1 00:00:01,760 --> 00:00:04,320 Speaker 1: Do you want to check on you check on that 2 00:00:04,480 --> 00:00:10,320 Speaker 1: for that? No, don't put it on for the podcast. No, no, you'll. 3 00:00:10,480 --> 00:00:13,160 Speaker 2: We won't get We should save the prestige. 4 00:00:12,840 --> 00:00:15,040 Speaker 3: Save it for the de brief. There's something out right. 5 00:00:15,080 --> 00:00:19,759 Speaker 3: We found some outrageous software. It's totally ridiculous. It's we'll 6 00:00:19,760 --> 00:00:21,120 Speaker 3: do it at the end of the show. You'll hear 7 00:00:21,160 --> 00:00:22,520 Speaker 3: it during the show as well. 8 00:00:23,120 --> 00:00:26,960 Speaker 1: Yeah, basically it's it totally cooks the way you talk. 9 00:00:27,080 --> 00:00:28,080 Speaker 2: You got to hear it to believe it. 10 00:00:28,120 --> 00:00:30,319 Speaker 3: Yeah, so that will play for your hear it in 11 00:00:30,320 --> 00:00:31,280 Speaker 3: the show and you hear it at the end of 12 00:00:31,320 --> 00:00:31,960 Speaker 3: the show. 13 00:00:32,640 --> 00:00:33,519 Speaker 1: Can I play a teaser? 14 00:00:35,000 --> 00:00:35,200 Speaker 4: Yeah? 15 00:00:36,520 --> 00:00:36,920 Speaker 1: Yeah, great. 16 00:00:37,320 --> 00:00:44,840 Speaker 5: She was just a girl standing in front of asking 17 00:00:45,080 --> 00:00:45,559 Speaker 5: him to. 18 00:00:45,680 --> 00:00:51,720 Speaker 1: Love her, enjoying the show. We'll see you at the 19 00:00:51,760 --> 00:00:52,560 Speaker 1: end of the d route. 20 00:00:59,480 --> 00:01:00,040 Speaker 4: We're going to be. 21 00:01:00,120 --> 00:01:03,520 Speaker 1: Talking about I think the hardest thing to do in 22 00:01:03,600 --> 00:01:05,600 Speaker 1: modern phone warfare, and. 23 00:01:05,520 --> 00:01:08,919 Speaker 6: That's this, Hi, the person you have called is not available. 24 00:01:09,360 --> 00:01:12,520 Speaker 6: Please leave a short ten second message after the tone 25 00:01:12,640 --> 00:01:14,319 Speaker 6: and will send the message as a text. 26 00:01:14,959 --> 00:01:18,479 Speaker 3: So the issue is obviously you don't get like it's 27 00:01:18,520 --> 00:01:21,039 Speaker 3: not it's not long. It's in fact, it's much much 28 00:01:21,080 --> 00:01:23,119 Speaker 3: shorter than you think it is and the other part 29 00:01:23,160 --> 00:01:25,240 Speaker 3: of it, well, for me, possibly. 30 00:01:24,920 --> 00:01:27,600 Speaker 6: Your voice message is being converted to text and we'll 31 00:01:27,640 --> 00:01:29,039 Speaker 6: be centered in SMS. 32 00:01:29,200 --> 00:01:29,520 Speaker 1: Here you go. 33 00:01:29,880 --> 00:01:35,400 Speaker 3: And the next part about it is that you the 34 00:01:35,440 --> 00:01:39,920 Speaker 3: dictation doesn't work. And iOS seventeen Apples just announced their 35 00:01:39,959 --> 00:01:42,640 Speaker 3: new software they're doing more voice to text. Now, I 36 00:01:42,720 --> 00:01:44,320 Speaker 3: just think they've got an issue here and I don't 37 00:01:44,360 --> 00:01:47,600 Speaker 3: think it's been thought through. And frankly, I consider us 38 00:01:48,000 --> 00:01:51,600 Speaker 3: to be the lab rats, the scientists who are you know, 39 00:01:51,640 --> 00:01:54,400 Speaker 3: who are in the cold face here actually testing this 40 00:01:54,440 --> 00:01:57,320 Speaker 3: sort of gear, because as far as I'm concerned, it's 41 00:01:57,440 --> 00:02:00,480 Speaker 3: it's poor software. And I think and we'll get to 42 00:02:00,480 --> 00:02:02,480 Speaker 3: this a little bit later on, particularly if you're in 43 00:02:02,480 --> 00:02:04,200 Speaker 3: an emergency, if you're trying to call someone, you've got 44 00:02:04,160 --> 00:02:07,200 Speaker 3: an emergency, try and telling that in a calm tone 45 00:02:07,280 --> 00:02:09,919 Speaker 3: so that the dictation works in ten seconds, that you're 46 00:02:09,919 --> 00:02:10,880 Speaker 3: in trouble, can't do. 47 00:02:10,840 --> 00:02:12,799 Speaker 2: It, and it could be life and death. It could 48 00:02:12,880 --> 00:02:13,520 Speaker 2: be life and death. 49 00:02:13,560 --> 00:02:16,160 Speaker 5: But right now we are asking people to call on 50 00:02:16,240 --> 00:02:19,160 Speaker 5: thirteen one oh sixty five people who believe they are 51 00:02:19,200 --> 00:02:22,120 Speaker 5: good at leaving a voicemail with voice to text. 52 00:02:23,080 --> 00:02:24,520 Speaker 2: So we've got is it? 53 00:02:24,600 --> 00:02:27,639 Speaker 4: Khaliah it's Nia with a t. 54 00:02:29,320 --> 00:02:32,440 Speaker 5: Now totally so to you think you're a bit of 55 00:02:32,480 --> 00:02:34,800 Speaker 5: a weapon. It's leaving a voicemail voice to text. 56 00:02:35,400 --> 00:02:37,160 Speaker 4: I think I can be a bit of a weapon 57 00:02:37,200 --> 00:02:37,680 Speaker 4: at times. 58 00:02:37,760 --> 00:02:40,839 Speaker 3: Yes, okay, because I just don't think you've been put 59 00:02:40,840 --> 00:02:45,600 Speaker 3: in a hard enough situation. So Tania, if you could 60 00:02:45,600 --> 00:02:47,080 Speaker 3: do I'm going to we'll set the challenge for you 61 00:02:47,160 --> 00:02:51,200 Speaker 3: right now, if you can, for me in ten seconds 62 00:02:51,280 --> 00:02:57,760 Speaker 3: or less break up with someone, right yeah, okay, and 63 00:02:57,760 --> 00:03:00,000 Speaker 3: then you're going to have to involve a porcupine somehow 64 00:03:00,080 --> 00:03:02,600 Speaker 3: in that story in the breakoup porcupine. 65 00:03:02,760 --> 00:03:06,200 Speaker 6: Alrighty okay, Hi, the person you have called is not available. 66 00:03:06,600 --> 00:03:09,800 Speaker 6: Please leave a short ten second message after the tone 67 00:03:09,919 --> 00:03:11,600 Speaker 6: and will send the message as a text. 68 00:03:12,800 --> 00:03:14,800 Speaker 4: I just wanted to let you know I'm breaking up 69 00:03:14,840 --> 00:03:17,160 Speaker 4: with you because you've left your porcupine. 70 00:03:16,639 --> 00:03:19,399 Speaker 7: By the laundry and I tripped over and stabbed my foot. 71 00:03:22,120 --> 00:03:25,000 Speaker 6: Your voice message is being converted, tod. 72 00:03:26,240 --> 00:03:26,800 Speaker 3: Not bad. 73 00:03:26,960 --> 00:03:27,919 Speaker 1: We could have a player. 74 00:03:28,040 --> 00:03:32,960 Speaker 2: Time to spare as well. Time to spare. Okay today, 75 00:03:32,960 --> 00:03:34,600 Speaker 2: I'm going to leave you there because you seem really good. 76 00:03:34,639 --> 00:03:35,480 Speaker 2: I'm gonna give another one. 77 00:03:35,600 --> 00:03:39,520 Speaker 5: Okay, you this is the first time you've called this person. Okay, 78 00:03:39,600 --> 00:03:42,960 Speaker 5: it's your neighbor, so you need to introduce yourself. For starters, 79 00:03:43,040 --> 00:03:44,120 Speaker 5: I imagine a little bit of. 80 00:03:44,040 --> 00:03:44,880 Speaker 2: Small talk there. 81 00:03:45,240 --> 00:03:47,800 Speaker 5: Then I want you to inform your male neighbor that 82 00:03:47,880 --> 00:03:50,480 Speaker 5: you can see them nude every single morning when they 83 00:03:50,480 --> 00:03:51,120 Speaker 5: are showering. 84 00:03:51,360 --> 00:03:52,320 Speaker 2: You're letting them know that. 85 00:03:52,680 --> 00:03:55,120 Speaker 5: And somehow I want you to bring up Hollywood actor 86 00:03:55,240 --> 00:03:56,080 Speaker 5: Liam Neeson. 87 00:03:56,640 --> 00:03:59,840 Speaker 6: Hi, the person you have called is not available. Please 88 00:04:00,080 --> 00:04:03,000 Speaker 6: leave a short ten seconds message after the tone and 89 00:04:03,040 --> 00:04:04,560 Speaker 6: we'll send the message as a text. 90 00:04:05,960 --> 00:04:08,440 Speaker 4: Hi, I'm your new neighbor. I did just want to 91 00:04:08,440 --> 00:04:10,720 Speaker 4: introduce myself as Tania, and I did want to let 92 00:04:10,760 --> 00:04:12,840 Speaker 4: you know I have seen you naked for the past 93 00:04:12,840 --> 00:04:14,680 Speaker 4: three days in a row through your window. 94 00:04:15,120 --> 00:04:16,400 Speaker 6: Your voice message. 95 00:04:20,800 --> 00:04:23,400 Speaker 4: So close, I know where near it. 96 00:04:24,080 --> 00:04:26,560 Speaker 2: William hit your lips exactly. 97 00:04:27,000 --> 00:04:29,720 Speaker 4: I'm going to say that the neighbor looks like Lea Netha. 98 00:04:31,000 --> 00:04:33,599 Speaker 3: And you know what, This isn't your fault. I'm not 99 00:04:33,640 --> 00:04:35,320 Speaker 3: sure why we're celebrating that we've beat you. 100 00:04:35,440 --> 00:04:40,040 Speaker 8: That was an outrageous sorry, possibly one of the hardest 101 00:04:40,040 --> 00:04:41,240 Speaker 8: things anyone's've had to do. 102 00:04:41,360 --> 00:04:42,440 Speaker 1: It was arguably impossible. 103 00:04:42,480 --> 00:04:43,640 Speaker 3: So you can have one hundred bucks to spend at 104 00:04:43,640 --> 00:04:45,480 Speaker 3: red rest of just for trying to know, because I 105 00:04:45,520 --> 00:04:48,120 Speaker 3: do appreciate that. We've got Michael here, who reckons he's 106 00:04:48,120 --> 00:04:48,920 Speaker 3: a good voice to text to. 107 00:04:49,000 --> 00:04:49,360 Speaker 1: Michael. 108 00:04:50,320 --> 00:04:52,719 Speaker 7: Oho, guys, you might remember me, I was also Kermit. 109 00:04:53,360 --> 00:04:55,320 Speaker 1: Oh do take it back there, Michael. 110 00:04:56,360 --> 00:04:58,200 Speaker 3: I'm not going to explain that, because if you get it, 111 00:04:58,240 --> 00:05:02,800 Speaker 3: you get it now. Look, Michael, Michael, so voice to text, 112 00:05:02,839 --> 00:05:05,440 Speaker 3: You've got ten seconds your challenge on this call, I. 113 00:05:05,360 --> 00:05:07,120 Speaker 2: Think, sorry, Will, he's going to have to leave a 114 00:05:07,120 --> 00:05:07,600 Speaker 2: message out. 115 00:05:07,680 --> 00:05:09,080 Speaker 1: You're gonna have to be You're gonna have to be 116 00:05:09,160 --> 00:05:09,680 Speaker 1: Kermit the Frog. 117 00:05:09,720 --> 00:05:13,839 Speaker 3: Obviously it goes without saying, well, Kermit should be able 118 00:05:13,839 --> 00:05:15,680 Speaker 3: to leave a voice to text as well. And if 119 00:05:15,680 --> 00:05:18,479 Speaker 3: the software can't keep up with him, then look, because 120 00:05:18,520 --> 00:05:21,520 Speaker 3: I'm concerned it's useless. So Michael, you're going to call 121 00:05:21,560 --> 00:05:24,160 Speaker 3: an X. All right, So this is this is this 122 00:05:24,240 --> 00:05:26,680 Speaker 3: is your ex you've just broken up. You've just broken 123 00:05:26,760 --> 00:05:29,640 Speaker 3: up with them, so I imagine it's pretty icy. So it's 124 00:05:29,680 --> 00:05:32,440 Speaker 3: Kermit's X. So I imagine it will probably be THEISS piggy. 125 00:05:33,320 --> 00:05:35,240 Speaker 3: So that you're calling your ex, you're gonna have to 126 00:05:35,240 --> 00:05:37,760 Speaker 3: tell them that you've got an STI which is shocking, 127 00:05:38,920 --> 00:05:41,320 Speaker 3: you know, flitting down there, and at the same time 128 00:05:41,360 --> 00:05:43,279 Speaker 3: you're also going to have to ask for your jacket back. 129 00:05:43,680 --> 00:05:46,920 Speaker 6: Hi, the person you have called is not available. Please 130 00:05:47,000 --> 00:05:50,000 Speaker 6: leave a short ten second message after the tone, and 131 00:05:50,080 --> 00:05:51,600 Speaker 6: will send the message as a text. 132 00:05:53,360 --> 00:05:54,240 Speaker 9: So it's kermit. 133 00:05:54,440 --> 00:05:56,080 Speaker 7: I know we've just broke up, but I needed to 134 00:05:56,160 --> 00:05:59,640 Speaker 7: let you know that I have an STI and I 135 00:05:59,760 --> 00:06:01,279 Speaker 7: kind of what my jack back as well. 136 00:06:02,120 --> 00:06:04,159 Speaker 6: Your voice message converted to. 137 00:06:06,240 --> 00:06:07,640 Speaker 10: H wow. 138 00:06:08,040 --> 00:06:11,120 Speaker 1: Well, Michael like nary voice to texting. 139 00:06:11,800 --> 00:06:13,760 Speaker 5: We actually had a few pretty good ones there will 140 00:06:13,760 --> 00:06:16,000 Speaker 5: Why don't we Why don't we have a crack again 141 00:06:16,040 --> 00:06:17,800 Speaker 5: at doing a voice to text real one? 142 00:06:17,880 --> 00:06:20,440 Speaker 3: Well, I think, look, if you're listening yesterday, my issue 143 00:06:20,440 --> 00:06:23,080 Speaker 3: isn't necessarily for look, we've made them very, very hard. 144 00:06:23,120 --> 00:06:24,039 Speaker 1: But I think the real. 145 00:06:23,839 --> 00:06:25,280 Speaker 3: Issue here is if you call someone and you're in 146 00:06:25,279 --> 00:06:27,919 Speaker 3: an emergency. So right up next, we are going to 147 00:06:27,920 --> 00:06:30,960 Speaker 3: pick up the emergency where we left it off yesterday, which, 148 00:06:31,000 --> 00:06:34,720 Speaker 3: if you're just joining us, is getting attacked by a 149 00:06:34,240 --> 00:06:35,960 Speaker 3: federal cat in the street. 150 00:06:36,400 --> 00:06:37,880 Speaker 1: And we tried this out. 151 00:06:38,200 --> 00:06:41,359 Speaker 6: Please leave a short ten second message after the tone, 152 00:06:41,480 --> 00:06:43,160 Speaker 6: and we'll send the message as a text. 153 00:06:43,680 --> 00:06:46,440 Speaker 3: Hey, Jack, Smacca hey go, oh my god, I'm going 154 00:06:46,480 --> 00:06:47,799 Speaker 3: to take my feral cat. 155 00:06:48,400 --> 00:06:52,320 Speaker 8: Wow, where did that come from? 156 00:06:52,480 --> 00:06:55,440 Speaker 6: Your voice message is being converted to text and will be. 157 00:06:56,920 --> 00:06:59,520 Speaker 2: That's it? You kept coming, that's it, bloody over. I 158 00:06:59,560 --> 00:07:02,080 Speaker 2: did'eral cat and you're an easy target. 159 00:07:02,720 --> 00:07:04,120 Speaker 1: Did you get my voice to text? 160 00:07:05,200 --> 00:07:05,760 Speaker 9: Let me check? 161 00:07:06,040 --> 00:07:10,520 Speaker 7: The answer is no, mystical this message could not be 162 00:07:10,560 --> 00:07:11,440 Speaker 7: converted to ten. 163 00:07:14,240 --> 00:07:17,320 Speaker 2: Fail and you could have potentially died because of that. 164 00:07:17,440 --> 00:07:20,360 Speaker 3: Well, yeah, I'm not sure there are any documented cases 165 00:07:20,400 --> 00:07:21,720 Speaker 3: of feral cats killing people. 166 00:07:21,760 --> 00:07:23,960 Speaker 1: But if there were, absolutely now. 167 00:07:23,960 --> 00:07:24,880 Speaker 2: That's on the software. 168 00:07:24,960 --> 00:07:27,280 Speaker 3: So I think what we're going to do again before 169 00:07:27,320 --> 00:07:29,920 Speaker 3: we write this off? Yeah, completely is we need to 170 00:07:29,920 --> 00:07:33,200 Speaker 3: do it again. And I think maybe it's going to 171 00:07:33,240 --> 00:07:35,000 Speaker 3: be a little bit more careful with my enunciation. 172 00:07:35,320 --> 00:07:37,480 Speaker 1: Yeah, Like we're The big question here is where do 173 00:07:37,560 --> 00:07:38,080 Speaker 1: we go wrong? 174 00:07:38,160 --> 00:07:39,840 Speaker 5: I think maybe it was all just a bit too 175 00:07:39,880 --> 00:07:42,360 Speaker 5: fast and all a bit too chaotic. So I'm going 176 00:07:42,400 --> 00:07:44,120 Speaker 5: to say, you get attacked by a feral cat, but 177 00:07:44,200 --> 00:07:45,840 Speaker 5: it just all happens a little bit slower. 178 00:07:45,960 --> 00:07:48,560 Speaker 1: But I've only got ten seconds. Yeah, that is the issue. 179 00:07:48,680 --> 00:07:50,480 Speaker 2: You can't but we need to be we need to 180 00:07:50,600 --> 00:07:52,960 Speaker 2: middle ground. I think it was all very intense. 181 00:07:53,800 --> 00:07:55,680 Speaker 5: It sort of goes against the whole idea of being 182 00:07:55,680 --> 00:07:57,360 Speaker 5: in an emergency. But I think we need to slow 183 00:07:57,440 --> 00:07:58,840 Speaker 5: the emergency down. 184 00:07:59,360 --> 00:08:01,559 Speaker 3: And you're going to void to text someone, you've gotta 185 00:08:01,600 --> 00:08:03,760 Speaker 3: be you gotta be calm. Probably not bad advice for 186 00:08:03,760 --> 00:08:04,760 Speaker 3: an emergency. 187 00:08:04,320 --> 00:08:06,559 Speaker 2: Anyway, right right, Yeah, do you mean to be karma? 188 00:08:06,760 --> 00:08:07,080 Speaker 1: Karma? 189 00:08:07,160 --> 00:08:09,480 Speaker 5: You need to be calm. You've been attacked. Sure, I'm 190 00:08:09,480 --> 00:08:10,640 Speaker 5: gonna slow down my cat too. 191 00:08:11,080 --> 00:08:13,040 Speaker 3: Yeah, your cat, because I don't think it's picking up 192 00:08:13,080 --> 00:08:14,440 Speaker 3: what you're putting down as a cat. 193 00:08:14,560 --> 00:08:16,400 Speaker 1: Yeah, so how is he? What's your cat going to be? 194 00:08:17,240 --> 00:08:18,240 Speaker 2: It's just going to be a bit slaw. 195 00:08:18,320 --> 00:08:21,360 Speaker 3: You're here, okay, okay, and I need to okay, but 196 00:08:21,400 --> 00:08:22,520 Speaker 3: I'm still walking down the street. 197 00:08:22,520 --> 00:08:27,360 Speaker 1: And then you can take my fare cat. Yeah yeah, yeah, yeah, okay, okay, 198 00:08:28,480 --> 00:08:30,760 Speaker 1: all right, here we go. We're calling him. Yeah, let's 199 00:08:30,760 --> 00:08:31,120 Speaker 1: call him. 200 00:08:31,480 --> 00:08:31,640 Speaker 11: Hi. 201 00:08:31,880 --> 00:08:35,000 Speaker 6: The person you have called is not available. Please leave 202 00:08:35,040 --> 00:08:38,040 Speaker 6: a short pin second message after the tone and we'll 203 00:08:38,080 --> 00:08:40,400 Speaker 6: send the message is a text, Hey. 204 00:08:40,360 --> 00:08:41,080 Speaker 1: Jack, how you doing? 205 00:08:41,120 --> 00:08:41,320 Speaker 7: Man? 206 00:08:41,400 --> 00:08:43,000 Speaker 1: Oh my god, it's a feral cat. 207 00:08:43,200 --> 00:08:48,720 Speaker 2: Me yeah, wow, scratch out cheese scratch. 208 00:08:48,840 --> 00:08:54,719 Speaker 6: Yikes, and we'll be sent as. 209 00:08:54,280 --> 00:08:57,800 Speaker 2: Surely, surely we couldn't have been more clear. 210 00:09:00,360 --> 00:09:04,200 Speaker 1: Mikes, Okay, I tell you what. 211 00:09:04,240 --> 00:09:06,800 Speaker 2: If it fails this like, it's absolutely. 212 00:09:06,360 --> 00:09:10,200 Speaker 1: No, absolutely outroageous. 213 00:09:09,800 --> 00:09:11,440 Speaker 2: So we need him to call us. 214 00:09:11,480 --> 00:09:13,680 Speaker 1: Now blow me down. It's a feral cat. 215 00:09:14,400 --> 00:09:17,679 Speaker 2: All right, we need him to call us. 216 00:09:18,400 --> 00:09:22,000 Speaker 3: Well, well, look, if the software works, and he should 217 00:09:22,000 --> 00:09:24,520 Speaker 3: be getting a voice to text at any stage, and 218 00:09:24,559 --> 00:09:26,840 Speaker 3: he should be reading that, and he it should read 219 00:09:27,559 --> 00:09:28,920 Speaker 3: you know, my good friend Wills. 220 00:09:29,240 --> 00:09:30,920 Speaker 1: It should read like his good friend Will is getting 221 00:09:30,920 --> 00:09:31,679 Speaker 1: intacked by a ferrol? 222 00:09:33,360 --> 00:09:36,880 Speaker 2: Is that him? We're calling him. 223 00:09:37,120 --> 00:09:40,640 Speaker 1: We're gonna have to call him. That's badly, badly. 224 00:09:40,920 --> 00:09:42,439 Speaker 2: That's why we've got him. We've got him. 225 00:09:42,440 --> 00:09:48,559 Speaker 3: Okay, Jack, Yeah, how are you? 226 00:09:48,840 --> 00:09:50,079 Speaker 9: How are you? 227 00:09:50,120 --> 00:09:50,400 Speaker 8: Why? 228 00:09:50,440 --> 00:09:51,520 Speaker 1: Why do you ask? 229 00:09:52,040 --> 00:09:52,280 Speaker 6: Well? 230 00:09:52,400 --> 00:09:55,640 Speaker 7: I just got a very funny voice to text about. 231 00:09:56,240 --> 00:09:59,200 Speaker 9: Well, it's called Jake number one. Don't the feral cat 232 00:09:59,240 --> 00:09:59,920 Speaker 9: involved in the mill? 233 00:10:00,200 --> 00:10:02,920 Speaker 1: I think? 234 00:10:03,280 --> 00:10:05,560 Speaker 2: Can you read exactly what the voice to text said? 235 00:10:05,600 --> 00:10:05,760 Speaker 11: There? 236 00:10:05,840 --> 00:10:09,800 Speaker 9: Jack A yeah, hang on, hang on, I'm hotting on 237 00:10:09,880 --> 00:10:11,440 Speaker 9: loudspeaker so I can get to the scene. 238 00:10:11,720 --> 00:10:12,080 Speaker 2: Nice. 239 00:10:12,360 --> 00:10:16,440 Speaker 7: Nice, Hey Jake, how are you doing? 240 00:10:16,480 --> 00:10:16,720 Speaker 11: Man? 241 00:10:17,520 --> 00:10:20,760 Speaker 7: Oh my god? It's a well actually, no, no tone, sorry, 242 00:10:20,760 --> 00:10:21,960 Speaker 7: hey Jake, how are you doing? 243 00:10:22,000 --> 00:10:22,200 Speaker 1: Man? 244 00:10:22,320 --> 00:10:26,240 Speaker 9: Oh my God, it's a feral cat. Meow mole rat 245 00:10:26,280 --> 00:10:27,199 Speaker 9: hole rat. 246 00:10:27,559 --> 00:10:32,920 Speaker 3: Yeah. 247 00:10:27,880 --> 00:10:36,920 Speaker 8: I think a big question though, it's a bigger emergence 248 00:10:37,040 --> 00:10:38,520 Speaker 8: that I'm previously could have imagined. 249 00:10:39,240 --> 00:10:42,000 Speaker 5: I think, though, Jack, if you've got that voice to 250 00:10:42,080 --> 00:10:45,600 Speaker 5: teest quite seriously in the real world, would you be 251 00:10:45,640 --> 00:10:46,480 Speaker 5: worried about Will? 252 00:10:47,360 --> 00:10:47,560 Speaker 7: Yeah? 253 00:10:47,600 --> 00:10:49,000 Speaker 9: I think he was On one. 254 00:10:52,360 --> 00:10:54,199 Speaker 3: We've got something a bit silly lined up right now, 255 00:10:55,320 --> 00:10:58,079 Speaker 3: super silly in fact, our button push and Tom has 256 00:10:58,120 --> 00:11:01,240 Speaker 3: got nothing better to do than try out redundant apps 257 00:11:01,240 --> 00:11:02,880 Speaker 3: on a phone. 258 00:11:04,559 --> 00:11:05,280 Speaker 1: That's truth, mate. 259 00:11:05,440 --> 00:11:08,000 Speaker 3: It came in yesterday and was like, guys, look you've 260 00:11:08,040 --> 00:11:10,200 Speaker 3: got to do this speech jammer thing. It's an old 261 00:11:10,200 --> 00:11:15,120 Speaker 3: application on Apple where you basically put headphones on and 262 00:11:15,200 --> 00:11:17,680 Speaker 3: the software plays your voice back to you delayed. 263 00:11:18,120 --> 00:11:19,079 Speaker 1: Now, the effect of that. 264 00:11:19,240 --> 00:11:21,800 Speaker 3: Is, I don't know how the science works, but it 265 00:11:21,880 --> 00:11:26,040 Speaker 3: effectively stops you from speaking. So no matter how hard 266 00:11:26,080 --> 00:11:30,120 Speaker 3: you try and speak, it jams the signal in your brain, 267 00:11:30,559 --> 00:11:34,120 Speaker 3: so that what you're hearing meddles with how you're talking. 268 00:11:34,280 --> 00:11:39,280 Speaker 2: Because we respond, our pace of speech is what we're hearing, 269 00:11:39,400 --> 00:11:40,560 Speaker 2: hearing what we're saying. 270 00:11:41,000 --> 00:11:44,240 Speaker 5: This speech jammer it delays what you hear, so all 271 00:11:44,240 --> 00:11:47,000 Speaker 5: of a sudden, it's like you yeah, exactly, you said, 272 00:11:47,000 --> 00:11:48,160 Speaker 5: It's it's like, all of a sudden. 273 00:11:47,960 --> 00:11:50,640 Speaker 2: You just cannot talk. Yes, So what we want to 274 00:11:50,640 --> 00:11:51,320 Speaker 2: do with it? Should we? 275 00:11:51,440 --> 00:11:53,439 Speaker 5: Should we show off how it works, just really quickly. 276 00:11:53,520 --> 00:11:55,480 Speaker 5: Right now I can I can speak yourself and you 277 00:11:55,520 --> 00:11:58,480 Speaker 5: can have a conversation with me. This is just a 278 00:11:58,600 --> 00:12:01,800 Speaker 5: nice little rehearsalers how this thing works. So I'm now 279 00:12:01,880 --> 00:12:03,520 Speaker 5: putting headphones onto speech jam. 280 00:12:03,679 --> 00:12:06,360 Speaker 3: Yes, so these headphones and wood are putting on their 281 00:12:06,400 --> 00:12:09,920 Speaker 3: noise canceling. They're plugged into the speech jam app. All right, 282 00:12:10,000 --> 00:12:12,640 Speaker 3: so what do he What did you do earlier today 283 00:12:12,640 --> 00:12:13,760 Speaker 3: before you came into work? 284 00:12:14,400 --> 00:12:19,720 Speaker 5: So before I came to work, I was with my daughter. 285 00:12:25,120 --> 00:12:30,400 Speaker 5: I went to go get my bike service, oh my, 286 00:12:33,880 --> 00:12:38,400 Speaker 5: and I walked to a cafe and asked for a cab. 287 00:12:43,360 --> 00:12:43,800 Speaker 2: I'm out. 288 00:12:43,840 --> 00:12:50,240 Speaker 1: I'm so. We were doing this. 289 00:12:51,559 --> 00:12:54,520 Speaker 3: We were doing this, and it after the show yesterday 290 00:12:55,040 --> 00:12:58,160 Speaker 3: and we were like, this is truly one of the. 291 00:12:58,080 --> 00:12:59,280 Speaker 1: Most outrageou things we've ever done. 292 00:12:59,320 --> 00:13:00,679 Speaker 3: And we spent a lot of I'm laughing with the 293 00:13:00,720 --> 00:13:03,080 Speaker 3: TV and we just thought, look, we've got to try. 294 00:13:02,920 --> 00:13:03,760 Speaker 1: And do this on radio. 295 00:13:03,880 --> 00:13:06,880 Speaker 3: Yeah, I'm not sure I actually managed just you're better 296 00:13:07,120 --> 00:13:08,240 Speaker 3: to leap frog it, so let me. 297 00:13:08,480 --> 00:13:09,600 Speaker 2: I think it's from your meditation. 298 00:13:09,760 --> 00:13:11,200 Speaker 1: Works with me? You thing it's for meditation? 299 00:13:11,320 --> 00:13:14,800 Speaker 2: Yeah, mind ever matter, I just can't fight against it. 300 00:13:16,440 --> 00:13:19,200 Speaker 1: Probably not, okay, I can try. 301 00:13:20,520 --> 00:13:24,280 Speaker 3: So yesterday I was able to overcome the speech jammer, 302 00:13:24,320 --> 00:13:26,600 Speaker 3: and I think that I'm actually doing all right now 303 00:13:26,640 --> 00:13:27,400 Speaker 3: I think about it. 304 00:13:27,480 --> 00:13:30,079 Speaker 1: Yeah, no, I'm actually in control of my voice right now. 305 00:13:30,120 --> 00:13:31,760 Speaker 2: What did you do? What are you wearing right now? 306 00:13:31,760 --> 00:13:33,800 Speaker 2: What uneasy you're wearing currently? 307 00:13:35,559 --> 00:13:35,760 Speaker 9: Yes? 308 00:13:36,000 --> 00:13:39,199 Speaker 2: So thin as soon as you think you're gone. 309 00:13:39,480 --> 00:13:41,400 Speaker 1: It's true if you asked me a question. 310 00:13:41,400 --> 00:13:44,440 Speaker 2: Yes, exactly what you read for dinner last night? 311 00:13:44,760 --> 00:13:46,120 Speaker 1: So last night I got. 312 00:13:46,000 --> 00:13:51,800 Speaker 3: Home and I am to put it to the test. 313 00:13:51,880 --> 00:13:55,200 Speaker 3: Right now, we've got three pretty iconic movie scenes in 314 00:13:55,200 --> 00:13:55,640 Speaker 3: front of us. 315 00:13:55,640 --> 00:13:56,000 Speaker 1: Woods. 316 00:13:56,240 --> 00:13:57,559 Speaker 3: You and I are going to take turns putting the 317 00:13:57,559 --> 00:13:59,120 Speaker 3: speech jammer headphones on. I We're going to try and 318 00:13:59,160 --> 00:13:59,880 Speaker 3: tackle the scene. 319 00:14:00,080 --> 00:14:00,280 Speaker 2: Yep. 320 00:14:00,440 --> 00:14:03,160 Speaker 3: It is really hard to talk with this thing playing 321 00:14:03,160 --> 00:14:05,319 Speaker 3: your voice back to you. I can't even explain to 322 00:14:05,320 --> 00:14:08,360 Speaker 3: you how hard this is, guys, So yeah, please bear 323 00:14:08,360 --> 00:14:08,520 Speaker 3: with this. 324 00:14:08,600 --> 00:14:10,800 Speaker 1: This could go horribly. Are you ready to go? You're 325 00:14:10,800 --> 00:14:11,280 Speaker 1: going to go first? 326 00:14:11,320 --> 00:14:12,200 Speaker 2: Yeah, what's the first scene. 327 00:14:12,240 --> 00:14:14,400 Speaker 1: Okay, it's this one, not forget. 328 00:14:15,400 --> 00:14:17,840 Speaker 11: I'm also just a girl standing in front of a 329 00:14:17,880 --> 00:14:19,600 Speaker 11: boy asking him. 330 00:14:19,400 --> 00:14:21,920 Speaker 1: To love the very famous scene in Nodding Hill. You're 331 00:14:21,960 --> 00:14:23,520 Speaker 1: going to be playing the beautiful Julie Roberts. 332 00:14:23,760 --> 00:14:30,680 Speaker 3: Okay if she had speech jamming headphones on here ready, Okay. 333 00:14:31,040 --> 00:14:36,960 Speaker 2: Okay, I am a pitially jamming. It was sort of 334 00:14:37,040 --> 00:14:38,320 Speaker 2: sweet actually. 335 00:14:38,560 --> 00:14:41,320 Speaker 5: I mean, I know she's an actiousness and all that, 336 00:14:42,040 --> 00:14:44,880 Speaker 5: so she can deliver a lot. But she said she 337 00:14:45,000 --> 00:14:49,000 Speaker 5: might be as famous as it could be. But also 338 00:14:49,680 --> 00:14:53,720 Speaker 5: she was just a good girl standing in front of 339 00:14:53,920 --> 00:14:57,840 Speaker 5: a ball asking him to love her. 340 00:14:58,560 --> 00:15:08,000 Speaker 2: Yeah. 341 00:15:08,080 --> 00:15:16,160 Speaker 3: Yeah, awful choking, but they'll never. 342 00:15:16,120 --> 00:15:25,080 Speaker 5: Take me right, all right, saying graveheart obviously, William Wallace 343 00:15:25,080 --> 00:15:26,080 Speaker 5: played by Mel Gibson. 344 00:15:26,200 --> 00:15:27,680 Speaker 2: I think you've got to do it with the accent 345 00:15:27,760 --> 00:15:31,760 Speaker 2: as well, just to add another degree of difficulty. 346 00:15:32,560 --> 00:15:35,320 Speaker 1: All right, here we go. I'm gonna jam my voice now, 347 00:15:36,360 --> 00:15:40,400 Speaker 1: I fighting. You may die, run, then. 348 00:15:40,360 --> 00:15:43,480 Speaker 12: You'll live at least a while, and dying in your 349 00:15:43,840 --> 00:15:50,920 Speaker 12: beds many from would you be willing to train all 350 00:15:50,960 --> 00:15:59,200 Speaker 12: the days from this day for one chance, just one 351 00:15:59,560 --> 00:16:07,840 Speaker 12: shut to come back in and tell Urian they. 352 00:16:06,200 --> 00:16:17,960 Speaker 1: Tick a wise ye but I'll never take so I'll freedom. 353 00:16:18,200 --> 00:16:24,920 Speaker 2: Yeah, I mean I'm ready for battle. I'm ready for battle. 354 00:16:26,360 --> 00:16:28,280 Speaker 1: Oh wow, that is so odd. 355 00:16:28,440 --> 00:16:31,360 Speaker 3: Okay, one more from you. 356 00:16:31,400 --> 00:16:34,600 Speaker 1: I reckon wrap us up. Final movie scene here. 357 00:16:35,280 --> 00:16:37,600 Speaker 13: I don't know who you are. I don't know what 358 00:16:37,720 --> 00:16:40,720 Speaker 13: you want. If you're looking for a ransom. I can 359 00:16:40,760 --> 00:16:42,960 Speaker 13: tell you why I don't have money, but what I 360 00:16:43,000 --> 00:16:46,600 Speaker 13: do have are a very particular set of skills. 361 00:16:47,160 --> 00:16:52,600 Speaker 3: Okay, So obviously Liam Neeson in taken very famous line here, 362 00:16:52,600 --> 00:16:55,360 Speaker 3: a very famous scene. Now again, you know you made 363 00:16:55,360 --> 00:16:56,520 Speaker 3: me do it in the Scottish accent. 364 00:16:56,560 --> 00:16:57,440 Speaker 1: I think you're gonna have to do. 365 00:16:57,400 --> 00:17:02,040 Speaker 3: It within the same intense low time. Yeah, obviously American 366 00:17:02,600 --> 00:17:04,959 Speaker 3: as well. I'm in an aid that Layam Nason, your 367 00:17:05,000 --> 00:17:08,760 Speaker 3: daughter's just been taken. You're leaving a voicemail to a terrorist, 368 00:17:09,280 --> 00:17:12,160 Speaker 3: but unfortunately you've got speech jam ahead. 369 00:17:16,080 --> 00:17:20,199 Speaker 2: I don't know who you are, I don't know what 370 00:17:20,600 --> 00:17:21,320 Speaker 2: you want. 371 00:17:22,280 --> 00:17:26,399 Speaker 10: If you are looking for rats, I can tell you 372 00:17:26,440 --> 00:17:31,320 Speaker 10: why I don't have money, but what I do have 373 00:17:31,680 --> 00:17:34,440 Speaker 10: a referis. 374 00:17:33,359 --> 00:17:42,640 Speaker 1: Endicicular set of skills. Skills. I have quad of refer skills. 375 00:17:43,440 --> 00:17:46,320 Speaker 1: Make me not people like. 376 00:17:46,640 --> 00:17:52,879 Speaker 10: You if you let my daughter now That'll be the 377 00:17:53,040 --> 00:17:53,920 Speaker 10: end of it. 378 00:17:54,520 --> 00:17:57,760 Speaker 2: I will not look for you, I will. 379 00:17:57,520 --> 00:17:58,720 Speaker 1: Not pursue you. 380 00:17:59,080 --> 00:18:04,440 Speaker 2: But if you, George, you find you, how all you you? 381 00:18:15,720 --> 00:18:16,360 Speaker 14: It's so. 382 00:18:24,880 --> 00:18:27,280 Speaker 15: If you want to see that over on our song 383 00:18:27,440 --> 00:18:42,640 Speaker 15: just later, I have no doubt. 384 00:18:36,040 --> 00:18:39,399 Speaker 14: Fifty it's bringing his Get Rich or Die try twenty 385 00:18:39,520 --> 00:18:43,520 Speaker 14: years later to Australia this December. Tickets on sale now 386 00:18:43,640 --> 00:18:46,640 Speaker 14: heads to live nation dot com dot Are you. 387 00:18:48,560 --> 00:18:51,399 Speaker 1: Alrighty? It's pretty simple. You're want togs at fifty cent 388 00:18:51,440 --> 00:18:52,120 Speaker 1: at the end of the year. 389 00:18:52,240 --> 00:18:54,600 Speaker 3: You gotta try and guess what the song is when 390 00:18:54,720 --> 00:18:56,720 Speaker 3: slowed down to fifty percent. 391 00:18:58,680 --> 00:19:00,720 Speaker 2: We go, Oh yeah, all right, two. 392 00:19:00,520 --> 00:19:03,600 Speaker 5: Big fittycent fans here, Asher and Simon. 393 00:19:03,640 --> 00:19:07,440 Speaker 2: Hello Asher, Hello and hello Simon. 394 00:19:08,119 --> 00:19:08,359 Speaker 9: Hello. 395 00:19:08,440 --> 00:19:09,200 Speaker 7: Boys, have it going. 396 00:19:09,359 --> 00:19:11,120 Speaker 2: We're outstanding all right now. 397 00:19:11,960 --> 00:19:14,000 Speaker 5: The first few days we've done this, people have been 398 00:19:14,119 --> 00:19:17,040 Speaker 5: absolutely shocking. So I really hope you guys are better. 399 00:19:17,600 --> 00:19:19,600 Speaker 5: The rules are really simple, As Weill said, the song 400 00:19:19,680 --> 00:19:23,240 Speaker 5: is just slowed down. It's not necessarily a fifty cent song, 401 00:19:23,600 --> 00:19:24,119 Speaker 5: all right. 402 00:19:25,040 --> 00:19:25,960 Speaker 2: Just name as buzzer. 403 00:19:26,000 --> 00:19:27,640 Speaker 5: As soon as you know it, yell your name, tell 404 00:19:27,720 --> 00:19:29,640 Speaker 5: us the song and you go and see fifty cent 405 00:19:29,800 --> 00:19:30,639 Speaker 5: best of three. 406 00:19:30,920 --> 00:19:33,840 Speaker 3: It's best to unless they're absolutely shit ouse, which they 407 00:19:33,880 --> 00:19:36,720 Speaker 3: have been over the last three days and we've had 408 00:19:36,720 --> 00:19:39,560 Speaker 3: to improvise. All right, guys, So it's names is buzzers. 409 00:19:39,680 --> 00:19:42,919 Speaker 3: Are you ready to go? Okay, here we go. 410 00:19:43,000 --> 00:19:52,520 Speaker 1: First song, Simon, what's the song? It is very good? 411 00:19:54,320 --> 00:19:58,680 Speaker 2: Got one come star, come on as if Simon gets 412 00:19:58,680 --> 00:20:01,320 Speaker 2: this one, he's going to fitty cent. Here it comes. 413 00:20:06,520 --> 00:20:07,720 Speaker 1: Usher, Asher. 414 00:20:09,040 --> 00:20:09,320 Speaker 8: Around. 415 00:20:12,680 --> 00:20:14,960 Speaker 2: We've got some players, we got some we're going. 416 00:20:14,920 --> 00:20:16,880 Speaker 1: To decide it. What's you is? First time you guys 417 00:20:16,880 --> 00:20:18,760 Speaker 1: have taken it to a third like this? 418 00:20:19,040 --> 00:20:19,600 Speaker 16: Wow? 419 00:20:20,000 --> 00:20:21,440 Speaker 1: We okay, Here we go. 420 00:20:21,800 --> 00:20:23,840 Speaker 3: Final song for a chance to go and see fifty 421 00:20:23,880 --> 00:20:26,280 Speaker 3: cent at the end of the year, Double pass. 422 00:20:32,560 --> 00:20:36,440 Speaker 7: Usher, bye bye bye and think yes. 423 00:20:39,520 --> 00:20:41,520 Speaker 1: They come from behind victory. 424 00:20:42,480 --> 00:20:45,600 Speaker 3: Wow, wee world, I mate, you're going to go and 425 00:20:45,640 --> 00:20:50,040 Speaker 3: see fifty cent? Bring his mate get rich or trying 426 00:20:50,040 --> 00:20:52,280 Speaker 3: twenty years later too, Astradier. This is Amertickts on sound 427 00:20:52,280 --> 00:20:54,960 Speaker 3: now Live Nation, dot com dot AU. The quiz is 428 00:20:55,000 --> 00:20:57,160 Speaker 3: right up next here on will and what are your chances. 429 00:20:56,960 --> 00:20:57,960 Speaker 1: To do in one thousand bucks? 430 00:21:00,800 --> 00:21:04,120 Speaker 2: Let's talk about some corn and Michael Buble. 431 00:21:07,440 --> 00:21:12,600 Speaker 5: Good yeah, and he was feeling good. 432 00:21:14,720 --> 00:21:16,800 Speaker 2: So he's actually in Australia. At the moment, the boob and. 433 00:21:16,720 --> 00:21:18,600 Speaker 5: He was doing a chat on The Project last night 434 00:21:19,520 --> 00:21:21,560 Speaker 5: and he was talking about this photo of him that 435 00:21:21,640 --> 00:21:22,240 Speaker 5: went viral. 436 00:21:22,760 --> 00:21:24,680 Speaker 2: It's him eating corn on the cob. 437 00:21:25,840 --> 00:21:27,639 Speaker 5: But so, okay, I'm going to try and describe it 438 00:21:27,640 --> 00:21:29,720 Speaker 5: as well as I can without getting too naughty here. 439 00:21:29,760 --> 00:21:33,199 Speaker 5: But he's basically tried to eat the corn on the 440 00:21:33,240 --> 00:21:37,120 Speaker 5: cob from the top. So the corn is the corn, 441 00:21:37,160 --> 00:21:40,120 Speaker 5: the cob is quite a phallic yeah, from the top. 442 00:21:40,840 --> 00:21:42,080 Speaker 2: Looks a little bit naughty. 443 00:21:42,280 --> 00:21:45,600 Speaker 5: Anyway, this photo goes I have no idea, but the 444 00:21:45,600 --> 00:21:51,760 Speaker 5: photo really is. If you haven't seen it, actually get 445 00:21:51,760 --> 00:21:53,760 Speaker 5: to our Instagram right now, go to our stories right now, 446 00:21:53,840 --> 00:21:56,280 Speaker 5: we'll check up the photo of Michael Booble taking the 447 00:21:56,280 --> 00:21:57,680 Speaker 5: corn on the cob from the top. 448 00:21:57,800 --> 00:22:02,040 Speaker 1: Well, there's his grinder profile. Very good, that's the. 449 00:22:02,920 --> 00:22:05,320 Speaker 5: But he revealed, yeah, on the Project last night, that 450 00:22:06,160 --> 00:22:11,240 Speaker 5: a fan who is so obsessed with Michael bouble that 451 00:22:11,359 --> 00:22:16,000 Speaker 5: he got the image of him eating corn tattooed on 452 00:22:16,080 --> 00:22:16,480 Speaker 5: his leg. 453 00:22:16,720 --> 00:22:17,000 Speaker 1: Wow. 454 00:22:17,600 --> 00:22:19,119 Speaker 2: So there is a guy out there who was so 455 00:22:19,200 --> 00:22:21,720 Speaker 2: obsessed with Michael boublaz wow that he has a tattoo 456 00:22:21,920 --> 00:22:26,439 Speaker 2: of the boob eating corn on his leg. Now, I 457 00:22:26,480 --> 00:22:31,000 Speaker 2: would love nothing more than to hear more stories of 458 00:22:31,560 --> 00:22:37,040 Speaker 2: people's obsessions with celebrities and how far they have gone 459 00:22:37,480 --> 00:22:43,200 Speaker 2: for their love of a celebrity. I'm talking how much 460 00:22:43,320 --> 00:22:45,840 Speaker 2: effort have you made just to get around them, or 461 00:22:45,920 --> 00:22:49,800 Speaker 2: just how have you expressed your love for a celebrity. 462 00:22:49,800 --> 00:22:52,520 Speaker 5: Thirteen one oh six ' five is our number. I'll 463 00:22:52,560 --> 00:22:54,280 Speaker 5: take confessions, I'll take dobbins. 464 00:22:54,440 --> 00:22:56,199 Speaker 2: I'd like to kick things off with a dobbin of 465 00:22:56,240 --> 00:23:00,880 Speaker 2: our junior producer, Analse Analyse. I know you or completely 466 00:23:00,920 --> 00:23:05,680 Speaker 2: obsessed with One Direction. What's the most intense thing you 467 00:23:05,720 --> 00:23:07,840 Speaker 2: did within your obsession for One Direction? 468 00:23:08,000 --> 00:23:08,720 Speaker 11: Yeah, there is a. 469 00:23:08,680 --> 00:23:11,720 Speaker 17: Lot, but I think the one that tops it all 470 00:23:11,960 --> 00:23:14,520 Speaker 17: is there was a giveaway to go meet One Direction. 471 00:23:15,000 --> 00:23:17,600 Speaker 17: Little to my knowledge that it was only for UK residents. 472 00:23:17,960 --> 00:23:23,080 Speaker 17: So I went to my netbull that I had netball 473 00:23:23,119 --> 00:23:25,960 Speaker 17: that weekend, So I printed out little cards to give 474 00:23:26,000 --> 00:23:29,399 Speaker 17: to every single team. So about fifteen teams, seven players 475 00:23:29,400 --> 00:23:34,760 Speaker 17: plus parents that essentially said, hey, my name's Annals, I 476 00:23:34,800 --> 00:23:36,440 Speaker 17: really want to meet Will and Woody. He's a link 477 00:23:36,520 --> 00:23:38,440 Speaker 17: to vote for me to meet them. 478 00:23:38,600 --> 00:23:39,639 Speaker 2: You really want to meet One Direction? 479 00:23:44,160 --> 00:23:49,520 Speaker 17: So I handed them out to everyone at the netball game, 480 00:23:49,560 --> 00:23:51,879 Speaker 17: and then I went up on the speaker that you 481 00:23:51,920 --> 00:23:53,840 Speaker 17: know usually announces five minutes. 482 00:23:53,560 --> 00:23:53,960 Speaker 1: Till the game. 483 00:23:54,040 --> 00:23:57,600 Speaker 17: I think, hey, guys, my name's Annals. I know that 484 00:23:57,960 --> 00:23:58,639 Speaker 17: the game's. 485 00:23:58,359 --> 00:23:59,480 Speaker 2: About to start like five minutes. 486 00:23:59,520 --> 00:24:01,920 Speaker 17: But just before you guys jump on court, please take 487 00:24:01,920 --> 00:24:03,360 Speaker 17: the piece of paper I handed to you and vote 488 00:24:03,400 --> 00:24:04,280 Speaker 17: for me to meet one direction. 489 00:24:09,400 --> 00:24:10,879 Speaker 2: It's going to be very hard. 490 00:24:10,960 --> 00:24:14,800 Speaker 3: You are a serial like you, you don't deal well 491 00:24:14,840 --> 00:24:17,240 Speaker 3: with people that you I know. Obviously you work with 492 00:24:17,320 --> 00:24:19,480 Speaker 3: us now, we're very good friends now. But did you 493 00:24:19,600 --> 00:24:21,800 Speaker 3: not when you were working on reception here, when you 494 00:24:21,840 --> 00:24:26,760 Speaker 3: started out your job, take a photo of yourself and 495 00:24:26,800 --> 00:24:29,120 Speaker 3: post it online of your face after you just met 496 00:24:29,200 --> 00:24:29,920 Speaker 3: us for the first time? 497 00:24:30,200 --> 00:24:30,760 Speaker 2: Yeah, I did. 498 00:24:30,880 --> 00:24:32,920 Speaker 17: I actually think I got the picture of you guys 499 00:24:32,920 --> 00:24:35,080 Speaker 17: in the backgrounds that just met these guys in real life. 500 00:24:38,280 --> 00:24:44,200 Speaker 1: I don't know why you're You've got the same thing 501 00:24:44,240 --> 00:24:44,680 Speaker 1: as Aby. 502 00:24:44,840 --> 00:24:49,200 Speaker 3: You lose your marbles when you meet somebody really famous, 503 00:24:49,400 --> 00:24:51,760 Speaker 3: and we obviously have very famous people in here all 504 00:24:51,760 --> 00:24:54,600 Speaker 3: the time. But you cannot keep your cool, I will 505 00:24:54,640 --> 00:24:56,480 Speaker 3: remind you. And this is probably my favorite piece of 506 00:24:56,520 --> 00:24:58,520 Speaker 3: audio of all time, so I'm very happy to play it. 507 00:24:58,560 --> 00:25:02,920 Speaker 3: But I will remind you of the time that we 508 00:25:02,960 --> 00:25:05,320 Speaker 3: had Delta Gudram coming in here for the first time 509 00:25:05,760 --> 00:25:08,160 Speaker 3: and we had the mic still rolling on the inside. 510 00:25:08,480 --> 00:25:12,399 Speaker 1: She couldn't hear this on the outside. This is this 511 00:25:12,560 --> 00:25:12,920 Speaker 1: is you? 512 00:25:13,560 --> 00:25:16,520 Speaker 3: When you saw her standing outside the studio. 513 00:25:17,000 --> 00:25:17,840 Speaker 2: That tells a good room. 514 00:25:17,880 --> 00:25:18,159 Speaker 10: It is. 515 00:25:20,280 --> 00:25:20,920 Speaker 2: Hilda. 516 00:25:22,280 --> 00:25:24,120 Speaker 1: What is't you see? 517 00:25:28,119 --> 00:25:30,360 Speaker 2: I'm in the firing line, Analysa's in the firing line 518 00:25:30,359 --> 00:25:33,480 Speaker 2: thirteen when I was sixty five. You're obsession with a 519 00:25:33,520 --> 00:25:35,520 Speaker 2: celebrity badly? 520 00:25:35,560 --> 00:25:35,840 Speaker 8: Did it. 521 00:25:38,160 --> 00:25:38,320 Speaker 11: Much? 522 00:25:38,359 --> 00:25:38,560 Speaker 1: Ever? 523 00:25:38,640 --> 00:25:39,160 Speaker 2: Did you make? 524 00:25:39,600 --> 00:25:39,800 Speaker 11: Yeah? 525 00:25:39,800 --> 00:25:42,680 Speaker 2: Thirteen one, I six five, that's our number. Join us? Yeah, 526 00:25:42,680 --> 00:25:47,359 Speaker 2: you're obsessed with a celebrity, Maley, Yeah, yeah, that's me. Oh, 527 00:25:47,400 --> 00:25:48,359 Speaker 2: there's so many of me. 528 00:25:48,720 --> 00:25:50,920 Speaker 5: So Cody Simpson was in here when he was Daddy 529 00:25:50,920 --> 00:25:53,200 Speaker 5: Marley sarras he was doing a video for Miley. This 530 00:25:53,359 --> 00:25:55,400 Speaker 5: was my one chance to look cool in front of Miley. 531 00:25:55,800 --> 00:25:58,000 Speaker 2: This is what I said. Yeah, it was that, Maley. Oh, 532 00:25:58,160 --> 00:26:02,199 Speaker 2: it gets worse and worse. Also found out last night 533 00:26:02,200 --> 00:26:05,240 Speaker 2: in the project, a fan of Michael Boubla loves him 534 00:26:05,240 --> 00:26:07,439 Speaker 2: so much that he got a tattoo of the boob 535 00:26:07,920 --> 00:26:11,800 Speaker 2: consuming corn on his leg. So he got that tattooed 536 00:26:11,840 --> 00:26:15,520 Speaker 2: on his leg. To be fair, Boobla is attacking that 537 00:26:15,600 --> 00:26:18,080 Speaker 2: corn on a cob in a rather sexual manner. If 538 00:26:18,080 --> 00:26:21,159 Speaker 2: you want to see that photo, head along to our 539 00:26:21,160 --> 00:26:24,280 Speaker 2: Instagram stories. We got Lauri here though. I'm thirty one 540 00:26:24,280 --> 00:26:27,320 Speaker 2: O sixty five, Laura. This is about your dad and 541 00:26:27,400 --> 00:26:31,440 Speaker 2: his obsession about something or someone. Ah. 542 00:26:31,560 --> 00:26:34,200 Speaker 16: Yes, he is a massive ac DC fan. 543 00:26:34,480 --> 00:26:36,520 Speaker 2: Oh yeah, yeah, yeah, okay. 544 00:26:36,240 --> 00:26:36,720 Speaker 11: What do you do? 545 00:26:38,040 --> 00:26:40,600 Speaker 16: So he follows them all around Australia when they come, 546 00:26:40,720 --> 00:26:43,160 Speaker 16: and he will actually go into state and follow them. 547 00:26:43,720 --> 00:26:45,919 Speaker 16: But he actually had a meet and greet with one 548 00:26:45,960 --> 00:26:48,119 Speaker 16: of them one day and as he walked up to them, 549 00:26:48,160 --> 00:26:50,800 Speaker 16: he literally fainted right in front of his faces because 550 00:26:50,960 --> 00:26:52,359 Speaker 16: he's so excited. 551 00:26:55,000 --> 00:26:56,320 Speaker 1: He fainted. 552 00:26:57,560 --> 00:26:59,200 Speaker 16: Right in front of their faces. 553 00:27:01,200 --> 00:27:03,800 Speaker 2: That's memorable into. 554 00:27:03,640 --> 00:27:05,960 Speaker 16: The concert because they had to rush him because he 555 00:27:06,400 --> 00:27:08,720 Speaker 16: like face planted right in front of their faces. 556 00:27:11,040 --> 00:27:11,840 Speaker 1: That is awesome. 557 00:27:13,119 --> 00:27:14,880 Speaker 3: I'm going to want to look back because I thought 558 00:27:14,880 --> 00:27:15,359 Speaker 3: this started for. 559 00:27:15,400 --> 00:27:18,600 Speaker 1: Year for an early age. Yeah, did you not? Used 560 00:27:18,600 --> 00:27:19,919 Speaker 1: to write the Backstreet Boys. 561 00:27:19,680 --> 00:27:22,560 Speaker 2: Letters with my grandma. That was the thing me and 562 00:27:22,560 --> 00:27:23,359 Speaker 2: my grandma would do. 563 00:27:23,480 --> 00:27:26,680 Speaker 5: I would write them letters and often I would attach 564 00:27:26,720 --> 00:27:29,240 Speaker 5: a photo to that letter and effectively the take home 565 00:27:29,440 --> 00:27:31,720 Speaker 5: was I would like to be one of the boys, 566 00:27:32,640 --> 00:27:33,880 Speaker 5: and you opened. 567 00:27:33,520 --> 00:27:34,720 Speaker 2: To me joining the band. 568 00:27:35,000 --> 00:27:38,960 Speaker 5: Effectively, it was adorable that my grandma would sit down 569 00:27:39,000 --> 00:27:40,680 Speaker 5: with me all the time I write these letters. 570 00:27:41,840 --> 00:27:44,040 Speaker 2: They that from them. 571 00:27:44,280 --> 00:27:47,520 Speaker 5: I never yeah, never got back to me, which they're lost. 572 00:27:47,560 --> 00:27:53,679 Speaker 5: I'd say, well they lost, let's go Abby here. Abby, 573 00:27:53,720 --> 00:27:55,280 Speaker 5: you also want to dob in your dad? 574 00:27:55,920 --> 00:27:58,919 Speaker 7: Yeah, I love to dob in my dad. He's a 575 00:27:58,920 --> 00:28:01,600 Speaker 7: big sports person. So when I was growing up, he 576 00:28:01,720 --> 00:28:04,320 Speaker 7: was very heavy on play sport and he sports give 577 00:28:04,359 --> 00:28:08,560 Speaker 7: it a go, and I ended up playing AFL football, 578 00:28:08,760 --> 00:28:11,760 Speaker 7: and you know, we followed the when the women started, 579 00:28:11,840 --> 00:28:15,720 Speaker 7: and he became a very big fan very quickly, and 580 00:28:16,080 --> 00:28:18,280 Speaker 7: they used to do a few open training sessions like 581 00:28:18,280 --> 00:28:20,800 Speaker 7: where the fans would come down meet and greets, get 582 00:28:20,800 --> 00:28:24,120 Speaker 7: to meet everybody. So he was like, let's pop down 583 00:28:24,160 --> 00:28:26,840 Speaker 7: to the North Melbourne open training because it was like 584 00:28:27,119 --> 00:28:30,439 Speaker 7: his favorite team had a lot of favorite players. So 585 00:28:30,480 --> 00:28:32,719 Speaker 7: we decided to bring me and my niece down. And 586 00:28:32,800 --> 00:28:35,600 Speaker 7: since my niece is younger than me, he first threw 587 00:28:35,640 --> 00:28:38,000 Speaker 7: my niece at them and being like, oh, this is 588 00:28:38,040 --> 00:28:40,240 Speaker 7: my knee. She's a big stand Monday. She wants to 589 00:28:40,240 --> 00:28:42,600 Speaker 7: grow up and you know, play a fell with all 590 00:28:42,640 --> 00:28:44,600 Speaker 7: the big girls, and they were like, oh wow, that's 591 00:28:44,600 --> 00:28:45,200 Speaker 7: so cute. 592 00:28:45,200 --> 00:28:46,080 Speaker 16: She's so cute. 593 00:28:46,080 --> 00:28:48,680 Speaker 7: And then my dad said chat and talking and then 594 00:28:48,720 --> 00:28:51,000 Speaker 7: you would throw me out there to them and'd be like, oh, 595 00:28:51,040 --> 00:28:52,960 Speaker 7: this is my daughter. You know, she also wants to 596 00:28:52,960 --> 00:28:55,920 Speaker 7: play football. So he would use me and my niece 597 00:28:55,960 --> 00:28:58,280 Speaker 7: together them to come over to us and talk. 598 00:29:00,240 --> 00:29:04,120 Speaker 2: That's a classic. I reckon, I reckon? Can my dad? 599 00:29:04,680 --> 00:29:04,920 Speaker 11: Yeah? 600 00:29:04,960 --> 00:29:05,680 Speaker 1: My dad would do. 601 00:29:06,680 --> 00:29:12,920 Speaker 2: You know, have you ever had have you ever had thee? 602 00:29:12,960 --> 00:29:15,520 Speaker 2: That one just took a while to get to the point, 603 00:29:15,640 --> 00:29:17,000 Speaker 2: but I can relate to it. My dad used to 604 00:29:17,040 --> 00:29:20,280 Speaker 2: take me down to the Dad used to take. 605 00:29:20,080 --> 00:29:22,240 Speaker 5: Me down to the change rooms of the D's is 606 00:29:22,280 --> 00:29:24,520 Speaker 5: the Melbourne Football Club. He'd take me into the rooms 607 00:29:24,640 --> 00:29:27,120 Speaker 5: and then I'd have my little autograph book. But they'd 608 00:29:27,160 --> 00:29:29,360 Speaker 5: always get the autograph book and they'd be like, who 609 00:29:29,400 --> 00:29:31,160 Speaker 5: do I make it add to? And Dad would go 610 00:29:32,000 --> 00:29:35,640 Speaker 5: to Steve, claim that I was Steve. 611 00:29:37,000 --> 00:29:38,120 Speaker 1: His name on the autograph. 612 00:29:39,040 --> 00:29:41,640 Speaker 2: What little Steve here? 613 00:29:41,720 --> 00:29:49,120 Speaker 5: Shut up, let's get easy here six five Issy, you've 614 00:29:49,120 --> 00:29:51,640 Speaker 5: been obsessed with someone or something and you really cooked it. 615 00:29:52,360 --> 00:29:56,960 Speaker 4: Yeah, So I love van Stoy, love him? Sure, Yeah, 616 00:29:57,000 --> 00:30:00,200 Speaker 4: I was coming up the stairs one day and he 617 00:30:00,320 --> 00:30:03,680 Speaker 4: was sitting on the seat in front of me, and 618 00:30:03,760 --> 00:30:07,040 Speaker 4: I just got I was just so overly excited, and 619 00:30:07,080 --> 00:30:09,680 Speaker 4: I started walking towards him, and I tripped over his 620 00:30:09,920 --> 00:30:12,080 Speaker 4: guitar case and I fell into his lap. 621 00:30:12,440 --> 00:30:21,280 Speaker 3: Oh, Australia woods right now is getting rocked by earthquakes. 622 00:30:21,560 --> 00:30:24,760 Speaker 3: There was an earthquake a couple of weeks ago in Victoria, Yes, 623 00:30:24,920 --> 00:30:29,520 Speaker 3: and last night Queensland. Two earthquakes, one four point three 624 00:30:29,640 --> 00:30:34,000 Speaker 3: magnitude one four yeah huge the last one the last 625 00:30:34,040 --> 00:30:36,040 Speaker 3: one that an earthquake of the magnitude of four point 626 00:30:36,080 --> 00:30:38,000 Speaker 3: five was reported in nineteen oh two. So that gives 627 00:30:38,000 --> 00:30:40,080 Speaker 3: you an idea of, yeah, where this little bad boy 628 00:30:40,160 --> 00:30:41,959 Speaker 3: sits on the Richter scale. 629 00:30:43,680 --> 00:30:44,680 Speaker 1: I do thank. 630 00:30:44,520 --> 00:30:46,760 Speaker 5: You on the East coast and felt the earth moves 631 00:30:46,840 --> 00:30:47,239 Speaker 5: last night. 632 00:30:47,240 --> 00:30:49,680 Speaker 17: You're not the only one. A four point three magnitude 633 00:30:49,720 --> 00:30:53,120 Speaker 17: earthquake hit North Queensland just after ten pm. 634 00:30:53,200 --> 00:30:56,120 Speaker 15: It was around one hundred and thirty kilometers east of Kids. 635 00:30:56,360 --> 00:30:59,480 Speaker 2: Well as three point one magnitude tremor hit graft And 636 00:30:59,480 --> 00:31:02,000 Speaker 2: in Northern South Wales around two o'clock this morning. No 637 00:31:02,120 --> 00:31:05,000 Speaker 2: damage or injuries have been reported at this stay oh 638 00:31:05,480 --> 00:31:07,360 Speaker 2: there you go, same crack stuff. 639 00:31:07,520 --> 00:31:07,720 Speaker 11: Now. 640 00:31:08,120 --> 00:31:11,760 Speaker 3: Yeah, that's what you call intervention producing when you realize, 641 00:31:13,120 --> 00:31:15,440 Speaker 3: you realize your announcers on the edge and you can't 642 00:31:15,440 --> 00:31:16,600 Speaker 3: get the story out himself. 643 00:31:16,640 --> 00:31:19,120 Speaker 1: Pre prepare a grab and give him to play it. Yes, 644 00:31:19,320 --> 00:31:25,120 Speaker 1: that is exactly what was that? My same quake twenty 645 00:31:25,240 --> 00:31:26,680 Speaker 1: seconds to get to the question. 646 00:31:28,200 --> 00:31:29,840 Speaker 2: I don't worry because you won't go this speech. 647 00:31:31,160 --> 00:31:32,720 Speaker 3: Okay, let me just get down to the bear facts, 648 00:31:32,720 --> 00:31:34,360 Speaker 3: he goes, because I am on the edge. My daughter 649 00:31:34,360 --> 00:31:36,360 Speaker 3: has been up at four point thirty every morning this morning. 650 00:31:36,480 --> 00:31:37,200 Speaker 1: I'm on the edge. 651 00:31:37,320 --> 00:31:39,200 Speaker 2: So every morning this morning. 652 00:31:39,560 --> 00:31:40,680 Speaker 1: You are nowhere. 653 00:31:41,480 --> 00:31:45,360 Speaker 5: You are nowhere every morning this morning my daughter has 654 00:31:45,400 --> 00:31:46,280 Speaker 5: been up for. 655 00:31:48,600 --> 00:31:50,200 Speaker 2: You can do a handball. I think I've got it. 656 00:31:50,600 --> 00:31:51,840 Speaker 1: Do you think I don't know? 657 00:31:51,960 --> 00:31:54,560 Speaker 3: Okay, sure, but okay, okay, but look the bear facts 658 00:31:54,560 --> 00:31:58,120 Speaker 3: are there were two earthquakes last night in Australia. 659 00:31:58,240 --> 00:32:00,320 Speaker 1: We want to see if we can shake the entry 660 00:32:00,440 --> 00:32:03,400 Speaker 1: a third time. Thank you love it. 661 00:32:04,080 --> 00:32:04,800 Speaker 2: How are they going to do it? 662 00:32:04,840 --> 00:32:05,040 Speaker 1: Will? 663 00:32:05,240 --> 00:32:06,080 Speaker 2: How are they going to shake? 664 00:32:06,200 --> 00:32:07,160 Speaker 1: Might have to tell them that. 665 00:32:07,440 --> 00:32:08,600 Speaker 2: Okay, over to me. 666 00:32:09,080 --> 00:32:12,320 Speaker 5: So the way we want you to shake Australia for 667 00:32:12,360 --> 00:32:15,080 Speaker 5: a third time is effectively tell us a story that 668 00:32:15,280 --> 00:32:18,560 Speaker 5: is going to shake us. Yes, we're going to be shook. 669 00:32:18,680 --> 00:32:21,640 Speaker 5: We have to be story. Yes, thirteen one oh six five. 670 00:32:21,720 --> 00:32:23,560 Speaker 5: You've got a story that you reckon is going to 671 00:32:23,680 --> 00:32:27,240 Speaker 5: leave us shook? Yes, then call right now now, will Yes, 672 00:32:27,360 --> 00:32:30,240 Speaker 5: the kind of stories we're after. We've had some stories 673 00:32:30,240 --> 00:32:32,640 Speaker 5: before that have shaken us. There was a woman who 674 00:32:32,680 --> 00:32:37,160 Speaker 5: went to a beautician, Yes, and there was something caught 675 00:32:38,040 --> 00:32:39,120 Speaker 5: in the nether regions. 676 00:32:39,560 --> 00:32:41,440 Speaker 7: So I am a beauty therapist. 677 00:32:41,600 --> 00:32:44,680 Speaker 16: And to be honest, the most outrageous thing that I've 678 00:32:44,680 --> 00:32:47,920 Speaker 16: ever come across is a dead moss wrapped up in 679 00:32:48,040 --> 00:32:48,840 Speaker 16: someone's fenny. 680 00:32:49,080 --> 00:32:54,680 Speaker 1: Oh why did she put it there? Or is it 681 00:32:54,720 --> 00:32:56,720 Speaker 1: just because she hadn't had any for a month or so? 682 00:32:57,480 --> 00:32:59,680 Speaker 16: I say it was probably because she hadn't had it 683 00:32:59,680 --> 00:33:01,760 Speaker 16: for a long time, a lot longer than a month 684 00:33:01,880 --> 00:33:02,040 Speaker 16: or so. 685 00:33:02,400 --> 00:33:05,240 Speaker 17: Oh wow, that. 686 00:33:05,480 --> 00:33:09,400 Speaker 3: Is I mean that shook us. And sugars that shook us. Yeah, 687 00:33:09,640 --> 00:33:11,440 Speaker 3: that's the sort of story that'll do it. So thirty 688 00:33:11,480 --> 00:33:14,080 Speaker 3: one and six five. Two earthquakes in Australia last night. 689 00:33:14,120 --> 00:33:15,720 Speaker 3: Can we shake Australia. 690 00:33:15,280 --> 00:33:16,840 Speaker 1: A third time? Right now, live on the radio. 691 00:33:16,840 --> 00:33:18,840 Speaker 3: So thirty one and six five, If you think you've 692 00:33:18,880 --> 00:33:21,800 Speaker 3: got a story that's going to shake us? 693 00:33:21,920 --> 00:33:23,320 Speaker 2: Does it have to be gross? By the way, can 694 00:33:23,360 --> 00:33:24,240 Speaker 2: this be extraordinary? 695 00:33:24,280 --> 00:33:27,000 Speaker 5: So we need to unanimously decide that we have both 696 00:33:27,040 --> 00:33:27,640 Speaker 5: been shaken. 697 00:33:27,720 --> 00:33:29,840 Speaker 3: I don't think there'll be like a conscious decision made. 698 00:33:29,880 --> 00:33:31,960 Speaker 3: I think if you shook your shook, you know, you'll 699 00:33:31,960 --> 00:33:32,640 Speaker 3: probably hear. 700 00:33:32,520 --> 00:33:34,560 Speaker 1: That from Aus spontaneously. Woods if I was going to 701 00:33:34,560 --> 00:33:37,680 Speaker 1: get right down into it, but let's get let's go 702 00:33:37,760 --> 00:33:38,360 Speaker 1: to Jimmy. 703 00:33:39,040 --> 00:33:43,120 Speaker 9: Jimmy, tell us how you're going so? 704 00:33:43,280 --> 00:33:45,040 Speaker 3: Well, mate, you've got a story that you reckon's going 705 00:33:45,080 --> 00:33:45,880 Speaker 3: to shake the nation? 706 00:33:46,840 --> 00:33:51,080 Speaker 9: Well, Chuck may I knew a lady and she lived 707 00:33:51,280 --> 00:33:53,680 Speaker 9: up the central close from Sydney and she had to 708 00:33:53,680 --> 00:33:56,160 Speaker 9: work back one night, so she stopped in a a 709 00:33:56,240 --> 00:34:01,280 Speaker 9: burger well, a chain fast food chain, and asked for 710 00:34:01,400 --> 00:34:03,200 Speaker 9: a couple of chicken burgers so she could eat them 711 00:34:03,240 --> 00:34:06,200 Speaker 9: on the freeway going back. But she's allergic to mayonnaise, 712 00:34:06,200 --> 00:34:08,600 Speaker 9: so she said, please hold the mayo because I'm allergic 713 00:34:08,640 --> 00:34:11,719 Speaker 9: to it. They went sure. As she was driving out 714 00:34:11,760 --> 00:34:14,600 Speaker 9: the freeway, she bit into this burger and she felt 715 00:34:15,120 --> 00:34:19,000 Speaker 9: something easy on her lip, and they put mayonnaise. So 716 00:34:19,680 --> 00:34:21,799 Speaker 9: she found her truck stuff and pulled up and put 717 00:34:21,800 --> 00:34:24,239 Speaker 9: the light on, and there was no mayonnaise on it. 718 00:34:24,280 --> 00:34:27,560 Speaker 9: There was a dirty cyst in the piece of chicken 719 00:34:28,280 --> 00:34:34,960 Speaker 9: and it burst and was running down a chin. Horrible. 720 00:34:35,080 --> 00:34:36,840 Speaker 1: Chok me, I'm shaken. 721 00:34:39,480 --> 00:34:44,640 Speaker 2: Assist Assist on the chicken breast in the. 722 00:34:44,600 --> 00:34:45,440 Speaker 9: Piece of chicken. 723 00:34:45,640 --> 00:34:49,000 Speaker 12: All right, chicken cyst. 724 00:34:50,120 --> 00:34:53,719 Speaker 3: That's a shake. That's that's a shaking story. Wow, that 725 00:34:53,840 --> 00:34:56,080 Speaker 3: is a shaken bag. Wow, what a way to start. 726 00:34:56,440 --> 00:35:00,719 Speaker 3: Gee whiz, I tell you what the miss direction as well? 727 00:35:00,719 --> 00:35:02,279 Speaker 3: I mean we thought it was going to be may 728 00:35:02,280 --> 00:35:05,520 Speaker 3: andais brilliantly delivered journally. You might want to spend it now, 729 00:35:05,520 --> 00:35:06,799 Speaker 3: but you can to have a hundred bucks to spend it. 730 00:35:06,840 --> 00:35:10,360 Speaker 3: Red rooster, but obviously red rooster. 731 00:35:10,640 --> 00:35:12,359 Speaker 2: No, it never be the case, never had assist. Let's 732 00:35:12,360 --> 00:35:15,880 Speaker 2: go to Julia here. Julia, you think you've got a 733 00:35:15,920 --> 00:35:17,440 Speaker 2: story that's going to shake it. 734 00:35:17,600 --> 00:35:21,920 Speaker 11: You have a sorry hello there, hello, bit of an 735 00:35:21,960 --> 00:35:23,400 Speaker 11: old story, only twenty years old. 736 00:35:23,880 --> 00:35:25,240 Speaker 7: My sadly died. 737 00:35:26,080 --> 00:35:29,279 Speaker 11: We ran this center. So where's the dog one of 738 00:35:29,320 --> 00:35:29,839 Speaker 11: the old guys. 739 00:35:29,840 --> 00:35:31,799 Speaker 3: Sorry, Julia, Sorry, Julia, you take me back, just want 740 00:35:31,840 --> 00:35:33,440 Speaker 3: me back there. We just missed that bitch. 741 00:35:33,480 --> 00:35:33,919 Speaker 1: Say that again. 742 00:35:33,960 --> 00:35:34,160 Speaker 4: For me. 743 00:35:35,080 --> 00:35:38,600 Speaker 11: Oh, so my partner died twenty years ago. We ran 744 00:35:38,640 --> 00:35:41,960 Speaker 11: this center. A lot of old worked for the doll guys, 745 00:35:41,920 --> 00:35:44,080 Speaker 11: the old guys that you know, just didn't have any jobs. 746 00:35:44,080 --> 00:35:46,160 Speaker 11: And one of them didn't have a place to stay, 747 00:35:46,560 --> 00:35:48,280 Speaker 11: and so he stayed at the back of the garden 748 00:35:48,360 --> 00:35:52,640 Speaker 11: under a tree. And the next month, so the next 749 00:35:52,640 --> 00:35:55,520 Speaker 11: morning he's out. Someone came to me and said, oh, 750 00:35:55,600 --> 00:35:59,680 Speaker 11: what are you doing here? And so I'm just sleeping here. 751 00:35:59,719 --> 00:36:02,640 Speaker 11: That don't I don't have a place to stay. And 752 00:36:03,480 --> 00:36:07,000 Speaker 11: he said, all right, all right, And so we asked 753 00:36:07,040 --> 00:36:09,319 Speaker 11: him and we said, what does this person look like? 754 00:36:09,400 --> 00:36:12,480 Speaker 11: And we showed him pictures and it was He pointed 755 00:36:12,520 --> 00:36:17,040 Speaker 11: to my partner. He was scared and he did him 756 00:36:17,080 --> 00:36:20,680 Speaker 11: that night. Yeah, wow, he was sorry. That night he 757 00:36:20,760 --> 00:36:24,279 Speaker 11: visited him him. He said he was a spirit, you know, 758 00:36:24,320 --> 00:36:26,560 Speaker 11: like he'd been dead like six months. No one knew 759 00:36:26,600 --> 00:36:27,200 Speaker 11: about it. 760 00:36:27,239 --> 00:36:28,880 Speaker 2: Is that Is that something your partner would do, go 761 00:36:28,920 --> 00:36:29,799 Speaker 2: and visit old men? 762 00:36:30,600 --> 00:36:32,319 Speaker 11: Yeah? He would, Well. 763 00:36:33,360 --> 00:36:34,759 Speaker 2: Yeah if. 764 00:36:35,880 --> 00:36:40,560 Speaker 3: Yeah, Julia, Wow, I tell you great stuff. 765 00:36:40,640 --> 00:36:44,240 Speaker 2: Is that the only sighting? Ah? 766 00:36:44,320 --> 00:36:45,640 Speaker 6: Yes, how it was. 767 00:36:45,680 --> 00:36:50,320 Speaker 11: I didn't get to see any again, did wow? Do? 768 00:36:50,400 --> 00:36:52,120 Speaker 1: They just sat there and had a chat or did 769 00:36:52,120 --> 00:36:54,120 Speaker 1: they have Yeah, yeah. 770 00:36:53,920 --> 00:36:55,080 Speaker 6: He was like what are you doing? 771 00:36:55,239 --> 00:37:00,000 Speaker 11: You know he was a very special place like yeah property, 772 00:37:00,920 --> 00:37:06,080 Speaker 11: yeah s copy in South Melbourne and yeah yeah. But 773 00:37:06,120 --> 00:37:10,040 Speaker 11: you would never think that this guy, old guy would 774 00:37:10,080 --> 00:37:13,320 Speaker 11: be the person to person that would see. 775 00:37:13,160 --> 00:37:15,879 Speaker 6: That you didn't know him. 776 00:37:16,239 --> 00:37:17,720 Speaker 2: Yeah, great stuff. 777 00:37:17,800 --> 00:37:23,240 Speaker 10: Julia, tell you what I shook us. 778 00:37:23,280 --> 00:37:26,600 Speaker 3: Well, I'm not a huge spirit guy, but it obviously 779 00:37:26,640 --> 00:37:27,520 Speaker 3: means a lot for Julia. 780 00:37:27,760 --> 00:37:29,520 Speaker 1: She feels like, you know, her husband was there. That's 781 00:37:29,520 --> 00:37:32,080 Speaker 1: got to shake. Somebody has never met her husband before, 782 00:37:32,120 --> 00:37:33,640 Speaker 1: and all of a sudden saw him and he was 783 00:37:33,680 --> 00:37:34,399 Speaker 1: dead for six months. 784 00:37:35,160 --> 00:37:38,280 Speaker 2: I'd be I'd be shaken a mimid past. 785 00:37:38,800 --> 00:37:40,879 Speaker 5: And she had one choice to come back and visit 786 00:37:40,880 --> 00:37:43,600 Speaker 5: one person, but he chose random man. 787 00:37:43,640 --> 00:37:45,239 Speaker 1: You stew the guy sleeping in my backyard. 788 00:37:45,600 --> 00:37:46,239 Speaker 2: He didn't. 789 00:37:47,960 --> 00:37:53,960 Speaker 1: Dreaming about it your way through. I'm over. At the 790 00:37:54,040 --> 00:37:57,960 Speaker 1: end of the show, You're cooked. You are I'm cooked. 791 00:37:58,080 --> 00:38:00,000 Speaker 1: I'm so cool, so very funny. 792 00:38:00,040 --> 00:38:02,400 Speaker 2: Everyone's heard the speech jam started. 793 00:38:02,680 --> 00:38:05,719 Speaker 3: I told you, I said to you guys, before I 794 00:38:05,719 --> 00:38:07,319 Speaker 3: can say, is the titles I've ever been. 795 00:38:07,280 --> 00:38:08,040 Speaker 1: Rocking up to work? 796 00:38:08,400 --> 00:38:12,080 Speaker 5: You had some delayed It started to show delayed speech 797 00:38:12,160 --> 00:38:13,240 Speaker 5: jammer coming through. 798 00:38:13,080 --> 00:38:17,400 Speaker 1: Which is terrifying. Yeah, all of a sudden, I was 799 00:38:17,440 --> 00:38:20,800 Speaker 1: like the other headphones on and they're not on. I'm 800 00:38:20,840 --> 00:38:21,360 Speaker 1: just cooked. 801 00:38:21,840 --> 00:38:23,720 Speaker 3: I think if I put that speech jet, the speech 802 00:38:23,800 --> 00:38:24,880 Speaker 3: jammer thing on now. 803 00:38:25,320 --> 00:38:27,640 Speaker 5: I reckon, if I put speech jammer on now, I'll 804 00:38:27,640 --> 00:38:28,880 Speaker 5: be able to talk better than you. 805 00:38:30,200 --> 00:38:31,040 Speaker 2: That's the challenge. 806 00:38:31,520 --> 00:38:35,759 Speaker 1: I love speech What are you going to say? What 807 00:38:35,800 --> 00:38:37,359 Speaker 1: do you up to for the weekend? What's are you going? 808 00:38:37,800 --> 00:38:40,240 Speaker 2: I'm going to the Gold Gold Coast on the wing again. 809 00:38:43,160 --> 00:38:45,120 Speaker 2: You forget how hard it is. 810 00:38:47,360 --> 00:38:48,840 Speaker 1: What do you what are you going on there? 811 00:38:49,640 --> 00:38:54,920 Speaker 5: I'm going to the Gold Gold Coast wedding Sunday day. 812 00:38:58,160 --> 00:39:01,719 Speaker 5: I've got a wedding non Sunday. 813 00:39:02,719 --> 00:39:05,759 Speaker 1: Nice, we know, we know. 814 00:39:06,640 --> 00:39:13,640 Speaker 5: I'm going to wear a gray Jacker black shirt. What 815 00:39:13,680 --> 00:39:15,520 Speaker 5: are you doing on the weekend? 816 00:39:15,960 --> 00:39:19,440 Speaker 1: Will? Do you have an answer with the speech camer on? 817 00:39:20,320 --> 00:39:20,520 Speaker 11: Yeah? 818 00:39:20,560 --> 00:39:22,400 Speaker 2: I think you should. 819 00:39:25,200 --> 00:39:27,400 Speaker 15: Oh, I don't know if my head's ready for what 820 00:39:27,600 --> 00:39:29,360 Speaker 15: you do on the weekend? 821 00:39:29,520 --> 00:39:29,800 Speaker 14: Will? 822 00:39:34,360 --> 00:39:37,040 Speaker 1: What are you doing on the on the weekend? 823 00:39:37,080 --> 00:39:37,319 Speaker 16: Will? 824 00:39:38,920 --> 00:39:39,360 Speaker 1: Okay? 825 00:39:39,560 --> 00:39:43,080 Speaker 3: So on the weekend, I'm actually going to my parents. 826 00:39:44,719 --> 00:39:46,560 Speaker 3: I'm actually going to my parents. 827 00:39:46,640 --> 00:39:50,040 Speaker 2: Speech ouse, Oh yeah, what are you gonna do down there? 828 00:39:51,360 --> 00:39:51,440 Speaker 5: Well? 829 00:39:51,480 --> 00:39:53,600 Speaker 3: They've got a place on the morning, oh no, on 830 00:39:53,719 --> 00:39:58,839 Speaker 3: the morning and on the on the Great Ocean Road 831 00:39:58,880 --> 00:39:59,600 Speaker 3: in Victoria. 832 00:40:00,000 --> 00:40:00,360 Speaker 11: And I. 833 00:40:02,680 --> 00:40:06,520 Speaker 1: Don't wear any people. I'm taking some people. 834 00:40:06,360 --> 00:40:13,719 Speaker 3: There I am as friends of mine. 835 00:40:13,760 --> 00:40:23,759 Speaker 1: We're going to go down and we're going to all right. 836 00:40:24,800 --> 00:40:26,000 Speaker 1: I think that's enough. 837 00:40:27,400 --> 00:40:27,640 Speaker 10: Enough. 838 00:40:28,200 --> 00:40:30,160 Speaker 1: I just don't think I can do it any more. Moore, 839 00:40:37,600 --> 00:40:38,440 Speaker 1: we'll say it about it.