1 00:00:00,880 --> 00:00:07,280 Speaker 1: Great the flick with Beno morning, Good morning guys. I've 2 00:00:07,320 --> 00:00:10,720 Speaker 1: got one for all the film nerds out there. Oh well, 3 00:00:10,840 --> 00:00:13,480 Speaker 1: I did like the look of the trailer. This is 4 00:00:13,520 --> 00:00:17,000 Speaker 1: a film nerd, Yeah, exactly. At least this is going 5 00:00:17,079 --> 00:00:20,760 Speaker 1: to be right up your alley. So from director Paul 6 00:00:20,880 --> 00:00:24,239 Speaker 1: Thomas Anderson, who you know, known better to his friends 7 00:00:24,280 --> 00:00:26,680 Speaker 1: as Pta. That's what all the cool kids call him, 8 00:00:27,360 --> 00:00:32,000 Speaker 1: so ptaight. He of course is an auteur director who 9 00:00:32,640 --> 00:00:35,080 Speaker 1: really kicked off his career in great fashion with Boogie 10 00:00:35,159 --> 00:00:38,479 Speaker 1: Knights and then has given us films like There Will 11 00:00:38,520 --> 00:00:40,760 Speaker 1: Be Blood, which is considered one of the greatest films 12 00:00:40,800 --> 00:00:46,000 Speaker 1: of the twenty first century. More recently, Licorice Pizza and 13 00:00:46,120 --> 00:00:49,120 Speaker 1: Phantom Thread. Both of those films were nominated for Best 14 00:00:49,159 --> 00:00:51,919 Speaker 1: Picture at the Academy Awards. So he is in the 15 00:00:52,080 --> 00:00:56,080 Speaker 1: absolute upper echelon of directors in Hollywood. So every time 16 00:00:56,120 --> 00:00:59,120 Speaker 1: he's got a new film coming out, people are very 17 00:00:59,160 --> 00:01:00,760 Speaker 1: excited to see what he's going to do. It's kind 18 00:01:00,760 --> 00:01:02,360 Speaker 1: of like, you know, like if the Tarantino who's got 19 00:01:02,360 --> 00:01:04,000 Speaker 1: a new film coming out, it's just one of those 20 00:01:04,040 --> 00:01:06,920 Speaker 1: movies that you circle in the calendar as this is 21 00:01:06,959 --> 00:01:10,440 Speaker 1: going to be interesting, and so his latest film sees 22 00:01:10,560 --> 00:01:13,760 Speaker 1: him team up with Leonardo DiCaprio for the first time, 23 00:01:14,080 --> 00:01:18,080 Speaker 1: one battle after another. But I will say right off 24 00:01:18,120 --> 00:01:22,400 Speaker 1: the bat that timing is everything, and I think, unfortunately 25 00:01:22,560 --> 00:01:27,440 Speaker 1: for Pta, is timing this time around is just terrible. 26 00:01:27,760 --> 00:01:31,920 Speaker 1: Who so well, So the film kicks off, like you 27 00:01:32,000 --> 00:01:34,840 Speaker 1: realize straight away what I'm talking about. So the opening 28 00:01:34,880 --> 00:01:38,640 Speaker 1: scene in the film is a group of radical left 29 00:01:38,760 --> 00:01:44,720 Speaker 1: activists in America doing an armed raid on an ice facility. 30 00:01:45,840 --> 00:01:50,760 Speaker 1: Timing almost down to the day. Oh yeah, not great, 31 00:01:51,200 --> 00:01:53,920 Speaker 1: not great at all. So you know, it's like every 32 00:01:53,960 --> 00:01:56,080 Speaker 1: now and then you see this happen where there might 33 00:01:56,120 --> 00:01:58,720 Speaker 1: be a film about like a plane getting hijacked and 34 00:01:58,760 --> 00:02:01,320 Speaker 1: then there's you know, some sort of plane crash, or 35 00:02:01,360 --> 00:02:03,720 Speaker 1: a movie about a shark and then there's a fatal 36 00:02:03,760 --> 00:02:06,000 Speaker 1: shark attack, or a movie about a bushfire and then 37 00:02:06,000 --> 00:02:09,880 Speaker 1: there's a devastating bushfire. Like these things, these there's sometimes 38 00:02:10,160 --> 00:02:13,800 Speaker 1: this timing lines up, and it's always terrible coincidence for 39 00:02:13,840 --> 00:02:16,760 Speaker 1: the filmmakers, and you know, people impacted by these real 40 00:02:16,760 --> 00:02:20,360 Speaker 1: life situations. And so unfortunately for Pta, that's kind of 41 00:02:20,400 --> 00:02:22,600 Speaker 1: what the environment in which this film is going to 42 00:02:22,680 --> 00:02:26,960 Speaker 1: land and it's a bit unfortunate, and he wrote it 43 00:02:27,000 --> 00:02:30,480 Speaker 1: obviously years ago, and the films take a long time 44 00:02:30,520 --> 00:02:34,920 Speaker 1: to make. And so after this initial sequence where there's 45 00:02:34,919 --> 00:02:38,919 Speaker 1: this raid on this immigration detention facility in America, Leonardo 46 00:02:38,960 --> 00:02:42,840 Speaker 1: DiCaprio's character past plays like a sort of a demolitions expert, 47 00:02:43,360 --> 00:02:45,920 Speaker 1: and he's he's in love with the sort of the 48 00:02:46,040 --> 00:02:51,440 Speaker 1: leader of the revolutionaries who whose name is for Fidia, 49 00:02:51,600 --> 00:02:54,840 Speaker 1: and she's this kind of like really strong African American 50 00:02:54,919 --> 00:02:59,600 Speaker 1: character who has this weird kind of sexual tension moment 51 00:02:59,760 --> 00:03:03,600 Speaker 1: with the commanding officer of the detention center played by 52 00:03:03,680 --> 00:03:06,720 Speaker 1: Sean Penn, which is kind of it's kind of a 53 00:03:06,720 --> 00:03:09,280 Speaker 1: bit odd at the time, but it really sets a 54 00:03:09,360 --> 00:03:12,720 Speaker 1: train of events in motion that carries throughout the whole film, 55 00:03:12,960 --> 00:03:15,200 Speaker 1: where you end up with this sort of weird love 56 00:03:15,320 --> 00:03:21,120 Speaker 1: triangle between Leo and Pafidia, and then Sean Penn's character, 57 00:03:21,120 --> 00:03:25,240 Speaker 1: who's a really kind of like uptight military man but 58 00:03:25,520 --> 00:03:30,280 Speaker 1: has this kind of obsession with this revolutionary and then 59 00:03:30,320 --> 00:03:33,800 Speaker 1: the film fast forwards sixteen years into the future when 60 00:03:34,080 --> 00:03:38,440 Speaker 1: the female character as kind of like off the agenda 61 00:03:38,600 --> 00:03:41,800 Speaker 1: and it's just Leonardo DiCaprio's pat is trying to raise 62 00:03:41,840 --> 00:03:45,080 Speaker 1: a teenage daughter, and then all of a sudden realizes 63 00:03:45,160 --> 00:03:48,920 Speaker 1: that this guy from the past, this military dude, is 64 00:03:48,960 --> 00:03:51,320 Speaker 1: coming after them, and he's relentless and he's going to 65 00:03:51,320 --> 00:03:56,440 Speaker 1: stop at nothing until he captures Leo and his teen 66 00:03:56,560 --> 00:04:00,000 Speaker 1: daughter played by newcomer Chase Infinity in her first movie role. 67 00:04:00,080 --> 00:04:01,760 Speaker 1: She's going to be a superstar. I can tell you 68 00:04:01,840 --> 00:04:06,680 Speaker 1: that Inanity. Yeah what a name, right, It sounds exciting 69 00:04:06,800 --> 00:04:09,880 Speaker 1: for the movie. Ye, yeah, And so the film kind 70 00:04:09,880 --> 00:04:14,080 Speaker 1: of goes from there. I would say the positives. It's 71 00:04:14,360 --> 00:04:19,520 Speaker 1: incredibly well directed. The score is amazing, like the music 72 00:04:19,880 --> 00:04:23,120 Speaker 1: and the choice of music in this film is just 73 00:04:23,480 --> 00:04:25,599 Speaker 1: as good as anything you'll ever see in a film. 74 00:04:25,880 --> 00:04:29,720 Speaker 1: And there are some sequences that cinematically are certain to 75 00:04:29,800 --> 00:04:33,320 Speaker 1: be iconic and certainly will be studied in film schools 76 00:04:33,360 --> 00:04:36,760 Speaker 1: for the next twenty years. There's a car chase sequence 77 00:04:36,839 --> 00:04:39,040 Speaker 1: that is one of the best that I've ever seen 78 00:04:39,560 --> 00:04:42,760 Speaker 1: captured on film. And so there's a lot of really 79 00:04:42,839 --> 00:04:46,800 Speaker 1: really good things about it. Oh well, it's not so much. 80 00:04:46,880 --> 00:04:49,479 Speaker 1: It's not so much because it's you know, this sort 81 00:04:49,520 --> 00:04:53,640 Speaker 1: of breakneck action. It's just so cleverly done using the 82 00:04:53,760 --> 00:04:56,360 Speaker 1: landscape of the desert that you're watch it, you go, wow, 83 00:04:56,440 --> 00:05:02,760 Speaker 1: that's just so clever. But the negatives Sean Penn's character is, 84 00:05:03,240 --> 00:05:05,000 Speaker 1: you know, he looks like he's having the time of 85 00:05:05,080 --> 00:05:07,000 Speaker 1: his life and he's obviously a two time Oscar winner. 86 00:05:07,279 --> 00:05:11,280 Speaker 1: But it gets a little bit cartoonish, I think, and 87 00:05:11,360 --> 00:05:13,400 Speaker 1: I think the film, as I mentioned before, the timing 88 00:05:13,480 --> 00:05:16,360 Speaker 1: the film suffers because you know, when Pta was writing this, 89 00:05:16,520 --> 00:05:19,040 Speaker 1: which is kind of loosely adapted from a Thomas pinch 90 00:05:19,120 --> 00:05:23,120 Speaker 1: On novel from nineteen ninety, which was sort of set 91 00:05:23,160 --> 00:05:25,760 Speaker 1: in the Reagan era in nineteen eighties, this is kind 92 00:05:25,760 --> 00:05:28,440 Speaker 1: of set in our modern time. So when Pta wrote 93 00:05:28,480 --> 00:05:32,120 Speaker 1: this film, he kind of conceived it as romanticizing the 94 00:05:32,279 --> 00:05:38,320 Speaker 1: radical left and ridiculing the conservative politicians. So he kind 95 00:05:38,360 --> 00:05:42,600 Speaker 1: of deliberately makes them look so stupid. And unfortunately that 96 00:05:42,760 --> 00:05:45,360 Speaker 1: joke is just not very funny at the moment, because 97 00:05:45,720 --> 00:05:50,920 Speaker 1: you know, that's not really how no like when Pta 98 00:05:51,040 --> 00:05:54,000 Speaker 1: came up with this, you know, it just it just 99 00:05:54,040 --> 00:05:55,840 Speaker 1: hasn't aged well because you look at what's happening in 100 00:05:55,880 --> 00:05:59,520 Speaker 1: America right now, and who's laughing who's at laughing? At 101 00:05:59,520 --> 00:06:03,160 Speaker 1: the timing is everything, isn't it all? Right, well, how many? 102 00:06:03,680 --> 00:06:07,799 Speaker 1: And it also has Benizzio del Toro's in it. Of course, 103 00:06:08,000 --> 00:06:12,880 Speaker 1: he's amazing as always. He plays he plays just real quick. 104 00:06:13,000 --> 00:06:18,800 Speaker 1: Bevancia to Toro plays the karate instructor of Leonardo DiCaprio's daughter, 105 00:06:18,960 --> 00:06:21,720 Speaker 1: and Leo calls him sense all the time, gets him 106 00:06:21,720 --> 00:06:24,360 Speaker 1: broke in because it wrote him into the action. You 107 00:06:24,400 --> 00:06:27,160 Speaker 1: can use that is perfect. It looks like classic Vinizzio. 108 00:06:28,320 --> 00:06:30,280 Speaker 1: Oh yeah he is. He is the best. He's the 109 00:06:30,360 --> 00:06:33,560 Speaker 1: best in this. So what do you give it? I'm 110 00:06:33,600 --> 00:06:35,599 Speaker 1: going to give it. I'm going to give it four styles. 111 00:06:35,640 --> 00:06:39,080 Speaker 1: This will get all the nomination. It's an extremely well 112 00:06:39,160 --> 00:06:42,960 Speaker 1: good movie, extremely extremely well made movie. Lines by the timing, 113 00:06:43,120 --> 00:06:47,920 Speaker 1: but yeah, amazing. So separate yourself from that and enjoy it. Okay, 114 00:06:48,640 --> 00:06:51,640 Speaker 1: thank you, Ben, Thanks Ben, love it, thank you. All right, 115 00:06:51,760 --> 00:06:53,960 Speaker 1: all right, there's your weekend viewing sort of