1 00:00:01,040 --> 00:00:10,240 Speaker 1: Hey, everybody, it's time for Josey and Amanda's cuting room floor. 2 00:00:24,040 --> 00:00:26,960 Speaker 2: What's on the cutting room floor? Always some good pickens 3 00:00:27,000 --> 00:00:27,680 Speaker 2: on a Friday. 4 00:00:27,800 --> 00:00:30,880 Speaker 3: Well, a couple of stories from Japan. It's no surprise 5 00:00:30,960 --> 00:00:35,440 Speaker 3: that loneliness is a huge scourge in our societies. But 6 00:00:35,479 --> 00:00:37,480 Speaker 3: it seems that a couple of examples here of what's 7 00:00:37,479 --> 00:00:39,640 Speaker 3: going on in Japan. It seems that they are things 8 00:00:39,680 --> 00:00:43,880 Speaker 3: are particularly hard for them. What about this? In Japan? 9 00:00:44,040 --> 00:00:46,879 Speaker 3: You can hire a man yep to wipe your tears 10 00:00:46,960 --> 00:00:49,080 Speaker 3: when you're watching movies. I mean, wiping your tears is 11 00:00:49,080 --> 00:00:51,239 Speaker 3: one thing. But you can hire a man, an attractive man, 12 00:00:51,280 --> 00:00:54,520 Speaker 3: it says, who offers you emotional support and sits beside 13 00:00:54,520 --> 00:00:57,279 Speaker 3: you as you watch a movie. This is part of 14 00:00:57,880 --> 00:01:02,360 Speaker 3: a unique therapy and companionship us. You can meet for coffee, 15 00:01:02,720 --> 00:01:04,560 Speaker 3: you can ask them to accompany you in groups for 16 00:01:04,640 --> 00:01:08,360 Speaker 3: good conversation or spiritual comfort, or sit beside you on 17 00:01:08,400 --> 00:01:10,319 Speaker 3: the couch and watch a. 18 00:01:10,280 --> 00:01:15,560 Speaker 1: Good Weepye what about other comforts? You know? No, what 19 00:01:15,880 --> 00:01:16,520 Speaker 1: comforts are. 20 00:01:16,480 --> 00:01:20,960 Speaker 4: Thee of the what you're doing hand motions? See, this 21 00:01:20,959 --> 00:01:21,600 Speaker 4: is problem. 22 00:01:22,080 --> 00:01:26,080 Speaker 3: This is the problem, Brendan is many women are looking 23 00:01:26,120 --> 00:01:28,600 Speaker 3: for comfort that isn't just sexual. It may surprise you 24 00:01:28,640 --> 00:01:30,600 Speaker 3: to hear that your thoughts go straight to sexual, not 25 00:01:30,600 --> 00:01:33,600 Speaker 3: at all. These people, and men and women, I imagine, are 26 00:01:33,640 --> 00:01:39,119 Speaker 3: looking for a sense of community, a sense of commitment, 27 00:01:39,280 --> 00:01:42,880 Speaker 3: not commitment so much as content. They're looking for a 28 00:01:42,920 --> 00:01:46,199 Speaker 3: sense of community and a sense of connection that they're 29 00:01:46,200 --> 00:01:50,320 Speaker 3: not getting. Doesn't mean sex necessarily. It means friendship, people 30 00:01:50,360 --> 00:01:52,200 Speaker 3: to do things with. So you're not doing the stuff 31 00:01:52,240 --> 00:01:55,200 Speaker 3: you like just on your own, which goes back to 32 00:01:55,240 --> 00:01:55,680 Speaker 3: your point. 33 00:01:55,840 --> 00:01:59,440 Speaker 2: Well, yeah, I guess I'm a simple guy. I just 34 00:01:59,480 --> 00:02:02,000 Speaker 2: like to ask the questions. But I suppose you just 35 00:02:02,080 --> 00:02:03,800 Speaker 2: tire a sex worker, wouldn't you? 36 00:02:03,800 --> 00:02:04,080 Speaker 1: Really? 37 00:02:04,720 --> 00:02:07,160 Speaker 3: Is that what you'd do if I needed that and 38 00:02:07,200 --> 00:02:08,680 Speaker 3: ask them to sit down and watch just a weepy 39 00:02:08,760 --> 00:02:12,000 Speaker 3: movie with you? What about this part of the story. 40 00:02:12,520 --> 00:02:18,120 Speaker 3: In Japan, yohutsu refers to people who disappear due to 41 00:02:18,200 --> 00:02:22,359 Speaker 3: pressures like failed marriages, debt, job loss. They abandoned their 42 00:02:22,400 --> 00:02:25,560 Speaker 3: lives and they live anonymously off the grid. There are 43 00:02:25,600 --> 00:02:29,880 Speaker 3: even specialized companies called night movers that assist them in 44 00:02:30,000 --> 00:02:31,120 Speaker 3: vanishing completely. 45 00:02:31,200 --> 00:02:35,280 Speaker 4: Your hatsu, it said with a j jahatsu jahatsu. 46 00:02:35,480 --> 00:02:37,079 Speaker 1: I thought it was a brand of outboard motor. 47 00:02:37,360 --> 00:02:38,240 Speaker 4: Don't make that mistake. 48 00:02:38,280 --> 00:02:40,040 Speaker 3: You think you're going to buy an outboard motor, suddenly 49 00:02:40,040 --> 00:02:42,240 Speaker 3: you're living in Venezuela. 50 00:02:43,120 --> 00:02:44,040 Speaker 4: And there's one more. 51 00:02:44,120 --> 00:02:45,520 Speaker 1: Oh I love Japan stories. 52 00:02:46,639 --> 00:02:47,720 Speaker 4: This is a really sad one. 53 00:02:47,760 --> 00:02:50,440 Speaker 3: A lot of elderly, particularly women in Japan, are struggling 54 00:02:50,440 --> 00:02:54,560 Speaker 3: with loneliness, and they're choosing a huge number of people 55 00:02:54,919 --> 00:02:58,760 Speaker 3: are choosing to go to prison rather than live alone. 56 00:02:58,800 --> 00:03:02,080 Speaker 3: They have found a huge, huge sense of community in prison. 57 00:03:02,160 --> 00:03:03,959 Speaker 3: There's a couple of examples. He c and ended a 58 00:03:04,000 --> 00:03:06,720 Speaker 3: story on it. It's an eighty one year old inmate. 59 00:03:07,360 --> 00:03:10,320 Speaker 3: She knows the burden of isolation and poverty. She's been 60 00:03:10,360 --> 00:03:15,000 Speaker 3: to prison twice. She steals food deliberately to get caught, 61 00:03:15,400 --> 00:03:18,680 Speaker 3: and because that's her second offense, she's in prison, so 62 00:03:18,720 --> 00:03:20,920 Speaker 3: she re offends, so she'll end up back in prison 63 00:03:21,400 --> 00:03:23,360 Speaker 3: where she has a band of friends in there who 64 00:03:23,400 --> 00:03:27,280 Speaker 3: are doing similar things. So she found herself living off 65 00:03:27,280 --> 00:03:31,000 Speaker 3: a very small pension. She said, I didn't have any 66 00:03:31,080 --> 00:03:34,760 Speaker 3: friends and all of this no family support or very 67 00:03:34,800 --> 00:03:39,880 Speaker 3: little family support. So she now pays. She now is 68 00:03:39,880 --> 00:03:41,680 Speaker 3: in prison, and there are some people who will even 69 00:03:41,760 --> 00:03:44,800 Speaker 3: pay to live in prison. They'll pay a small stipend 70 00:03:45,360 --> 00:03:48,240 Speaker 3: to be in prison. There's a huge society of elderly 71 00:03:48,320 --> 00:03:52,160 Speaker 3: women finding their community in a Japanese prison. 72 00:03:52,320 --> 00:03:55,480 Speaker 1: Can you hire someone to wipe away your tea drop tattoo? 73 00:03:57,400 --> 00:03:58,800 Speaker 4: It's an interesting prison story. 74 00:03:58,800 --> 00:04:01,640 Speaker 3: It's like Midnight Express meets Driving Miss Daisy. 75 00:04:02,280 --> 00:04:04,080 Speaker 4: A little bit from Colum Mane, a little bit from 76 00:04:04,080 --> 00:04:04,880 Speaker 4: column this. 77 00:04:04,920 --> 00:04:06,560 Speaker 1: Is a little bit too homo erotic for. 78 00:04:06,560 --> 00:04:08,800 Speaker 4: Mind elderly Japanese women. 79 00:04:09,000 --> 00:04:13,520 Speaker 2: No, no, The Midnight Express. 80 00:04:13,880 --> 00:04:16,640 Speaker 4: I never Actually, you haven't seen it. No, it's a 81 00:04:16,680 --> 00:04:18,880 Speaker 4: great movie, is it. It sounds like you've loved it. 82 00:04:19,160 --> 00:04:20,159 Speaker 1: No, it's great, but it is. 83 00:04:20,279 --> 00:04:22,960 Speaker 2: I saw it when I was young, and I probably 84 00:04:22,960 --> 00:04:27,200 Speaker 2: can watch homosexual scenes are probably better with watching it. 85 00:04:27,279 --> 00:04:28,120 Speaker 1: But back then I. 86 00:04:28,080 --> 00:04:29,960 Speaker 4: Was like, that's one of the first times you'd seen it. 87 00:04:30,040 --> 00:04:32,159 Speaker 2: Yeah, yeah, yeah, And it wasn't like full on graphic 88 00:04:32,200 --> 00:04:34,839 Speaker 2: but it was you know, the protagonist who was in 89 00:04:34,880 --> 00:04:39,000 Speaker 2: the jail for the hash and then a Swiss backpacker 90 00:04:39,040 --> 00:04:40,120 Speaker 2: and they you know, they're both. 91 00:04:40,080 --> 00:04:40,880 Speaker 4: There, both willing. 92 00:04:41,400 --> 00:04:41,560 Speaker 2: Yeah. 93 00:04:41,640 --> 00:04:44,239 Speaker 1: Yeah, it's like they just have a chemistry. 94 00:04:44,279 --> 00:04:46,520 Speaker 4: Oh okay, So it wasn't like one being attacked by that. 95 00:04:46,760 --> 00:04:49,000 Speaker 2: No, no, no, it's not. No, it's it's quite and 96 00:04:49,000 --> 00:04:51,520 Speaker 2: that's the thing. It's quite a soft romantic. If you 97 00:04:51,600 --> 00:04:52,400 Speaker 2: will see. 98 00:04:52,480 --> 00:04:54,120 Speaker 4: What the tea is away. 99 00:04:54,440 --> 00:04:57,920 Speaker 2: Well, if you've got a Japanese attractive man, that might 100 00:04:57,960 --> 00:05:00,479 Speaker 2: be okay, although I wouldn't say I go into a 101 00:05:00,480 --> 00:05:02,159 Speaker 2: prison now and the say I'm just here for the 102 00:05:02,200 --> 00:05:06,640 Speaker 2: company because my skin's too sold, so I've hidden the soap. 103 00:05:07,960 --> 00:05:08,840 Speaker 4: That's it for to day. 104 00:05:08,960 --> 00:05:11,160 Speaker 2: That was Jo'll see the name of this gunroom for 105 00:05:11,880 --> 00:05:14,280 Speaker 2: thumb back tomorrow for some more