WEBVTT - Froomes Gets Confronted By A Fan 😧

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<v Speaker 1>Flex and Keita Inflex and Frooms Daily podcast Glad to

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<v Speaker 1>be back, haven't gone anywhere?

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<v Speaker 2>We live here we do.

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<v Speaker 1>Coming up though this episode, I'm gonna say it's one

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<v Speaker 1>of my favorites because we really touched on everything. What

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<v Speaker 1>happens when you have two kids and your name one

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<v Speaker 1>winner and one looser.

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<v Speaker 3>You won't believe it.

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<v Speaker 2>You will be shook to your core.

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<v Speaker 4>I'm also going to talk about a little experience, a

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<v Speaker 4>little personal.

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<v Speaker 1>Experience, experience, what experience, you know what?

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<v Speaker 4>Earlier I was texting somebody and I literally said, I experience.

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<v Speaker 2>It's what is it? Experience? But like I c k,

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<v Speaker 2>it was an experience? Oh like it was icky? Yeah,

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<v Speaker 2>it was an experience. Come on now, if we want

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<v Speaker 2>to make that, we can probably like that at TikTok.

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<v Speaker 2>You just start trademarking. I'm a trademarket. Don't make me so.

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<v Speaker 4>Essentially, I was publicly shamed in a public forum on

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<v Speaker 4>a public street outside my local supermarket. It was very upsetting,

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<v Speaker 4>and ultimately it was exciting because I meant I had

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<v Speaker 4>something to talk about on cater.

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<v Speaker 2>Being shamed within five kilometer radius of your own home.

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<v Speaker 2>I don't like it. It's pretty heavy.

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<v Speaker 4>But as I say later the next day, I was

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<v Speaker 4>publicly acknowledged the same five k radius so long. Yes,

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<v Speaker 4>so everything's equal and everything comes back. It's a circle

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<v Speaker 4>in life.

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<v Speaker 2>You win some of your loose. Let's get into it.

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<v Speaker 3>This is flex and Frooms on Cada.

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<v Speaker 1>We have been waiting for this one for me. Tell

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<v Speaker 1>us all about it. This is my latest public shaming.

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<v Speaker 1>It occurred on the weekend. Let me paint a picture

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<v Speaker 1>for you. Flexi.

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<v Speaker 4>I go to my chosen supermarket or brand names. But

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<v Speaker 4>you know, I'm more of a yeah, fresh food kind

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<v Speaker 4>of girl.

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<v Speaker 2>Fresh food my people.

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<v Speaker 4>Yeah, and I've got all of my stuff.

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<v Speaker 2>I was going to go home mate dinner. I mean,

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<v Speaker 2>what do you get? Can we get like a quick

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<v Speaker 2>quick Elevani's.

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<v Speaker 4>Cucumber tomato, corn, chicken taco pack and some yogurt.

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<v Speaker 1>Nice.

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<v Speaker 2>It's trotting home in my green bag. So I'm looking good.

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<v Speaker 4>I'm looking environmentally conscious. I feel great, like I've slept

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<v Speaker 4>a lot the night before, that kind of vibe. I'm

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<v Speaker 4>walking along I leave the supermarket and I like, look

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<v Speaker 4>at this guy on the street just as you're walking past,

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<v Speaker 4>and then he kind of like does a double take

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<v Speaker 4>at me, and he goes.

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<v Speaker 2>He recognizes a superstar in his midst He goes fromes

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<v Speaker 2>and I go, I turn around.

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<v Speaker 4>I go, hello, Doll, Like I've been doing this thing

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<v Speaker 4>lately if anyone talks to me on the street to

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<v Speaker 4>go hi Dole.

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<v Speaker 2>I'm like, why, I don't know. You don't know what

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<v Speaker 2>it is. I think I just am socially awkward. I

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<v Speaker 2>don't know. Because someone goes like flex, it's.

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<v Speaker 4>Like it's not a high. It's like, oh yeah, what,

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<v Speaker 4>I'm like, I don't know what to say.

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<v Speaker 2>I'm like, high, Dole. Okay, So anyway, I'm like, hi Doll.

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<v Speaker 4>He's like, hey, like what are you up to, doll?

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<v Speaker 4>Because he's just standing on the street kind of.

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<v Speaker 2>Like you're on the same foot path. He's across the road.

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<v Speaker 4>We are on the same footpath. He's like literally cross

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<v Speaker 4>paths like looked him, looked him, kept walking. He goes,

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<v Speaker 4>I turn around. So now I'm halfway turned. I'm like,

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<v Speaker 4>do I stay and talk to you?

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<v Speaker 2>Like? Is this going to make you walk with That's

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<v Speaker 2>a tricky one. Yeah.

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<v Speaker 4>And he's there with a woman and she kind of

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<v Speaker 4>looks a bit confused as to what's going on.

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<v Speaker 2>She's not familiar with the CEO. No, yeah, And.

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<v Speaker 4>It turns out she wasn't familiar with him either. So

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<v Speaker 4>he has a beer in his hand two pm Sunday,

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<v Speaker 4>no shame.

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<v Speaker 2>But he's on the street.

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<v Speaker 4>There is no bar nearby, so he's just got a

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<v Speaker 4>random legal I don't know his name, drinking his beer

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<v Speaker 4>and I look at him in the eye. His eyes

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<v Speaker 4>are bloodshot. First thing he says to me is I'm

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<v Speaker 4>so drunk. I'm so drunk. I'm so sad. I'm like,

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<v Speaker 4>why are you sad? And then he goes, oh, no, no, no,

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<v Speaker 4>I'm just so drunk. Hey, And then I go, oh,

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<v Speaker 4>do you guys know each other? She's like no, she's

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<v Speaker 4>working your dogs. So what she stops for? He's accosted

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<v Speaker 4>her and she's obviously stuck. And then he goes, oh,

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<v Speaker 4>like i'd love your work, Like love your work, but

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<v Speaker 4>selling out.

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<v Speaker 2>He's like, you got a stop selling out?

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<v Speaker 4>Don't sell out, like remember your freominess, Like, don't sell out?

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<v Speaker 1>Whoa this is very familiar. How is a stranger telling

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<v Speaker 1>you to remember who you are?

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<v Speaker 2>I'm not prepared for this.

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<v Speaker 4>I just want to have a cool, chill day by myself.

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<v Speaker 4>I'm having some alone time. I'm not on the internet today.

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<v Speaker 2>You come up to yes, I'm not clocked on.

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<v Speaker 1>Literally, he's a very on the clock discussion about my

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<v Speaker 1>career trajectory. So when he said that to you, what

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<v Speaker 1>was your initial response? Did you think he was joking?

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<v Speaker 4>I kind of laughed it off. I'm like, oh yeah,

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<v Speaker 4>hah yeah. And my instinct or what I wanted to say,

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<v Speaker 4>was like, what do you mean what part? But then

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<v Speaker 4>I thought he's drunk. He's not gonna give me a

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<v Speaker 4>good answer. And do I really want the opinion of

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<v Speaker 4>this person that's going to say to a relative stranger

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<v Speaker 4>that they've sold out. He's talking to me about my

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<v Speaker 4>financial and career decisions.

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<v Speaker 2>I'm not in the mood.

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<v Speaker 4>And I say to this girl, I go, hmm, I

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<v Speaker 4>was nice because I'm like, you think I'm a sellout.

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<v Speaker 4>So I'm keeping face. I'm feeling upset and annoyed.

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<v Speaker 2>I walk away. This chick like comes with me. I'm like,

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<v Speaker 2>how is that?

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<v Speaker 4>Like?

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<v Speaker 2>I can't believe that he said that. She's like, yeah,

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<v Speaker 2>they said have a good day, but she doesn't know

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<v Speaker 2>who you are, so she's just also like.

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<v Speaker 4>Well, what he's like, He's like her, Oh, do you

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<v Speaker 4>know this chick? It's from since she goes, Oh, I

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<v Speaker 4>thought you looked familiar. I've seen you before.

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<v Speaker 1>Yeah, so kind of be a stranger in your own

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<v Speaker 1>suburb honestly jumps it everywhere. It's a tricky one. I

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<v Speaker 1>appreciate that you fought the urge to defend yourself because

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<v Speaker 1>the thing about human nature is that you will be

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<v Speaker 1>misunderstood more often than not, and that really hurts my heart.

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<v Speaker 1>But the more you encounter it, the easiest to deal

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<v Speaker 1>with it. I think it's really interesting when people think

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<v Speaker 1>they know you, not you generally, but when just people,

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<v Speaker 1>when they think their observation of you is the reality

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<v Speaker 1>of you totally. In his instance, he was like, what

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<v Speaker 1>I'm perceiving of you to be true is the fact

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<v Speaker 1>I should pass that information. But realistically selling out, like

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<v Speaker 1>you don't do that many spanos. I want to google

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<v Speaker 1>the definition of sellout. Anyone who's sacrificis artistic integrity in

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<v Speaker 1>an effort to become more successful or popular.

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<v Speaker 2>Oh I'll do that, Sign me up.

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<v Speaker 3>Yeah.

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<v Speaker 4>The thing that I couldn't really grasp with, and I

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<v Speaker 4>think you make a really good point saying that they're

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<v Speaker 4>just seeing what they perceive and then assuming that that's

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<v Speaker 4>a reality, is that if this man really knew me,

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<v Speaker 4>if he was a true employee, he would know that

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<v Speaker 4>I have been sold out from the very beginning. My

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<v Speaker 4>first job, I tell you, often selling tint to the cayard.

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<v Speaker 4>The tints worth one hundred dollars, I'm selling it for

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<v Speaker 4>one thousand, five hundred.

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<v Speaker 2>Do you want to keep that in?

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<v Speaker 5>Yeah, so if you listen to this, I have a

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<v Speaker 5>really bad habit of same shit and then being like,

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<v Speaker 5>oh no, we actually we got to study it, say

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<v Speaker 5>take it out incremining Now I'll happily stand by that.

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<v Speaker 2>It was a different time. Yeah.

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<v Speaker 4>My first job at a or my first internship at

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<v Speaker 4>a radio station, I was making vines. Fernandos go get

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<v Speaker 4>a job at Pedestrian. I'm getting paid my money out

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<v Speaker 4>of the salary that Nike gave them. Gave them X

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<v Speaker 4>amount of money to bring on an editor. So my

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<v Speaker 4>health and fitness editor for Nike. Then I selling vitamins

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<v Speaker 4>through my riding. Like I've been a sell it from

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<v Speaker 4>the very beginning. I studied advertising. I understand the intersection

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<v Speaker 4>between creating entertainment and selling products.

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<v Speaker 2>So then I to go on the bio babe, it

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<v Speaker 2>actually is in my boot. That's incredible, do you know

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<v Speaker 2>what I mean?

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<v Speaker 4>So, and also it was just annoying because I have

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<v Speaker 4>had I feel as if I've had more opportunities to

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<v Speaker 4>sell out that I haven't.

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<v Speaker 1>Can I can I ask a question. I've got my

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<v Speaker 1>hand raised, because there is more than one of us.

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<v Speaker 2>Miss Willian. If you have.

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<v Speaker 1>Been a sellout from the beginning, what was what rabbed

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<v Speaker 1>you the wrong way about him perceiving that in you,

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<v Speaker 1>because then now it seems like what he said was

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<v Speaker 1>a compliment, like he's perceived it to be a capital

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<v Speaker 1>A artist, a capital C creative, when in fact you

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<v Speaker 1>are a seller.

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<v Speaker 4>I think it's more that this person was saying it

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<v Speaker 4>as if I've changed.

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<v Speaker 2>Oh, and you're like, I've been the same.

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<v Speaker 5>I have.

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<v Speaker 4>Literally It's like when people say, I don't forget where

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<v Speaker 4>you come from, don't care who you are, Like I've

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<v Speaker 4>known who I am the whole time. Like I'm not

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<v Speaker 4>thinking that I'm amazing now, Like I've always believed in myself.

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<v Speaker 4>I've always been the same. I've always had similar creative ambitions,

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<v Speaker 4>you know. So it's like it's quite discombobulating when somebody

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<v Speaker 4>who is willing to stop a stranger in the street

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<v Speaker 4>and give them career advice or like tell them, oh,

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<v Speaker 4>don't do this, Like they're all the kind of people

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<v Speaker 4>I want in my ranks anyway.

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<v Speaker 1>So it's offensive because he hasn't seen the consistency exactly.

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<v Speaker 1>He's thought, you've been fashoned about for a couple of

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<v Speaker 1>years and most recently got your come up, and now

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<v Speaker 1>you've sold out, when in reality you've been consistently selling out. Therefore,

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<v Speaker 1>he's not recognizing the amount of effort it's taken to maintain.

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<v Speaker 4>I understand absolutely, and it's just it's just not nice

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<v Speaker 4>to get feedback on the street, like, yeah, I've never

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<v Speaker 4>understood that. Maybe it's also because I feel like sometimes

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<v Speaker 4>the kind of people that come up to people in

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<v Speaker 4>person are quite This is not saying everyone that does

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<v Speaker 4>it is like this, but are quite like overly confident.

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<v Speaker 4>And it feels like a bit of a word vomited

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<v Speaker 4>thing to say to somebody like obviously you haven't really

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<v Speaker 4>thought about it, because you obviously like me because you

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<v Speaker 4>want to get a photo and stuff, and you're being

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<v Speaker 4>complimentary outside of that comment. But it felt very much

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<v Speaker 4>Australian culture. Tall poppy syndrome, like pulling me up into

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<v Speaker 4>line in case I've become too successful.

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<v Speaker 1>Yeah, which is said a lot about your audience. Well,

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<v Speaker 1>it's I'm hoping that I don't have these interactions. Like

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<v Speaker 1>we've spoken about a couple of instances where you've interacted

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<v Speaker 1>with your people and have been like, whoa, this is

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<v Speaker 1>a very odd thing for you to say to me.

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<v Speaker 2>This is an odd way for us to be interacting.

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<v Speaker 2>There might be a.

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<v Speaker 1>Dissonance between who you are and how your audience is

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<v Speaker 1>consuming you. You know, because I could imagine, like you said,

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<v Speaker 1>this person is a fan of you, so their intention.

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<v Speaker 2>Was not to offend.

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<v Speaker 1>So why is there a dissonance between what offends you

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<v Speaker 1>and what they think will offend you.

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<v Speaker 4>Well, nine times out of ten, any kind of interaction

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<v Speaker 4>I have with anybody is so positive. Like the next

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<v Speaker 4>day I went to this local cafe and the chef

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<v Speaker 4>came out and.

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<v Speaker 2>Was be like, oh my god, I love you and

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<v Speaker 2>we have the nicest chat food. Question Mark, Well, I

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<v Speaker 2>don't do things for free, so why should he? Okay,

0:10:42.400 --> 0:10:46.040
<v Speaker 2>so just say there wasn't a connection. There was, There

0:10:46.080 --> 0:10:46.640
<v Speaker 2>wasn't that deep.

0:10:47.160 --> 0:10:49.760
<v Speaker 3>This is flex and frooms on Kada.

0:10:50.080 --> 0:10:54.080
<v Speaker 4>There was a man that in nineteen fifty eight had

0:10:54.080 --> 0:10:58.560
<v Speaker 4>two sons and he decided to name them Winner and Loser.

0:11:01.559 --> 0:11:03.240
<v Speaker 4>So the craziest thing, are they dead?

0:11:03.880 --> 0:11:06.680
<v Speaker 1>Like? What is the solution? Not the solution, but the

0:11:07.400 --> 0:11:09.800
<v Speaker 1>like the story about their lifetime? Did one of them

0:11:09.840 --> 0:11:11.960
<v Speaker 1>grow up to be a winner? Want a loser? Or

0:11:12.000 --> 0:11:13.520
<v Speaker 1>do we do not have that DARTI yet because they're

0:11:13.520 --> 0:11:16.360
<v Speaker 1>fifty five. Yeah, we have the data.

0:11:16.520 --> 0:11:18.959
<v Speaker 4>They both grew up on the grounds of the Wagner Projects,

0:11:19.000 --> 0:11:23.080
<v Speaker 4>which is in New York lower socio economic area. Their

0:11:23.160 --> 0:11:25.840
<v Speaker 4>names never attracted much attention or ridicule among the other

0:11:25.920 --> 0:11:27.079
<v Speaker 4>children in the neighborhood.

0:11:27.880 --> 0:11:29.280
<v Speaker 2>Loser, I find it hard to believe.

0:11:29.760 --> 0:11:32.600
<v Speaker 4>Yeah, I don't know, weird, But Losers later said as

0:11:32.640 --> 0:11:34.480
<v Speaker 4>a child, you don't know it's a bad name, and

0:11:34.559 --> 0:11:36.840
<v Speaker 4>later in school everyone knows you, so it's become normal.

0:11:37.160 --> 0:11:38.760
<v Speaker 2>So yeah, a lot of people probably think it's like

0:11:38.760 --> 0:11:39.240
<v Speaker 2>a nickname.

0:11:39.400 --> 0:11:39.600
<v Speaker 1>Yeah.

0:11:39.720 --> 0:11:44.640
<v Speaker 4>During with his distinctive name Winner, Lane should have achieved

0:11:44.679 --> 0:11:47.920
<v Speaker 4>a lot, but exactly the opposite turned out to be true.

0:11:49.040 --> 0:11:51.720
<v Speaker 4>The exact reasons for this can no longer be determined today.

0:11:51.800 --> 0:11:53.959
<v Speaker 4>In any case, he went off the rails quite early

0:11:54.320 --> 0:11:57.280
<v Speaker 4>because His criminal career started at the age of nineteen

0:11:57.679 --> 0:12:01.360
<v Speaker 4>when he was arrested for aggravated result. Five years later,

0:12:01.559 --> 0:12:04.320
<v Speaker 4>he was found breaking into a house. Over time, he

0:12:04.360 --> 0:12:08.280
<v Speaker 4>did thirty crimes or offenses, including all of the different

0:12:08.320 --> 0:12:11.319
<v Speaker 4>ones that are quite bad, even including auto theft.

0:12:11.880 --> 0:12:15.800
<v Speaker 2>I haven't seen that bad. Of all the crimes, I

0:12:15.880 --> 0:12:20.959
<v Speaker 2>thought toft the coolest one. It's the coolest theft.

0:12:21.120 --> 0:12:26.079
<v Speaker 4>But around this time his brother actually received His brother

0:12:26.160 --> 0:12:29.520
<v Speaker 4>called lose E Lane, received a scholarship for a prep

0:12:29.520 --> 0:12:32.600
<v Speaker 4>school in Connecticut, and then he joined the police force

0:12:32.640 --> 0:12:33.520
<v Speaker 4>in nineteen eighty four.

0:12:33.600 --> 0:12:37.160
<v Speaker 1>So that's what's happening. Loser overcompensated little to his name.

0:12:37.360 --> 0:12:40.640
<v Speaker 1>Winner was on an invincible high from the jump. Winner said,

0:12:40.640 --> 0:12:43.600
<v Speaker 1>I got this. I'm destined for whatever I want to do.

0:12:43.640 --> 0:12:44.240
<v Speaker 1>I'm going to win.

0:12:45.080 --> 0:12:48.200
<v Speaker 2>I love that so much. Winn A Lane and lose

0:12:48.200 --> 0:12:52.480
<v Speaker 2>E Lane Laane makes it ten times worse, no better.

0:12:52.720 --> 0:12:55.360
<v Speaker 2>Those are great names. Win a Lane reminds you of

0:12:55.360 --> 0:12:55.840
<v Speaker 2>this train I.

0:12:55.800 --> 0:12:57.840
<v Speaker 1>Saw on TikTok where it's like, what were to be

0:12:57.880 --> 0:13:01.040
<v Speaker 1>good names if we didn't know their preconceived meaning, Like

0:13:01.120 --> 0:13:02.480
<v Speaker 1>allegedly great name.

0:13:03.240 --> 0:13:10.520
<v Speaker 4>Yeah, that's a really good point. Allegedly serendipitously. Oh stunning, Yeah, Sarah,

0:13:10.520 --> 0:13:13.400
<v Speaker 4>for sure. Maybe that's what remember that trained a while ago.

0:13:13.480 --> 0:13:20.200
<v Speaker 2>Like Dave is short for day for it, So I

0:13:20.240 --> 0:13:20.640
<v Speaker 2>love it.

0:13:20.960 --> 0:13:24.720
<v Speaker 3>You're listening to Flex and Firms on It's time.

0:13:26.080 --> 0:13:29.559
<v Speaker 1>I'm feeling congerial and feverish because I get to speak

0:13:29.600 --> 0:13:32.920
<v Speaker 1>about Love Island. I don't want to bore you with

0:13:33.080 --> 0:13:35.320
<v Speaker 1>the specifics of this character's name.

0:13:35.559 --> 0:13:39.000
<v Speaker 2>Character. That's to humanize it. It's very dehumanizing from you

0:13:39.040 --> 0:13:43.400
<v Speaker 2>a contestant. Contestant two c words. Okay, hold on a second.

0:13:43.840 --> 0:13:45.520
<v Speaker 1>Yeah, I don't want to boy with the specifics of

0:13:45.559 --> 0:13:48.920
<v Speaker 1>like their individual couplings. But I was trying to think

0:13:49.080 --> 0:13:51.439
<v Speaker 1>of what I'm learning as I'm watching it, because I

0:13:51.480 --> 0:13:53.120
<v Speaker 1>do like to tell I do like to tell people

0:13:53.120 --> 0:13:57.040
<v Speaker 1>that Love Island is like a anthropological sociological thing. If

0:13:57.040 --> 0:13:58.920
<v Speaker 1>that's the case, well what am I learning as I'm

0:13:58.960 --> 0:13:59.520
<v Speaker 1>consuming it?

0:14:00.160 --> 0:14:01.120
<v Speaker 2>Side note, it is a.

0:14:01.240 --> 0:14:04.440
<v Speaker 1>Lot a big investment to watch the show full on.

0:14:04.600 --> 0:14:06.040
<v Speaker 1>It's like once a day.

0:14:07.920 --> 0:14:10.680
<v Speaker 2>Complete listening to Caita for this is what I'm saying.

0:14:11.120 --> 0:14:14.040
<v Speaker 1>How are you gonna do daily Flex and Rooms and

0:14:14.120 --> 0:14:16.920
<v Speaker 1>the podcast and Love Island and then go to work?

0:14:17.320 --> 0:14:17.959
<v Speaker 3>It can't happen.

0:14:18.160 --> 0:14:19.840
<v Speaker 2>I think again, stop going to work.

0:14:21.480 --> 0:14:24.720
<v Speaker 1>Okay, so what I've learned so far, bear with me,

0:14:25.040 --> 0:14:28.120
<v Speaker 1>please and see how this fits on for size.

0:14:28.480 --> 0:14:31.360
<v Speaker 2>Don't knock it until you've really thought about it. Okay.

0:14:32.040 --> 0:14:38.480
<v Speaker 1>So Love Ireland is teaching me that scarcity and fewer

0:14:38.520 --> 0:14:42.480
<v Speaker 1>options is the perfect breeding ground for love.

0:14:42.920 --> 0:14:46.840
<v Speaker 2>Are you asking my opinion? How do you feel about

0:14:46.840 --> 0:14:47.360
<v Speaker 2>that statement?

0:14:47.440 --> 0:14:53.680
<v Speaker 4>Completely agree? I completely agree. It is Make no mistake.

0:14:53.760 --> 0:14:54.680
<v Speaker 4>We are in an era.

0:14:55.720 --> 0:14:59.720
<v Speaker 2>We use that term often. We this is an era

0:14:59.800 --> 0:15:02.000
<v Speaker 2>before off. He said, what do you say, I'm in

0:15:02.000 --> 0:15:04.520
<v Speaker 2>my like shallow era. I did say that.

0:15:04.600 --> 0:15:04.760
<v Speaker 4>Yeah.

0:15:04.840 --> 0:15:06.480
<v Speaker 2>I think it's a lie, but it's a point.

0:15:06.640 --> 0:15:06.880
<v Speaker 1>Think.

0:15:08.200 --> 0:15:13.600
<v Speaker 4>Yes, I'm over the microphone spitting my spittleer's on your face.

0:15:14.160 --> 0:15:14.360
<v Speaker 3>No.

0:15:14.920 --> 0:15:19.200
<v Speaker 4>Absolutely, It creates an environment where you find somebody because

0:15:19.200 --> 0:15:22.640
<v Speaker 4>you don't have any options. It's like when you're at McDonald's.

0:15:22.960 --> 0:15:23.240
<v Speaker 3>You know.

0:15:27.240 --> 0:15:35.480
<v Speaker 2>The decration for this, spanno, we have to start post cost,

0:15:35.720 --> 0:15:37.800
<v Speaker 2>come to the check. I don't even know.

0:15:37.800 --> 0:15:42.760
<v Speaker 4>I'm McDonald's hundreds always does come with checks, so I'm

0:15:42.760 --> 0:15:43.440
<v Speaker 4>happy to pivot.

0:15:44.240 --> 0:15:44.440
<v Speaker 1>Yeah.

0:15:44.480 --> 0:15:45.880
<v Speaker 4>It's like in the olden days when you went to

0:15:45.920 --> 0:15:47.520
<v Speaker 4>the dance and you're going to stay with your partner

0:15:47.560 --> 0:15:48.960
<v Speaker 4>for however many years you.

0:15:48.880 --> 0:15:52.400
<v Speaker 1>Speaking from experience, remember that TikTok let someone comments. We

0:15:52.480 --> 0:15:56.040
<v Speaker 1>posted a TikTok and somebody commented and said, they're older

0:15:56.080 --> 0:15:56.880
<v Speaker 1>than I thought.

0:15:59.160 --> 0:16:02.120
<v Speaker 2>It was. But this is the point.

0:16:02.120 --> 0:16:04.000
<v Speaker 1>I know that when we talk about dating and romance,

0:16:04.000 --> 0:16:07.640
<v Speaker 1>people make the observation that there are too many options.

0:16:08.120 --> 0:16:10.920
<v Speaker 1>But I don't think it's that. I think too many

0:16:10.960 --> 0:16:14.840
<v Speaker 1>options and scarcity is not on the same spectrum. I

0:16:14.880 --> 0:16:17.200
<v Speaker 1>feel as though when people have too many options, they

0:16:17.200 --> 0:16:20.480
<v Speaker 1>think that all the options are for them, which is untrue.

0:16:20.760 --> 0:16:23.200
<v Speaker 1>But when there are a few options, people take the

0:16:23.280 --> 0:16:26.560
<v Speaker 1>time to figure out how the options could work for them.

0:16:26.760 --> 0:16:27.760
<v Speaker 2>It's a different approach.

0:16:28.040 --> 0:16:30.640
<v Speaker 1>So in Love Island in particular, this year was different

0:16:30.640 --> 0:16:33.560
<v Speaker 1>to last year because last year, each contestant had to

0:16:33.560 --> 0:16:35.160
<v Speaker 1>pick who they wanted to couple up with.

0:16:35.520 --> 0:16:36.240
<v Speaker 2>This year, when they.

0:16:36.240 --> 0:16:40.400
<v Speaker 1>All arrived, the publics picked for them, and immediately the

0:16:40.440 --> 0:16:44.040
<v Speaker 1>majority of these couples tried so hard to make it work.

0:16:44.200 --> 0:16:46.880
<v Speaker 1>Of course, because they were like, we've been chosen and

0:16:47.000 --> 0:16:49.720
<v Speaker 1>because everybody has a couple, we don't have any options,

0:16:50.040 --> 0:16:51.960
<v Speaker 1>and I would rather be with you than be alone.

0:16:52.720 --> 0:16:55.880
<v Speaker 1>There was this one couple in India and Kenna. Two

0:16:55.920 --> 0:16:59.680
<v Speaker 1>weeks they did not kiss, and we're both convinced.

0:16:59.320 --> 0:17:00.960
<v Speaker 2>That they had to try action for each other.

0:17:01.760 --> 0:17:04.119
<v Speaker 1>Hmm, this is the same left Alan people are rooting

0:17:04.480 --> 0:17:06.760
<v Speaker 1>in these communal spaces and you can't even get a

0:17:06.840 --> 0:17:08.400
<v Speaker 1>kiss and every day doing.

0:17:08.240 --> 0:17:10.080
<v Speaker 2>Like, you know, where do you think this is going?

0:17:10.200 --> 0:17:11.000
<v Speaker 2>Do you see it? For me?

0:17:11.640 --> 0:17:14.320
<v Speaker 1>Even when all the signs were saying you two do

0:17:14.480 --> 0:17:17.239
<v Speaker 1>not like each other, just the fact that they've been

0:17:17.320 --> 0:17:20.720
<v Speaker 1>paired together and had no other options was enough to

0:17:20.760 --> 0:17:23.680
<v Speaker 1>make them fight really hard for it. And you might say,

0:17:23.880 --> 0:17:26.320
<v Speaker 1>flex are you advocating for arranged relationships?

0:17:26.359 --> 0:17:29.760
<v Speaker 2>I don't know. I don't know if.

0:17:29.560 --> 0:17:35.000
<v Speaker 4>Your parents arranged for you to be in a marriage

0:17:35.200 --> 0:17:39.080
<v Speaker 4>and it actually meant that you'd be happily ever after,

0:17:39.280 --> 0:17:41.560
<v Speaker 4>but you know that at the time, would you push

0:17:41.600 --> 0:17:42.920
<v Speaker 4>against it?

0:17:42.960 --> 0:17:44.440
<v Speaker 2>What's Liz trying to pick her husband for me?

0:17:44.520 --> 0:17:44.560
<v Speaker 4>For?

0:17:45.119 --> 0:17:47.480
<v Speaker 2>She already does that. She'll go that, the doctor will wars.

0:17:47.520 --> 0:17:52.240
<v Speaker 1>I saw this really lovely guy, really and she's sweet

0:17:52.280 --> 0:17:55.479
<v Speaker 1>like that, though, would you ever she needs to increase

0:17:55.520 --> 0:17:56.159
<v Speaker 1>her taste for me?

0:17:56.240 --> 0:17:57.840
<v Speaker 2>I feel like she's like she sees a tall person.

0:17:57.880 --> 0:18:00.000
<v Speaker 2>She's like, look, he was so tall. My dad always

0:18:00.080 --> 0:18:02.040
<v Speaker 2>since men are way more attractive than they are. It's

0:18:02.040 --> 0:18:04.280
<v Speaker 2>always a good book. And Teller shows me his Facebook

0:18:04.440 --> 0:18:06.080
<v Speaker 2>what what is that?

0:18:07.520 --> 0:18:11.439
<v Speaker 3>What is that? Flex?

0:18:12.160 --> 0:18:14.840
<v Speaker 4>And a while ago I got a DM from a

0:18:14.840 --> 0:18:18.479
<v Speaker 4>woman saying, absolutely loving the Flexing Firms past. You can

0:18:18.520 --> 0:18:21.800
<v Speaker 4>get that on iHeartRadio or wherever else you podcasts quick plug.

0:18:22.119 --> 0:18:26.280
<v Speaker 4>She goes, absolutely love the podcast. And often you talk

0:18:26.359 --> 0:18:29.680
<v Speaker 4>about things and you relate things to other things, and

0:18:29.880 --> 0:18:33.399
<v Speaker 4>flex sounds like she doesn't get at it. Yeah, And

0:18:33.440 --> 0:18:35.679
<v Speaker 4>I thought that's very unusual because I have feel as

0:18:35.720 --> 0:18:37.159
<v Speaker 4>though I'm the one that's not getting anything.

0:18:37.320 --> 0:18:40.240
<v Speaker 2>Yeah, I feel like I understand you very well.

0:18:40.280 --> 0:18:43.120
<v Speaker 1>But then examples were made where I was like, yeah,

0:18:43.119 --> 0:18:44.800
<v Speaker 1>I guess you're right.

0:18:45.119 --> 0:18:49.520
<v Speaker 4>For the example, you will talk about something and I

0:18:49.520 --> 0:18:52.320
<v Speaker 4>will relate it to something else entirely, and it makes

0:18:52.400 --> 0:18:55.600
<v Speaker 4>complete sense to me in my brain. But you don't

0:18:55.600 --> 0:18:57.560
<v Speaker 4>get it because maybe we don't have the same brain.

0:18:57.840 --> 0:19:00.160
<v Speaker 1>But you're making it sound like you're drawing a very

0:19:00.400 --> 0:19:03.760
<v Speaker 1>relatable conclusion for what I'm saying. But you'll say I'll

0:19:03.760 --> 0:19:07.520
<v Speaker 1>say something like don't you think it's really amazing when

0:19:07.560 --> 0:19:11.159
<v Speaker 1>you get great service at a restaurant? And you'll say yes,

0:19:11.240 --> 0:19:14.200
<v Speaker 1>It's like when squirrels go and find nuts and they

0:19:14.280 --> 0:19:16.080
<v Speaker 1>hide nuts under the leaves.

0:19:16.119 --> 0:19:20.639
<v Speaker 2>And I'm like, yeah, okay, I think so it's true.

0:19:21.600 --> 0:19:25.280
<v Speaker 4>Anyway, she said that it could be something called synesthesia,

0:19:25.320 --> 0:19:27.280
<v Speaker 4>and she said she ended the message saying, and I'm

0:19:27.320 --> 0:19:29.359
<v Speaker 4>a doctor, so I would know. And I thought, I

0:19:29.480 --> 0:19:30.760
<v Speaker 4>love that confidence, lady.

0:19:31.640 --> 0:19:34.840
<v Speaker 1>And essentially I feel it's a diagnose over the internet

0:19:35.960 --> 0:19:37.200
<v Speaker 1>to someone who isn't your client.

0:19:37.760 --> 0:19:42.719
<v Speaker 2>Bet Alas maybe is quaking. I do trust her.

0:19:43.200 --> 0:19:46.280
<v Speaker 4>Cynthesia is essentially a fancy name for when you experience

0:19:46.359 --> 0:19:49.240
<v Speaker 4>one of your senses through the other. For example, you

0:19:49.320 --> 0:19:52.280
<v Speaker 4>might hear the name Alex and sea green. We might

0:19:52.320 --> 0:19:56.639
<v Speaker 4>read the word street and taste citrus food citrus fruit.

0:19:57.240 --> 0:19:59.440
<v Speaker 1>We did talk about how Billie Eilish and Tear The

0:19:59.480 --> 0:20:03.360
<v Speaker 1>Creator and Forrell also have synesthesia where they can see

0:20:04.320 --> 0:20:08.640
<v Speaker 1>music as color, so songs sound yellow or blue or.

0:20:08.560 --> 0:20:09.600
<v Speaker 2>Green or red.

0:20:10.840 --> 0:20:14.040
<v Speaker 1>Tile Creator in his infamous song I f and Hate You,

0:20:14.520 --> 0:20:16.720
<v Speaker 1>says in the intro, can we add some more.

0:20:16.560 --> 0:20:21.359
<v Speaker 2>Color like yellow? And its producer understands.

0:20:21.400 --> 0:20:26.560
<v Speaker 4>Ah, interesting to see your community it is, Oh yeah,

0:20:26.760 --> 0:20:28.720
<v Speaker 4>the thing. I don't want to call it synesthesia because

0:20:28.720 --> 0:20:33.000
<v Speaker 4>I feel all those people it's considered genius musical. I

0:20:33.040 --> 0:20:34.720
<v Speaker 4>don't know how they're experiencing it. I just know that

0:20:34.760 --> 0:20:37.760
<v Speaker 4>I experience it. For example, we are talking and we

0:20:37.800 --> 0:20:41.600
<v Speaker 4>talk about something specific, and I'm picturing this street in

0:20:41.680 --> 0:20:43.280
<v Speaker 4>Mount Waverley where I grew up.

0:20:43.960 --> 0:20:45.160
<v Speaker 2>You've lost me already.

0:20:45.880 --> 0:20:49.080
<v Speaker 4>Like sometimes I'll say things and in my mind I'm

0:20:49.119 --> 0:20:52.359
<v Speaker 4>picturing a street that's not at all related, like a

0:20:52.440 --> 0:20:55.639
<v Speaker 4>very specific house on a street no relevance to me

0:20:55.680 --> 0:20:56.119
<v Speaker 4>growing up.

0:20:56.119 --> 0:20:58.080
<v Speaker 2>It's just somewhere where I'd.

0:20:57.840 --> 0:20:59.960
<v Speaker 4>Gone past a lot of times with a certain phrase,

0:21:00.240 --> 0:21:04.160
<v Speaker 4>have associations. I thought I was totally alone, Like I

0:21:04.200 --> 0:21:06.720
<v Speaker 4>hadn't posted about this before because I thought it was

0:21:06.760 --> 0:21:07.679
<v Speaker 4>so out of the box.

0:21:08.240 --> 0:21:09.840
<v Speaker 2>I got so many.

0:21:09.680 --> 0:21:12.760
<v Speaker 4>Dms, so many yeah people saying they had the exact

0:21:12.800 --> 0:21:13.840
<v Speaker 4>same thing, each.

0:21:13.720 --> 0:21:16.800
<v Speaker 1>As confusing as the other, because I'm thinking, we're talking

0:21:16.840 --> 0:21:20.320
<v Speaker 1>about pineapple and pizza, and you're thinking of Mount Waverley.

0:21:20.760 --> 0:21:22.560
<v Speaker 2>What's happening? And then often what happens.

0:21:22.240 --> 0:21:25.240
<v Speaker 1>Is that you express these thoughts and I'm like, okay,

0:21:25.840 --> 0:21:28.480
<v Speaker 1>but what I'm not quite understanding is the doctor who

0:21:28.480 --> 0:21:31.560
<v Speaker 1>messaged you, does she understand what you mean or she

0:21:31.640 --> 0:21:36.840
<v Speaker 1>just recognizes that because I'm not understanding you must have synesthesia.

0:21:37.040 --> 0:21:38.600
<v Speaker 4>Yeah, it's hard to know because I don't know if

0:21:38.600 --> 0:21:39.640
<v Speaker 4>she has synesthesia.

0:21:39.720 --> 0:21:42.400
<v Speaker 1>Did you understand when you got responses of people saying,

0:21:42.440 --> 0:21:44.000
<v Speaker 1>this is what I picture when I speak.

0:21:44.200 --> 0:21:45.800
<v Speaker 2>Did you understand? Yes?

0:21:46.200 --> 0:21:47.000
<v Speaker 3>WHOA.

0:21:47.119 --> 0:21:52.399
<v Speaker 4>So another added layer is people will message me saying

0:21:52.920 --> 0:21:54.440
<v Speaker 4>it's when I orgasm.

0:21:55.080 --> 0:21:59.160
<v Speaker 2>When I orgasm, I picture as we spring anent, what's

0:21:59.160 --> 0:22:00.760
<v Speaker 2>going on? Freaking?

0:22:01.800 --> 0:22:04.879
<v Speaker 4>I picture like a specific street in my mind, or

0:22:04.920 --> 0:22:07.760
<v Speaker 4>I picture a particular place. Someone said, when I was studying,

0:22:07.960 --> 0:22:10.320
<v Speaker 4>I used to picture this round about near Melbourne UNI,

0:22:10.400 --> 0:22:11.320
<v Speaker 4>completely unrelated.

0:22:11.400 --> 0:22:12.080
<v Speaker 2>I went to Deacon.

0:22:13.240 --> 0:22:16.520
<v Speaker 4>So people have these weird associations with streets.

0:22:16.160 --> 0:22:18.320
<v Speaker 2>But picturing them and then what happens.

0:22:18.240 --> 0:22:20.560
<v Speaker 4>Just absolutely no context, is just in their mind and

0:22:20.560 --> 0:22:21.400
<v Speaker 4>they can't get it out.

0:22:21.600 --> 0:22:25.280
<v Speaker 1>It's interesting that you are so self aware of your

0:22:25.320 --> 0:22:27.120
<v Speaker 1>body that you know that it's happening.

0:22:28.200 --> 0:22:30.240
<v Speaker 4>I think because it's so random, because it's like it's

0:22:30.280 --> 0:22:33.359
<v Speaker 4>like it's a feeling. It's more than I'm just picturing

0:22:33.400 --> 0:22:35.760
<v Speaker 4>a street. It's it's like you're there, but you know.

0:22:36.000 --> 0:22:37.720
<v Speaker 4>But and this is what a lot of people agree

0:22:37.760 --> 0:22:40.040
<v Speaker 4>with me. It's not like you're doing anything there. You're

0:22:40.080 --> 0:22:43.040
<v Speaker 4>just picturing the space like you're like omnipresent in it.

0:22:43.359 --> 0:22:48.200
<v Speaker 1>I theoretically understand what you're saying. I just can't relate.

0:22:48.640 --> 0:22:50.359
<v Speaker 1>And because I can't relate, I don't know what a

0:22:50.400 --> 0:22:53.560
<v Speaker 1>process is information. No wonder you look glazed almost speaking.

0:22:53.640 --> 0:22:54.879
<v Speaker 2>You're picturing that one street.

0:22:56.880 --> 0:22:58.359
<v Speaker 4>A lot of people were saying it's to do with

0:22:58.400 --> 0:23:01.960
<v Speaker 4>their orgasm. Prenut, post nut, midnuts. So these Did you

0:23:02.000 --> 0:23:03.480
<v Speaker 4>google this and see if there's a correlation.

0:23:04.200 --> 0:23:05.280
<v Speaker 2>No huh.

0:23:05.400 --> 0:23:08.119
<v Speaker 4>Someone said, I have pre nut visions of roads. Also,

0:23:08.400 --> 0:23:10.199
<v Speaker 4>mine is a tree lined street and I'm kind of

0:23:10.240 --> 0:23:11.679
<v Speaker 4>rolling down it slowly.

0:23:11.720 --> 0:23:12.960
<v Speaker 2>I've experienced it for years.

0:23:13.440 --> 0:23:16.199
<v Speaker 4>Someone else said, no matter how hard I try not to,

0:23:16.400 --> 0:23:19.960
<v Speaker 4>I always think about the Adelaide public trains, specifically the

0:23:20.000 --> 0:23:23.280
<v Speaker 4>city to Seaford Line pre Nut, visualizing them and hearing

0:23:23.359 --> 0:23:27.600
<v Speaker 4>the station announcement. Someone said, pre Nut is Camberwell Arcade,

0:23:27.640 --> 0:23:30.120
<v Speaker 4>pre Laurent Bakery, and I always think of a lane

0:23:30.119 --> 0:23:33.720
<v Speaker 4>from Seinfeld when I'm putting on socks or tights. Then

0:23:34.119 --> 0:23:35.920
<v Speaker 4>the last one, the last one that I'm going to

0:23:35.960 --> 0:23:38.440
<v Speaker 4>read out is frooms. Oh my god, the synesthesia thing.

0:23:38.800 --> 0:23:41.399
<v Speaker 4>I thought I was alone. Pre Nut always pictured this

0:23:41.480 --> 0:23:44.240
<v Speaker 4>park near my old house, but from a very specific angle,

0:23:44.240 --> 0:23:46.480
<v Speaker 4>which is the exact same as me, and I get

0:23:46.520 --> 0:23:49.639
<v Speaker 4>it with the other random mindless tasks. Brushing my teeth

0:23:49.680 --> 0:23:53.600
<v Speaker 4>equals Elston wick Macker's another plug and I completely, I

0:23:53.680 --> 0:23:54.960
<v Speaker 4>just fully understand what they mean.

0:23:55.040 --> 0:23:57.119
<v Speaker 1>Do guy, do you not want to say you have

0:23:57.200 --> 0:23:59.000
<v Speaker 1>synesthesia that because it seems like you and all these

0:23:59.000 --> 0:24:00.400
<v Speaker 1>people have the thees.

0:24:01.119 --> 0:24:02.719
<v Speaker 4>I don't know if it's just I think it's more

0:24:02.760 --> 0:24:05.760
<v Speaker 4>of a memory recall thing that the memory wise are

0:24:05.800 --> 0:24:10.680
<v Speaker 4>freaking out rather than senses, because when I'm talking, I'm

0:24:10.680 --> 0:24:11.920
<v Speaker 4>picturing things in my head.

0:24:12.080 --> 0:24:14.480
<v Speaker 2>You in an office, huh hmm.

0:24:15.000 --> 0:24:18.720
<v Speaker 1>You're a special one, something that an alien would experience,

0:24:18.760 --> 0:24:19.440
<v Speaker 1>wouldn't you say?

0:24:20.280 --> 0:24:23.119
<v Speaker 4>Don't want to give you any ideas give away my

0:24:23.240 --> 0:24:24.240
<v Speaker 4>true identity.

0:24:24.600 --> 0:24:27.520
<v Speaker 3>This is flex and frooms on Keda.

0:24:28.080 --> 0:24:30.800
<v Speaker 1>I don't know how to say this about coming cross

0:24:30.800 --> 0:24:32.760
<v Speaker 1>as it being offensive, but I'm just getting bored of

0:24:32.800 --> 0:24:33.720
<v Speaker 1>am I the assholes?

0:24:33.760 --> 0:24:35.080
<v Speaker 2>Because it was either.

0:24:35.680 --> 0:24:40.480
<v Speaker 1>Completely deranged, rude people sending in their grievances or people

0:24:40.520 --> 0:24:42.920
<v Speaker 1>who hadn't done anything wrong and we're letting guilt eat

0:24:42.960 --> 0:24:44.359
<v Speaker 1>them up. And I was like, I didn't need they

0:24:44.440 --> 0:24:46.920
<v Speaker 1>need to contribute to either of these narratives So I

0:24:46.960 --> 0:24:50.200
<v Speaker 1>was trawling reddit looking for other forums that we can

0:24:50.400 --> 0:24:53.560
<v Speaker 1>siphon content from, and I found this subreddit called too

0:24:53.640 --> 0:24:57.440
<v Speaker 1>Afraid to Ask, where, like it sounds, people ask questions

0:24:57.440 --> 0:25:01.040
<v Speaker 1>that they're too afraid to ask in their general environments.

0:25:01.600 --> 0:25:04.360
<v Speaker 2>Super cool, right, It's very juicy.

0:25:04.280 --> 0:25:06.760
<v Speaker 1>But I wanted to start light because there are some

0:25:06.880 --> 0:25:12.320
<v Speaker 1>very controversial submissions, but this one is quite simple. How

0:25:12.320 --> 0:25:15.119
<v Speaker 1>do I tell my girlfriend that she looks worse with

0:25:15.240 --> 0:25:20.240
<v Speaker 1>makeup on? That one's a touchy one. Let me just

0:25:20.280 --> 0:25:22.560
<v Speaker 1>read it out. The title says it all. This guy

0:25:22.600 --> 0:25:25.680
<v Speaker 1>says he hates the barbie doll completely fake look and

0:25:25.880 --> 0:25:28.000
<v Speaker 1>that they're just not attracted to heavy makeup at all.

0:25:28.440 --> 0:25:30.760
<v Speaker 1>He says that if they're going to a play or

0:25:30.800 --> 0:25:34.240
<v Speaker 1>a concert or an important event, that he totally understands

0:25:34.280 --> 0:25:38.600
<v Speaker 1>why makeup is like necessary or encouraged, But his girlfriend

0:25:38.640 --> 0:25:42.119
<v Speaker 1>does it every occasion, corner shop, like going for a walk,

0:25:42.240 --> 0:25:45.119
<v Speaker 1>the gym, the makeup's going on. He has expressed to

0:25:45.160 --> 0:25:47.680
<v Speaker 1>her how he feels about it, but she's mostly dismissed

0:25:47.720 --> 0:25:51.320
<v Speaker 1>it as just another like cute, uninformed opinion of a guy.

0:25:51.400 --> 0:25:54.600
<v Speaker 1>Like she's not taking it very seriously. His issue is

0:25:54.640 --> 0:25:57.320
<v Speaker 1>that she's not taking him seriously, and she's not taken

0:25:57.400 --> 0:25:59.960
<v Speaker 1>to heart either, so it's kind of neutral, like it's

0:26:00.119 --> 0:26:01.440
<v Speaker 1>the point is not getting across.

0:26:02.320 --> 0:26:04.000
<v Speaker 2>So he says his issue is.

0:26:03.960 --> 0:26:07.560
<v Speaker 1>That she genuinely looks better without it, and it might

0:26:07.600 --> 0:26:10.560
<v Speaker 1>be due to apple her application. Like he says, her

0:26:10.600 --> 0:26:13.960
<v Speaker 1>face loses all contrast. It looks like a white sheet.

0:26:14.040 --> 0:26:16.960
<v Speaker 1>It's not hot, it's not sexy. And he's at the

0:26:17.000 --> 0:26:18.760
<v Speaker 1>point where he doesn't know how to tell her this

0:26:18.920 --> 0:26:22.240
<v Speaker 1>without her thinking that he's saying that she's ugly.

0:26:22.600 --> 0:26:25.080
<v Speaker 4>Yeah, because she sounds like she wants makeup on them

0:26:25.119 --> 0:26:25.640
<v Speaker 4>all the time.

0:26:25.840 --> 0:26:27.480
<v Speaker 2>Exactly. I don't want to.

0:26:27.440 --> 0:26:29.159
<v Speaker 4>Put words in her mouth, but sometimes it could be

0:26:29.200 --> 0:26:30.840
<v Speaker 4>that you feel like you're not pretty.

0:26:30.520 --> 0:26:31.760
<v Speaker 2>Without it, exactly.

0:26:31.840 --> 0:26:35.280
<v Speaker 1>So, even before I've gotten to the advice section, he's

0:26:35.280 --> 0:26:37.840
<v Speaker 1>made a quick caveat a quick disclaimer. Oh, we figured

0:26:37.840 --> 0:26:40.320
<v Speaker 1>out the difference between this last week. I think it's

0:26:40.320 --> 0:26:42.160
<v Speaker 1>a disclaimer. And he said that a lot of people

0:26:42.160 --> 0:26:44.080
<v Speaker 1>seem to take this thread the wrong way, and I

0:26:44.080 --> 0:26:46.160
<v Speaker 1>can see how that happened, given the way a word

0:26:46.160 --> 0:26:49.040
<v Speaker 1>at the title. I do not control my girlfriend's actions,

0:26:49.119 --> 0:26:51.520
<v Speaker 1>nor do I intend to. She's free to make whatever decision.

0:26:51.560 --> 0:26:55.040
<v Speaker 1>She wishes that being said communication is healthy. I'm looking

0:26:55.040 --> 0:26:57.160
<v Speaker 1>for advice on how to be more delicate when explaining

0:26:57.160 --> 0:26:58.920
<v Speaker 1>my point of view cool.

0:27:00.000 --> 0:27:02.119
<v Speaker 2>I'm a quick one liner. What should he do? How

0:27:02.119 --> 0:27:03.280
<v Speaker 2>should he approach it?

0:27:03.720 --> 0:27:05.600
<v Speaker 4>I've been on the receiving end of a you don't

0:27:05.640 --> 0:27:07.159
<v Speaker 4>need to put makeup on to go to the corner

0:27:07.160 --> 0:27:10.280
<v Speaker 4>store kind of comics founded.

0:27:10.359 --> 0:27:13.040
<v Speaker 1>The same guy who told you to take off your

0:27:13.040 --> 0:27:16.120
<v Speaker 1>cool sandals to go to surf diving, ski and get

0:27:16.160 --> 0:27:17.119
<v Speaker 1>thongs to a wedding.

0:27:17.720 --> 0:27:19.359
<v Speaker 2>It was, yeah, not sprusted.

0:27:20.920 --> 0:27:22.880
<v Speaker 4>I don't know, because we've spoken about this as well.

0:27:22.960 --> 0:27:27.120
<v Speaker 4>I get it when someone's making stylistic choices that they

0:27:27.160 --> 0:27:30.359
<v Speaker 4>cannot make that are making you not attracted to them.

0:27:30.920 --> 0:27:31.920
<v Speaker 2>I would say, just try and.

0:27:31.840 --> 0:27:34.679
<v Speaker 4>Bring it up, just say I love it when you

0:27:34.680 --> 0:27:35.480
<v Speaker 4>don't wear makeup.

0:27:36.400 --> 0:27:39.760
<v Speaker 2>I don't know, it's hard. I think you just got

0:27:39.800 --> 0:27:41.120
<v Speaker 2>to mind your business with this one.

0:27:41.920 --> 0:27:45.120
<v Speaker 1>I feel like the fundamental fact is that people are

0:27:45.240 --> 0:27:48.280
<v Speaker 1>entitled to make whatever stylistic choice they want to do

0:27:48.280 --> 0:27:51.320
<v Speaker 1>with their vessel, and a lot of our creative choices

0:27:51.359 --> 0:27:54.359
<v Speaker 1>with what we look like are very personal and half

0:27:54.359 --> 0:27:56.440
<v Speaker 1>the time born out of insecurity. But the other half,

0:27:56.440 --> 0:27:59.679
<v Speaker 1>of course, you feel attached to that representation of ourselves

0:28:00.040 --> 0:28:02.240
<v Speaker 1>and you've already dropped hints, so she gets it.

0:28:02.720 --> 0:28:03.600
<v Speaker 2>You just have to let it go.

0:28:05.160 --> 0:28:07.840
<v Speaker 1>I really do think like if I was dating someone

0:28:07.880 --> 0:28:10.440
<v Speaker 1>I didn't like the genes they wore. If I've done

0:28:10.440 --> 0:28:12.359
<v Speaker 1>a one two one two brought you, you know, a

0:28:12.440 --> 0:28:15.320
<v Speaker 1>nice pair few birthday don't want to wear it's whatever, true,

0:28:15.359 --> 0:28:16.240
<v Speaker 1>you've got to get over.

0:28:16.119 --> 0:28:18.320
<v Speaker 2>It, exhausted your allocation of changing.

0:28:18.640 --> 0:28:21.040
<v Speaker 1>Unless the makeup is a scapegoat for a bigger issue,

0:28:21.040 --> 0:28:22.720
<v Speaker 1>We're like, I don't want to data anymore. It's the

0:28:22.720 --> 0:28:25.320
<v Speaker 1>makeup that is throw me off, then that's a different thing.

0:28:25.359 --> 0:28:28.080
<v Speaker 1>But if it's just she looks better without it, then

0:28:28.160 --> 0:28:30.040
<v Speaker 1>just deal with the one hour a day you've got

0:28:30.080 --> 0:28:30.639
<v Speaker 1>to see her in it.

0:28:31.160 --> 0:28:32.200
<v Speaker 2>Yeah, that's so true.

0:28:32.240 --> 0:28:35.359
<v Speaker 4>Actually it's off an escape goat for a bigger issue

0:28:36.000 --> 0:28:36.879
<v Speaker 4>in the relationship.

0:28:36.960 --> 0:28:39.880
<v Speaker 2>Anyway, I love this threads. I'll have to find one

0:28:39.920 --> 0:28:40.440
<v Speaker 2>for next time.

0:28:40.480 --> 0:28:40.800
<v Speaker 4>I like this.

0:28:40.920 --> 0:28:43.400
<v Speaker 2>I don't stick stick with your own threads, Babe.

0:28:46.480 --> 0:28:49.280
<v Speaker 3>You've been listening to the Flex and Frooms catch up podcasts.

0:28:49.520 --> 0:28:52.479
<v Speaker 3>For more, tune Indicata on dab or check it out

0:28:52.560 --> 0:28:54.000
<v Speaker 3>right here on iHeartRadio.