1
00:00:00,400 --> 00:00:04,000
Speaker 1: Jum mission with Jones and Amanda. While you were watching

2
00:00:04,160 --> 00:00:07,200
Speaker 1: Sas Australia, I've been binging on married at.

3
00:00:07,160 --> 00:00:09,240
Speaker 2: First, say you would, you're very loyal to that show.

4
00:00:09,280 --> 00:00:11,200
Speaker 1: Well, they've got the new couples in. They've got the

5
00:00:11,240 --> 00:00:15,160
Speaker 1: new couples in, so they had this guy. He complained

6
00:00:15,760 --> 00:00:20,239
Speaker 1: that his fake wife thinks the wedding's fake. So he

7
00:00:20,320 --> 00:00:23,360
Speaker 1: complained to the producers this she thinks this is fake.

8
00:00:23,640 --> 00:00:27,440
Speaker 2: But they're being drilled to say I'm married, my husband,

9
00:00:27,560 --> 00:00:30,600
Speaker 2: my blah blah blah. They've been told by producers that's

10
00:00:30,640 --> 00:00:33,080
Speaker 2: the gig. You've got to pretend it's real.

11
00:00:33,200 --> 00:00:35,879
Speaker 1: But as we've discussed quite regularly with Claire Stevens from

12
00:00:35,920 --> 00:00:40,280
Speaker 1: Mum and Mia, this is a marriage on steroids. These

13
00:00:40,320 --> 00:00:42,000
Speaker 1: guys are at thirty years of now. I would say

14
00:00:42,000 --> 00:00:44,960
Speaker 1: they were at fifteen years of marriage. It's all week.

15
00:00:45,479 --> 00:00:48,280
Speaker 1: It's like the house fly, the life of a house fly.

16
00:00:48,479 --> 00:00:50,240
Speaker 2: So how dare she say it's fake? They've been married

17
00:00:50,280 --> 00:00:51,080
Speaker 2: for thirty.

18
00:00:50,880 --> 00:00:54,200
Speaker 1: Years, married for ages. So anyway, that that girl, she's

19
00:00:54,240 --> 00:00:59,400
Speaker 1: also the fake girl and the husband. Her hair goes

20
00:00:59,400 --> 00:01:02,080
Speaker 1: from short to long constantly. I don't know how that happens.

21
00:01:02,160 --> 00:01:05,000
Speaker 2: That what those dollies, Christy Christy stomach and the hair

22
00:01:05,000 --> 00:01:06,000
Speaker 2: had come out on the top of the head.

23
00:01:06,400 --> 00:01:08,480
Speaker 1: It comes out. I don't know how that happens.

24
00:01:08,600 --> 00:01:10,840
Speaker 2: Do they film over a long period of time haircut?

25
00:01:11,160 --> 00:01:14,720
Speaker 2: So could this be an insight into the continuity issues

26
00:01:15,000 --> 00:01:18,959
Speaker 2: that you think it's one stream? Really that's filmed before that,

27
00:01:19,040 --> 00:01:20,200
Speaker 2: and the editing's playing with it.

28
00:01:20,319 --> 00:01:22,800
Speaker 1: She went to bed beautiful and then working.

29
00:01:22,440 --> 00:01:25,000
Speaker 2: On Yeah, well, welcome to marriage.

30
00:01:27,520 --> 00:01:32,000
Speaker 1: Anyway. Away from them, let's talk about twisty guy. Remember

31
00:01:32,000 --> 00:01:34,399
Speaker 1: twisty Sorry about the breath, So I just had some

32
00:01:34,480 --> 00:01:38,800
Speaker 1: chicken twisted. So he's with the identical twin who thinks

33
00:01:38,840 --> 00:01:42,520
Speaker 1: she's ugly, which would make the other identical twin say,

34
00:01:42,520 --> 00:01:46,280
Speaker 1: hang on, hang on a minute, sweetheart, that's right. So

35
00:01:46,319 --> 00:01:49,920
Speaker 1: I call it the ugly identical twin. She's the ugly

36
00:01:49,960 --> 00:01:53,840
Speaker 1: identical twin and she hates twisty guy with a passion.

37
00:01:53,880 --> 00:01:56,760
Speaker 1: I've never seen more a face of hate than I've

38
00:01:56,760 --> 00:01:58,200
Speaker 1: seen on this, and with.

39
00:02:00,120 --> 00:02:03,040
Speaker 2: Many faces of hate in here, is it interesting that

40
00:02:03,080 --> 00:02:06,400
Speaker 2: the experts didn't put together a love match. They put

41
00:02:06,440 --> 00:02:07,640
Speaker 2: together a conflict match.

42
00:02:07,680 --> 00:02:09,440
Speaker 1: I'm surprised, and I don't know. I've taken a set

43
00:02:09,440 --> 00:02:12,200
Speaker 1: against twisty Guy. I just there's something about him.

44
00:02:12,520 --> 00:02:14,320
Speaker 2: Well, is he trying too high because she doesn't like it?

45
00:02:14,400 --> 00:02:17,600
Speaker 2: Does it make him gormless and desperate? Is that what's happening.

46
00:02:18,800 --> 00:02:20,720
Speaker 1: I think that's what it is. And I think he

47
00:02:20,760 --> 00:02:22,960
Speaker 1: hasn't been with a woman for some time because the

48
00:02:23,000 --> 00:02:25,200
Speaker 1: twist is because he's looking at her like he's in

49
00:02:25,240 --> 00:02:27,960
Speaker 1: one of those mining camps in Western Australia and a

50
00:02:28,000 --> 00:02:31,200
Speaker 1: woman comes to town and they alsoden go, Hey, where

51
00:02:31,240 --> 00:02:33,400
Speaker 1: you go. I'm got a load up on the twisties.

52
00:02:33,840 --> 00:02:35,240
Speaker 2: Put the twisties on ice.

53
00:02:35,360 --> 00:02:37,560
Speaker 1: There's a girl in town. It's a bit like that.

54
00:02:38,080 --> 00:02:41,600
Speaker 1: So twisty Guy to prove that he's super sensitive, he

55
00:02:41,800 --> 00:02:45,400
Speaker 1: slipped in a few references about the notebook. I kid

56
00:02:45,440 --> 00:02:48,360
Speaker 1: you not in the space of his three minutes. Have

57
00:02:48,360 --> 00:02:50,840
Speaker 1: a listen to how many times he mentions the notebook.

58
00:02:51,080 --> 00:02:52,920
Speaker 1: I feel like I'm in the notebook. I feel like

59
00:02:52,960 --> 00:02:55,000
Speaker 1: I'm in the notebook trying to get on the noteka

60
00:02:55,080 --> 00:02:55,520
Speaker 1: for a row.

61
00:02:55,840 --> 00:02:57,200
Speaker 2: Now that is notebook worthy.

62
00:02:57,560 --> 00:02:59,239
Speaker 1: I actually have never seen the note.

63
00:02:59,480 --> 00:03:01,600
Speaker 2: So she he's trying to sound I'm romantic like the

64
00:03:01,680 --> 00:03:03,799
Speaker 2: notebook because about dementia.

65
00:03:05,639 --> 00:03:10,120
Speaker 1: Spoiler alert because any guy knows if you want to

66
00:03:10,160 --> 00:03:12,280
Speaker 1: get into a woman's dacks. You mentioned the.

67
00:03:12,280 --> 00:03:14,840
Speaker 2: Notebook and you don't eat chicken twists.

68
00:03:15,120 --> 00:03:16,880
Speaker 1: Look, if he loves the notebook so much, maybe we

69
00:03:16,880 --> 00:03:23,680
Speaker 1: should put him in it. Why are you ready? Why?

70
00:03:25,080 --> 00:03:26,320
Speaker 2: And what's over for me?

71
00:03:27,320 --> 00:03:31,399
Speaker 1: I waited for you for seven years Now it's too late.

72
00:03:31,880 --> 00:03:32,760
Speaker 2: Sorry about the breath.

73
00:03:33,120 --> 00:03:34,520
Speaker 1: I just had some chippen twisters.

74
00:03:35,560 --> 00:03:36,520
Speaker 2: That's his dream.

75
00:03:36,960 --> 00:03:40,200
Speaker 1: It's true. It's a movie about dementia. I haven't seen

76
00:03:40,240 --> 00:03:43,120
Speaker 1: it yet, haven't you. Yeah, they should be saying Bruce

77
00:03:43,120 --> 00:03:46,600
Speaker 1: Willis was dead in this sixth sense, Jonesy and Amanda's

78
00:03:46,680 --> 00:03:47,200
Speaker 1: genation