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Speaker 1: The Will and Woody Podcast.

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Speaker 2: You were absolutely brilliant. You were absolutely brown.

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Speaker 3: Anyone seen presumed Innocent with un all you know what

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Speaker 3: we're talking about.

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Speaker 4: We've being de la guardia and that was probably obvious

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Speaker 4: from the impersonations.

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Speaker 3: Like welcome to the Will and Woody, welcome my podcast.

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Speaker 2: Older, you're absolutely ryan.

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Speaker 4: Anyway, go and watch, Go and watch presumed Innocent, and

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Speaker 4: then get around what Will and I are doing right now,

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Speaker 4: because you'll love that.

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Speaker 3: If you don't, then don't worry about it. This is

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Speaker 3: where you get the best bits of the week here

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Speaker 3: on Will and Woody.

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Speaker 2: Including the last twenty seconds.

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Speaker 3: And yeah, we joined a bunch of other behind the

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Speaker 3: scenes gear.

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Speaker 1: Now.

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Speaker 3: I don't know if there's anything embarrassing you want to

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Speaker 3: bring up about me to start the week, but if not,

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Speaker 3: I'll just shoot at you today. I don't worry about it.

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Speaker 2: We went into all Transformers this morning, Yep.

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Speaker 3: We did. We got a private screener. That's the thing,

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Speaker 3: by the way, if they think the movie is going

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Speaker 3: to be really shit, then they throw a big actor

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Speaker 3: at us.

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Speaker 2: It's definitely not the case.

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Speaker 3: Now, not the case with this one, the case with

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Speaker 3: this one. Sometimes it'll be amazing. Sometimes that happens, and

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Speaker 3: this is one of those one of those rare moments

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Speaker 3: where this doesn't happen. Well, when they think the movie

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Speaker 3: is gonna, you know, going to bomb, what they often

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Speaker 3: do is they send out a really big actor from overseas.

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Speaker 3: This isn't the case with this one because the actor

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Speaker 3: we're interviewing is homegrown. But the overseas actor, they'll go,

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Speaker 3: we're worried about how this movie is going to go.

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Speaker 3: You guys can have the biggest star from the movie,

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Speaker 3: Brad Pitt's going to come out and do interviews, and

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Speaker 3: we go, hey, in a second, you wouldn't normally send

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Speaker 3: Brad Pitt out to do interviews unless you didn't you

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Speaker 3: were worried about the boxer's office sales of the movie.

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Speaker 2: I'll give you two examples. Brad Pitt was doing a

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Speaker 2: lot of press for ad Astra Shocker. I'll give you

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Speaker 2: a second one.

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Speaker 4: I'll give you a second one. We once interviewed James McAvoy. Yeah,

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Speaker 4: Hollywood actor too, it too shocking love James.

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Speaker 2: James was a great guy.

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Speaker 3: In fact, you could tell that he just he signed

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Speaker 3: on for two movies.

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Speaker 2: Was he in the first?

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Speaker 3: No, just realized that I don't know what happened there.

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Speaker 2: There was a lot of I feel like maybe on paper.

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Speaker 3: Were no I think when we interviewed him for it too, No,

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Speaker 3: do you know what it is. Here's a little bit

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Speaker 3: of insight for you guys. So what they often do

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Speaker 3: with the move with movie roles is they often you

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Speaker 3: often have to take a little bit of a dicking

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Speaker 3: to get a really big role.

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Speaker 2: That's true.

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Speaker 4: Okay, So Tom Hardy, I'm not sure if it's actually eventuator.

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Speaker 4: But when there was talk about him becoming James Bond,

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Speaker 4: he did a movie called.

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Speaker 2: Spy v Spy.

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Speaker 3: No, No, you mean the one with Chris Pine. Yeah,

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Speaker 3: shiittest thing you've ever seen. But that I think that

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Speaker 3: was a big Like, yeah, it was a little bit

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Speaker 3: of a dicking in a bad way, a bad dicking.

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Speaker 3: Some people do enjoy them.

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Speaker 4: You see someone, you see actors go like, Okay, there's

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Speaker 4: a big role that you want.

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Speaker 2: We need.

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Speaker 3: It was called This Means War One of the Worst

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Speaker 3: with Reese Witherspirit one of the worst, one of the worst,

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Speaker 3: and Tom Hardy is in it. Everyone was like, Tom

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Speaker 3: Hardy is one of the most respects actors on the planet.

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Speaker 3: What the hell is he doing in this means war?

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Speaker 3: This means this.

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Speaker 2: Must have meant a big payday or something.

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Speaker 3: But like it was, it was, it was. It was

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Speaker 3: a production company dicking, let me find out so in

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Speaker 3: a bad way. So the the production company.

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Speaker 2: Two spies.

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Speaker 3: That happened a version of mister and Missus Smith.

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Speaker 4: No, but not even that, Like missmister is great. Like

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Speaker 4: you've had a married couple who find out that they're

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Speaker 4: both spies.

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Speaker 2: Oh why, Like that is unreal?

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Speaker 4: Two spies on a mission fall in love with the saying, eh,

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Speaker 4: there's nowhere.

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Speaker 3: I'm trying to do some sleuthing as to what the

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Speaker 3: next Tom Hardy movie was. I think it might have been,

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Speaker 3: Like it might have been a Bane Oh you're it

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Speaker 3: might have been Batman.

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Speaker 2: You're exactly right, Yes, you're exactly right.

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Speaker 3: Because of venom. It could have been. So it's twentieth

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Speaker 3: century studios that did it.

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Speaker 2: Because they often go, we're going to give you this role.

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Speaker 2: No one knows who you are to do this.

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Speaker 4: You have to mo which is going to be yes everywhere.

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Speaker 3: So what I'm just trying to think what this means war.

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Speaker 3: I'm sorry if this is boring everyone, but this is

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Speaker 3: absolutely fascinating me. I love this shit.

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Speaker 2: People love it. I love it.

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Speaker 3: So it came out in twenty twelve. This means war

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Speaker 3: When was Dark Knight Rises. I reckon, We're pretty close

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Speaker 3: Fury Road. It's dark Dark Knight Rises. It also comes

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Speaker 3: out twenty twelve. That's exactly what it was.

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Speaker 4: You're in every run's orbit now because of this means

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Speaker 4: which was a very accessible movie. And then Tom Hardy's

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Speaker 4: name on the poster, you go, oh, oh, I know

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Speaker 4: who that is. There you go, He's Bane.

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Speaker 3: There you go, there you go, that's crazy. How about that?

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Speaker 3: Because it's just so uncharacterizic because he does I mean,

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Speaker 3: I know this isn't a film podcast, but he does

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Speaker 3: Bronzon unbelievable, and then he does I haven't seen the

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Speaker 3: code or perfect. But then he does Inception, and then

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Speaker 3: and then he does tinker Tailor Soldiers by then he

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Speaker 3: does Warrior Favorite. How about that run? How about that run? Bronson, Inception,

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Speaker 3: Tinker Tailor Soldiers by Warrior Into This means more that

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Speaker 3: just just yeah, it doesn't make any sense.

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Speaker 4: Unless he goes, I really want to be Bane, and

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Speaker 4: Impasion goes, sure, you've got the role if you do this. Yeah,

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Speaker 4: how do you explain Pine there?

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Speaker 3: Oh, that's Pine's beret.

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Speaker 5: And but.

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Speaker 3: I think Pine might have written the script, the script

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Speaker 3: for this. No, I shouldn't say that I like Chris.

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Speaker 3: I do like Chris Pine, I do like him, but

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Speaker 3: I think that, you know, it's not as much of

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Speaker 3: an anomaly for Pine.

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Speaker 2: No judgment here.

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Speaker 3: I think Pine knows you know that. I think Pine

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Speaker 3: did wonderful things in Wonder Woman. I think Pine did

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Speaker 3: wonderful things in Star Trek. Is incredible in Star Trek.

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Speaker 2: Hell or High Water with Jeff Bridges.

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Speaker 3: He's also in Just My Luck.

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Speaker 2: Sounds awful, but.

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Speaker 3: You know what I mean, Like, it's not it's with

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Speaker 3: Lindsay Lowan Just My Luck. He's with Lindsay lod So, like,

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Speaker 3: it's not it's not out of his reach. I think

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Speaker 3: is also in a movie called Bottle Shock Blind Dating.

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Speaker 3: I mean again, it's not out of his reach. So yeah, anyway,

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Speaker 3: how do we get there?

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Speaker 2: No idea?

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Speaker 4: We went to Transformers? Oh my god, anyway, I think

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Speaker 4: we're talking enough about movies. Let's get to another.

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Speaker 3: Transformers, by the way, is not like those movies where

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Speaker 3: we interview someone overseas because the movie is dying.

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Speaker 2: He said that the na of Double Down kind of

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Speaker 2: seem it's not the case.

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Speaker 3: It's not the case because they're homegrown talent.

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Speaker 2: Brian's American.

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Speaker 3: Well, look, do you guys want to tell people what's

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Speaker 3: coming up on the podcast?

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Speaker 6: Oh?

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Speaker 2: Sorry, because I'm segueing Tom, I'm in it. I'm in it.

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Speaker 3: If we got Chris Pine coming out, we don't have

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Speaker 3: Chris Pine.

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Speaker 2: She's giving a talk to Pine.

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Speaker 3: She giving me.

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Speaker 2: I talked to Pine. If pressing for Chris Pine, what

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Speaker 2: do I tell him?

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Speaker 7: Ship movies, but some good ones.

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Speaker 3: We love doing Star Trek. That's we loved you in

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Speaker 3: Star Trek, in Wonder Woman.

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Speaker 2: Main topic of discussion inconsistency in film.

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Speaker 3: We take Tom Hardy as well, by the way, absolutely

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Speaker 3: and we'll tell them thanks mate, and you say them.

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Speaker 4: I lived together at the Universe anyway. Speaking of big actors,

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Speaker 4: Mim had an interaction with that's right Shive from Succession

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Speaker 4: Pretty wild.

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Speaker 3: Australian lives in Melbourne amazingly totally yeah yeah, which surprise

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Speaker 3: surprised a lot of people. But she's married to the

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Speaker 3: Australian comedy actor Dave Lawson. Yes, yeh unreally so, by

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Speaker 3: the way, I keep having to qualify this for people,

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Speaker 3: is the guy in the Toyota ads carry Yes, if

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Speaker 3: you don't, if if you can't put her face to

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Speaker 3: a name there, yes, absolutely anyone. Not that he's just

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Speaker 3: known for that, but that's what he's most well known for.

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Speaker 3: Allah Chris Pine, this Man's.

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Speaker 2: War carry on.

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Speaker 3: Mim had an interaction, Yeah, really covering our tracks in

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Speaker 3: this podcast. I mean, guys, it's fine, it's fine.

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Speaker 2: He used to be a shock truck man. What happened

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Speaker 2: to you? Look at you back pedaling?

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Speaker 3: Analys just shot me this look before that was like,

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Speaker 3: I just massacred the whole film industry and ruined all

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Speaker 3: her relationships, which I haven't. I'm just staying in the facts.

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Speaker 3: I'm staying in the facts. When they when they send

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Speaker 3: Bill Murray out for interviews, his film's a stinker. We

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Speaker 3: interviewed No No Billy, Billy Crystal and it was a shocker.

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Speaker 2: It was it was broken in an evening with Billy Crystal.

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Speaker 4: That's a great night anyway, Mim interaction Sarah Snook at

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Speaker 4: the obviously we had to get her on the sho

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Speaker 4: to talk about it. My partner who was waiting patiently

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Speaker 4: on the phone and min before we get to the

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Speaker 4: interaction with an A List celebrity that you had this morning.

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Speaker 4: I just wanted to share something real quick, so our

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Speaker 4: executive producer, poo Pants, he messaged mem to see if

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Speaker 4: she was available because we were quite busy in a

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Speaker 4: meeting Will and Nim. Your response to poopants was, Oh, no,

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Speaker 4: he doesn't want me to talk about the fart, does he?

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Speaker 2: What were you referring to there, Mim.

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Speaker 1: No, I've just eaten a lot of Collie flower of

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Speaker 1: late and that's basically basically it.

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Speaker 2: I guess, and you thought the reason I was going

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Speaker 2: to get you on here was to comment on how flatulent.

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Speaker 1: You've been based on your flatulent and IBS issues.

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Speaker 2: That's fair. Actually, that is our show.

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Speaker 3: I take you with being based on it, Mim. I

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Speaker 3: mean it features heavily, but.

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Speaker 5: That sums it up.

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Speaker 2: If any clients are listening, we are a mature show.

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Speaker 4: But Mim, I do want to talk to you about

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Speaker 4: your interaction with an A List celebrity this morning.

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Speaker 3: So do you want to step down from Jackman?

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Speaker 1: But I feel like we we bonded and we're pretty

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Speaker 1: close now that it feels like wrong, It's a bit

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Speaker 1: of an invasion of privacy, especially considering I act like

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Speaker 1: I didn't know who they were because I was like,

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Speaker 1: you know, it must be really tough being that famous,

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Speaker 1: and I just want her to feel safe around me.

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Speaker 1: And now I'm just now I'm just on the radio

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Speaker 1: giving the hot goth.

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Speaker 2: Would you say you're friends with this person?

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Speaker 3: Now?

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Speaker 1: Yeah, i'd say we're pretty close.

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Speaker 3: Did you exchange that?

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Speaker 5: No?

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Speaker 1: But I feel like mentally like it's like no, but

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Speaker 1: she knows my daughters.

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Speaker 3: Probably not friends. That's all right, that's.

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Speaker 2: Okay, Okay, I think I think we need to.

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Speaker 3: Had an interaction with an A grader.

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Speaker 1: Yeah, well, was China. I couldn't remember, Like she's she's

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Speaker 1: really famous. I couldn't remember her name, but I knew

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Speaker 1: her face. And I said to Woody red hair female,

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Speaker 1: And I thought the show was regression, but it turns

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Speaker 1: out it's succession ship.

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Speaker 3: Sarah's no cool cool. You do you know that Woody

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Speaker 3: has a massive crush on him?

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Speaker 1: Yeah, there is something about it. She's she's I.

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Speaker 5: Don't know.

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Speaker 4: Son, Like I've held back from asking you specific questions.

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Speaker 3: Was he would have got sick? What?

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Speaker 6: No?

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Speaker 3: What was she like.

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Speaker 1: Invites an inviter of for dinner, which now I'm realizing

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Speaker 1: that you have a crush on it. He proceeded to

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Speaker 1: say that he liked her husband too, So this is

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Speaker 1: getting a little bit key's in the.

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Speaker 2: Bowl like her, Well, if you're up for it.

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Speaker 1: Yeah, but apparently I did google her naturally after I

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Speaker 1: got home, and apparently she's filming something here and she's like, what,

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Speaker 1: what a great mum. She's filming something, she's working, and

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Speaker 1: then she's just at the zoom on a Thursday morning

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Speaker 1: with her child, being the best mum possible.

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Speaker 3: She had a kid that's really lovely.

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Speaker 1: Yeah, sixteen sixteen months. She was like on the floor

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Speaker 1: playing with him.

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Speaker 3: I was just like, go go, So you recognize her.

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Speaker 3: Thought she was in regression, so I didn't know exactly

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Speaker 3: what she was from, but knew that she had something

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Speaker 3: about her. What did you talk about? It was it

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Speaker 3: was half of the conversation, you trying to figure out

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Speaker 3: exactly how you knew her face. Na, it was.

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Speaker 1: Basically just chat about the zoo. We were at the

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Speaker 1: zoo whom we're in like the kids sort of area,

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Speaker 1: and she was just giving me the lay of the land.

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Speaker 1: Of like the kids area because it was my first

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Speaker 1: time on Yeah, and she yeah, she was just lovely.

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Speaker 1: And then I sort of just kept walking and following.

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Speaker 5: Her around and just probably like all right, this is

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Speaker 5: a bit weird.

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Speaker 3: And I was like, hey, Sen again, oh you followed her?

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Speaker 1: I see I didn't follow It was just like close

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Speaker 1: steps towards her.

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Speaker 2: You know it sounds like you followed her.

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Speaker 3: All now, will Yep.

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Speaker 4: After this interaction, yeah, you and me went to work.

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Speaker 4: We went to the war room and we were like,

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Speaker 4: this is just too funny not to take advantage of.

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Speaker 4: And we've been hypothesizing as to how we can somehow prankmm.

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Speaker 4: Now the dream for me is we make her believe

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Speaker 4: that Sarah Snook calls her and wants to have another

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Speaker 4: catch up with her because she she just loved the

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Speaker 4: interaction so much.

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Speaker 3: Yeah, which for all sorts of reasons is not going

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Speaker 3: to happen.

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Speaker 2: No, not talking against my partner as someone to have

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Speaker 2: an interaction with her.

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Speaker 4: She's a right old time. But there's no world where

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Speaker 4: Sarah stookes going. Hey, you know that random that I

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Speaker 4: was talking to in a playground?

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Speaker 3: Oh, I wasn't even talking about the belief sorry, No,

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Speaker 3: I wasn't even talking about the believability of that, Like

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Speaker 3: I believe, like it is conceivable that Sarah Snook had

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Speaker 3: you know, min was a riote of a time, and

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Speaker 3: Sarah s Nuok was like, gee, is you know I

300
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Speaker 3: like to hang with you again? That for me is plausible. Sure,

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Speaker 3: the believable slash unbelievable thing. And again, when you get

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Speaker 3: into the mechanics of a prank, this is this is

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Speaker 3: where it starts to get tricky. You really have to

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Speaker 3: think it through. Is Let's say Sarah gets home to

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Speaker 3: Dave Lawson with her kids after the zoo and she's like,

306
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Speaker 3: oh my god, I've had the best time at the zoo,

307
00:14:01,880 --> 00:14:07,559
Speaker 3: met this really wonderful girl at playtime Archie and Harry

308
00:14:07,640 --> 00:14:10,280
Speaker 3: got along with him really well, her really well, and

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Speaker 3: her kid Remy. I would love to reach out to

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Speaker 3: her again. Okay, So she's saying the question for us

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Speaker 3: in making this prank call is how would Sarah Snook

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Speaker 3: reach out to mim, Because that's who needs to make

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Speaker 3: the phone call to mim to say, hey, how does.

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Speaker 2: She even get the phone number?

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Speaker 3: Right? Yeah? So nice click, we want shocking click.

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Speaker 2: Yeah, it was bad wasn't I'll go again there.

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Speaker 3: Oh, good one. Thanks.

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Speaker 4: We were like, what if the zoo makes the first

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Speaker 4: call to Mim yes and effectively says yes ay, bit

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Speaker 4: of a weird one. Sarah Snook, one of our VIP

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Speaker 4: members has got in touch with her.

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Speaker 3: Well, not Sarah Snook's got in touch with this, Sarah

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Speaker 3: Snook's people. Sarah Snook's got people. That's good because she's

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Speaker 3: always she's always overseas filming, et cetera. Like maybe there

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Speaker 3: isn't a lot of people that she can hang out with.

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Speaker 3: So there is this inkling of believability that like, Okay,

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Speaker 3: we've got kids the same age. Yeah, it would be

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Speaker 3: nice if we could do this more. Yeah, And I mean,

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Speaker 3: I think the other thing that you have to throw

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Speaker 3: in here is a little bit of MIM's ego. And

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Speaker 3: I think that that which, I think, which which which

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Speaker 3: really is the bit that we need on the hook here.

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Speaker 4: She wasn't saying this on air, but she mentioned a

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Speaker 4: few like she talked, she talked out more like off air,

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Speaker 4: how she had a few good lines, and how Sarah

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Speaker 4: did seem to be getting around her. So you're exactly right, we're.

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Speaker 3: Going to play we need to play into her. That's

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Speaker 3: the bit, because the disbelieving part, like the realistic part

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Speaker 3: of this, says, there's no fucking way Sarah Sniog is

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Speaker 3: calling the zoo and going, hey, can you reach out

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Speaker 3: to a woman that I hung out with a story

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Speaker 3: time for ten minutes because I want to go on

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Speaker 3: a playdate? There's just no way, okaye. I mean I

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Speaker 3: think she's she's lived in Australia for a long time.

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Speaker 3: She's got friends, all right. I think she and Dave

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Speaker 3: are fine. They've got money, they've got friends, they've got family,

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Speaker 3: they've got no no and he said no offense to mim,

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Speaker 3: I've got but.

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Speaker 2: But there is still a five percent and.

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Speaker 3: Everyone's plays games with her. And at the end of

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Speaker 3: the day, I mean, she would love this, it would

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Speaker 3: be it would be a coupe. Yes. So the other thing,

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Speaker 3: and the other thing to mention here Woods is like,

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Speaker 3: I think this needs to be a and as we've discussed,

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Speaker 3: like a two step prank.

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Speaker 2: And I think the longer we leave it between hence

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Speaker 2: the call and Sarah's not call, the better because I

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Speaker 2: think like Chaz has stepped into the studio and now.

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Speaker 3: Shaz welcome welcome chefs.

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Speaker 4: You will be calling as the Zoo very very shortly.

361
00:16:34,000 --> 00:16:36,120
Speaker 4: But again, I think the key to this is like Chas.

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Speaker 4: Even if Mim starts laughing, because she might, because as

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Speaker 4: we've discussed, this is a bit outrageous, keep powering on,

364
00:16:42,360 --> 00:16:45,560
Speaker 4: never break. Okay, we also need to stay side.

365
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Speaker 3: Because and I think this is for me, this is

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Speaker 3: the bit that's gonna that's really gonna clinch. This is Chas.

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Speaker 3: You're you're actually not. There's no payoff here, yes, and

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Speaker 3: this is the believability is like you're just calling is

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00:16:58,960 --> 00:17:01,720
Speaker 3: the Zoo to just go I'm just checking. It's cool

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Speaker 3: that we can pass on your details because Mimi is

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Speaker 3: a member. She remember the zoo, so they've got her d.

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Speaker 3: So she is just going to go, hey, look you

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00:17:08,400 --> 00:17:12,280
Speaker 3: remember at zoo Sarah Snooks PR teams reached out. You

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Speaker 3: just are you just cool with me? Like you know,

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Speaker 3: because you've got you know, privacy policies, et cetera. You

376
00:17:17,720 --> 00:17:19,679
Speaker 3: just can't go handing out details even if it is

377
00:17:19,680 --> 00:17:23,159
Speaker 3: Sarah Snooks people exactly. Mm is going to joke about that.

378
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Speaker 3: She's going to go this is will and.

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Speaker 2: Woodie, I think she will.

380
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Speaker 4: I've given you her real name is Jacqueline as well,

381
00:17:28,880 --> 00:17:32,120
Speaker 4: go with that bitter legitimacy there, But exactly right. Well,

382
00:17:32,440 --> 00:17:34,400
Speaker 4: I think the key here is that after this phone call,

383
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Speaker 4: none of us break, none of us reveal anything.

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Speaker 3: And then we're going for a week, at least a week,

385
00:17:39,320 --> 00:17:41,960
Speaker 3: which means you have to act at home. If this

386
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Speaker 3: is successful, you have to lie at home for a

387
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Speaker 3: whole week.

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Speaker 4: Let's get through stage one first. Okay, through stage goes

389
00:17:47,760 --> 00:17:49,160
Speaker 4: right now. The pressure is not on me and I'm

390
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Speaker 4: quite enjoying that.

391
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Speaker 2: Okay, chas are you you good to go?

392
00:17:52,720 --> 00:17:54,600
Speaker 8: I'm feeling good. Just don't look at me and I

393
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Speaker 8: won't laugh.

394
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Speaker 3: Okay, okay, al right, it's spinning around now. Hello.

395
00:18:02,200 --> 00:18:05,960
Speaker 9: Hi, is this Jacqueline Gibbs. Yes, Hi, this is Sharon

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00:18:06,000 --> 00:18:08,520
Speaker 9: Cling from Melbourne Zoo. Sorry, I've got you just at

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Speaker 9: the end of the day. Hopefully it's a good time.

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Speaker 5: Okay, Hi, just a bit of.

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Speaker 8: A weird one.

400
00:18:13,760 --> 00:18:16,320
Speaker 9: Before I continue, I just need to confirm that you are,

401
00:18:16,400 --> 00:18:19,159
Speaker 9: in fact one of our members. Am I able to

402
00:18:19,160 --> 00:18:21,200
Speaker 9: confirm your date of birth before I proceed?

403
00:18:21,880 --> 00:18:24,040
Speaker 1: Yeah, ninths of the ninth, nineteen ninety four.

404
00:18:24,240 --> 00:18:26,800
Speaker 9: Perfect, Okay, it's a bit of a weird call. So

405
00:18:27,400 --> 00:18:29,119
Speaker 9: I feel a bit weird making this call myself. To

406
00:18:29,160 --> 00:18:32,159
Speaker 9: be honest, I received a contact from one of our

407
00:18:32,240 --> 00:18:35,439
Speaker 9: VIP members at the Zoo and I just need to

408
00:18:35,480 --> 00:18:40,240
Speaker 9: confirm were you at story time on Thursday, the fifth

409
00:18:40,280 --> 00:18:45,760
Speaker 9: of September at nine point forty? Yes, very weird, But

410
00:18:45,760 --> 00:18:48,240
Speaker 9: I've had Sarah Snook's team reach out to us, and

411
00:18:48,280 --> 00:18:53,560
Speaker 9: we can't actually disclose your information to them without your permission,

412
00:18:54,040 --> 00:18:55,920
Speaker 9: and so I just wanted to double check if it's

413
00:18:55,960 --> 00:18:58,840
Speaker 9: okay with you if I pass on your details to

414
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Speaker 9: their PR team.

415
00:19:03,320 --> 00:19:05,320
Speaker 5: This is so a stitch up from Woody.

416
00:19:05,960 --> 00:19:07,560
Speaker 8: I'm sorry, I'm not sure who Woody is.

417
00:19:11,760 --> 00:19:13,399
Speaker 1: Yeah, no, that's fine.

418
00:19:13,200 --> 00:19:13,440
Speaker 10: But.

419
00:19:15,880 --> 00:19:16,840
Speaker 8: Pass on the details.

420
00:19:16,880 --> 00:19:17,840
Speaker 5: Yes, Well, does.

421
00:19:17,680 --> 00:19:18,679
Speaker 1: She want to be my friend?

422
00:19:18,800 --> 00:19:19,239
Speaker 11: Is that like?

423
00:19:19,280 --> 00:19:20,000
Speaker 1: What's going on?

424
00:19:20,359 --> 00:19:21,440
Speaker 8: I have no idea.

425
00:19:21,560 --> 00:19:23,520
Speaker 9: I just had her PR team reach out to me

426
00:19:23,560 --> 00:19:25,440
Speaker 9: and say, can you find this woman?

427
00:19:25,560 --> 00:19:26,719
Speaker 8: This is what she looked like.

428
00:19:26,840 --> 00:19:29,840
Speaker 9: We crossed it with our CCTV information and members that

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00:19:29,920 --> 00:19:30,720
Speaker 9: came at that time.

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00:19:31,200 --> 00:19:33,879
Speaker 1: Amazing because I would want to do a dinner with

431
00:19:34,000 --> 00:19:36,800
Speaker 1: her like next week if she was interested. So maybe

432
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Speaker 1: if you could pass that on when you're talking about

433
00:19:39,160 --> 00:19:40,200
Speaker 1: the information.

434
00:19:40,000 --> 00:19:41,760
Speaker 8: Yeah, sure, I'll pass it on to her team.

435
00:19:42,359 --> 00:19:43,240
Speaker 5: Yeah, that would be great.

436
00:19:43,320 --> 00:19:45,159
Speaker 1: Yeah, and if she wants to watch the footy and

437
00:19:45,200 --> 00:19:47,480
Speaker 1: bring her partner as well. I think my partner would

438
00:19:47,480 --> 00:19:48,080
Speaker 1: like that as well.

439
00:19:48,600 --> 00:19:49,919
Speaker 8: That would be a bit cuteouldn't it.

440
00:19:50,080 --> 00:19:51,800
Speaker 9: Well, I actually I don't know who she is, to

441
00:19:51,800 --> 00:19:54,360
Speaker 9: be honest, so I'm just passing on the information.

442
00:19:55,080 --> 00:19:57,320
Speaker 1: Yeah right, okay, well, yeah that'd be great.

443
00:19:57,359 --> 00:19:58,800
Speaker 5: That'd be perfect, Worries.

444
00:19:58,800 --> 00:20:00,240
Speaker 8: Thank you so much for confirmed that.

445
00:20:00,320 --> 00:20:02,560
Speaker 9: Is it okay for me to record this phone call

446
00:20:02,880 --> 00:20:04,960
Speaker 9: so that I can tell them that I've actually done

447
00:20:05,000 --> 00:20:05,920
Speaker 9: the disclosing part.

448
00:20:06,680 --> 00:20:08,200
Speaker 1: Yeah, of course that's no prog.

449
00:20:08,520 --> 00:20:10,080
Speaker 8: Thank you so much. We'll have a nice day and

450
00:20:10,119 --> 00:20:10,680
Speaker 8: thanks for that.

451
00:20:11,320 --> 00:20:16,119
Speaker 1: Thank you, Bye bye bye.

452
00:20:17,000 --> 00:20:20,199
Speaker 3: Well done, Andy, And now you did really well, well,

453
00:20:20,240 --> 00:20:21,960
Speaker 3: you know, you did really well. When she had the

454
00:20:22,040 --> 00:20:25,080
Speaker 3: jokes as well, that was perfect, shaz. She tried, She tried,

455
00:20:25,160 --> 00:20:28,520
Speaker 3: She tried. Now, when you're talking about where the real

456
00:20:28,560 --> 00:20:32,119
Speaker 3: game happens, she's got a whiff, but not a full whiff.

457
00:20:32,280 --> 00:20:36,480
Speaker 2: No, she's I think she's a full with now.

458
00:20:36,840 --> 00:20:38,600
Speaker 3: She had a few gags at the end there which

459
00:20:38,640 --> 00:20:41,440
Speaker 3: were like, oh, you know, final footy, my partner's partner,

460
00:20:41,440 --> 00:20:43,680
Speaker 3: et cetera. Ch has played that beautifully.

461
00:20:43,760 --> 00:20:44,720
Speaker 2: Chas was perfect.

462
00:20:44,880 --> 00:20:45,879
Speaker 3: She laughed about it.

463
00:20:45,960 --> 00:20:48,520
Speaker 4: I'm scared to go home because you Yeah, so you

464
00:20:48,680 --> 00:20:49,560
Speaker 4: I'm a bad liar.

465
00:20:49,640 --> 00:20:50,680
Speaker 2: I'm a very bad liar.

466
00:20:50,760 --> 00:20:53,000
Speaker 3: And you can't go home tonight. Maybe tell you're having

467
00:20:53,040 --> 00:20:57,119
Speaker 3: a sauna or something, an all night sauna shall be Wait.

468
00:20:57,000 --> 00:20:59,280
Speaker 2: Until it's dark, oh, because you'll go to sleep.

469
00:20:59,440 --> 00:21:01,919
Speaker 3: Well, just just wait till it's dark. And she's fatigued.

470
00:21:02,280 --> 00:21:04,680
Speaker 4: Yeah, okay, yeah, all right, because I'm gonna be honest

471
00:21:04,680 --> 00:21:04,840
Speaker 4: with you.

472
00:21:04,880 --> 00:21:08,040
Speaker 2: She's texted me or like instantly, Yeah, you show me that.

473
00:21:08,640 --> 00:21:10,840
Speaker 2: I haven't read it yet because I'm trying to sell that,

474
00:21:11,000 --> 00:21:14,040
Speaker 2: like I'm I'm away from far So I need to

475
00:21:14,720 --> 00:21:16,560
Speaker 2: We need to bury this for a while as well,

476
00:21:16,600 --> 00:21:18,639
Speaker 2: long while because right now she's like ha ha ha

477
00:21:18,840 --> 00:21:19,880
Speaker 2: got you. But I think the.

478
00:21:19,840 --> 00:21:21,760
Speaker 3: Longer leave it, I think she's doubting already.

479
00:21:21,760 --> 00:21:23,280
Speaker 4: But the longer we leave it, the more she doubts.

480
00:21:23,320 --> 00:21:27,159
Speaker 4: Sugar far Out. Yeah, you there's been no prestige. You

481
00:21:27,160 --> 00:21:28,920
Speaker 4: haven't laughed at me. Yeah, I haven't heard it on

482
00:21:28,960 --> 00:21:32,040
Speaker 4: the radio show, like I think Sarah Snook actually wants

483
00:21:32,119 --> 00:21:32,800
Speaker 4: to be friends with me.

484
00:21:33,600 --> 00:21:36,560
Speaker 3: And the longer so, but you're got a key roll.

485
00:21:36,760 --> 00:21:40,120
Speaker 3: You're you are, You're more than the key.

486
00:21:39,960 --> 00:21:42,359
Speaker 2: Role, like you're the bit I'm gonna have to do.

487
00:21:42,400 --> 00:21:44,600
Speaker 3: You're the whole you are the whole bit. Right now?

488
00:21:44,640 --> 00:21:47,520
Speaker 4: Can your dad prescribe me some beat the blockers because

489
00:21:47,560 --> 00:21:50,000
Speaker 4: I need to be calm, I need to be you

490
00:21:50,040 --> 00:21:50,479
Speaker 4: are the bit.

491
00:21:50,600 --> 00:21:52,280
Speaker 2: Now I'm gonna go. I'm gonna be nervous.

492
00:21:52,440 --> 00:21:53,800
Speaker 3: Can you see can you just have a look at

493
00:21:53,800 --> 00:21:54,560
Speaker 3: what the message says?

494
00:21:54,640 --> 00:21:56,440
Speaker 4: Okay, I think yeah, sure, but will she be able

495
00:21:56,480 --> 00:21:57,320
Speaker 4: to see that I've read it?

496
00:21:57,560 --> 00:22:01,920
Speaker 3: He doesn't have reading Yeah for the boys? All right?

497
00:22:02,000 --> 00:22:05,640
Speaker 4: No, right, so all she's messaged me is classic. That's

498
00:22:05,680 --> 00:22:09,720
Speaker 4: all she said. I'm going to leave that. I'm gonna

499
00:22:09,720 --> 00:22:11,080
Speaker 4: wait an hour.

500
00:22:12,119 --> 00:22:14,359
Speaker 3: Well no, no, no, half an hour.

501
00:22:14,880 --> 00:22:15,879
Speaker 2: I'm going to leave twenty.

502
00:22:16,560 --> 00:22:18,159
Speaker 4: I always had my phone outside the studio. I'm going

503
00:22:18,200 --> 00:22:19,679
Speaker 4: to live my life the way that I would normally

504
00:22:19,680 --> 00:22:22,200
Speaker 4: live my life. I will write back and say what

505
00:22:24,400 --> 00:22:25,640
Speaker 4: or I'm just not gonna write back.

506
00:22:26,359 --> 00:22:28,760
Speaker 3: I'll get home, just send back the Emerdican with the

507
00:22:28,800 --> 00:22:33,359
Speaker 3: guy with the two hands in the air talking about

508
00:22:36,040 --> 00:22:36,960
Speaker 3: or the interested face?

509
00:22:38,119 --> 00:22:42,959
Speaker 4: What do you what's classic question? Mar This is very important.

510
00:22:42,960 --> 00:22:46,200
Speaker 4: Our first movie is very important. Because she'll press hard

511
00:22:46,280 --> 00:22:48,159
Speaker 4: early and then I imagine she'll kind of back off

512
00:22:48,200 --> 00:22:48,440
Speaker 4: a bit.

513
00:22:48,800 --> 00:22:53,440
Speaker 3: I wonder whether just two question marks is good rather

514
00:22:53,480 --> 00:22:54,520
Speaker 3: than without what.

515
00:22:54,520 --> 00:22:56,320
Speaker 2: But I'm leaving at ten. I'm leaving at ten and

516
00:22:56,359 --> 00:22:59,320
Speaker 2: going two questions. Reckon should I go now?

517
00:23:00,320 --> 00:23:00,560
Speaker 5: Oh?

518
00:23:00,720 --> 00:23:04,320
Speaker 3: God, my god, I don't know. I don't know, I

519
00:23:04,359 --> 00:23:06,480
Speaker 3: don't know. Wait, Analys, what do you think this is?

520
00:23:06,760 --> 00:23:09,840
Speaker 3: Because you still because you're about to go live.

521
00:23:09,840 --> 00:23:10,639
Speaker 2: She can track me.

522
00:23:10,680 --> 00:23:11,800
Speaker 3: You're about to go live on air.

523
00:23:11,960 --> 00:23:12,639
Speaker 2: She tracks me.

524
00:23:14,000 --> 00:23:18,960
Speaker 3: The show's pre recorded, by the way, I'm.

525
00:23:18,760 --> 00:23:21,440
Speaker 8: Just saying we probably need to mention that to the show.

526
00:23:21,600 --> 00:23:24,320
Speaker 3: She's listening currently, the radio show is playing out. Guys,

527
00:23:24,320 --> 00:23:26,080
Speaker 3: just cards on the table. She currently thinks that you're

528
00:23:26,119 --> 00:23:28,000
Speaker 3: on air. We need to be really with our podcast listeners,

529
00:23:28,040 --> 00:23:29,760
Speaker 3: so that's perfect. Sometimes we pre record things.

530
00:23:29,800 --> 00:23:33,320
Speaker 4: Guys can shooter, don't tell our boss, so that's perfect.

531
00:23:33,560 --> 00:23:33,720
Speaker 3: Yea.

532
00:23:33,840 --> 00:23:36,479
Speaker 4: Because now, because like I said, she tracks me, so

533
00:23:36,520 --> 00:23:39,040
Speaker 4: she knows I'm at work, which means I'm on air, okay,

534
00:23:39,119 --> 00:23:40,520
Speaker 4: which means I'm not messaging now.

535
00:23:40,760 --> 00:23:45,000
Speaker 2: I'm gonna leave it twenty yeah. Two question marks, yep, okay,

536
00:23:45,040 --> 00:23:45,640
Speaker 2: but we need.

537
00:23:45,560 --> 00:23:47,240
Speaker 3: To take it. I think two question marks is good.

538
00:23:47,280 --> 00:23:49,200
Speaker 2: I think it's great. I think I was brilliant. Just simplify,

539
00:23:49,280 --> 00:23:50,960
Speaker 2: just go like what is this. I'm going to rush

540
00:23:51,119 --> 00:23:53,240
Speaker 2: trying to get my bike ready for the right home.

541
00:23:54,080 --> 00:23:56,560
Speaker 2: This is where you this is where I'm bad.

542
00:23:56,760 --> 00:23:58,560
Speaker 3: I told her we need to do a quick but

543
00:23:58,680 --> 00:24:00,280
Speaker 3: we spoke about this other We spoke this the other

544
00:24:00,359 --> 00:24:02,439
Speaker 3: day because because we knew that once we'd made the

545
00:24:02,440 --> 00:24:05,399
Speaker 3: call to her as the Zoo, that you were going

546
00:24:05,480 --> 00:24:07,800
Speaker 3: to have to keep up appearances for a very long time,

547
00:24:08,160 --> 00:24:10,360
Speaker 3: kind of like the actors in the Truman Show who

548
00:24:10,440 --> 00:24:13,960
Speaker 3: live around Jim Carey actors for the whole time. That's

549
00:24:14,000 --> 00:24:15,399
Speaker 3: the kind of performance you need to pull off, like

550
00:24:15,440 --> 00:24:17,880
Speaker 3: it really it's a it's an Oscar winning performance.

551
00:24:17,920 --> 00:24:20,560
Speaker 2: Do I need to get on the front foot, by

552
00:24:20,600 --> 00:24:21,840
Speaker 2: the way.

553
00:24:21,480 --> 00:24:27,399
Speaker 4: And go like like a piss off, Like I'm not

554
00:24:27,400 --> 00:24:32,200
Speaker 4: gonna walk in the door and I'm gonna even spoken

555
00:24:32,280 --> 00:24:36,399
Speaker 4: to how dare you if the Melbourne Zoo would call you?

556
00:24:36,480 --> 00:24:39,480
Speaker 2: I didn't say anything, Yeah, okay.

557
00:24:39,280 --> 00:24:41,159
Speaker 3: Now I see my technique is and we play with

558
00:24:41,160 --> 00:24:45,040
Speaker 3: those earlier. It's just be busy, no, but just get

559
00:24:45,040 --> 00:24:46,480
Speaker 3: in the door and just be like I'll talk to

560
00:24:46,480 --> 00:24:49,119
Speaker 3: you at a sec just like I'm just gonna put

561
00:24:49,119 --> 00:24:49,800
Speaker 3: my bag away.

562
00:24:49,880 --> 00:24:50,800
Speaker 2: I can do things in the ground.

563
00:24:50,920 --> 00:24:52,280
Speaker 3: I put my bag in another room. I don't know

564
00:24:52,280 --> 00:24:54,560
Speaker 3: about you to be like, you know garage, do you

565
00:24:54,560 --> 00:24:56,240
Speaker 3: get into something like you put your tracks on or

566
00:24:56,240 --> 00:25:00,480
Speaker 3: anything like that, or do you I have a shower

567
00:25:00,640 --> 00:25:02,239
Speaker 3: if I'm sweaty, I have a shower. When you get

568
00:25:02,280 --> 00:25:04,560
Speaker 3: her wife, I ride home, I'm very sweaty, I'm gonna

569
00:25:04,560 --> 00:25:06,520
Speaker 3: have a shower. Straight to the shower, and she'll be

570
00:25:06,560 --> 00:25:10,160
Speaker 3: she'll follow me, she be like what's going on here? Like, no,

571
00:25:10,280 --> 00:25:13,879
Speaker 3: that's that's fine. But you don't say anything anything until

572
00:25:13,960 --> 00:25:14,959
Speaker 3: she says something.

573
00:25:15,000 --> 00:25:15,240
Speaker 2: Okay.

574
00:25:15,240 --> 00:25:17,440
Speaker 3: That's the key, because you wouldn't let's play that or

575
00:25:17,680 --> 00:25:19,160
Speaker 3: or role player.

576
00:25:19,160 --> 00:25:23,080
Speaker 4: I wouldn't mind. Okay, Okay, I'm busying myself. We always

577
00:25:23,080 --> 00:25:26,000
Speaker 4: play elevator music at home, which is perfect.

578
00:25:26,720 --> 00:25:29,760
Speaker 3: Hey, so I know that was you with the Sarah

579
00:25:29,800 --> 00:25:31,320
Speaker 3: Snook thing with the zoo.

580
00:25:31,640 --> 00:25:38,879
Speaker 2: Huh the zoo? Bad? Far go again?

581
00:25:39,560 --> 00:25:43,159
Speaker 3: What the piece are on? What would you do?

582
00:25:43,359 --> 00:25:43,600
Speaker 10: Okay?

583
00:25:43,640 --> 00:25:47,120
Speaker 2: Hang on, I'm busying myself. Okay, get you go, get busy.

584
00:25:48,400 --> 00:25:50,160
Speaker 3: I know that was you with Sarah Snook and the zoo.

585
00:25:50,200 --> 00:25:51,800
Speaker 2: Call mhm.

586
00:25:56,240 --> 00:25:57,399
Speaker 3: Even let me do to you.

587
00:25:57,480 --> 00:25:59,119
Speaker 2: Let me do it to you, Let me do it

588
00:25:59,160 --> 00:26:00,520
Speaker 2: to you, do it to you.

589
00:26:00,800 --> 00:26:01,760
Speaker 3: I'm using myself.

590
00:26:03,160 --> 00:26:05,400
Speaker 2: Oh hey, there you going good one.

591
00:26:05,600 --> 00:26:10,600
Speaker 4: Very funny the zoo call, Very funny went today.

592
00:26:10,680 --> 00:26:13,680
Speaker 2: I obviously know it's you. Obviously know it was you.

593
00:26:14,000 --> 00:26:16,920
Speaker 3: What's the zoo call? Who's the zoo call?

594
00:26:17,040 --> 00:26:20,359
Speaker 2: You called us the zoo when today, like an hour ago.

595
00:26:20,760 --> 00:26:21,920
Speaker 2: Pretend no, piss off?

596
00:26:23,400 --> 00:26:26,000
Speaker 3: I have no what are you talking about?

597
00:26:26,080 --> 00:26:28,080
Speaker 2: It's really good? So what did you do? Then?

598
00:26:28,840 --> 00:26:31,000
Speaker 3: Okay, here's what I think needs to happen. I think

599
00:26:31,000 --> 00:26:33,440
Speaker 3: this is layered. But now I think I need to

600
00:26:33,480 --> 00:26:35,879
Speaker 3: go home and pretend to be you, and then I

601
00:26:35,920 --> 00:26:38,359
Speaker 3: need to lie to me. I think we need we

602
00:26:38,400 --> 00:26:41,480
Speaker 3: need a wife swap effectively, what well, just because you

603
00:26:41,520 --> 00:26:43,399
Speaker 3: can't pull this off, man, you can't.

604
00:26:43,400 --> 00:26:44,800
Speaker 2: You need to put on a wig. You need to

605
00:26:44,840 --> 00:26:46,640
Speaker 2: go home and just be like, what are you talking about?

606
00:26:46,640 --> 00:26:46,959
Speaker 2: It's me?

607
00:26:46,960 --> 00:26:47,280
Speaker 3: Would he?

608
00:26:48,359 --> 00:26:50,560
Speaker 2: Anyway, I'm gonna have a shower. Where is the show?

609
00:27:00,760 --> 00:27:03,240
Speaker 3: All right? So Leanne Moriarty is going to be coming

610
00:27:03,320 --> 00:27:05,720
Speaker 3: up on the show really soon. I feel like I

611
00:27:05,720 --> 00:27:08,840
Speaker 3: need to mention before we get to lean and it

612
00:27:08,920 --> 00:27:11,280
Speaker 3: is lean by the way, it's not Leanne. That's a

613
00:27:11,280 --> 00:27:13,600
Speaker 3: big no go with her when you her public says

614
00:27:13,600 --> 00:27:14,280
Speaker 3: it's Leon.

615
00:27:14,760 --> 00:27:16,800
Speaker 2: Said Captain poop Pants kept calling her Leanne.

616
00:27:16,920 --> 00:27:19,439
Speaker 3: No, I didn't, kept doing it. I was like, oh,

617
00:27:19,960 --> 00:27:23,879
Speaker 3: get out, pooey, get out. He is unprofessional. Here's not

618
00:27:23,920 --> 00:27:24,520
Speaker 3: even here today.

619
00:27:25,920 --> 00:27:28,720
Speaker 4: He's got the pause, always gets he's called poop bang.

620
00:27:28,800 --> 00:27:31,400
Speaker 3: He actually the poo he gets. He gets a lot

621
00:27:31,440 --> 00:27:33,960
Speaker 3: of gastro the big foul. He eats a lot of here,

622
00:27:34,080 --> 00:27:37,080
Speaker 3: he eats a lot of really cheap street food, and

623
00:27:37,119 --> 00:27:38,880
Speaker 3: he gets so proud of it. The message I had

624
00:27:39,000 --> 00:27:41,440
Speaker 3: was like, don't get the sweet and sound of pork

625
00:27:41,600 --> 00:27:46,080
Speaker 3: from like kingdom come or something like that, like some

626
00:27:46,359 --> 00:27:50,399
Speaker 3: like it actually was. It actually was like it actually was.

627
00:27:50,480 --> 00:27:52,040
Speaker 3: I was like, mate, when am I eating a kingdom?

628
00:27:52,080 --> 00:27:54,760
Speaker 3: Come Like, I'm just I'm just not. I'm just not

629
00:27:54,800 --> 00:27:56,960
Speaker 3: going to be doing it. Let alone getting the sweet

630
00:27:57,000 --> 00:27:59,639
Speaker 3: and sour anyway. He's got a real fetish for it,

631
00:27:59,680 --> 00:28:02,399
Speaker 3: so serves him right. So I might say, but Leon,

632
00:28:04,960 --> 00:28:07,560
Speaker 3: she we actually didn't. We didn't know we did. We

633
00:28:07,560 --> 00:28:09,040
Speaker 3: did this, but we gave her a little bit of

634
00:28:09,040 --> 00:28:12,560
Speaker 3: small p PTSD last time we interviewed her, definitely, and

635
00:28:12,600 --> 00:28:14,240
Speaker 3: this came up during the chat with her.

636
00:28:14,320 --> 00:28:15,640
Speaker 2: We didn't realize at the time.

637
00:28:16,480 --> 00:28:17,800
Speaker 3: No, we didn't realize at the time.

638
00:28:18,520 --> 00:28:21,280
Speaker 2: Game. We thought, very fun little game.

639
00:28:22,040 --> 00:28:24,720
Speaker 3: Yeah. Yeah, So I'll tell you about that a little

640
00:28:24,760 --> 00:28:27,280
Speaker 3: bit later on, and that that will get brought up

641
00:28:27,320 --> 00:28:29,399
Speaker 3: in Leon interviewed very shortly. If you don't know who

642
00:28:29,440 --> 00:28:32,520
Speaker 3: Leon Issuance, he wrote Big Little Lies, Yes, nine Perfect Changes,

643
00:28:32,560 --> 00:28:35,439
Speaker 3: et cetera. Yes, probably the biggest selling author. And right

644
00:28:35,480 --> 00:28:37,439
Speaker 3: now anyway, she's on the show real soon. We're going

645
00:28:37,480 --> 00:28:41,560
Speaker 3: to talk about Sam's rash right now, though, Woods, you

646
00:28:41,640 --> 00:28:45,200
Speaker 3: did something before we did a a shoot the other morning,

647
00:28:45,560 --> 00:28:46,040
Speaker 3: which not.

648
00:28:46,040 --> 00:28:48,440
Speaker 2: A modeling shit by the way, we're not part time models.

649
00:28:48,440 --> 00:28:49,520
Speaker 2: Before I was enjoying it.

650
00:28:49,720 --> 00:28:51,120
Speaker 3: I was enjoying the ambiguity.

651
00:28:51,640 --> 00:28:52,160
Speaker 2: Just let it be.

652
00:28:52,760 --> 00:28:56,160
Speaker 3: Could have been anything, could have been anything, all right,

653
00:28:56,200 --> 00:28:56,440
Speaker 3: you guys.

654
00:28:56,480 --> 00:28:59,160
Speaker 2: When then you phased the dulg Jacobart there it is.

655
00:28:59,240 --> 00:29:02,560
Speaker 3: So you did something before the shoot. Yes, you got

656
00:29:02,560 --> 00:29:06,520
Speaker 3: there really early. What I do you get early everywhere?

657
00:29:06,600 --> 00:29:08,440
Speaker 2: Yes? So it makes me comfortable.

658
00:29:10,480 --> 00:29:13,280
Speaker 3: I'm on the way there. Yes, I'm on the way there.

659
00:29:13,320 --> 00:29:15,959
Speaker 3: And in the group chat you say, hey, guys, here

660
00:29:16,000 --> 00:29:17,640
Speaker 3: really a little bit of a brag from you. You

661
00:29:17,680 --> 00:29:20,160
Speaker 3: love it beat everyone here. I'm always late. Very good

662
00:29:20,200 --> 00:29:22,840
Speaker 3: you want again, thank you this message in the group chat, guys.

663
00:29:22,840 --> 00:29:25,360
Speaker 3: I'm a little bit early, but don't worry. I'm just

664
00:29:25,560 --> 00:29:31,560
Speaker 3: around the corner getting a cheeky decaf, cheekycaf. Yeah, a

665
00:29:31,600 --> 00:29:36,440
Speaker 3: little treat, all right. Treat is where the issue is, mate,

666
00:29:36,560 --> 00:29:39,000
Speaker 3: I deserved it was there early little treat. You can

667
00:29:39,000 --> 00:29:40,920
Speaker 3: get a cheeky Nando's, you can have a cheeky beer.

668
00:29:41,080 --> 00:29:44,560
Speaker 3: You might even have a cheeky bath. But not in

669
00:29:44,560 --> 00:29:47,280
Speaker 3: this world, nor in any parallel universe, can you have

670
00:29:47,320 --> 00:29:50,160
Speaker 3: a cheeky decaf long black?

671
00:29:50,240 --> 00:29:52,840
Speaker 4: Is you game because of the context? No, yes, I

672
00:29:52,880 --> 00:29:56,360
Speaker 4: had already had two full calf coffees.

673
00:29:56,320 --> 00:29:58,680
Speaker 3: So hence if you got another full calf coffee that

674
00:29:58,720 --> 00:29:59,640
Speaker 3: would make it cheeky.

675
00:29:59,680 --> 00:30:04,600
Speaker 2: No, it's you backed out, guys.

676
00:30:04,680 --> 00:30:06,920
Speaker 3: I've had two full strength coffees this morning. I'm going

677
00:30:06,960 --> 00:30:09,560
Speaker 3: to have a cheeky can of coke, cheeky as all hell.

678
00:30:10,200 --> 00:30:12,280
Speaker 3: But you backed out, and I just don't think you

679
00:30:12,400 --> 00:30:15,080
Speaker 3: understand it. And I've dealt with it for a really

680
00:30:15,120 --> 00:30:17,360
Speaker 3: long time. I thought, cheek you walking in here going

681
00:30:17,640 --> 00:30:20,480
Speaker 3: oh sorry, mate, was having a cheeky carrot. It kills me.

682
00:30:20,800 --> 00:30:21,880
Speaker 2: I know, I don't say cheeky.

683
00:30:21,880 --> 00:30:24,520
Speaker 3: Carry you said cheekyqu comer before, though, Well that's cheeky

684
00:30:25,960 --> 00:30:27,760
Speaker 3: out of the norm. So what.

685
00:30:29,040 --> 00:30:32,000
Speaker 2: My definition of cheeky is this is? This isn't normal?

686
00:30:32,760 --> 00:30:34,960
Speaker 2: Do you know what I mean that? That's my definition

687
00:30:35,000 --> 00:30:35,520
Speaker 2: of cheeky.

688
00:30:35,600 --> 00:30:38,720
Speaker 4: It's it's not that it's outrageous or wild, it's just going.

689
00:30:38,880 --> 00:30:41,080
Speaker 2: I would never have a peach at this time. That's

690
00:30:41,120 --> 00:30:41,719
Speaker 2: a bit cheeky.

691
00:30:42,200 --> 00:30:43,920
Speaker 3: I just don't think. Okay, it can't be cheeky. I

692
00:30:44,080 --> 00:30:46,240
Speaker 3: give you an example. It can't be cheeky in fruit.

693
00:30:46,320 --> 00:30:50,240
Speaker 2: Give one more example. Okay, last night had some oats

694
00:30:50,280 --> 00:30:52,240
Speaker 2: at eight pm. That was a little bit cheeky. What

695
00:30:52,240 --> 00:30:54,160
Speaker 2: do you today?

696
00:30:54,280 --> 00:30:55,240
Speaker 3: No, I think you've missed.

697
00:30:55,000 --> 00:30:55,720
Speaker 2: This dinner time.

698
00:30:55,800 --> 00:30:59,360
Speaker 3: I tell you what. I'll tell you what. I'm driving home,

699
00:30:59,560 --> 00:31:04,480
Speaker 3: yes right, And okay, I'm driving home. I had to

700
00:31:04,480 --> 00:31:06,640
Speaker 3: get some petrol last night, yes right, I going to

701
00:31:06,680 --> 00:31:09,360
Speaker 3: the servo. Right, clearly, I've got dinner waiting for me

702
00:31:09,400 --> 00:31:10,040
Speaker 3: when I get home.

703
00:31:10,560 --> 00:31:11,200
Speaker 2: Well not clearly.

704
00:31:11,320 --> 00:31:13,880
Speaker 3: No, why should be very sorryful? Sorry for coat point.

705
00:31:14,280 --> 00:31:17,280
Speaker 3: That was a little bit cheeky. Actually that was a

706
00:31:17,320 --> 00:31:20,800
Speaker 3: bit cheeky. Anyway, I get to the servo, and I think,

707
00:31:20,840 --> 00:31:22,880
Speaker 3: and Sam's messaging, he saying, hey, when you're home for dinner,

708
00:31:22,880 --> 00:31:25,160
Speaker 3: and I might be home there being two seconds. I'm

709
00:31:25,160 --> 00:31:29,160
Speaker 3: in the servo, I stare over at the pie warmer.

710
00:31:29,720 --> 00:31:31,560
Speaker 3: There's a king sized sausage roll in there.

711
00:31:31,600 --> 00:31:32,280
Speaker 2: That's wild.

712
00:31:32,560 --> 00:31:34,600
Speaker 3: You did not I had a cheeky sausage roll at

713
00:31:34,600 --> 00:31:34,920
Speaker 3: the servo.

714
00:31:35,000 --> 00:31:35,920
Speaker 2: That is not cheeky.

715
00:31:36,000 --> 00:31:37,560
Speaker 3: That's cheeky.

716
00:31:38,160 --> 00:31:39,959
Speaker 2: Yeah, that's what's wild.

717
00:31:40,040 --> 00:31:42,560
Speaker 3: Then I'm in the servo, I hold the guy up,

718
00:31:42,600 --> 00:31:44,560
Speaker 3: I steal the till. That's pretty.

719
00:31:44,600 --> 00:31:48,160
Speaker 2: Yeah. Gee, spectrum is different than I think.

720
00:31:48,200 --> 00:31:50,760
Speaker 3: I just need to reorient your spectrum. A lot of

721
00:31:50,760 --> 00:31:52,960
Speaker 3: people out there in arms that you think you can

722
00:31:52,960 --> 00:31:55,520
Speaker 3: have a cheeky decaf, because you can't have a cheeky decaf.

723
00:31:56,200 --> 00:31:58,360
Speaker 2: My other option, this is definitely cheeky. I get a

724
00:31:58,400 --> 00:31:59,120
Speaker 2: cheeky foot rub.

725
00:32:00,440 --> 00:32:05,240
Speaker 3: No, you know what I mean. I reckon that. I

726
00:32:08,480 --> 00:32:11,200
Speaker 3: think it's because I reckon it's because you're treating yourself.

727
00:32:11,360 --> 00:32:13,160
Speaker 3: And again I've never really put words on it, but

728
00:32:13,200 --> 00:32:14,880
Speaker 3: I reckon it's got to be a treat for you,

729
00:32:14,960 --> 00:32:18,560
Speaker 3: Like cheek foot rub is universally a treat, absolutely treat.

730
00:32:18,600 --> 00:32:20,560
Speaker 3: Blinda thirteen one and six five Can you have a

731
00:32:20,600 --> 00:32:22,440
Speaker 3: cheeky Can you have a cheeky decaf?

732
00:32:23,040 --> 00:32:25,960
Speaker 12: I don't think you can have a cheeky cacause I

733
00:32:25,960 --> 00:32:30,360
Speaker 12: don't think it's naughty enough. To me, my definition of

734
00:32:30,440 --> 00:32:33,080
Speaker 12: cheeky is when you're having something when you shouldn't really

735
00:32:33,120 --> 00:32:35,320
Speaker 12: be having it, and to me, it decaps something that

736
00:32:35,360 --> 00:32:39,040
Speaker 12: people have on the norm. So to me, cheeky. My

737
00:32:39,160 --> 00:32:41,880
Speaker 12: husband and I call it this all the time when

738
00:32:41,880 --> 00:32:45,000
Speaker 12: we shouldn't be eating McDonald's, and especially if we want

739
00:32:45,040 --> 00:32:48,040
Speaker 12: to hide it from our adult children that we're having McDonald's.

740
00:32:48,240 --> 00:32:50,320
Speaker 12: So we'll go to Maca's and we will have a

741
00:32:50,480 --> 00:32:56,280
Speaker 12: cheeky Cheeseek's got to love the cheeky cheese.

742
00:32:56,280 --> 00:32:59,000
Speaker 3: That's bread and butter. Cheeky chat right there, she's just

743
00:32:59,080 --> 00:32:59,720
Speaker 3: hit that one.

744
00:33:00,280 --> 00:33:02,400
Speaker 2: Yeah, that's over the dif that's really good one.

745
00:33:03,800 --> 00:33:04,120
Speaker 3: Is right?

746
00:33:04,240 --> 00:33:08,240
Speaker 2: Yeah, cheeky sauna, che steam.

747
00:33:08,320 --> 00:33:10,200
Speaker 3: I'll think about it. Alex, Alex, what do you How

748
00:33:10,200 --> 00:33:11,800
Speaker 3: do you feel about a cheeky sauna? Do you reckon

749
00:33:11,840 --> 00:33:16,320
Speaker 3: that fits in the in the realm of Yeah, be

750
00:33:16,320 --> 00:33:16,560
Speaker 3: a bit.

751
00:33:16,520 --> 00:33:22,000
Speaker 4: Of a stretchge, a sort of Massa's ache.

752
00:33:22,280 --> 00:33:26,239
Speaker 13: I think that's because of I think we all know why,

753
00:33:26,720 --> 00:33:28,920
Speaker 13: because of the connotations around where you can get some

754
00:33:29,040 --> 00:33:32,000
Speaker 13: massages potentially might come into it at the end of

755
00:33:32,000 --> 00:33:32,280
Speaker 13: the day.

756
00:33:32,280 --> 00:33:35,200
Speaker 3: It is someone sort of fondling your flesh. I think

757
00:33:35,240 --> 00:33:37,080
Speaker 3: sauna is a bit healthy, do you. I don't know

758
00:33:37,080 --> 00:33:38,800
Speaker 3: how you feel about that, Alex, but it's almost like

759
00:33:38,800 --> 00:33:40,640
Speaker 3: a little bit too in the health site guys these

760
00:33:40,720 --> 00:33:43,960
Speaker 3: days to be well, yeah, but I think it's it's

761
00:33:44,000 --> 00:33:46,720
Speaker 3: also the time part of it, so that's a huge

762
00:33:47,040 --> 00:33:48,920
Speaker 3: go in and have a ten or fifteen minute sauna.

763
00:33:49,360 --> 00:33:50,160
Speaker 11: Yeah.

764
00:33:50,400 --> 00:33:52,720
Speaker 3: Well the other thing is as well, I thought you

765
00:33:52,720 --> 00:33:55,280
Speaker 3: were saying as well, like exactly and what time of

766
00:33:55,360 --> 00:33:57,600
Speaker 3: day as well, Like if I was driving, if I

767
00:33:57,640 --> 00:34:00,160
Speaker 3: had a sauna scheduled, like I know that you do.

768
00:34:00,280 --> 00:34:02,640
Speaker 3: You book like a little infrared space and you're lying

769
00:34:02,680 --> 00:34:04,160
Speaker 3: there for an hour and God knows what you do

770
00:34:04,240 --> 00:34:07,560
Speaker 3: at the cave whatever it is, mate, So you do that,

771
00:34:07,680 --> 00:34:09,600
Speaker 3: You book a time in like ten o'clock in the morning,

772
00:34:09,600 --> 00:34:10,800
Speaker 3: seems like a normal time to do it.

773
00:34:10,880 --> 00:34:11,360
Speaker 2: I'll do it at night.

774
00:34:11,440 --> 00:34:14,200
Speaker 3: I'm a night steamer, sure, whatever it is. But if

775
00:34:14,239 --> 00:34:18,920
Speaker 3: you were, like you know, in between meetings, all of

776
00:34:18,920 --> 00:34:20,879
Speaker 3: a sudden, it's cheeky as all hell.

777
00:34:20,960 --> 00:34:21,560
Speaker 2: God that's roight.

778
00:34:21,680 --> 00:34:24,960
Speaker 3: Let's go to Paul on thirteen one oh six five.

779
00:34:25,640 --> 00:34:27,279
Speaker 3: Oh sorry, Alex, you want to tell us, Alex, you

780
00:34:27,280 --> 00:34:28,880
Speaker 3: want to tell us what you do? You think it's cheeky?

781
00:34:30,680 --> 00:34:31,000
Speaker 2: Alex?

782
00:34:31,000 --> 00:34:33,880
Speaker 11: You're there mate, Yeah, it was just a head massage.

783
00:34:34,040 --> 00:34:37,319
Speaker 3: You have already been sorry, confind of that gone over?

784
00:34:37,719 --> 00:34:41,759
Speaker 2: Yeah it miss comes. Alex had to say it again, Guys,

785
00:34:41,800 --> 00:34:42,319
Speaker 2: didn't you hear me?

786
00:34:42,320 --> 00:34:43,400
Speaker 3: I said?

787
00:34:44,440 --> 00:34:44,760
Speaker 2: Cheeky?

788
00:34:44,800 --> 00:34:50,160
Speaker 3: Call a callback. Let's go to Paul on six five. Paul,

789
00:34:50,200 --> 00:34:52,480
Speaker 3: what's the first of all? Can you have a cheeky decaf?

790
00:34:52,560 --> 00:34:53,719
Speaker 3: Let's start at the baseline.

791
00:34:54,440 --> 00:34:55,120
Speaker 11: Absolutely not.

792
00:34:55,560 --> 00:34:58,360
Speaker 14: But the real thing is the whole year of doing

793
00:34:58,400 --> 00:35:01,919
Speaker 14: something with a cheeky whatever is It's all about timing. Okay, yes,

794
00:35:02,120 --> 00:35:05,480
Speaker 14: ultimately definition, you can have a cheeky anything you like,

795
00:35:06,080 --> 00:35:08,600
Speaker 14: as long as it's generally not of the norm. It's

796
00:35:08,640 --> 00:35:11,560
Speaker 14: about taking an opportunity like your your naps that you

797
00:35:11,600 --> 00:35:13,880
Speaker 14: have the other day. Will you know you have a

798
00:35:13,960 --> 00:35:17,239
Speaker 14: cheeky nap? Absolutely on point, because it's like you took

799
00:35:17,239 --> 00:35:20,760
Speaker 14: advantage of a time, of a situation. You were able

800
00:35:20,880 --> 00:35:22,760
Speaker 14: just to mak that out and win.

801
00:35:22,800 --> 00:35:24,359
Speaker 3: Slip it in there. Yeah, right.

802
00:35:24,520 --> 00:35:25,600
Speaker 2: The timing thing.

803
00:35:25,560 --> 00:35:27,440
Speaker 3: I think I think timing is a big part of it,

804
00:35:27,520 --> 00:35:30,960
Speaker 3: and hence why your cheeky decaf doesn't work either, because

805
00:35:31,280 --> 00:35:34,640
Speaker 3: first of all, you're forty five minutes early, it was

806
00:35:34,640 --> 00:35:35,600
Speaker 3: still the morning as well.

807
00:35:35,640 --> 00:35:38,040
Speaker 2: Do you know you standard time to have a full

808
00:35:38,080 --> 00:35:41,400
Speaker 2: calf coffee. Let's go to Kylie now. Actually is the

809
00:35:41,440 --> 00:35:42,920
Speaker 2: opposite of a cheeky anything?

810
00:35:44,320 --> 00:35:44,560
Speaker 5: I know.

811
00:35:44,600 --> 00:35:46,160
Speaker 3: That's why I'm about to bring this up with you

812
00:35:46,200 --> 00:35:49,200
Speaker 3: if we just need to clear this out.

813
00:35:49,280 --> 00:35:51,440
Speaker 2: And there's been a resounding no on the cheeky decaf?

814
00:35:51,440 --> 00:35:53,560
Speaker 2: But do you do you think that's a bit cheeky? Kylie?

815
00:35:54,440 --> 00:35:57,239
Speaker 12: Definitely not as while to me that we think that

816
00:35:57,360 --> 00:35:58,440
Speaker 12: decaf's cheeky?

817
00:35:58,640 --> 00:36:01,040
Speaker 2: Fair enough, what do you reckons? What's cheeky for you?

818
00:36:01,320 --> 00:36:03,359
Speaker 12: I know, what about a cheeky beer on the way

819
00:36:03,360 --> 00:36:06,279
Speaker 12: home or a chick back on the bottom or.

820
00:36:08,000 --> 00:36:11,719
Speaker 3: Genuinely that's that's the other one, isn't it, Kylie? But

821
00:36:11,880 --> 00:36:15,120
Speaker 3: I think like the ultimate cheeky is you know, we're

822
00:36:15,120 --> 00:36:17,800
Speaker 3: all going with this at a wrong time, in the

823
00:36:17,840 --> 00:36:21,440
Speaker 3: wrong place. It is, right, right, Kylie?

824
00:36:21,640 --> 00:36:23,360
Speaker 5: A little quick cheeky yep.

825
00:36:23,480 --> 00:36:29,040
Speaker 2: You're in the restaurant, quick, not in the restaurant.

826
00:36:29,560 --> 00:36:37,279
Speaker 3: That's a thing for you. Adminer we have I'm going

827
00:36:37,360 --> 00:36:41,480
Speaker 3: to say, the most well renowned author in the country

828
00:36:41,680 --> 00:36:47,520
Speaker 3: right now. This woman's stories are tantalizing, they're traumatizing, and

829
00:36:47,560 --> 00:36:53,080
Speaker 3: they are seriously entertaining. Leanne Moriarty is in the studio here.

830
00:36:58,120 --> 00:37:00,120
Speaker 3: Leanne's so great to have you here. I know is

831
00:37:00,160 --> 00:37:01,440
Speaker 3: meant to be an interview, but we are going to

832
00:37:01,440 --> 00:37:02,640
Speaker 3: get you to do some writing.

833
00:37:02,360 --> 00:37:08,680
Speaker 2: For us, just in case people didn't forget we made you.

834
00:37:08,880 --> 00:37:11,360
Speaker 4: We did make you write last time you came in

835
00:37:11,400 --> 00:37:13,839
Speaker 4: the studio, and you have since revealed to us how

836
00:37:13,920 --> 00:37:15,680
Speaker 4: traumatic that was hard.

837
00:37:17,120 --> 00:37:18,399
Speaker 3: We're a writer, got.

838
00:37:18,360 --> 00:37:19,080
Speaker 6: A little bit of.

839
00:37:22,360 --> 00:37:24,560
Speaker 3: No way, but you're a writer, like I feel like

840
00:37:24,560 --> 00:37:27,040
Speaker 3: that's like Woody and I walking into a room being.

841
00:37:26,880 --> 00:37:28,480
Speaker 13: Like, all right, well look I will do everything you want,

842
00:37:28,480 --> 00:37:32,600
Speaker 13: but I can't talk for you.

843
00:37:30,280 --> 00:37:35,239
Speaker 6: What I'm trying to think is that fair? Is that

844
00:37:35,280 --> 00:37:35,760
Speaker 6: a fair?

845
00:37:35,880 --> 00:37:36,480
Speaker 2: No? It was.

846
00:37:36,560 --> 00:37:38,360
Speaker 3: It was on the spot. It was on the spot.

847
00:37:38,440 --> 00:37:39,080
Speaker 2: That was the bit.

848
00:37:39,239 --> 00:37:41,719
Speaker 6: I bet comedians don't like her if they have to

849
00:37:41,760 --> 00:37:43,440
Speaker 6: suddenly come up with an act.

850
00:37:43,239 --> 00:37:45,440
Speaker 2: On what they were Definitely wasn't fair of us to

851
00:37:45,440 --> 00:37:46,239
Speaker 2: do that last time.

852
00:37:47,920 --> 00:37:51,319
Speaker 3: We can emphathize deeply with that in every wedding that

853
00:37:51,360 --> 00:37:52,960
Speaker 3: we've ever been to get asked to him.

854
00:37:53,000 --> 00:37:54,279
Speaker 9: So I.

855
00:37:56,360 --> 00:37:57,879
Speaker 6: Think it's fair, of course you should.

856
00:38:02,239 --> 00:38:03,800
Speaker 2: That's how to talk about your new book.

857
00:38:03,880 --> 00:38:07,440
Speaker 4: Here one moment you already have the attention of Hollywood

858
00:38:07,600 --> 00:38:11,120
Speaker 4: nine Perfect Strangers stars Nicole Kidman of course Big Little Lies,

859
00:38:11,120 --> 00:38:13,640
Speaker 4: which is Nicole Kidman as well, and Reese Witherspourn.

860
00:38:13,800 --> 00:38:16,520
Speaker 2: I have heard that there is already a bit of

861
00:38:16,520 --> 00:38:19,840
Speaker 2: a bidding war for the new book. Here one moment

862
00:38:19,880 --> 00:38:22,560
Speaker 2: to become an adaptation for the screen.

863
00:38:22,760 --> 00:38:23,560
Speaker 3: Is that Trulier?

864
00:38:23,920 --> 00:38:26,680
Speaker 6: Well, I'm lucky, I think because Big Little Lies was

865
00:38:26,760 --> 00:38:31,240
Speaker 6: such a success, so then a Leanne Murriarty book became

866
00:38:31,280 --> 00:38:34,319
Speaker 6: an element. You know how they look for the winning formulas.

867
00:38:34,680 --> 00:38:40,239
Speaker 6: So I was so lucky that my first adaptation was

868
00:38:40,280 --> 00:38:40,880
Speaker 6: so amazing.

869
00:38:41,280 --> 00:38:42,680
Speaker 3: Was it was amazing?

870
00:38:42,880 --> 00:38:43,320
Speaker 2: Incredible?

871
00:38:44,080 --> 00:38:46,600
Speaker 3: Yes, really truly brilliant. And then the other thing about

872
00:38:46,640 --> 00:38:48,839
Speaker 3: this is Woods and I were learning just before that

873
00:38:48,960 --> 00:38:52,399
Speaker 3: they're obviously looking for inspiration for season three, oh Big

874
00:38:52,440 --> 00:38:55,680
Speaker 3: Little Lives, and they're pushing you. You're George R. Martin

875
00:38:55,719 --> 00:38:59,440
Speaker 3: in this scenario and there their HBO going, when's the

876
00:38:59,560 --> 00:39:01,200
Speaker 3: next what happens?

877
00:39:01,760 --> 00:39:02,000
Speaker 5: Yeah?

878
00:39:02,360 --> 00:39:05,680
Speaker 3: Is that true? I imagine you locked up in Nicole

879
00:39:05,760 --> 00:39:08,799
Speaker 3: Kidman's Dungeon, and they've just got a Keith Urban track

880
00:39:08,880 --> 00:39:11,200
Speaker 3: on repeat until you finish it.

881
00:39:11,200 --> 00:39:14,040
Speaker 6: It's like it's like a bigger scale version of what

882
00:39:14,080 --> 00:39:17,560
Speaker 6: you did to me right here in this very studio.

883
00:39:18,880 --> 00:39:23,279
Speaker 6: I've just got to write more words. But yeah, no

884
00:39:23,360 --> 00:39:27,320
Speaker 6: I am. I'm writing a sequel to but I'm writing

885
00:39:27,360 --> 00:39:30,400
Speaker 6: a book. So I'm writing my own book. So everybody

886
00:39:30,400 --> 00:39:33,120
Speaker 6: seems to want a season three, They're all trying to

887
00:39:33,160 --> 00:39:36,680
Speaker 6: make it happen. So I'm doing my bit writing a

888
00:39:36,880 --> 00:39:40,920
Speaker 6: new novel. So the kids in the first one they

889
00:39:40,920 --> 00:39:44,719
Speaker 6: were starting school, and which was the case. I had

890
00:39:45,080 --> 00:39:48,040
Speaker 6: little kids starting school when I wrote that book, and

891
00:39:48,160 --> 00:39:51,279
Speaker 6: now they'll be teenagers. So now and my kids are

892
00:39:51,320 --> 00:39:54,480
Speaker 6: now teenagers, so I'm dealing with all the teen issues.

893
00:39:55,040 --> 00:39:55,239
Speaker 5: Ah.

894
00:39:55,680 --> 00:39:58,000
Speaker 2: Well, Will and I both have very young daughters. But

895
00:39:58,719 --> 00:40:01,520
Speaker 2: one are the teen issues. One of the main teen issues.

896
00:40:01,800 --> 00:40:08,400
Speaker 6: Don't think about it. Don't just enjoy enjoy the little babies.

897
00:40:08,719 --> 00:40:09,399
Speaker 3: They're so good.

898
00:40:09,520 --> 00:40:12,200
Speaker 6: Yeah, because I'm at the age where because I have

899
00:40:12,280 --> 00:40:16,760
Speaker 6: my children quite late, but my age, I'm thinking, actually

900
00:40:16,800 --> 00:40:20,759
Speaker 6: I want grandchildren, so I want a baby, so just

901
00:40:21,000 --> 00:40:22,440
Speaker 6: enjoy enjoy it.

902
00:40:22,800 --> 00:40:24,680
Speaker 3: Well, that's how my mom says, she's like, the great

903
00:40:24,719 --> 00:40:26,680
Speaker 3: The best thing about being grandparent is you get the

904
00:40:26,719 --> 00:40:33,560
Speaker 3: baby without the responsibility you have to wonder about when

905
00:40:33,560 --> 00:40:39,080
Speaker 3: they're hungry again because it's not your job anymore. The cuddles,

906
00:40:39,840 --> 00:40:41,440
Speaker 3: it is really sweet. I mean, they do say it's

907
00:40:41,440 --> 00:40:44,480
Speaker 3: funny how that works, right, Like you're constantly writing what

908
00:40:44,520 --> 00:40:47,279
Speaker 3: you know? I mean they see expression in writing, isn't it?

909
00:40:47,280 --> 00:40:52,080
Speaker 3: Although how well do you know murder? I mean, that

910
00:40:52,280 --> 00:40:53,160
Speaker 3: is all.

911
00:40:53,000 --> 00:40:55,000
Speaker 6: Of a sudden, that's the thing. I don't do that

912
00:40:55,160 --> 00:40:59,040
Speaker 6: much murder, and I only murder the bad guys.

913
00:41:01,920 --> 00:41:02,120
Speaker 3: Yeah.

914
00:41:02,160 --> 00:41:04,200
Speaker 6: And I have heard instead of write what you know,

915
00:41:04,440 --> 00:41:09,480
Speaker 6: write what you're curious about interesting, and you can you

916
00:41:09,520 --> 00:41:13,759
Speaker 6: can do lots of research. So I've talked to Cellis

917
00:41:13,800 --> 00:41:16,480
Speaker 6: and I've talked to tennis players to try and get

918
00:41:16,480 --> 00:41:19,839
Speaker 6: an understanding of that world. Then you've got to make

919
00:41:19,880 --> 00:41:22,840
Speaker 6: things happen. Somebody's got to do something. You've got to

920
00:41:22,840 --> 00:41:25,799
Speaker 6: have conflict, you've got to got to kill somebody off.

921
00:41:26,239 --> 00:41:31,479
Speaker 3: Yeah, at that moment you're writing where you're like, oh God,

922
00:41:31,520 --> 00:41:35,560
Speaker 3: they've got to die, Like he's kind of like beautifully

923
00:41:35,600 --> 00:41:38,719
Speaker 3: bittersweet in some ways, when you realize I've got it.

924
00:41:38,800 --> 00:41:41,640
Speaker 6: Yeah, yeah, yeah, yeah, that does happen. Or you're just

925
00:41:41,680 --> 00:41:43,839
Speaker 6: going along and you think, well, it'd be nice if

926
00:41:43,880 --> 00:41:46,920
Speaker 6: I just let them all live happily, but that's not

927
00:41:46,960 --> 00:41:47,239
Speaker 6: going to.

928
00:41:49,520 --> 00:41:51,920
Speaker 4: Do you have a drink for the for the dead

929
00:41:52,040 --> 00:41:55,480
Speaker 4: characters like after like do you write it and go

930
00:41:55,560 --> 00:41:58,120
Speaker 4: they've died and just step outside with like a little

931
00:41:58,200 --> 00:42:00,680
Speaker 4: nip of whiskey and kind of do a little nod

932
00:42:00,800 --> 00:42:02,040
Speaker 4: to dead character.

933
00:42:02,360 --> 00:42:05,160
Speaker 6: Normally, I've been looking forward to the moment when I.

934
00:42:05,640 --> 00:42:08,080
Speaker 3: Get to write Yeah, yeah, that's true.

935
00:42:08,480 --> 00:42:11,200
Speaker 4: Now, obviously Reese, Witherspoon and the Cole Kidman, et cetera

936
00:42:11,280 --> 00:42:13,480
Speaker 4: are very interested in your work, and they are you know,

937
00:42:13,520 --> 00:42:16,680
Speaker 4: obviously they've had success from adapting your books to the screen.

938
00:42:16,880 --> 00:42:18,839
Speaker 4: Do they ever now reach out, Like would you get

939
00:42:18,840 --> 00:42:21,080
Speaker 4: a phone call from Nicole Kidman and say, hey, it

940
00:42:21,120 --> 00:42:24,000
Speaker 4: would just be huge if I could murder someone in

941
00:42:24,080 --> 00:42:26,759
Speaker 4: the next season, or like suggesting things that they want

942
00:42:26,760 --> 00:42:27,240
Speaker 4: to see.

943
00:42:27,719 --> 00:42:30,440
Speaker 6: No, no, because I'm writing my own novels and I'm

944
00:42:30,440 --> 00:42:34,000
Speaker 6: in charge of my world. But I bet they might

945
00:42:34,080 --> 00:42:38,359
Speaker 6: say that to the screen writers. They have their own

946
00:42:38,480 --> 00:42:42,359
Speaker 6: ideas then, But would I wouldn't like that? I think

947
00:42:42,400 --> 00:42:44,080
Speaker 6: I'm you're in charge.

948
00:42:44,080 --> 00:42:44,800
Speaker 2: It's your story.

949
00:42:44,960 --> 00:42:45,840
Speaker 3: It's your story.

950
00:42:45,800 --> 00:42:48,080
Speaker 4: Yeah, and so do you when it is being because

951
00:42:48,080 --> 00:42:50,680
Speaker 4: I know that there is someone who does the adaptation

952
00:42:50,880 --> 00:42:54,440
Speaker 4: to screen. Do you have to have hands off there

953
00:42:54,560 --> 00:42:56,800
Speaker 4: or do you have some say when they are adapting

954
00:42:56,840 --> 00:42:57,440
Speaker 4: at to screen.

955
00:42:58,200 --> 00:43:00,040
Speaker 6: Well, I don't have to have hands off, but I

956
00:43:00,120 --> 00:43:01,640
Speaker 6: choose to be hands off.

957
00:43:01,840 --> 00:43:05,160
Speaker 3: Yeah, it'd be too much, Yeah, it'd be way too much.

958
00:43:05,360 --> 00:43:07,440
Speaker 3: Speaking of TV writing, I know you've been to him

959
00:43:07,480 --> 00:43:10,240
Speaker 3: a few times down with and you won for Outstanding

960
00:43:10,400 --> 00:43:14,120
Speaker 3: Limited Series. And I know that on the way there

961
00:43:14,320 --> 00:43:17,120
Speaker 3: there was a policeman that stopped your driver and I

962
00:43:17,160 --> 00:43:18,600
Speaker 3: had a very funny story about that.

963
00:43:18,880 --> 00:43:20,879
Speaker 6: Yes, So I was in the back of the car

964
00:43:20,920 --> 00:43:23,279
Speaker 6: with my husband. We were all very dressed up. We'd

965
00:43:23,320 --> 00:43:27,200
Speaker 6: spent well, I'd spent ages getting ready, having know it

966
00:43:27,200 --> 00:43:30,480
Speaker 6: takes hours for a woman to get ready. He just

967
00:43:30,520 --> 00:43:32,439
Speaker 6: got in the shower, ran his hand over the top

968
00:43:32,560 --> 00:43:35,960
Speaker 6: of his head and looked looked like a movie star

969
00:43:36,160 --> 00:43:38,759
Speaker 6: on the red car. And I took three hours to

970
00:43:38,800 --> 00:43:44,120
Speaker 6: look barely acceptable anyway for getting Putting all that aside,

971
00:43:45,000 --> 00:43:46,640
Speaker 6: we were in the car and I was looking as

972
00:43:46,680 --> 00:43:51,279
Speaker 6: good as it is possible for me, and we were

973
00:43:51,320 --> 00:43:54,320
Speaker 6: driving along and a policeman stopped the car and said,

974
00:43:54,800 --> 00:43:57,839
Speaker 6: have you got a celebrity in the back there, And

975
00:43:57,880 --> 00:44:02,480
Speaker 6: the driver said noop, And I was looking at my

976
00:44:02,600 --> 00:44:07,200
Speaker 6: husband's and he's on in that case this way, and

977
00:44:07,280 --> 00:44:08,680
Speaker 6: so then we had to.

978
00:44:08,640 --> 00:44:10,440
Speaker 3: Go a different way.

979
00:44:10,920 --> 00:44:16,560
Speaker 6: So there's all all different rules. I always remember hearing

980
00:44:16,920 --> 00:44:20,520
Speaker 6: Emma Thompson say, when you're in LA there's always somebody

981
00:44:20,680 --> 00:44:24,760
Speaker 6: making it clear that there's people who were more famous

982
00:44:24,800 --> 00:44:28,799
Speaker 6: than you. So even Emma Thompson said that, Wow.

983
00:44:29,920 --> 00:44:31,839
Speaker 3: I can't believe that you overheard that.

984
00:44:32,440 --> 00:44:34,240
Speaker 6: Well, they weren't trying, they weren't trying.

985
00:44:34,040 --> 00:44:38,720
Speaker 3: To hide, just like this is the truth. I've got

986
00:44:39,080 --> 00:44:42,799
Speaker 3: unknown Australian authors sitting in the back of the cards.

987
00:44:44,200 --> 00:44:45,800
Speaker 2: Meeting some real celebrities have a fun.

988
00:44:46,880 --> 00:44:49,239
Speaker 6: But I already knew that because leading up to it,

989
00:44:49,280 --> 00:44:52,600
Speaker 6: I kept getting all these emails saying you will not

990
00:44:52,920 --> 00:44:56,600
Speaker 6: be invited to this particular ball. There was some ball

991
00:44:56,680 --> 00:45:00,560
Speaker 6: that followed the Emmys on the party, I think something

992
00:45:00,640 --> 00:45:03,200
Speaker 6: like the Governor's Ball or something. I think you had

993
00:45:03,239 --> 00:45:05,839
Speaker 6: to be at a certain level and I'd never heard

994
00:45:05,840 --> 00:45:08,280
Speaker 6: of the ball, so I didn't care that I wasn't invited.

995
00:45:08,280 --> 00:45:10,080
Speaker 6: But they needed to really make the.

996
00:45:10,000 --> 00:45:11,359
Speaker 3: Point in the world.

997
00:45:11,400 --> 00:45:14,640
Speaker 6: I was not going to it until finally I answered

998
00:45:14,680 --> 00:45:17,919
Speaker 6: and said, I understand yours, Cinderella.

999
00:45:23,120 --> 00:45:26,600
Speaker 3: I love that. It's been amazing to have you in

1000
00:45:26,600 --> 00:45:28,799
Speaker 3: the studio. Thank you so much for coming in. You've

1001
00:45:28,800 --> 00:45:31,840
Speaker 3: got a brand new book. It is called Here One Moment,

1002
00:45:32,200 --> 00:45:42,440
Speaker 3: available at all good bookstores, pantsed by yours, truly eloquent, pros,

1003
00:45:43,080 --> 00:45:47,440
Speaker 3: well fought out, whatever you want to put on it.

1004
00:45:47,440 --> 00:45:49,400
Speaker 3: It is in all good bookstores today, so you can

1005
00:45:49,480 --> 00:45:52,399
Speaker 3: go and get the latest read from Leanne Moriarty, which

1006
00:45:52,400 --> 00:45:54,160
Speaker 3: I'm sure we'll fly off the shelves like all of

1007
00:45:54,200 --> 00:45:57,080
Speaker 3: your books. Duly on because we think you're outstanding. Congratulations

1008
00:45:57,080 --> 00:45:58,560
Speaker 3: and all your success and thanks for coming on.

1009
00:45:58,560 --> 00:46:01,280
Speaker 6: Will thank you so much. Be really fun no writing

1010
00:46:01,320 --> 00:46:01,759
Speaker 6: this time.

1011
00:46:01,960 --> 00:46:11,839
Speaker 3: Yes, it's great, but I found out that Sem has

1012
00:46:11,880 --> 00:46:13,680
Speaker 3: one of the rarest rashes imaginable.

1013
00:46:13,800 --> 00:46:15,960
Speaker 2: Now you keep bringing it up, I keep bringing it up.

1014
00:46:16,040 --> 00:46:17,920
Speaker 3: I haven't been able to tell you that. I've been

1015
00:46:17,920 --> 00:46:19,759
Speaker 3: wanting to tell you what it is, but then I

1016
00:46:19,840 --> 00:46:22,040
Speaker 3: realized that it's it's probably not fair, it's probably not.

1017
00:46:22,000 --> 00:46:24,520
Speaker 2: My news to tell, so I just said it on radio.

1018
00:46:24,760 --> 00:46:26,839
Speaker 3: Well, no, but she can tell like she can tell

1019
00:46:26,880 --> 00:46:29,160
Speaker 3: you what it's about, you know, and she might say

1020
00:46:29,160 --> 00:46:31,280
Speaker 3: that she doesn't want to talk about it. That's fine, Okay.

1021
00:46:31,600 --> 00:46:33,919
Speaker 3: I have just told Australia that she's a really bad rash.

1022
00:46:33,920 --> 00:46:36,440
Speaker 3: But if you bumped into it, honestly, you'd think she

1023
00:46:36,480 --> 00:46:39,279
Speaker 3: was the elephant man like she is. It's hectic, it's

1024
00:46:39,320 --> 00:46:39,879
Speaker 3: really it's.

1025
00:46:39,920 --> 00:46:43,000
Speaker 4: It's so and I think she should probably tell you're

1026
00:46:43,040 --> 00:46:44,959
Speaker 4: really going into it, but I think it's worth also

1027
00:46:45,000 --> 00:46:48,280
Speaker 4: telling everyone that you so you want to prank her.

1028
00:46:49,040 --> 00:46:50,320
Speaker 3: I'm not going to call her and get her to

1029
00:46:50,320 --> 00:46:52,319
Speaker 3: tell us about the rash. We're doing a radio show, bro,

1030
00:46:52,320 --> 00:46:53,040
Speaker 3: We've got to keep it fun.

1031
00:46:53,120 --> 00:46:54,080
Speaker 2: She's unprankable.

1032
00:46:54,239 --> 00:46:55,080
Speaker 3: Yeah, she's hard to prank.

1033
00:46:55,640 --> 00:46:58,160
Speaker 4: Seeing my voices all through this, like I feel like

1034
00:46:58,640 --> 00:47:00,000
Speaker 4: afternoon you've been practicing.

1035
00:47:00,040 --> 00:47:00,839
Speaker 3: Well, she's hard to get.

1036
00:47:00,840 --> 00:47:01,960
Speaker 2: What are you going to go with?

1037
00:47:02,520 --> 00:47:04,680
Speaker 3: I'm going to call as a guy from like a

1038
00:47:04,840 --> 00:47:08,680
Speaker 3: rare disease department and basically they like, because she had

1039
00:47:08,680 --> 00:47:09,960
Speaker 3: to go to a doctor, And I'm just going to

1040
00:47:10,000 --> 00:47:12,319
Speaker 3: be like, we've heard that. You you know, it's come

1041
00:47:12,400 --> 00:47:15,160
Speaker 3: up on our systems. Our job to investigate backstory check.

1042
00:47:15,640 --> 00:47:17,480
Speaker 2: This is your partner, she knows your voice.

1043
00:47:18,040 --> 00:47:19,440
Speaker 3: I'm going to disguise it. Who are you going to

1044
00:47:19,600 --> 00:47:22,720
Speaker 3: I'm going to disguise it so well even you won't

1045
00:47:22,760 --> 00:47:30,800
Speaker 3: know who I am. Hello? Is that Sam Leja?

1046
00:47:32,239 --> 00:47:32,560
Speaker 5: Hello?

1047
00:47:33,719 --> 00:47:34,560
Speaker 3: Is that Sam Veja?

1048
00:47:36,120 --> 00:47:38,840
Speaker 5: Ri You McMahon, my name is?

1049
00:47:44,960 --> 00:47:47,640
Speaker 2: You were practicing so much and you went with that.

1050
00:47:47,520 --> 00:47:51,440
Speaker 3: One Stephen Wilcomes, I'm calling from the Department of Interesting

1051
00:47:51,440 --> 00:47:52,280
Speaker 3: and Rear Diseases.

1052
00:47:55,880 --> 00:47:56,719
Speaker 6: You know how she.

1053
00:47:58,000 --> 00:47:59,000
Speaker 3: Hung up on me.

1054
00:47:59,440 --> 00:48:03,319
Speaker 4: No, no, get it back actually like a mic drop

1055
00:48:03,400 --> 00:48:06,839
Speaker 4: moment though that was.

1056
00:48:07,719 --> 00:48:11,279
Speaker 3: Is that? Is this another no, not annoying voice? I

1057
00:48:11,320 --> 00:48:13,839
Speaker 3: was trying to explain to Woody about the rash you have.

1058
00:48:14,840 --> 00:48:15,760
Speaker 5: What were you explaining?

1059
00:48:15,880 --> 00:48:17,880
Speaker 3: Well, I haven't actually told him anything yet because I

1060
00:48:17,920 --> 00:48:21,359
Speaker 3: was like, it's so rare that it's like it's you

1061
00:48:21,360 --> 00:48:23,200
Speaker 3: had to convince the doctor that it was true.

1062
00:48:23,360 --> 00:48:23,680
Speaker 5: I know.

1063
00:48:24,440 --> 00:48:27,760
Speaker 2: Do you feel comfortable sharing? Because yeah, yeah, yeah, amazing.

1064
00:48:27,960 --> 00:48:31,239
Speaker 2: What you what have you got? Sam?

1065
00:48:31,360 --> 00:48:31,680
Speaker 10: Okay?

1066
00:48:31,719 --> 00:48:35,640
Speaker 5: So we're sitting at a pub on Sunday and Will

1067
00:48:35,760 --> 00:48:40,960
Speaker 5: was like, Sam, have you been crying? I'm like, may no,

1068
00:48:41,400 --> 00:48:46,000
Speaker 5: Like what's up, bloody? And then we got home It's

1069
00:48:46,040 --> 00:48:47,640
Speaker 5: like I've been whipped.

1070
00:48:47,680 --> 00:48:50,360
Speaker 3: By it looks like she'd been whipped and.

1071
00:48:50,400 --> 00:48:52,080
Speaker 10: I want to say by Wilbur and she had.

1072
00:48:51,960 --> 00:48:58,120
Speaker 3: Been but Hi, Maxie high sweetheart, Mommy is just telling

1073
00:48:58,160 --> 00:48:59,439
Speaker 3: us about her rash.

1074
00:48:59,480 --> 00:49:01,200
Speaker 2: That quite no, that was perfect.

1075
00:49:02,600 --> 00:49:05,400
Speaker 5: I've got like these linear rashes all over my body

1076
00:49:05,560 --> 00:49:10,600
Speaker 5: and it's like it started spreading quite like. Then I

1077
00:49:10,640 --> 00:49:14,480
Speaker 5: look up online. I'm like linear rashes versus that comes

1078
00:49:14,560 --> 00:49:19,560
Speaker 5: up is have you eaten chittaki mushrooms? And I'm like,

1079
00:49:20,160 --> 00:49:21,120
Speaker 5: oh my god.

1080
00:49:21,000 --> 00:49:24,680
Speaker 10: We have shittaki mushrooms on Friday and they're like if

1081
00:49:24,680 --> 00:49:29,880
Speaker 10: they're undercooked or raw, there's this thing that lives on

1082
00:49:30,040 --> 00:49:31,120
Speaker 10: chittaki mushrooms.

1083
00:49:31,239 --> 00:49:34,400
Speaker 5: What Yeah, and you can have a reaction.

1084
00:49:34,120 --> 00:49:37,280
Speaker 3: From that ordinarily rereconditioned Sam has Like I was looking

1085
00:49:37,280 --> 00:49:40,360
Speaker 3: online about it. Only reported cases are in like Japan

1086
00:49:40,480 --> 00:49:43,040
Speaker 3: and China. There's only been like two reported in the States.

1087
00:49:43,040 --> 00:49:46,200
Speaker 4: So what does this mean outside of the vertical rash

1088
00:49:46,200 --> 00:49:47,160
Speaker 4: you've got on your body?

1089
00:49:47,360 --> 00:49:48,200
Speaker 2: Is this bad?

1090
00:49:48,320 --> 00:49:53,799
Speaker 5: Like I could potentially like loose limbs here, Yeah, and

1091
00:49:53,880 --> 00:49:56,080
Speaker 5: apparently you can lose your ears from it.

1092
00:49:56,239 --> 00:49:59,480
Speaker 3: Yeah yeah, yeah, this is what?

1093
00:49:59,680 --> 00:50:01,480
Speaker 2: So what what are you doing to fix it? Though?

1094
00:50:01,520 --> 00:50:02,440
Speaker 2: This is unbelievable.

1095
00:50:02,440 --> 00:50:05,160
Speaker 3: You can't do anything last for three weeks. Yeah, She's

1096
00:50:05,160 --> 00:50:07,239
Speaker 3: covered in stripes. It's as if somebody took like a

1097
00:50:07,239 --> 00:50:10,839
Speaker 3: little razor blade and cut her a thousand times all

1098
00:50:10,880 --> 00:50:14,560
Speaker 3: over her body in three strips. It's three strips everywhere.

1099
00:50:14,560 --> 00:50:17,120
Speaker 3: It's like it's like if she lived in the medieval times,

1100
00:50:17,320 --> 00:50:18,719
Speaker 3: they would have burned her at the stake for being

1101
00:50:18,719 --> 00:50:21,360
Speaker 3: a witch, for dealing with the devil. I'm serious, Sam,

1102
00:50:21,560 --> 00:50:24,600
Speaker 3: think about that. You look like you've like done something

1103
00:50:24,600 --> 00:50:26,680
Speaker 3: satanic to yourself. So were you like.

1104
00:50:26,640 --> 00:50:29,680
Speaker 5: Rubbing I can't a wait, sorry, I can't lose forty years.

1105
00:50:29,680 --> 00:50:30,200
Speaker 5: That's not true.

1106
00:50:30,320 --> 00:50:30,600
Speaker 6: That was.

1107
00:50:33,200 --> 00:50:36,560
Speaker 2: I bought that very I'll go for that incredibly quickly.

1108
00:50:38,160 --> 00:50:42,879
Speaker 4: I was like, seems specific to lose, So what what

1109
00:50:42,880 --> 00:50:44,080
Speaker 4: what is the situation?

1110
00:50:44,239 --> 00:50:45,640
Speaker 3: You just got away for it to go away. But

1111
00:50:45,680 --> 00:50:46,920
Speaker 3: she went to the doctor the other day and she

1112
00:50:46,960 --> 00:50:48,480
Speaker 3: got in there and she was like, because you know,

1113
00:50:48,560 --> 00:50:50,799
Speaker 3: GPS hate it when you tell them what you've got. Like,

1114
00:50:50,840 --> 00:50:52,040
Speaker 3: if you go in there, you go, I don't worry

1115
00:50:52,040 --> 00:50:54,160
Speaker 3: about I've googled what I've got. Like, okay, cool, that's

1116
00:50:54,160 --> 00:50:57,279
Speaker 3: what I'm here for. Stop googling your symptoms. Sam walked

1117
00:50:57,280 --> 00:50:59,399
Speaker 3: in and was like, I've got a really rare touch

1118
00:50:59,440 --> 00:51:14,960
Speaker 3: you much, Oh, Damn, I don't do it don't matter. Hey,

1119
00:51:15,239 --> 00:51:17,120
Speaker 3: what are you welcome back to the radio show? I'm sorry,

1120
00:51:17,200 --> 00:51:19,160
Speaker 3: it's a trigger thing. We're trying to get this sounding

1121
00:51:19,200 --> 00:51:21,160
Speaker 3: like a podcast, and sometimes I just go and shot

1122
00:51:21,200 --> 00:51:22,400
Speaker 3: on it with a radio sensibility.

1123
00:51:22,440 --> 00:51:24,640
Speaker 2: I think it's nice that you welcome people next.

1124
00:51:24,520 --> 00:51:27,520
Speaker 3: Kyle and Jackie, oh with the arrow power.

1125
00:51:27,640 --> 00:51:29,319
Speaker 4: I think it's nice that you welcome people back from

1126
00:51:29,320 --> 00:51:32,080
Speaker 4: the ad. Sometimes I'm not naming names, but some podcasts

1127
00:51:32,120 --> 00:51:36,000
Speaker 4: you listen to clearly they put the ads in after

1128
00:51:36,080 --> 00:51:38,760
Speaker 4: and sometimes it's like, oh, it's just you know, hearing

1129
00:51:39,239 --> 00:51:41,719
Speaker 4: a thought and then an ad gets rammed in there,

1130
00:51:41,719 --> 00:51:43,160
Speaker 4: and then it just continues on the other side.

1131
00:51:43,200 --> 00:51:44,480
Speaker 2: I like that you welcome people back.

1132
00:51:44,560 --> 00:51:47,759
Speaker 3: All right, we'll welcome back everyone. We're nearly done. They

1133
00:51:47,800 --> 00:51:52,960
Speaker 3: didn't go anywhere, though, they're in another world. I think

1134
00:51:52,960 --> 00:51:53,960
Speaker 3: it might be a radio thing.

1135
00:51:54,000 --> 00:51:54,799
Speaker 2: They're in the ad word.

1136
00:51:54,840 --> 00:51:57,040
Speaker 3: You know, if you like me and I don't get

1137
00:51:57,080 --> 00:51:59,640
Speaker 3: doing this because our ads are brilliant. But you know,

1138
00:51:59,680 --> 00:52:03,240
Speaker 3: you pressed fast forward by fifteen seconds twice exactly.

1139
00:52:03,400 --> 00:52:05,959
Speaker 2: You're in the never you don't you dare fast forward?

1140
00:52:06,560 --> 00:52:07,920
Speaker 3: Hey, I'm just.

1141
00:52:07,880 --> 00:52:08,960
Speaker 2: Saying that was a great product.

1142
00:52:09,920 --> 00:52:11,880
Speaker 3: Well, it was brilliant and you missed out. If you

1143
00:52:11,880 --> 00:52:12,799
Speaker 3: have fast forwarded.

1144
00:52:13,160 --> 00:52:16,520
Speaker 2: Rewind, if you fast forward, you're here again.

1145
00:52:17,160 --> 00:52:20,000
Speaker 3: I did offend junior producer analytes before into humane movies

1146
00:52:20,000 --> 00:52:23,160
Speaker 3: and maybe butchered a number of the relationships that she

1147
00:52:23,239 --> 00:52:24,320
Speaker 3: works very hard to preserve.

1148
00:52:25,400 --> 00:52:29,799
Speaker 4: Still not happy, she's not, but we do want to

1149
00:52:29,800 --> 00:52:33,640
Speaker 4: We do want to talk about your accent ability.

1150
00:52:32,800 --> 00:52:34,560
Speaker 3: Because you're, you know, you're thinking about getting into the

1151
00:52:34,600 --> 00:52:36,280
Speaker 3: movies yourself with your acting classes.

1152
00:52:36,960 --> 00:52:39,359
Speaker 7: I don't think I know this is great?

1153
00:52:39,680 --> 00:52:40,280
Speaker 2: Was that English?

1154
00:52:41,040 --> 00:52:45,759
Speaker 3: That was Scottish? Oh? You don't even know anymore? You could?

1155
00:52:45,760 --> 00:52:47,040
Speaker 3: You just like a lucky dip, you go to the

1156
00:52:47,040 --> 00:52:48,960
Speaker 3: barrel and whatever accent comes up first.

1157
00:52:49,600 --> 00:52:51,399
Speaker 6: Yeah, I do with it like that.

1158
00:52:51,520 --> 00:52:53,480
Speaker 7: I just kind of guess what's I'm going to be

1159
00:52:53,520 --> 00:52:54,920
Speaker 7: going with, and I just go with it.

1160
00:52:55,840 --> 00:52:57,040
Speaker 3: This is Scottish for mine.

1161
00:52:57,440 --> 00:52:58,480
Speaker 7: I think it is Scottish.

1162
00:52:59,080 --> 00:53:00,239
Speaker 3: Yeah.

1163
00:53:00,239 --> 00:53:02,879
Speaker 2: Wow. The real hurt a little bit like a pick

1164
00:53:02,920 --> 00:53:03,640
Speaker 2: behind the mask.

1165
00:53:04,080 --> 00:53:04,239
Speaker 3: Here.

1166
00:53:04,280 --> 00:53:09,239
Speaker 2: I am a little treat for you all. Give American I.

1167
00:53:09,280 --> 00:53:14,879
Speaker 7: Do on this sexy normally Americans kind of no. Wait one,

1168
00:53:14,920 --> 00:53:19,239
Speaker 7: two three, I'm going to maccas mackett. I'm when McDonald's to.

1169
00:53:19,200 --> 00:53:24,320
Speaker 3: Go I'm going to MCI maccas is very Australian.

1170
00:53:24,360 --> 00:53:26,120
Speaker 2: Yeah, McDonald's, McDonald's.

1171
00:53:26,400 --> 00:53:28,000
Speaker 3: Now, you have got a little bit of a tendency

1172
00:53:28,000 --> 00:53:32,440
Speaker 3: to dip into somewhere in the Caribbean occasionally, what a

1173
00:53:32,440 --> 00:53:37,239
Speaker 3: little bit and not totally unintentionally obviously, but that I

1174
00:53:37,239 --> 00:53:38,719
Speaker 3: don't know how that. I don't know how. I'm not

1175
00:53:38,760 --> 00:53:39,600
Speaker 3: sure how that happens.

1176
00:53:39,680 --> 00:53:42,920
Speaker 8: We have either just been practicing though. In the shower,

1177
00:53:43,480 --> 00:53:45,440
Speaker 8: I asked myself, like doing that?

1178
00:53:45,560 --> 00:53:47,359
Speaker 7: So what made you want to star in this movie

1179
00:53:47,440 --> 00:53:48,640
Speaker 7: alongside Brad Pitt?

1180
00:53:49,960 --> 00:53:50,720
Speaker 3: And what accident?

1181
00:53:52,400 --> 00:53:55,239
Speaker 7: So I pretend that in the accent i'm speaking, So

1182
00:53:55,239 --> 00:53:58,280
Speaker 7: I say I'm speaking American at that time, I'll be like, sorry,

1183
00:53:58,320 --> 00:54:01,120
Speaker 7: excuse my accent. At the moment I'm it's like currently

1184
00:54:01,160 --> 00:54:03,799
Speaker 7: in character for next film I'm working on, and I

1185
00:54:03,880 --> 00:54:06,839
Speaker 7: don't want to like drop into my Australian accent because

1186
00:54:06,880 --> 00:54:08,240
Speaker 7: sometimes I drop in and out.

1187
00:54:08,680 --> 00:54:11,239
Speaker 3: Sure, I'm not sure how much of that has made

1188
00:54:11,239 --> 00:54:14,160
Speaker 3: the cut, but if all of it has made the cut,

1189
00:54:15,880 --> 00:54:17,759
Speaker 3: just a long, babe. I think the thing you got

1190
00:54:17,800 --> 00:54:19,640
Speaker 3: a lot about analysis is the committment to the bit there.

1191
00:54:19,680 --> 00:54:23,080
Speaker 3: I mean, she absolutely, she's halfway through it. Absolutely, she barreled,

1192
00:54:23,360 --> 00:54:25,640
Speaker 3: which is great. Well done you a b thank you

1193
00:54:25,680 --> 00:54:28,799
Speaker 3: for repeating the conversation that you have with yourself from

1194
00:54:28,840 --> 00:54:32,000
Speaker 3: the shower this morning. There's a movie there or a

1195
00:54:32,040 --> 00:54:35,600
Speaker 3: docco The interview analyst was boasting about the fact that

1196
00:54:35,600 --> 00:54:37,840
Speaker 3: her Scottish accent was so good that she will be

1197
00:54:37,880 --> 00:54:40,600
Speaker 3: able to call a random place in Scotland and convince

1198
00:54:40,680 --> 00:54:45,560
Speaker 3: them through her excellent Scottish accent that she was from Scotland.

1199
00:54:46,200 --> 00:54:47,000
Speaker 3: This out went.

1200
00:54:48,480 --> 00:54:52,960
Speaker 7: Hello, Hello, love you guys got a table for nine o'clock.

1201
00:54:54,000 --> 00:54:57,040
Speaker 11: Yeah, we don't aim reserve, but we're completely so you

1202
00:54:57,080 --> 00:55:01,919
Speaker 11: should be fine. You should be all right. We can

1203
00:55:02,280 --> 00:55:03,480
Speaker 11: definitely keep an eye out for you.

1204
00:55:03,880 --> 00:55:05,160
Speaker 5: Right, I am coming.

1205
00:55:05,160 --> 00:55:06,200
Speaker 6: I might come in and a web.

1206
00:55:06,680 --> 00:55:08,800
Speaker 7: Uh do you guys do croissants?

1207
00:55:09,160 --> 00:55:11,680
Speaker 11: We do, Yeah, we do. We've got thirty questions for

1208
00:55:11,840 --> 00:55:15,600
Speaker 11: you chocolate and we don't have chocolate ones, but we

1209
00:55:15,640 --> 00:55:17,479
Speaker 11: do have Nataylor if you want to have a question

1210
00:55:17,520 --> 00:55:17,839
Speaker 11: on one.

1211
00:55:18,120 --> 00:55:19,480
Speaker 8: You know, I love it in the tailor.

1212
00:55:21,520 --> 00:55:25,319
Speaker 7: It's me in the nice sweet spot. It's very nice. Well,

1213
00:55:25,320 --> 00:55:27,800
Speaker 7: I'm not coming, I might coming. I've got my cousin

1214
00:55:27,920 --> 00:55:29,879
Speaker 7: who's from Australia and I want to kind of give

1215
00:55:29,880 --> 00:55:34,680
Speaker 7: her the Scotland experience, so I'm up bringing in all

1216
00:55:34,760 --> 00:55:35,239
Speaker 7: later on.

1217
00:55:36,400 --> 00:55:41,319
Speaker 11: Yeah, well we're totally empty, just so sometimes just get

1218
00:55:41,320 --> 00:55:43,359
Speaker 11: a wee bit basically just before nine for people going

1219
00:55:43,440 --> 00:55:46,319
Speaker 11: to work and stuff, but you'll probably fine shortly after nine.

1220
00:55:46,640 --> 00:55:48,880
Speaker 2: Yeah, yeah, brilliant.

1221
00:55:48,880 --> 00:55:51,920
Speaker 6: But do you have anything like I've just been trying.

1222
00:55:51,640 --> 00:55:53,880
Speaker 7: To think what I should get her because like, obviously

1223
00:55:53,880 --> 00:55:55,440
Speaker 7: she's from Australia, so I want to make sure she

1224
00:55:55,560 --> 00:55:56,799
Speaker 7: like kind of gets our like.

1225
00:55:56,800 --> 00:55:57,600
Speaker 6: Culture and stuff.

1226
00:55:57,680 --> 00:55:59,920
Speaker 7: Do you think, like, do you think like this is

1227
00:56:00,000 --> 00:56:02,160
Speaker 7: specific a specific drink like that.

1228
00:56:01,960 --> 00:56:03,359
Speaker 6: That I should get her?

1229
00:56:04,840 --> 00:56:08,480
Speaker 11: A drinks was probably I think we beget to say

1230
00:56:08,960 --> 00:56:09,319
Speaker 11: that's what.

1231
00:56:09,360 --> 00:56:10,080
Speaker 3: I was thinking.

1232
00:56:10,600 --> 00:56:13,000
Speaker 7: Ah, yeah, I'll give a rea bit of that to

1233
00:56:13,280 --> 00:56:15,440
Speaker 7: like it, to like it. What was your name, sir?

1234
00:56:15,520 --> 00:56:16,960
Speaker 1: I love Hey?

1235
00:56:17,000 --> 00:56:18,400
Speaker 11: Sure my name surety?

1236
00:56:18,560 --> 00:56:21,520
Speaker 3: Hey, Rory. I'm My name is will Well. I'm actually

1237
00:56:21,560 --> 00:56:25,040
Speaker 3: calling from Australia. This is analyst, my friend, and she

1238
00:56:25,040 --> 00:56:27,120
Speaker 3: she just thought she had such a good Scottish accent

1239
00:56:27,160 --> 00:56:29,880
Speaker 3: that she reckoned she could call any place in Scotland

1240
00:56:29,920 --> 00:56:31,759
Speaker 3: and they would believe that she was Scottish.

1241
00:56:32,120 --> 00:56:34,439
Speaker 2: Did you buy it, Rory? Did you buy it?

1242
00:56:36,000 --> 00:56:40,920
Speaker 3: I thought, Rory?

1243
00:56:42,360 --> 00:56:45,680
Speaker 2: How quickly. How quickly did you know she was Australian? Rory?

1244
00:56:46,680 --> 00:56:50,920
Speaker 3: And see, don't you like it? Rory?

1245
00:56:50,960 --> 00:56:52,880
Speaker 7: When I said wee bit like, I thought that was

1246
00:56:52,920 --> 00:56:57,200
Speaker 7: really started in Scotland.

1247
00:56:58,040 --> 00:56:58,680
Speaker 3: I'll take that.

1248
00:56:58,800 --> 00:56:59,600
Speaker 6: I'll take that.

1249
00:56:59,600 --> 00:57:02,480
Speaker 3: That's a win. It wasn't a win. It was an absolute,

1250
00:57:02,800 --> 00:57:08,840
Speaker 3: an absolute basketcase. That was horrible, Annals. I'm sorry Rory

1251
00:57:08,960 --> 00:57:10,840
Speaker 3: for offending your ears so early in the morning.

1252
00:57:11,000 --> 00:57:13,000
Speaker 2: I know it's just over there.

1253
00:57:14,480 --> 00:57:18,640
Speaker 3: In Glassgow roast uh in Glassgow?

1254
00:57:18,960 --> 00:57:20,840
Speaker 7: All right, I'll see you there for one of those

1255
00:57:20,920 --> 00:57:22,240
Speaker 7: Natella croissants.

1256
00:57:23,160 --> 00:57:26,200
Speaker 3: I think it's that.

1257
00:57:26,200 --> 00:57:29,760
Speaker 7: Was Australia, but this is Natilla crystals.

1258
00:57:33,760 --> 00:57:34,960
Speaker 3: Do you know where a bit loved?

1259
00:57:38,160 --> 00:57:38,720
Speaker 2: Ah?

1260
00:57:38,760 --> 00:57:41,920
Speaker 3: All right, we're gonna get out of here. Quick reminder. Yeah,

1261
00:57:41,920 --> 00:57:46,040
Speaker 3: we are now all in the middle of a prank. Yes, yes, yes.

1262
00:57:46,160 --> 00:57:49,520
Speaker 3: If you see mim, if you know mim, you don't

1263
00:57:49,520 --> 00:57:53,520
Speaker 3: know anything, no exactly. In fact, just be really interested.

1264
00:57:53,600 --> 00:57:55,840
Speaker 3: If she starts bringing up the fact that the Melbourne's

1265
00:57:55,880 --> 00:57:59,080
Speaker 3: have contacted her because Sarah Snok wants to be friends

1266
00:57:59,080 --> 00:58:00,960
Speaker 3: with her, that's all work together here. It is an

1267
00:58:00,960 --> 00:58:03,920
Speaker 3: interesting story if that was the case. Totally, it's definitely

1268
00:58:03,920 --> 00:58:08,000
Speaker 3: not the case, but it would be amazing exactly. And

1269
00:58:08,160 --> 00:58:10,280
Speaker 3: next pod, we're going to do the prestige.

1270
00:58:10,720 --> 00:58:15,280
Speaker 4: Yeah, yeah, activate a Sarah Snook actor or maybe the

1271
00:58:15,280 --> 00:58:16,880
Speaker 4: real Sarah Snook is happy to make the call.

1272
00:58:16,920 --> 00:58:20,240
Speaker 2: Who knows. We'll work on that that we do the final.

1273
00:58:19,880 --> 00:58:22,480
Speaker 4: Step and we see if we can make men believe

1274
00:58:22,560 --> 00:58:24,000
Speaker 4: that it is Sarah calling her to.

1275
00:58:23,960 --> 00:58:24,560
Speaker 2: Hang out again.

1276
00:58:24,760 --> 00:58:24,920
Speaker 3: Yeah.

1277
00:58:25,080 --> 00:58:26,240
Speaker 2: God, I hope we get this.

1278
00:58:26,800 --> 00:58:30,120
Speaker 3: I I yeah, I think the only thing in the

1279
00:58:30,160 --> 00:58:31,720
Speaker 3: way of us getting and I know we've got a

1280
00:58:31,760 --> 00:58:33,960
Speaker 3: wrap up. The only thing in the way of us

1281
00:58:34,000 --> 00:58:39,040
Speaker 3: getting there is your poker face, mate, nervous. I'm not

1282
00:58:39,080 --> 00:58:41,680
Speaker 3: still doing it deliverately. I'm doing it to remind you

1283
00:58:41,760 --> 00:58:44,160
Speaker 3: that you have the most serious role to play in this.

1284
00:58:44,320 --> 00:58:46,000
Speaker 2: I'm going to call her on the way home to

1285
00:58:46,040 --> 00:58:46,960
Speaker 2: take my face out of it.

1286
00:58:47,200 --> 00:58:50,960
Speaker 3: Must like a delivery line from the movie There. You've

1287
00:58:50,960 --> 00:58:53,320
Speaker 3: got a hold, You've got to hold strong, no will.

1288
00:58:53,360 --> 00:58:54,440
Speaker 2: I'm going to call her.

1289
00:58:54,360 --> 00:58:57,200
Speaker 3: And we don't mean hold strong, I mean just drop

1290
00:58:57,240 --> 00:59:01,320
Speaker 3: the groucho marks eyebrows, because yeah, you're moving.

1291
00:59:01,080 --> 00:59:02,680
Speaker 2: Everywhere, and I'm going to get some botox on the

1292
00:59:02,680 --> 00:59:03,080
Speaker 2: way home.

1293
00:59:03,120 --> 00:59:05,680
Speaker 4: My face will be through represented now, So just just

1294
00:59:05,760 --> 00:59:09,840
Speaker 4: be busy, busy, busy, and you have and you haven't

1295
00:59:09,840 --> 00:59:10,360
Speaker 4: done anything.

1296
00:59:10,760 --> 00:59:13,080
Speaker 3: Wood he yes, I know that it was you that

1297
00:59:13,120 --> 00:59:17,000
Speaker 3: called me today about Melbourn Museum, Melbourne Zoo, the Sarah

1298
00:59:17,040 --> 00:59:19,680
Speaker 3: Snook prank. You're an idiot, would he? You're an idiot.

1299
00:59:19,720 --> 00:59:20,480
Speaker 3: I know it's a prank call.

1300
00:59:20,800 --> 00:59:21,520
Speaker 2: I don't know what you're talking.

1301
00:59:21,680 --> 00:59:24,120
Speaker 3: Oh yeah, good one, dickhead. All right, come on, let's go, mam.

1302
00:59:24,120 --> 00:59:25,640
Speaker 2: I have no idea what you're talking about. What's what?

1303
00:59:25,640 --> 00:59:29,080
Speaker 4: Who called you? Who said Sarah Sarah Snook? Who called you?

1304
00:59:29,080 --> 00:59:30,680
Speaker 4: Think I called you was Sarah Snook?

1305
00:59:30,960 --> 00:59:33,000
Speaker 3: Okay, pretty good? Better, getting a lot better.

1306
00:59:33,000 --> 00:59:34,320
Speaker 2: I'm getting lot better. I'm feeling good.

1307
00:59:34,600 --> 00:59:36,440
Speaker 3: Guys, who knows it's could have gone to it up

1308
00:59:36,480 --> 00:59:38,440
Speaker 3: next time we see Otherwise it would be the best

1309
00:59:38,440 --> 00:59:39,919
Speaker 3: prank of all time. See you next time.