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Speaker 1: Jump Mission with Jones and Amanda Colenstones. How long have

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Speaker 1: they been around for since nineteen sixty three.

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Speaker 2: Well, they're coming up to the fortieth anniversary. They've released

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Speaker 2: a fortieth anniversary edition of the classic nineteen eighty one

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Speaker 2: album Tattoo.

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Speaker 1: You that came out in nineteen eighty one. Yeah, that's right,

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Speaker 1: which feels like to me twenty years ago. I remember

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Speaker 1: buying that album when it came out.

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Speaker 2: But they've been together for years before that, hadn't they.

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Speaker 1: Yeah, they'd be people were saying. Mick Jagger was quoted

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Speaker 1: in nineteen seventy six saying I don't want to be

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Speaker 1: performing in the eighties.

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Speaker 2: He said that, and now he's performing in his eighties. Well,

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Speaker 2: they've dropped new music. You may have heard natashe Lee

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Speaker 2: talk about that through our news this morning. It's and

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Speaker 2: I have a listen. This is Troubles Are Coming first Games.

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Speaker 2: So it sounds like classic old school Stones because in

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Speaker 2: a way it is that was recorded in Paris in

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Speaker 2: nineteen seventy nine. So they've re The project they're doing

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Speaker 2: at the moment is their new release is featuring nine

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Speaker 2: unreleased tracks, including Troubles Are Coming. So these aren't newly

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Speaker 2: written or performed songs that was recorded in seventy nine,

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Speaker 2: but it's a.

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Speaker 1: New release, you know what, I reckon A lot of

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Speaker 1: these bands would do themselves as service and go back

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Speaker 1: through their old back catalogs to when they're in their

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Speaker 1: twenties and plagiarize themselves. Will bring out some of those

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Speaker 1: B side tracks.

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Speaker 2: Vanilli should do it, Sham.

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Speaker 1: Millie Vanilli and Wham Andrew originally come on here.

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Speaker 2: Come On, he was, I'm serious for your cultures.

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Speaker 1: Will there's an album Colt Will. It's called Teenage Love

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Speaker 1: and it's just got all their tracks. And I have

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Speaker 1: this theory that your most prolific songwriting time is in

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Speaker 1: your twenties, and then it just goes and people just

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Speaker 1: cash in on the good old days of when you

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Speaker 1: were relevant. You look at any band that puts out

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Speaker 1: a new song and they've been around for a long time.

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Speaker 1: The new song just is not because you get used

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Speaker 1: to what they've already done. Sympathy for the Devil, for

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Speaker 1: the example, by the Rolling Stones, was written when they

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Speaker 1: were twenty six. You know, there's never going to be

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Speaker 1: another Sympathy for the Devil.

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Speaker 2: But also, even if they did come out with a

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Speaker 2: new sympathy for the devil. I don't think we'd buy it.

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Speaker 2: It's like Paul McCartney pulls out and puts out new

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Speaker 2: music and with this music now for the Stones, you

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Speaker 2: may buy it, but it's not going to get airplay.

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Speaker 2: It's people still want to play the classics.

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Speaker 1: And the only one that I reckons done really well

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Speaker 1: with the song that came back was Daryl Braithwaite love songs.

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Speaker 1: I've been running love song. That was a great song,

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Speaker 1: and that's kind of rare. I mean, in this business

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Speaker 1: for a long time, you don't usually hear an older

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Speaker 1: artists managed to bring a song, like a new song back,

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Speaker 1: you know, like you too, maybe bon Javi, those big

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Speaker 1: anthem bands, like the anthemic rock, they don't.

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Speaker 2: Do new stuff.

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Speaker 1: You two they do.

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Speaker 2: We don't want it.

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Speaker 1: But you remember Akay when they did from the album

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Speaker 1: or that you Can't Leave Behind Beautiful Day that came

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Speaker 1: out about two thousand and there'd been a long time

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Speaker 1: between drinks. It's like in excess as well, Like people say, oh,

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Speaker 1: you'd be a rock star, it's easy, but really you've

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Speaker 1: got to keep working at it. You've got to be

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Speaker 1: really prolific and then all of a sudden, you've got

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Speaker 1: to be good. But then all of a sudden, one

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Speaker 1: day your mind just goes blank. So whatever that gift

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Speaker 1: was is gone.

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Speaker 2: Well, you've just given the yips to every single songwriter

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Speaker 2: who's over there. You're twenty five.

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Speaker 1: Give up.

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Speaker 2: They also The Stones opened the latest leg of their tour.

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Speaker 2: They're no filtered tour in Saint Louis. You say St. Louis.

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Speaker 1: It's not Sting Louis.

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Speaker 2: There's there's Saint Louis and Saint Louis. I think anyway,

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Speaker 2: they're in America. This was the first show they'd done

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Speaker 2: without Charlie Watts. That's say, there was a tribute for him.

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Speaker 2: They joined hands. Apparently it was a very emotion.

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Speaker 1: Who was on the drums, who was on the kit?

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Speaker 2: Replaced him with Daryl Summon. That's whereon is. Indeed, Jonesy

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Speaker 2: and Amanda's Jamnation