WEBVTT - AITA For Accepting Another Date On The Same Day As My OG Date? 💑

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<v Speaker 1>Flex and Frooms, Flex and Firms. This is the Flex

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<v Speaker 1>and Frooms catch Up podcast.

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<v Speaker 2>Welcome back to the Flex and Froom Show. It's Flexi

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<v Speaker 2>and through Me coming to you from the studio. Flex

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<v Speaker 2>I was watching your Instagram story the other day. Your stories,

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<v Speaker 2>I would say, are always a combination of foul, provocative, yes, cute.

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<v Speaker 1>Mm hmm, thirsty Yeah, and I just did this little

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<v Speaker 1>with my fingers like.

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<v Speaker 3>Hip resolved, resolved precisely. It's a brand experience. It's very

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<v Speaker 3>clear brand experience.

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<v Speaker 1>It really is.

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<v Speaker 2>I saw you post this meme. I would say, it's

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<v Speaker 2>like semi dank. I'm not going to try and explain

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<v Speaker 2>what what it looks like, but essentially mean, but like

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<v Speaker 2>philosophy skewed dank pholosphy memes.

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<v Speaker 1>So it's got a woman and she's saying you aren'ting

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<v Speaker 1>to try and describe it, Well, I've got to explain it.

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<v Speaker 2>So it's a woman saying thank you for ruining my life,

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<v Speaker 2>and it's the Instagram logo with tentacles, and the Instagram

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<v Speaker 2>logo with tentacles says, I'm literally an algorithm designed to

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<v Speaker 2>maintain your attention by learning from your behavior and mirroring

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<v Speaker 2>back that which consciously or not captivates you and the

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<v Speaker 2>social worlds through which you move. I am literally one

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<v Speaker 2>of the most fascinating tools for collective and personal shadow

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<v Speaker 2>work ever created. That is only if you can learn

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<v Speaker 2>to recognize that you aren't disturbed by social media. You

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<v Speaker 2>are disturbed by your own reflection.

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<v Speaker 1>Yep, wow, yup.

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<v Speaker 2>That he different for me because I thought, yeah, I'm

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<v Speaker 2>often like semi offended by what I'm served. But why

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<v Speaker 2>is it hitting so hard for me? Why am I

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<v Speaker 2>so offended? Why is this feeling visceral? And this is why?

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<v Speaker 1>So, babe, where'd you find this meme? My explore page

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<v Speaker 1>is really good to me?

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<v Speaker 3>So it has been curated, as you said, to be

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<v Speaker 3>a reflection of my Instagram story. So you know, I'm

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<v Speaker 3>not up here every day like trying to create content.

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<v Speaker 3>I literally let the Explore page determine what's inspiring me.

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<v Speaker 1>But what I do find.

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<v Speaker 3>Really interesting is that people often think that the memes

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<v Speaker 3>I share are like me finding another way to communicate.

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<v Speaker 3>I might, babe, I'm a professional talker. You think of

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<v Speaker 3>I had a thought that I wanted to communicate, I

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<v Speaker 3>would just communicate it.

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<v Speaker 1>But sometimes it's good to communicate it through different memes. Yeah,

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<v Speaker 1>but I'm like, that's what you guys do.

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<v Speaker 3>Like you like people often like post a meme to

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<v Speaker 3>be like I'm trying to let everybody know what I'm

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<v Speaker 3>going through without letting know what I'm going through, like

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<v Speaker 3>indirect communication through memes. Right, So, like you're having like

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<v Speaker 3>a weird time with your friends, you might post like

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<v Speaker 3>a quote being like, at the end of the day,

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<v Speaker 3>all you have is yourself. If people do that anymore,

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<v Speaker 3>people do that well often, and maybe there's more complex

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<v Speaker 3>ways to do it, like posting like screenshots of the

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<v Speaker 3>music you're listening to, or like posting screenshots, or like

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<v Speaker 3>posting an image of like your antidepressants, like creating trying

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<v Speaker 3>to create a priority.

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<v Speaker 1>Tempted to do that at some point, but I'm like,

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<v Speaker 1>all I do is like talk for a living.

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<v Speaker 3>So if I'm going to say something or if i

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<v Speaker 3>want to be understood, I'm like, the most direct way

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<v Speaker 3>of getting to it's how I want to say it.

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<v Speaker 3>But I love meme curation, Like my story has always

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<v Speaker 3>been about curating. I'm like, just because these things are

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<v Speaker 3>hitting you, like hitting your spot, you think I'm going

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<v Speaker 3>through it.

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<v Speaker 1>It's interesting I get that.

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<v Speaker 3>Yeah again with the mirror, right, I'm only just posting stuff,

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<v Speaker 3>and whenever it hits someone a little bit different, they're

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<v Speaker 3>kind of like, we're going through something. No, this is

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<v Speaker 3>just resonating with you.

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<v Speaker 2>See. I get that when I like find a really

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<v Speaker 2>funny TikTok that actually doesn't apply to me, but it's

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<v Speaker 2>the funniest thing ever. I don't want to post it,

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<v Speaker 2>but I just know it's going to be the wrong.

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<v Speaker 1>Yeah.

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<v Speaker 3>But what I liked about that post generally is that

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<v Speaker 3>I I am like plenty of people laugh and scoff

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<v Speaker 3>at people who think taking social media breaks is going

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<v Speaker 3>to be the cure to whatever they think they're going through.

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<v Speaker 3>And like, in some ways taking a break anything is

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<v Speaker 3>good for recalibration. But I often think that people who

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<v Speaker 3>use social media place an unfair amount of blame on

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<v Speaker 3>social media. But the issue is we're not all having

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<v Speaker 3>a unified experience. I don't know what happens on your

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<v Speaker 3>for you page, I don't know what happens on your feet.

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<v Speaker 3>I don't know what you look at that is responsible

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<v Speaker 3>for how you're feeling. And I feel like people are

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<v Speaker 3>so quick to shift blame on this, like invisible algorithm,

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<v Speaker 3>not recognizing that, like your algorithm, is a sum of

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<v Speaker 3>what you interact with. All these apps are trying to

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<v Speaker 3>do is maintain retention. They want you to be on

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<v Speaker 3>the app for as long as possible. So in some capacity,

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<v Speaker 3>whether you're hate watching, love watching, inspired, documenting, mood boarding,

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<v Speaker 3>you're engaging and you're feeding the beast and then wondering

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<v Speaker 3>or confused as to why the beast that you fed

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<v Speaker 3>looks and feels the way it does. Babes you raise

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<v Speaker 3>that beast. That's your baby, that's your face, that's your baby.

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<v Speaker 2>That was a classic flex rant that we were just that,

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<v Speaker 2>that felt vintage.

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<v Speaker 1>That was perfect. Every now and then, you page always

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<v Speaker 1>is dual leap of.

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<v Speaker 2>Videos from a tour that knows we died.

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<v Speaker 3>We've got a little little too many DM roasts missed

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<v Speaker 3>you okay, and it.

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<v Speaker 1>Knows who did you don't roast. There's also won he

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<v Speaker 1>said ju a Liepa Khan dance and now it's playing.

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<v Speaker 1>I love that dance. Is she? That was an iconic moment.

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<v Speaker 2>The rest are just little chas, all different types of

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<v Speaker 2>Really I'd say fifty percent.

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<v Speaker 1>And so it should be. It's a beautiful gift.

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<v Speaker 3>You know how when you like, let's say, for example,

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<v Speaker 3>you can go go to dinner with a bunch of friends. Right,

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<v Speaker 3>this is a good example. Go to dinner with a

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<v Speaker 3>bunch of friends and you are telling the waiter, the

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<v Speaker 3>waitress whoever, what your order is. And once that waitress goes,

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<v Speaker 3>how often have you been like got a weird vibe

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<v Speaker 3>from them and someone was like, oh I didn't feel out,

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<v Speaker 3>Like that was completely fine. They were quite nice. Like

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<v Speaker 3>what you're perceiving is how you perceive things, So like

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<v Speaker 3>you're the way that you saw that is a reflection

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<v Speaker 3>of how you saw that. So whether or not the

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<v Speaker 3>person was pissy, or the person had an attitude or

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<v Speaker 3>they were nice, we forget to take responsibility for like

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<v Speaker 3>how we saw it.

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<v Speaker 1>You are responsible.

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<v Speaker 3>And it's like maybe you didn't consciously view behavior like

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<v Speaker 3>that in that way, right, Maybe it's just like subconsciously

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<v Speaker 3>or you had a weird experience or whatever. But I

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<v Speaker 3>think we all just like to externalize. So like if

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<v Speaker 3>I'm having a weird time on the app, it's the app.

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<v Speaker 3>It's like, no, say it again, now I'm having a

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<v Speaker 3>weird time on the app. Like the sentences phrased that

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<v Speaker 3>way for a second. It's not like the app is

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<v Speaker 3>making me feel weird. Sometimes it is, but then you know,

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<v Speaker 3>like you're assigning like responsibility. But often it's like I

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<v Speaker 3>feel weird that person was weird to me. It's like

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<v Speaker 3>becoming aware, but like who cares? Because I feel like

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<v Speaker 3>the internet is like so new that by the time

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<v Speaker 3>we realize that we are partially responsible, we're going to

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<v Speaker 3>be phased out anyway. We I mean like mid twenty

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<v Speaker 3>year olds, we're going to get to forty and be

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<v Speaker 3>like who cares? Just log off and then you will.

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<v Speaker 2>I don't even know if the internet will be what

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<v Speaker 2>it is now, but I can't see it being anything else.

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<v Speaker 3>I think it'll just be like via anyway, complex rants

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<v Speaker 3>don't get used to them. But I also wish that

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<v Speaker 3>was going on the internet.

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<v Speaker 1>Little tasty treat We'll see miss you by Flex and Frooms.

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<v Speaker 1>They're the best.

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<v Speaker 4>What a duo? You know?

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<v Speaker 1>I love love love reading it.

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<v Speaker 3>Am I the assholes, namely because I want to see

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<v Speaker 3>people be people, and most people are unfortunately assholes. But

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<v Speaker 3>a lot of you been doing method acting, performance art.

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<v Speaker 3>You're trying to get me off your scent. I see you,

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<v Speaker 3>I smell you. This one in particular is dating scentered,

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<v Speaker 3>which I know you love. And look it's not written.

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<v Speaker 3>It did, in fact come from a TikTok. Let me

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<v Speaker 3>play the clip now.

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<v Speaker 4>So I was supposed to on a date tonight at

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<v Speaker 4>seven pm and we were supposed to go balling, and

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<v Speaker 4>we made the date like three days ago, but he

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<v Speaker 4>has in contacted me in three days and obviously didn't

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<v Speaker 4>message me today to confirm the date and set seven.

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<v Speaker 4>It's two pm, So in my head, the date's done.

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<v Speaker 4>There's no date, no confirmation, no date. So then someone

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<v Speaker 4>else asked me to go for coffee and I said yes,

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<v Speaker 4>because like, why not?

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<v Speaker 1>I don't actually have another.

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<v Speaker 4>Date tonight, But I want to know if someone doesn't

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<v Speaker 4>confirm to you the date of but you do have

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<v Speaker 4>a time and a place set for your date, would

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<v Speaker 4>you show up to the date or would you just.

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<v Speaker 1>Automatically assume that it's off? Because like, it's what I'm assuming, Lady,

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<v Speaker 1>what's going on?

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<v Speaker 3>If one thing's for sure, you are allowing the Internet

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<v Speaker 3>to rut your brain for free. Because the words that

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<v Speaker 3>were coming out indicated sense be caaun, there was no sense.

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<v Speaker 1>Coffee at seven pm? Can stop?

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<v Speaker 4>Okay, stop.

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<v Speaker 3>Oh my god, something about online dating rhetoric is frying

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<v Speaker 3>brains left, right and center. Because this is what I'm hearing.

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<v Speaker 3>You and this person have agreed to go on a date.

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<v Speaker 3>There's a time set and a place set. In what

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<v Speaker 3>world are you assuming the date isn't on? At what

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<v Speaker 3>point do you say, I'm gonna check in?

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<v Speaker 2>Right?

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<v Speaker 3>If you've set a time and date, you're the one

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<v Speaker 3>who wants to confirm again, so confirm again.

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<v Speaker 1>It's giving pretty princess.

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<v Speaker 2>I don't know, man, Definitely, I think like, oh, I

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<v Speaker 2>think you do want someone to confirm absolutely day, But

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<v Speaker 2>maybe she's like she wants more of a text.

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<v Speaker 1>Like what if we let's say, let's say I.

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<v Speaker 2>Want to go on a date with someone and they

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<v Speaker 2>confirm a day three days? Poor, I don't want them

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<v Speaker 2>to text me in the meantime. You're wasting my time.

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<v Speaker 2>But yeah, you should be messaging a follow up. But

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<v Speaker 2>what is stopping her from doing a follow up?

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<v Speaker 1>This is exactly it.

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<v Speaker 3>It's not saying that it's fair or just to not

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<v Speaker 3>get the follow up, but to assume the date is

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<v Speaker 3>off and then to not be the one following up.

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<v Speaker 3>My concern is that when it comes to a lot

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<v Speaker 3>of like dating conversation online, it's giving mixed signals and

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<v Speaker 3>mixed energy. What everybody's asking for is a date and

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<v Speaker 3>a time. You get a date in the time, now

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<v Speaker 3>you want to follow up. I think this is why

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<v Speaker 3>we have to be really discerning with the type of

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<v Speaker 3>people we want to date. Clearly, you're not dating someone

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<v Speaker 3>who's matching your energy. And also I believe that you

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<v Speaker 3>have to like set the standard. This is the first

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<v Speaker 3>time you're meeting this person, right, so, like they don't

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<v Speaker 3>know anything about you, they don't know that there is

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<v Speaker 3>a standard to a pole to The least you can

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<v Speaker 3>do is be like, hey, just checking in usually like

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<v Speaker 3>I would expect X, Y and Z all good, and

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<v Speaker 3>if you go on the date, you have a good time.

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<v Speaker 3>The standard's been set. I think we're doing a little

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<v Speaker 3>bit too much for people who don't know anything about you.

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<v Speaker 3>Like you said, a day and time has been set already,

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<v Speaker 3>it's fair to assume the date is on, not not on,

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<v Speaker 3>unless you've had one too many experiences where you've been

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<v Speaker 3>stood up.

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<v Speaker 1>I can't relate. That's not my story. You ever been

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<v Speaker 1>stood up?

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<v Speaker 3>No, I haven't had a lot of bad dating experiences.

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<v Speaker 3>So I think sometimes we're having these comments and I

0:10:49.320 --> 0:10:54.040
<v Speaker 3>think I don't mind being the I don't mind open communication,

0:10:54.240 --> 0:10:56.320
<v Speaker 3>like I'm gonna hit someone and be like, hey, like

0:10:56.360 --> 0:10:59.079
<v Speaker 3>what's the plan? So I think I'm getting a different result.

0:10:59.320 --> 0:11:00.880
<v Speaker 3>But I think if people want to sit in passenger

0:11:00.960 --> 0:11:05.080
<v Speaker 3>princess passive energy, then this is the consequence of passenger

0:11:05.120 --> 0:11:08.440
<v Speaker 3>princess passive energy. You live in this like confusing stead

0:11:08.480 --> 0:11:11.160
<v Speaker 3>of not knowing what's happening because you're not deciding.

0:11:10.720 --> 0:11:15.840
<v Speaker 1>Anything, unfortunately, But you know, do you? What do I know?

0:11:17.400 --> 0:11:21.760
<v Speaker 3>Cat flex and fromes you're listening to flex and firms?

0:11:21.880 --> 0:11:23.240
<v Speaker 1>What the frick flex?

0:11:23.280 --> 0:11:27.040
<v Speaker 2>There is a theory bubbling within my soul light come

0:11:27.080 --> 0:11:33.000
<v Speaker 2>up with it obviously too real, and that is that

0:11:33.080 --> 0:11:35.680
<v Speaker 2>you were either if you're if you grew up with sisters.

0:11:35.720 --> 0:11:37.320
<v Speaker 1>Did you grow up with sisters? No?

0:11:37.559 --> 0:11:42.480
<v Speaker 2>Just two brothers yea Rodney yes, no more docxing. I

0:11:42.520 --> 0:11:45.839
<v Speaker 2>grew up with a sister, Olivia, And we were having

0:11:45.880 --> 0:11:47.680
<v Speaker 2>this conversation the other day after I sent her a

0:11:47.679 --> 0:11:49.800
<v Speaker 2>TikTok which was about whether or not you're a pink

0:11:49.840 --> 0:11:51.520
<v Speaker 2>sister or a purple sister.

0:11:51.559 --> 0:11:53.559
<v Speaker 1>Have you heard of this theory? Have not so.

0:11:53.600 --> 0:11:57.520
<v Speaker 2>The theory is when you grew up, one sister chose

0:11:57.559 --> 0:12:00.680
<v Speaker 2>everything that was pink, and one sister chose every was purple.

0:12:00.760 --> 0:12:03.360
<v Speaker 2>And it's like an unspoken rule that if you were

0:12:03.360 --> 0:12:06.120
<v Speaker 2>the pink sister, you were better, and if you're the

0:12:06.160 --> 0:12:08.160
<v Speaker 2>purple sister, it's like a consolation prize.

0:12:09.280 --> 0:12:11.760
<v Speaker 1>And it makes complete sense, does it. Yeah?

0:12:11.800 --> 0:12:13.920
<v Speaker 2>And my sister and I actually currently in the middle

0:12:13.920 --> 0:12:15.640
<v Speaker 2>of a terrest argument.

0:12:15.679 --> 0:12:18.080
<v Speaker 1>I would say over text battle of the siblings.

0:12:18.080 --> 0:12:21.280
<v Speaker 2>It's a battle of sibling that I like, I think

0:12:21.320 --> 0:12:23.920
<v Speaker 2>I was the pink sister, but she's old. Yeah you would,

0:12:25.200 --> 0:12:28.120
<v Speaker 2>but she's older than me, and she's she was the

0:12:28.160 --> 0:12:29.960
<v Speaker 2>pink sister, and that I was the purple sister.

0:12:30.080 --> 0:12:34.040
<v Speaker 3>Can I be candid place everything about you, says purple sister,

0:12:35.480 --> 0:12:38.240
<v Speaker 3>part of me literally about you.

0:12:38.440 --> 0:12:40.480
<v Speaker 1>It's giving quirky.

0:12:40.720 --> 0:12:41.480
<v Speaker 4>I can't be there.

0:12:42.320 --> 0:12:47.640
<v Speaker 3>You're quirky, off kilter, like it's purple sister, especially when

0:12:47.640 --> 0:12:48.480
<v Speaker 3>you are the youngest.

0:12:48.520 --> 0:12:50.920
<v Speaker 1>The stories you've told us about your childhood.

0:12:50.559 --> 0:12:53.600
<v Speaker 3>Starting dance, dance battles in the what is it, the quad,

0:12:53.679 --> 0:12:57.480
<v Speaker 3>the cafe, making your parents move house after they bought

0:12:57.520 --> 0:12:58.880
<v Speaker 3>a house because you didn't like it.

0:12:58.920 --> 0:13:02.960
<v Speaker 2>Of course, the house was hell wanted purple sister quality.

0:13:03.080 --> 0:13:05.840
<v Speaker 2>Mount Waverley is a haunted suburb anyway.

0:13:05.880 --> 0:13:07.600
<v Speaker 1>I just think you traditionally want to be a pink sister.

0:13:08.480 --> 0:13:10.200
<v Speaker 2>I want to be pretty. I want to be the

0:13:10.240 --> 0:13:11.960
<v Speaker 2>pink sister. I don't want to be quirky.

0:13:12.280 --> 0:13:13.240
<v Speaker 1>It's just happened to me.

0:13:14.760 --> 0:13:16.160
<v Speaker 2>I don't want to be quirky, and I want to

0:13:16.160 --> 0:13:17.679
<v Speaker 2>be the pink sister. So I'm just putting you down

0:13:17.679 --> 0:13:21.040
<v Speaker 2>in the ether. I think I was the pink sister.

0:13:21.120 --> 0:13:24.760
<v Speaker 2>But thankfully I have some video evidence that I'm yet

0:13:24.760 --> 0:13:25.880
<v Speaker 2>to peru roll the tape.

0:13:25.960 --> 0:13:27.560
<v Speaker 1>Tonight when I get home, I'm going to find the two.

0:13:27.600 --> 0:13:30.560
<v Speaker 3>You don't have the evidence, which you're not hold up

0:13:30.559 --> 0:13:33.320
<v Speaker 3>in the court of law. You can't say you have evidence.

0:13:33.840 --> 0:13:35.960
<v Speaker 3>And they'd be like, when I get home, I'll start

0:13:36.000 --> 0:13:36.640
<v Speaker 3>looking for it.

0:13:36.720 --> 0:13:38.560
<v Speaker 2>But I would just before you and you have a

0:13:38.640 --> 0:13:41.320
<v Speaker 2>sister and it's just two sisters, go home and ask

0:13:41.360 --> 0:13:43.560
<v Speaker 2>his sister was either pink sister or the purple sister.

0:13:43.840 --> 0:13:46.240
<v Speaker 1>Because the results will shock you.

0:13:46.360 --> 0:13:48.760
<v Speaker 5>Flex and Frims, Flex and frames.

0:13:48.600 --> 0:13:50.080
<v Speaker 4>Cater never miss a beat.

0:13:50.160 --> 0:13:53.320
<v Speaker 3>We are about to call up a winner. We're hosting

0:13:53.360 --> 0:13:57.199
<v Speaker 3>a live show recording on the island. Extremely boogie. You

0:13:57.240 --> 0:14:00.880
<v Speaker 3>know there was budget this q one get out. We've

0:14:00.880 --> 0:14:03.360
<v Speaker 3>got some VIP winners and we're gonna call one because

0:14:03.480 --> 0:14:05.400
<v Speaker 3>let's get on the phone in twenty twenty two. Let's

0:14:05.400 --> 0:14:08.400
<v Speaker 3>pick up the phone. Scary, Let's put mouth to receiver.

0:14:10.320 --> 0:14:11.079
<v Speaker 3>Let's make it happen.

0:14:12.920 --> 0:14:21.200
<v Speaker 5>Hello, this is Car speaking Carra. Oh my god, this

0:14:21.280 --> 0:14:21.760
<v Speaker 5>is fun.

0:14:22.160 --> 0:14:24.760
<v Speaker 3>This is what cold calling should feel like. Get me

0:14:24.880 --> 0:14:27.760
<v Speaker 3>working at Greenpeace or something. Get me on the phone.

0:14:29.120 --> 0:14:30.400
<v Speaker 5>How are you guys?

0:14:30.400 --> 0:14:31.120
<v Speaker 1>Phenomenal?

0:14:32.280 --> 0:14:36.120
<v Speaker 5>Really good? How are you expected? You know, I'm at work,

0:14:36.240 --> 0:14:39.520
<v Speaker 5>so once five o'clock comes around, we'll be better.

0:14:39.760 --> 0:14:41.680
<v Speaker 1>We do have a habit of calling people during work,

0:14:41.720 --> 0:14:42.840
<v Speaker 1>but what must be.

0:14:42.800 --> 0:14:44.000
<v Speaker 5>Done must be done.

0:14:44.240 --> 0:14:46.400
<v Speaker 1>Listen, just calling to say you've been a winner.

0:14:46.440 --> 0:14:49.480
<v Speaker 3>So something to carry you through the itist the congratulations,

0:14:49.640 --> 0:14:56.200
<v Speaker 3>yay winning the IP. Tickets to our live show recording

0:14:56.400 --> 0:14:59.160
<v Speaker 3>Always Sonny courtesy of Specs Savers. Come have a little

0:14:59.160 --> 0:15:01.120
<v Speaker 3>tipple with us, a little inky poodle. It's going to

0:15:01.160 --> 0:15:03.920
<v Speaker 3>be super lux at the island. All the hotties Sydney

0:15:03.920 --> 0:15:06.760
<v Speaker 3>will be there. You know. It's a hoty congregation. We

0:15:06.800 --> 0:15:08.960
<v Speaker 3>are doing recruiting as we speak, so if you've made

0:15:09.000 --> 0:15:10.560
<v Speaker 3>the cart. You're one of one hundred hotties.

0:15:11.000 --> 0:15:14.560
<v Speaker 5>Yeah, amazing, Thank you so much. I'm so excited.

0:15:14.800 --> 0:15:18.920
<v Speaker 1>Oh yay, Look Kara. In your entry, you were talking

0:15:18.960 --> 0:15:20.840
<v Speaker 1>a lot about animals. Is that correct?

0:15:21.440 --> 0:15:22.920
<v Speaker 5>Yeah? I am an animal lover.

0:15:23.360 --> 0:15:25.440
<v Speaker 2>Oh and I've heard you're kind of more of an

0:15:25.440 --> 0:15:28.440
<v Speaker 2>animal lover than most people. You sleep with your animals

0:15:28.440 --> 0:15:31.200
<v Speaker 2>in your bed and you let them lick your face.

0:15:31.280 --> 0:15:31.840
<v Speaker 1>Is that correct?

0:15:33.040 --> 0:15:36.080
<v Speaker 5>Yeah, licking the face is it's special occasions only.

0:15:36.240 --> 0:15:41.640
<v Speaker 1>But you know, we freestyling with that one. She was freestyling. Yeah,

0:15:41.800 --> 0:15:42.960
<v Speaker 1>what kind of dog do you have?

0:15:43.680 --> 0:15:47.680
<v Speaker 5>I have a gorgeous little black Cocker Spaniel. She's my

0:15:47.760 --> 0:15:50.000
<v Speaker 5>pride and joy and she looks exactly like her mum.

0:15:50.160 --> 0:15:56.240
<v Speaker 5>She's out and yeah, so she is like five months

0:15:56.280 --> 0:15:59.040
<v Speaker 5>old and I'm just obsessed and everyone has to be

0:15:59.080 --> 0:16:01.240
<v Speaker 5>obsessed with her. Know, she's not a chala.

0:16:01.480 --> 0:16:02.680
<v Speaker 1>Do you live outside of home?

0:16:02.800 --> 0:16:03.240
<v Speaker 5>Let you live?

0:16:03.800 --> 0:16:05.280
<v Speaker 1>You live away from your parents?

0:16:05.880 --> 0:16:06.120
<v Speaker 5>Yes?

0:16:06.160 --> 0:16:06.480
<v Speaker 1>I do.

0:16:07.040 --> 0:16:09.680
<v Speaker 3>What made you make the plunge or like, take the

0:16:09.680 --> 0:16:11.960
<v Speaker 3>plunge to get a pet? Because I'm freaking and I

0:16:11.960 --> 0:16:13.440
<v Speaker 3>haven't lived at home for ten years. I'm like, I

0:16:13.720 --> 0:16:17.480
<v Speaker 3>just don't feel adult enough to do that well.

0:16:17.600 --> 0:16:20.880
<v Speaker 5>I decided, like during my UNI degree that my reward

0:16:20.960 --> 0:16:24.000
<v Speaker 5>for finishing UNI was going to be to get a dog.

0:16:24.200 --> 0:16:28.960
<v Speaker 5>And it was literally like my last day of exams. Ever,

0:16:29.200 --> 0:16:31.680
<v Speaker 5>I hit submit and then I drove and put her up.

0:16:31.840 --> 0:16:36.160
<v Speaker 1>So that's so hot. Oh that's lovely car. Look.

0:16:36.280 --> 0:16:38.120
<v Speaker 2>I asked my parents for a dog when I was

0:16:38.160 --> 0:16:40.080
<v Speaker 2>in year seven, and I told them I would stop

0:16:40.080 --> 0:16:41.640
<v Speaker 2>having OCD if they got me one.

0:16:42.440 --> 0:16:43.160
<v Speaker 4>Yeah, and I.

0:16:43.200 --> 0:16:44.240
<v Speaker 5>Didn't let that work out.

0:16:45.640 --> 0:16:47.120
<v Speaker 1>She's still.

0:16:48.280 --> 0:16:50.000
<v Speaker 5>But for you, don't worry.

0:16:50.880 --> 0:16:54.520
<v Speaker 1>Rip Fried the anyway.

0:16:55.040 --> 0:16:57.280
<v Speaker 2>Unfortunately, you can't bring you a little doggie to the island,

0:16:57.360 --> 0:17:00.120
<v Speaker 2>but she will be there with us in spirit. To

0:17:00.160 --> 0:17:07.040
<v Speaker 2>Queen indeed, little she sounds intelligent, Yeah she is.

0:17:07.520 --> 0:17:11.480
<v Speaker 5>She's exactly like me, so of course, make.

0:17:11.400 --> 0:17:19.639
<v Speaker 1>Sure intelligent Queen. Okay, that one really hit on.

0:17:21.480 --> 0:17:21.640
<v Speaker 5>That.

0:17:21.760 --> 0:17:24.040
<v Speaker 1>I'm going to take bye goodness.

0:17:24.280 --> 0:17:27.480
<v Speaker 2>All right, well, all right, we gotta go, but we

0:17:27.520 --> 0:17:29.280
<v Speaker 2>will see you on feb third on the island. Can

0:17:29.320 --> 0:17:32.800
<v Speaker 2>you please bring us a framed photo of little miss Eider.

0:17:34.320 --> 0:17:37.040
<v Speaker 2>I will be jewel it, yes, and then we can

0:17:37.080 --> 0:17:37.919
<v Speaker 2>put it in our studio.

0:17:38.440 --> 0:17:41.160
<v Speaker 5>Oh my god, amazing, she'll love that. I can't wait

0:17:41.200 --> 0:17:42.919
<v Speaker 5>to Tella.

0:17:42.359 --> 0:17:45.120
<v Speaker 1>Okay, lovely girl, We'll see you soon. Have a good day.

0:17:45.400 --> 0:17:47.560
<v Speaker 5>Yeah you too. Bye bye, I.

0:17:47.640 --> 0:17:50.720
<v Speaker 1>Gotta get out of the habitaclor people. Girl, What do

0:17:50.720 --> 0:17:54.080
<v Speaker 1>you mean I said, bye, lovely girl? Oh sweet.

0:17:54.080 --> 0:17:56.600
<v Speaker 2>It's like someone sent me a photo that was like,

0:17:56.960 --> 0:17:58.880
<v Speaker 2>you know how we did the live show, the last

0:17:58.920 --> 0:18:01.600
<v Speaker 2>live show that we had those paddles with our faces

0:18:01.600 --> 0:18:04.199
<v Speaker 2>on it. Someone took a photo of my paddle but

0:18:04.320 --> 0:18:07.040
<v Speaker 2>like t zo point five down on my forehead.

0:18:06.640 --> 0:18:11.080
<v Speaker 1>And learned to me and said, hi, pretty girl. Pissed

0:18:11.080 --> 0:18:11.640
<v Speaker 1>me up.

0:18:11.920 --> 0:18:14.520
<v Speaker 4>You've been listening to the Flex and Frooms Daily podcast.

0:18:14.760 --> 0:18:17.359
<v Speaker 4>For more, Tune in De Caator on DAB or stream

0:18:17.400 --> 0:18:18.400
<v Speaker 4>it on iHeartRadio.