1 00:00:00,600 --> 00:00:02,920 Speaker 1: Spite the flick with below shade. 2 00:00:06,920 --> 00:00:09,960 Speaker 2: Good morning, Bend, Good morning guys. 3 00:00:10,119 --> 00:00:14,400 Speaker 1: You can see it's with greater anticipation, anticipation. 4 00:00:15,640 --> 00:00:19,000 Speaker 2: Allations that we await your review. 5 00:00:20,320 --> 00:00:20,520 Speaker 1: Hall. 6 00:00:20,640 --> 00:00:22,680 Speaker 2: Yeah, we've got to be We've got to be. We've 7 00:00:22,680 --> 00:00:24,400 Speaker 2: got to be careful how we say. The title. 8 00:00:24,960 --> 00:00:28,560 Speaker 1: It's got has some some radio stations in trouble overseas 9 00:00:28,600 --> 00:00:30,760 Speaker 1: in the UK in particular, because. 10 00:00:30,440 --> 00:00:32,480 Speaker 2: Here's the official way the hall. 11 00:00:33,120 --> 00:00:36,720 Speaker 1: Yeah, it said in a proper plummy English accent. It's no, 12 00:00:38,360 --> 00:00:41,320 Speaker 1: there's no problem, but said in a Cockney accent. 13 00:00:41,440 --> 00:00:44,920 Speaker 2: On the other hand, they might have considered that whole world, 14 00:00:45,880 --> 00:00:47,680 Speaker 2: we're not going to say, but it's it's, you know, 15 00:00:47,920 --> 00:00:49,839 Speaker 2: maybe across the pond. If they said. 16 00:00:49,720 --> 00:00:52,680 Speaker 1: Quickly in a in a Cockney accent, it does it 17 00:00:52,760 --> 00:00:56,440 Speaker 1: does sound a bit like something else, Yes, the mall. 18 00:00:57,400 --> 00:01:00,440 Speaker 1: And that's of course a running gag in this movie, 19 00:01:00,480 --> 00:01:05,080 Speaker 1: which is a spoof of your Downton Abbey's, your Gosford parks, 20 00:01:05,319 --> 00:01:08,560 Speaker 1: those type of prestige period dramas which at least I 21 00:01:08,640 --> 00:01:13,240 Speaker 1: know you love love love love that, and so it gosp. 22 00:01:13,319 --> 00:01:15,480 Speaker 2: But you also like the naked gun and flying high. 23 00:01:16,680 --> 00:01:20,360 Speaker 1: This is the interesting nexus where these two types of 24 00:01:20,720 --> 00:01:25,760 Speaker 1: comedies intersect. So most British comedies, especially period dramas, you know, 25 00:01:25,800 --> 00:01:28,119 Speaker 1: you get the kind of the acerbic wit of your 26 00:01:28,160 --> 00:01:30,399 Speaker 1: black Adders, you know, you row On Atkinson. They're a 27 00:01:30,400 --> 00:01:33,240 Speaker 1: bit mean spirited, but they're hilarious, very witty. Or you 28 00:01:33,280 --> 00:01:36,759 Speaker 1: maybe get your Monty Python's your sort of absurdist, surreal 29 00:01:37,200 --> 00:01:41,440 Speaker 1: kind of comedy. This is a very American style comedy, 30 00:01:41,480 --> 00:01:43,720 Speaker 1: even though it's made in Britain, written by British people. 31 00:01:43,880 --> 00:01:46,920 Speaker 1: But it's naked gun, it's flying high. It's a million 32 00:01:47,040 --> 00:01:50,280 Speaker 1: jokes a minute like those movies, so very different. Yes, 33 00:01:50,400 --> 00:01:52,920 Speaker 1: the style. Someone counted it. I think it's got six 34 00:01:53,000 --> 00:01:57,240 Speaker 1: hundred and seventy jokes in this movie two hundred. It 35 00:01:57,280 --> 00:01:59,680 Speaker 1: feels like six hundred and seventy two hundred and seventy jokes. 36 00:01:59,680 --> 00:02:02,520 Speaker 1: And it's minute runtime. So someone did the mass on 37 00:02:02,520 --> 00:02:04,320 Speaker 1: that it's about three jokes a minute or something like. Okay, 38 00:02:04,720 --> 00:02:07,920 Speaker 1: So it's flying thick and fast. You've got sight gags, 39 00:02:08,440 --> 00:02:11,280 Speaker 1: you've got plays on words, you've got you know, sort 40 00:02:11,280 --> 00:02:13,160 Speaker 1: of absurd surreal moments as well. 41 00:02:13,840 --> 00:02:15,079 Speaker 2: And it's very flying high. 42 00:02:15,160 --> 00:02:17,639 Speaker 1: It's very flying high ish, and it's set in it's 43 00:02:17,680 --> 00:02:21,399 Speaker 1: like a downtoon abbey mansion in the English countryside. You've 44 00:02:21,400 --> 00:02:24,079 Speaker 1: got the aristocracy, who are you know, they're a bit 45 00:02:24,320 --> 00:02:27,560 Speaker 1: in bread perhaps, and you've got the constant kind of 46 00:02:28,639 --> 00:02:33,160 Speaker 1: battle with the servants, the lower class downstairs, very upstairs downstairs. 47 00:02:33,320 --> 00:02:37,400 Speaker 1: People remember that TV. Yes, and the Great Damien Lewis 48 00:02:37,440 --> 00:02:41,200 Speaker 1: from Band of Brothers and Billions in Homeland plays Lord Davenport, 49 00:02:41,280 --> 00:02:43,960 Speaker 1: bit of a dim witted dude in charge of this family, 50 00:02:45,080 --> 00:02:47,560 Speaker 1: having illicit affairs on the side half of the staff 51 00:02:47,600 --> 00:02:51,679 Speaker 1: in the house of his illegitimate children, and he gets 52 00:02:51,760 --> 00:02:54,280 Speaker 1: knocked off, so he gets murdered and then it kind 53 00:02:54,280 --> 00:02:56,959 Speaker 1: of turns into a parody of Poirot as well. 54 00:02:57,000 --> 00:02:58,960 Speaker 2: So you're getting a lot of parody for your buck 55 00:02:59,040 --> 00:03:00,520 Speaker 2: wow with this movie. 56 00:03:00,880 --> 00:03:02,960 Speaker 1: And there's a bit of an investigation what happened to 57 00:03:03,000 --> 00:03:06,840 Speaker 1: Lord Davenport. His wife, Lady Davenport, played by Catherine Waterston, 58 00:03:07,639 --> 00:03:10,239 Speaker 1: is sort of the long suffering lady of the house 59 00:03:10,639 --> 00:03:13,120 Speaker 1: and she wants her daughter Rose played by Thomas and 60 00:03:13,200 --> 00:03:17,160 Speaker 1: Mackenzie from New Zealand to marry someone of her statue 61 00:03:17,200 --> 00:03:20,600 Speaker 1: status played by Tom Felton from the Harry Potter movies, 62 00:03:20,760 --> 00:03:23,840 Speaker 1: Archibald bit of a dastardly cad the way you know 63 00:03:23,840 --> 00:03:26,000 Speaker 1: you get in these types of shows. But she of 64 00:03:26,040 --> 00:03:28,480 Speaker 1: course falls for a commoner, a sort of a petty 65 00:03:28,560 --> 00:03:31,320 Speaker 1: thief who ends up working in the manner, and then 66 00:03:31,360 --> 00:03:33,600 Speaker 1: you've kind of got all of those storylines that are 67 00:03:33,720 --> 00:03:37,000 Speaker 1: very familiar to people who watch these types of period dramas. 68 00:03:37,040 --> 00:03:39,760 Speaker 2: But you know it's a spoof. So there's jokes of. 69 00:03:39,800 --> 00:03:43,200 Speaker 1: Plenty, and Jimmy Carr, the British comedian who a lot 70 00:03:43,240 --> 00:03:45,760 Speaker 1: of people will be familiar with, co wrote the script 71 00:03:45,840 --> 00:03:48,200 Speaker 1: and saved probably the best role for himself. He plays 72 00:03:48,200 --> 00:03:53,120 Speaker 1: the vicar who is unable to read punctuation in his sermons. 73 00:03:53,160 --> 00:03:56,880 Speaker 1: So he's up there in front of them, Yeah, very much, 74 00:03:57,360 --> 00:04:00,160 Speaker 1: very much so, and he's like, you know, God. 75 00:04:00,040 --> 00:04:02,960 Speaker 2: Will touch you in your private places. 76 00:04:02,720 --> 00:04:04,880 Speaker 1: And then and then he realizes that he's left out 77 00:04:04,920 --> 00:04:07,200 Speaker 1: the full stop. It's like God will touch you full 78 00:04:07,240 --> 00:04:12,480 Speaker 1: stop in your private places, in your darkest moments. It's 79 00:04:12,680 --> 00:04:17,640 Speaker 1: classic vicar, yes, very very Rowan Atkinsoni. So there's there's 80 00:04:17,680 --> 00:04:19,800 Speaker 1: not much original about it, but I guess what is 81 00:04:19,839 --> 00:04:22,160 Speaker 1: original is that you've got all of these great British 82 00:04:22,160 --> 00:04:26,440 Speaker 1: actors doing American slapstick naked gun comedy. 83 00:04:26,440 --> 00:04:31,200 Speaker 2: Oh it looks mad. How many upstairs downstairs? Are you 84 00:04:31,279 --> 00:04:35,760 Speaker 2: giving it? Three? And if you're a fan of Downton, 85 00:04:35,800 --> 00:04:39,760 Speaker 2: I think you're really Yes, YEA love Downton. Thank you Ben, 86 00:04:40,080 --> 00:04:43,159 Speaker 2: thank you guys. So it's still worth seeing after the trailer. 87 00:04:43,200 --> 00:04:46,039 Speaker 2: Good for Luck. I like it.