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Speaker 1: Happy Tuesday. It's the jam Nation podcast with Jonesy and Amandy,

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Speaker 1: a crazy fool.

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Speaker 2: So much happened, so much, so much. Mitch Tambo joined us.

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Speaker 2: He's doing an incredible indigenous version of Great Southern Land

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Speaker 2: and it is hauntingly.

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Speaker 1: Beautiful, absolutely amazing. We go into the Creed Zone. I

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Speaker 1: explained the premise of the Creed movies. And you're on

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Speaker 1: top of that, aren't you.

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Speaker 2: Don't quiz me.

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Speaker 1: We're going to be talking to its stars, Jonathan Major's

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Speaker 1: and Michael B. Jordan.

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Speaker 2: We talk about a Chinese invention that lets you kiss

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Speaker 2: a silicon mouth that's hooked up to someone else kissing

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Speaker 2: a silicon mouth somewhere else, and it's not.

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Speaker 1: Called going on and married at first.

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Speaker 2: Side no mouth, I said, anyway, anyway, what did you

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Speaker 2: practice kissing on when you're a teen? That's all we

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Speaker 2: want to know.

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Speaker 1: And down to the Jonesy Demanda arms for the pub

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Speaker 1: test today. Avocado on pizza?

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Speaker 3: Does it pass the PT Enjoy it all?

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Speaker 1: A miracle of recording. We have so many requests for

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Speaker 1: them to do it again.

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Speaker 4: Mistress Amanda and Miss Killer Amanda.

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Speaker 5: Doesn't work alone.

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Speaker 2: Friend making the tools of the train I've.

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Speaker 1: Heard them describe him as a drunken idiot.

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Speaker 6: The legendary part.

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Speaker 7: Jonesy, Amanda the actress, Congratulations, Murder.

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Speaker 2: We're the aadio right now.

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Speaker 8: Jon and Amanda.

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Speaker 1: You're doing a great job for anyone but silky Giant.

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Speaker 9: Now go good radio.

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Speaker 10: Sorry, but if a tongue twist set and Amanda, shoot

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Speaker 10: Timy we're on the air.

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Speaker 1: Top of the morning to you missus, moys.

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Speaker 2: How are you?

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Speaker 1: I'm great, great, your.

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Speaker 2: Eyes are all alight. What's happened?

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Speaker 1: I had a really good ride in this morning and

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Speaker 1: I did an accidental wheelstand, you know, just whenever a

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Speaker 1: bump over this little crest of a heel as I

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Speaker 1: come to work and there's it's a slight rise and

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Speaker 1: I just gassed at the right time and the front

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Speaker 1: wheel just came off the ground quite nicely. What I

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Speaker 1: picture is you know when you see them superbikes and

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Speaker 1: they go over a thing.

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Speaker 2: Yeah, is that what it was?

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Speaker 5: No?

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Speaker 1: No, no, no, no, no, not like those guys. No,

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Speaker 1: just a just a slight rise and it's very satisfying

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Speaker 1: and landed neatly and it wasn't like it was.

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Speaker 2: Like an a fish tile when you landed yeah.

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Speaker 1: Yeah, And I'm not really a great wheelstand guy. I

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Speaker 1: never there's a reskill to it on a motorcycle to

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Speaker 1: pull a good wheel stand. But it's always I wish

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Speaker 1: someone saw it. Not the cops, but I wish someone

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Speaker 1: saw it.

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Speaker 2: Is it illegal on the road for you? Yeah?

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Speaker 1: Yeah, yeah, I think you get fine for that.

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Speaker 2: Did you see that?

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Speaker 1: Having said that it was an accidental wheelstand, it.

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Speaker 2: Wasn't like a hey, watch me wheel stand?

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Speaker 1: Yeah, it wasn't he watched me wheel stand?

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Speaker 2: Yeah, you hadn't set that ramp up hours before and

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Speaker 2: came past get your friends to take a picture of you.

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Speaker 1: Well, I was a kid. That's what we just did.

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Speaker 1: We just set up ramps and just jump stuff just

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Speaker 1: to love it. Of course, so good do you jump anything?

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Speaker 11: No?

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Speaker 2: Because I'm a girl.

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Speaker 1: Yeah, I guess. Like you know, there's a.

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Speaker 2: Girl with the sisters who laid down and their brothers

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Speaker 2: jumped the bike so the top of them.

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Speaker 1: It's true. I can imagine cam and saying, hey, lie here,

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Speaker 1: that's right on the.

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Speaker 2: News, you've got a steamroller.

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Speaker 1: It's interesting on the news last that was dominated with

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Speaker 1: that story and orange of the guys doing a burnout

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Speaker 1: in the main drag. I saw that. Okay, here we go.

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Speaker 2: And I know you're going to say, I sound like

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Speaker 2: someone's mother, not at all. Burnout just irritates every fiber

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Speaker 2: of my being. There's it's noisy, it's show offye, it's smelly,

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Speaker 2: it's a waste of petrol, it's dangerous, and you look

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Speaker 2: like an idiot. It's everything that I detest.

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Speaker 1: It's everything that I love.

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Speaker 2: I know, I imagine. So you watch you watch an

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Speaker 2: idiot do a burnout, and anyone's going well in high fiving,

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Speaker 2: and you.

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Speaker 1: Go, that's I'm one of the people that would be impressed. Yeah,

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Speaker 1: I'm not impressed. But that's all right.

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Speaker 2: It is illegal, isn't it. You can't just say it

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Speaker 2: was an accidental You can do it.

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Speaker 1: You can break traction by accident. That can happen. I

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Speaker 1: was in the Mates Get out of Town vat car

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Speaker 1: one time, many years ago, and I just pulled out

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Speaker 1: of it and it was a wet road and it

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Speaker 1: had big fat, wide TA radials on the back, and

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Speaker 1: I just gassed it a little bit and I went

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Speaker 1: and popped out.

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Speaker 2: A copper saw me and get in trouble.

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Speaker 1: No, well, he said, mate, And I said look, it's

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Speaker 1: it is what it is, officer, it.

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Speaker 2: Is what it is. Offer and he agreed and we

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Speaker 2: left it.

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Speaker 1: But he was janity, he was a car head, and

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Speaker 1: he said, look, just take it easy.

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Speaker 2: Just let's not encourage anything. Because for me looking just

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Speaker 2: the noise, just hearing it, you know, and I know

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Speaker 2: you love motorbikes. If I'm if a really noisy motorbike

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Speaker 2: deliberately goes beside me, I think, oh my god, it's

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Speaker 2: not the deep throated Harley noise. Is that really horrible?

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Speaker 2: I can't stand it all?

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Speaker 1: The little one is a little two fifties. They sound dreadful.

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Speaker 1: Did you see a guy into a wheelstand that's in? Like,

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Speaker 1: I think a wheel stands more impressive than a burnout

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Speaker 1: because I think it takes more skill to do.

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Speaker 2: I deliberately close my eyes to both. Even if I'm driving,

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Speaker 2: I will close my eyes so that you don't get

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Speaker 2: rewarded with my gaze.

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Speaker 1: So who's the dangerous one on the raid? A guy

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Speaker 1: doing the burnout of the wheelstand or you driving?

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Speaker 2: A woman closing her eyes so she refuses to see it.

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Speaker 1: Oh great, great action, pack Shadaa. We're going to the

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Speaker 1: creed zone today. We've got two of the stars from

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Speaker 1: the Creed franchise joining us on the show. It's by

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Speaker 1: one of those zoom links. And you know that's a

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Speaker 1: lot of kerfuffle.

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Speaker 2: It's happening? Is it happening after eight o'clock?

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Speaker 1: After eight o'clock?

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Speaker 2: And so we've got to actually prepare for it. Now,

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Speaker 2: I've got to go into a waiting room. We've got

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Speaker 2: a blub and there's a million people waiting.

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Speaker 1: There's a person that speaks to the person, that speaks

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Speaker 1: to the person that speaks to another person. Then they

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Speaker 1: speak to the people.

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Speaker 2: If this comes off without a hitch, it will be

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Speaker 2: a miracle.

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Speaker 1: It will be extraordinary. Also, Instagram makes its return, and

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Speaker 1: we can't do anything till we do The Magnificent Seven?

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Speaker 2: Which fairy tale character make the Three Bears? And where

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Speaker 2: any of them are? Cocaine Bear? Which fairy tale character

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Speaker 2: met the Three Bears?

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Speaker 1: Podcast? The Magnificent Seven Seven questions? Can you go the

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Speaker 1: way and answer all seven questions correctly? If you do that,

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Speaker 1: Amanda will.

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Speaker 2: Say can you sing any higher?

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Speaker 1: But it's about any questions? Seven? Right? Looky here it's

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Speaker 1: Ron of Helen's.

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Speaker 2: Hello, Ron, how are you?

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Speaker 11: Good morning?

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Speaker 1: Great, just a whippol Ron. Do you appreciate when someone

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Speaker 1: doesn't burnout?

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Speaker 11: No?

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Speaker 2: I don't.

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Speaker 1: What about a wheel stand on a motorcycle?

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Speaker 2: Okay, no, Brendan. Do you like it when someone brings

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Speaker 2: a new handbag into Officer says, look what I bought.

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Speaker 1: I always appreciate when you bring a new bag in.

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Speaker 2: No, you don't.

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Speaker 8: I do.

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Speaker 1: I say that's a nice bag.

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Speaker 2: It's not the same as men expect their praise for

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Speaker 2: their feats of strength and don't notice when a woman's

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Speaker 2: had an eighteen thousand dollars haircut.

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Speaker 1: I think Ron would appreciate feats of strength. They're always great.

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Speaker 2: Okay, let's see how you go here. Which fairy tale

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Speaker 2: character met the three bears?

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Speaker 1: That would be gold not Cocaine Bear, which I I

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Speaker 1: want to see but I don't want.

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Speaker 2: It would be good if Goldilocks met the three Cocaine bears.

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Speaker 1: That'd be excellent because it's based on a true story

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Speaker 1: that this.

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Speaker 2: Bear found a big stash of cocaine that has been

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Speaker 2: dropped from a planet.

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Speaker 1: True story, that that's what happened. It ate the brick

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Speaker 1: of cocaine. But then the bear just died from an overdose.

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Speaker 2: You didn't go on with John.

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Speaker 1: Question two. As well as camels, what else does Saudi

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Speaker 1: Arabia in port from Australia that you would find in

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Speaker 1: the desert.

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Speaker 2: So apparently we send them camels. What else do they take?

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Speaker 1: Yeah, our sand?

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Speaker 2: I didn't know this. It turns out the sand in

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Speaker 2: Saudi Arabia isn't great for construction, so for them to

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Speaker 2: build any structures they need the kind of.

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Speaker 1: That's why we don't have Colonel sand Hills anymore.

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Speaker 2: And is that why we get the dreader out?

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Speaker 1: Well, the dreadger is taking the sand from the port

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Speaker 1: hacking and putting it onto the beaches because it all

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Speaker 1: got washed.

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Speaker 2: You know, you asked the coin now and then I

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Speaker 2: lost interest.

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Speaker 1: A second dredder takes it out of the port hacking,

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Speaker 1: which is filling up with sand. Why don't they say

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Speaker 1: that the big storms well to replace all the beaches

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Speaker 1: that were washed away. So it's not really any It's

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Speaker 1: just a cycle.

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Speaker 2: It's going from one place to.

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Speaker 1: Us, moving around. It's like when you wake it wreake

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Speaker 1: up your leaves.

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Speaker 2: Well, Ron question three, let's play what's on the box?

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Speaker 8: I'll turn the box on.

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Speaker 2: What TV show has this theme? I've watched this show.

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Speaker 2: I remember ever hearing that.

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Speaker 1: Any idea they're on?

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Speaker 11: No, I have no idea on that line. Sorry.

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Speaker 2: Famous for a one particular song, remember snow Patrol. Yeah,

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Speaker 2: they had one song that was because I thought that

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Speaker 2: was almost a theme. I don't remember hearing this theme.

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Speaker 1: The Magnificent Seven were bogged down on question three.

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Speaker 2: It's going to Sharon in Campbelltown.

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Speaker 11: Hello Sharon, Good morning, jos and Amanda. How are you?

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Speaker 2: We're going to play what's on the box show?

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Speaker 11: I'll turn the box on.

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Speaker 2: What TV show has this theme? Any ideas? It's love

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Speaker 2: the show Grave and a raised anatomy.

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Speaker 1: That was with doctor It was the.

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Speaker 2: Dude, the dude, the main one was a dreamy, dreamy

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Speaker 2: hand dreamy. We've interviewed him, remember I was retaken with him.

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Speaker 1: Patrick Dempsey a very taking a nice fella. My wife

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Speaker 1: like Danny, remember Danny who died? And she said, why

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Speaker 1: can't you be like Danny and romantic could die?

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Speaker 2: Oh, she just has to wait a while.

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Speaker 1: Diamond Is Forever was a nineteen forty seven Slagan created

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Speaker 1: by which company was an A. Tiffany and Co. B.

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Speaker 1: Debs or C. H. Stern. One of those companies came up.

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Speaker 4: I missed the beginning of the question.

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Speaker 8: What was that?

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Speaker 1: A Diamond is Forever was a nineteen forty seven slagan

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Speaker 1: create by which company.

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Speaker 2: Tiffany, de Beers or h Stern.

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Speaker 11: I'll go a Tiffany.

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Speaker 2: No, sorry, it wasn't Tiffany. Sorry about that.

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Speaker 1: Carly's in Mount Riverview.

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Speaker 2: Hi, Carly, Hi?

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Speaker 6: How are you very well?

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Speaker 2: A diamond is Forever was a slogan that came about

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Speaker 2: in nineteen forty seven, by which for which company was it?

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Speaker 2: To Beers or h Stern? I'm going to go be

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Speaker 2: to Beer And that started the tradition of diamond engagement rings.

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Speaker 2: That's how all that kicked off.

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Speaker 1: Really, so before then there was nothing.

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Speaker 2: Weren't you lucky? You guys could just put tyree piece

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Speaker 2: of rope around your finger and that.

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Speaker 1: Was enough for that to beers. According to the legend,

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Speaker 1: which cup was sought after by King Arthur's knights, um.

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Speaker 11: The Holy Grailer?

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Speaker 1: Yeah, the Holy Grail?

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Speaker 2: Now, who's put it in the dish washer?

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Speaker 11: One?

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Speaker 2: If it's one of those cups, that's mine. Put Sharon,

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Speaker 2: don't drink out of that, that's mine.

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Speaker 1: He's put my Holy Grail in the dishwasher. You know

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Speaker 1: it doesn't it's got to be hand washed.

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Speaker 2: Question six, what's the smallest breed of dog in the world?

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Speaker 2: He Chi, Yeah, Chihuahua.

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Speaker 1: You're not googling, are you?

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Speaker 2: Are you? Carly?

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Speaker 1: Sure? If you do it, just do it discreetly. It's

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Speaker 1: like when Mick Jagger used to womanize. Jerry Hall used

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Speaker 1: to say, Mick, if you're going to have it off

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Speaker 1: with other women, just.

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Speaker 2: Do it discrete fir question mark at the end.

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Speaker 1: The SAG Awards took place yesterday? What does SAG stand for? Carly?

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Speaker 7: Sorry?

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Speaker 8: What was the question?

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Speaker 1: Is this thing one today? Is it one?

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Speaker 11: Two?

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Speaker 1: Sadly?

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Speaker 2: Yes, it is, I can hear you.

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Speaker 1: The SAG Awards took place yesterday. What does SAG stand for?

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Speaker 4: SAG?

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Speaker 2: So let's see if Jane from Copedy knows?

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Speaker 8: Hi?

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Speaker 2: Jane, Hi very well. SAG Awards were on yesterday. What's

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Speaker 2: the s A g What is it? What are the

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Speaker 2: SAG Awards?

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Speaker 6: The Screen Actors Guild of Water.

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Speaker 1: That's very good. J Congratulations you won the jam pack.

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Speaker 1: It's all coming your way. Do you ever eaten pants?

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Speaker 8: Jane?

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Speaker 2: Eaten pants?

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Speaker 8: Eating?

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Speaker 2: Went to university to eat?

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Speaker 1: When you go out eating because you're going for dinner

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Speaker 1: and Lone Star y mouse and brew. Somedays it's got

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Speaker 1: better a lone Star house and Bruce with kids eat

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Speaker 1: free every Sunday.

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Speaker 2: Can you make an eating mess in them?

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Speaker 1: A double past to opening night at the Allions Francois

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Speaker 1: French Film Festival twenty twenty three. That'd be great.

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Speaker 2: Don't we eat in pants to that?

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Speaker 1: There'll be nudy, Jane? Do you like ludedy sometimes? Okay?

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Speaker 1: Jonesy to made a catches you're swell for you to go.

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Speaker 2: It won't be nudy film. Come on, you can't sell

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Speaker 2: it that way. French film, they.

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Speaker 1: Will be nudity. Jane wants something still at school? I

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Speaker 1: think anything you'd like to add.

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Speaker 6: Jane, thank you so much. It's been a pleasure to

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Speaker 6: talk to you.

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Speaker 2: What's you sweet?

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Speaker 1: Thank you?

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Speaker 2: Jane.

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Speaker 1: Feeling is mutual just Jonesy and a man jam podcast,

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Speaker 1: Weaky Waky.

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Speaker 2: Shot Shine, It's too early, GT. Dress out of bad

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Speaker 2: Wine efect through the German ACA Big Book of Musical Facts. Oh.

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Speaker 2: On this day in nineteen eighty six, George Michael announced

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Speaker 2: that Wham would officially split during the summer. Wham became

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Speaker 2: one of the most successful pop acts of the nineteen

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Speaker 2: eighties as we know, selling more than thirty million records

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Speaker 2: from nineteen eighty two to nineteen eighty six. Andrew originally

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Speaker 2: lived at home with his parents. Even after WAM made

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Speaker 2: it big. He and George used a room in the

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Speaker 2: house to make their demos. Andrew wasn't even there at

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Speaker 2: the time. One day, Andrew needed a wake up call,

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Speaker 2: so he left a note for his mum on the door.

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Speaker 2: He wrote, wake me up up, and, realizing he duplicated

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Speaker 2: a word, he then wrote before you go Go. George

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Speaker 2: got a kick out of it, and he got a

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Speaker 2: song titled Lucky. They didn't write a song about his

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Speaker 2: other note, can you buy some milk and wash my undies?

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Speaker 1: That didn't make it big at all, that'd be a

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Speaker 1: no no.

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Speaker 2: To be a no no. Well, let's hear it, wake

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Speaker 2: me up before you go go.

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Speaker 1: Married at first Sight last night?

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Speaker 2: Asked me if I watched it? Did you watch what happened?

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Speaker 1: But you won't know what's happened with Harrison?

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Speaker 2: Can I ask you this questions this question? Are there

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Speaker 2: big story asks this season or they're drilling down on

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Speaker 2: small things like you know, cheating scandal, one kiss, one

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Speaker 2: blah blah, one phone number all.

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Speaker 1: My wife said, oh, come on, we all just kiss people,

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Speaker 1: and I went, okay. She apparently apparently.

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Speaker 2: How does it get those groceries in the car?

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Speaker 1: So Harrison Harrison is the one that is so hot.

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Speaker 1: Remember he's so hot. People come up to him. Women

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Speaker 1: come up and say, you're so hot, give me your number,

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Speaker 1: and he says, no, no, no, I'm married to what I'll

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Speaker 1: take your number. But that's the I'm the right guy

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Speaker 1: to be doing.

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Speaker 2: And his partner says, hits so hot is not his fault.

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Speaker 1: It's not as hot. I know that feeling. It's it's

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Speaker 1: a gift and there can be a burden as well. Anyway,

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Speaker 1: he was on the launds the other night for the

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Speaker 1: commitment ceremony. His partner Bronti wasn't there because you have

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Speaker 1: women's troubles.

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Speaker 5: Flying solo tonight.

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Speaker 7: Yeah, unfortunately Brontie couldn't be here. She goes through a

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Speaker 7: lot more and that at that time of the month.

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Speaker 7: I'm not a voice for andodometriosis or a woman's biological functions,

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Speaker 7: but she's in a lot of pain and gets very

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Speaker 7: emotional and crying and and that's just really hard to

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Speaker 7: see her like that. Come on, I'm going to try

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Speaker 7: and get through this as best I can.

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Speaker 2: Stop him, Stop him, he says, indo demetriosis for starters.

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Speaker 2: I don't want to be a voice woman's reproductive work. Well,

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Speaker 2: no one's asking you to be that.

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Speaker 1: You don't have No.

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Speaker 2: He just wants to be the voice for teeth White.

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Speaker 1: Just get on the bench and do your wait. Last

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Speaker 1: night though, he like, really this guy. There should be

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Speaker 1: a day for this man because what he sacrifice for

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Speaker 1: his bride is amazing.

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Speaker 7: I'm just delighted that Bronte is feeling better and that

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Speaker 7: the pain isn't as bad today.

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Speaker 1: And I'm just.

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Speaker 7: Running that hot water bottle across, running little tea's like

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00:16:11,120 --> 00:16:13,720
Speaker 7: whatever I can, just trying to make it as comfortable

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Speaker 7: as possible. Haven't gone to the gym today, but that's

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Speaker 7: the sort of person I am.

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Speaker 1: Oh my gosh, has has manned the year been announced yet? Wow?

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Speaker 1: Because that's the guy.

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Speaker 2: Forget Koshi, I haven't got it today.

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Speaker 1: This is your guy right here. I was watching on

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Speaker 1: my social media because I kind of tuned out a

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Speaker 1: bit to Married at First Sight last night because there

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Speaker 1: seems to be a lot, a lot of smoke and

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00:16:36,840 --> 00:16:41,040
Speaker 1: no fire around this particular series. And I saw there's

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Speaker 1: a new show on seven thirty to nine on Channel seven.

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Speaker 1: It's called We Interrupt this broadcast. I've seen the proposal

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Speaker 1: into sketch comedy is back, and like, really, to make

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00:16:50,040 --> 00:16:52,840
Speaker 1: sketch comedy on TV these days is impossible.

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00:16:52,880 --> 00:16:56,120
Speaker 2: It's so hard, so hard, it's expensive, people are judgmental.

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00:16:56,400 --> 00:16:58,000
Speaker 2: By the time you make the sketch and it goes

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Speaker 2: to air, some period of time has passed, so you

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00:16:59,840 --> 00:17:01,800
Speaker 2: can be as current as you'd like. It's hard, but.

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Speaker 1: They had their take. They released their take on meretith

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00:17:05,320 --> 00:17:08,000
Speaker 1: First Sight on Instagram last night, and if this is

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Speaker 1: what we're going to be seeing from tonight, I say

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00:17:09,680 --> 00:17:11,040
Speaker 1: this is going to be a great show because I

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00:17:11,080 --> 00:17:12,160
Speaker 1: actually laughed at this.

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Speaker 5: I'm standing there, going to pass out from nerves, wondering

396
00:17:16,200 --> 00:17:21,080
Speaker 5: what I've got myself into, and then I turn around

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Speaker 5: and there's years Hi.

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00:17:27,240 --> 00:17:27,919
Speaker 1: The womanho's laugh.

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00:17:28,000 --> 00:17:28,600
Speaker 12: I'm going to ruin.

400
00:17:30,960 --> 00:17:34,239
Speaker 9: I have very deep seated self esteem issues that you

401
00:17:34,400 --> 00:17:36,320
Speaker 9: are going to exploit mercilessly.

402
00:17:36,880 --> 00:17:37,240
Speaker 2: Well.

403
00:17:38,640 --> 00:17:42,040
Speaker 5: I seem pretty nice on the surface, but I get

404
00:17:42,080 --> 00:17:43,840
Speaker 5: really toxic when anyone challenges my.

405
00:17:43,760 --> 00:17:47,240
Speaker 1: Worldview and I will internalize that and blame myself and

406
00:17:47,240 --> 00:17:48,200
Speaker 1: then crumble.

407
00:17:47,840 --> 00:17:48,400
Speaker 2: Into a heap.

408
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Speaker 1: I hope that's later on in the series.

409
00:17:52,119 --> 00:17:55,560
Speaker 2: No, it'll probably be like episode two if I know me.

410
00:17:56,240 --> 00:17:57,560
Speaker 8: Oh good good.

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00:17:57,800 --> 00:18:05,760
Speaker 1: So are we ready to get absolutely not. No, But

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00:18:06,280 --> 00:18:08,360
Speaker 1: I have a really pedestrian job. But I just want

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00:18:08,359 --> 00:18:09,920
Speaker 1: to start getting three things on Instagram.

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00:18:10,000 --> 00:18:13,200
Speaker 5: So I've been kicked off every dating app on the planet.

415
00:18:13,400 --> 00:18:19,480
Speaker 10: So Stewart, Yeah, Well, by the fake power invested in

416
00:18:19,560 --> 00:18:23,240
Speaker 10: me by this reality TV show, I now pronounce you

417
00:18:23,600 --> 00:18:25,920
Speaker 10: bottom tier D list celebrities.

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00:18:28,600 --> 00:18:30,359
Speaker 1: That's excellent, is correct?

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00:18:30,440 --> 00:18:31,440
Speaker 2: That is excellent.

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Speaker 1: That's seven point thirty tonight on Channel Sex Brilliant podcast.

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00:18:37,000 --> 00:18:39,439
Speaker 2: Well, the last time we saw this man Mitch Tambo,

422
00:18:39,520 --> 00:18:41,960
Speaker 2: who was performing at the Australian Radio Awards, which we

423
00:18:42,000 --> 00:18:45,920
Speaker 2: hosted last year. He opened the show with this incredible performance.

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00:18:45,960 --> 00:18:47,359
Speaker 2: You may have seen him do this. It was an

425
00:18:47,400 --> 00:18:51,159
Speaker 2: incredible hit for him. It's this first nation's language version

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00:18:51,400 --> 00:19:00,879
Speaker 2: of You're the Voice Electrofied. Well, Mitch has turned his

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00:19:01,000 --> 00:19:04,160
Speaker 2: considerable talents to another song you might recognize. Have a listen,

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00:19:14,600 --> 00:19:18,879
Speaker 2: Oh Goosebump's hearing that. It's amazing, Mitch joins us. Now,

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00:19:19,080 --> 00:19:24,000
Speaker 2: Mitch Tamba, Hello, yum me, I'm a good morning morning.

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Speaker 2: What a perfect song for you? Well, how did you

431
00:19:27,080 --> 00:19:27,840
Speaker 2: choose this one?

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00:19:30,040 --> 00:19:30,200
Speaker 8: Oh?

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00:19:30,240 --> 00:19:31,840
Speaker 4: It's just one of them things, isn't it. You know,

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00:19:32,000 --> 00:19:35,679
Speaker 4: life happens and things unsold, and you just never know

435
00:19:35,720 --> 00:19:38,040
Speaker 4: what's around the corner, And all of a sudden, here

436
00:19:38,080 --> 00:19:42,480
Speaker 4: I was in a studio with incredible Reagan doing a

437
00:19:42,520 --> 00:19:45,640
Speaker 4: reinterpretation of such an iconic classic, you know, And it's

438
00:19:45,640 --> 00:19:48,399
Speaker 4: just been such a such a journey already with this

439
00:19:48,440 --> 00:19:50,639
Speaker 4: incredible song, and just such a blessing to have it

440
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Speaker 4: out right now.

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00:19:52,760 --> 00:19:54,520
Speaker 2: I don't think anyone would forget seeing you on the

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00:19:54,560 --> 00:19:57,320
Speaker 2: stage in twenty twenty for the Firefight concert singing You're

443
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Speaker 2: the Voice with John Farnham living in John Brian from

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00:20:00,440 --> 00:20:04,480
Speaker 2: Queen electrifying for all of us. Did life change a

445
00:20:04,480 --> 00:20:06,320
Speaker 2: bit for you? When all of us jowly went, oh

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00:20:06,359 --> 00:20:07,880
Speaker 2: my god, that's incredible.

447
00:20:08,880 --> 00:20:11,480
Speaker 4: It's really crazy, isn't it, Because it was such a

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00:20:11,560 --> 00:20:15,080
Speaker 4: moment for myself and for my career. But what no

449
00:20:15,119 --> 00:20:17,240
Speaker 4: one would anticipate is, you know, a couple of months

450
00:20:17,240 --> 00:20:19,400
Speaker 4: after that, I'd be locked down in the most lockdown

451
00:20:19,440 --> 00:20:23,080
Speaker 4: city in the world for two years. So it's been

452
00:20:23,119 --> 00:20:24,560
Speaker 4: a crazy journey, that's just sure.

453
00:20:24,680 --> 00:20:26,879
Speaker 1: Because you want to get out there on tour the

454
00:20:27,000 --> 00:20:29,640
Speaker 1: song and you're locked down, it'd be so frustrating.

455
00:20:30,359 --> 00:20:31,040
Speaker 4: Oh totally.

456
00:20:31,080 --> 00:20:31,280
Speaker 1: You know.

457
00:20:31,320 --> 00:20:35,040
Speaker 4: It was heartbreaking, but it's not something that was directed

458
00:20:35,040 --> 00:20:37,359
Speaker 4: at me, and we all went through it and it

459
00:20:37,440 --> 00:20:39,440
Speaker 4: was just about I guess, how much do you really

460
00:20:39,440 --> 00:20:41,119
Speaker 4: believe and love what you do and how long are

461
00:20:41,119 --> 00:20:44,199
Speaker 4: you really doing the hold on for to see what

462
00:20:44,280 --> 00:20:47,760
Speaker 4: will unfold? And fortunately enough, with a supportive wife and

463
00:20:47,880 --> 00:20:50,560
Speaker 4: great fam we're able to just hold on and get

464
00:20:50,560 --> 00:20:54,160
Speaker 4: through it. And here we are now with another song out.

465
00:20:54,240 --> 00:20:56,840
Speaker 2: So yeah, well, obviously you kept yourself busy during lockdown.

466
00:20:56,880 --> 00:20:58,760
Speaker 2: You've got a one year old crawling around the house,

467
00:21:00,080 --> 00:21:00,440
Speaker 2: sure do.

468
00:21:02,200 --> 00:21:04,959
Speaker 4: She's on her feet now, she's running around keeping its

469
00:21:05,000 --> 00:21:07,600
Speaker 4: busy and you know that that in itself has been

470
00:21:08,000 --> 00:21:09,400
Speaker 4: an incredible journey for sure.

471
00:21:09,480 --> 00:21:10,040
Speaker 8: Yeah.

472
00:21:10,080 --> 00:21:12,520
Speaker 1: And you've done some great work with UNISEF as well,

473
00:21:12,560 --> 00:21:14,880
Speaker 1: and a lot of people probably aren't aware of what

474
00:21:14,920 --> 00:21:18,640
Speaker 1: you've done. You've done some amazing stuff. What have you seen?

475
00:21:19,720 --> 00:21:21,720
Speaker 1: What can you share with us that you've seen recently?

476
00:21:23,040 --> 00:21:26,600
Speaker 4: Yeah? Look, I mean unis obviously it's a great, great

477
00:21:26,680 --> 00:21:30,080
Speaker 4: organization and do an amazing thing. I mean, so many

478
00:21:30,160 --> 00:21:34,320
Speaker 4: things have happened globally and nationally since I jumped on

479
00:21:34,320 --> 00:21:35,800
Speaker 4: board with UNISEFF, and they're doing.

480
00:21:35,600 --> 00:21:36,440
Speaker 6: Some amazing things.

481
00:21:36,440 --> 00:21:38,680
Speaker 4: But for me, it's really about giving back and being

482
00:21:38,720 --> 00:21:42,040
Speaker 4: able to go out into remote regional communities and play

483
00:21:42,119 --> 00:21:45,000
Speaker 4: my part with my own people and own communities. But

484
00:21:46,280 --> 00:21:50,280
Speaker 4: un obviously it's across everything and doing some amazing things, because.

485
00:21:50,520 --> 00:21:52,440
Speaker 1: There are tough times at the moment with what's going

486
00:21:52,440 --> 00:21:55,800
Speaker 1: on in Alice Springs and things like that. And I

487
00:21:55,840 --> 00:21:57,680
Speaker 1: never made it Talis Springs. I almost got a job

488
00:21:57,720 --> 00:22:00,919
Speaker 1: there one time many years ago. But when what you

489
00:22:01,000 --> 00:22:04,199
Speaker 1: read in the newspapers to what's actually happening, have you

490
00:22:04,200 --> 00:22:04,879
Speaker 1: seen any of that?

491
00:22:06,720 --> 00:22:09,200
Speaker 4: Yeah, I mean, look what you're read in the newspaper

492
00:22:09,760 --> 00:22:12,000
Speaker 4: to what goes on is always going to be a

493
00:22:12,040 --> 00:22:15,120
Speaker 4: bit of you know, at someone else's opinion in their

494
00:22:15,119 --> 00:22:18,240
Speaker 4: writing and obviously want people to read as well. But yeah, certainly, Look,

495
00:22:18,280 --> 00:22:22,159
Speaker 4: there's things that happening in Alice that I think happened

496
00:22:22,160 --> 00:22:25,560
Speaker 4: in all of our communities. But obviously sometimes it can

497
00:22:25,640 --> 00:22:29,160
Speaker 4: be a bit more isolated and a bit more intense

498
00:22:29,680 --> 00:22:33,960
Speaker 4: due to so many contributing factors and social determinants that

499
00:22:34,320 --> 00:22:37,359
Speaker 4: you know, you find the remote, rural, isolated community that

500
00:22:37,440 --> 00:22:42,160
Speaker 4: can be completely overrepresented. So I think, you know, unfortunately,

501
00:22:42,240 --> 00:22:44,359
Speaker 4: not everyone gets the opportunity like yourself to go in

502
00:22:44,400 --> 00:22:46,080
Speaker 4: and have a lived experience.

503
00:22:46,400 --> 00:22:49,000
Speaker 6: On the ground. But we've just got to hope that

504
00:22:50,160 --> 00:22:52,040
Speaker 6: there's going to be some results and that we can

505
00:22:52,080 --> 00:22:54,359
Speaker 6: get a bit of a turnaround. At the end of

506
00:22:54,400 --> 00:22:57,119
Speaker 6: the day, we just want what's best for people and

507
00:22:57,160 --> 00:22:57,840
Speaker 6: for humanity.

508
00:22:58,359 --> 00:23:00,400
Speaker 2: Well, good on you, Mitch, and that's so on great

509
00:23:00,400 --> 00:23:02,280
Speaker 2: southern man. Let's hear another bit of that here.

510
00:23:02,440 --> 00:23:08,080
Speaker 1: I love it. It's so gorgeous. You know, mischell, how

511
00:23:08,080 --> 00:23:10,400
Speaker 1: you're doing all these oussy songs. Have you ever thought

512
00:23:10,680 --> 00:23:13,720
Speaker 1: maybe rack Off Normy by Maureen Elkner. It was a

513
00:23:13,720 --> 00:23:14,960
Speaker 1: big hit in the seventies.

514
00:23:17,359 --> 00:23:21,159
Speaker 4: A three years ago, I'd probably be a closed book.

515
00:23:22,440 --> 00:23:23,000
Speaker 11: On a journey.

516
00:23:23,080 --> 00:23:25,200
Speaker 4: At the moment, I think I've been on that journey

517
00:23:26,119 --> 00:23:28,320
Speaker 4: taking on the older voice that gave me enough things.

518
00:23:28,760 --> 00:23:31,080
Speaker 4: So at the moment, I'm just I'm happy to be

519
00:23:31,119 --> 00:23:34,680
Speaker 4: an open book and explore, explore opportunity.

520
00:23:34,119 --> 00:23:36,560
Speaker 2: You know, for a free If someone asked you to

521
00:23:36,600 --> 00:23:41,680
Speaker 2: do rack Off Normy by Mauren Elkner. Maybe say no

522
00:23:43,119 --> 00:23:43,680
Speaker 2: on Spotify.

523
00:23:44,359 --> 00:23:46,000
Speaker 1: You're probably too young to remember it.

524
00:23:46,080 --> 00:23:48,280
Speaker 4: But I don't know it at all. But you know,

525
00:23:48,320 --> 00:23:49,400
Speaker 4: I'm just going to keep open.

526
00:23:50,000 --> 00:23:52,720
Speaker 1: It's probably worth having a gand rat mate. I'd just

527
00:23:52,760 --> 00:23:54,520
Speaker 1: like to see how you do how you do the

528
00:23:54,600 --> 00:23:58,360
Speaker 1: lingo for it would be I think it'd be quite impressive.

529
00:23:58,720 --> 00:24:01,439
Speaker 1: Great something like you said me up, Well, no, it's Amanda.

530
00:24:01,480 --> 00:24:04,360
Speaker 1: It's all Amanda. Great. Southern Lander's out now to download

531
00:24:04,440 --> 00:24:07,640
Speaker 1: or stream or whatever platform you get your music from. iHeartRadio,

532
00:24:07,680 --> 00:24:10,480
Speaker 1: for example, Mitch Tambo, thank you for joining us.

533
00:24:11,359 --> 00:24:13,360
Speaker 4: Well, thank you so much for getting me off nice

534
00:24:13,359 --> 00:24:15,920
Speaker 4: and early, and I appreciate it.

535
00:24:16,480 --> 00:24:17,440
Speaker 2: Mtch appreciate it.

536
00:24:17,560 --> 00:24:22,200
Speaker 1: Sure vision. Right now, what's the free money?

537
00:24:22,280 --> 00:24:28,159
Speaker 2: Eastern and Amanda's scream.

538
00:24:28,320 --> 00:24:30,919
Speaker 1: You have ten questions sixty seconds on the clock. You

539
00:24:30,920 --> 00:24:32,960
Speaker 1: can pass if you don't know an answer. We'll come

540
00:24:33,040 --> 00:24:35,480
Speaker 1: back to that question if time permits. If you get

541
00:24:35,520 --> 00:24:38,120
Speaker 1: all the questions right, you will win one thousand dollars.

542
00:24:38,160 --> 00:24:41,200
Speaker 1: But wait, there's more. You get all ten questions correct,

543
00:24:41,520 --> 00:24:44,760
Speaker 1: you can double your one thousand dollars with just one

544
00:24:44,800 --> 00:24:47,920
Speaker 1: more question. You get that right, you get two thousand dollars.

545
00:24:47,920 --> 00:24:49,440
Speaker 1: You get it wrong though, you get nothing. But I'll

546
00:24:49,440 --> 00:24:51,679
Speaker 1: say this right now to you, Mick A vingele.

547
00:24:51,480 --> 00:24:54,679
Speaker 4: Burn I, meck Ah, Amanda, here you going.

548
00:24:54,560 --> 00:24:55,600
Speaker 6: Hi, jay Z Mick.

549
00:24:56,560 --> 00:25:00,159
Speaker 1: This is so easy, don't you know? I swear I

550
00:25:00,160 --> 00:25:03,720
Speaker 1: get anxious when you don't get this? What do I'll

551
00:25:03,720 --> 00:25:07,000
Speaker 1: do something I hate doing. If you don't get this right,

552
00:25:08,080 --> 00:25:11,080
Speaker 1: skip to work. I love skipping to work.

553
00:25:12,119 --> 00:25:14,160
Speaker 2: I will do well. You'd have to go to something

554
00:25:14,160 --> 00:25:16,439
Speaker 2: you don't like and sit like go and sit in.

555
00:25:16,440 --> 00:25:20,240
Speaker 1: The front row of Mama Mia, that musical, that dreadful

556
00:25:20,240 --> 00:25:22,439
Speaker 1: abb of musical. I know that you can do this.

557
00:25:22,480 --> 00:25:23,760
Speaker 1: If you don't get this right.

558
00:25:23,600 --> 00:25:25,480
Speaker 2: Jones is going to so am I hearing you say

559
00:25:25,520 --> 00:25:25,960
Speaker 2: this correctly?

560
00:25:26,000 --> 00:25:28,480
Speaker 1: If Mick doesn't his mum coming to town.

561
00:25:28,640 --> 00:25:31,199
Speaker 2: Yes, it is the whole new production. Meg Come on,

562
00:25:31,280 --> 00:25:32,320
Speaker 2: are you going to sit in the crowd?

563
00:25:32,440 --> 00:25:35,280
Speaker 1: I'll sit up the front with a big happy face.

564
00:25:36,080 --> 00:25:37,439
Speaker 2: Because Mick doesn't get it.

565
00:25:37,480 --> 00:25:38,680
Speaker 1: I won't be happy inside.

566
00:25:38,800 --> 00:25:40,399
Speaker 2: But well, Mick, let's see how we go.

567
00:25:40,680 --> 00:25:42,760
Speaker 1: And Amanda could attest to my hatred of that. Remember

568
00:25:42,760 --> 00:25:45,199
Speaker 1: when I saw the movie what did I do in

569
00:25:45,240 --> 00:25:48,000
Speaker 1: the first fifteen he swore, I swore out loud.

570
00:25:48,040 --> 00:25:50,000
Speaker 2: And I was enjoying it and you were so rude.

571
00:25:50,080 --> 00:25:52,840
Speaker 1: It was just I just had we had to were

572
00:25:52,840 --> 00:25:55,680
Speaker 1: talking to your boyfriend Colin Firth. Yeah, and he when

573
00:25:55,720 --> 00:25:58,080
Speaker 1: we interviewed him, he wasn't happy. He was he was

574
00:25:58,119 --> 00:25:58,520
Speaker 1: a shame.

575
00:25:58,640 --> 00:26:01,720
Speaker 2: Oh you've rewritten his so bad mixed trying to.

576
00:26:01,680 --> 00:26:04,240
Speaker 1: Focus, Mick. We've got a lot on the line here, Mick.

577
00:26:04,960 --> 00:26:09,080
Speaker 2: Ten seconds, sixty seconds and if you if you're not sure,

578
00:26:09,200 --> 00:26:10,960
Speaker 2: say pass them. We'll come back up. We've got time.

579
00:26:11,119 --> 00:26:13,240
Speaker 2: Do it, all right, Mick, Let's do it. Question one.

580
00:26:13,920 --> 00:26:17,919
Speaker 2: Hydrangers are a type of what hellower? Question two? What

581
00:26:17,960 --> 00:26:23,360
Speaker 2: do you call a baby bear? Question three? Agent double

582
00:26:23,400 --> 00:26:24,680
Speaker 2: O seven is also known as.

583
00:26:24,600 --> 00:26:27,080
Speaker 4: Who Jane Bond?

584
00:26:27,240 --> 00:26:27,840
Speaker 2: Question four?

585
00:26:27,920 --> 00:26:28,320
Speaker 10: What are the.

586
00:26:28,280 --> 00:26:29,560
Speaker 2: Mobile phones by Apple?

587
00:26:29,680 --> 00:26:32,399
Speaker 1: Called I Phone?

588
00:26:32,560 --> 00:26:34,480
Speaker 2: Question five? What flavor is the drink?

589
00:26:34,560 --> 00:26:34,879
Speaker 1: Solo?

590
00:26:36,680 --> 00:26:37,000
Speaker 8: Helen?

591
00:26:37,320 --> 00:26:39,480
Speaker 2: Question six? In which city would you find the Eiffel Tower?

592
00:26:41,600 --> 00:26:43,879
Speaker 2: Parate Question seven? Four and twenty are known for what

593
00:26:43,920 --> 00:26:48,359
Speaker 2: food item hi? Question eight? Who played the main character

594
00:26:48,440 --> 00:26:49,880
Speaker 2: Vivian in the Movie's Pretty Woman?

595
00:26:52,480 --> 00:26:53,480
Speaker 8: Jilli Botch.

596
00:26:55,200 --> 00:26:55,520
Speaker 2: Julia?

597
00:26:55,560 --> 00:26:57,719
Speaker 8: Who Jillie Bobbitts?

598
00:26:58,320 --> 00:27:03,440
Speaker 2: Question nine? Fitness versus a chain of what? Question ten.

599
00:27:03,520 --> 00:27:08,399
Speaker 2: Alf Stewart is a character on which TV show you,

600
00:27:10,359 --> 00:27:12,600
Speaker 2: Mick Jones, he doesn't have to see Mama, May.

601
00:27:12,560 --> 00:27:15,480
Speaker 1: I've got you, said Julian Morrison. She can do it.

602
00:27:16,720 --> 00:27:20,520
Speaker 2: Wow, Oh, Mick, this is exciting. We're very relieved now.

603
00:27:20,840 --> 00:27:23,520
Speaker 1: Like if Mick takes this option, if he gets it wrong,

604
00:27:23,560 --> 00:27:24,600
Speaker 1: it doesn't matter, it doesn't.

605
00:27:24,400 --> 00:27:26,760
Speaker 2: You're off the hook, Brendan. But here's what happens with you, Mick.

606
00:27:26,800 --> 00:27:29,960
Speaker 2: This is very exciting. You have a thousand dollars. You

607
00:27:29,960 --> 00:27:32,080
Speaker 2: can take that money and enjoy that one thousand dollars

608
00:27:32,160 --> 00:27:35,480
Speaker 2: any way you like, or with one more question. And

609
00:27:35,520 --> 00:27:38,040
Speaker 2: it's not a trick question. It's a similar cadence of question,

610
00:27:38,440 --> 00:27:42,439
Speaker 2: similar level. You can get two thousand dollars by answering

611
00:27:42,440 --> 00:27:44,720
Speaker 2: that correctly. If you don't get it right, you walk

612
00:27:44,760 --> 00:27:45,440
Speaker 2: away with nothing.

613
00:27:45,560 --> 00:27:47,679
Speaker 1: You know what, I'll double down on this if you

614
00:27:47,720 --> 00:27:50,199
Speaker 1: get this wrong. If you get this wrong, I'll go

615
00:27:50,200 --> 00:27:51,960
Speaker 1: to mom and me because I'm telling you you'll get

616
00:27:51,960 --> 00:27:53,880
Speaker 1: this right. Mick. I know you'll get this wrong.

617
00:27:53,880 --> 00:27:55,960
Speaker 2: Oh, Mix, you know you'll double your money? Or do

618
00:27:56,000 --> 00:27:57,520
Speaker 2: you want to leave with a thousand dollars?

619
00:27:58,640 --> 00:27:58,760
Speaker 8: Now?

620
00:27:58,880 --> 00:27:59,879
Speaker 4: Let's go Brett.

621
00:28:01,240 --> 00:28:07,359
Speaker 2: To ol Dick online? All right, Mick for to turn

622
00:28:07,400 --> 00:28:11,800
Speaker 2: your one thousand dollars into two thousand dollars. Actress Kate

623
00:28:11,840 --> 00:28:21,280
Speaker 2: Blanchette was born in which country? Yes, two thousand dollars

624
00:28:21,280 --> 00:28:24,680
Speaker 2: for you, Mick Jones, he doesn't have to see mom

625
00:28:24,760 --> 00:28:24,920
Speaker 2: with me.

626
00:28:26,040 --> 00:28:27,000
Speaker 1: Make I kiss you.

627
00:28:29,720 --> 00:28:31,720
Speaker 2: Mike, You're going to go to see Mama. Me yourself.

628
00:28:33,119 --> 00:28:36,000
Speaker 2: Congratuke two thousand dollars.

629
00:28:36,760 --> 00:28:37,400
Speaker 1: You are a chap.

630
00:28:37,440 --> 00:28:38,600
Speaker 11: Thank you, Thank you very much.

631
00:28:39,080 --> 00:28:40,320
Speaker 1: Thanks for not letting me down.

632
00:28:40,360 --> 00:28:40,600
Speaker 2: Brother.

633
00:28:40,800 --> 00:28:41,840
Speaker 1: That's how it goes.

634
00:28:43,000 --> 00:28:47,160
Speaker 2: We can all breathe. It finally went off two grand excellent.

635
00:28:48,480 --> 00:28:51,360
Speaker 1: USFM. Hello there, it's Jones, you Demanda, thanks to jet Star.

636
00:28:51,760 --> 00:28:55,080
Speaker 1: I'm still I don't like making bets. I'm just glad.

637
00:28:55,080 --> 00:28:57,560
Speaker 1: There's nothing better when you make a bet and then

638
00:28:57,920 --> 00:28:58,560
Speaker 1: you win the bed.

639
00:28:58,640 --> 00:29:00,600
Speaker 2: Well, no one forced you to make this now, I just.

640
00:29:00,560 --> 00:29:03,520
Speaker 1: I really wanted people to win Instagram, and Mick did it,

641
00:29:03,800 --> 00:29:05,760
Speaker 1: and he doubled his money. He got two thousand dollars

642
00:29:05,840 --> 00:29:07,280
Speaker 1: and I don't have to go and see Mamma.

643
00:29:07,280 --> 00:29:07,520
Speaker 8: Maya.

644
00:29:08,960 --> 00:29:12,840
Speaker 2: Everyone wins, Brendan, everyone wins. We ask you this if

645
00:29:12,880 --> 00:29:15,960
Speaker 2: you're in a long distance relationship and you're talking to

646
00:29:16,000 --> 00:29:18,440
Speaker 2: someone on the phone, your partner, your long distance partner,

647
00:29:19,000 --> 00:29:23,800
Speaker 2: and you love you love your kissy, kissy kissy. Would

648
00:29:23,840 --> 00:29:27,440
Speaker 2: you pay money to have a device that would replicate

649
00:29:27,520 --> 00:29:31,120
Speaker 2: their kiss because that's what's been invented.

650
00:29:31,760 --> 00:29:34,440
Speaker 1: Of course, of course it happens. I would pay money.

651
00:29:34,520 --> 00:29:36,800
Speaker 2: What sort of device, I'll tell you. It's a Chinese

652
00:29:36,840 --> 00:29:39,640
Speaker 2: contraption with wam moving silicon lips.

653
00:29:39,880 --> 00:29:42,200
Speaker 1: It's not connected straight to a wu han lab isness.

654
00:29:42,800 --> 00:29:47,520
Speaker 2: I don't know what you call your area. The device

655
00:29:48,200 --> 00:29:51,400
Speaker 2: has been advertised so couples can share real physical intimacy,

656
00:29:52,440 --> 00:29:56,360
Speaker 2: and supposedly you kiss your end of mid right, and.

657
00:29:56,280 --> 00:30:01,680
Speaker 13: Then it's used inappropriately, I thought, But I bet they're

658
00:30:01,800 --> 00:30:04,200
Speaker 13: just it probably just mimics mouth movements and the other

659
00:30:04,240 --> 00:30:06,840
Speaker 13: person does the same, something like you've your movements is

660
00:30:06,880 --> 00:30:10,120
Speaker 13: replicated in theirs, although you have to download a mobile

661
00:30:10,160 --> 00:30:12,800
Speaker 13: phone app, plug the device into the phone's charging port,

662
00:30:13,160 --> 00:30:16,000
Speaker 13: pair it up with your there app, et cetera, et cetera,

663
00:30:16,080 --> 00:30:16,520
Speaker 13: And it's.

664
00:30:16,400 --> 00:30:18,920
Speaker 2: Just this mouth. I don't think there's there's no tongue involved.

665
00:30:18,960 --> 00:30:21,560
Speaker 2: Look at the picture. It's like like a silicon mouth.

666
00:30:21,880 --> 00:30:24,200
Speaker 1: Yeah, it looks like a man's mouth, a man's mouth.

667
00:30:24,200 --> 00:30:26,440
Speaker 2: Well, maybe that's the man version. And someone else gets

668
00:30:26,440 --> 00:30:29,960
Speaker 2: the woman's version. Some people have said it's vulgar and creepy.

669
00:30:30,160 --> 00:30:31,240
Speaker 2: Other people have said.

670
00:30:31,320 --> 00:30:34,080
Speaker 1: I like it.

671
00:30:36,240 --> 00:30:39,080
Speaker 2: I don't know about Charles and Camilla. Imagine what you'd

672
00:30:39,080 --> 00:30:39,840
Speaker 2: have to replicate that.

673
00:30:43,680 --> 00:30:44,000
Speaker 1: Tongue.

674
00:30:44,040 --> 00:30:45,800
Speaker 2: If I know there's no tongue, I said that.

675
00:30:45,760 --> 00:30:47,400
Speaker 1: So it's just closed mouth.

676
00:30:47,440 --> 00:30:49,400
Speaker 2: I think it's a closed mouth. You know who would

677
00:30:49,400 --> 00:30:55,080
Speaker 2: have enjoyed this, My teenage self. When you've seen movies

678
00:30:55,160 --> 00:30:57,280
Speaker 2: you read about kissing, you don't know what it is.

679
00:30:57,360 --> 00:30:59,120
Speaker 2: You don't know if you're any good at it, so

680
00:30:59,160 --> 00:31:01,800
Speaker 2: you need to practice on things. I would have liked

681
00:31:01,800 --> 00:31:02,320
Speaker 2: one of these.

682
00:31:02,680 --> 00:31:05,880
Speaker 1: I always get a vivid flashback to the big tongue

683
00:31:05,960 --> 00:31:10,280
Speaker 1: kiss thing when I witnessed my mate going to town

684
00:31:10,440 --> 00:31:13,480
Speaker 1: with this girl like tongue passion when we're like about

685
00:31:13,480 --> 00:31:15,760
Speaker 1: twelve or something. Oh my gosh, it was so weird.

686
00:31:15,760 --> 00:31:17,400
Speaker 1: I'm going, why did he learn to do that?

687
00:31:17,560 --> 00:31:19,280
Speaker 2: And who wants to age?

688
00:31:19,560 --> 00:31:21,479
Speaker 1: How did he learn to do and she was just

689
00:31:21,680 --> 00:31:23,800
Speaker 1: it was like it just happened.

690
00:31:23,880 --> 00:31:26,040
Speaker 2: Well. Also, I remember the first time someone stuck their

691
00:31:26,040 --> 00:31:28,600
Speaker 2: tongue in my what did you think? I was horrified

692
00:31:29,040 --> 00:31:31,959
Speaker 2: because I thought it would be this sweet, romantic smooch.

693
00:31:32,040 --> 00:31:33,880
Speaker 2: But a tongue in the mouth was just something terror

694
00:31:33,880 --> 00:31:34,920
Speaker 2: clean my teeth all night.

695
00:31:36,840 --> 00:31:38,280
Speaker 1: But with this, how old were here?

696
00:31:38,720 --> 00:31:41,000
Speaker 2: Oh, probably about sixteen? Terrible, isn't it. I was a

697
00:31:41,040 --> 00:31:41,880
Speaker 2: very late bloomer.

698
00:31:42,000 --> 00:31:45,240
Speaker 1: Yeah, but still this and you just didn't expect.

699
00:31:44,880 --> 00:31:49,600
Speaker 2: It or no, we'd been out on a so called date.

700
00:31:51,120 --> 00:31:55,640
Speaker 1: I remember my first tongue kiss was. I was at

701
00:31:55,680 --> 00:31:59,360
Speaker 1: the speedway and there was this girl there that I

702
00:31:59,440 --> 00:32:01,720
Speaker 1: kind of knew, and she said, hi, how are you?

703
00:32:01,800 --> 00:32:05,000
Speaker 1: And I went to kiss her like in a nice

704
00:32:05,080 --> 00:32:08,120
Speaker 1: like hello, how are you? But I tripped over and

705
00:32:08,160 --> 00:32:08,720
Speaker 1: my mind.

706
00:32:08,880 --> 00:32:14,000
Speaker 2: Calm on, kid kisses another kid on the cheek, kiss

707
00:32:14,000 --> 00:32:16,320
Speaker 2: on the check. It's only a tongue landed in her mouth,

708
00:32:16,560 --> 00:32:16,960
Speaker 2: Come on.

709
00:32:17,680 --> 00:32:20,520
Speaker 1: And then but she took that as like something more

710
00:32:20,680 --> 00:32:23,040
Speaker 1: so she just opened her mouth and it just worked.

711
00:32:24,200 --> 00:32:27,000
Speaker 2: I don't believe it's sentences. I like to hear her

712
00:32:27,080 --> 00:32:27,840
Speaker 2: version of events.

713
00:32:27,880 --> 00:32:29,200
Speaker 1: It's true. It's true.

714
00:32:29,200 --> 00:32:32,880
Speaker 2: When I was younger, I would practice kissing on an orange,

715
00:32:33,240 --> 00:32:34,720
Speaker 2: just you know, I'd cut a hole into the top

716
00:32:34,760 --> 00:32:36,400
Speaker 2: of it and practice kissing, or I'd do it in

717
00:32:36,440 --> 00:32:38,840
Speaker 2: the mirror. I kiss the mirror to see if I

718
00:32:38,840 --> 00:32:40,720
Speaker 2: could see how I looked kissing the mirror.

719
00:32:40,840 --> 00:32:44,880
Speaker 1: Would you look mental because you're kissing yourself for a start?

720
00:32:45,200 --> 00:32:49,240
Speaker 2: Win, I should be so lucky.

721
00:32:49,480 --> 00:32:50,520
Speaker 1: It's a glass.

722
00:32:51,120 --> 00:32:54,320
Speaker 2: I understand what a mirror is, Brendan. I can't drip

723
00:32:54,360 --> 00:33:00,640
Speaker 2: over and land on a mirror. A tongue open open well,

724
00:33:00,720 --> 00:33:02,480
Speaker 2: I would have loved one of these because I could

725
00:33:02,520 --> 00:33:04,840
Speaker 2: have just practiced and that would have been enough. I

726
00:33:04,840 --> 00:33:05,640
Speaker 2: didn't need a boyfriend.

727
00:33:05,680 --> 00:33:06,479
Speaker 1: I just need that.

728
00:33:06,520 --> 00:33:09,200
Speaker 2: You wouldn't need that and a pillow to cardlesty even.

729
00:33:09,040 --> 00:33:12,360
Speaker 1: Now, living at home by yourself.

730
00:33:13,000 --> 00:33:17,160
Speaker 2: Che kissing device. At least the oranges would go unmolested.

731
00:33:17,720 --> 00:33:20,240
Speaker 1: Four orangers. They're still telling stories now.

732
00:33:22,320 --> 00:33:23,440
Speaker 2: She went for my navel.

733
00:33:25,640 --> 00:33:30,360
Speaker 1: It's got appeal, okay. Thirteen w travel drum would be.

734
00:33:32,600 --> 00:33:37,200
Speaker 2: What did you practice kissing on? What did you practice

735
00:33:37,280 --> 00:33:40,080
Speaker 2: kissing on? Did you trip over and land on a human?

736
00:33:44,680 --> 00:33:46,160
Speaker 1: If you're a man of the match, what about this?

737
00:33:46,320 --> 00:33:48,640
Speaker 1: Three hundred dollars to spend a babes to Dessert Bar

738
00:33:49,000 --> 00:33:55,600
Speaker 1: world famous desserts and babies to Paramatter and Brightless Hands podcast.

739
00:33:55,880 --> 00:33:58,720
Speaker 1: Thanks to you, Amanda, We've got the news about the

740
00:33:58,840 --> 00:34:02,840
Speaker 1: Chinese kissing device that sends smooches over the interest.

741
00:34:02,840 --> 00:34:05,160
Speaker 2: This is how they've marketed it that you buy this

742
00:34:05,720 --> 00:34:08,600
Speaker 2: silicon mouth in a tube, the mouse hanging out at

743
00:34:08,600 --> 00:34:11,759
Speaker 2: the end of a tube. You have one, your long

744
00:34:11,800 --> 00:34:15,040
Speaker 2: distance partner has one. You download a mobile phone app,

745
00:34:15,080 --> 00:34:17,440
Speaker 2: plug the device into your phone's charging port. They do

746
00:34:17,520 --> 00:34:19,960
Speaker 2: the same. You match up and you smooth it. I

747
00:34:20,000 --> 00:34:23,680
Speaker 2: think it just moves its lips around. There one does

748
00:34:23,719 --> 00:34:26,360
Speaker 2: the same, and you imagine it's each other. I'm picturing

749
00:34:26,400 --> 00:34:28,400
Speaker 2: that's how it goes so sexy.

750
00:34:28,600 --> 00:34:30,239
Speaker 1: You used to practice on an orange.

751
00:34:30,440 --> 00:34:32,239
Speaker 2: I would have liked this as a teenager, because you

752
00:34:32,280 --> 00:34:34,480
Speaker 2: wonder what's kissing like? Will I be any good? How

753
00:34:34,520 --> 00:34:36,399
Speaker 2: can I practice so that I'm good at it when

754
00:34:36,400 --> 00:34:39,440
Speaker 2: I need to be? And so I practice on an orange?

755
00:34:39,520 --> 00:34:41,520
Speaker 2: No complaints on a mirror.

756
00:34:42,120 --> 00:34:44,480
Speaker 1: I don't know about the mirror. I didn't practice on anything.

757
00:34:44,520 --> 00:34:45,080
Speaker 1: I don't think.

758
00:34:45,239 --> 00:34:47,440
Speaker 2: Well, you said you fell over and landed on someone's

759
00:34:47,480 --> 00:34:49,399
Speaker 2: mouth your tongue when.

760
00:34:49,360 --> 00:34:54,080
Speaker 1: It and I wasn't at school. Now it just happened.

761
00:34:54,520 --> 00:34:55,160
Speaker 2: It just happens.

762
00:34:56,040 --> 00:34:58,680
Speaker 1: It happens. Of course, the tribal drama's beating for this.

763
00:34:58,920 --> 00:35:02,839
Speaker 2: Maybe girls overthink, yeah, what did you practice kissing?

764
00:35:03,239 --> 00:35:05,399
Speaker 1: And having said that, maybe that the girls when they

765
00:35:06,000 --> 00:35:07,839
Speaker 1: they know what to get? Do you know what I mean?

766
00:35:08,160 --> 00:35:10,839
Speaker 1: Someone has to know what they're doing, imagine like you know.

767
00:35:11,040 --> 00:35:13,040
Speaker 2: No, I don't think anyone does, but girls maybe are

768
00:35:13,040 --> 00:35:17,080
Speaker 2: the only ones that think about will I be any good? Hello? Jennifer?

769
00:35:17,120 --> 00:35:18,759
Speaker 2: How are you?

770
00:35:20,160 --> 00:35:20,279
Speaker 8: What?

771
00:35:20,320 --> 00:35:26,200
Speaker 2: Did you practice your kissing on my kneecap? Your knee cap?

772
00:35:27,280 --> 00:35:28,440
Speaker 2: How did you get to it?

773
00:35:30,680 --> 00:35:31,520
Speaker 1: I used to sit.

774
00:35:31,400 --> 00:35:33,480
Speaker 11: Down like and pull my knees up to my chest

775
00:35:33,560 --> 00:35:34,920
Speaker 11: and there's not practice away.

776
00:35:35,920 --> 00:35:37,640
Speaker 1: And did you go in between the crack of your

777
00:35:37,680 --> 00:35:40,920
Speaker 1: knees or just the top of it, the top of

778
00:35:40,920 --> 00:35:41,239
Speaker 1: the nail.

779
00:35:41,400 --> 00:35:44,120
Speaker 2: And did you pull the knee skin so it formed

780
00:35:44,160 --> 00:35:44,760
Speaker 2: like a mouth?

781
00:35:45,960 --> 00:35:46,200
Speaker 14: No?

782
00:35:46,440 --> 00:35:49,440
Speaker 11: Well, my knees right?

783
00:35:53,680 --> 00:35:55,200
Speaker 1: Can you still do it now, Jennifer?

784
00:35:55,280 --> 00:35:57,600
Speaker 11: Or oh no, I don't need to do it now?

785
00:36:04,560 --> 00:36:07,120
Speaker 2: I love it?

786
00:36:07,160 --> 00:36:09,480
Speaker 1: Did it work? And are you a good kissing Jennifer?

787
00:36:09,560 --> 00:36:11,240
Speaker 1: Do people say that you're a good kisser?

788
00:36:14,000 --> 00:36:15,600
Speaker 2: So all that practicing is paid off?

789
00:36:15,680 --> 00:36:18,960
Speaker 1: Practice makes if you practiced playing tennis or doing anything

790
00:36:19,000 --> 00:36:22,480
Speaker 1: else you're good at. So if you practice kissing well.

791
00:36:22,520 --> 00:36:24,279
Speaker 2: And I think a knee would be good because you

792
00:36:24,320 --> 00:36:26,480
Speaker 2: can pull the skin to form a mouth.

793
00:36:26,640 --> 00:36:33,560
Speaker 1: Unless sticky knee. I think we should explore this first.

794
00:36:33,320 --> 00:36:35,040
Speaker 2: We're going to take more of your calls. I'm loving this.

795
00:36:35,120 --> 00:36:36,200
Speaker 2: What did you practice your kissing?

796
00:36:36,200 --> 00:36:46,319
Speaker 1: On thirteen WSFM Shawn's News is Next Jonesy and Amanda podcast.

797
00:36:48,680 --> 00:36:51,000
Speaker 1: Say what you want about the Chinese, but they're very innovative.

798
00:36:51,360 --> 00:36:54,920
Speaker 1: You get viruses and you get Chinese kissing devices.

799
00:36:54,960 --> 00:36:57,200
Speaker 2: This is a new device we're talking about today where

800
00:36:57,239 --> 00:36:59,279
Speaker 2: it's a tube with a silicon mouth on the end

801
00:36:59,320 --> 00:37:02,560
Speaker 2: of it, and market it for long distance relationships. So

802
00:37:02,600 --> 00:37:04,440
Speaker 2: you've got one, your partner's got wine, You're plug it

803
00:37:04,440 --> 00:37:06,760
Speaker 2: in and everyone goes that's how they feel to kiss.

804
00:37:06,760 --> 00:37:08,239
Speaker 1: I suppose you could have one in your house as

805
00:37:08,239 --> 00:37:08,959
Speaker 1: well if you wanted.

806
00:37:09,440 --> 00:37:12,680
Speaker 2: What do you mean, well, you know in separate rooms.

807
00:37:12,800 --> 00:37:15,640
Speaker 2: Yeah yeah, how about you watch Itellians? Because I'm plugging

808
00:37:15,680 --> 00:37:17,880
Speaker 2: it in. I couldn't care less about the kissing.

809
00:37:17,920 --> 00:37:20,400
Speaker 1: You know the found me intercoms that you like that

810
00:37:21,520 --> 00:37:22,480
Speaker 1: now start now.

811
00:37:23,520 --> 00:37:25,319
Speaker 2: I would have loved this as a teenager because I

812
00:37:25,320 --> 00:37:27,000
Speaker 2: was desperate to practice.

813
00:37:27,360 --> 00:37:27,520
Speaker 5: Well.

814
00:37:27,680 --> 00:37:30,440
Speaker 2: I practiced on an orange and I practiced on the

815
00:37:30,440 --> 00:37:32,240
Speaker 2: mirror because you just want it when the time comes,

816
00:37:32,239 --> 00:37:33,160
Speaker 2: you want to be ready to go.

817
00:37:33,360 --> 00:37:35,200
Speaker 1: The mirror has two faces.

818
00:37:35,160 --> 00:37:36,160
Speaker 2: That's why it dropped me.

819
00:37:36,800 --> 00:37:39,879
Speaker 1: Well you got to drop by your mirror. Two face?

820
00:37:40,200 --> 00:37:44,600
Speaker 1: So two face? What a pain? Tribal drums him when

821
00:37:44,600 --> 00:37:45,160
Speaker 1: you give me nothing?

822
00:37:45,239 --> 00:37:45,680
Speaker 2: What a pain?

823
00:37:46,000 --> 00:37:49,040
Speaker 1: What a paine of class pain? Oh see, now you

824
00:37:49,080 --> 00:37:50,560
Speaker 1: know how I feel when you do one of your

825
00:37:50,600 --> 00:37:51,240
Speaker 1: dumb puns.

826
00:37:54,000 --> 00:37:55,279
Speaker 2: Am I supposed to go with that?

827
00:37:55,480 --> 00:37:58,640
Speaker 1: The tribal drums beating for? What did you practice kissing on?

828
00:38:00,440 --> 00:38:01,440
Speaker 2: Many is with us?

829
00:38:01,520 --> 00:38:01,640
Speaker 8: Hi?

830
00:38:01,800 --> 00:38:05,279
Speaker 2: MANI, hello, what did you practice on? We've heard a

831
00:38:05,440 --> 00:38:07,680
Speaker 2: knee knee caps? What have you got?

832
00:38:08,440 --> 00:38:11,879
Speaker 11: Definitely not a knee cap, I'd have to say. Mum

833
00:38:11,880 --> 00:38:15,520
Speaker 11: had a dub Volkswagen. And the only reason why I

834
00:38:15,600 --> 00:38:18,879
Speaker 11: practice on the car window is because I couldn't see

835
00:38:18,920 --> 00:38:22,000
Speaker 11: my reflection as much as the mirror, because I really

836
00:38:22,000 --> 00:38:24,560
Speaker 11: hate it looking at myself. I really needed to feel

837
00:38:24,800 --> 00:38:27,640
Speaker 11: that I was kissing someone else, not myself. So I

838
00:38:27,680 --> 00:38:28,879
Speaker 11: went the car mirror.

839
00:38:28,880 --> 00:38:31,799
Speaker 2: And would you go inside the car? And did you

840
00:38:31,800 --> 00:38:34,399
Speaker 2: go inside the car and pash or stay outside the car?

841
00:38:34,960 --> 00:38:38,040
Speaker 11: Oh? No, definitely on the outside. In fact, Mum had

842
00:38:38,040 --> 00:38:39,759
Speaker 11: a couple of cars in the driveway. I don't think

843
00:38:39,800 --> 00:38:41,120
Speaker 11: there wasn't a window.

844
00:38:41,160 --> 00:38:46,040
Speaker 8: I didn't kiss.

845
00:38:46,719 --> 00:38:50,120
Speaker 2: She's out having a relationship with a car window.

846
00:38:51,200 --> 00:38:53,600
Speaker 11: Can I honestly say, I really do have a thing

847
00:38:53,680 --> 00:38:57,160
Speaker 11: with a mouse. I'm a bit funny we kiss them

848
00:38:57,200 --> 00:39:00,640
Speaker 11: now these days? Yeah, I mean I don't like it,

849
00:39:00,800 --> 00:39:03,320
Speaker 11: like the tongue. And when you spoke about that new device,

850
00:39:03,360 --> 00:39:07,439
Speaker 11: and I thought, well, I don't know, it's a bit creepy, right,

851
00:39:07,480 --> 00:39:09,319
Speaker 11: so you do. I don't think people are going to

852
00:39:09,320 --> 00:39:12,760
Speaker 11: be using that just to talk long distance on no,

853
00:39:12,760 --> 00:39:13,160
Speaker 11: no money.

854
00:39:13,239 --> 00:39:14,799
Speaker 1: I think you're probably right on the one. So you

855
00:39:14,800 --> 00:39:17,200
Speaker 1: don't kiss tongue wise anymore.

856
00:39:17,360 --> 00:39:19,399
Speaker 11: I'm not No, you can take your tongue in your head.

857
00:39:19,480 --> 00:39:23,600
Speaker 2: Sorry, that window you to keep its tongue in itself,

858
00:39:24,000 --> 00:39:26,960
Speaker 2: keep your money. Fascinating.

859
00:39:27,440 --> 00:39:28,359
Speaker 1: I wish we have more time.

860
00:39:28,400 --> 00:39:30,080
Speaker 2: Well, we've got a call from it. They'll first call

861
00:39:30,160 --> 00:39:38,880
Speaker 2: from a man. Gavin, Hello, Gavin, Hi, Gavin, very well now, Gavin.

862
00:39:39,000 --> 00:39:43,080
Speaker 2: I said earlier that maybe men don't boys don't need

863
00:39:43,120 --> 00:39:45,160
Speaker 2: to practice kissing. Girls do it because they want to

864
00:39:45,160 --> 00:39:47,480
Speaker 2: be good at it. But guys just don't care. What

865
00:39:47,480 --> 00:39:48,720
Speaker 2: what did you used to kiss?

866
00:39:50,239 --> 00:39:52,240
Speaker 8: Well, I don't know. It was a vibe from school.

867
00:39:52,320 --> 00:39:55,040
Speaker 8: It was worth getting around school about what it happened

868
00:39:55,239 --> 00:39:59,879
Speaker 8: many years ago. Okay, and you going to post through

869
00:40:01,360 --> 00:40:05,960
Speaker 8: Samantha Fox on his wall. Yeah, many moons ago. I

870
00:40:06,000 --> 00:40:12,880
Speaker 8: suppose his parents noticed that the breast was slowly losing

871
00:40:12,960 --> 00:40:13,839
Speaker 8: color over time.

872
00:40:14,320 --> 00:40:20,520
Speaker 1: Yeah, okay, this is Gavin. You're just let filling the planks.

873
00:40:21,080 --> 00:40:24,000
Speaker 1: So he was passionate, he was kissing the bosoms.

874
00:40:24,960 --> 00:40:29,120
Speaker 2: Yeah, that's right. But that story must have got the

875
00:40:29,120 --> 00:40:34,600
Speaker 2: school like wildfire, this friend of and what as a parent,

876
00:40:35,040 --> 00:40:37,359
Speaker 2: what would you say to that? What's happened here?

877
00:40:38,160 --> 00:40:41,120
Speaker 1: Explaining this? What did your friend did?

878
00:40:41,160 --> 00:40:41,319
Speaker 8: He?

879
00:40:41,520 --> 00:40:43,040
Speaker 2: Did he get in trouble? What happened?

880
00:40:44,320 --> 00:40:45,839
Speaker 8: I don't know. If I don't know, it was many

881
00:40:45,960 --> 00:40:48,080
Speaker 8: years ago? What we get for here? That's the story

882
00:40:48,280 --> 00:40:50,560
Speaker 8: was getting around school. I don't even I can't even

883
00:40:50,600 --> 00:40:52,040
Speaker 8: remember remember who it was.

884
00:40:53,320 --> 00:40:56,279
Speaker 2: What's a good story that for Old Sam was being

885
00:40:56,920 --> 00:40:58,920
Speaker 2: maraudered on the wall.

886
00:40:59,880 --> 00:41:02,480
Speaker 1: A word had got around. It's like it's like the man.

887
00:41:02,320 --> 00:41:05,480
Speaker 2: From Stoney River, Banjo Pattison doesn't right about that?

888
00:41:05,520 --> 00:41:07,239
Speaker 1: Does he word got around.

889
00:41:07,280 --> 00:41:11,840
Speaker 2: Old Sam Fox going to town on her.

890
00:41:12,760 --> 00:41:13,560
Speaker 1: Thank you? Thank you?

891
00:41:13,640 --> 00:41:14,040
Speaker 2: Gavin?

892
00:41:14,440 --> 00:41:15,920
Speaker 1: Well, I think that's uh.

893
00:41:16,040 --> 00:41:16,719
Speaker 2: I've enjoyed this.

894
00:41:16,760 --> 00:41:20,759
Speaker 1: And to google Sam Fox just to see, just to

895
00:41:20,760 --> 00:41:22,080
Speaker 1: get an idea of what you know.

896
00:41:22,040 --> 00:41:26,360
Speaker 2: You're going to google car windows, see what you're missing.

897
00:41:26,719 --> 00:41:32,200
Speaker 1: Thank you for your course podcast. Let's get on down

898
00:41:32,239 --> 00:41:34,440
Speaker 1: to the jenzy demand of arms for the pub test.

899
00:41:34,960 --> 00:41:37,000
Speaker 1: And this is something your husband is brought to the table.

900
00:41:37,080 --> 00:41:40,120
Speaker 2: Let me discuss this with you. I don't like a

901
00:41:40,120 --> 00:41:42,239
Speaker 2: lot of takeaway food. I like the takeaway food, but

902
00:41:42,320 --> 00:41:44,120
Speaker 2: I prefer to have something cooked at home. It's just

903
00:41:44,239 --> 00:41:48,439
Speaker 2: easier reheat something, isn't it. But when i'm rom.

904
00:41:48,400 --> 00:41:50,359
Speaker 1: McDonald's, all make some burgers.

905
00:41:50,440 --> 00:41:53,000
Speaker 2: When when I'm not there, the go to in our

906
00:41:53,040 --> 00:41:55,680
Speaker 2: house is pizza.

907
00:41:55,960 --> 00:41:57,640
Speaker 1: Do you get the dominoes or you get the fancy

908
00:41:57,840 --> 00:41:58,480
Speaker 1: richie pizza.

909
00:41:58,640 --> 00:42:01,239
Speaker 2: Harley likes the crusted pizza. At the moment, they're pretty good.

910
00:42:01,360 --> 00:42:03,000
Speaker 2: So on Saturday night, when you and I went out

911
00:42:03,040 --> 00:42:07,400
Speaker 2: to ed Sheeran Jonesy, Harley, of course he's so interchangeable,

912
00:42:07,640 --> 00:42:11,200
Speaker 2: decided he'd order pizza, which is fine. I the next

913
00:42:11,680 --> 00:42:14,239
Speaker 2: day thought, look, I'll heat up a sneaky piece and

914
00:42:14,280 --> 00:42:18,200
Speaker 2: have some of the leftover pizza. It had avocado on

915
00:42:18,080 --> 00:42:20,520
Speaker 2: it on a pizza And I said to Harley Jack

916
00:42:20,680 --> 00:42:22,840
Speaker 2: that pizza had avocado, and he said, yes, I always

917
00:42:22,960 --> 00:42:25,839
Speaker 2: order those. And then Jack spoke up and said, yeah,

918
00:42:25,880 --> 00:42:28,480
Speaker 2: I'm not a fan either. So Harley for all this

919
00:42:28,560 --> 00:42:32,560
Speaker 2: time has been ordering avocado pizza. So it's got chicken

920
00:42:32,600 --> 00:42:34,400
Speaker 2: and it's got the you know that mayonnaise strip on

921
00:42:34,440 --> 00:42:37,440
Speaker 2: the top and blah blah blah, but there's avocado.

922
00:42:37,160 --> 00:42:38,800
Speaker 1: And mate, bake the avocado.

923
00:42:38,960 --> 00:42:41,239
Speaker 2: Well, I can't tell. I don't think they do. It

924
00:42:41,280 --> 00:42:44,160
Speaker 2: probably goes on fresh, yep. But when I get to

925
00:42:44,200 --> 00:42:47,120
Speaker 2: it the next day and I reheat it, yeah, it's

926
00:42:47,200 --> 00:42:50,239
Speaker 2: warm avocado and I don't like it. And I said

927
00:42:50,239 --> 00:42:51,759
Speaker 2: to him, are you sure you know what you're doing

928
00:42:52,200 --> 00:42:54,400
Speaker 2: ordering avocado on a pizza. It does not belong on

929
00:42:54,440 --> 00:42:56,279
Speaker 2: a pizza. And he said, yep, I like it. And

930
00:42:56,320 --> 00:42:59,520
Speaker 2: I said, well, those are the most controversial words I've

931
00:42:59,560 --> 00:43:00,160
Speaker 2: ever heard.

932
00:43:00,680 --> 00:43:01,720
Speaker 1: Dictate what you eats?

933
00:43:01,760 --> 00:43:03,520
Speaker 2: No, but do you like avocado and a pizza?

934
00:43:05,600 --> 00:43:08,040
Speaker 1: You would used to say no way, But I did

935
00:43:08,040 --> 00:43:10,759
Speaker 1: have it one time with the chicken, and I know

936
00:43:10,840 --> 00:43:13,520
Speaker 1: the particular crust one you're talking about. It's good when

937
00:43:13,520 --> 00:43:16,000
Speaker 1: you get it straight away because the avocado goes on

938
00:43:16,400 --> 00:43:19,839
Speaker 1: cold onto the hot dish. Why do you want that now?

939
00:43:19,880 --> 00:43:21,560
Speaker 1: But you can't bake the avocado.

940
00:43:21,600 --> 00:43:23,840
Speaker 2: You can't bake the advocacar reheat it in the microwave.

941
00:43:24,239 --> 00:43:25,319
Speaker 1: No no, no, no, no no.

942
00:43:25,400 --> 00:43:28,400
Speaker 2: But why do you want fresh avocado on a pizza?

943
00:43:28,440 --> 00:43:31,840
Speaker 2: I don't understand that, but particularly, let's face it, pizza

944
00:43:31,880 --> 00:43:33,440
Speaker 2: the next day. I know some people like to eat

945
00:43:33,440 --> 00:43:35,640
Speaker 2: it cold, but it's going to be heated up again.

946
00:43:35,480 --> 00:43:35,759
Speaker 1: Isn't it?

947
00:43:35,840 --> 00:43:37,840
Speaker 2: And then you're going to get heated avocado.

948
00:43:38,080 --> 00:43:39,400
Speaker 1: This is bigger than the both of us.

949
00:43:40,080 --> 00:43:43,359
Speaker 2: Put it to the pub test. Avocado on pizza? Does

950
00:43:43,400 --> 00:43:44,359
Speaker 2: it pass the pub test?

951
00:43:44,440 --> 00:43:45,880
Speaker 1: We'd love to hear from you. We'll have that for

952
00:43:45,960 --> 00:43:49,160
Speaker 1: you at eight o'clock. Also coming up, we're going into

953
00:43:49,360 --> 00:43:52,279
Speaker 1: the Creed Zone. We've got two of the stars from

954
00:43:52,320 --> 00:43:55,600
Speaker 1: the new Creed three move. We've got Jonathan Major's who

955
00:43:55,760 --> 00:43:57,480
Speaker 1: you might remember played Kang.

956
00:43:57,680 --> 00:44:01,080
Speaker 2: In Man, and we've also got more Michael B. Jordan.

957
00:44:01,200 --> 00:44:03,319
Speaker 1: He plays a Donnas Creed.

958
00:44:03,160 --> 00:44:04,760
Speaker 2: Creed son son of Creed.

959
00:44:05,360 --> 00:44:06,759
Speaker 1: So it's going to be interesting because we've got to

960
00:44:06,800 --> 00:44:09,560
Speaker 1: there's a lot of mucking around. We've got the zoom chatnels. Anyway,

961
00:44:09,600 --> 00:44:10,680
Speaker 1: you guys don't need to know about that.

962
00:44:10,719 --> 00:44:12,120
Speaker 2: Well you may need to know about it because you'll

963
00:44:12,120 --> 00:44:13,080
Speaker 2: probably hear them saying.

964
00:44:12,960 --> 00:44:17,839
Speaker 1: Are you ready? We are entering the Creed Zone. So

965
00:44:18,080 --> 00:44:21,880
Speaker 1: Creed for You is a spin off from Rocky. In

966
00:44:22,000 --> 00:44:25,920
Speaker 1: Creed one, Apollo, Creed's illegitimate son seeks out Roggi to

967
00:44:25,960 --> 00:44:28,640
Speaker 1: train him in boxing because it's in his blood. In

968
00:44:28,719 --> 00:44:31,799
Speaker 1: Creed two, Creed Junior takes on the son of the

969
00:44:31,880 --> 00:44:35,200
Speaker 1: dude that killed his dad in the ring in Rocky four.

970
00:44:36,560 --> 00:44:40,040
Speaker 1: In Creed three, Creed Junior now has to take on

971
00:44:40,080 --> 00:44:42,480
Speaker 1: his former best friend who just got out of jail.

972
00:44:43,000 --> 00:44:44,680
Speaker 2: That's all you need to know, all right, So we're

973
00:44:44,760 --> 00:44:47,160
Speaker 2: up to Creed's Creed three, we're up to and we're

974
00:44:47,160 --> 00:44:49,320
Speaker 2: going to between to Jonathan Majors. He's also an antman.

975
00:44:49,360 --> 00:44:53,160
Speaker 2: He was an Australian relent Kang and Mangra. Michael B. Jordan,

976
00:44:53,239 --> 00:44:54,440
Speaker 2: who is Creed Judy.

977
00:44:54,440 --> 00:44:55,680
Speaker 1: He plays a donna's Creed.

978
00:44:55,480 --> 00:44:56,520
Speaker 2: Who was Creed Senior.

979
00:44:57,120 --> 00:45:01,960
Speaker 1: Creed Senior was Carl weathers all I Creed. Okay, remember

980
00:45:01,960 --> 00:45:04,880
Speaker 1: in Rocky four he dies. He takes on Ivan Drago

981
00:45:05,120 --> 00:45:08,239
Speaker 1: spoiler alert, Well, they came out of nine to eighty five.

982
00:45:08,400 --> 00:45:10,239
Speaker 2: Look, this isn't the most confusing thing that's going to

983
00:45:10,239 --> 00:45:11,920
Speaker 2: happen today. We go to try and talk to them

984
00:45:12,040 --> 00:45:15,840
Speaker 2: via zoom and there's a lot of dicking around.

985
00:45:16,000 --> 00:45:18,799
Speaker 1: There's a lot of ticket around. I will have that

986
00:45:18,840 --> 00:45:19,880
Speaker 1: for you after eight o'clock.

987
00:45:22,080 --> 00:45:26,960
Speaker 7: Pomcast God, I want you to get on right now.

988
00:45:27,560 --> 00:45:32,000
Speaker 7: I'm taking pleasing now in your windows, sit your head.

989
00:45:31,840 --> 00:45:35,600
Speaker 8: On a yell hell.

990
00:45:36,600 --> 00:45:39,640
Speaker 1: Down at the J and A arms. Today's discussion avocado

991
00:45:39,719 --> 00:45:43,480
Speaker 1: on pizza. What happened? Well, Amanda heated up Harley's leftover

992
00:45:43,560 --> 00:45:47,399
Speaker 1: pizza in the microwave. The pizza had avocado on it. Yes,

993
00:45:47,440 --> 00:45:50,520
Speaker 1: Officer Amanda does not like avocado on pizza.

994
00:45:50,600 --> 00:45:54,960
Speaker 2: Does anyone Harley does? Obviously. Now we've discussed this morning

995
00:45:55,000 --> 00:45:57,920
Speaker 2: whether it was cooked or not. I think it probably

996
00:45:57,960 --> 00:46:01,600
Speaker 2: goes on fresh. But then when I reheat it the

997
00:46:01,600 --> 00:46:04,240
Speaker 2: next day, of course it's going to be heated through.

998
00:46:04,600 --> 00:46:07,480
Speaker 1: This is from the Crust people. He likes.

999
00:46:07,480 --> 00:46:08,160
Speaker 2: He likes that one.

1000
00:46:08,200 --> 00:46:09,800
Speaker 1: It's called the Pesto Chicken Club.

1001
00:46:09,880 --> 00:46:10,840
Speaker 2: I think that's the one.

1002
00:46:10,960 --> 00:46:14,719
Speaker 1: So you've got house cooked chicken, breastfills, thinly sliced prestudo,

1003
00:46:15,200 --> 00:46:18,000
Speaker 1: Spanish onions, fresh tomatoes or the other style.

1004
00:46:18,200 --> 00:46:18,840
Speaker 2: That's delicious.

1005
00:46:18,880 --> 00:46:23,680
Speaker 1: You don't need avocado, wild rocket pesto aoli then avocado.

1006
00:46:23,200 --> 00:46:26,200
Speaker 2: You don't need avocado on it. Harley likes it because

1007
00:46:26,200 --> 00:46:31,480
Speaker 2: he's a free and even if it's fresh avocado, you

1008
00:46:31,520 --> 00:46:33,800
Speaker 2: don't need that on a pizza. I'm all for pineapple

1009
00:46:33,800 --> 00:46:34,360
Speaker 2: on a pizza.

1010
00:46:34,600 --> 00:46:35,360
Speaker 1: That's delicious.

1011
00:46:35,600 --> 00:46:39,319
Speaker 2: Who needs avocado on a pizza, particularly when you reheat it.

1012
00:46:39,360 --> 00:46:40,680
Speaker 1: Does it pass the pub test?

1013
00:46:41,120 --> 00:46:43,480
Speaker 11: No way in the world it does. No way. It

1014
00:46:43,560 --> 00:46:46,239
Speaker 11: just doesn't go with that. The textures and everything.

1015
00:46:45,960 --> 00:46:46,759
Speaker 1: Is just all off.

1016
00:46:46,800 --> 00:46:49,359
Speaker 11: Avocado on the pizza definitely overrated.

1017
00:46:49,640 --> 00:46:50,920
Speaker 1: No, it doesn't.

1018
00:46:51,239 --> 00:46:54,000
Speaker 4: If you've got pizza delivered, they're going to put it

1019
00:46:54,040 --> 00:46:56,080
Speaker 4: in a hot bag with the avocado on it, so

1020
00:46:56,160 --> 00:46:57,360
Speaker 4: it's going to get born.

1021
00:46:57,160 --> 00:46:59,560
Speaker 6: Anyway, or if you grab it and take it.

1022
00:46:59,560 --> 00:47:02,839
Speaker 4: Home, it's going to get warm too. I would definitely

1023
00:47:03,280 --> 00:47:04,279
Speaker 4: never order it.

1024
00:47:04,760 --> 00:47:06,839
Speaker 15: Y yu ya yo yack.

1025
00:47:07,200 --> 00:47:09,439
Speaker 11: No, definitely, no, of course it does.

1026
00:47:09,680 --> 00:47:11,080
Speaker 8: Anything can go on a pizza.

1027
00:47:11,200 --> 00:47:13,520
Speaker 11: Like you people are so uninclusive.

1028
00:47:13,960 --> 00:47:16,279
Speaker 8: Anything can go on a pizza, and if you don't

1029
00:47:16,440 --> 00:47:17,880
Speaker 8: like it, don't eat it.

1030
00:47:18,040 --> 00:47:20,000
Speaker 1: Fair enough. Wow, we don't want to be able to

1031
00:47:20,360 --> 00:47:24,719
Speaker 1: shoe on a pizza. Shoey pizza. Okay, Well we're going

1032
00:47:24,760 --> 00:47:26,840
Speaker 1: to the Creed zone. You ready. You know the synopsis

1033
00:47:26,880 --> 00:47:27,760
Speaker 1: of the Creed movie.

1034
00:47:27,920 --> 00:47:30,080
Speaker 2: There was some boxer and then there was a Creed GM.

1035
00:47:30,040 --> 00:47:32,200
Speaker 1: Y RAI is working on the zoom link with the

1036
00:47:32,200 --> 00:47:34,800
Speaker 1: two stars who are over in LA at the moment.

1037
00:47:35,120 --> 00:47:36,720
Speaker 2: All right, and I'm going to need your help getting

1038
00:47:36,760 --> 00:47:38,800
Speaker 2: John Z and Amanda to click that link please.

1039
00:47:39,040 --> 00:47:41,000
Speaker 1: Yeah, I guess she's talking to you, Ryan. I don't

1040
00:47:41,000 --> 00:47:42,080
Speaker 1: know how to We'll click.

1041
00:47:42,840 --> 00:47:46,360
Speaker 2: Okay, working, No, We're just I'm anxious.

1042
00:47:46,080 --> 00:47:50,080
Speaker 1: Put some prints on press that this is going to happen.

1043
00:47:50,440 --> 00:47:53,600
Speaker 1: Jonathan Major's We're going to catch it up with him first,

1044
00:47:53,800 --> 00:47:59,160
Speaker 1: and then hopefully Michael B. Jordan's from Free. I'm excited.

1045
00:48:01,480 --> 00:48:05,640
Speaker 2: Creed three still dominating the boxing world. A Donnis Creed

1046
00:48:05,760 --> 00:48:09,160
Speaker 2: is thriving in his career and family life. When Damian,

1047
00:48:09,280 --> 00:48:12,880
Speaker 2: a childhood friend and former boxing prodigy, resurfaces after serving

1048
00:48:12,920 --> 00:48:15,480
Speaker 2: time in prison, he's eager to prove he deserves a

1049
00:48:15,480 --> 00:48:18,200
Speaker 2: shot in the ring. The face off between former friends

1050
00:48:18,360 --> 00:48:19,600
Speaker 2: is more than just a fight.

1051
00:48:19,760 --> 00:48:25,840
Speaker 1: He plays Jamien the champ is here. Jonathan Majors, Hello, Hi, bro, Hey, Hey,

1052
00:48:25,840 --> 00:48:28,600
Speaker 1: how are you what's up in d Hello?

1053
00:48:28,719 --> 00:48:31,400
Speaker 2: You were just in Australia when we saw you for

1054
00:48:31,920 --> 00:48:33,560
Speaker 2: ant Man just a few weeks ago.

1055
00:48:33,680 --> 00:48:35,880
Speaker 1: It feels like we've seen you too much. Well, it's

1056
00:48:35,920 --> 00:48:38,359
Speaker 1: not me it's a varian. Of course it is.

1057
00:48:38,600 --> 00:48:40,600
Speaker 2: Of course it is that it's nice to see you,

1058
00:48:40,680 --> 00:48:43,080
Speaker 2: How great to see you. What a ride you're having.

1059
00:48:43,520 --> 00:48:47,160
Speaker 2: There's ant Man, there's Creed. I've been reading Oscar Buzz

1060
00:48:47,200 --> 00:48:49,200
Speaker 2: around you. You know, it's a terrible phrase to have

1061
00:48:49,280 --> 00:48:53,000
Speaker 2: said about you, but how amazing that with magazine Dreams,

1062
00:48:53,040 --> 00:48:55,200
Speaker 2: people are saying the most incredible things about you. What

1063
00:48:55,280 --> 00:48:56,480
Speaker 2: a year you're having.

1064
00:48:57,880 --> 00:49:03,879
Speaker 14: Oooh yeah. And it's crazy, but it's, uh, it's real.

1065
00:49:04,320 --> 00:49:04,560
Speaker 8: You know.

1066
00:49:04,719 --> 00:49:07,200
Speaker 14: Every time I speak to see you guys or your colleagues,

1067
00:49:07,239 --> 00:49:10,799
Speaker 14: I'm reminded of the uh, the realness of it. And

1068
00:49:11,360 --> 00:49:13,480
Speaker 14: I don't mind it, you know, nothing wrong with it.

1069
00:49:13,719 --> 00:49:13,920
Speaker 1: You know.

1070
00:49:14,960 --> 00:49:17,080
Speaker 14: I think I'm a part of a movement and this

1071
00:49:17,239 --> 00:49:19,600
Speaker 14: is perhaps more than a moment, at least I hope

1072
00:49:19,600 --> 00:49:22,680
Speaker 14: it is. Yeah, yeah, yeah, bring Itt.

1073
00:49:22,680 --> 00:49:25,239
Speaker 1: Well and and this You're not as bad as King

1074
00:49:25,360 --> 00:49:28,920
Speaker 1: the Conqueror in ant Man, but you're you're a baddie.

1075
00:49:28,920 --> 00:49:30,840
Speaker 1: You you play a baddie in this one.

1076
00:49:31,480 --> 00:49:35,840
Speaker 14: Yeah, yes, sir, I represent the past, you know, of

1077
00:49:36,520 --> 00:49:40,680
Speaker 14: our shining hero Donna's Creed, you know, and uh, the

1078
00:49:40,760 --> 00:49:42,640
Speaker 14: light of the hero has you know, you have to

1079
00:49:42,719 --> 00:49:45,960
Speaker 14: understand that does cast a shadow, and so, uh yeah,

1080
00:49:46,120 --> 00:49:46,960
Speaker 14: there's some problems.

1081
00:49:47,600 --> 00:49:48,320
Speaker 1: There's some problem.

1082
00:49:48,400 --> 00:49:50,600
Speaker 2: You said that with ant Man, when you walked onto

1083
00:49:50,640 --> 00:49:52,640
Speaker 2: the set, you'd play your music so that you got

1084
00:49:52,640 --> 00:49:55,240
Speaker 2: into the moment. Did you do the same on this film?

1085
00:49:55,920 --> 00:49:56,319
Speaker 1: I did?

1086
00:49:56,440 --> 00:49:59,440
Speaker 14: I did so and uh so much the fact that

1087
00:49:59,560 --> 00:50:04,480
Speaker 14: I believe Michael used the songs I played for my

1088
00:50:04,560 --> 00:50:07,880
Speaker 14: interest music for Dame's interest music, which was brought to

1089
00:50:07,920 --> 00:50:10,400
Speaker 14: my attention about a week ago, and I thought, Okay,

1090
00:50:10,400 --> 00:50:11,440
Speaker 14: it works, it's working.

1091
00:50:11,760 --> 00:50:14,080
Speaker 1: Yeah's working. And is that the same music that you

1092
00:50:14,120 --> 00:50:15,800
Speaker 1: would use on the ad Man sets?

1093
00:50:15,880 --> 00:50:19,440
Speaker 14: You know, like, oh absolutely not, absolutely not. Completely different

1094
00:50:19,680 --> 00:50:24,120
Speaker 14: vibrations in these guys, you know, very different vibrations.

1095
00:50:24,360 --> 00:50:27,040
Speaker 2: Did you grow up watching the Rocky films? Did you

1096
00:50:27,080 --> 00:50:32,040
Speaker 2: sort of follow the journey? I mean, and never picture that, amazingly,

1097
00:50:32,160 --> 00:50:34,000
Speaker 2: you'd be in one.

1098
00:50:34,360 --> 00:50:36,880
Speaker 14: I can never imagine, I mean this whole year, let alone,

1099
00:50:37,120 --> 00:50:41,879
Speaker 14: you know, the specificity of entering into the Rocky Creed verse,

1100
00:50:41,960 --> 00:50:44,600
Speaker 14: Like I never thought that could happen. You know, I

1101
00:50:44,640 --> 00:50:47,480
Speaker 14: watched the films. My objective was always, you know what,

1102
00:50:47,600 --> 00:50:49,440
Speaker 14: I wanted to be an actor, But to be an actor,

1103
00:50:49,640 --> 00:50:52,120
Speaker 14: you know, do movies, do theater?

1104
00:50:52,640 --> 00:50:54,080
Speaker 1: You know, but it's.

1105
00:50:54,000 --> 00:50:57,840
Speaker 14: Certain things you are untouchable, you know, the Rocky franchise,

1106
00:50:58,600 --> 00:51:02,160
Speaker 14: the mcu let alone bad, these things are untouchable. These

1107
00:51:02,160 --> 00:51:04,600
Speaker 14: are all father for playground play.

1108
00:51:04,840 --> 00:51:05,360
Speaker 8: Yeah.

1109
00:51:05,520 --> 00:51:08,640
Speaker 1: Yeah, there's there's a lot of conjecture about from Creed

1110
00:51:08,719 --> 00:51:12,480
Speaker 1: two to create three that did Rocky indeed die? Is

1111
00:51:12,520 --> 00:51:14,440
Speaker 1: he dead? Or did you go off to Canada to

1112
00:51:14,520 --> 00:51:17,479
Speaker 1: patch it up with his son? What's the intel without

1113
00:51:17,560 --> 00:51:21,040
Speaker 1: being a spoiler on it, what's the intel about where

1114
00:51:21,120 --> 00:51:23,840
Speaker 1: Rocky is in three? Like we know he's us?

1115
00:51:24,680 --> 00:51:28,239
Speaker 14: Yeah, I think I think we'd have to ask Michael B.

1116
00:51:28,440 --> 00:51:32,879
Speaker 14: Jordan's you know, I don't know. Dami doesn't know anything

1117
00:51:32,960 --> 00:51:35,759
Speaker 14: about Rocky. You know, you know, I don't have a

1118
00:51:35,760 --> 00:51:38,160
Speaker 14: personal relationship with him. So he should have been around

1119
00:51:38,160 --> 00:51:39,000
Speaker 14: the corner the whole time.

1120
00:51:40,280 --> 00:51:43,920
Speaker 1: And that's that's a good way of deflecting really really well.

1121
00:51:45,080 --> 00:51:50,160
Speaker 1: You know, you should be a politician that maybe that

1122
00:51:50,160 --> 00:51:52,279
Speaker 1: could be the next thing. That's great, that's what we

1123
00:51:52,320 --> 00:51:52,680
Speaker 1: need here.

1124
00:51:53,640 --> 00:51:55,680
Speaker 2: Did you enjoy the minute that the filming stop, that

1125
00:51:55,719 --> 00:51:58,080
Speaker 2: you could just eat what you liked and just back

1126
00:51:58,120 --> 00:51:59,799
Speaker 2: off the training or are you the kind of person

1127
00:51:59,840 --> 00:52:01,719
Speaker 2: that keeps at it well?

1128
00:52:01,760 --> 00:52:06,160
Speaker 14: As you mentioned that film magazine Dreams. I shot right

1129
00:52:06,160 --> 00:52:10,000
Speaker 14: after this, so if anything got even more intense.

1130
00:52:10,160 --> 00:52:13,200
Speaker 1: Yeah, well you're playing a bodybuilder in that, aren't you.

1131
00:52:13,320 --> 00:52:16,560
Speaker 8: Yeah, that's a bodybuilder there. So yeah.

1132
00:52:16,600 --> 00:52:18,560
Speaker 14: So no, I mean I've always been you know, fit

1133
00:52:18,600 --> 00:52:22,440
Speaker 14: and health conscious and uh, you know, over the past

1134
00:52:22,520 --> 00:52:24,960
Speaker 14: I think sixteen months, I guess two years now. As

1135
00:52:25,000 --> 00:52:29,600
Speaker 14: time keeps going along, my body is changed and shifted,

1136
00:52:29,719 --> 00:52:32,640
Speaker 14: you know, and it's it's quite steady and sturdy in this,

1137
00:52:33,200 --> 00:52:35,959
Speaker 14: you know, extra extra poundage that it has.

1138
00:52:36,000 --> 00:52:39,640
Speaker 2: So it's a life. Yeah, it's new life.

1139
00:52:39,719 --> 00:52:42,040
Speaker 1: Yes, it's doing its time. It's going to be doing

1140
00:52:42,080 --> 00:52:44,640
Speaker 1: its OIGN things. Your body understands going its OIGN trial

1141
00:52:44,680 --> 00:52:49,200
Speaker 1: on there would surprise me. Can we talk to your Boddy?

1142
00:52:49,239 --> 00:52:54,040
Speaker 1: Is that possible? It's quickly yet, ten minutes. It's so

1143
00:52:54,239 --> 00:52:56,040
Speaker 1: great to talk to you, Jonathan. We can only say

1144
00:52:56,080 --> 00:52:58,399
Speaker 1: great things for you. Thank you for joining us. Create

1145
00:52:58,440 --> 00:53:01,399
Speaker 1: three is added cinemas across the strata this Thursday.

1146
00:53:01,560 --> 00:53:04,879
Speaker 2: Thank you, Thanks Jonathan, thank you, thank you.

1147
00:53:05,400 --> 00:53:08,279
Speaker 1: Thank you. Jonathan. Michael B. Jordan. Okay, we've got the

1148
00:53:08,320 --> 00:53:09,480
Speaker 1: next zoom link for him.

1149
00:53:10,080 --> 00:53:10,839
Speaker 2: A hole of the link.

1150
00:53:11,520 --> 00:53:15,560
Speaker 1: Yes, so we'll get the Star of creed a Donna's

1151
00:53:15,560 --> 00:53:20,719
Speaker 1: Creed himself joining us next podcast. We are in the

1152
00:53:20,840 --> 00:53:24,719
Speaker 1: Creed Zone at twenty four past eight. We just spoke

1153
00:53:24,760 --> 00:53:28,239
Speaker 1: to Jonathan Majors, who plays the Baddie in Creed, and

1154
00:53:28,280 --> 00:53:31,480
Speaker 1: we're just linking up with Michael B. Jordan. Michael believed

1155
00:53:31,520 --> 00:53:35,040
Speaker 1: Jordan plays Adonnas. Yes, Ryan is everything.

1156
00:53:35,239 --> 00:53:35,399
Speaker 14: Yeah.

1157
00:53:35,400 --> 00:53:36,920
Speaker 1: I think they're waving their hairs and you're trying to

1158
00:53:37,000 --> 00:53:38,600
Speaker 1: get your team by Okay, click on the link.

1159
00:53:38,640 --> 00:53:40,120
Speaker 4: All right, have your chart?

1160
00:53:41,200 --> 00:53:43,759
Speaker 1: Yes, here you go, look you sit there.

1161
00:53:44,840 --> 00:53:50,480
Speaker 2: Hello, Michael, Michael over, Hello, Hello, here he is.

1162
00:53:50,600 --> 00:53:52,080
Speaker 1: Have we caught you in the middle of something? You

1163
00:53:52,160 --> 00:53:53,479
Speaker 1: look great? He look great.

1164
00:53:53,760 --> 00:53:54,360
Speaker 4: Sleep for you.

1165
00:53:54,640 --> 00:53:58,440
Speaker 9: This is Jonesy and Amanda WSFM Australia.

1166
00:53:58,520 --> 00:54:01,919
Speaker 2: Go ahead, greeting sure, Sydney greetings, well hello, how nice

1167
00:54:01,960 --> 00:54:06,239
Speaker 2: to talk to you. And this movie is any is

1168
00:54:06,239 --> 00:54:09,839
Speaker 2: an amazing thing and your first directorial debut. I remember

1169
00:54:09,880 --> 00:54:13,040
Speaker 2: reading an interview with David Lean, who directed Lawrence of Arabia,

1170
00:54:13,160 --> 00:54:14,759
Speaker 2: and he said, on the first day he turned up,

1171
00:54:14,800 --> 00:54:16,680
Speaker 2: there's thousands of extras looking at him and he thought,

1172
00:54:16,760 --> 00:54:19,319
Speaker 2: oh God, what do I do now? Did you have

1173
00:54:19,400 --> 00:54:21,120
Speaker 2: a moment like that on your first day?

1174
00:54:22,239 --> 00:54:22,879
Speaker 14: Uh?

1175
00:54:23,080 --> 00:54:24,879
Speaker 12: Not my first days I make sure my first day

1176
00:54:25,040 --> 00:54:28,400
Speaker 12: was exactly what I needed to be, but there was

1177
00:54:28,480 --> 00:54:30,000
Speaker 12: it was definitely a moment I guess when you have

1178
00:54:30,120 --> 00:54:32,319
Speaker 12: your your cast and your crew and you know, and

1179
00:54:32,320 --> 00:54:34,160
Speaker 12: everybody's looking at you like, all right, what are.

1180
00:54:34,040 --> 00:54:36,239
Speaker 1: We doing next? Even in moments of.

1181
00:54:36,200 --> 00:54:38,480
Speaker 12: Like you know, when you have to pivot and you

1182
00:54:38,560 --> 00:54:40,719
Speaker 12: have to adapt to the situation. Okay, cool, this person

1183
00:54:40,760 --> 00:54:42,480
Speaker 12: didn't show up on time, or that thing that you

1184
00:54:42,520 --> 00:54:44,040
Speaker 12: need is not there for the shot. Okay, so what

1185
00:54:44,160 --> 00:54:46,319
Speaker 12: do we do? We got to shoot something. I think

1186
00:54:46,320 --> 00:54:49,200
Speaker 12: in those moments is like where you really feel the

1187
00:54:49,239 --> 00:54:51,880
Speaker 12: most alive and problem solving and figuring out whatever you

1188
00:54:51,920 --> 00:54:53,960
Speaker 12: got to do to get get the job done. But

1189
00:54:54,640 --> 00:54:58,120
Speaker 12: as a whole, you know, I think just you know,

1190
00:54:58,280 --> 00:55:00,920
Speaker 12: showing up the set every day was was a dream man,

1191
00:55:00,960 --> 00:55:01,400
Speaker 12: It was.

1192
00:55:01,440 --> 00:55:02,520
Speaker 1: It was. It was a lot of fun.

1193
00:55:02,920 --> 00:55:05,239
Speaker 2: How did you feel as an actor stepping into the

1194
00:55:05,280 --> 00:55:08,000
Speaker 2: role again for the third time. Did your body go,

1195
00:55:08,200 --> 00:55:10,400
Speaker 2: oh God, here we go again? Or does your body

1196
00:55:10,600 --> 00:55:12,640
Speaker 2: like getting revved up to play this role?

1197
00:55:13,360 --> 00:55:14,080
Speaker 11: I think it's both.

1198
00:55:14,120 --> 00:55:16,480
Speaker 12: I think as I get older, this is not the same,

1199
00:55:16,640 --> 00:55:19,040
Speaker 12: you know, I think I'm not twenty five years old anymore,

1200
00:55:19,120 --> 00:55:22,400
Speaker 12: you know, So it's like like it's a difference thirty

1201
00:55:22,400 --> 00:55:24,560
Speaker 12: thirty six and twenty five. There is a difference when

1202
00:55:24,560 --> 00:55:27,279
Speaker 12: it comes to get the shape. So you know, I

1203
00:55:27,280 --> 00:55:29,680
Speaker 12: think you know, for me, you know, I'm used to it.

1204
00:55:29,760 --> 00:55:31,880
Speaker 12: So I mean, I know the you know the formula,

1205
00:55:31,960 --> 00:55:33,719
Speaker 12: you know, I know the diet, I know you know,

1206
00:55:33,800 --> 00:55:35,880
Speaker 12: you know you know the sleep they're working out, and

1207
00:55:35,920 --> 00:55:38,080
Speaker 12: know the water. I get what it takes to change

1208
00:55:38,080 --> 00:55:40,640
Speaker 12: your body. But this time, with the amount of time

1209
00:55:40,760 --> 00:55:42,880
Speaker 12: that I had to actually do that, compared to the

1210
00:55:42,960 --> 00:55:45,799
Speaker 12: other movies, it was cutting half was cutting you know,

1211
00:55:46,200 --> 00:55:49,080
Speaker 12: in the third actually, so so it was.

1212
00:55:50,680 --> 00:55:53,560
Speaker 1: It was tough this time around. Yeah, we asked Jonathan

1213
00:55:53,719 --> 00:55:56,799
Speaker 1: just before we speak to you about what happened to

1214
00:55:56,880 --> 00:55:59,520
Speaker 1: t Rocky in this one, because it's been a conjecture

1215
00:55:59,560 --> 00:56:01,839
Speaker 1: back way. He guys he guys to Canada to look

1216
00:56:01,880 --> 00:56:05,120
Speaker 1: for his son or he's this indication that he might

1217
00:56:05,160 --> 00:56:07,680
Speaker 1: have passed away. And he ducked and weaved the question.

1218
00:56:07,840 --> 00:56:10,880
Speaker 1: He said, oh, no, well you should ask Michael that

1219
00:56:10,920 --> 00:56:13,160
Speaker 1: when he comes on. That's what he said.

1220
00:56:14,640 --> 00:56:17,000
Speaker 14: He told that I told him, I'm told I told

1221
00:56:17,080 --> 00:56:17,759
Speaker 14: him to ask you.

1222
00:56:19,280 --> 00:56:22,960
Speaker 1: He said, no, I mean, I mean, I mean, let's be.

1223
00:56:23,040 --> 00:56:24,719
Speaker 12: You know, listen, this is this is a this is

1224
00:56:24,760 --> 00:56:27,239
Speaker 12: a is a pre franchise, right, you know, this is

1225
00:56:27,320 --> 00:56:29,239
Speaker 12: you know, you know very much so the first two

1226
00:56:29,280 --> 00:56:31,600
Speaker 12: films was a Donna's figuring out his own last name

1227
00:56:31,880 --> 00:56:33,920
Speaker 12: and what he wanted to accept, and very much so

1228
00:56:33,960 --> 00:56:36,120
Speaker 12: about Rocky and Apollo, you know, same thing in the

1229
00:56:36,160 --> 00:56:38,040
Speaker 12: second film, you know, it's really about him coming out

1230
00:56:38,080 --> 00:56:41,040
Speaker 12: of Apollo's you know, shadow and becoming his own. In

1231
00:56:41,040 --> 00:56:43,319
Speaker 12: this movie, it's you know, at some point you have

1232
00:56:43,360 --> 00:56:44,880
Speaker 12: to tell the story of Creed, you know, and you

1233
00:56:44,920 --> 00:56:47,799
Speaker 12: have to continue that, you know, moving toward that experience

1234
00:56:48,040 --> 00:56:49,960
Speaker 12: and that in that black experience, you know what I'm saying,

1235
00:56:50,000 --> 00:56:52,440
Speaker 12: the experience of you know, what a Donna's Creed might

1236
00:56:52,480 --> 00:56:55,400
Speaker 12: be going through at that time, and that that childhood trauma,

1237
00:56:55,440 --> 00:56:56,680
Speaker 12: you know, what happened in this past.

1238
00:56:56,840 --> 00:56:57,879
Speaker 1: So this is kind of like an.

1239
00:56:57,760 --> 00:57:01,200
Speaker 12: Origin story of sorts, you know, his Creed and Dammi

1240
00:57:01,280 --> 00:57:03,160
Speaker 12: and Anderson. So we had to go back to those

1241
00:57:03,239 --> 00:57:07,800
Speaker 12: childhood traumas, those uh, those you know, those transformative years

1242
00:57:07,840 --> 00:57:10,440
Speaker 12: that that we that we all have as children, that

1243
00:57:10,520 --> 00:57:12,400
Speaker 12: we carry with us. Some we want to forget, some

1244
00:57:12,480 --> 00:57:14,360
Speaker 12: are really too painful, Some we don't want to address,

1245
00:57:14,360 --> 00:57:16,280
Speaker 12: and we kind of move on. But at some point

1246
00:57:16,360 --> 00:57:18,600
Speaker 12: you got to talk about those feelings getting in the

1247
00:57:18,640 --> 00:57:21,840
Speaker 12: you know, toxic maxillinity and and the frameworks of our story.

1248
00:57:21,920 --> 00:57:24,680
Speaker 12: That's and that's what we felt like was needed for

1249
00:57:24,720 --> 00:57:26,080
Speaker 12: this franchise to move forward.

1250
00:57:26,160 --> 00:57:28,880
Speaker 2: Yeah, and a very very modern taught lesson of what

1251
00:57:28,880 --> 00:57:30,520
Speaker 2: it is to be a man to start to think

1252
00:57:30,560 --> 00:57:31,840
Speaker 2: about those things exactly.

1253
00:57:33,160 --> 00:57:35,760
Speaker 1: Yeah, tell them and you're not stuck at in the

1254
00:57:35,800 --> 00:57:40,760
Speaker 1: desert yelling at people through a bullhorn, which is pretty good. Yeah,

1255
00:57:41,040 --> 00:57:42,400
Speaker 1: I just do this one little bit so we can

1256
00:57:42,440 --> 00:57:44,200
Speaker 1: wrap it upside and ruin for the right yet, and

1257
00:57:44,240 --> 00:57:46,520
Speaker 1: you don't have to he keep talking having me, you

1258
00:57:46,560 --> 00:57:48,520
Speaker 1: know that in the desert with a bullhorn, yelling at

1259
00:57:48,560 --> 00:57:51,360
Speaker 1: sixteen thousand you keep doing it. I'm just gotta wrap

1260
00:57:51,400 --> 00:57:52,880
Speaker 1: this up. I'm trying to wrap it up and you're

1261
00:57:52,880 --> 00:57:58,720
Speaker 1: wrapping me up. Stop huh. And that's when you say, yes,

1262
00:58:00,080 --> 00:58:03,360
Speaker 1: that up and we can leave. Thank you, Thank you

1263
00:58:03,520 --> 00:58:05,240
Speaker 1: so much, good job, mate, Thank you.

1264
00:58:05,880 --> 00:58:10,520
Speaker 16: Jonesy and Amanda Germ podcast, Good morning.

1265
00:58:10,600 --> 00:58:11,920
Speaker 1: Do you mean to wish me a good morning or

1266
00:58:11,920 --> 00:58:14,440
Speaker 1: do you mean good morning? Whether I wanted or not,

1267
00:58:14,560 --> 00:58:16,760
Speaker 1: All of them are once I suppose are we added

1268
00:58:16,800 --> 00:58:17,600
Speaker 1: the creed zone.

1269
00:58:17,680 --> 00:58:21,160
Speaker 2: Now my spheincter is a little over work. What's I'm

1270
00:58:21,200 --> 00:58:23,440
Speaker 2: so anxious the way that interview wrapped up. It's so

1271
00:58:23,600 --> 00:58:25,360
Speaker 2: hard when we have to do these zoom things and

1272
00:58:25,360 --> 00:58:27,360
Speaker 2: people just and you got cranky, and who.

1273
00:58:27,640 --> 00:58:30,240
Speaker 1: I didn't get cranky? What happens was there's so many people.

1274
00:58:30,240 --> 00:58:32,880
Speaker 1: There's so many people involved in this. You think you're

1275
00:58:32,920 --> 00:58:35,240
Speaker 1: just talking to the two stars of the movies, which

1276
00:58:35,280 --> 00:58:38,640
Speaker 1: we just did. We were speaking to Jonathan Major's and

1277
00:58:38,680 --> 00:58:41,320
Speaker 1: then we took spake to Michael B. Jordan. And the

1278
00:58:41,400 --> 00:58:44,200
Speaker 1: problem is there over in LA it's different time zones.

1279
00:58:44,440 --> 00:58:46,760
Speaker 1: There's about eight billion people that don't need to be

1280
00:58:46,840 --> 00:58:49,400
Speaker 1: involved in these things. And then there's one person has

1281
00:58:49,440 --> 00:58:52,120
Speaker 1: one job that's to wrap us up. Well, no, but

1282
00:58:52,160 --> 00:58:54,360
Speaker 1: we don't need to be wrapped up. We've got we

1283
00:58:54,360 --> 00:58:57,560
Speaker 1: were exactly within our time. But just when you're wrapping

1284
00:58:57,600 --> 00:59:01,040
Speaker 1: up the interview, there's Bozo pipes in talking all over

1285
00:59:01,080 --> 00:59:02,960
Speaker 1: the top of what we're wrapping up, and it's obvious

1286
00:59:03,000 --> 00:59:06,040
Speaker 1: we're wrapping the interview. You weren't happy, just said it's

1287
00:59:06,040 --> 00:59:08,560
Speaker 1: sphincter tighten. You just I don't think it was that bad.

1288
00:59:08,720 --> 00:59:09,360
Speaker 1: Wasn't that bad?

1289
00:59:10,120 --> 00:59:12,680
Speaker 2: But this franchise to move forward and a very very

1290
00:59:12,720 --> 00:59:15,040
Speaker 2: modern talk lesson of what it is to be a

1291
00:59:15,040 --> 00:59:18,160
Speaker 2: man to start to think about those things exactly.

1292
00:59:18,720 --> 00:59:22,000
Speaker 1: Yeah, and you're not stuck out in the desert yelling

1293
00:59:22,000 --> 00:59:26,320
Speaker 1: at people through a bullhorn, which is pretty good. Yeah,

1294
00:59:26,360 --> 00:59:27,840
Speaker 1: can I just do this one little bit so we

1295
00:59:27,840 --> 00:59:29,760
Speaker 1: can wrap it up? So ruin for the radio and

1296
00:59:29,800 --> 00:59:32,120
Speaker 1: you don't have to you keep talking over me. You're

1297
00:59:32,160 --> 00:59:34,520
Speaker 1: not out in the desert with a bullhorn yelling at sixteen.

1298
00:59:35,440 --> 00:59:37,360
Speaker 1: You keep doing it. I'm just going to wrap this up.

1299
00:59:37,400 --> 00:59:39,080
Speaker 1: I'm trying to wrap it up, and you're wrapping me up.

1300
00:59:39,160 --> 00:59:46,120
Speaker 1: Stop and that's when you say, yes, it up and

1301
00:59:46,160 --> 00:59:50,040
Speaker 1: we can leave. Thank you man. Michael was laughing.

1302
00:59:50,280 --> 00:59:51,600
Speaker 2: He understood what was going on.

1303
00:59:51,680 --> 00:59:53,360
Speaker 1: You know, if everyone's going to ruin this radio show,

1304
00:59:53,360 --> 00:59:54,720
Speaker 1: it's us, okay, not them?

1305
00:59:54,880 --> 00:59:57,160
Speaker 2: And my sphincter which is still very tight.

1306
00:59:57,680 --> 00:59:58,200
Speaker 1: Well good.

1307
01:00:00,360 --> 01:00:03,360
Speaker 2: We had a discussion or an argument on Saturday night

1308
01:00:03,920 --> 01:00:05,600
Speaker 2: in the back of a car when we're going to

1309
01:00:06,080 --> 01:00:09,320
Speaker 2: a home from each Uran, and we spoke about it

1310
01:00:09,360 --> 01:00:12,640
Speaker 2: on air yesterday. It was about sui min versus two

1311
01:00:12,720 --> 01:00:16,520
Speaker 2: minute noodles. I said that I ate Suimn in my

1312
01:00:16,680 --> 01:00:20,000
Speaker 2: final year of school, completely NonStop, and you said, well,

1313
01:00:20,520 --> 01:00:22,320
Speaker 2: two minute noodles around before that, and I said, well

1314
01:00:22,320 --> 01:00:24,480
Speaker 2: we never had them, and you said that's becushapavo, and

1315
01:00:24,480 --> 01:00:26,600
Speaker 2: that's where that started. He said, only rich people had

1316
01:00:26,600 --> 01:00:29,880
Speaker 2: the two minute noodles, but you did not believe that

1317
01:00:30,000 --> 01:00:32,240
Speaker 2: I could have eaten two minute noodles in nineteen seventy,

1318
01:00:33,040 --> 01:00:35,000
Speaker 2: So I could have eaten Sui Min, sorry, in nineteen

1319
01:00:35,040 --> 01:00:35,600
Speaker 2: seventy nine.

1320
01:00:35,760 --> 01:00:36,840
Speaker 1: They weren't around in nine.

1321
01:00:37,120 --> 01:00:40,040
Speaker 2: They were around in nineteen seventy nine. People have joined

1322
01:00:40,040 --> 01:00:42,360
Speaker 2: our Facebook chat to say it, I don't go, oh,

1323
01:00:42,360 --> 01:00:44,000
Speaker 2: here we go. Here comes the truth? How dare we?

1324
01:00:44,920 --> 01:00:47,960
Speaker 2: I mean my dad eating swim in the seventies. Someone says,

1325
01:00:48,000 --> 01:00:50,120
Speaker 2: I've been eating Sue Min since childhood, and I'm closer

1326
01:00:50,160 --> 01:00:52,680
Speaker 2: to sixty than i'd like. Suei Min saw me through

1327
01:00:52,680 --> 01:00:56,040
Speaker 2: my hsu and eighty one. My brother loved them before that,

1328
01:00:56,200 --> 01:00:59,080
Speaker 2: so that was the mid seventies. She said prawns were

1329
01:00:59,120 --> 01:01:03,080
Speaker 2: my favorite. Sorry Jones, he says, Tracy Amanda wins the argument,

1330
01:01:03,480 --> 01:01:06,880
Speaker 2: just so. Someone said Sueimn came out in nineteen fifty eight.

1331
01:01:07,560 --> 01:01:12,080
Speaker 1: In the polystyrene container. Yes, with the noodles, Yes, and

1332
01:01:12,120 --> 01:01:13,200
Speaker 1: the flavors of rendon.

1333
01:01:13,360 --> 01:01:17,360
Speaker 2: Yes, someone says. Karen says, I ate Sueimin cup noodles

1334
01:01:17,360 --> 01:01:19,680
Speaker 2: in the seventies. Amanda's right, and others go yes, that

1335
01:01:19,720 --> 01:01:23,600
Speaker 2: definitely became before two minute noodles. Suei Min was around

1336
01:01:23,600 --> 01:01:25,640
Speaker 2: when I was in primary school in the late seventies.

1337
01:01:26,080 --> 01:01:29,160
Speaker 2: Sueimn was around in the seventies. They were ninety nine cents.

1338
01:01:29,400 --> 01:01:32,720
Speaker 2: Vicky says, I survived thanks to those in my college year. Brendan,

1339
01:01:32,840 --> 01:01:35,200
Speaker 2: is anything you'd like to say, Regardless, we did this.

1340
01:01:35,880 --> 01:01:37,640
Speaker 1: We googled and Jim I.

1341
01:01:37,560 --> 01:01:40,040
Speaker 2: Wraie No, it was the wrong information because the sueim

1342
01:01:40,080 --> 01:01:43,080
Speaker 2: In factory, to my knowledge, was closed down and opened

1343
01:01:43,120 --> 01:01:43,439
Speaker 2: up again.

1344
01:01:43,480 --> 01:01:45,680
Speaker 1: But there was a salmonella scare you remember in the eighties.

1345
01:01:45,880 --> 01:01:48,040
Speaker 1: I remember Keat in my class got very very sick.

1346
01:01:48,480 --> 01:01:51,280
Speaker 2: Well, it was about you went from the date of

1347
01:01:51,280 --> 01:01:54,560
Speaker 2: it opening up again, whereas in fact, originally it was

1348
01:01:54,600 --> 01:01:56,880
Speaker 2: around in the seventies. And I'd like you to a

1349
01:01:56,960 --> 01:02:01,120
Speaker 2: podk oh. You think it was wrong. These people's memories

1350
01:02:01,160 --> 01:02:02,479
Speaker 2: and my own are wrong.

1351
01:02:03,200 --> 01:02:06,000
Speaker 1: I'm just I just know what I know.

1352
01:02:06,200 --> 01:02:07,760
Speaker 2: You're most irritating man.

1353
01:02:08,240 --> 01:02:10,760
Speaker 1: I'm just I want to do my own research.

1354
01:02:11,080 --> 01:02:11,880
Speaker 11: Y right?

1355
01:02:11,920 --> 01:02:13,600
Speaker 2: Why do you put your tinfoil hat on while you're

1356
01:02:13,640 --> 01:02:15,920
Speaker 2: there and then tip it upside down and eats.

1357
01:02:15,760 --> 01:02:20,120
Speaker 1: Some moodles into you lizard people? It's a quarter to nine,

1358
01:02:20,200 --> 01:02:22,240
Speaker 1: gets my goolies is coming up? Perhaps you've got a

1359
01:02:22,280 --> 01:02:26,480
Speaker 1: deluded friend? Are you okay? It's a sewing mean incident.

1360
01:02:29,960 --> 01:02:32,240
Speaker 1: The iHeart Radio app. Go to WSM and press the

1361
01:02:32,280 --> 01:02:44,400
Speaker 1: microphone to record your gooley it's fourteen to nine.

1362
01:02:45,000 --> 01:02:47,720
Speaker 2: You can win twenty thousand dollars cash thanks to Hear

1363
01:02:47,760 --> 01:02:50,960
Speaker 2: and Forbes Machinery House. If your favorite goolie of the year,

1364
01:02:51,080 --> 01:02:54,160
Speaker 2: download the iHeartRadio app. Got a WSF, impress the microphone

1365
01:02:54,240 --> 01:02:55,040
Speaker 2: record your goolie?

1366
01:02:55,120 --> 01:02:55,760
Speaker 1: What have we got?

1367
01:02:56,320 --> 01:02:59,120
Speaker 9: What gets my goalies is people who slow right down

1368
01:02:59,120 --> 01:03:02,439
Speaker 9: to almost a stop to go over speed humps. Every

1369
01:03:02,480 --> 01:03:04,680
Speaker 9: day I get stuck behind someone who does this, and

1370
01:03:04,720 --> 01:03:08,240
Speaker 9: it does my head in. Actually, it's less bumpy. If

1371
01:03:08,280 --> 01:03:10,800
Speaker 9: you're going a bit of speed over speed humps, you

1372
01:03:10,800 --> 01:03:12,040
Speaker 9: do not need to slow.

1373
01:03:11,800 --> 01:03:12,560
Speaker 11: Down that much.

1374
01:03:13,040 --> 01:03:16,160
Speaker 9: I am tired of being stuck behind idiots who do this.

1375
01:03:16,240 --> 01:03:18,000
Speaker 9: You're just taking up my valuable times.

1376
01:03:18,120 --> 01:03:22,520
Speaker 1: Stop doing it. Okay, speed humps if you car has

1377
01:03:22,560 --> 01:03:26,400
Speaker 1: been slammed those that's what's not just lowered fully sick

1378
01:03:26,440 --> 01:03:27,160
Speaker 1: bro low.

1379
01:03:27,560 --> 01:03:29,920
Speaker 2: We have to be careful, but you can still go

1380
01:03:30,000 --> 01:03:33,040
Speaker 2: at a pace rather than stopping, because then you scrape

1381
01:03:33,080 --> 01:03:36,560
Speaker 2: it when you stop. Yeah, smoke the bags, Brendan.

1382
01:03:36,680 --> 01:03:37,560
Speaker 1: You know all about it.

1383
01:03:38,240 --> 01:03:42,520
Speaker 2: You just watch me. I will this absolutely. Yes.

1384
01:03:42,600 --> 01:03:44,720
Speaker 15: My goal is when you have like a friend, I'm

1385
01:03:44,720 --> 01:03:47,560
Speaker 15: putting up quotation marks and you ask to hang out

1386
01:03:47,560 --> 01:03:50,840
Speaker 15: and they reply like a month later or I better yet,

1387
01:03:51,120 --> 01:03:54,760
Speaker 15: when you message someone and they literally apply fifteen years

1388
01:03:54,840 --> 01:03:55,720
Speaker 15: later and it's like.

1389
01:03:56,840 --> 01:04:00,840
Speaker 2: Oh, literally fifteen years later. Did we have texting fifteen

1390
01:04:00,880 --> 01:04:01,240
Speaker 2: years ago?

1391
01:04:01,320 --> 01:04:02,840
Speaker 1: Yeah, we were texting fifteen years.

1392
01:04:05,600 --> 01:04:09,360
Speaker 2: It's all those ancient genital photos that people have sent me.

1393
01:04:10,040 --> 01:04:12,800
Speaker 1: It's like texting your kids, though you'll never get any

1394
01:04:12,800 --> 01:04:14,040
Speaker 1: reply unless they want money.

1395
01:04:14,200 --> 01:04:16,560
Speaker 2: Yeah. It's funny, that, isn't it. When I want to

1396
01:04:16,560 --> 01:04:20,120
Speaker 2: text Jack, I DM him, I text him and I

1397
01:04:20,240 --> 01:04:23,400
Speaker 2: call him and maybe three days later one of those

1398
01:04:23,480 --> 01:04:24,680
Speaker 2: might be responded.

1399
01:04:24,320 --> 01:04:26,160
Speaker 1: He is short of money, Oh yes.

1400
01:04:26,120 --> 01:04:28,840
Speaker 2: Straight in and wants it in the bank. That five minutes.

1401
01:04:30,000 --> 01:04:31,120
Speaker 1: How a the bat him with a good if you

1402
01:04:31,120 --> 01:04:33,400
Speaker 1: dip that doesn't matter. You go straight to the ither

1403
01:04:33,480 --> 01:04:37,479
Speaker 1: Heart radio app, download the WSFM finger me and press

1404
01:04:37,520 --> 01:04:40,040
Speaker 1: the microphone to record your ghoulie. It's for tonight.

1405
01:04:41,800 --> 01:04:44,480
Speaker 2: My favorite Cather Facebook friend wins three hundred dollars to

1406
01:04:44,520 --> 01:04:47,520
Speaker 2: spend at Bavista Dessert Bar. World famous desserts at Bavista

1407
01:04:47,520 --> 01:04:48,680
Speaker 2: paramatter and brighten the sand.

1408
01:04:48,720 --> 01:04:50,240
Speaker 1: You scared the jones and the amount of tea towel

1409
01:04:50,360 --> 01:04:52,600
Speaker 1: eighteenth birthday key ring.

1410
01:04:53,240 --> 01:04:56,880
Speaker 2: Well, there's a brand new Chinese kissing device. It's a

1411
01:04:56,920 --> 01:05:00,880
Speaker 2: tube with a silicon mouth on the end. Puposedly have one,

1412
01:05:01,040 --> 01:05:03,640
Speaker 2: and your long distance lover has another one over in.

1413
01:05:03,680 --> 01:05:05,880
Speaker 1: A lab in wu hand. That's right kissing.

1414
01:05:06,040 --> 01:05:08,600
Speaker 2: You plug them into your phones and get the app

1415
01:05:08,640 --> 01:05:12,160
Speaker 2: and they all smoochy smooch. I would have liked one

1416
01:05:12,160 --> 01:05:13,840
Speaker 2: of these when I was a teenager. Where I was

1417
01:05:13,840 --> 01:05:16,320
Speaker 2: trying to practice kissing, I had to practice on an

1418
01:05:16,320 --> 01:05:18,840
Speaker 2: orange and occasional i'd practice on a mirror. I'm still

1419
01:05:18,840 --> 01:05:21,760
Speaker 2: seeing both of them. Thanks for asking. Tribal Drum was

1420
01:05:21,800 --> 01:05:23,800
Speaker 2: beating for what did you practice kissing on?

1421
01:05:23,960 --> 01:05:25,520
Speaker 1: Has there a Ben Cash?

1422
01:05:25,720 --> 01:05:27,280
Speaker 2: He's many from Penrith.

1423
01:05:27,560 --> 01:05:31,320
Speaker 11: Mum had a dub Volkswagen and the only reason why

1424
01:05:31,360 --> 01:05:34,520
Speaker 11: I practice on the car window is because I couldn't

1425
01:05:34,560 --> 01:05:37,680
Speaker 11: see my reflection as much as the mirror. Because I

1426
01:05:37,720 --> 01:05:40,040
Speaker 11: really hate it looking at myself. I really needed to

1427
01:05:40,080 --> 01:05:43,320
Speaker 11: feel that I was kissing someone else, not myself, so

1428
01:05:43,480 --> 01:05:44,400
Speaker 11: I went the car mirror.

1429
01:05:44,840 --> 01:05:46,880
Speaker 2: Did you go inside the car and pash or stay

1430
01:05:46,920 --> 01:05:47,720
Speaker 2: outside the car?

1431
01:05:48,200 --> 01:05:51,280
Speaker 11: Oh? No, definitely on the outside. In fact, Mum had

1432
01:05:51,320 --> 01:05:53,040
Speaker 11: a couple of cars in the driveway. I don't think

1433
01:05:53,080 --> 01:05:55,160
Speaker 11: there wasn't a window. I didn't kiss.

1434
01:05:57,000 --> 01:05:59,480
Speaker 1: I should taking money down paramounta road past all the car?

1435
01:05:59,520 --> 01:06:01,280
Speaker 1: Do you was right? Au two?

1436
01:06:01,720 --> 01:06:03,640
Speaker 2: That's enough. She might fall in love with that big

1437
01:06:03,680 --> 01:06:05,000
Speaker 2: tall man waving his arms.

1438
01:06:05,880 --> 01:06:06,800
Speaker 1: He's always up for it.

1439
01:06:06,880 --> 01:06:09,080
Speaker 2: We are back tonight for jam Nation. We'll see you

1440
01:06:09,080 --> 01:06:09,439
Speaker 2: at six.

1441
01:06:09,360 --> 01:06:12,360
Speaker 1: O'clockgly Fellow's next. Good day to you. Well, thank god

1442
01:06:12,440 --> 01:06:13,480
Speaker 1: that's over, good.

1443
01:06:13,440 --> 01:06:17,560
Speaker 11: Bye, good bye, wipe the two.

1444
01:06:17,960 --> 01:06:18,360
Speaker 2: You're right.

1445
01:06:18,600 --> 01:06:21,960
Speaker 16: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1446
01:06:21,960 --> 01:06:33,320
Speaker 16: wherever you get your podcasts. Jonesy and Amanda podcast. Catch

1447
01:06:33,360 --> 01:06:36,080
Speaker 16: up on what you've missed on the free iHeartRadio app.