Speaker 3: through that and you follow your program and what you 353 00:17:00,360 --> 00:17:02,400 Speaker 3: think it should be, when you'll get there. 354 00:17:02,960 --> 00:17:04,800 Speaker 2: Like a friend of mine went to a Stevie Nicks 355 00:17:04,800 --> 00:17:06,520 Speaker 2: show and when they turned up, Stevie Nick said, this 356 00:17:06,560 --> 00:17:08,720 Speaker 2: isn't the greatest hit show. You think, well, how about 357 00:17:08,760 --> 00:17:11,760 Speaker 2: you keep that for a cafe and boulder in Colorado 358 00:17:11,800 --> 00:17:12,919 Speaker 2: and give us the big stuff. 359 00:17:12,960 --> 00:17:13,920 Speaker 1: I'll be off to the bar. 360 00:17:14,119 --> 00:17:14,320 Speaker 10: Yeah. 361 00:17:14,400 --> 00:17:16,359 Speaker 2: So luckily, if you were in Sydney in February, you 362 00:17:16,520 --> 00:17:18,159 Speaker 2: got all the old stuff. You got the Jam, you 363 00:17:18,240 --> 00:17:20,520 Speaker 2: got the style Council everything. So you were very lucky 364 00:17:20,600 --> 00:17:22,560 Speaker 2: for us because you can hear this any old time. 365 00:17:22,600 --> 00:17:23,080 Speaker 2: Here it is. 366 00:17:26,119 --> 00:17:30,240 Speaker 1: Jam WSFM. Hello there, it's jonesid Amanda, I love that 367 00:17:30,359 --> 00:17:32,520 Speaker 1: Style Council shout to the top. It's pity of the 368 00:17:32,520 --> 00:17:34,360 Speaker 1: Paul Well and doesn't want to play that anymore. 369 00:17:34,400 --> 00:17:36,240 Speaker 2: Well, weren't we lucky in Sydney that he did? 370 00:17:36,440 --> 00:17:38,680 Speaker 1: If I recorded a song like that, that's the only 371 00:17:38,720 --> 00:17:39,399 Speaker 1: song I'd play. 372 00:17:39,880 --> 00:17:41,280 Speaker 2: And I used to have such a big crush on 373 00:17:41,320 --> 00:17:43,520 Speaker 2: Paul Well. I was a massive Style Counsel fan. 374 00:17:43,600 --> 00:17:45,840 Speaker 1: But I know he wore the high pants and the hair. 375 00:17:46,200 --> 00:17:48,000 Speaker 2: He wore the high pants and the hair. He had 376 00:17:48,040 --> 00:17:51,080 Speaker 2: the you know, the tight like santra pey pants and 377 00:17:51,119 --> 00:17:54,159 Speaker 2: slip on shoes, and he was just groovy, groovy, groovy. 378 00:17:54,200 --> 00:17:56,000 Speaker 2: But I knew he didn't tolerate fool so I knew 379 00:17:56,000 --> 00:17:57,280 Speaker 2: that I didn't stand a chance. 380 00:17:57,359 --> 00:17:59,880 Speaker 1: You wouldn't be at his wheelhouse. No, he just pushed straight, 381 00:18:00,080 --> 00:18:02,360 Speaker 1: asked you, which is unfair. 382 00:18:02,440 --> 00:18:06,280 Speaker 2: We thank you for supporting me through this to know 383 00:18:06,359 --> 00:18:08,080 Speaker 2: for years. I think he might have even been married 384 00:18:08,080 --> 00:18:11,000 Speaker 2: to d c Lee, the backup singer. She was also 385 00:18:11,040 --> 00:18:14,840 Speaker 2: a backup singer with Wham. Real yeah, look at his 386 00:18:14,880 --> 00:18:15,520 Speaker 2: backups in it. 387 00:18:16,000 --> 00:18:20,520 Speaker 1: Glenna Baker without Affairs, Lots of fuzz less, boring showers, 388 00:18:20,560 --> 00:18:22,280 Speaker 1: twenty two degrees in the city, twenty at our west. 389 00:18:22,320 --> 00:18:24,920 Speaker 1: Right now, it's fourteen degrees. I flicked over the Lego 390 00:18:25,000 --> 00:18:27,360 Speaker 1: Masters last night. I was watching Baby Reindeer and it's 391 00:18:27,400 --> 00:18:29,720 Speaker 1: just that show is too much. 392 00:18:29,800 --> 00:18:31,720 Speaker 2: It's Netflix number one show. We're going to be talking 393 00:18:31,760 --> 00:18:33,960 Speaker 2: to Annama Gillespie. It's not so much about the show, 394 00:18:34,040 --> 00:18:37,040 Speaker 2: but about this side issue that is really catching fire. 395 00:18:37,920 --> 00:18:40,200 Speaker 1: And I was I was getting into that, but I thought, 396 00:18:40,320 --> 00:18:42,440 Speaker 1: I'll just watch Lego Masters because you're not like about 397 00:18:42,520 --> 00:18:45,480 Speaker 1: Lego Masters in these times of trouble. It's a nice 398 00:18:45,520 --> 00:18:47,480 Speaker 1: sorbet to your life. You just watch. 399 00:18:47,480 --> 00:18:49,680 Speaker 2: You make it interesting and even though it's a competition, 400 00:18:49,760 --> 00:18:51,199 Speaker 2: it's not stressful. 401 00:18:50,680 --> 00:18:53,920 Speaker 1: And you watch them, there's something childlike about these grown 402 00:18:53,960 --> 00:18:56,520 Speaker 1: adults just putting their lego together. You can almost see 403 00:18:56,520 --> 00:18:59,639 Speaker 1: the inner child as they're creating this stuff. So right 404 00:18:59,680 --> 00:19:02,760 Speaker 1: now it's Australia versus the world. I think we're holding 405 00:19:02,760 --> 00:19:04,240 Speaker 1: our own in the world of. 406 00:19:04,720 --> 00:19:07,480 Speaker 2: Half the contestants Australians and half the war A lot. 407 00:19:07,359 --> 00:19:10,439 Speaker 1: Of Germans, like Germanic type people on there. At the moment. 408 00:19:10,920 --> 00:19:12,679 Speaker 1: There's this German couple. I don't know if there are 409 00:19:12,720 --> 00:19:16,320 Speaker 1: a couple or their siblings. The girl who's got that 410 00:19:16,400 --> 00:19:18,199 Speaker 1: European no brathing going on? 411 00:19:18,359 --> 00:19:20,760 Speaker 2: Oh was it bending over involved? 412 00:19:21,040 --> 00:19:23,720 Speaker 1: Yeah, seems to be helen. So wouldn't the producers talk 413 00:19:23,760 --> 00:19:25,520 Speaker 1: to them about, you know, proper. 414 00:19:25,320 --> 00:19:28,440 Speaker 2: In our country, we like to wear re foundation garments, 415 00:19:29,840 --> 00:19:30,639 Speaker 2: like what are you seeing? 416 00:19:31,280 --> 00:19:33,920 Speaker 1: It's not nipple, but it's just loose. 417 00:19:36,160 --> 00:19:39,560 Speaker 2: It's so interesting that we're not used to loose. We're 418 00:19:39,600 --> 00:19:41,520 Speaker 2: not used to loose. Does it disarm you? 419 00:19:41,720 --> 00:19:43,400 Speaker 1: Not at all? It doesn't bother me any. 420 00:19:43,600 --> 00:19:44,359 Speaker 2: Obviously it does. 421 00:19:44,480 --> 00:19:47,280 Speaker 1: No, I just intrigues you. It doesn't intrigue or anything. 422 00:19:47,680 --> 00:19:48,960 Speaker 2: Then why would you mention it if it does. 423 00:19:49,400 --> 00:19:52,560 Speaker 1: I'm an observant person. I know stuff. Okay, I'm sorry. 424 00:19:52,560 --> 00:19:54,560 Speaker 1: I can't help that. But I like watching it because 425 00:19:54,560 --> 00:19:56,320 Speaker 1: it's a nice sorbet to what's going on in the world. 426 00:19:56,680 --> 00:19:59,600 Speaker 1: You get to see the charm of Hamish Blakey, these 427 00:19:59,680 --> 00:20:00,840 Speaker 1: best talent on TV. 428 00:20:01,119 --> 00:20:03,360 Speaker 2: Has he mentioned anything about loose. 429 00:20:04,920 --> 00:20:08,640 Speaker 1: Hamies is definitely above the neckline. There's no distraction there. 430 00:20:09,080 --> 00:20:12,680 Speaker 1: Brickman Ryan McNaught, How good is the Brickman. He's one 431 00:20:12,680 --> 00:20:15,000 Speaker 1: of the great breakout stars of the show. And I 432 00:20:15,040 --> 00:20:17,960 Speaker 1: will say this Brickman is getting better at holding back 433 00:20:18,000 --> 00:20:18,399 Speaker 1: the blood. 434 00:20:18,520 --> 00:20:19,800 Speaker 2: I remember at the very beginning. 435 00:20:20,040 --> 00:20:22,159 Speaker 1: Yeah, I was quite shocked when he first started on 436 00:20:22,200 --> 00:20:25,240 Speaker 1: the show, because someone has to leave the show, and 437 00:20:25,280 --> 00:20:28,480 Speaker 1: when their time came to leave the show, Ryan would 438 00:20:28,480 --> 00:20:32,520 Speaker 1: get very emotional. The reason I'm sad is not because 439 00:20:32,560 --> 00:20:35,920 Speaker 1: you're in the final It's because of people. 440 00:20:37,520 --> 00:20:38,520 Speaker 2: It's because of people. 441 00:20:38,880 --> 00:20:39,399 Speaker 1: Of people. 442 00:20:41,359 --> 00:20:42,640 Speaker 2: That's a huge sensitivity. 443 00:20:43,040 --> 00:20:45,440 Speaker 1: But last night he is And I don't think he's 444 00:20:45,440 --> 00:20:48,720 Speaker 1: hardening up. I just think he's just getting better at 445 00:20:48,760 --> 00:20:50,080 Speaker 1: controlling his emotions. 446 00:20:50,240 --> 00:21:01,280 Speaker 17: Unfortunately, it comes down to missed opportunities. There's one enemy 447 00:21:02,280 --> 00:21:07,359 Speaker 17: of opportunities, and that's time, not people. 448 00:21:08,119 --> 00:21:10,880 Speaker 3: And unfortunately Been and Eric, they got you. 449 00:21:12,480 --> 00:21:13,640 Speaker 1: I'm really sorry to say. 450 00:21:13,680 --> 00:21:15,160 Speaker 3: Unfortunately you're leading us today. 451 00:21:16,200 --> 00:21:16,760 Speaker 4: How good is he? 452 00:21:17,440 --> 00:21:20,280 Speaker 1: Maybe you got distracted by the European non brath. 453 00:21:21,560 --> 00:21:23,119 Speaker 2: It's not the only one by the sound of it. 454 00:21:24,400 --> 00:21:27,399 Speaker 2: Jones Amanda's Notion podcast. 455 00:21:27,520 --> 00:21:28,919 Speaker 1: I played you this. 456 00:21:32,840 --> 00:21:33,639 Speaker 2: What a flashback? 457 00:21:33,800 --> 00:21:34,680 Speaker 1: Can'try practice? 458 00:21:34,920 --> 00:21:37,440 Speaker 2: Life just seemed easier then, didn't it. It was how 459 00:21:37,480 --> 00:21:41,720 Speaker 2: long that show was on, nineteen eighties into the nineties. 460 00:21:42,520 --> 00:21:43,760 Speaker 2: Life just seemed easier then. 461 00:21:43,880 --> 00:21:46,520 Speaker 1: And one of the constant people in that was the 462 00:21:46,640 --> 00:21:50,399 Speaker 1: character Frank Gilroy, played by Brian Wensle. Brian Wensley passed 463 00:21:50,400 --> 00:21:53,560 Speaker 1: away in Adelaide at the age of ninety four. He 464 00:21:53,600 --> 00:21:55,520 Speaker 1: did all right, But I don't like saying that lately 465 00:21:55,600 --> 00:21:58,440 Speaker 1: had a good innings because as you get older, you know, 466 00:21:58,520 --> 00:22:00,440 Speaker 1: I know a lot of blakes are eighty thinking well, 467 00:22:00,560 --> 00:22:01,440 Speaker 1: you know they're. 468 00:22:01,200 --> 00:22:04,120 Speaker 2: Doing well, and my dad's ninety. And it doesn't matter 469 00:22:04,119 --> 00:22:06,760 Speaker 2: how it doesn't matter how old someone is. You don't 470 00:22:06,760 --> 00:22:07,600 Speaker 2: never want to lose them. 471 00:22:07,680 --> 00:22:10,399 Speaker 1: Yeah. Yeah, but these are the things. This is the 472 00:22:10,400 --> 00:22:12,199 Speaker 1: wisdom that you get when you're in your fifties. All 473 00:22:12,200 --> 00:22:13,560 Speaker 1: of a sudden you go, oh, hang on a minute. 474 00:22:13,720 --> 00:22:15,640 Speaker 1: I remember when I was a kid, when Elvis Presley died, 475 00:22:15,680 --> 00:22:18,440 Speaker 1: I thought, well, he's had a good innings forty two. Yeah, 476 00:22:19,720 --> 00:22:20,960 Speaker 1: so Brian Wenze past. 477 00:22:20,880 --> 00:22:22,920 Speaker 2: A full innings, you're going to say that, I think, well, 478 00:22:22,960 --> 00:22:25,080 Speaker 2: he I don't think Elvis died won from now. 479 00:22:26,359 --> 00:22:29,160 Speaker 1: Brian Wentzel, though he was great in country practice, and 480 00:22:29,200 --> 00:22:33,000 Speaker 1: as Frank Gilroy, there was always shenannis between him. 481 00:22:32,880 --> 00:22:36,760 Speaker 2: And cookies stuff is to irritate me and Gordon Pie annoying, 482 00:22:36,800 --> 00:22:38,360 Speaker 2: box in annoying. 483 00:22:37,960 --> 00:22:41,200 Speaker 1: And there was always there was always shenannigans Frank about 484 00:22:41,560 --> 00:22:42,840 Speaker 1: flying and levery. 485 00:22:42,520 --> 00:22:47,399 Speaker 9: Flash this booy said that I was lumbered by a 486 00:22:47,440 --> 00:22:48,560 Speaker 9: speed camera on the. 487 00:22:48,520 --> 00:22:51,800 Speaker 6: Barrick and run one hundred and twenty five clicks an hour, 488 00:22:51,920 --> 00:22:54,760 Speaker 6: right camera and Frankie and am I wheel? 489 00:22:55,320 --> 00:22:58,520 Speaker 1: It won't go fast, wouldn't pull the skin off a right? 490 00:22:58,680 --> 00:22:59,879 Speaker 4: Put that? 491 00:23:00,440 --> 00:23:02,760 Speaker 9: Have you got a bit of a problem to day, Frank, 492 00:23:04,320 --> 00:23:07,840 Speaker 9: he's deaf? Fime and death nonsense? How long have you 493 00:23:07,920 --> 00:23:08,280 Speaker 9: been there? 494 00:23:08,720 --> 00:23:08,840 Speaker 1: Jo? 495 00:23:09,000 --> 00:23:11,560 Speaker 9: And see a doctor, Frank? You think I should? 496 00:23:12,119 --> 00:23:16,639 Speaker 1: Yes, which parlayed nicely. He went from hearing impaired to 497 00:23:16,760 --> 00:23:18,920 Speaker 1: helping out men with erect artists function. 498 00:23:18,960 --> 00:23:22,280 Speaker 2: Remember that there's a series of ads he did where 499 00:23:22,440 --> 00:23:26,080 Speaker 2: he was a police officer walking into bedrooms where there 500 00:23:26,160 --> 00:23:26,639 Speaker 2: was trouble. 501 00:23:26,680 --> 00:23:31,040 Speaker 1: He was the bedroom police. 502 00:23:32,920 --> 00:23:34,520 Speaker 2: Oh no, not before me? 503 00:23:36,080 --> 00:23:38,080 Speaker 9: Excuse me, sir? Do you realize how fast you were 504 00:23:38,080 --> 00:23:38,840 Speaker 9: going in as beds? 505 00:23:38,880 --> 00:23:39,440 Speaker 1: And who are you? 506 00:23:39,560 --> 00:23:41,880 Speaker 9: We're the bedroom police and we clocked you at one 507 00:23:41,880 --> 00:23:43,080 Speaker 9: minute thirty seconds. 508 00:23:43,280 --> 00:23:45,120 Speaker 1: That's pretty quick. I must have missed this time. 509 00:23:45,119 --> 00:23:46,640 Speaker 9: I'm going to let you off with a warning. If 510 00:23:46,640 --> 00:23:49,359 Speaker 9: you agree to talk to the doctors at AMI about 511 00:23:49,359 --> 00:23:52,840 Speaker 9: your premature ejaculation problems, they can really help you. Well, 512 00:23:52,880 --> 00:23:54,680 Speaker 9: I am I now and one eight hundred and forty 513 00:23:54,720 --> 00:23:56,959 Speaker 9: forty sixty. They help with your premature problems. 514 00:23:57,000 --> 00:24:00,000 Speaker 2: Shank you. I'm going to be ironically that got pulled off. 515 00:24:01,040 --> 00:24:05,240 Speaker 2: The ads were taken off television because they the Advertising 516 00:24:05,280 --> 00:24:08,480 Speaker 2: Standards Board found that it was detrimental to men's physical 517 00:24:08,520 --> 00:24:11,119 Speaker 2: and emotional health by saying that it was a police 518 00:24:11,160 --> 00:24:14,200 Speaker 2: offense if you had this medical condition, and it was 519 00:24:14,240 --> 00:24:18,840 Speaker 2: suggestive that suggested that women's intolerance towards men deserve calling 520 00:24:18,880 --> 00:24:22,040 Speaker 2: the police. So it had the anti effect really, and. 521 00:24:22,080 --> 00:24:23,520 Speaker 1: When you look at it a minute thirty, that's not 522 00:24:23,560 --> 00:24:24,000 Speaker 1: too bad. 523 00:24:24,640 --> 00:24:26,600 Speaker 2: That's another thing that as you get older was start 524 00:24:26,680 --> 00:24:29,119 Speaker 2: to recalibrate at a good inning. So I went a 525 00:24:29,119 --> 00:24:29,720 Speaker 2: minute twenty. 526 00:24:29,920 --> 00:24:33,159 Speaker 1: The Love Do It between Frank and Shirley. Shell was 527 00:24:33,160 --> 00:24:35,800 Speaker 1: always sitting under a pyramid. Remember that. He was like 528 00:24:36,119 --> 00:24:37,840 Speaker 1: one of those I don't know what was it. It was 529 00:24:37,880 --> 00:24:40,840 Speaker 1: like a pyramid. You always complained about it. Shell's under 530 00:24:40,880 --> 00:24:41,680 Speaker 1: a pyramid? Again? 531 00:24:42,440 --> 00:24:47,280 Speaker 2: Have we been grubby enough in the veil? Brian wenzelm 532 00:24:47,560 --> 00:24:56,760 Speaker 2: jam Nation instance, Amanda's. 533 00:24:57,840 --> 00:25:01,400 Speaker 1: Nothing can possibly go wrong for that. You have ten 534 00:25:01,480 --> 00:25:03,359 Speaker 1: questions sixty seconds on the clock. You can pass if 535 00:25:03,359 --> 00:25:05,119 Speaker 1: you don't know an answer. We'll come back to that question. 536 00:25:05,160 --> 00:25:07,480 Speaker 1: If time permits. You get all the questions right, one 537 00:25:07,520 --> 00:25:08,560 Speaker 1: thousand dollars. 538 00:25:08,240 --> 00:25:10,160 Speaker 2: And you can keep one thousand dollars. How great would 539 00:25:10,160 --> 00:25:12,520 Speaker 2: that be? Buy mum something nice for mother's dale or 540 00:25:12,520 --> 00:25:14,679 Speaker 2: buy yourself something nice? But do you want to make 541 00:25:14,680 --> 00:25:17,240 Speaker 2: it two thousand dollars? One bonus question, but it's double 542 00:25:17,320 --> 00:25:17,640 Speaker 2: or nothing. 543 00:25:17,680 --> 00:25:18,600 Speaker 1: Michael's in Ashville. 544 00:25:18,680 --> 00:25:22,440 Speaker 2: Hey, Michael, morning, very well, thank you. Let's see what 545 00:25:22,480 --> 00:25:25,000 Speaker 2: we can do for you. Ten questions sixty seconds as 546 00:25:25,040 --> 00:25:27,639 Speaker 2: you as we say, say pass if you're not sure, 547 00:25:27,680 --> 00:25:30,520 Speaker 2: because we usually have time to come back. Okay, let's 548 00:25:30,520 --> 00:25:32,880 Speaker 2: do it, Michael, It let us do it, because here 549 00:25:32,880 --> 00:25:35,360 Speaker 2: it comes. Here is question number one. The earth has? 550 00:25:35,359 --> 00:25:36,159 Speaker 2: How many moons? 551 00:25:37,640 --> 00:25:37,840 Speaker 9: One? 552 00:25:38,160 --> 00:25:41,160 Speaker 2: Question two? Traditionally what flower is given on Valentine's Day? 553 00:25:42,880 --> 00:25:47,320 Speaker 2: Question three? Sketches arere a type of what te Question four? 554 00:25:47,440 --> 00:25:49,159 Speaker 2: Linen and velvet are types of what. 555 00:25:52,440 --> 00:25:52,959 Speaker 7: Good boss? 556 00:25:53,280 --> 00:25:55,879 Speaker 2: Question five? True or false? There's no sound in space? 557 00:25:57,040 --> 00:25:57,720 Speaker 7: True? 558 00:25:57,800 --> 00:26:00,560 Speaker 2: Question six? Fast car was originally sung by who. 559 00:26:02,600 --> 00:26:03,320 Speaker 3: Tracy Chapman. 560 00:26:03,400 --> 00:26:05,240 Speaker 2: Question seven? What kind of bird is known as a 561 00:26:05,280 --> 00:26:05,960 Speaker 2: symbol of peace? 562 00:26:07,320 --> 00:26:07,520 Speaker 1: Dog? 563 00:26:07,840 --> 00:26:10,200 Speaker 2: Question eight? In which country would you find the colosseum? 564 00:26:12,520 --> 00:26:12,920 Speaker 12: Country? 565 00:26:12,960 --> 00:26:13,280 Speaker 7: Italy? 566 00:26:13,640 --> 00:26:16,720 Speaker 2: Question nine in NFL? How many points it is a 567 00:26:16,800 --> 00:26:17,919 Speaker 2: touchdown worth. 568 00:26:19,480 --> 00:26:19,720 Speaker 7: Six. 569 00:26:20,080 --> 00:26:22,800 Speaker 2: Question ten, Here is Johnny? Is a quote from which 570 00:26:22,800 --> 00:26:27,879 Speaker 2: horror film The Shimmy? Question four. Linen and velvet are 571 00:26:27,920 --> 00:26:35,040 Speaker 2: types of what cretains? Say again, curtains? Oh they're made 572 00:26:35,040 --> 00:26:35,240 Speaker 2: of what? 573 00:26:36,800 --> 00:26:36,879 Speaker 6: What? 574 00:26:38,160 --> 00:26:38,240 Speaker 4: No? 575 00:26:38,400 --> 00:26:40,919 Speaker 2: I'm sorry, they're fabric. Linen and velvet are types of 576 00:26:40,960 --> 00:26:42,000 Speaker 2: fabric or material. 577 00:26:43,320 --> 00:26:46,440 Speaker 1: We wanted to get you there, I get you there. 578 00:26:47,160 --> 00:26:53,440 Speaker 2: Oh god, Oh Michael, so close. Oh thank you for playing. 579 00:26:53,520 --> 00:26:55,680 Speaker 2: I feel for you. One hundred bucks just so close. 580 00:26:55,760 --> 00:26:58,080 Speaker 1: Man is going to go the full Brickman, I've got 581 00:26:58,119 --> 00:26:58,520 Speaker 1: the blob. 582 00:26:59,119 --> 00:27:01,440 Speaker 2: Oh Michael, thank you. 583 00:27:01,680 --> 00:27:03,280 Speaker 1: It'll be back again tomorrow. 584 00:27:03,600 --> 00:27:10,399 Speaker 2: That's disappointing. It's disappointing, gam Nation when we think of 585 00:27:10,640 --> 00:27:15,800 Speaker 2: our mums and the tables we grew up around and 586 00:27:15,880 --> 00:27:19,040 Speaker 2: our mum's cooking. It's not all master chef, is it. 587 00:27:19,040 --> 00:27:21,120 Speaker 2: It's not all like I'm looking at the cover here 588 00:27:21,160 --> 00:27:23,720 Speaker 2: of the Good Food lift out from the Sydney Morning Herald, 589 00:27:23,760 --> 00:27:26,159 Speaker 2: famous chefs talking about the food their mum's cooked when 590 00:27:26,160 --> 00:27:27,720 Speaker 2: they grew up. Seems that if you're going to be 591 00:27:27,760 --> 00:27:30,639 Speaker 2: a famous chef, most people grew up at the in 592 00:27:30,680 --> 00:27:32,480 Speaker 2: the kitchen with a mum who could do great. 593 00:27:33,080 --> 00:27:36,720 Speaker 1: Ethnic in you not necessarily generation. 594 00:27:37,440 --> 00:27:40,040 Speaker 2: What about Margaret Fulton? What about all the great Australian chef. 595 00:27:40,160 --> 00:27:42,720 Speaker 1: Mum wasn't Margaret Fulton? You know when I was a 596 00:27:42,800 --> 00:27:45,320 Speaker 1: kid growing up, Mum and make a chickeny soup thing 597 00:27:45,760 --> 00:27:48,280 Speaker 1: which was lacking chicken. It was just like water with 598 00:27:48,520 --> 00:27:50,600 Speaker 1: celery in it. But I'd have to break into the 599 00:27:50,600 --> 00:27:53,080 Speaker 1: cub and get a stock cub out and secret that 600 00:27:53,160 --> 00:27:55,480 Speaker 1: into me soup, into me soup, and then my brother 601 00:27:55,520 --> 00:27:58,280 Speaker 1: wrapped me up. Was Brendan's soup or brown and tasty 602 00:27:58,600 --> 00:27:59,920 Speaker 1: and mine's watery slot. 603 00:28:00,560 --> 00:28:02,520 Speaker 2: I saw a funny piece of vision the other day 604 00:28:02,600 --> 00:28:06,800 Speaker 2: the BBC from nineteen ninety now nineteen seventy four, and 605 00:28:06,880 --> 00:28:09,280 Speaker 2: it was that, hey, how do you eat spaghetti? And 606 00:28:09,359 --> 00:28:12,520 Speaker 2: had an Italian restauranteur showing how you twil it around 607 00:28:12,520 --> 00:28:14,960 Speaker 2: a fork and then you bite and bite the spaghetti 608 00:28:15,000 --> 00:28:18,159 Speaker 2: off and people they took a plate of spaghetti to 609 00:28:18,160 --> 00:28:19,800 Speaker 2: the people in the streets of London and they're picking 610 00:28:19,840 --> 00:28:21,560 Speaker 2: up with their fingers. I don't know, I don't know 611 00:28:21,640 --> 00:28:24,200 Speaker 2: this mack blah blah blah. Hilarious. That was only nineteen 612 00:28:24,240 --> 00:28:26,800 Speaker 2: seventy four. But what about the kind of dishes that 613 00:28:26,960 --> 00:28:30,200 Speaker 2: your family had that no one else had. We used 614 00:28:30,240 --> 00:28:33,600 Speaker 2: to eat mock chicken and it was delicious. We always 615 00:28:33,640 --> 00:28:36,000 Speaker 2: had a jar of mock chicken. It would go on sandwiches, 616 00:28:36,080 --> 00:28:38,960 Speaker 2: it would go on toast, went to every picnic, always 617 00:28:39,000 --> 00:28:42,120 Speaker 2: a jar of mock chicken. Well, someone asked me that 618 00:28:42,400 --> 00:28:45,920 Speaker 2: years ago, and my mouth opened to answer and not 619 00:28:46,000 --> 00:28:49,480 Speaker 2: a single word came out. I had no idea of 620 00:28:49,520 --> 00:28:53,040 Speaker 2: a single ingredient. Since then, I've learned that it's tomatoes 621 00:28:53,040 --> 00:28:56,240 Speaker 2: and bread crumbs and cheese, and it is delicious. And 622 00:28:56,280 --> 00:28:58,160 Speaker 2: I think it must be post war or something where 623 00:28:58,160 --> 00:29:00,760 Speaker 2: it was made to replicate chicken. Doesn't taste chicken, but 624 00:29:00,800 --> 00:29:02,440 Speaker 2: it tastes fabulous. 625 00:29:02,240 --> 00:29:03,400 Speaker 1: So there's no chicken in it. 626 00:29:03,520 --> 00:29:05,040 Speaker 2: No, that's why it's mock chicken. 627 00:29:05,120 --> 00:29:05,360 Speaker 1: Hmm. 628 00:29:06,360 --> 00:29:08,640 Speaker 2: But that was the thing that our family had, and 629 00:29:08,680 --> 00:29:12,320 Speaker 2: probably my mum's siblings had. Their family had it too, 630 00:29:12,960 --> 00:29:14,640 Speaker 2: but no one else I knew you had mock chicken. 631 00:29:15,400 --> 00:29:16,760 Speaker 2: What did you have when you grew up that you 632 00:29:16,760 --> 00:29:18,800 Speaker 2: think everyone eats and you realize afterwards no one does. 633 00:29:19,280 --> 00:29:21,400 Speaker 1: It's not a dish called missus Bolty's. I don't even 634 00:29:21,400 --> 00:29:23,200 Speaker 1: know what it was. It's like a pasta dish. But 635 00:29:23,240 --> 00:29:23,959 Speaker 1: it wasn't. 636 00:29:24,480 --> 00:29:25,800 Speaker 2: It was called Missus Bolties. 637 00:29:25,840 --> 00:29:28,000 Speaker 1: It was called Missus Bolty's. And I don't even know 638 00:29:28,040 --> 00:29:30,440 Speaker 1: why it was called miss who was missus Bolty? Don't know, 639 00:29:30,840 --> 00:29:33,080 Speaker 1: but it was just all pastor and just junk chucked 640 00:29:33,080 --> 00:29:34,960 Speaker 1: into the thing and you just eat. 641 00:29:34,800 --> 00:29:37,320 Speaker 2: It, and you just eat it, so we did in 642 00:29:37,320 --> 00:29:39,640 Speaker 2: those days. We just eat it. No separate person around 643 00:29:39,680 --> 00:29:41,040 Speaker 2: the table got a separate meal. 644 00:29:41,560 --> 00:29:41,920 Speaker 1: Exact. 645 00:29:42,000 --> 00:29:43,520 Speaker 2: Shannon doesn't like it. 646 00:29:43,760 --> 00:29:46,160 Speaker 1: My kids grew up getting separate meals every night. 647 00:29:46,840 --> 00:29:47,680 Speaker 2: It's like a restaurant. 648 00:29:47,760 --> 00:29:49,920 Speaker 1: Yeah, this one doesn't like this, and this one doesn't 649 00:29:49,920 --> 00:29:52,080 Speaker 1: like Really, this one doesn't like so you'd be making 650 00:29:52,080 --> 00:29:53,080 Speaker 1: three separate meals. 651 00:29:53,320 --> 00:29:54,600 Speaker 2: Really. I never got into that. 652 00:29:54,840 --> 00:29:57,320 Speaker 1: I said to my daughter, I said, this Johnny isn't sizzler. 653 00:29:57,720 --> 00:29:59,800 Speaker 1: And one day I walked into the kitchen and it 654 00:29:59,840 --> 00:30:03,480 Speaker 1: was a sign sizz and it was spelt wrong. 655 00:30:04,120 --> 00:30:06,920 Speaker 2: You need a sneeze guard. Well, the tribal drum is 656 00:30:06,920 --> 00:30:11,680 Speaker 2: going to beat for this muck that mum made. What 657 00:30:11,800 --> 00:30:14,240 Speaker 2: was a dish that was peculiar to your family. 658 00:30:14,280 --> 00:30:15,680 Speaker 1: What you to do is open the legos. 659 00:30:15,840 --> 00:30:18,240 Speaker 2: That's all that happens. If you're a man of the match, 660 00:30:18,520 --> 00:30:22,040 Speaker 2: you get to go on a fabulous dinner cruise during 661 00:30:22,200 --> 00:30:26,520 Speaker 2: Vivid with Captain Cook, cruises, jams. 662 00:30:25,560 --> 00:30:28,960 Speaker 1: The tribal drums, beating recipes that your mummade that no 663 00:30:28,960 --> 00:30:34,400 Speaker 1: one else made. We call it muck that mummade. Oh 664 00:30:34,440 --> 00:30:35,520 Speaker 1: you wish for canton? 665 00:30:35,960 --> 00:30:36,960 Speaker 2: What are dreams? 666 00:30:37,160 --> 00:30:39,120 Speaker 1: Please? How good is that stuff? Hello? 667 00:30:39,280 --> 00:30:43,560 Speaker 2: Linda hi hive very well, what's your mum make? 668 00:30:45,200 --> 00:30:45,280 Speaker 4: So? 669 00:30:45,600 --> 00:30:47,120 Speaker 10: Mummies to make Welsh rare bit? 670 00:30:48,960 --> 00:30:50,360 Speaker 12: It's not rabbit, it's rare. 671 00:30:50,200 --> 00:30:54,080 Speaker 10: Beat and it's good tasty cheese. 672 00:30:53,920 --> 00:30:56,160 Speaker 7: And you pour milk over it and melt it. Then 673 00:30:56,200 --> 00:30:58,000 Speaker 7: you put over unbuttered. 674 00:30:57,600 --> 00:30:59,560 Speaker 18: Taste and put tomato sauce stepper on it. 675 00:31:00,240 --> 00:31:01,920 Speaker 10: And maybe he's ever heard of it that I know 676 00:31:02,000 --> 00:31:03,280 Speaker 10: of your bicycle. 677 00:31:03,360 --> 00:31:05,320 Speaker 2: I've heard of a Welsh rare bit, but I've never 678 00:31:05,360 --> 00:31:08,000 Speaker 2: heard of it made like that. I've never had it, 679 00:31:08,040 --> 00:31:09,160 Speaker 2: but I've seen a picture of it. 680 00:31:10,280 --> 00:31:13,160 Speaker 7: Yeah, apparently it's a poor man's meal in England. 681 00:31:12,840 --> 00:31:14,800 Speaker 12: Because people put in the ball something to do with 682 00:31:14,880 --> 00:31:15,920 Speaker 12: rabbit and. 683 00:31:15,760 --> 00:31:19,120 Speaker 10: Then they maybe I don't know, but yeah, first meal 684 00:31:19,200 --> 00:31:19,920 Speaker 10: my dad ever made. 685 00:31:19,920 --> 00:31:25,160 Speaker 2: My mom really so Welsh rare bit was like mock chicken. Yeah, 686 00:31:25,320 --> 00:31:27,800 Speaker 2: yeah right, you just protimation. 687 00:31:27,400 --> 00:31:29,760 Speaker 1: That they used to make the meal go around because 688 00:31:29,760 --> 00:31:32,240 Speaker 1: you didn't get the beef, so you make your sheep pudding. 689 00:31:32,480 --> 00:31:32,880 Speaker 13: Yeah. 690 00:31:33,120 --> 00:31:36,280 Speaker 2: When I traveled to Beyond to China with Beyond two thousand, 691 00:31:36,920 --> 00:31:38,840 Speaker 2: the rice was always left to the end of the 692 00:31:38,880 --> 00:31:41,960 Speaker 2: meal because this was years ago, because it was seen 693 00:31:42,040 --> 00:31:43,640 Speaker 2: that it meant that you hadn't had enough to eat. 694 00:31:43,720 --> 00:31:45,320 Speaker 2: The rice would just fill you up at the end 695 00:31:45,400 --> 00:31:46,760 Speaker 2: if there hadn't been enough to go around. 696 00:31:47,080 --> 00:31:49,320 Speaker 1: When you finished eating the chicken feet and all the 697 00:31:49,360 --> 00:31:50,320 Speaker 1: other horrible. 698 00:31:50,040 --> 00:31:52,320 Speaker 2: Parts, then you can move on to the rice when 699 00:31:52,320 --> 00:31:55,080 Speaker 2: you ate your pangle them. In some of the rural areas, 700 00:31:55,560 --> 00:31:58,120 Speaker 2: the toilets smelled like the fields because some of the 701 00:31:58,160 --> 00:32:00,840 Speaker 2: really rural areas thirty years ago that some of the 702 00:32:00,920 --> 00:32:06,000 Speaker 2: crops the food has been grown in human waste. I 703 00:32:06,120 --> 00:32:08,320 Speaker 2: saw the mummers making canton. 704 00:32:10,120 --> 00:32:12,120 Speaker 1: I was going to say it worked for the Martian. 705 00:32:12,160 --> 00:32:15,080 Speaker 2: And the Martian marsh that's what he put on his potatoes. 706 00:32:16,120 --> 00:32:17,720 Speaker 2: Have I summed up that movie correctly? 707 00:32:17,880 --> 00:32:22,560 Speaker 1: If you haven't seen that movie spoiler alert, Viggie's jo 708 00:32:22,760 --> 00:32:27,280 Speaker 1: we haven't had hike Katrina, Hi, good morning, How are 709 00:32:27,360 --> 00:32:27,920 Speaker 1: you very well? 710 00:32:27,920 --> 00:32:30,000 Speaker 2: Would your mum make My. 711 00:32:30,000 --> 00:32:33,000 Speaker 18: Mom used to put a bowl of milk and slice 712 00:32:33,080 --> 00:32:36,360 Speaker 18: up tomatoes and bananas and put brown sugar in it 713 00:32:36,840 --> 00:32:37,520 Speaker 18: all together. 714 00:32:38,680 --> 00:32:38,920 Speaker 1: Yes? 715 00:32:39,360 --> 00:32:43,800 Speaker 2: And what was that like a side dish for meat 716 00:32:43,880 --> 00:32:44,320 Speaker 2: or something. 717 00:32:45,280 --> 00:32:47,840 Speaker 18: No, no, no, we'd have it for breakfast, lunch or dinner. 718 00:32:48,160 --> 00:32:50,080 Speaker 2: Oh my god, what did it taste like? 719 00:32:50,760 --> 00:32:52,600 Speaker 18: It was delicious? It really is. 720 00:32:52,640 --> 00:32:56,560 Speaker 2: Young tomato, banana, milk and sugar. 721 00:32:57,440 --> 00:32:57,800 Speaker 18: Yes. 722 00:32:58,920 --> 00:32:59,840 Speaker 2: Are you making this up? 723 00:33:00,760 --> 00:33:00,840 Speaker 4: No? 724 00:33:01,000 --> 00:33:01,560 Speaker 7: You should try. 725 00:33:01,600 --> 00:33:02,280 Speaker 18: It's amazing. 726 00:33:03,520 --> 00:33:04,520 Speaker 1: I think TikTok taka. 727 00:33:04,720 --> 00:33:08,160 Speaker 2: I think that's TikTok TikTok taka. Right, Trina, thank you, 728 00:33:08,200 --> 00:33:09,360 Speaker 2: we'll get that recipe. 729 00:33:09,760 --> 00:33:23,520 Speaker 15: Jonesy and Amanda gem. 730 00:33:19,400 --> 00:33:23,480 Speaker 1: It's all like donkey recipes that your mum made that 731 00:33:23,560 --> 00:33:26,560 Speaker 1: no one else made. We're calling it muck that mum made. 732 00:33:26,560 --> 00:33:31,600 Speaker 2: Tribal John Miris some beauties already Welsh rare bit but 733 00:33:31,760 --> 00:33:37,480 Speaker 2: made with tomato, sauce and cheese just on uncooked bread. Unusual. 734 00:33:37,840 --> 00:33:42,800 Speaker 2: And we had milk with tomato, banana and sugar. Could 735 00:33:42,800 --> 00:33:44,840 Speaker 2: be any time of the day, apparently. 736 00:33:44,960 --> 00:33:47,280 Speaker 1: Jim Y Raye, whose father for some time has been 737 00:33:47,280 --> 00:33:48,920 Speaker 1: trying to poison him, well. 738 00:33:48,840 --> 00:33:51,000 Speaker 11: Yeah, so, am I say, because I've got sick a 739 00:33:51,000 --> 00:33:51,440 Speaker 11: few times? 740 00:33:51,440 --> 00:33:55,360 Speaker 1: You do on a Monday, I got all fed. 741 00:33:56,360 --> 00:33:57,040 Speaker 2: It's a bit weird. 742 00:33:57,120 --> 00:34:00,920 Speaker 11: Well, dad cooks this thing called watermelon chicken, so it 743 00:34:01,360 --> 00:34:04,360 Speaker 11: is what it sounds like. He'll cook a chicken inside 744 00:34:04,360 --> 00:34:05,240 Speaker 11: of a watermelon. 745 00:34:05,320 --> 00:34:05,560 Speaker 1: What. 746 00:34:05,800 --> 00:34:08,800 Speaker 11: Yeah, I don't know why he does it. It tastes disgusted. 747 00:34:09,160 --> 00:34:10,759 Speaker 2: It would just be all watery. 748 00:34:11,080 --> 00:34:14,840 Speaker 1: Yeah, how do you bake that? It just sits in 749 00:34:14,840 --> 00:34:17,040 Speaker 1: the oven like it's just a so a whole water 750 00:34:17,120 --> 00:34:20,439 Speaker 1: melon scooped out with a whole chicken in it. Yeah, yeah, yeah. 751 00:34:20,480 --> 00:34:23,120 Speaker 11: And then he did breakfast chicken as well, So he 752 00:34:23,200 --> 00:34:26,759 Speaker 11: got like all brand flakes and dressed the chicken up 753 00:34:26,760 --> 00:34:27,080 Speaker 11: in it. 754 00:34:27,640 --> 00:34:28,359 Speaker 2: And how was that? 755 00:34:28,360 --> 00:34:29,520 Speaker 11: That was awful as well? 756 00:34:29,760 --> 00:34:34,440 Speaker 1: Right? So yeah, that's why door dash is always running 757 00:34:34,440 --> 00:34:37,239 Speaker 1: in and out of your house and the dash to 758 00:34:37,280 --> 00:34:37,680 Speaker 1: the loop. 759 00:34:37,960 --> 00:34:44,480 Speaker 2: Besides that, Michael has Jordan's Hi, Amanda, how are you? 760 00:34:44,920 --> 00:34:45,759 Speaker 2: What would your mum make? 761 00:34:46,800 --> 00:34:51,640 Speaker 8: It was smoked haddock for breakfast, so poached in I 762 00:34:51,680 --> 00:34:55,280 Speaker 8: think it's poached in milk and butter and served for breakfast. 763 00:34:55,360 --> 00:34:57,440 Speaker 8: Biggest cringe worthy breakfast as a child. 764 00:34:57,680 --> 00:35:01,840 Speaker 2: Oh, I can imagine your family English? 765 00:35:01,880 --> 00:35:05,120 Speaker 8: Well I guess descent, yes, but yeah. 766 00:35:04,680 --> 00:35:06,719 Speaker 2: So while everyone else was having corn flakes, this is 767 00:35:06,760 --> 00:35:07,080 Speaker 2: what you. 768 00:35:07,040 --> 00:35:09,160 Speaker 8: Were having yes exactly. 769 00:35:09,239 --> 00:35:12,160 Speaker 1: Oh, I did school English like smoked fish. 770 00:35:12,440 --> 00:35:16,800 Speaker 2: Yeah, oh yeah, muche having that for breakfast that's fat. 771 00:35:16,800 --> 00:35:18,520 Speaker 1: Rather a serving of watermelon chicken. 772 00:35:19,760 --> 00:35:21,439 Speaker 2: Hello, Mandy, what did your mum make? 773 00:35:22,400 --> 00:35:22,440 Speaker 4: It? 774 00:35:22,520 --> 00:35:25,120 Speaker 7: Was actually my grandmother. She used to make us rissoles 775 00:35:25,160 --> 00:35:27,040 Speaker 7: and rice with salami gravy. 776 00:35:27,360 --> 00:35:29,320 Speaker 2: How does the salami gravy even work? 777 00:35:30,760 --> 00:35:34,120 Speaker 7: Well, you cook the rissoles in the pan and then 778 00:35:34,200 --> 00:35:36,520 Speaker 7: you deglaze it with a bit of water and you 779 00:35:36,640 --> 00:35:39,600 Speaker 7: throw the salami in it and sort of let it 780 00:35:39,640 --> 00:35:41,920 Speaker 7: broil in that for a little while and then throwing 781 00:35:41,960 --> 00:35:43,480 Speaker 7: corn flour and you've got the gravy. 782 00:35:44,200 --> 00:35:45,560 Speaker 2: Was it delicious? 783 00:35:46,400 --> 00:35:46,600 Speaker 4: Oh? 784 00:35:46,640 --> 00:35:49,960 Speaker 7: Absolutely? I alter it slightly today. I make it with 785 00:35:50,560 --> 00:35:55,359 Speaker 7: brown onion gravy because I don't like salami. But yeah, 786 00:35:55,440 --> 00:35:56,960 Speaker 7: even my mum asked me to make it for it 787 00:35:57,000 --> 00:35:58,919 Speaker 7: because she's not the best of cooks, and she'll even 788 00:35:58,920 --> 00:36:02,160 Speaker 7: tell you that. But my kids love it and it's great. Yeah, 789 00:36:02,320 --> 00:36:05,239 Speaker 7: so you don't don't. Yeah, so you don't put the 790 00:36:05,320 --> 00:36:09,040 Speaker 7: rice in the rissoles because they're called porcupines that these are, 791 00:36:10,040 --> 00:36:12,800 Speaker 7: it's rissoles, and then you serve it with white white 792 00:36:12,840 --> 00:36:14,839 Speaker 7: rice and the gravy. 793 00:36:15,200 --> 00:36:19,480 Speaker 1: ALARMI gravy bray all the fats break down. Yeah, make 794 00:36:19,800 --> 00:36:22,400 Speaker 1: a grape. Yeah, it can't be healthy. 795 00:36:22,120 --> 00:36:24,239 Speaker 2: For you, of course it'll kill you, but it's delicious. 796 00:36:24,280 --> 00:36:26,239 Speaker 2: Vicky's joined us. I, Vicky, would you mum make? 797 00:36:27,320 --> 00:36:30,520 Speaker 7: Oh my mum used to make this multiple times a 798 00:36:30,560 --> 00:36:35,960 Speaker 7: week because we were very poor tripe fritters. So she 799 00:36:36,000 --> 00:36:39,200 Speaker 7: would boil the tripe in a huge pot on the stove, 800 00:36:39,760 --> 00:36:42,560 Speaker 7: so we'd have that smell going through the house. Then 801 00:36:42,600 --> 00:36:44,799 Speaker 7: when it was cooked, she'd cut it up. She'd make 802 00:36:44,840 --> 00:36:47,680 Speaker 7: a batter, battered the tripe, fry it in the fry 803 00:36:47,719 --> 00:36:50,640 Speaker 7: pan and serve that up with some veggies for dinner. 804 00:36:51,320 --> 00:36:53,200 Speaker 2: And does it taste as awful as it sounds? 805 00:36:54,680 --> 00:36:57,760 Speaker 7: I could not imagine stumbing it, stomaching it, nestlik. 806 00:36:57,800 --> 00:37:00,200 Speaker 2: Your kids wouldn't put up with that, now, doesn't man 807 00:37:00,280 --> 00:37:02,400 Speaker 2: of the income of your household, kids would. 808 00:37:02,239 --> 00:37:04,720 Speaker 1: Not eat kids these days they're eating watermelon chicken. 809 00:37:07,280 --> 00:37:10,000 Speaker 2: Thank you, Vicky. Well on that beautiful. 810 00:37:09,520 --> 00:37:16,520 Speaker 1: Note, let's get on there to be judgy arms the pest. 811 00:37:16,640 --> 00:37:19,400 Speaker 1: And it's nice to have Natasha Lee broadcasting out of 812 00:37:19,400 --> 00:37:21,160 Speaker 1: the studio right next door to us, because she brings 813 00:37:21,160 --> 00:37:23,960 Speaker 1: all the content as well, and she posted on X 814 00:37:24,040 --> 00:37:29,240 Speaker 1: can we please stop making chip flavors of things e g. Pizza, garlic, bread, 815 00:37:29,480 --> 00:37:32,440 Speaker 1: meat pie. It's a barrn An abomination. 816 00:37:32,920 --> 00:37:35,439 Speaker 2: Yeah, she said, we only need four flavors, plain, salt 817 00:37:35,480 --> 00:37:39,959 Speaker 2: and vinegar, cheese and onion, barbecue. You know, she said, 818 00:37:40,000 --> 00:37:42,520 Speaker 2: no further questions because we've had all these weird things. 819 00:37:42,960 --> 00:37:45,839 Speaker 2: Cinnamon and sugar, potato crisps that was from pringles, norri 820 00:37:45,960 --> 00:37:50,760 Speaker 2: seaweed chips, hot deal pickle, what about this one? Hot chili, squid, 821 00:37:50,760 --> 00:37:54,640 Speaker 2: potato chips, meat pie, roast, beef blah blah blah, and Weirdly, 822 00:37:54,680 --> 00:37:56,920 Speaker 2: if you gets like a steak chip, it tastes like 823 00:37:56,960 --> 00:37:59,520 Speaker 2: a steak, and you go, that can't be real. 824 00:38:00,120 --> 00:38:02,520 Speaker 1: And here's a burger ring that tastes nothing like a burger. 825 00:38:03,000 --> 00:38:06,120 Speaker 2: True, I am the wrong person to ask about this 826 00:38:06,200 --> 00:38:08,480 Speaker 2: because I don't I love a salt and vinegar chip, 827 00:38:08,680 --> 00:38:10,799 Speaker 2: but I love a plain chip with salt. 828 00:38:11,480 --> 00:38:12,880 Speaker 1: I don't know why they make plain. 829 00:38:12,760 --> 00:38:15,759 Speaker 2: Chip joking why that's And I'm also a vanilla ice 830 00:38:15,800 --> 00:38:20,239 Speaker 2: cream person, but plain chips with salt, that's all the 831 00:38:20,320 --> 00:38:21,040 Speaker 2: chip you need. 832 00:38:21,239 --> 00:38:24,520 Speaker 1: So your plane chips, vanilla ice. 833 00:38:24,320 --> 00:38:26,839 Speaker 2: Cream, what are you saying, Brendan. 834 00:38:26,880 --> 00:38:30,479 Speaker 1: Just putting joining the dots, putting stuff together. 835 00:38:30,520 --> 00:38:31,560 Speaker 2: Where do I let loose? 836 00:38:31,800 --> 00:38:35,040 Speaker 1: Where do you let this? Where does that happen? 837 00:38:35,480 --> 00:38:38,360 Speaker 2: Well, I'm never saying, because it never happens. I'm not 838 00:38:38,360 --> 00:38:41,759 Speaker 2: gonna let loose food person I don't have. I don't 839 00:38:41,800 --> 00:38:45,800 Speaker 2: suddenly say, you know what, put sracha thing on everything. 840 00:38:46,120 --> 00:38:47,879 Speaker 2: My son does that. I'll put a meal in front 841 00:38:47,880 --> 00:38:49,879 Speaker 2: of him and it went out even tasting it. He'll 842 00:38:49,880 --> 00:38:51,120 Speaker 2: pour that sercha chili on. 843 00:38:52,040 --> 00:38:54,080 Speaker 1: And I love that Frank's Hot sauce. If you tried 844 00:38:54,120 --> 00:38:55,160 Speaker 1: Frank's Hot sauce. 845 00:38:54,920 --> 00:38:55,680 Speaker 2: You put it on everything. 846 00:38:55,760 --> 00:38:58,680 Speaker 1: Yeah, but they've got a new one now Frank's Hot Sauce. 847 00:38:58,680 --> 00:39:02,000 Speaker 1: But it's a red. It's like a tomato source consistency. Man, 848 00:39:02,040 --> 00:39:04,200 Speaker 1: that's amazing. I did a chip that was flavored. 849 00:39:04,480 --> 00:39:07,120 Speaker 2: So you're into weird flavored chips. 850 00:39:07,280 --> 00:39:10,040 Speaker 1: I got to Mike, there's some really avant guarde flavors 851 00:39:10,080 --> 00:39:14,120 Speaker 1: like roast lamb and potato baked potatoes, roast meat chip. 852 00:39:14,520 --> 00:39:17,120 Speaker 2: But you know, even a chicken chip, you think that'll 853 00:39:17,120 --> 00:39:18,920 Speaker 2: be nice, you have when you go yuck. I remember 854 00:39:18,960 --> 00:39:19,680 Speaker 2: now why I don't like. 855 00:39:19,600 --> 00:39:20,640 Speaker 1: Shaking chips are the best? 856 00:39:20,760 --> 00:39:22,719 Speaker 2: No, they're not a barbecue. Don't waste my time with 857 00:39:22,800 --> 00:39:23,800 Speaker 2: the barbecue. 858 00:39:23,600 --> 00:39:26,160 Speaker 1: You, I'll say the stadio and your care listen has 859 00:39:26,239 --> 00:39:29,040 Speaker 1: been punching way about it above its weight in this 860 00:39:29,080 --> 00:39:30,239 Speaker 1: country for too long. 861 00:39:30,320 --> 00:39:33,040 Speaker 2: So what do you think convoluted chip flavors, even ones 862 00:39:33,080 --> 00:39:36,080 Speaker 2: other than just playing with salt? Do they pass the 863 00:39:36,080 --> 00:39:43,040 Speaker 2: pub test? Gem Nation, put on your dance. 864 00:39:42,840 --> 00:39:44,920 Speaker 9: And Shiites, don't give me your fast shot. 865 00:39:47,040 --> 00:39:51,319 Speaker 1: Everyone's talking about the new Netflix hit Baby Rain do you. 866 00:39:53,280 --> 00:39:55,200 Speaker 1: I really don't know where it's going to end. I 867 00:39:55,239 --> 00:39:56,680 Speaker 1: think one of us is going to have to die. 868 00:39:56,760 --> 00:39:59,800 Speaker 1: Now you say, this woman is talking, yeah, like six months. 869 00:40:00,160 --> 00:40:01,520 Speaker 3: Why it take you so long to report it? 870 00:40:01,480 --> 00:40:03,279 Speaker 1: I think she needs help. She comes to my. 871 00:40:03,320 --> 00:40:06,400 Speaker 2: Work really manly harns, haven't you chessel. 872 00:40:06,200 --> 00:40:09,520 Speaker 1: Jarline pleaser and gentlemen, this is my stalker. Say hello 873 00:40:09,600 --> 00:40:09,879 Speaker 1: to Mark. 874 00:40:10,160 --> 00:40:10,920 Speaker 2: You say that to me? 875 00:40:11,400 --> 00:40:16,080 Speaker 1: Apologize to me right now. Can't see my mom anywhere? Yes, shy, 876 00:40:16,920 --> 00:40:18,239 Speaker 1: look Martha, just go back home. 877 00:40:18,400 --> 00:40:20,440 Speaker 2: I must feeling you may be the death of me. 878 00:40:22,880 --> 00:40:27,520 Speaker 2: Whoa Emma, Emma Gillespie high, good morning. Hello, Well it's 879 00:40:27,520 --> 00:40:27,919 Speaker 2: the show. 880 00:40:28,040 --> 00:40:31,920 Speaker 19: Everyone is talking about Baby Reindeer on Netflix or if 881 00:40:31,920 --> 00:40:35,560 Speaker 19: you've seen it, Baby Reinder on Netflix, nicely done, an 882 00:40:35,600 --> 00:40:39,400 Speaker 19: amazing show that is just taking the Internet by storm 883 00:40:39,440 --> 00:40:42,240 Speaker 19: at the moment if you haven't seen it. It's about 884 00:40:42,280 --> 00:40:44,960 Speaker 19: this comedian. His name is Richard Gadd. It's actually he 885 00:40:45,040 --> 00:40:47,000 Speaker 19: stars in the show, so it was a real life 886 00:40:47,040 --> 00:40:49,959 Speaker 19: situation that he lived, and he's written this show now 887 00:40:50,320 --> 00:40:53,520 Speaker 19: and he plays this comedian called Donnie Dunn. He's a 888 00:40:53,560 --> 00:40:56,640 Speaker 19: sort of failed guy in London trying to make it 889 00:40:56,680 --> 00:41:00,200 Speaker 19: in the comedy scene, quite a sad character, and he 890 00:41:00,280 --> 00:41:02,239 Speaker 19: meets this woman Martha by chance. 891 00:41:02,280 --> 00:41:04,520 Speaker 20: One day. She comes into his pub and she's crying. 892 00:41:04,840 --> 00:41:07,120 Speaker 20: He feels sorry for her. He gives her a cup. 893 00:41:06,920 --> 00:41:11,200 Speaker 19: Of tea and from there this obsession kind of blooms 894 00:41:11,239 --> 00:41:12,520 Speaker 19: for this Martha character, and. 895 00:41:12,480 --> 00:41:14,080 Speaker 2: She's obsessing over him. 896 00:41:14,239 --> 00:41:17,520 Speaker 19: Whole obsession with this guy. It's sort of this weird 897 00:41:17,560 --> 00:41:21,880 Speaker 19: friendship dynamic that then turns very, very sinister. And everyone 898 00:41:21,920 --> 00:41:23,960 Speaker 19: has just become entranced. 899 00:41:23,520 --> 00:41:24,280 Speaker 2: By this story. 900 00:41:24,560 --> 00:41:26,680 Speaker 19: But it's taken a bit of a different turn this 901 00:41:26,760 --> 00:41:30,080 Speaker 19: week or in recent days, of course, Internet slooths have 902 00:41:30,600 --> 00:41:31,320 Speaker 19: gotten online. 903 00:41:31,360 --> 00:41:34,080 Speaker 20: They're trying to find out the real identity. 904 00:41:33,520 --> 00:41:36,960 Speaker 19: Of who the actual stalker is, who the real Martha is, 905 00:41:37,360 --> 00:41:39,160 Speaker 19: and it's prompted the creator of the show to come 906 00:41:39,200 --> 00:41:42,120 Speaker 19: out and tell everyone to stop. He's like, guys, please 907 00:41:42,120 --> 00:41:43,360 Speaker 19: stop trying to find out. 908 00:41:43,239 --> 00:41:43,759 Speaker 2: Who she is. 909 00:41:44,320 --> 00:41:46,680 Speaker 20: It's been sorted that's not what the point of the 910 00:41:46,719 --> 00:41:47,200 Speaker 20: show is. 911 00:41:47,360 --> 00:41:49,759 Speaker 2: But he can't dictate that. He can't control that. And 912 00:41:49,760 --> 00:41:52,319 Speaker 2: it's not only the character of Martha. Without giving too 913 00:41:52,400 --> 00:41:55,120 Speaker 2: much away about the show, there is another character who 914 00:41:55,160 --> 00:41:58,239 Speaker 2: is not a good person, and that person works as 915 00:41:58,280 --> 00:42:02,279 Speaker 2: a comedy writer and producer. And apparently that person's also 916 00:42:02,320 --> 00:42:04,640 Speaker 2: been identified because the show starts with not this is 917 00:42:04,680 --> 00:42:07,200 Speaker 2: even based on a real story, it's this is a 918 00:42:07,239 --> 00:42:10,960 Speaker 2: true story. So you're going to get internet sloths doing 919 00:42:11,040 --> 00:42:14,640 Speaker 2: exactly that, trying to identify who those people are, and of. 920 00:42:14,640 --> 00:42:16,520 Speaker 20: Course that was going to happen. 921 00:42:16,640 --> 00:42:18,960 Speaker 19: I think it speaks to that this show maybe didn't 922 00:42:19,000 --> 00:42:20,920 Speaker 19: know how big it was going to become. 923 00:42:21,280 --> 00:42:23,960 Speaker 20: It's a Scottish production Netflix show. 924 00:42:24,160 --> 00:42:28,200 Speaker 19: I mean some Netflix shows go gangbusters without anyone expecting 925 00:42:28,239 --> 00:42:29,600 Speaker 19: them to, and others, you know, flop. 926 00:42:29,719 --> 00:42:32,359 Speaker 20: But this has become a global Sensation's. 927 00:42:31,800 --> 00:42:34,240 Speaker 2: Try it and people are saying, where's the compliance from Netflix? 928 00:42:34,320 --> 00:42:36,759 Speaker 2: How in this modern era they know very well their 929 00:42:36,800 --> 00:42:39,359 Speaker 2: audience are going to be internet slouths. This is who 930 00:42:39,400 --> 00:42:41,799 Speaker 2: their audience is. How could they not how could they 931 00:42:41,840 --> 00:42:44,160 Speaker 2: have had meeting after meeting? And no one's saying, do 932 00:42:44,200 --> 00:42:46,040 Speaker 2: we need to control the narrative here? Do we need 933 00:42:46,080 --> 00:42:48,760 Speaker 2: to change something about the characters so they're not identifiable? 934 00:42:48,960 --> 00:42:51,520 Speaker 19: Yeah, and so Richard gad who created it, the character 935 00:42:51,560 --> 00:42:54,440 Speaker 19: that you've alluded to, their Amanda, another sort of producer, 936 00:42:54,440 --> 00:42:57,879 Speaker 19: comedy writer who's been sort of identified but not really. 937 00:42:57,960 --> 00:43:01,360 Speaker 19: He's been incorrectly identified, and that prompted the creator to 938 00:43:01,360 --> 00:43:03,360 Speaker 19: come out and say, Yeah, people that I love, have 939 00:43:03,480 --> 00:43:06,399 Speaker 19: worked with and admire, including Sean Foley, who's the name 940 00:43:06,440 --> 00:43:10,560 Speaker 19: of this comedy producer who's been incorrectly labeled, are unfairly 941 00:43:10,600 --> 00:43:13,680 Speaker 19: getting caught up in speculation. Please don't speculate on who 942 00:43:13,760 --> 00:43:15,560 Speaker 19: any of the real life people could be. That's not 943 00:43:15,640 --> 00:43:18,319 Speaker 19: the point of the show, which has gotten people talking about, well, 944 00:43:18,360 --> 00:43:20,440 Speaker 19: what is the point of the show then, And I 945 00:43:20,480 --> 00:43:24,920 Speaker 19: suppose it's this story of an imperfect victim. One of 946 00:43:24,920 --> 00:43:27,920 Speaker 19: the most fascinating things to me about Baby Reindeer is 947 00:43:27,960 --> 00:43:31,200 Speaker 19: that you've got this guy Donnie, who is a victim. 948 00:43:31,320 --> 00:43:34,520 Speaker 19: He is being harassed and stalked and intimidated but there's 949 00:43:34,560 --> 00:43:38,000 Speaker 19: this also this strange part of him that is connected 950 00:43:38,000 --> 00:43:40,319 Speaker 19: to his stalker, that kind of needs his stalker, that 951 00:43:40,680 --> 00:43:43,840 Speaker 19: feeds off the compliments that she gives him or the 952 00:43:43,880 --> 00:43:47,080 Speaker 19: fact that she needs him, And it's this really interesting 953 00:43:47,160 --> 00:43:49,560 Speaker 19: kind of to and fro of. Normally, I suppose in 954 00:43:49,640 --> 00:43:52,400 Speaker 19: TV shows we see that really black and white relationship 955 00:43:52,400 --> 00:43:57,040 Speaker 19: between okay, stalker bad, victim good, But this really blurs 956 00:43:57,080 --> 00:43:59,919 Speaker 19: those lines and it makes you really uncomfortable. 957 00:43:59,360 --> 00:44:02,040 Speaker 2: With your watch to encourages well, that's along the way 958 00:44:02,040 --> 00:44:04,240 Speaker 2: you're going, why is he doing that? And stop stop, 959 00:44:04,280 --> 00:44:07,000 Speaker 2: and other times you go, yes, he's doing the right thing, 960 00:44:07,360 --> 00:44:09,480 Speaker 2: but he's not us in that show. He is a 961 00:44:09,480 --> 00:44:12,359 Speaker 2: flawed character himself. It's some of the best television I've 962 00:44:12,360 --> 00:44:16,239 Speaker 2: ever seen. It's very uncomfortable. The second last episode where 963 00:44:16,280 --> 00:44:19,719 Speaker 2: he opens up, it's just I've never seen anything like it. 964 00:44:19,800 --> 00:44:21,920 Speaker 19: Oh yeah, I challenge anyone to watch it and not 965 00:44:22,040 --> 00:44:23,719 Speaker 19: feel moved in lots. 966 00:44:23,480 --> 00:44:26,520 Speaker 2: Of reduplicated way and hard. It's not an easy watch, 967 00:44:26,560 --> 00:44:27,920 Speaker 2: but it is extraordinary. 968 00:44:28,000 --> 00:44:29,960 Speaker 19: I wouldn't be surprised if we're going to see some 969 00:44:30,080 --> 00:44:34,280 Speaker 19: legal action maybe to come. There are some defamation experts 970 00:44:34,320 --> 00:44:36,239 Speaker 19: who have sort of weighed in on this and said that, 971 00:44:36,320 --> 00:44:40,520 Speaker 19: you know, the show doesn't really make people unrecognizable in 972 00:44:40,680 --> 00:44:42,000 Speaker 19: the ways that it should. 973 00:44:42,120 --> 00:44:43,720 Speaker 20: So for example, the fact. 974 00:44:43,600 --> 00:44:45,720 Speaker 19: That it's set in London, there's a lot of story, 975 00:44:45,760 --> 00:44:47,720 Speaker 19: the story that unfolds in a pub, and the stalker 976 00:44:47,880 --> 00:44:51,160 Speaker 19: is an ex lawyer. Apparently all of those things are true. 977 00:44:51,520 --> 00:44:53,120 Speaker 19: So they're saying, you know, why not set it in 978 00:44:53,160 --> 00:44:57,040 Speaker 19: Manchester in a library a doctor who was strucken off? 979 00:44:57,440 --> 00:45:01,640 Speaker 2: And they also they're using her actual tweets, texts and 980 00:45:01,680 --> 00:45:04,920 Speaker 2: things to him. People have just put that into search 981 00:45:04,960 --> 00:45:06,920 Speaker 2: engines and they've traced it to this woman. 982 00:45:07,120 --> 00:45:08,560 Speaker 19: Yeah, and I mean it is a shame if the 983 00:45:08,600 --> 00:45:11,520 Speaker 19: creators of this show wanted to have a conversation about 984 00:45:11,600 --> 00:45:15,359 Speaker 19: kind of abuse and what the imperfect victim looks like, 985 00:45:15,440 --> 00:45:17,640 Speaker 19: that that's been distracted from And we're now, you know, 986 00:45:17,719 --> 00:45:20,319 Speaker 19: all doing the armchair detective thing, but of. 987 00:45:20,239 --> 00:45:22,839 Speaker 20: Course we are. It's the most human things, right. 988 00:45:22,920 --> 00:45:25,160 Speaker 2: Netflix should have protected everybody, but you do. 989 00:45:25,280 --> 00:45:29,160 Speaker 1: That's what you do. Storker once a couple of really 990 00:45:29,440 --> 00:45:33,200 Speaker 1: yeah too, very scary. Yeah, well there was one when 991 00:45:33,239 --> 00:45:35,399 Speaker 1: I were many years ago, and she just wouldn't let go, 992 00:45:35,960 --> 00:45:37,719 Speaker 1: like she just kept under a different name. 993 00:45:37,960 --> 00:45:39,080 Speaker 2: Did you like it a little? 994 00:45:39,320 --> 00:45:43,560 Speaker 1: It was very freaky, very scary. You I lived? She 995 00:45:43,640 --> 00:45:46,280 Speaker 1: knew everything? Wow? And then I caught her. I actually 996 00:45:46,320 --> 00:45:49,600 Speaker 1: caught her, and so she was under a fake name Cassandra, 997 00:45:49,719 --> 00:45:51,520 Speaker 1: and I found out her. I won't say her real name. 998 00:45:51,600 --> 00:45:53,160 Speaker 1: Did you go to the police, No, No, I just 999 00:45:53,480 --> 00:45:55,600 Speaker 1: I caught her by accident. She rang the radio station. 1000 00:45:55,680 --> 00:45:57,920 Speaker 1: I was working out chasing a prize and for some 1001 00:45:57,960 --> 00:46:00,759 Speaker 1: reason I was walking through the promotions to I don't 1002 00:46:00,760 --> 00:46:02,319 Speaker 1: know why. I answered the phone. It was just ringing. 1003 00:46:02,360 --> 00:46:04,800 Speaker 1: I speak to her one Hello, and she started talking. 1004 00:46:04,880 --> 00:46:06,080 Speaker 2: Did you recognize the voice? 1005 00:46:06,200 --> 00:46:08,120 Speaker 1: Prize? And I just and I went cold. I felt 1006 00:46:08,120 --> 00:46:13,759 Speaker 1: this chill, and then I went Cassandra and then she 1007 00:46:14,120 --> 00:46:16,799 Speaker 1: because I'd got all her address, I got everything about her. 1008 00:46:17,000 --> 00:46:18,480 Speaker 1: And then was it her voice? 1009 00:46:18,520 --> 00:46:19,840 Speaker 2: She recognized yees straight away? 1010 00:46:20,120 --> 00:46:20,719 Speaker 1: Straight away? 1011 00:46:20,840 --> 00:46:22,319 Speaker 2: And how did she have your phone number? 1012 00:46:22,520 --> 00:46:22,560 Speaker 4: No? 1013 00:46:22,800 --> 00:46:25,200 Speaker 1: She used to ring the radiatation. I used to the 1014 00:46:25,280 --> 00:46:27,080 Speaker 1: night show and she'd ring every night. 1015 00:46:27,440 --> 00:46:29,359 Speaker 20: So once she'd been found out, Once she'd been. 1016 00:46:29,239 --> 00:46:31,200 Speaker 1: Found out, I never heard from her again. Interesting on 1017 00:46:31,280 --> 00:46:32,719 Speaker 1: your address and everything where she lived? 1018 00:46:32,760 --> 00:46:35,160 Speaker 2: Wow, that's really scared, But it's interesting to the role 1019 00:46:35,200 --> 00:46:37,000 Speaker 2: of police. He goes to the police and they say, well, 1020 00:46:37,000 --> 00:46:39,000 Speaker 2: we can't do anything until it's violent. We're looking at 1021 00:46:39,040 --> 00:46:41,239 Speaker 2: all of that with these steps against violence against women. 1022 00:46:41,480 --> 00:46:43,600 Speaker 2: We're going to be talking to the Minister for Women, 1023 00:46:43,600 --> 00:46:45,840 Speaker 2: to the New South Wales. They're making a new announcing 1024 00:46:45,880 --> 00:46:47,960 Speaker 2: money for a new initiative. That's a big part of it, 1025 00:46:48,000 --> 00:46:48,279 Speaker 2: isn't it. 1026 00:46:48,760 --> 00:46:50,759 Speaker 20: Oh the way the police handle it is dreadful. 1027 00:46:50,800 --> 00:46:53,040 Speaker 19: And you know, I'm sure hindsight is twenty twenty, but 1028 00:46:53,080 --> 00:46:55,080 Speaker 19: they must have been really embarrassed when it all sort 1029 00:46:55,080 --> 00:46:57,759 Speaker 19: of came to light. But it is interesting seeing a 1030 00:46:57,840 --> 00:47:00,440 Speaker 19: male victim portrayed in that way as well, him kind 1031 00:47:00,480 --> 00:47:03,000 Speaker 19: of wrestle with the pride of the stalker and his 1032 00:47:03,120 --> 00:47:06,120 Speaker 19: ego and going to the cops and handling it and yeah, 1033 00:47:06,360 --> 00:47:09,400 Speaker 19: I've never seen anything like it. So Baby Reindeer on 1034 00:47:09,480 --> 00:47:12,000 Speaker 19: Netflix highly recommend. 1035 00:47:14,440 --> 00:47:17,200 Speaker 1: Natationally has the news coming up for us at eight o'clock. Then, 1036 00:47:18,040 --> 00:47:20,879 Speaker 1: on a different note, Convoluted Chip Flavors. Do they pass 1037 00:47:20,960 --> 00:47:27,160 Speaker 1: the pub test? Mad gem Nation? When gone? 1038 00:47:28,160 --> 00:47:29,560 Speaker 2: I want you to get on right now. 1039 00:47:30,160 --> 00:47:33,400 Speaker 1: I'm taking your windows. 1040 00:47:34,080 --> 00:47:36,840 Speaker 10: Your head on a yell hell. 1041 00:47:39,400 --> 00:47:41,719 Speaker 1: Turn to the Jonesy Nomatter arms for the pub test 1042 00:47:41,840 --> 00:47:44,400 Speaker 1: convoluted chip flavors. Do they pass the pub test? You 1043 00:47:44,480 --> 00:47:50,080 Speaker 1: got Pringles, cinnamon and sugar, potato chips, Norrie seaweed flavored chips. 1044 00:47:50,040 --> 00:47:52,760 Speaker 2: Chili squid flavored chips. 1045 00:47:52,560 --> 00:47:57,319 Speaker 1: Flame and Hot Deal pickled potato Deal, just give me look. 1046 00:47:57,400 --> 00:47:59,680 Speaker 2: I do like sult and vinegar, but my favorite is 1047 00:47:59,719 --> 00:48:00,520 Speaker 2: play with salt. 1048 00:48:00,600 --> 00:48:03,440 Speaker 1: They've even got Private Area flavored chips. 1049 00:48:04,160 --> 00:48:05,040 Speaker 2: Who makes those? 1050 00:48:05,480 --> 00:48:08,279 Speaker 1: A mob Chaz? They make chips and look at this, 1051 00:48:09,520 --> 00:48:11,400 Speaker 1: and then then do they do that? I don't know. 1052 00:48:11,440 --> 00:48:12,960 Speaker 1: I guess it tastes like salt and video. 1053 00:48:15,520 --> 00:48:17,719 Speaker 2: Let's put it to the pub test, shall we? Convoluted 1054 00:48:17,760 --> 00:48:19,759 Speaker 2: chip flavors? Do they pass the pub test? 1055 00:48:20,040 --> 00:48:20,200 Speaker 1: Oh? 1056 00:48:20,360 --> 00:48:23,400 Speaker 3: I'm with Amanda. I like the plane and maybe the 1057 00:48:23,480 --> 00:48:24,360 Speaker 3: salt and vinegar. 1058 00:48:24,840 --> 00:48:25,640 Speaker 17: I don't mind them. 1059 00:48:25,640 --> 00:48:28,160 Speaker 12: We've been crushing them up and making different chip flavors 1060 00:48:28,200 --> 00:48:33,720 Speaker 12: into a kids missing chicken twists and cheese twisties since I. 1061 00:48:33,560 --> 00:48:36,239 Speaker 7: Was five years old. So yeah, just cut out the 1062 00:48:36,280 --> 00:48:36,719 Speaker 7: little man. 1063 00:48:36,880 --> 00:48:38,239 Speaker 12: Definitely part of the pub test. 1064 00:48:38,360 --> 00:48:42,040 Speaker 4: They probably don't, but she'll be more worried about the additives. 1065 00:48:42,200 --> 00:48:43,799 Speaker 4: A friend of my mother used to work as a 1066 00:48:43,800 --> 00:48:47,720 Speaker 4: food technologist. Basically, they make the flavors and the colors, 1067 00:48:47,880 --> 00:48:50,560 Speaker 4: artificial things. She had to leave because she became so 1068 00:48:50,719 --> 00:48:53,360 Speaker 4: sensitive to all the artificial colors and flavors she was 1069 00:48:53,400 --> 00:48:53,920 Speaker 4: working with. 1070 00:48:54,120 --> 00:48:55,040 Speaker 12: It's a bit nats. 1071 00:48:55,120 --> 00:48:58,480 Speaker 10: The only thing I would say, I would really like 1072 00:48:58,600 --> 00:49:02,719 Speaker 10: them to bring back tomato sauce flavored chips. They had 1073 00:49:02,719 --> 00:49:05,759 Speaker 10: those years ago and they were really nice. But the 1074 00:49:05,840 --> 00:49:07,839 Speaker 10: other thing I just wanted to throw in just let 1075 00:49:07,880 --> 00:49:10,960 Speaker 10: Amanda know, I grew up in Scotland and we got 1076 00:49:11,000 --> 00:49:14,080 Speaker 10: out playing potato chips and they had a little packet 1077 00:49:14,080 --> 00:49:16,839 Speaker 10: of salt in them so you could add as much 1078 00:49:16,920 --> 00:49:17,840 Speaker 10: or as little sold. 1079 00:49:17,680 --> 00:49:18,360 Speaker 7: As you wanted to. 1080 00:49:18,560 --> 00:49:23,240 Speaker 1: Oooh, Scottish their Kenny, with their finances and their health. 1081 00:49:23,239 --> 00:49:26,279 Speaker 2: All wow. My friend was visiting her Scottish boyfriend years 1082 00:49:26,280 --> 00:49:29,280 Speaker 2: ago and the three veg on the table was mashed potato, 1083 00:49:29,440 --> 00:49:31,120 Speaker 2: baked potato and boiled potato. 1084 00:49:32,280 --> 00:49:34,600 Speaker 1: What no chips? No chips? Come on? 1085 00:49:35,280 --> 00:49:39,960 Speaker 2: Jens Aman Sam Ship podcast. Do you remember New Weekly magazine? 1086 00:49:40,239 --> 00:49:42,800 Speaker 1: The Cult of NW magazine. 1087 00:49:42,320 --> 00:49:43,800 Speaker 2: From the nineteen nineties. 1088 00:49:43,840 --> 00:49:48,080 Speaker 6: It was big I In this week's Knew Weekly Thede interview, 1089 00:49:48,200 --> 00:49:52,560 Speaker 6: you really want to see Melanie and Antonio why her 1090 00:49:52,600 --> 00:49:55,040 Speaker 6: ex husband of BRUEs JFK. 1091 00:49:55,280 --> 00:49:56,719 Speaker 1: Junior is tell all book. 1092 00:49:56,760 --> 00:50:02,560 Speaker 6: That's stunning America, Melrose FINALI, Who comes, Who Goes? It's explosive, 1093 00:50:03,160 --> 00:50:07,000 Speaker 6: Pierce loves Christy, stunning pictures. Plus win tickets to Double 1094 00:50:07,000 --> 00:50:09,640 Speaker 6: O seven's new movie. And we've got the most flatterings 1095 00:50:09,640 --> 00:50:12,200 Speaker 6: swim where to give away? It's all in this week's 1096 00:50:12,280 --> 00:50:12,800 Speaker 6: new Weekly. 1097 00:50:13,000 --> 00:50:14,560 Speaker 1: That's way too much bongo. 1098 00:50:14,920 --> 00:50:16,840 Speaker 2: I know some of the people are being punched. 1099 00:50:17,000 --> 00:50:19,640 Speaker 1: The hell, what the hell the nineties in their bongo? 1100 00:50:19,960 --> 00:50:23,320 Speaker 2: Well, look, the Princess di was still alive. JFK Junior 1101 00:50:23,400 --> 00:50:24,080 Speaker 2: was still alive. 1102 00:50:24,800 --> 00:50:27,960 Speaker 1: He still is alive, isn't He's coming back to lead America? Yeah? 1103 00:50:28,160 --> 00:50:31,359 Speaker 2: Wow, So let's have a look here at I found 1104 00:50:31,400 --> 00:50:34,560 Speaker 2: an old copy in a drawer at home. Harley has 1105 00:50:34,600 --> 00:50:38,000 Speaker 2: scribbled on this woman's leg Amanda at home. Don't chut? 1106 00:50:38,040 --> 00:50:38,680 Speaker 1: Who's the woman? 1107 00:50:39,200 --> 00:50:42,960 Speaker 2: Well's David Dukovny? Cheat? How this picture of recked is marriage? 1108 00:50:43,000 --> 00:50:43,800 Speaker 2: Is that calmen Electra? 1109 00:50:44,160 --> 00:50:47,880 Speaker 1: Yet? Yes, I remember that photo and that was ruined 1110 00:50:47,880 --> 00:50:48,800 Speaker 1: his marriage. 1111 00:50:48,800 --> 00:50:51,720 Speaker 2: Well, then he confessed to being a sex addict. Remember 1112 00:50:52,120 --> 00:50:53,360 Speaker 2: it's not my fault, sweetheart. 1113 00:50:53,400 --> 00:50:57,120 Speaker 1: I'm addicted, you know, I'm just thinking, is that going 1114 00:50:57,160 --> 00:50:58,600 Speaker 1: to help you? Look at this on the front of 1115 00:50:58,640 --> 00:51:01,920 Speaker 1: it having it off with miss Carmen, let no pants 1116 00:51:02,200 --> 00:51:03,880 Speaker 1: and then, honey, I'm a sex addict. 1117 00:51:03,880 --> 00:51:05,880 Speaker 2: It's not my fault. It's not my fault. I'm a 1118 00:51:05,960 --> 00:51:07,480 Speaker 2: victim here, call the lawyers off. 1119 00:51:07,560 --> 00:51:10,120 Speaker 1: Let's all just go out for a meal because I'm 1120 00:51:10,120 --> 00:51:10,760 Speaker 1: a sex out. 1121 00:51:10,640 --> 00:51:12,319 Speaker 2: What about this story on the front? I hope this 1122 00:51:12,400 --> 00:51:16,000 Speaker 2: isn't the story of me inside Australia's hottest pornster. Don't 1123 00:51:16,040 --> 00:51:17,920 Speaker 2: tell marm That's what he says. 1124 00:51:18,480 --> 00:51:19,759 Speaker 1: Now you're in this, what are you doing? 1125 00:51:19,800 --> 00:51:19,920 Speaker 7: Well? 1126 00:51:19,960 --> 00:51:22,120 Speaker 2: Do you know what's interesting here? Let's get to what 1127 00:51:22,160 --> 00:51:26,399 Speaker 2: was happening at the time. Nineteen ninety eight. Yep, how 1128 00:51:26,400 --> 00:51:29,800 Speaker 2: many years ago is that? I'm looking at the biggest 1129 00:51:29,840 --> 00:51:32,720 Speaker 2: dumbos of all time? No one knows. It's quite some time. 1130 00:51:33,840 --> 00:51:34,359 Speaker 15: I was born. 1131 00:51:35,560 --> 00:51:37,480 Speaker 1: Okay, thank you you are. 1132 00:51:37,640 --> 00:51:40,200 Speaker 2: But what's fascinating is how many people who are in 1133 00:51:40,280 --> 00:51:43,080 Speaker 2: this are still in the public eye. Hotshots, he's a 1134 00:51:43,120 --> 00:51:46,800 Speaker 2: celebrity photos. We've got Meg Ryan, We've got Selma Hayak, 1135 00:51:46,840 --> 00:51:49,640 Speaker 2: We've got Fergie Madonna. 1136 00:51:49,680 --> 00:51:51,719 Speaker 1: Fergie is Fergie or Fergie Fergie. 1137 00:51:51,520 --> 00:51:55,400 Speaker 2: Fergie as in you know, married to Prince Andrew Jack Nicholson, 1138 00:51:55,600 --> 00:51:59,120 Speaker 2: Andrew Daddo, his name was still know. 1139 00:51:59,160 --> 00:52:01,120 Speaker 1: Andrew Dao RBT. 1140 00:52:01,520 --> 00:52:04,680 Speaker 2: And also there's Sophie Lee and Kim Wilson. Remember the 1141 00:52:04,680 --> 00:52:06,200 Speaker 2: Cult of Sophie Lee and Kim Wilson. 1142 00:52:06,280 --> 00:52:08,920 Speaker 1: So that was this is yeah, because Kim Wilson was 1143 00:52:08,960 --> 00:52:13,520 Speaker 1: the last person to hang with Michael Jack terrible hang 1144 00:52:13,560 --> 00:52:16,120 Speaker 1: out with Michael Hutchinson. 1145 00:52:16,800 --> 00:52:18,560 Speaker 2: Well, but she she was a working actor and I 1146 00:52:18,560 --> 00:52:21,160 Speaker 2: don't think she is anymore. Brad Pitts in here, Jean 1147 00:52:21,239 --> 00:52:24,520 Speaker 2: Claude van Dam. Look there's Keith Richards as a baby. 1148 00:52:26,120 --> 00:52:29,080 Speaker 2: Look at the Nith Richard. Let's get to the Hot 1149 00:52:29,120 --> 00:52:32,400 Speaker 2: Flashes special. He's the gosp page. Oprah Winfrey is rumored 1150 00:52:32,440 --> 00:52:34,080 Speaker 2: to be looking to adopt a three or four year 1151 00:52:34,120 --> 00:52:36,160 Speaker 2: old child, old enough so she won't have to deal 1152 00:52:36,200 --> 00:52:38,919 Speaker 2: with dirty nappies or crying. She doesn't mind what sex 1153 00:52:38,960 --> 00:52:41,360 Speaker 2: it is. She's made inquiries at the agency that paired 1154 00:52:41,400 --> 00:52:42,920 Speaker 2: up single mum Rosi O Donna. 1155 00:52:42,719 --> 00:52:45,600 Speaker 1: With her baby. What about that, Amanda Keller. 1156 00:52:45,480 --> 00:52:48,560 Speaker 2: We'll get to that. And Hesh has been accused of 1157 00:52:48,800 --> 00:52:51,400 Speaker 2: by her lesbian lover, Ellen DeGeneres, of having sex with 1158 00:52:51,440 --> 00:52:56,600 Speaker 2: a guy. She's still in there, She's did now. All 1159 00:52:56,680 --> 00:52:59,200 Speaker 2: is not well in the Cruz Kidman household. Nicole Kidman's 1160 00:52:59,239 --> 00:53:01,719 Speaker 2: recovering from an opper for the removal of of a 1161 00:53:01,800 --> 00:53:05,000 Speaker 2: bino very insist Tom Cruise has been involved in an 1162 00:53:05,040 --> 00:53:08,080 Speaker 2: instant with the paparazzi. Blah blah blah blah blah. Well 1163 00:53:08,200 --> 00:53:11,319 Speaker 2: that was goss there, But look at this one. How 1164 00:53:11,440 --> 00:53:15,640 Speaker 2: mean were they? Here? Photos of someone bundled up trying 1165 00:53:15,680 --> 00:53:19,360 Speaker 2: to hide from a camera leaving a hospital. It's farah faucet. 1166 00:53:19,400 --> 00:53:23,000 Speaker 2: She's having a She's treated herself to plastic surgery, a 1167 00:53:23,120 --> 00:53:25,839 Speaker 2: last ditch attempt says, to save her career and pick 1168 00:53:25,880 --> 00:53:28,040 Speaker 2: herself up from the shattering events of the last year. 1169 00:53:28,320 --> 00:53:32,080 Speaker 2: And here's a picture here. It says the fifty one 1170 00:53:32,160 --> 00:53:35,280 Speaker 2: year old star has been looking decidedly haggard in recent times. 1171 00:53:35,800 --> 00:53:36,680 Speaker 2: It's a poor thing. 1172 00:53:36,960 --> 00:53:38,480 Speaker 1: She died of cancer of the anus. 1173 00:53:38,520 --> 00:53:43,160 Speaker 16: And god, Brendon, she she's dead. She had cancer of 1174 00:53:43,160 --> 00:53:47,080 Speaker 16: the anus. She was there with Michael Hutchins. You know, wow, 1175 00:53:47,320 --> 00:53:49,400 Speaker 16: I'm too snow. I'm too scared now to read the 1176 00:53:49,400 --> 00:53:51,200 Speaker 16: bit about me. What are you going to say about 1177 00:53:51,200 --> 00:53:53,319 Speaker 16: me anything, Brendan. 1178 00:53:53,080 --> 00:53:53,840 Speaker 1: You're still. 1179 00:53:55,520 --> 00:53:58,000 Speaker 2: I'm still going I still have my bottom intact. If 1180 00:53:58,000 --> 00:54:03,720 Speaker 2: that's what you're asking, so already hear about me? I 1181 00:54:03,880 --> 00:54:07,600 Speaker 2: living with Amanda. It's a four page spread. Those were 1182 00:54:07,600 --> 00:54:10,560 Speaker 2: the days A photos in my home. There's my old dog, 1183 00:54:10,719 --> 00:54:14,920 Speaker 2: or she was a young dog. Then, Ripley, why are 1184 00:54:14,960 --> 00:54:17,160 Speaker 2: you laughing like a loon? Look at the shape of 1185 00:54:17,200 --> 00:54:19,440 Speaker 2: the shirt I'm wearing. I used to wear those clothes 1186 00:54:19,480 --> 00:54:22,719 Speaker 2: on television. I look like I'm hosting a Low's commercial. 1187 00:54:23,080 --> 00:54:25,560 Speaker 2: Who's that guy? Was a big keV who used to 1188 00:54:25,560 --> 00:54:27,560 Speaker 2: sell those cleaning products. I look like that. 1189 00:54:27,680 --> 00:54:29,279 Speaker 1: You look like you borrowed your shirt from the big 1190 00:54:29,360 --> 00:54:30,200 Speaker 1: mind the idea. 1191 00:54:30,800 --> 00:54:33,840 Speaker 2: I know that's all I used to wear. So anyway, 1192 00:54:33,920 --> 00:54:36,360 Speaker 2: thank you for your time, Brendan. I really enjoyed this 1193 00:54:36,400 --> 00:54:43,160 Speaker 2: trip down memory lane. Jonesy and Amanda Gamasion. 1194 00:54:42,560 --> 00:54:50,319 Speaker 11: Podcast Let's get started, Praise yourself, Bring it home. 1195 00:54:53,400 --> 00:54:56,120 Speaker 2: Well, it's forefront of the news as it should be. 1196 00:54:56,200 --> 00:54:58,520 Speaker 2: The rise of domestic violence against women and now the 1197 00:54:58,520 --> 00:55:01,279 Speaker 2: new South Walest government has announced a two hundred and 1198 00:55:01,320 --> 00:55:05,680 Speaker 2: thirty million dollar prevention initiative. What does this mean? Where 1199 00:55:05,719 --> 00:55:08,279 Speaker 2: exactly is that money going to talk us through? This 1200 00:55:08,360 --> 00:55:12,800 Speaker 2: is the Minister for Women, Jody Harrison. Good morning morning, Amanda. 1201 00:55:13,440 --> 00:55:17,759 Speaker 2: So two hundred and thirty million dollars. Can you specify 1202 00:55:18,520 --> 00:55:21,359 Speaker 2: what your directives have been as to where this should go? 1203 00:55:22,840 --> 00:55:28,000 Speaker 8: Absolutely, we have. This is actually the first phase of 1204 00:55:28,480 --> 00:55:32,680 Speaker 8: what is going to be an ongoing series of improvements 1205 00:55:32,719 --> 00:55:36,880 Speaker 8: that we're making to the support that we give domestic 1206 00:55:36,880 --> 00:55:42,920 Speaker 8: and family violent victim survivors and also dealing with perpetrators effectively. 1207 00:55:43,000 --> 00:55:45,640 Speaker 8: So the two hundred and thirty million dollar package goes 1208 00:55:45,719 --> 00:55:50,960 Speaker 8: to crisis response forty eight million dollars to improve the 1209 00:55:51,000 --> 00:55:55,480 Speaker 8: supports that we give to victim survivors so that they 1210 00:55:55,480 --> 00:56:01,799 Speaker 8: can stay in their homes safely with technical, technological improvements 1211 00:56:01,880 --> 00:56:05,480 Speaker 8: and security upgrades. We're going to improve a justice system 1212 00:56:05,960 --> 00:56:09,280 Speaker 8: for victims. We're going to put thirty eight million dollars 1213 00:56:09,719 --> 00:56:14,600 Speaker 8: into New South Wales's first dedicated prime prevention strategy. That's 1214 00:56:14,600 --> 00:56:16,560 Speaker 8: a really key part because we haven't been doing that 1215 00:56:16,640 --> 00:56:17,799 Speaker 8: in New South Wales. 1216 00:56:17,560 --> 00:56:20,880 Speaker 1: And a minister just with that. So the bail laws, 1217 00:56:21,280 --> 00:56:25,280 Speaker 1: that is probably the most that's the glaringly obvious things. 1218 00:56:26,120 --> 00:56:28,319 Speaker 1: What money would go into the bail laws because I 1219 00:56:28,320 --> 00:56:31,120 Speaker 1: think most people just don't understand how a serial offender 1220 00:56:31,640 --> 00:56:35,120 Speaker 1: can beat up a woman and then get released on bail. 1221 00:56:35,360 --> 00:56:38,280 Speaker 1: In what world is a judge thinking, or the court 1222 00:56:38,320 --> 00:56:40,919 Speaker 1: register or whoever's doing it is thinking, well, that's okay, 1223 00:56:40,960 --> 00:56:42,680 Speaker 1: going to let this guy back out of the community. 1224 00:56:42,880 --> 00:56:45,479 Speaker 1: So that money, i would say as a layman here, 1225 00:56:45,600 --> 00:56:48,600 Speaker 1: would be going into strengthening our bail laws, or perhaps 1226 00:56:48,719 --> 00:56:51,640 Speaker 1: if there's not a court judge in regional areas on 1227 00:56:51,680 --> 00:56:54,959 Speaker 1: a weekend, getting one in there so he can lock 1228 00:56:55,040 --> 00:56:56,040 Speaker 1: these bastards away. 1229 00:56:57,360 --> 00:57:00,840 Speaker 8: Absolutely, and that is a totally legitimate student that people 1230 00:57:00,920 --> 00:57:03,759 Speaker 8: have and it's actually a question that we have as 1231 00:57:03,840 --> 00:57:08,480 Speaker 8: government as well. So there's a review currently under way, 1232 00:57:09,000 --> 00:57:12,520 Speaker 8: but we have put aside forty five million dollars to 1233 00:57:12,800 --> 00:57:16,840 Speaker 8: improve our justice system responses to domestic violence, and that 1234 00:57:16,880 --> 00:57:19,320 Speaker 8: will include any changes that need to be made in 1235 00:57:19,360 --> 00:57:20,600 Speaker 8: relation to bailwaws. 1236 00:57:21,280 --> 00:57:23,760 Speaker 2: I do a podcast with a forensic psychologist and she 1237 00:57:23,960 --> 00:57:26,200 Speaker 2: said that she's forever her job is to work with 1238 00:57:26,240 --> 00:57:30,520 Speaker 2: these offenders, and she said, what we're doing is pulling 1239 00:57:30,640 --> 00:57:33,880 Speaker 2: bodies out downstream. We need to work further upstream. You 1240 00:57:33,920 --> 00:57:38,360 Speaker 2: mentioned working with offenders. Is that this prevention work you're 1241 00:57:38,360 --> 00:57:39,000 Speaker 2: talking about. 1242 00:57:40,280 --> 00:57:42,640 Speaker 8: There's a range of things that we need to do 1243 00:57:42,720 --> 00:57:47,000 Speaker 8: further upstream. The person that you know is absolutely spot on. 1244 00:57:47,280 --> 00:57:49,760 Speaker 8: We spend eighty five percent of our budget and domestic 1245 00:57:49,800 --> 00:57:53,040 Speaker 8: family violence in South Wales on the crisis vent and 1246 00:57:53,120 --> 00:57:55,960 Speaker 8: obviously that is not working. In Victoria and Queensland, they've 1247 00:57:56,000 --> 00:57:58,720 Speaker 8: been much more money in the prevention work and that 1248 00:57:58,880 --> 00:58:02,440 Speaker 8: is about teaching people how to be respectful, working with 1249 00:58:02,600 --> 00:58:05,520 Speaker 8: community groups about how to raise issues in relation to 1250 00:58:05,560 --> 00:58:11,800 Speaker 8: what is an appropriate comment to make because disrespect domestic 1251 00:58:11,880 --> 00:58:16,080 Speaker 8: violence is always preceded by disrespect always, so we need 1252 00:58:16,080 --> 00:58:19,840 Speaker 8: to do more work in primevention, actually working with our children, 1253 00:58:19,960 --> 00:58:24,640 Speaker 8: our community groups and also really stepping in just as 1254 00:58:24,720 --> 00:58:30,400 Speaker 8: the first signs appear, so that early intervention, there are science. 1255 00:58:30,760 --> 00:58:33,080 Speaker 1: And we're seeing it. Would you agree with those boys 1256 00:58:33,080 --> 00:58:35,520 Speaker 1: at that school having that list of those girls and 1257 00:58:35,560 --> 00:58:37,520 Speaker 1: they put that out so the thing in the old 1258 00:58:37,600 --> 00:58:39,640 Speaker 1: days that's probably been going along for a long time. 1259 00:58:40,240 --> 00:58:44,240 Speaker 2: They listed the attractiveness and now sectual nature of girls. 1260 00:58:44,280 --> 00:58:47,080 Speaker 1: But these boys are being held to account for that. 1261 00:58:47,200 --> 00:58:49,280 Speaker 1: So in a way I feel that we're getting the 1262 00:58:49,400 --> 00:58:52,240 Speaker 1: people are sort of seeing what's happening here. But we've 1263 00:58:52,280 --> 00:58:54,120 Speaker 1: got to move quicker on this. Well, that's the Internet 1264 00:58:54,680 --> 00:58:56,000 Speaker 1: accelerating everything and. 1265 00:58:57,600 --> 00:59:01,760 Speaker 2: There are known markers for stalkers, for harassment. It's about 1266 00:59:02,240 --> 00:59:05,800 Speaker 2: everyone recognizing what those markers are and acting sooner. Is 1267 00:59:05,840 --> 00:59:06,960 Speaker 2: that part of this too. 1268 00:59:07,680 --> 00:59:10,960 Speaker 8: It's absolutely part of it. That primary prevent the dedicated 1269 00:59:10,960 --> 00:59:14,600 Speaker 8: prime prevention strategy we'll be working with in our schools, 1270 00:59:14,920 --> 00:59:19,560 Speaker 8: within our sporting groups, within our corporations to actually help 1271 00:59:19,600 --> 00:59:23,680 Speaker 8: people to understand how to have those conversations to stop 1272 00:59:24,480 --> 00:59:29,360 Speaker 8: inappropriate behaviors which don't always lead to domestic and family violence, 1273 00:59:29,400 --> 00:59:32,880 Speaker 8: but domestic and family violence is always preceded by them. 1274 00:59:32,880 --> 00:59:34,400 Speaker 1: Well, minister, thank you for joining us. 1275 00:59:34,480 --> 00:59:36,240 Speaker 2: Yes, good luck with all of that. We all hope 1276 00:59:36,280 --> 00:59:37,680 Speaker 2: that happened. That helps. 1277 00:59:38,480 --> 00:59:40,760 Speaker 8: Thank you. It's a big job, but we're totally up 1278 00:59:40,800 --> 00:59:41,160 Speaker 8: to it. 1279 00:59:41,280 --> 00:59:45,160 Speaker 1: Jonesy and Amanda's Sham Notion podcast. I was just all 1280 00:59:45,200 --> 00:59:48,480 Speaker 1: gathering about freedom. Have you seen those ads. 1281 00:59:48,280 --> 00:59:50,440 Speaker 2: For the freedom for eature freedom Furtherture? 1282 00:59:50,480 --> 00:59:53,000 Speaker 1: I love that stuff. Have you seen the Tucker Carlson 1283 00:59:53,080 --> 00:59:55,400 Speaker 1: and Farmer's Freedom Conference? 1284 00:59:55,520 --> 00:59:59,320 Speaker 5: Ats, Hey, it's Stucker Carlson. I'm so excited to come 1285 00:59:59,360 --> 01:00:02,640 Speaker 5: to Australia to be part of the Australian freedom conferences 1286 01:00:03,320 --> 01:00:05,959 Speaker 5: And are me talking about what is happening in your 1287 01:00:06,000 --> 01:00:07,680 Speaker 5: country and hours? 1288 01:00:07,880 --> 01:00:09,960 Speaker 1: Even when he says that it sounds kind of vague. 1289 01:00:10,520 --> 01:00:14,360 Speaker 2: Of course it's vague. Joves me crazy, of course it's vague. 1290 01:00:15,160 --> 01:00:16,160 Speaker 2: What does it even mean? 1291 01:00:16,360 --> 01:00:19,360 Speaker 1: As I as I left my home and cross through 1292 01:00:19,520 --> 01:00:22,400 Speaker 1: five check points to get here, handing my papers of 1293 01:00:22,920 --> 01:00:26,040 Speaker 1: hoping I could get a pair of Levi jeans, I felt, 1294 01:00:26,040 --> 01:00:26,640 Speaker 1: what freedom? 1295 01:00:26,680 --> 01:00:29,000 Speaker 2: And this American telling us you want your freedoms. I'm 1296 01:00:29,040 --> 01:00:31,120 Speaker 2: happy to be free from being shot on my way 1297 01:00:31,160 --> 01:00:32,440 Speaker 2: to work. Thank you. That'll do me. 1298 01:00:32,640 --> 01:00:35,920 Speaker 1: Remember I did that tour with the Deadlist catch Captains. 1299 01:00:36,400 --> 01:00:41,080 Speaker 2: Remember those weren't they chewing nicorettes and chewing tobacco. 1300 01:00:40,760 --> 01:00:43,560 Speaker 1: With tobacco and they're on cham pecks and they love 1301 01:00:43,800 --> 01:00:46,440 Speaker 1: really lovely fellows. But Jonathan Hillstrom he said to me, 1302 01:00:46,520 --> 01:00:48,600 Speaker 1: he said, Johnsy, you know what you gotta do is 1303 01:00:48,600 --> 01:00:51,000 Speaker 1: you got to get your guns back. And I said, well, 1304 01:00:51,080 --> 01:00:53,720 Speaker 1: I've been working out. Jonathan HEAs, no your guns. 1305 01:00:54,280 --> 01:00:54,320 Speaker 4: No. 1306 01:00:54,480 --> 01:00:57,120 Speaker 1: Australian Americans look at us as if we've got this 1307 01:00:57,200 --> 01:00:58,720 Speaker 1: great disadvantage that we don't have guns. 1308 01:00:58,720 --> 01:01:00,400 Speaker 2: You've got a handstie behind our Well. 1309 01:01:00,400 --> 01:01:02,120 Speaker 1: I remember one time we're in Hawaii. We went to 1310 01:01:02,120 --> 01:01:04,480 Speaker 1: one of those shooting ranges at waika Ki and you know, 1311 01:01:04,520 --> 01:01:08,560 Speaker 1: you get to fire anything ak forty seven magnum, all 1312 01:01:08,560 --> 01:01:11,600 Speaker 1: these guns. And anyway, after we've done had our fun 1313 01:01:11,800 --> 01:01:14,560 Speaker 1: at the firing range, the guy says, yeah, you guys, 1314 01:01:14,600 --> 01:01:16,800 Speaker 1: you don't have guns in Australia and we said no, no, 1315 01:01:17,040 --> 01:01:19,680 Speaker 1: we had a massacre. And the guy said you had 1316 01:01:19,720 --> 01:01:23,160 Speaker 1: one massacre and we went yeah, And I just looked 1317 01:01:23,240 --> 01:01:25,840 Speaker 1: there and then that's the difference between our two nations. 1318 01:01:26,040 --> 01:01:29,440 Speaker 1: So what Tucker Carson will be purporting, I don't know. 1319 01:01:29,560 --> 01:01:31,840 Speaker 1: I don't know what freedoms I'm missing out on. I 1320 01:01:31,880 --> 01:01:33,960 Speaker 1: was the only one I can think of. A couple 1321 01:01:33,920 --> 01:01:36,480 Speaker 1: of weeks ago, we're out at a club and at 1322 01:01:36,520 --> 01:01:38,320 Speaker 1: the end of the night, I was with people my 1323 01:01:38,440 --> 01:01:42,000 Speaker 1: age and Helen said, let's let's get around a Bailey's 1324 01:01:42,080 --> 01:01:43,080 Speaker 1: Bailey's drinks. 1325 01:01:43,280 --> 01:01:44,360 Speaker 2: Did you have your pajamas on? 1326 01:01:44,640 --> 01:01:46,320 Speaker 1: And I said that's good. So I went to the bar. 1327 01:01:46,360 --> 01:01:49,360 Speaker 1: I said, can I get six Baileies? And the millennial 1328 01:01:49,440 --> 01:01:51,480 Speaker 1: behind the can no, No, I can't do that. 1329 01:01:51,920 --> 01:01:52,840 Speaker 2: Do they not sell it? 1330 01:01:53,160 --> 01:01:55,520 Speaker 1: They've got it? I said, why not? It's a shot. 1331 01:01:55,800 --> 01:01:58,120 Speaker 1: You can't have a Bailey's. 1332 01:01:57,800 --> 01:01:59,560 Speaker 2: After certain can you have a shot up for a 1333 01:01:59,560 --> 01:02:00,440 Speaker 2: certain time to go. 1334 01:02:00,480 --> 01:02:06,880 Speaker 1: And class someone? I can't with a comfort. So she said, 1335 01:02:06,960 --> 01:02:08,440 Speaker 1: we can do a Bailey's, but you've got to put 1336 01:02:08,480 --> 01:02:12,120 Speaker 1: it with milk. And Okay, I'm just stir a hole 1337 01:02:12,400 --> 01:02:15,920 Speaker 1: into that freedom conference. Would it be out of line 1338 01:02:16,040 --> 01:02:17,440 Speaker 1: if I got up there and put my hand up 1339 01:02:17,480 --> 01:02:19,960 Speaker 1: excuse me? I would like to be served as Bailey's. 1340 01:02:20,400 --> 01:02:23,560 Speaker 1: That's my freedom. If I could possibly get a Bailey's. 1341 01:02:23,240 --> 01:02:25,760 Speaker 2: Tacker, well least you'd achieve something. 1342 01:02:25,960 --> 01:02:28,560 Speaker 1: Or I could get my Levi's jeans. I'm not restricted 1343 01:02:28,560 --> 01:02:31,000 Speaker 1: from buying Levi's jeans. My bum just doesn't look good 1344 01:02:31,000 --> 01:02:31,360 Speaker 1: in them. 1345 01:02:31,680 --> 01:02:34,440 Speaker 2: You've got a big agenda, that's your problem. All at 1346 01:02:34,480 --> 01:02:38,600 Speaker 2: the back, you know, I can. 1347 01:02:40,440 --> 01:02:41,560 Speaker 1: Where's that come from? 1348 01:02:43,200 --> 01:02:43,840 Speaker 12: Jam Nation? 1349 01:02:52,600 --> 01:02:55,120 Speaker 2: Twenty thousand dollars for our favorite goolie of the year. 1350 01:02:55,480 --> 01:02:56,120 Speaker 1: What have we got? 1351 01:02:56,840 --> 01:02:59,720 Speaker 21: What gets my goolies is in a whole day washing 1352 01:03:00,200 --> 01:03:02,880 Speaker 21: and ask my husband not to mow under the clothes 1353 01:03:02,960 --> 01:03:05,400 Speaker 21: until I get them off. And I go out to 1354 01:03:05,440 --> 01:03:08,360 Speaker 21: find him on the ride on mower, merely listening to 1355 01:03:08,520 --> 01:03:12,360 Speaker 21: WSFIM on his phone through the headphones ear muffs and 1356 01:03:12,920 --> 01:03:16,320 Speaker 21: dust and dirt and grass and everything going over all 1357 01:03:16,360 --> 01:03:21,480 Speaker 21: my towels and my blankets and the sheets, and he's 1358 01:03:21,560 --> 01:03:22,959 Speaker 21: just amused by it all. 1359 01:03:23,400 --> 01:03:24,760 Speaker 2: Gave it the sheets, by the sound of it. 1360 01:03:24,800 --> 01:03:26,280 Speaker 1: But it's difficult as well to get a ride on 1361 01:03:26,640 --> 01:03:28,120 Speaker 1: under the hills. Hoye, that's a pain in them. 1362 01:03:28,160 --> 01:03:32,280 Speaker 2: He pretending he's going through a car washer. What else? 1363 01:03:33,160 --> 01:03:33,360 Speaker 21: You know? 1364 01:03:33,440 --> 01:03:35,880 Speaker 13: What gets my ghoulies is when we finally get to 1365 01:03:35,920 --> 01:03:38,520 Speaker 13: have our little grandchildren over to stay for a few nights, 1366 01:03:38,720 --> 01:03:41,120 Speaker 13: and we get a list of instructions from their parents 1367 01:03:41,120 --> 01:03:42,920 Speaker 13: on what to do and what not to do, and 1368 01:03:42,960 --> 01:03:43,800 Speaker 13: any treats we. 1369 01:03:43,800 --> 01:03:45,000 Speaker 8: May be allowed to give them. 1370 01:03:45,440 --> 01:03:48,360 Speaker 13: Well, they can put their instructions where the sun doesn't shine. 1371 01:03:48,480 --> 01:03:51,040 Speaker 13: It's my job as a grandparent to spoil the little 1372 01:03:51,080 --> 01:03:53,959 Speaker 13: darlings and enjoy them. They seem to forget. We've raised 1373 01:03:54,040 --> 01:03:57,280 Speaker 13: children before with no complaints, so I'm pretty sure I 1374 01:03:57,360 --> 01:03:58,080 Speaker 13: know what I'm doing. 1375 01:03:58,400 --> 01:04:01,280 Speaker 1: All that's the age old fighter Scotch and a cigarette 1376 01:04:01,320 --> 01:04:02,800 Speaker 1: and come out and play with the moa. 1377 01:04:03,240 --> 01:04:04,800 Speaker 2: That's a great ghoulie. 1378 01:04:04,560 --> 01:04:05,960 Speaker 1: With a bad dam with the good. If you did, dad, 1379 01:04:06,080 --> 01:04:11,800 Speaker 1: you got always contact us via the iHeartRadio app, favorite. 1380 01:04:11,440 --> 01:04:13,840 Speaker 2: Call, email, or Facebook friend gets a vivid Star like 1381 01:04:13,880 --> 01:04:16,360 Speaker 2: dinner with Captain Cook Cruises. This is a fabulous Captain 1382 01:04:16,400 --> 01:04:20,040 Speaker 2: Cook Dinner cruise during Vivid on the Harbor. You can 1383 01:04:20,080 --> 01:04:21,360 Speaker 2: book now at Captain cook dot com. 1384 01:04:21,360 --> 01:04:24,840 Speaker 1: Do you you get a Jones namandate tawl and fridge magnet? 1385 01:04:25,120 --> 01:04:27,560 Speaker 2: Every morning we play the Magnificent Seven. This is sort 1386 01:04:27,560 --> 01:04:29,760 Speaker 2: of a trivia quiz to get your brain into gear. 1387 01:04:30,360 --> 01:04:32,680 Speaker 2: Here's Denise from Blackett, who was showing her age a 1388 01:04:32,720 --> 01:04:34,200 Speaker 2: little today, sharing its. 1389 01:04:34,120 --> 01:04:36,560 Speaker 1: Name with a much loved musical from the sixties about 1390 01:04:36,560 --> 01:04:39,720 Speaker 1: a street Edgin. What is the most popular baby boy 1391 01:04:39,800 --> 01:04:41,160 Speaker 1: name in New South Wales? 1392 01:04:41,640 --> 01:04:50,120 Speaker 12: Ah? 1393 01:04:50,240 --> 01:04:51,920 Speaker 1: I love that musical Craig. 1394 01:04:53,120 --> 01:04:56,120 Speaker 2: Do you know many babies call Greg the ray Greig? 1395 01:04:56,400 --> 01:04:58,480 Speaker 1: Never before? Here's a boy wanted. 1396 01:04:58,320 --> 01:05:02,160 Speaker 2: More right A That's enough. I'd be fills next with 1397 01:05:02,360 --> 01:05:03,600 Speaker 2: WSFMS total recall. 1398 01:05:03,720 --> 01:05:05,760 Speaker 1: It was Oliver. By the way. You can catch us 1399 01:05:05,920 --> 01:05:08,880 Speaker 1: from six to nine for jam Nation again. Gooded you well, 1400 01:05:09,080 --> 01:05:10,280 Speaker 1: Thank God? That's over. 1401 01:05:10,400 --> 01:05:15,680 Speaker 6: Hood bite, good bite, wipe the two You're right. 1402 01:05:15,920 --> 01:05:19,280 Speaker 15: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 1403 01:05:19,280 --> 01:05:31,320 Speaker 15: wherever you get your podcasts. Catch up on what you've 1404 01:05:31,360 --> 01:05:33,479 Speaker 15: missed on the free iHeartRadio app.