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Speaker 1: Got anything dead.

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Speaker 2: Hey, this is the Christian O'Connell show podcast.

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Speaker 3: Good morning Jack, Post morning guys, Good morning Patsy, Morning Christian,

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Speaker 3: Morning Patsy. Sounds that we caught you on the Heartlan,

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Speaker 3: there was something else going on, you know when you

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Speaker 3: disturb somebody and they go, I'd just be with you

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Speaker 3: on one second. I just got to balance this out.

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Speaker 3: What's happening, Pats Not much.

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Speaker 4: I was just doing my hair. Haven't brushed it up

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Speaker 4: until two minutes ago.

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Speaker 3: Oh yeah, no, wait for the show to start for that,

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Speaker 3: I always do. It's got some flossing right now. Actually,

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Speaker 3: guys as well, I'm going to go wax myself as well.

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Speaker 3: Now now we're actually on air doing the job. Now,

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Speaker 3: perhaps you are you thinking about getting Chucks?

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Speaker 4: Yes, I do want Chucks. Actually I have for a

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Speaker 4: long time. The dog we've got, Presley, who's a Marima,

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Speaker 4: are a natural guardian dog, and a lot of people

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Speaker 4: will put them in amongst chucks to protect them from

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Speaker 4: a box.

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Speaker 5: Where have you got that from chicken nugget?

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Speaker 3: Seriously, Angel Anti Colonel won't even I'll call the chuckens

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Speaker 3: and snacks.

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Speaker 4: Out, Jack. They don't eat them, boys, they protect them.

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Speaker 3: That dog, even if like because you might just accidentally

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Speaker 3: smother them, just lying on them to protect them like

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Speaker 3: a human shelled.

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Speaker 4: You see them in the country and they sit on

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Speaker 4: like a free range chook farm and they you know,

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Speaker 4: because the foxes will come and get.

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Speaker 3: All absolutely and not foxes, they just can smell the chicks.

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Speaker 5: Yeah, oh yeah, So they use morimas as farm dogs.

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Speaker 4: Yeah, that that is what.

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Speaker 3: They're with a bloody green marima somewhere. You too have

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Speaker 3: not been out of t I've never seen marimas use

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Speaker 3: as guard dogs other dogs.

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Speaker 4: That's why they were bread.

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Speaker 5: I grew up with chickens. Actually, did you raised by them?

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Speaker 3: You said you grew up with chickens.

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Speaker 1: Far boy.

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Speaker 5: We have four chickens.

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Speaker 4: Yeah, I love that, but we're not getting it to

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Speaker 4: keep the foxes away. We are burning through eggs at

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Speaker 4: the moment. Chris is making Audrey omelets for breakfast.

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Speaker 3: Great great ware to start there, all those.

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Speaker 4: Omelets, well he makes a mean omelet. They're so good.

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Speaker 4: But he's using just on Ord's three eggs a day,

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Speaker 4: three extra large eggs a day. So we're like, I

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Speaker 4: get a dozen and then a few days later I

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Speaker 4: need to get another and.

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Speaker 3: You experience in the egg shortage, the only jack sort

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Speaker 3: of area to experienceage.

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Speaker 6: There is an egg shortage, There is an egg shortage,

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Speaker 6: and now there is a chicken shortage because people are

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Speaker 6: getting two or related jack.

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Speaker 3: No, no, no, no, which came first?

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Speaker 5: Chicken shortage?

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Speaker 6: So the eggs are short and now people are getting

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Speaker 6: backyard chickens to lay their own eggs.

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Speaker 5: Now they're running out of the backyard chicken.

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Speaker 4: Maybe we were about to get some chicks. Is that

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Speaker 4: what you say?

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Speaker 5: That's what I read.

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Speaker 3: You will be after playing market prices, and also so

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Speaker 3: you'll get in the chickens to get the eggs. How

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Speaker 3: do you even know what type of chicken?

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Speaker 4: I have no idea, but I'm sure my country cousins

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Speaker 4: will be able to tell me. No roosters though, because rooster.

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Speaker 3: In some of these city slick as we talked to.

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Speaker 3: No chucks as well.

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Speaker 6: Of course, what time did you have just a small

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Speaker 6: I know we didn't have roosters because they definitely don't

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Speaker 6: lay eggs.

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Speaker 5: We just had picture of regular chicken in your mind.

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Speaker 5: We had that one, the.

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Speaker 3: One I can think of his chicken little. The other

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Speaker 3: one was worried that the sky was falling in on

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Speaker 3: his head all the time. Some of the kids where

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Speaker 3: they were wide about everything, going listen, chicken little, it's

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Speaker 3: going to be okay. Picture of both standing brown checket

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Speaker 3: and that's what we had. You know what, I've just

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Speaker 3: been on a bum before the show. I only just

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Speaker 3: I've only just found out that the rooster is the male.

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Speaker 3: All chickens are female. Rio was reminding Jack, and I

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Speaker 3: wasn't being reminded. I was actually a learning that a

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Speaker 3: week before my fifty second I'm going to have to

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Speaker 3: tell the kids. Maybe I forgot to tell them all

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Speaker 3: chickens are female. This is breaking loose.

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Speaker 5: All cows of female? Did you know that one?

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Speaker 3: Know that one? Because they've got a dairy farmer brother

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Speaker 3: in law. So perhapsy, what will you do? Will you

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Speaker 3: chuck a rooster in there to.

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Speaker 4: Make its involved? No, my father in law add roosters

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Speaker 4: with his chucks, and they would wake you up. You

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Speaker 4: just get home from a night out.

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Speaker 3: Are they the ones that start crowing in the morning?

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Speaker 4: Yes, at three am?

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Speaker 3: And what are they crowing about? They're trying to chat

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Speaker 3: to go and he are they going like, hey, ladies,

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Speaker 3: rooster out here?

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Speaker 4: No roosters no roosters. I don't think you need rooster.

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Speaker 6: But I'll tell you the chickens make a lot of

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Speaker 6: noise on their own. That I hated them as a

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Speaker 6: teenager sound because they get started six a.

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Speaker 3: Great thing your parents did. Now I understand why your

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Speaker 3: mom and because I met your mom and dad there,

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Speaker 3: I can't don't strike me as sort of people that

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Speaker 3: will get chickens. I got it now, Jack said, I

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Speaker 3: couldn't pin. That's what I'm going to buy you with

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Speaker 3: some earlier perhaps, How would your neighbors feel you suddenly

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Speaker 3: got a lot of chucks?

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Speaker 4: And well, I do have to check with counsel if

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Speaker 4: we can even have them on our sized plots.

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Speaker 3: Of course, yeah, hear bet you need. There'd be a permit.

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Speaker 3: There's a form to fill o if you want to

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Speaker 3: have one chicken there, you've got to be a chicken

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Speaker 3: permit person. There'd be a permit.

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Speaker 4: Batty and I need a house, like can you buy

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Speaker 4: a chick pen?

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Speaker 3: I bet you. I bet you go online real go

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Speaker 3: on having the combinings. I bet they sell them flat

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Speaker 3: pack a chuck house. It's Australia. I bet you can

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Speaker 3: buy a chicken house. Ch how much how much is

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Speaker 3: it real? Rue you get your own chicken house.

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Speaker 7: The Christian O'Connell show.

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Speaker 3: Podcast Fun Facts about Chickens. Already this article has got me.

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Speaker 3: There are thirty three billion chickens. They outnumber us. Get ready,

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Speaker 3: get you heard it here first big new conspiracies. That

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Speaker 3: theory is the chickens are going to rise up ai

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Speaker 3: thirty three billion chickens. Chicken first fact here fun facts

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Speaker 3: about chickens. Number one, chickens are the living descendants of dinosaurs.

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Speaker 3: They are the closing living relatives of dinosaurs and fat.

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Speaker 3: Number two chickens dream.

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Speaker 7: Heads.

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Speaker 3: I'm guessing they've measured rim activity. It's the only way

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Speaker 3: we actually know that humans dream.

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Speaker 5: You don't know that they're seeing pictures in their brain, though.

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Speaker 3: They might be having nightmares of a marima looking after them.

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Speaker 4: Did you say the closest to dinosaurs living descendant?

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Speaker 3: Yeah?

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Speaker 4: Really, I thought crocodiles and alligators were.

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Speaker 3: You would think that I would have thought that too,

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Speaker 3: looking at scaly exterior in the way they look now,

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Speaker 3: Kevin texted in san Pants. If you are going to

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Speaker 3: get them, buy the brown chickens. They are commercial laying chickens.

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Speaker 3: You can buy them from Wagner's in how do people

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Speaker 3: know this stuff? Wagner's in cold Stream twenty four dollars each.

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Speaker 3: We would have no idea what it is a fair

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Speaker 3: appropriate price to buy a chuck?

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Speaker 6: And how much is one chuck? How many eggs is

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Speaker 6: one chuck doing? Because you're getting to make your money

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Speaker 6: backs quick, smart with that.

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Speaker 3: Quick, smarty, quick and smart.

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Speaker 5: I think they lay a couple of eggs a day.

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Speaker 4: Yeah, a couple of day, yeah each.

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Speaker 3: You can tell we are city slickers, right, Proper farm

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Speaker 3: people are laughing at us right now, poke us with

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Speaker 3: their farm strecker. Real, how much is it? A hen?

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Speaker 8: At best may lay an egg about once a day?

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Speaker 4: Oh gosh, I'm going to have to get about ten.

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Speaker 3: Yeah, I mean you need three a day just to

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Speaker 3: keep the old olmeleok supplied going.

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Speaker 8: According to Wyndham City Council's Community Amenity local Law, you

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Speaker 8: are permitted to keep up to six hens without a permit,

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Speaker 8: but no roosters.

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Speaker 3: This says to me, because you know what it's like

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Speaker 3: in society. If people can get into the march as

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Speaker 3: they will, there's a chicken inspector. You're going to get

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Speaker 3: a knock at the door. You say you've got six

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Speaker 3: someone coming around, there's nine permit application for you.

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Speaker 5: Which of your neighbors has dubbed you?

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Speaker 3: Now I've had an email from someone Christian, please do

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Speaker 3: not mention my name on air otherwise again, real trouble

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Speaker 3: at work. I work from one of Australia's largest chicken producers.

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Speaker 3: There is no chicken or egg short This is a

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Speaker 3: good lisc guy. All that's happened is the major supermarkets

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Speaker 3: have reduced a number of eggs and chickens they are

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Speaker 3: buying egg production and chicken production numbers have remained the

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Speaker 3: same over the last twelve months.

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Speaker 5: What's the conspiracy when?

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Speaker 3: Don't know?

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Speaker 6: Why would they want it works to buy less eggs?

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Speaker 6: Don't they want us to buy more things?

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Speaker 3: Listen, I'm too scared to go back to this guy

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Speaker 3: in case this goes above you and I pay grade.

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Speaker 7: The Christian O'Connell show podcast.

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Speaker 3: We drive these cars these days that are so much

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Speaker 3: smarter than us. They shake, vibrate and sort of scream.

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Speaker 3: If you're within about ten meters of a low hedge,

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Speaker 3: that's of no threat to the car. I need my

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Speaker 3: car to let me know if I'm parking somewhere where

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Speaker 3: I'm not smart enough to decipher the impenetrable signum of me. Yesterday,

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Speaker 3: jack and I had a lovely chap and I said

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Speaker 3: it was buy car park overlooking a beach. And after

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Speaker 3: we had our chat, I went for a walk for

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Speaker 3: an hour and a half. Came back feeling great. Parking

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Speaker 3: file it's a giant kicking the balls and it was

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Speaker 3: like quarter to six. Surely the parking fine day four.

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Speaker 3: Don't we have some agreement? Guys and girls, you got

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Speaker 3: to do your job. But I was in this empty

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Speaker 3: car park. It was empty. There was only the one

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Speaker 3: of the car there at four o'clock when I called you,

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Speaker 3: I got out thinking I don't understand the sign enough.

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Speaker 3: But looking around this car park, who's coming down here

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Speaker 3: right now? In a farg after I look at this

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Speaker 3: beautiful view here overlooking the bay. Who's who's issuing tickets?

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Speaker 3: A day is over? You've done all of that. Came

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Speaker 3: back from a lovely walk in a good chat with

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Speaker 3: Jackie boy, and then that parking farm is there. And

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Speaker 3: I don't care whether you swear or not. When you

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Speaker 3: see that, you.

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Speaker 5: Swear you're not happy.

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Speaker 3: There was no one even there to witness. You know

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Speaker 3: when a tree it's falled over the forest, does it

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Speaker 3: really fall over? I actually just just grab it with

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Speaker 3: your hand.

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Speaker 6: I was like, really really And the first that your

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Speaker 6: head goes through you always denial first, you go, well,

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Speaker 6: I'll fight you never will How.

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Speaker 3: Many people would actually go all the way represent in

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Speaker 3: themselves in a court sort of over some small parking

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Speaker 3: fine that actually, the longer you don't pay it, it

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Speaker 3: goes up, doesn't it? With interest and stuff like that. Patsy?

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Speaker 3: Are you a Monday winner or loser? How was your

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Speaker 3: day yesterday?

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Speaker 4: I am definitely a loser yet again this week because

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Speaker 4: we do that recycling things, you know, we go.

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Speaker 5: And take the cans.

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Speaker 4: Heah, we do, and we just keep it on the

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Speaker 4: app and we let it.

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Speaker 3: That's a lot of sort of Brown Brothers wine bolls

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Speaker 3: for you, isn't it?

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Speaker 4: And mom and dad or.

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Speaker 3: What you hire something from budget to go down there?

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Speaker 4: No, I only had about four bags yesterday. But the

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Speaker 4: place where I go, there's several around your local suburbs.

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Speaker 4: But the place where I go, I think I found

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Speaker 4: the quietest and you can always get a free kiosk.

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Speaker 4: The others get really packed and it's kind of toughed away,

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Speaker 4: and I'm not going to reveal where it is because

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Speaker 4: it's usually no one there. Anyway, yesterday, as I drive,

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Speaker 4: keep that recC.

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Speaker 3: To yourself top secret, mommy, why couln't we save the planet?

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Speaker 3: I didn't want to everyone doing that.

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Speaker 4: Anyway, There's only two kiosks, so two sort of computers

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Speaker 4: that you can cash in there. One was already being used,

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Speaker 4: but one was free, and I thought, yes, bingo. But

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Speaker 4: as I drove up to get a park right next

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Speaker 4: to it, there was another car approaching in the opposite direction,

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Speaker 4: and I thought, no, you don't, No, you don't. You're

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Speaker 4: not here to grab my kiosk. So anyway, I pulled

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Speaker 4: into the park. There was one spare park to the right,

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Speaker 4: and I thought, ha, gotcha, there's no other parks. Where

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Speaker 4: are you going to park? I'm going to get that kiosk.

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Speaker 3: And again this is about recyching everybody. No, you don't know,

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Speaker 3: you don't.

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Speaker 4: I made eye contact with this man. Seriously, you could

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Speaker 4: probably go any time of day, because you know, I

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Speaker 4: think you're retired, so like, come another time, come another time.

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Speaker 4: But no, do you know what he did? Look me

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Speaker 4: square in the face, parked legally horizontally to the kiosk

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Speaker 4: illegally illegally. It wasn't a park, it was on the road.

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Speaker 4: Had his foot out the door before I reckon he

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Speaker 4: was even in park. Wow, what a maneuver. Ran around

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Speaker 4: to the back of his boot, got about I'm not

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Speaker 4: kidding six like massive, really bin full bag fulls of

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Speaker 4: cans and bottles and beat.

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Speaker 3: It until judging judge face here me too.

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Speaker 5: Does it take a long time to get through it?

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Speaker 4: Does it?

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Speaker 3: Well?

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Speaker 7: It?

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Speaker 3: So what are you get money back?

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Speaker 4: You get ten cents per can or bottles?

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Speaker 3: So not only do you help he might have been

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Speaker 3: saving up a year two and maybe a guy who's retired,

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Speaker 3: so he needs that money.

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Speaker 4: Oh, I'm sure he does. It's all everyone finds it handy.

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Speaker 3: But you get from your loop? What do you get?

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Speaker 4: We got seven dollars fifty yesterday?

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Speaker 3: Is it if you get that?

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Speaker 4: No, we give it to odds. We like, just keep

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Speaker 4: it in the app.

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Speaker 3: It's not enough to buy a tent and learn a house.

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Speaker 4: He's starting to say.

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Speaker 3: You've got seventy two dollars that empty tennis of my

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Speaker 3: brown brothers. We go nice or deposit and lie flat somewhere.

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Speaker 5: It claims to Drick. On the weekends, she will be

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Speaker 5: going through college.

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Speaker 3: She might have mansining to.

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Speaker 4: Anyway, bait me to it. You've got to be quick

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Speaker 4: with these old timers.

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Speaker 5: Is it a fun thing to do with kids?

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Speaker 4: I'm just thinking now it's a foul job because it stinks.

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Speaker 3: Listen, we need we our generation have screwed up. We

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Speaker 3: need to be motivating. So answer Jack again, is it

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Speaker 3: a fun thing to do with your kids?

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Speaker 4: Well, it's good for the environment, Jack, Yes it is. No,

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Speaker 4: it's not a fun thing with you.

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Speaker 7: Christian Connell Show podcast.

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Speaker 3: Last week, you held up an image and pointed at

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Speaker 3: it to me to sort of directly tell me, remind

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Speaker 3: me what to talk about. Have you just shown an

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Speaker 3: engineer who's trying to mend something, tanting to get out

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Speaker 3: whilst the magic men work their word magic, the wizards

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Speaker 3: of Radio go just go. A poor guy Ben over

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Speaker 3: a laptop trying to put together there's some keyboard that

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Speaker 3: you can see. Who can do this feature that's gonna

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Speaker 3: who knows how it's going to be. He's working against

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Speaker 3: the clock, you know, in harsh conditions, and news go

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Speaker 3: get out. I pointed at the door like for a

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Speaker 3: footmenal slave to go begne with you the kings at

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Speaker 3: the table.

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Speaker 6: I thought he was so focused in what he was

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Speaker 6: doing trying to fix the keyboard. He didn't realize we're

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Speaker 6: about to come back on air, and I didn't want

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Speaker 6: the keyboard to start going while we're telling the story

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Speaker 6: or something.

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Speaker 3: There's just something wrong with that keyboard. I'm telling you now,

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Speaker 3: we've got an idea for something right. And sometimes what

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Speaker 3: happens is, you know, we all get rially excited about

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Speaker 3: the idea, and that's how this works. You have to

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Speaker 3: answer that energy. You launch it on air. Hopefully you

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Speaker 3: guys listening enjoy it. Sometimes just some small glitch starts

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Speaker 3: to spook you a bit we go.

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Speaker 6: I don't know whether the universe is trying to tell

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Speaker 6: her yes, don't know this.

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Speaker 3: And they're working on barb of you, dear listener. The

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Speaker 3: keyboard is making a very st range humming noise that

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Speaker 3: Ligally is going like this, like it's become self aware

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Speaker 3: or there's some living organism or bacteria in there. But

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Speaker 3: this poor enginet Alex was working tirelessly around the clock

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Speaker 3: and he's scared.

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Speaker 7: Now.

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Speaker 3: He's scared now only last week he was saying, what

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Speaker 3: a joy it is to work with us, unlike another

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Speaker 3: show that we also have the same management team of,

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Speaker 3: and how they are No, no, no, last thing I wanted

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Speaker 3: to do.

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Speaker 6: There is a red flag on that keyboard idea, though,

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Speaker 6: I reckon if it doesn't get.

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Speaker 3: Up to I'm actually still convinced it's the producers have

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Speaker 3: done something to it.

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Speaker 5: Why don't you want me to play keyboard on the show.

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Speaker 3: Because even Rio said earlier, hey, maybe we tried tomorrow hope,

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Speaker 3: and that some other noise would have come into our

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Speaker 3: lives today? Do you not believe into the working title?

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Speaker 3: Whose song is it? Anyway? Now, I've always.

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Speaker 8: Have full belief in Jack Post and his improvisational musical abilities.

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Speaker 5: I can't wait to get this game on.

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Speaker 3: Patty, you know what this idea is?

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Speaker 4: No, I've got no clue.

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Speaker 3: Okay, why don't you tell Patsy and everyone listening what

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Speaker 3: the idea is.

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Speaker 6: Christian will have an envelope with a song in it.

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Speaker 6: I don't know the song. Your pass it to me.

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Speaker 6: I have to learn the song as I'm reading it

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Speaker 6: for the first time. It won't be perfect, but that

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Speaker 6: is the game. Listeners call up and guess what I'm

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Speaker 6: trying to play?

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Speaker 3: Yes, whose song is it? Anyway? I saw that that's

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Speaker 3: not on. No, I don't like that. I don't like

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Speaker 3: that one bit, sir, No, did you see what I'm trying?

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Speaker 3: He rolled his eyes. He did this. You said, you've

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Speaker 3: paid Alex Off to go just lean over some random laptop.

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Speaker 5: Doesn't work? Forget the end of the way.

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Speaker 4: Can you play keyboard?

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Speaker 5: I presume that's the funny.

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Speaker 3: Do you know what? Are you a parent? Okay? I

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Speaker 3: believe in you.

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Speaker 4: Where he caught it.

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Speaker 3: This guy can turn his hand to anything musicals.

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Speaker 5: I have basic keyboard skills, but therein lies the game.

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Speaker 5: It's not perfect, the.

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Speaker 3: Game of life.

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Speaker 5: I'm trying to listen to this imperfect song.

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Speaker 3: In any way, double down on it.

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Speaker 2: Engineering right now, Christian O'Connell show on podcast.

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Speaker 3: Two things to update you on One the engineers have

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Speaker 3: amended and got with a strange noise, so the MIDI

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Speaker 3: keyboard that has now plugged in works. Second thing, Jax

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Speaker 3: just told me that he can't really play the keyboard.

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Speaker 3: At no point in the last five days we're talking

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Speaker 3: about this idea. Did that come up? Whatso well?

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Speaker 5: I thought that was understood that. That is the game.

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Speaker 3: I just say it. Don't have to imply.

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Speaker 5: If I could play perfectly, if I come here and

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Speaker 5: play piano, and.

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Speaker 3: John could muck around and go, oh, I don't know

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Speaker 3: this song and would make it so like a maestro.

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Speaker 6: People would guess it too easily. The game is I

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Speaker 6: don't I got it a possible knowledge of the keyboard.

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Speaker 3: Gotcha? Whose song is it? Anyway? So Jack, how does

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00:18:10,560 --> 00:18:14,240
Speaker 3: it work? We have an old school eighties MIDI keyboard

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Speaker 3: plugged into the radio station.

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Speaker 5: Does it work? Oh? No, it doesn't, all right? Keep yeah,

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Speaker 5: turn me up. You can keep it more volume in

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Speaker 5: my ears?

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Speaker 6: Yeah yeah, Ok, I don't know what song I'm about

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Speaker 6: to play.

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Speaker 3: Okay, people hear it, yep, ring in guess it all right?

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00:18:36,119 --> 00:18:38,760
Speaker 3: So my most warre thing you need to do is

403
00:18:38,960 --> 00:18:40,760
Speaker 3: not hit that dial just yet. Just give the scull

404
00:18:40,800 --> 00:18:43,120
Speaker 3: of minutes and get ready with his phone number nine

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Speaker 3: four one four one four three. As soon as you

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Speaker 3: think you recognize the song, so Jack is about to

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Speaker 3: open an envelope in that song will be the name

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Speaker 3: of the song, And then you want some unique arrangement

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Speaker 3: of it. Because you can't read sheet music.

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Speaker 6: It's you just have to give me the letters ECB

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00:19:00,080 --> 00:19:00,800
Speaker 6: see gotcha?

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Speaker 5: Okay, all right, okay, what do they win? Christian?

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00:19:05,600 --> 00:19:08,280
Speaker 3: Sorry, that's it. Five days in playing this and it

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00:19:08,320 --> 00:19:12,719
Speaker 3: comes down to and off. Mike whispered Mark. We actually

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Speaker 3: moved away from the microphone.

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Speaker 6: I saw, I saw as we came out of that song.

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Speaker 6: Really did like a prayer. Hands emoji to the radio.

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Speaker 3: Jog to Marconi up there wherever you are right now? Alrighty,

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Speaker 3: so if you open the envelope, drum roll please, Okay.

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00:19:28,520 --> 00:19:34,160
Speaker 5: I'm singing the song for the first time. Oh, okay, okay,

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00:19:34,280 --> 00:19:34,760
Speaker 5: here we.

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Speaker 3: Go, yep, here we go. Here we must go.

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Speaker 5: What song is this? Oh yeah, I'm getting it.

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Speaker 3: I know what it is, and I'm not getting it.

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Speaker 5: Into the chorus.

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Speaker 3: Yeah, I don't be funny. It actually sounds like some

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00:20:05,359 --> 00:20:08,439
Speaker 3: aliens trying to get in contact planet Earth. This is

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00:20:08,480 --> 00:20:12,359
Speaker 3: a huge song, a huge song. Well, we didn't need

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00:20:12,359 --> 00:20:19,120
Speaker 3: to worry about being too easy. No, no, no, now you're

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00:20:19,119 --> 00:20:21,320
Speaker 3: getting it. Now you're getting it. He's getting his eye in.

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00:20:21,600 --> 00:20:23,720
Speaker 3: He's hitting the ball well near to the ball's it's

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Speaker 3: on the ball.

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Speaker 5: Do you want me to start again?

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Speaker 3: Oh? Yeah, we're going No, one's calling him with any

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00:20:28,280 --> 00:20:29,520
Speaker 3: right guesses to win wait for.

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Speaker 6: It, must say what it is about that?

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Speaker 3: All right, go again. This is a well known song.

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Speaker 5: Okay, there it is. I don't know that bit.

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00:20:55,600 --> 00:20:58,880
Speaker 3: It's now, no, no, it's that's getta ball. All right.

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00:20:59,160 --> 00:21:01,399
Speaker 3: Lines are open now they're getting it. They're coding it.

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Speaker 3: Well done.

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Speaker 7: The Christian O'Connell show podcast.

443
00:21:06,400 --> 00:21:08,159
Speaker 3: So for about an hour this morning, look like we

444
00:21:08,160 --> 00:21:11,480
Speaker 3: could never bring you this idea. The idea is called

445
00:21:11,560 --> 00:21:17,479
Speaker 3: whose song is it? Anyway? We have in the studio

446
00:21:18,040 --> 00:21:24,880
Speaker 3: a big old school eighties MIDI keyboard. Every single eighties

447
00:21:24,920 --> 00:21:27,800
Speaker 3: band had one. Sometimes you just have like a stacked

448
00:21:27,840 --> 00:21:29,399
Speaker 3: in the night, three or four of them, and my

449
00:21:29,480 --> 00:21:32,280
Speaker 3: family one. Not even Roy Bitternouci keyboard player was a

450
00:21:32,359 --> 00:21:35,000
Speaker 3: keybole player with Springsteen. They have that thing where it's

451
00:21:35,080 --> 00:21:40,959
Speaker 3: left and right one eighty. It's a pro here. So

452
00:21:41,000 --> 00:21:42,960
Speaker 3: we plugged it into the station. Hang on, let me

453
00:21:43,040 --> 00:21:50,320
Speaker 3: just prime the keyboard right now. So Jack was given

454
00:21:50,320 --> 00:21:53,359
Speaker 3: a song and from an envelope, and immediately you had

455
00:21:53,440 --> 00:21:56,080
Speaker 3: to learn how to play it. And whilst people were

456
00:21:56,080 --> 00:21:58,520
Speaker 3: listening trying to guess what the song was, as you're

457
00:21:58,600 --> 00:22:01,480
Speaker 3: learning how to play, and you have a possible knowledge

458
00:22:01,520 --> 00:22:02,399
Speaker 3: of how to play the keyboard.

459
00:22:02,400 --> 00:22:05,719
Speaker 6: That's right, a guitar virtuoso, but piano, sorry, is not

460
00:22:05,720 --> 00:22:06,080
Speaker 6: my phone?

461
00:22:06,440 --> 00:22:07,200
Speaker 3: When did this happen?

462
00:22:07,359 --> 00:22:08,200
Speaker 5: Not my first.

463
00:22:07,960 --> 00:22:10,160
Speaker 3: Instrument while we were sleeping.

464
00:22:11,320 --> 00:22:13,960
Speaker 6: Self taught on the piano. So this song won't come

465
00:22:13,960 --> 00:22:14,680
Speaker 6: out perfectly.

466
00:22:14,720 --> 00:22:15,920
Speaker 5: But there in lies the game.

467
00:22:16,080 --> 00:22:18,280
Speaker 3: Oh my god, what a game. They're in lies.

468
00:22:19,920 --> 00:22:20,920
Speaker 5: Do you want me to play again?

469
00:22:21,080 --> 00:22:23,200
Speaker 3: I'd love to and they're in lives the game.

470
00:22:23,640 --> 00:22:28,200
Speaker 5: Sorry, okay, so microphone not virtuos. I was handed this

471
00:22:28,359 --> 00:22:31,040
Speaker 5: envelope that has this music in it? What am I playing?

472
00:22:51,119 --> 00:22:58,159
Speaker 5: I got worse than before, sorry, Self told, oh.

473
00:22:58,440 --> 00:23:01,280
Speaker 3: Oh my, this is not it's ten minutes ago. How

474
00:23:01,320 --> 00:23:03,400
Speaker 3: have you got worse in ten minutes? Do you think

475
00:23:03,400 --> 00:23:12,040
Speaker 3: you actually did really well? Primetime seven o'clock hours scared him?

476
00:23:12,240 --> 00:23:14,720
Speaker 3: That's it. That's it. Okay, we have someone on it

477
00:23:14,760 --> 00:23:18,720
Speaker 3: who thinks they know the answer. Lou, good morning, Good morning.

478
00:23:18,760 --> 00:23:19,440
Speaker 9: How are you going.

479
00:23:19,600 --> 00:23:21,520
Speaker 3: We're good. I can hear the hazards on. Thank you

480
00:23:21,600 --> 00:23:24,000
Speaker 3: very much for pulling over take part in this this morning.

481
00:23:24,600 --> 00:23:25,400
Speaker 9: I'm quite worried.

482
00:23:25,200 --> 00:23:26,800
Speaker 1: About getting back on them on the Melbourne ride.

483
00:23:26,800 --> 00:23:27,520
Speaker 10: So that's okay.

484
00:23:28,520 --> 00:23:29,000
Speaker 1: To the show.

485
00:23:29,200 --> 00:23:30,840
Speaker 3: Oh, thank you. Very much. What do you think the

486
00:23:30,880 --> 00:23:33,520
Speaker 3: song is that Jack was learning to play.

487
00:23:33,560 --> 00:23:37,359
Speaker 9: Straight away Jess after the first probably first key.

488
00:23:37,520 --> 00:23:39,399
Speaker 1: It was dancing in the dark by the boss.

489
00:23:39,520 --> 00:23:41,880
Speaker 5: First key.

490
00:23:42,440 --> 00:23:44,840
Speaker 3: All right, tomorrow, let's come back. You aren't going to

491
00:23:44,880 --> 00:23:49,800
Speaker 3: play one key? Are they? One key? I don't believe you.

492
00:23:49,960 --> 00:23:50,840
Speaker 3: There's no.

493
00:23:52,600 --> 00:23:53,440
Speaker 5: Thank you.

494
00:23:54,760 --> 00:23:59,720
Speaker 3: The one key? That's all we well done, it's a

495
00:23:59,840 --> 00:24:15,280
Speaker 3: it is this? Do you try and play it on? Yeah? Yeah,

496
00:24:15,359 --> 00:24:16,760
Speaker 3: listen to Springs and if you want to save some

497
00:24:16,800 --> 00:24:18,680
Speaker 3: money when you come on tour again, we've got you

498
00:24:18,760 --> 00:24:24,119
Speaker 3: a local keyboard player. Bralliant. Well done, Lou, it was

499
00:24:24,200 --> 00:24:26,600
Speaker 3: worth pulling over. Get to it late. You have won

500
00:24:26,680 --> 00:24:31,800
Speaker 3: a muggle. Yes, Lou, thank you very much for taking mark.

501
00:24:31,800 --> 00:24:34,560
Speaker 3: I have a good day. Okay, by all right, let's

502
00:24:34,560 --> 00:24:36,560
Speaker 3: play it now? Who did it better? Why don't you

503
00:24:36,560 --> 00:24:45,560
Speaker 3: play along again? Into the intro? All right, I'm turning

504
00:24:45,600 --> 00:24:46,439
Speaker 3: off now you're ruining it.

505
00:24:47,320 --> 00:24:51,520
Speaker 2: Christian O'Connell show on podcast yesterday.

506
00:24:51,520 --> 00:24:54,040
Speaker 3: On the show we were talking about rom coms and

507
00:24:54,080 --> 00:24:58,400
Speaker 3: I said that The Notebook was a rom com and

508
00:24:58,760 --> 00:25:00,439
Speaker 3: I thought today we could talk about what do we

509
00:25:00,480 --> 00:25:04,399
Speaker 3: think are the greatest rom coms of all time? Because

510
00:25:04,440 --> 00:25:06,760
Speaker 3: actually when you think about. There have been so many,

511
00:25:07,240 --> 00:25:10,359
Speaker 3: so many really really great rom coms, also loads of

512
00:25:10,560 --> 00:25:13,880
Speaker 3: very tepid, bang average ones like Adam Sander has made

513
00:25:14,359 --> 00:25:17,399
Speaker 3: some good ones, but even more bad ones. And I

514
00:25:17,480 --> 00:25:20,680
Speaker 3: love the Sandman. But today we want to find out

515
00:25:20,680 --> 00:25:24,840
Speaker 3: what are the greatest of all time the goat rom coms.

516
00:25:24,880 --> 00:25:28,040
Speaker 3: So we're going to form Goat Island, and on go Island,

517
00:25:28,119 --> 00:25:31,440
Speaker 3: only four of the greatest of all time rom coms

518
00:25:31,520 --> 00:25:33,600
Speaker 3: can be on there. So you've really got to make

519
00:25:33,640 --> 00:25:37,359
Speaker 3: your pitch count which movie and why there's a scene

520
00:25:37,359 --> 00:25:39,520
Speaker 3: you'd like us to dig out as well? To back

521
00:25:39,600 --> 00:25:41,840
Speaker 3: up your case, let me know nine four one four,

522
00:25:42,240 --> 00:25:44,720
Speaker 3: one oh four three Jackie boy, what are you going?

523
00:25:44,720 --> 00:25:46,240
Speaker 3: Do you love rom coms? First of all, I do

524
00:25:46,440 --> 00:25:47,159
Speaker 3: love a good rom com.

525
00:25:47,240 --> 00:25:48,080
Speaker 5: I love a rom com.

526
00:25:48,119 --> 00:25:51,800
Speaker 6: And this is the first DVD I ever owned. Ten

527
00:25:51,880 --> 00:25:58,000
Speaker 6: Things I Hate about You, brilliant rock com. This is

528
00:25:58,040 --> 00:26:01,280
Speaker 6: heap led Joe iconic say where he's singing to Julia

529
00:26:01,359 --> 00:26:05,600
Speaker 6: Styles on the bleachers of the soccer field. This is

530
00:26:05,680 --> 00:26:11,280
Speaker 6: a Shakespeare play modern adapt adaptation into the best room

531
00:26:11,320 --> 00:26:12,040
Speaker 6: com of all time.

532
00:26:12,640 --> 00:26:15,199
Speaker 3: A couple of years ago during lockdown we watched it well,

533
00:26:15,240 --> 00:26:17,160
Speaker 3: I watched it again. I watched it with my two

534
00:26:17,200 --> 00:26:19,960
Speaker 3: teenage daughters, and it's still a great movie.

535
00:26:20,280 --> 00:26:23,040
Speaker 6: It's still really know what's the best thing about it?

536
00:26:23,040 --> 00:26:24,520
Speaker 6: He didn't care what anybody think.

537
00:26:24,800 --> 00:26:27,639
Speaker 4: It was his breakout movie, wasn't it. I think probably

538
00:26:28,280 --> 00:26:31,800
Speaker 4: really discovered on an international scale. He was brilliant in it.

539
00:26:32,160 --> 00:26:34,120
Speaker 3: Now tell me this what year was that out?

540
00:26:34,280 --> 00:26:35,400
Speaker 5: Nineteen ninety nine.

541
00:26:36,520 --> 00:26:38,120
Speaker 3: Patsy, what are you going there? What do you think

542
00:26:38,200 --> 00:26:41,160
Speaker 3: is your contender for greatest rom com of all time?

543
00:26:41,200 --> 00:26:42,040
Speaker 3: For Go Island?

544
00:26:42,160 --> 00:26:46,600
Speaker 4: I could fill all four spots with Bridget Jones one, two, three, four,

545
00:26:47,920 --> 00:26:48,800
Speaker 4: one could not.

546
00:26:48,800 --> 00:26:50,280
Speaker 3: The third that's been kicked off.

547
00:26:50,080 --> 00:26:54,000
Speaker 4: Go only no, no, no, how dare you deserves its place.

548
00:26:54,320 --> 00:26:58,720
Speaker 4: Absolutely brilliant. I think there's every every woman can relate

549
00:26:58,760 --> 00:27:01,959
Speaker 4: to a little bit of Bridget, just that awkwardness sometimes

550
00:27:02,040 --> 00:27:05,760
Speaker 4: when trying to meet a partner, but also just being

551
00:27:05,880 --> 00:27:10,000
Speaker 4: authentically herself. And and the scene I love most is

552
00:27:10,080 --> 00:27:14,119
Speaker 4: where at the dinner party, Mark Darcy and her go

553
00:27:14,240 --> 00:27:17,640
Speaker 4: down the staircase and it's where he proclaims that he's

554
00:27:17,640 --> 00:27:20,400
Speaker 4: into her and he says to her with all of

555
00:27:20,440 --> 00:27:25,280
Speaker 4: your you know, weird bits and all your weird sort

556
00:27:25,280 --> 00:27:27,240
Speaker 4: of tendencies. I love you just the way you are.

557
00:27:27,280 --> 00:27:30,280
Speaker 4: You don't need to change, bridget You're perfect.

558
00:27:30,520 --> 00:27:33,040
Speaker 3: Oh my god, I'm just having it re enacted. We've

559
00:27:33,040 --> 00:27:35,840
Speaker 3: got the clip, but we don't bloody need it. You'll

560
00:27:35,880 --> 00:27:39,760
Speaker 3: recreating the street band on a keyboard surrounded by this

561
00:27:39,960 --> 00:27:50,280
Speaker 3: real cast of Kenners. Here, dear spirit that whatever this

562
00:27:50,400 --> 00:27:52,360
Speaker 3: is a clip you're talking about, I think, I.

563
00:27:52,280 --> 00:27:56,159
Speaker 11: Mean, there are elements of the ridiculous about you, and

564
00:27:56,359 --> 00:27:59,920
Speaker 11: that's pretty interesting. And you really are an a poor,

565
00:28:00,320 --> 00:28:03,600
Speaker 11: bad public speaker, and you tend to let whatever's in

566
00:28:03,600 --> 00:28:06,119
Speaker 11: your head come out of your mouth without much consideration

567
00:28:06,200 --> 00:28:09,520
Speaker 11: of the consequences. I realized that when I met you

568
00:28:09,560 --> 00:28:12,800
Speaker 11: at the Turkey curry buffet that I was unforgivably rude

569
00:28:12,840 --> 00:28:17,040
Speaker 11: and wearing a reindeer jumper that my mother had given

570
00:28:17,080 --> 00:28:21,439
Speaker 11: me in the day before. But the thing is, what

571
00:28:21,480 --> 00:28:28,440
Speaker 11: I'm trying to say, very inarticulately, is a ton In fact,

572
00:28:29,200 --> 00:28:34,240
Speaker 11: perhaps despite appearances, I like you very much.

573
00:28:35,160 --> 00:28:38,200
Speaker 1: Apart from the smoking and the drinking and the vulcan

574
00:28:38,240 --> 00:28:41,240
Speaker 1: mother and the verbals actry, I like.

575
00:28:41,240 --> 00:28:43,760
Speaker 11: You very much just as you are.

576
00:28:44,200 --> 00:28:46,760
Speaker 3: Bridgie Jones has to go on the goat Island. It's

577
00:28:46,880 --> 00:28:48,800
Speaker 3: such a great it is one of the greatest wrong

578
00:28:48,840 --> 00:28:51,440
Speaker 3: comments of all time. You're right? And the fourth one, Patsy,

579
00:28:51,480 --> 00:28:53,040
Speaker 3: I don't think I've got into saying this. I through

580
00:28:53,040 --> 00:28:55,840
Speaker 3: it the other week. It's brilliant, is it? Oh my god?

581
00:28:55,880 --> 00:28:59,040
Speaker 3: You're right. It is such a moving They really really

582
00:28:59,320 --> 00:29:01,520
Speaker 3: they did something special with that. I thought it was

583
00:29:01,560 --> 00:29:03,240
Speaker 3: a great movie. I think it still leaves the door

584
00:29:03,280 --> 00:29:06,160
Speaker 3: open for maybe even another one or two, but it

585
00:29:06,280 --> 00:29:08,480
Speaker 3: is the fourth one is very very good. All right?

586
00:29:08,520 --> 00:29:10,320
Speaker 3: What else should be on Go Island?

587
00:29:10,080 --> 00:29:13,280
Speaker 7: The Christian Connell Show podcast, What.

588
00:29:13,240 --> 00:29:16,400
Speaker 3: Do you think is the greatest rom com of all time?

589
00:29:16,440 --> 00:29:19,320
Speaker 3: We're looking to our four on Go Island? The greatest

590
00:29:19,320 --> 00:29:22,880
Speaker 3: of all time? Island? Are the four the best romantic comedies?

591
00:29:23,000 --> 00:29:26,320
Speaker 3: Make your case? Which movie you love? Nine? Four one, four,

592
00:29:26,440 --> 00:29:28,280
Speaker 3: one oh four three. I was just trying to work

593
00:29:28,320 --> 00:29:31,200
Speaker 3: out which actor and actresses have been in the most

594
00:29:31,360 --> 00:29:33,640
Speaker 3: like ten out of ten rom coms. I reckon it's

595
00:29:33,680 --> 00:29:37,400
Speaker 3: between Julia Roberts and Hugh Grant, because Hugh Grant obviously

596
00:29:37,520 --> 00:29:40,280
Speaker 3: has been in Low's his hit rate. Actually, so, I

597
00:29:40,280 --> 00:29:42,000
Speaker 3: think about a lot of people saying how much they

598
00:29:42,040 --> 00:29:44,360
Speaker 3: love love actually right, So she got Hugh and that

599
00:29:44,520 --> 00:29:49,600
Speaker 3: Bridget Jones is in notting Hill with another huge rom

600
00:29:49,680 --> 00:29:52,080
Speaker 3: com star and a great actress, Judia Roberts, as well.

601
00:29:52,160 --> 00:29:53,560
Speaker 3: He's been, They've been in so many.

602
00:29:53,640 --> 00:29:55,920
Speaker 6: The other the other two I think of is Matthew

603
00:29:55,960 --> 00:29:57,200
Speaker 6: McConaughey and Kate Hudson.

604
00:29:57,240 --> 00:30:00,320
Speaker 3: Matthew and eight has a lower hit rate than anybody else,

605
00:30:00,520 --> 00:30:02,200
Speaker 3: which is why he since we realized, and he's just

606
00:30:02,200 --> 00:30:05,160
Speaker 3: stopped in rom comms and actually become the true great

607
00:30:05,200 --> 00:30:07,640
Speaker 3: actor I am. He just led them by. I can't count.

608
00:30:07,760 --> 00:30:11,040
Speaker 3: No one has mentioned any of the McConaughey he is

609
00:30:11,400 --> 00:30:13,640
Speaker 3: when he was into rom Commons, which is so astonishing

610
00:30:13,640 --> 00:30:15,680
Speaker 3: about his career. Then when he goes in and there's

611
00:30:15,760 --> 00:30:18,960
Speaker 3: like true Detective and all these incredible ether roles. Now

612
00:30:19,000 --> 00:30:21,240
Speaker 3: you love Jack's contender then for greatest of all time

613
00:30:21,320 --> 00:30:23,600
Speaker 3: rom comm it's a great one with Heath Ledger Ten

614
00:30:23,640 --> 00:30:24,520
Speaker 3: Things I Hate About You.

615
00:30:24,600 --> 00:30:26,000
Speaker 5: Pats, You're absolutely right.

616
00:30:26,040 --> 00:30:28,960
Speaker 6: It was his international breakout role Ten Things I Hate

617
00:30:29,000 --> 00:30:32,120
Speaker 6: About You, And it was Heath Ledger's choice to sing

618
00:30:32,160 --> 00:30:33,880
Speaker 6: Can't take my Eyes off of You on that clip

619
00:30:33,920 --> 00:30:36,719
Speaker 6: that we listened to before, because originally it was going

620
00:30:36,800 --> 00:30:39,120
Speaker 6: to be I touched myself by the the vinals.

621
00:30:40,200 --> 00:30:42,440
Speaker 3: You don't want to hear a hormonal teenage boy college

622
00:30:42,440 --> 00:30:45,520
Speaker 3: singing this two audiences around the world. It's not the

623
00:30:45,600 --> 00:30:49,000
Speaker 3: right leng changes the whole. Yeah, you know they're directors

624
00:30:49,080 --> 00:30:52,680
Speaker 3: or someone there made a smarter choice. All right, there's

625
00:30:52,880 --> 00:30:55,280
Speaker 3: take some calls now, nine four one four, one oh

626
00:30:55,320 --> 00:30:57,080
Speaker 3: four three. What do you think is the greatest romantic

627
00:30:57,120 --> 00:31:00,000
Speaker 3: comedy of all time? Danielle? What's it for you?

628
00:31:01,120 --> 00:31:02,120
Speaker 1: When Harry met Sally?

629
00:31:02,480 --> 00:31:05,120
Speaker 3: Yes, it's one of my favorite movies of all time.

630
00:31:05,120 --> 00:31:06,120
Speaker 3: What do you love about it?

631
00:31:06,880 --> 00:31:10,760
Speaker 1: Well, even apart from the cafe saying what my probably

632
00:31:10,760 --> 00:31:14,360
Speaker 1: one of my favorite part is at the end on

633
00:31:14,520 --> 00:31:15,640
Speaker 1: New Year's Eve when.

634
00:31:15,440 --> 00:31:18,760
Speaker 9: He finally realizes that he's been met for.

635
00:31:18,680 --> 00:31:21,080
Speaker 1: Each other, and then he runs in and like you

636
00:31:21,080 --> 00:31:24,400
Speaker 1: know it, proclaims all the things that he doesn't understand.

637
00:31:23,960 --> 00:31:26,120
Speaker 9: About it, but despite it all that, he just he

638
00:31:26,200 --> 00:31:26,959
Speaker 9: loves her anyway.

639
00:31:27,360 --> 00:31:29,960
Speaker 10: It's not because I'm lonely, and it's not begauds of

640
00:31:30,080 --> 00:31:32,560
Speaker 10: New Year's Eve. I came here tonight because when you

641
00:31:32,640 --> 00:31:34,560
Speaker 10: realize you want to spend the rest of your life

642
00:31:34,600 --> 00:31:36,560
Speaker 10: with somebody, you want the rest of your life to

643
00:31:36,560 --> 00:31:37,880
Speaker 10: start as soon as possible.

644
00:31:37,960 --> 00:31:40,400
Speaker 3: Oh my god, it's a great movie. Right. We watched

645
00:31:40,400 --> 00:31:42,360
Speaker 3: every couple of years. When it came out. It was

646
00:31:42,400 --> 00:31:44,680
Speaker 3: like nineteen eighty nine, I think, or nineteen ninety nine.

647
00:31:44,720 --> 00:31:46,280
Speaker 3: That was the end of the eighties, and I was

648
00:31:46,320 --> 00:31:48,800
Speaker 3: like sixteen or seventeen. I love that movie. Do you

649
00:31:48,840 --> 00:31:50,840
Speaker 3: know it's only ninety six minutes, right, I think it's

650
00:31:50,840 --> 00:31:53,000
Speaker 3: one of the perfect comedies. And what it is is

651
00:31:53,000 --> 00:31:55,960
Speaker 3: like most romantic movies and romantic comedies, they're about the spark,

652
00:31:56,000 --> 00:31:58,840
Speaker 3: they're about falling in love. Well, I loved about Harry

653
00:31:58,960 --> 00:32:02,440
Speaker 3: When Harry met Sallie's Now it's about what happens over

654
00:32:02,520 --> 00:32:04,800
Speaker 3: the years. I've been watching that as a young man,

655
00:32:04,800 --> 00:32:07,200
Speaker 3: thinking if I get married, I hope it's someone like that.

656
00:32:07,480 --> 00:32:10,240
Speaker 3: Next month, we're twenty seven years married together. I love

657
00:32:10,240 --> 00:32:12,440
Speaker 3: When Haring That Sunny. It's such a great movie because

658
00:32:12,440 --> 00:32:16,120
Speaker 3: over the ninety six odd minutes their relationship grows over

659
00:32:16,240 --> 00:32:19,000
Speaker 3: twelve years, they help each other through all these different breakups.

660
00:32:19,040 --> 00:32:21,280
Speaker 3: There's a very different take on what it is not

661
00:32:21,360 --> 00:32:23,920
Speaker 3: just to fall in love, but obviously to sustain it

662
00:32:23,960 --> 00:32:25,560
Speaker 3: and to keep it going over the years. You're right,

663
00:32:25,600 --> 00:32:27,320
Speaker 3: it's a great movie, Danielle.

664
00:32:27,800 --> 00:32:29,400
Speaker 1: And then they have just quickly and then.

665
00:32:29,280 --> 00:32:34,280
Speaker 9: They have all those losses along the way, Yes, and

666
00:32:34,400 --> 00:32:36,200
Speaker 9: just how they all the different stories.

667
00:32:36,400 --> 00:32:37,680
Speaker 3: It's just the whole.

668
00:32:37,480 --> 00:32:38,600
Speaker 9: Movie is just perfect.

669
00:32:38,760 --> 00:32:41,440
Speaker 3: Yeah. Also when you watch it right, you should watch

670
00:32:41,480 --> 00:32:43,800
Speaker 3: it again. It's a time where you can. It is

671
00:32:43,920 --> 00:32:47,200
Speaker 3: definitely the eighties. Men are wearing very big chunky sweaters.

672
00:32:47,640 --> 00:32:50,440
Speaker 3: That's not yet come back around this winter in Melbourne.

673
00:32:50,440 --> 00:32:54,160
Speaker 3: I want to bring back big chunky sweaters. Danielle. Thank

674
00:32:54,200 --> 00:32:55,080
Speaker 3: you very much for saying that.

675
00:32:55,120 --> 00:32:57,200
Speaker 7: One Christian O'Connell show.

676
00:32:57,600 --> 00:33:01,480
Speaker 3: Go on podcast Christian Connal show every day you could

677
00:33:01,480 --> 00:33:03,920
Speaker 3: be winning an instant one thousand dollars if we hear

678
00:33:03,960 --> 00:33:05,400
Speaker 3: your story and you love what we're saying, you could

679
00:33:05,440 --> 00:33:11,920
Speaker 3: be our instant winner for caller of the Week right

680
00:33:11,960 --> 00:33:15,440
Speaker 3: now nine one four three two. Ways you to get

681
00:33:15,440 --> 00:33:18,760
Speaker 3: your stories on the show. You've got a story about

682
00:33:18,840 --> 00:33:22,760
Speaker 3: leaving a door or cage open and then what happened next?

683
00:33:22,920 --> 00:33:24,800
Speaker 3: We want to hear this morning on nine four one

684
00:33:24,880 --> 00:33:27,320
Speaker 3: four one oh four three rio you have.

685
00:33:27,720 --> 00:33:30,040
Speaker 8: Yeah, my sister had a bird obsession when she was

686
00:33:30,080 --> 00:33:32,960
Speaker 8: sort of like ten to twelve, which my parents indulged.

687
00:33:33,000 --> 00:33:36,400
Speaker 8: We had a huge, huge bird cage with probably about

688
00:33:36,440 --> 00:33:37,240
Speaker 8: twenty budgies.

689
00:33:37,280 --> 00:33:39,200
Speaker 3: Oh wow, that's a lot, like so an Avery.

690
00:33:39,280 --> 00:33:42,440
Speaker 8: Yeah, literally an Avery and Alex knew the names of

691
00:33:42,480 --> 00:33:46,560
Speaker 8: every single budgey. Next to that, we had quails, and

692
00:33:46,600 --> 00:33:48,720
Speaker 8: we also had chickens, which were all alix.

693
00:33:48,800 --> 00:33:51,680
Speaker 3: Quiet arrangement going on there isn't it? Yes, did you

694
00:33:51,720 --> 00:33:53,760
Speaker 3: eat the quail eggs? But supposed to be very nice.

695
00:33:54,120 --> 00:33:56,800
Speaker 8: I don't remember eating quail eggs, but I imagine we probably

696
00:33:56,800 --> 00:33:59,040
Speaker 8: would have. We ate a lot of the chicken eggs.

697
00:33:59,760 --> 00:34:04,560
Speaker 8: And Alex famously very forgetful. She left the door open

698
00:34:04,720 --> 00:34:07,880
Speaker 8: of the cage one day, the budgy cage, and within,

699
00:34:08,040 --> 00:34:12,400
Speaker 8: like within an instant, obviously they all twenty budgies flew

700
00:34:12,480 --> 00:34:14,360
Speaker 8: off into the trees.

701
00:34:14,520 --> 00:34:16,960
Speaker 3: I can't help but think, as apparently your sister has

702
00:34:17,040 --> 00:34:17,879
Speaker 3: been devastated.

703
00:34:18,000 --> 00:34:20,719
Speaker 8: Yes, she she was why you lost?

704
00:34:21,080 --> 00:34:21,960
Speaker 3: What a cool brother.

705
00:34:25,480 --> 00:34:26,240
Speaker 5: I could still.

706
00:34:26,040 --> 00:34:29,879
Speaker 8: Picture it when she named beloved she loved them.

707
00:34:30,320 --> 00:34:31,439
Speaker 3: Well are they now? Yeah?

708
00:34:31,480 --> 00:34:31,680
Speaker 5: Yeah?

709
00:34:31,719 --> 00:34:33,719
Speaker 8: She Actually we played a pranko, or I did once

710
00:34:33,760 --> 00:34:37,399
Speaker 8: with her quails. I took all her quails and hid

711
00:34:37,440 --> 00:34:39,920
Speaker 8: them and then made like a fake rat and pretended

712
00:34:39,960 --> 00:34:40,680
Speaker 8: that the rat.

713
00:34:43,760 --> 00:34:46,040
Speaker 5: What did you make the rat out of I remember

714
00:34:46,840 --> 00:34:49,880
Speaker 5: me with my other sister Kim, and she was so upset.

715
00:34:50,080 --> 00:34:57,640
Speaker 3: That is a good break a lot of That's why

716
00:34:57,640 --> 00:35:00,160
Speaker 3: he's a great radio producer. You know you did with

717
00:35:00,239 --> 00:35:03,840
Speaker 3: that job interview. I'll hide you on the spot please,

718
00:35:06,080 --> 00:35:08,960
Speaker 3: But poor thing leaving that avery door open? Yeah, yeah,

719
00:35:09,000 --> 00:35:12,160
Speaker 3: she was very sad. Yeah, all right. Your story is

720
00:35:12,160 --> 00:35:14,640
Speaker 3: about leaving a door or cage open and what happened

721
00:35:14,640 --> 00:35:17,200
Speaker 3: next nine four one four one oh four three, and

722
00:35:17,200 --> 00:35:19,920
Speaker 3: also this morning. If you've got a story about mistaken

723
00:35:20,160 --> 00:35:23,000
Speaker 3: identity like Jason's, we want to hear it.

724
00:35:23,200 --> 00:35:25,759
Speaker 12: Move to Australia from New Zealand and I had to

725
00:35:25,760 --> 00:35:28,279
Speaker 12: get a criminal check for work and it turns out

726
00:35:28,360 --> 00:35:31,560
Speaker 12: there's a going Australia with his h name and birthday

727
00:35:31,640 --> 00:35:33,400
Speaker 12: as me and he's a criminal.

728
00:35:34,600 --> 00:35:39,919
Speaker 2: So says you, Sir Christian O'Connell show go on podcast.

729
00:35:40,440 --> 00:35:43,800
Speaker 3: Your story is about mistaken identity, and also this morning

730
00:35:43,920 --> 00:35:47,560
Speaker 3: leaving a door or cage open. Good morning for the owner.

731
00:35:47,960 --> 00:35:48,960
Speaker 9: Good morning guys.

732
00:35:49,040 --> 00:35:51,319
Speaker 3: Hey, well welcome to the show, Fion. So what's your

733
00:35:51,320 --> 00:35:53,280
Speaker 3: story about leaving a door or cage open?

734
00:35:54,040 --> 00:35:58,160
Speaker 9: Well, it was actually a cage door, but my Cockatoo

735
00:35:58,239 --> 00:35:59,960
Speaker 9: doesn't believe he lives in a cage. He believes in

736
00:36:00,320 --> 00:36:05,359
Speaker 9: the house, so we'll call it a house door. He's

737
00:36:05,440 --> 00:36:07,399
Speaker 9: ninety years old, and I went to work and left

738
00:36:07,440 --> 00:36:07,680
Speaker 9: his house.

739
00:36:09,280 --> 00:36:10,840
Speaker 3: He really is ninety years old.

740
00:36:11,280 --> 00:36:12,319
Speaker 9: He is ninety years old.

741
00:36:12,440 --> 00:36:15,319
Speaker 3: Yes, wow, I don't know that they lived like to

742
00:36:15,320 --> 00:36:16,080
Speaker 3: be really old.

743
00:36:16,520 --> 00:36:17,919
Speaker 9: They can look to a beout one hundred and forty

744
00:36:17,920 --> 00:36:18,520
Speaker 9: in captivity.

745
00:36:18,719 --> 00:36:19,040
Speaker 3: Really.

746
00:36:19,880 --> 00:36:21,880
Speaker 6: Yeah, so you're going to pass them on generation to

747
00:36:22,040 --> 00:36:23,399
Speaker 6: generation then yes?

748
00:36:23,880 --> 00:36:25,680
Speaker 3: And was he handed down to you from a great

749
00:36:25,680 --> 00:36:26,520
Speaker 3: great grandfather?

750
00:36:27,160 --> 00:36:29,719
Speaker 9: No, unfortunately, No, I got him from my ex's landlord.

751
00:36:30,200 --> 00:36:32,319
Speaker 9: He didn't like my ex's landlord. They didn't like him,

752
00:36:32,360 --> 00:36:33,239
Speaker 9: and he loved me.

753
00:36:33,360 --> 00:36:38,719
Speaker 3: So the exes landlord. It's a common way you end

754
00:36:38,800 --> 00:36:40,400
Speaker 3: up with cockatita, isn't it it is?

755
00:36:40,520 --> 00:36:43,279
Speaker 9: Yeah, yeah, he didn't like my ex either. Called him

756
00:36:43,320 --> 00:36:48,120
Speaker 9: a lovely name. Really, oh he did, Yes, a lovely name.

757
00:36:48,400 --> 00:36:50,319
Speaker 3: Quite feisty characters, aren't they in there?

758
00:36:50,640 --> 00:36:50,839
Speaker 1: Oh?

759
00:36:51,040 --> 00:36:52,680
Speaker 9: Definitely definitely?

760
00:36:52,840 --> 00:36:54,439
Speaker 3: And so what's your what's he called?

761
00:36:55,239 --> 00:37:01,480
Speaker 12: His name is Charles Montgomery, not just Chazz Charles Montry.

762
00:37:01,560 --> 00:37:05,000
Speaker 3: And did he have that name when he came to you? Yeah?

763
00:37:05,640 --> 00:37:07,520
Speaker 9: Yeah, yeah he said that. Then for a long time.

764
00:37:07,680 --> 00:37:10,719
Speaker 3: Alright, yes, okay, So how did it? And as Charles,

765
00:37:10,960 --> 00:37:12,520
Speaker 3: you've got him back now? Was he still out there

766
00:37:12,520 --> 00:37:13,560
Speaker 3: on the lamb? He's still on the run.

767
00:37:14,239 --> 00:37:17,920
Speaker 9: No, no, no hives. He lives in my house. Ye, in

768
00:37:18,000 --> 00:37:20,520
Speaker 9: a in a house in my house, in a cage

769
00:37:20,560 --> 00:37:22,280
Speaker 9: in my house. That he's not a jailbird.

770
00:37:22,320 --> 00:37:23,680
Speaker 7: He's a good boy, right, okay.

771
00:37:23,719 --> 00:37:24,919
Speaker 9: So he has a house yep?

772
00:37:24,960 --> 00:37:26,400
Speaker 3: And is he next to you? Tell me where the

773
00:37:26,400 --> 00:37:28,040
Speaker 3: house is because I went around a house and I

774
00:37:28,120 --> 00:37:29,520
Speaker 3: was to pick up something for my kids that I

775
00:37:29,600 --> 00:37:31,960
Speaker 3: brought off eBay and they had some sort of cage

776
00:37:32,000 --> 00:37:34,520
Speaker 3: for a giant power it was, but it was next

777
00:37:34,600 --> 00:37:41,520
Speaker 3: to their couch. So the parrot was like and they went,

778
00:37:41,560 --> 00:37:44,440
Speaker 3: it's out the cow on watching TV? Or that there's

779
00:37:44,480 --> 00:37:52,480
Speaker 3: a bloody grat Charles Montory love and he loves the

780
00:37:52,520 --> 00:37:56,800
Speaker 3: weather woman. Son't when he broke fun? Did he go?

781
00:37:56,960 --> 00:37:58,520
Speaker 3: Do you go looking for bun?

782
00:37:59,440 --> 00:38:01,719
Speaker 9: Definitely bun?

783
00:38:01,880 --> 00:38:04,000
Speaker 3: It was it was a breakhunt a bun out. And

784
00:38:04,040 --> 00:38:05,120
Speaker 3: so how did he get out?

785
00:38:05,760 --> 00:38:08,640
Speaker 9: I accidentally left the door open. I changed his water

786
00:38:08,680 --> 00:38:12,240
Speaker 9: and his seeds out and forgot to latch the door.

787
00:38:12,680 --> 00:38:14,239
Speaker 9: I went off to work and I was gone for

788
00:38:14,800 --> 00:38:18,800
Speaker 9: ten hours, came back and he was in his house.

789
00:38:18,920 --> 00:38:20,439
Speaker 9: So I didn't think much of it, but I noticed

790
00:38:20,440 --> 00:38:22,920
Speaker 9: there was bits of timber on the floor. I'm thinking, oh,

791
00:38:23,040 --> 00:38:26,160
Speaker 9: he's chewing his branches and things. And I'm looking. I'm like, no,

792
00:38:26,239 --> 00:38:28,800
Speaker 9: that's not branches. I'm looking. I'm looking, I'm looking. But

793
00:38:28,960 --> 00:38:32,960
Speaker 9: I realized he's eating a meter of architrave around the door.

794
00:38:33,080 --> 00:38:34,640
Speaker 3: Right, So what do you mean? So he's eating a

795
00:38:34,680 --> 00:38:35,920
Speaker 3: meter of the timber.

796
00:38:35,640 --> 00:38:41,880
Speaker 9: Frame, the timber frame around the door. He was in

797
00:38:41,960 --> 00:38:44,720
Speaker 9: his house. The door was closed, but it wasn't latched.

798
00:38:45,080 --> 00:38:46,720
Speaker 9: He let himself back into his house.

799
00:38:46,840 --> 00:38:48,799
Speaker 3: Yeah, but he's doing like a dry run. He heard

800
00:38:48,840 --> 00:38:51,000
Speaker 3: you put it up in the car, and he closes

801
00:38:51,000 --> 00:38:52,640
Speaker 3: that latch back up with that big old beak.

802
00:38:53,200 --> 00:38:57,920
Speaker 9: Yep, and ill, Charlie, what's happened, Charles, what's happened? He's gone, oh,

803
00:38:57,960 --> 00:38:58,560
Speaker 9: good boy.

804
00:38:58,560 --> 00:38:59,080
Speaker 3: I fix it.

805
00:38:59,080 --> 00:39:02,319
Speaker 9: I make better. Oh my, he didn't make it better,

806
00:39:02,520 --> 00:39:05,040
Speaker 9: ruled it, good boy, I fixed it, I make better.

807
00:39:05,239 --> 00:39:07,600
Speaker 3: But he actually said that to you.

808
00:39:07,680 --> 00:39:07,879
Speaker 7: Yeah.

809
00:39:08,000 --> 00:39:10,279
Speaker 9: Yeah, he's got a thousand word vocabulary.

810
00:39:10,280 --> 00:39:10,920
Speaker 5: They're amazing.

811
00:39:11,320 --> 00:39:13,480
Speaker 3: You're kidding. He's got a thousands And what else would

812
00:39:13,480 --> 00:39:14,680
Speaker 3: he say? Give us some examples.

813
00:39:15,480 --> 00:39:22,919
Speaker 9: Well, he doesn't like police, they're bleeping pigs. He will

814
00:39:22,960 --> 00:39:27,160
Speaker 9: take on motorcycles. Want a piece of me. I got

815
00:39:27,200 --> 00:39:27,760
Speaker 9: big wings.

816
00:39:28,560 --> 00:39:33,319
Speaker 3: He feels like he should have placed Neil Mitchells sand

817
00:39:33,360 --> 00:39:41,040
Speaker 3: throw microphone. He can have a what does he think

818
00:39:41,080 --> 00:39:42,040
Speaker 3: of the tunnel project?

819
00:39:43,280 --> 00:39:49,160
Speaker 9: And I fixed it? You know, he's just he's amazing.

820
00:39:49,800 --> 00:39:51,040
Speaker 9: He's an amazing little character.

821
00:39:51,440 --> 00:39:53,640
Speaker 5: Wonder in the door.

822
00:39:55,600 --> 00:40:02,520
Speaker 9: No, this is this is the old landlord on thanks

823
00:40:02,520 --> 00:40:04,319
Speaker 9: for my brother, the chippy. I range my brother in

824
00:40:04,360 --> 00:40:06,319
Speaker 9: a bit of a panic and to come come and

825
00:40:06,360 --> 00:40:08,640
Speaker 9: fix this. So he's turned up and he's he's looked

826
00:40:08,640 --> 00:40:13,120
Speaker 9: at he's gonna the timbers the wrong size.

827
00:40:14,080 --> 00:40:15,400
Speaker 3: Did he have some of the van or do you

828
00:40:15,400 --> 00:40:16,800
Speaker 3: have to go off and go to Bunnings? All my

829
00:40:16,960 --> 00:40:17,880
Speaker 3: to ten? What happened?

830
00:40:17,920 --> 00:40:20,320
Speaker 9: Then he duck down the Bunnings, grabbed some more tiner,

831
00:40:20,520 --> 00:40:22,400
Speaker 9: but he had to strip it down to the right side.

832
00:40:22,440 --> 00:40:25,440
Speaker 3: You have to. And it goes.

833
00:40:27,160 --> 00:40:27,400
Speaker 7: On and.

834
00:40:32,600 --> 00:40:36,640
Speaker 3: Under first Chack Charles is in there rescue.

835
00:40:36,280 --> 00:40:39,799
Speaker 9: One the real estate notices that have been painted and

836
00:40:39,880 --> 00:40:41,680
Speaker 9: mentioned it a few months later I said, oh yeah,

837
00:40:41,760 --> 00:40:44,719
Speaker 9: it's a bit of dry rocky, a bit of dry rock.

838
00:40:44,760 --> 00:40:47,040
Speaker 9: So we we just put some new timber on the

839
00:40:47,080 --> 00:40:48,440
Speaker 9: painted That was.

840
00:40:48,400 --> 00:40:54,600
Speaker 3: Really nice of you. I fixed it all right. Hey listen, Fiona,

841
00:40:54,680 --> 00:40:56,600
Speaker 3: lovely chat to you and thanks for calling in. Say

842
00:40:56,680 --> 00:40:58,000
Speaker 3: hi Charles Montgomery as well.

843
00:40:58,280 --> 00:41:01,560
Speaker 9: Oh definitely will yeah Christian.

844
00:41:01,480 --> 00:41:02,919
Speaker 7: Connell Show podcast.

845
00:41:03,440 --> 00:41:05,600
Speaker 3: I said, seeing you just had an urgent text mess

846
00:41:05,640 --> 00:41:06,640
Speaker 3: is coming from your wife.

847
00:41:07,120 --> 00:41:09,200
Speaker 6: Bank's texted me and said, I had the worst dream

848
00:41:09,280 --> 00:41:11,640
Speaker 6: last night you cheated on me with someone called Joe.

849
00:41:12,040 --> 00:41:14,040
Speaker 6: Can you give me a can you give me back

850
00:41:14,040 --> 00:41:15,879
Speaker 6: a thumbs up or a thumbs down? I guess she's

851
00:41:15,920 --> 00:41:16,680
Speaker 6: asking a lot like.

852
00:41:16,760 --> 00:41:20,120
Speaker 3: You guess like yep, I am having a thumbs up.

853
00:41:20,440 --> 00:41:21,399
Speaker 3: That's it. It's over.

854
00:41:21,560 --> 00:41:24,520
Speaker 6: Yes, no I have I've not had an in affair

855
00:41:24,520 --> 00:41:26,040
Speaker 6: with anyone called Joe or anyone at all.

856
00:41:26,160 --> 00:41:28,239
Speaker 3: What is it about these rumors? Once a week last week,

857
00:41:28,280 --> 00:41:31,480
Speaker 3: it's me, Now it's you. Just back off, everybody, it's

858
00:41:31,560 --> 00:41:34,800
Speaker 3: my wife. They get. Women get really upset by those dreams,

859
00:41:34,880 --> 00:41:38,480
Speaker 3: clearly right, but they actually believe there's something in them.

860
00:41:38,840 --> 00:41:41,120
Speaker 3: This was about a year ago with me and Sarah

861
00:41:41,200 --> 00:41:42,680
Speaker 3: and my wife wife up in the morning and she

862
00:41:42,800 --> 00:41:45,040
Speaker 3: was just a bit remote and we went to bed

863
00:41:45,080 --> 00:41:49,080
Speaker 3: final she goes, is everything right between us. I went, yeah,

864
00:41:49,239 --> 00:41:50,719
Speaker 3: I said, why she has just had this. It was

865
00:41:50,760 --> 00:41:54,160
Speaker 3: a really awful dream and Chris, it was very very

866
00:41:54,360 --> 00:41:56,600
Speaker 3: vivid of you and another woman. I went, what does

867
00:41:56,640 --> 00:41:57,839
Speaker 3: she look like? She was like, what do you want

868
00:41:57,840 --> 00:42:01,319
Speaker 3: to know? That just actually right? Why didn't I say that?

869
00:42:01,320 --> 00:42:04,360
Speaker 3: She goes, well, she I couldn't see her face. I

870
00:42:04,360 --> 00:42:07,359
Speaker 3: didn't know if that was significant. And then I said, well,

871
00:42:07,520 --> 00:42:11,200
Speaker 3: there's nothing going on. She goes, hm, we see our

872
00:42:11,239 --> 00:42:13,000
Speaker 3: heads and next to each other at night to him,

873
00:42:13,040 --> 00:42:14,720
Speaker 3: who knows what might sink up together?

874
00:42:14,880 --> 00:42:16,799
Speaker 5: Let the secretly out of your head into her.

875
00:42:16,880 --> 00:42:18,680
Speaker 3: You know when you get a new phone and the

876
00:42:18,920 --> 00:42:22,160
Speaker 3: old iPhone and you're transferring data. Oh no, the cheating

877
00:42:22,239 --> 00:42:24,799
Speaker 3: data is jumped over from my head to yours, like

878
00:42:24,880 --> 00:42:30,680
Speaker 3: knits cheating knit memories. You need to reassure her to.

879
00:42:31,040 --> 00:42:31,640
Speaker 5: The thumbs down.

880
00:42:31,680 --> 00:42:34,160
Speaker 3: No, that doesn't matter what thumbs down to you. Be anchored.

881
00:42:34,239 --> 00:42:36,719
Speaker 5: No, I said, thumbs thumbs down means there's.

882
00:42:36,520 --> 00:42:40,600
Speaker 6: No no, no, no no no, no, thumbs up no no.

883
00:42:40,400 --> 00:42:45,040
Speaker 3: No, that's that's bad. When he thumbs down ever good No,

884
00:42:45,360 --> 00:42:47,200
Speaker 3: like she might think that's for you.

885
00:42:47,280 --> 00:42:51,000
Speaker 6: Be anchored, like I was saying, no, like false double

886
00:42:51,040 --> 00:42:53,879
Speaker 6: negative is a positive which you cheated on bankle yes,

887
00:42:54,080 --> 00:42:56,440
Speaker 6: thumbs up to me sounds like hey, you got it right.

888
00:42:56,480 --> 00:43:02,640
Speaker 3: No thumbs up, like we're all goods. And then maybe

889
00:43:02,680 --> 00:43:05,520
Speaker 3: like a heart mooji. Correct that right now? Tell her

890
00:43:05,600 --> 00:43:08,000
Speaker 3: about the show. You don't anyway, but really don't today.

891
00:43:11,600 --> 00:43:13,399
Speaker 4: It sounds like flowers on the way home today.

892
00:43:13,480 --> 00:43:15,480
Speaker 3: Don't do that. They think you're overapologizing.

893
00:43:16,040 --> 00:43:17,279
Speaker 5: I've done nothing wrong.

894
00:43:18,200 --> 00:43:21,520
Speaker 3: This is me last week and it swings around. Don't

895
00:43:21,520 --> 00:43:22,320
Speaker 3: get the flowers.

896
00:43:23,640 --> 00:43:24,720
Speaker 5: I've done nothing wrong.

897
00:43:24,800 --> 00:43:26,920
Speaker 3: I've got flowers to Sarah. I love this a surprise

898
00:43:27,000 --> 00:43:28,640
Speaker 3: that with them. Once I was walking down the street

899
00:43:28,640 --> 00:43:31,680
Speaker 3: and this random woman goes to me, been a naughty boy.

900
00:43:32,000 --> 00:43:39,160
Speaker 3: I was like, what not just for? Like, do not

901
00:43:39,160 --> 00:43:41,320
Speaker 3: get flowers? You just turn up as you are. Okay,

902
00:43:42,040 --> 00:43:44,200
Speaker 3: morning Christian. I think like my story. My brother's at

903
00:43:44,200 --> 00:43:47,080
Speaker 3: cockatoo he brought home one day. Well, my brother adored

904
00:43:47,080 --> 00:43:49,879
Speaker 3: this cockatoo. It lived out in our backyard, free from

905
00:43:50,040 --> 00:43:55,840
Speaker 3: without a cage. Wow, that's that's hard. My brother was

906
00:43:55,880 --> 00:43:58,719
Speaker 3: a teenager and took this cockatoo everywhere with him on

907
00:43:58,760 --> 00:44:00,279
Speaker 3: the handle wars of spot.

908
00:44:00,360 --> 00:44:03,839
Speaker 5: That's so cool, dreamt yes, yes.

909
00:44:04,160 --> 00:44:07,640
Speaker 3: Well, my father and uncle were Garbos and they used

910
00:44:07,760 --> 00:44:11,440
Speaker 3: very bad language Christian all the time. Unfortunately, this Cockatoo

911
00:44:11,480 --> 00:44:18,120
Speaker 3: picked up only bad words. I would scream, just the

912
00:44:18,160 --> 00:44:22,560
Speaker 3: worst where words? What the if of that? The neighbors?

913
00:44:23,320 --> 00:44:25,920
Speaker 3: You would have a nice like family barbecue for an

914
00:44:25,920 --> 00:44:26,600
Speaker 3: elderly relative?

915
00:44:27,080 --> 00:44:27,279
Speaker 5: Wow?

916
00:44:28,080 --> 00:44:31,879
Speaker 3: Shut my mother then read this is it? Oh my god?

917
00:44:31,920 --> 00:44:34,120
Speaker 3: I didn't read this last time. One day my brother

918
00:44:34,239 --> 00:44:36,880
Speaker 3: went out to school and my mum decided that was

919
00:44:36,920 --> 00:44:41,200
Speaker 3: a day to read Home Cockatoo. Billy my brother and

920
00:44:41,800 --> 00:44:43,320
Speaker 3: he never got over that heartbreak.

921
00:44:43,360 --> 00:44:44,200
Speaker 4: That's heartbreaking.

922
00:44:44,320 --> 00:44:47,560
Speaker 3: Oh my god, that's a real down a story. One

923
00:44:47,560 --> 00:44:51,680
Speaker 3: minute you're LAUGHINGNT down, thumbs up and thumbs down for

924
00:44:51,760 --> 00:44:54,279
Speaker 3: that story. There. It's like the Jack Post love story. Guys.

925
00:44:54,280 --> 00:44:58,680
Speaker 3: It's the greatest rom com ever. All right, Jenny, Good morning, Jenny,

926
00:44:58,719 --> 00:45:01,719
Speaker 3: Good morning. Now, Jenny, you got a story about leaving

927
00:45:01,800 --> 00:45:04,359
Speaker 3: a cage or door open for us? Yes?

928
00:45:04,480 --> 00:45:07,440
Speaker 1: Absolutely. One morning I was working at the RSPCA.

929
00:45:07,880 --> 00:45:10,719
Speaker 13: I came in and the member of staff from the

930
00:45:10,719 --> 00:45:14,439
Speaker 13: wild life room taking in an absolute panic. He looked

931
00:45:14,440 --> 00:45:16,880
Speaker 13: wide as a ghost, and he confided in me that

932
00:45:16,960 --> 00:45:20,040
Speaker 13: there was a python missing from the wildlife room.

933
00:45:20,120 --> 00:45:22,440
Speaker 3: And the worst place to have it is that the

934
00:45:22,480 --> 00:45:26,600
Speaker 3: dogs at the mspcia one place, but the wild life

935
00:45:26,719 --> 00:45:29,560
Speaker 3: cage door needs to be shut all times. A python on.

936
00:45:29,560 --> 00:45:34,000
Speaker 1: The loose, absolutely and the door opened to the rest

937
00:45:34,040 --> 00:45:37,000
Speaker 1: of the building, including the retail area thanks for the cleaner.

938
00:45:37,560 --> 00:45:39,840
Speaker 1: So we had to quickly do a head count and

939
00:45:39,880 --> 00:45:41,880
Speaker 1: make sure none of the baby possums were missing.

940
00:45:42,960 --> 00:45:44,799
Speaker 3: The headcount I thought we meant for the team, not

941
00:45:44,840 --> 00:45:45,720
Speaker 3: the possums.

942
00:45:46,480 --> 00:45:48,960
Speaker 1: No, making sure all the baby possums were accounted for.

943
00:45:49,200 --> 00:45:52,000
Speaker 1: Thankfully they were, and then we pulled the place apart

944
00:45:52,080 --> 00:45:54,480
Speaker 1: the next couple of hours, not telling anyone what we

945
00:45:54,480 --> 00:45:57,120
Speaker 1: were doing. To the few staff members have a phobia

946
00:45:57,160 --> 00:46:00,279
Speaker 1: of snakes, and our supervisor walked past and said, what

947
00:46:00,320 --> 00:46:02,440
Speaker 1: do you guys have to We said, you know, just

948
00:46:02,520 --> 00:46:06,239
Speaker 1: spring cleaning, spring cleaning. She had absolutely no idea that

949
00:46:06,280 --> 00:46:08,880
Speaker 1: we had a python running through somewhere in.

950
00:46:10,480 --> 00:46:12,960
Speaker 3: Training to cover such events where you've got to tell

951
00:46:13,000 --> 00:46:15,880
Speaker 3: your team leader, look, there.

952
00:46:15,760 --> 00:46:17,920
Speaker 1: Probably is, but we we think there would be less

953
00:46:17,920 --> 00:46:20,200
Speaker 1: of a panic if we just located it and didn't

954
00:46:20,200 --> 00:46:21,360
Speaker 1: think it.

955
00:46:20,520 --> 00:46:24,240
Speaker 5: Was the python.

956
00:46:24,320 --> 00:46:25,200
Speaker 3: Eagles panic.

957
00:46:26,320 --> 00:46:29,520
Speaker 1: Yeah, well, we were hoping, hoping it hadn't come across

958
00:46:29,560 --> 00:46:33,719
Speaker 1: a dog or a stuff a customer or stuff mender before.

959
00:46:34,120 --> 00:46:36,560
Speaker 3: Sometimes be more than hope. Sometimes a bit more than

960
00:46:36,600 --> 00:46:37,600
Speaker 3: hope is needed.

961
00:46:37,360 --> 00:46:40,160
Speaker 6: Like action, Well you have you didn't have the shop open,

962
00:46:40,239 --> 00:46:41,480
Speaker 6: did you?

963
00:46:41,520 --> 00:46:41,880
Speaker 3: No?

964
00:46:41,880 --> 00:46:45,040
Speaker 1: No, not yet thankfully customers hadn't arrived. But we found

965
00:46:45,080 --> 00:46:46,279
Speaker 1: him a couple of hours.

966
00:46:46,040 --> 00:46:48,800
Speaker 13: Later, all the way on the top of the cages

967
00:46:48,840 --> 00:46:49,480
Speaker 13: in that room.

968
00:46:49,560 --> 00:46:58,160
Speaker 3: But there was waiting it all out. Yeah, all right,

969
00:46:58,160 --> 00:47:00,640
Speaker 3: I'd just like to stop a bit stone gold.

970
00:47:00,800 --> 00:47:04,600
Speaker 7: Christian O'Connell show, go on podcast.

971
00:47:04,400 --> 00:47:07,080
Speaker 3: Come on into Janine. My son had a budget in

972
00:47:07,120 --> 00:47:09,080
Speaker 3: a cage and a sunny day that would hang the

973
00:47:09,120 --> 00:47:13,240
Speaker 3: cage outside to allow the budgets to enjoy the warm days.

974
00:47:13,239 --> 00:47:16,000
Speaker 3: One particular day, the boys were kicking the soccer ball

975
00:47:16,080 --> 00:47:18,960
Speaker 3: around and accidentally the ball hit the cage door. The

976
00:47:19,080 --> 00:47:25,320
Speaker 3: door bust open, bird flew out straight into the open

977
00:47:25,760 --> 00:47:33,120
Speaker 3: waiting mouth of our Alaskan malame dog. Those dogs you

978
00:47:33,160 --> 00:47:35,080
Speaker 3: don't need to be an owner of one, are big.

979
00:47:35,960 --> 00:47:39,400
Speaker 3: What are the odds? That's where the story I'm Afraid

980
00:47:39,480 --> 00:47:40,680
Speaker 3: my Friends ends.

981
00:47:41,000 --> 00:47:42,440
Speaker 5: The Birds of Abe I heard.

982
00:47:43,960 --> 00:47:50,319
Speaker 3: As as tears around and phase. This is a momentous

983
00:47:50,400 --> 00:47:52,719
Speaker 3: moment today. If it all goes ahead at quarter to two,

984
00:47:52,800 --> 00:47:56,400
Speaker 3: I think our time this afternoon. And Australian first Australian

985
00:47:56,520 --> 00:47:58,240
Speaker 3: to go into orbit? Is that correct?

986
00:47:58,360 --> 00:48:02,400
Speaker 4: Amazing polar explorer is a South Aussy Eric Phillips to

987
00:48:02,440 --> 00:48:04,600
Speaker 4: become the first Ozzy to go into orbit wearing the

988
00:48:04,640 --> 00:48:07,480
Speaker 4: Assie flag on a space X ship.

989
00:48:07,760 --> 00:48:10,480
Speaker 6: So it's the idea that because you've been a polar explorer,

990
00:48:10,560 --> 00:48:12,520
Speaker 6: that's Antarctica, right, yeah, that you can walk on.

991
00:48:12,719 --> 00:48:14,279
Speaker 3: I think he's done both. I think he's done North

992
00:48:14,320 --> 00:48:15,080
Speaker 3: and South, isn't he?

993
00:48:15,200 --> 00:48:17,440
Speaker 4: And I think they're orbiting over the pole.

994
00:48:18,719 --> 00:48:20,680
Speaker 3: I've been there, Yeah, I've been there. Take a left

995
00:48:20,719 --> 00:48:24,000
Speaker 3: here shortcut. That's why the Aussie is up there? A

996
00:48:24,080 --> 00:48:26,560
Speaker 3: right mate turned down?

997
00:48:28,440 --> 00:48:29,160
Speaker 5: Looks familiar?

998
00:48:29,719 --> 00:48:32,920
Speaker 3: So what is this? Is this a space rocket or

999
00:48:32,960 --> 00:48:33,759
Speaker 3: ship there in here?

1000
00:48:33,760 --> 00:48:37,480
Speaker 4: It's a SpaceX ship that's going up to explore. So

1001
00:48:37,480 --> 00:48:39,319
Speaker 4: he's on board, the first Ozzie to do so. I

1002
00:48:39,320 --> 00:48:40,360
Speaker 4: think it's messive.

1003
00:48:40,480 --> 00:48:42,640
Speaker 3: It's an incredible thing. And is it live years ago?

1004
00:48:42,640 --> 00:48:45,680
Speaker 3: At school? This will be a special assembly today they

1005
00:48:45,719 --> 00:48:48,000
Speaker 3: get that big ass TV, remember the big TV that

1006
00:48:48,080 --> 00:48:50,960
Speaker 3: was on legs, you be wheeled in we all watch

1007
00:48:51,000 --> 00:48:53,320
Speaker 3: it live because this will be a big exciting moment.

1008
00:48:53,719 --> 00:48:55,840
Speaker 3: Is it live on TV anyway, Is anyone streaming it?

1009
00:48:55,960 --> 00:48:57,919
Speaker 4: That's a really good question. It would have to be

1010
00:48:57,960 --> 00:49:01,040
Speaker 4: for something so momentous, wouldn't it. Sure there'd be a

1011
00:49:01,280 --> 00:49:04,040
Speaker 4: news service across the world that would have it live somewhere.

1012
00:49:04,840 --> 00:49:06,760
Speaker 3: So SpaceX is that Musky stuff?

1013
00:49:07,280 --> 00:49:10,560
Speaker 4: That's Musks Yeah, that's Musk's flight, isn't it.

1014
00:49:10,719 --> 00:49:12,279
Speaker 3: That's the one he's sent up Like, I mean, if

1015
00:49:12,280 --> 00:49:14,000
Speaker 3: you've got a billionaire, you can just get your drive

1016
00:49:14,040 --> 00:49:15,480
Speaker 3: to go and pick someone up. He's sent up there

1017
00:49:15,480 --> 00:49:18,520
Speaker 3: to get those absilauts that were stuck in space up there. Yeah. Yeah,

1018
00:49:18,560 --> 00:49:20,200
Speaker 3: Now he's letting Aussis or anyone ever go. Do you

1019
00:49:20,239 --> 00:49:21,720
Speaker 3: want to go for a little spin around the globe?

1020
00:49:21,760 --> 00:49:23,719
Speaker 3: And that you've walked there? Have you been around the play?

1021
00:49:23,760 --> 00:49:23,920
Speaker 7: Yeah?

1022
00:49:23,960 --> 00:49:28,080
Speaker 3: Yeah, chuck him and then Samo Rando crypton there on

1023
00:49:28,120 --> 00:49:30,160
Speaker 3: board is paid two hundred millions to get on the flight.

1024
00:49:31,160 --> 00:49:34,319
Speaker 4: Yes, a million. How would you would you do it

1025
00:49:34,360 --> 00:49:35,120
Speaker 4: if you had the cash?

1026
00:49:35,320 --> 00:49:39,400
Speaker 5: No way to space?

1027
00:49:39,760 --> 00:49:42,160
Speaker 3: Getting on that Bogan flight from who Can't come Back

1028
00:49:42,200 --> 00:49:44,759
Speaker 3: to Melbourne was the most terrifying flight of Christmas I've

1029
00:49:44,800 --> 00:49:46,000
Speaker 3: ever been on the way.

1030
00:49:46,600 --> 00:49:49,480
Speaker 7: Christian Connell Show podcast.

1031
00:49:49,400 --> 00:49:52,960
Speaker 3: Good Morning Too, Kelly Wickham listening online on the iHeart

1032
00:49:52,960 --> 00:49:56,640
Speaker 3: platform from Sunny Cairns and North Queensland. Just listen to

1033
00:49:56,640 --> 00:50:00,720
Speaker 3: you guys talk about the straining going into orbit on today.

1034
00:50:00,719 --> 00:50:02,520
Speaker 3: I thought it might be also interested to know that

1035
00:50:02,880 --> 00:50:07,800
Speaker 3: the first Ossie ever to go into space, Paul Scully Power,

1036
00:50:08,640 --> 00:50:11,600
Speaker 3: is still the only astronaut in space with a beard.

1037
00:50:14,719 --> 00:50:18,759
Speaker 3: Y thank you from Ken's to Melbourne. Melbourne says thank

1038
00:50:18,800 --> 00:50:21,960
Speaker 3: you back to Kent and we're also attached a photo

1039
00:50:22,040 --> 00:50:25,319
Speaker 3: of Paul's scully Power or what ass are proper not

1040
00:50:25,400 --> 00:50:28,719
Speaker 3: even hipster bed that is a proper big ass beard

1041
00:50:29,040 --> 00:50:31,480
Speaker 3: in that helmet. That must have been uncomfortable.

1042
00:50:31,600 --> 00:50:34,200
Speaker 6: Also in the zero gravity you would probably get up

1043
00:50:34,200 --> 00:50:36,359
Speaker 6: and in your way because it wouldn't hang down.

1044
00:50:37,960 --> 00:50:40,719
Speaker 3: We have to find out more about the only ever

1045
00:50:40,800 --> 00:50:43,839
Speaker 3: person in space with a bed being Australian. But Kelly,

1046
00:50:43,880 --> 00:50:44,720
Speaker 3: thank you very much.

1047
00:50:44,600 --> 00:50:44,879
Speaker 7: For that.

1048
00:50:47,640 --> 00:50:49,720
Speaker 3: Today for the best in show and the time waste

1049
00:50:49,880 --> 00:50:52,600
Speaker 3: brilliant streaming service. You can win it free for a year.

1050
00:50:53,200 --> 00:50:56,120
Speaker 3: Stan at the Moment stand Big Times at the Moment.

1051
00:50:56,160 --> 00:50:59,000
Speaker 3: Starting next week again, the Champions League goes into the

1052
00:50:59,080 --> 00:51:03,319
Speaker 3: quarter finals. The Champions League Final last year alone, four

1053
00:51:03,400 --> 00:51:07,160
Speaker 3: hundred and fifty seven million people watched this mart three

1054
00:51:07,239 --> 00:51:09,799
Speaker 3: times bigger than the Super Bowl. World Cup goes over

1055
00:51:09,840 --> 00:51:12,319
Speaker 3: a billion, but Champions League is some of the best

1056
00:51:12,360 --> 00:51:14,480
Speaker 3: soccer and football you're ever going to see. Kicks off

1057
00:51:14,520 --> 00:51:18,759
Speaker 3: next week exclusively on stand with the quarterfinals Arsenal taken

1058
00:51:18,800 --> 00:51:21,120
Speaker 3: on Real Matroid and then you've got other million games

1059
00:51:21,560 --> 00:51:24,960
Speaker 3: by Munich into Milan, Liverpool taken on Barcelona. Patsy, what

1060
00:51:24,960 --> 00:51:26,600
Speaker 3: are you excited about on Stan.

1061
00:51:26,480 --> 00:51:28,440
Speaker 4: At the moment, I can't wait for the next series

1062
00:51:28,480 --> 00:51:30,800
Speaker 4: of hex Is coming up drops on an April.

1063
00:51:31,800 --> 00:51:34,520
Speaker 3: Relentlessly funny show that is the last three seasons are brilliant.

1064
00:51:34,640 --> 00:51:37,319
Speaker 4: Yeah, season four with Jane Smart, who is brilliant and

1065
00:51:37,360 --> 00:51:40,600
Speaker 4: I think she's won about three Golden Globes for a role,

1066
00:51:41,200 --> 00:51:42,160
Speaker 4: so I can't watch.

1067
00:51:42,160 --> 00:51:45,120
Speaker 3: She's awesome as Debra Vans. She's such a funny show.

1068
00:51:45,560 --> 00:51:48,440
Speaker 3: Shows about stand up are really funny, but that show

1069
00:51:48,680 --> 00:51:51,399
Speaker 3: is laugh out ow funny throughout every single and they're

1070
00:51:51,440 --> 00:51:53,040
Speaker 3: just a little breezy half an hour episode.

1071
00:51:53,120 --> 00:51:54,359
Speaker 4: It's great, so believable.

1072
00:51:54,840 --> 00:51:56,839
Speaker 3: All right, on today's time waste, we're looking for your

1073
00:51:56,960 --> 00:51:59,879
Speaker 3: polite bands. Polite bands like.

1074
00:52:00,040 --> 00:52:03,200
Speaker 5: Savage Pardon what do you have to yell at with.

1075
00:52:03,160 --> 00:52:08,239
Speaker 3: Such savage is savage, jack Silver plus gentle men down

1076
00:52:08,320 --> 00:52:10,880
Speaker 3: under as men down on a bit. These are gentle

1077
00:52:11,000 --> 00:52:14,040
Speaker 3: men down under. Oh that should have been a gold

1078
00:52:14,640 --> 00:52:20,120
Speaker 3: nice tea Gold, not the Who. That's a little bit rude.

1079
00:52:20,200 --> 00:52:27,360
Speaker 3: The Who Gold Who, alanis etiquette gold plus and a

1080
00:52:27,480 --> 00:52:30,360
Speaker 3: Telly who's very very polite. You never met her, Macy Gray.

1081
00:52:30,480 --> 00:52:33,720
Speaker 3: Oh my god, Oh my gosh, she's more like diplomacy,

1082
00:52:33,880 --> 00:52:39,279
Speaker 3: great Macy, just to see what I did. All right,

1083
00:52:39,320 --> 00:52:40,880
Speaker 3: Jackie boy, we have you got polite bands?

1084
00:52:41,040 --> 00:52:44,640
Speaker 5: Weird. I'll think of it, end of it.

1085
00:52:45,000 --> 00:52:51,280
Speaker 6: I'm gold, very man as Low, Silver, Memford and Sons.

1086
00:52:52,200 --> 00:52:55,160
Speaker 5: Sorry, ma'am.

1087
00:52:54,040 --> 00:52:57,120
Speaker 3: A little bit of a mumbling that at the beginning,

1088
00:52:57,920 --> 00:53:01,359
Speaker 3: gold and gentle as anything genders anything his goal too.

1089
00:53:01,719 --> 00:53:05,040
Speaker 7: The Christian O'Connell Show podcast.

1090
00:53:05,360 --> 00:53:09,680
Speaker 3: We have some very connected listeners. Christian. My sister is

1091
00:53:09,840 --> 00:53:13,640
Speaker 3: over in the US right now for this SpaceX launch

1092
00:53:13,680 --> 00:53:18,760
Speaker 3: today as a guest of Eric the Assy Astronaut. She's

1093
00:53:18,800 --> 00:53:23,520
Speaker 3: just heard it's eleven forty four am urt time. Now, Wow,

1094
00:53:23,560 --> 00:53:26,840
Speaker 3: that's incredible. What's the connection, Listen? All I know is

1095
00:53:26,880 --> 00:53:29,840
Speaker 3: it's from the Yeah.

1096
00:53:29,840 --> 00:53:32,799
Speaker 6: You know, there's no astronauts on the flight, None of

1097
00:53:32,800 --> 00:53:33,760
Speaker 6: them have been to space?

1098
00:53:33,840 --> 00:53:35,759
Speaker 3: Yeah, what do you mean? They're going into orbit?

1099
00:53:35,800 --> 00:53:39,360
Speaker 6: Who's There's our man, the Polar Export Explorers, the Australian.

1100
00:53:39,400 --> 00:53:41,360
Speaker 5: Then there's the crypto Nee Brockman.

1101
00:53:41,640 --> 00:53:44,359
Speaker 3: You know he's an explorer, so he's been all over Australia, a.

1102
00:53:44,320 --> 00:53:47,240
Speaker 6: Crypto billionaire, an engineer and then a filmmaker.

1103
00:53:47,880 --> 00:53:48,920
Speaker 5: No one's been to space.

1104
00:53:49,880 --> 00:53:52,359
Speaker 3: Wow, but what if something goes wrong?

1105
00:53:52,480 --> 00:53:54,359
Speaker 5: Shouldn't they have at least one expert up there?

1106
00:53:55,520 --> 00:53:58,760
Speaker 3: The phrases astronauts.

1107
00:54:00,040 --> 00:54:00,680
Speaker 5: The black for them?

1108
00:54:01,320 --> 00:54:04,839
Speaker 3: Oh wow, that's so genuine. Good luck with that. I'll

1109
00:54:04,880 --> 00:54:09,080
Speaker 3: be watching that quarter to get lost up there? Where's

1110
00:54:09,120 --> 00:54:12,839
Speaker 3: in North Pole? Compass? All right? Today? Then we're looking

1111
00:54:12,840 --> 00:54:15,680
Speaker 3: for your polite bands on the time waster best and

1112
00:54:15,719 --> 00:54:18,239
Speaker 3: show you get brilliant streaming service stand free for a year.

1113
00:54:18,480 --> 00:54:26,120
Speaker 3: Polite bands like Mariah Caring Gold Great Phil Collins, he

1114
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Speaker 3: does his gratitude journal every day. Mark Webber, well done,

1115
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Speaker 3: Smiley Cyrus from Anthony Silver, Thanks, Sinatra Gold what Chris

1116
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Speaker 3: McNeil Dolly putten gold? Simple ones are effective to Ross

1117
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Speaker 3: Edwards bon Jovial silver bowling for soup. Oh I see

1118
00:54:49,920 --> 00:54:52,680
Speaker 3: what he's done is he's sent to bowing for something.

1119
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Speaker 3: Here you go, just that one letter eluded to you,

1120
00:54:59,800 --> 00:55:05,319
Speaker 3: the open the doors, the gold bridge. I look good,

1121
00:55:05,640 --> 00:55:11,240
Speaker 3: thanks you too, Silver, boys to manners, boys to man Silver,

1122
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Speaker 3: nice house, nice house in a nice house. Barry Man Hello,

1123
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1124
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Speaker 3: sing with angels? After you two?

1125
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Speaker 5: Silver?

1126
00:55:26,960 --> 00:55:31,480
Speaker 3: Like that? Donny, pardon me with that? Steve a kW

1127
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1128
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Speaker 3: Judas please Silver plus Caro Smith, they care O Smith,

1129
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Speaker 3: Gold fine upstanding young Cannibals. That's on Mick and so

1130
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Speaker 3: to hang Williams. Thank Williams. Silver. Well that's a very

1131
00:55:55,719 --> 00:55:57,560
Speaker 3: good ones. Jack who is best and showed to the

1132
00:55:57,719 --> 00:55:58,719
Speaker 3: getting stand free for you.

1133
00:55:58,920 --> 00:56:01,520
Speaker 5: Congratulations to my for great Phil Collins.

1134
00:56:01,600 --> 00:56:03,400
Speaker 3: Yeah, well done, deserved winner.

1135
00:56:03,600 --> 00:56:06,400
Speaker 7: The Christian O'Connell show podcast.

1136
00:56:07,080 --> 00:56:09,040
Speaker 3: So, Patsy, do you know exactly what time it is?

1137
00:56:09,080 --> 00:56:10,920
Speaker 3: We've got a listener saying his sister has told him

1138
00:56:10,920 --> 00:56:13,440
Speaker 3: who's staying at Eric the Astronauts perlace out in Australia

1139
00:56:13,640 --> 00:56:16,160
Speaker 3: in America. That's at quarter twelve. I'm here in quarter

1140
00:56:16,239 --> 00:56:18,640
Speaker 3: to two. When is Eric the another The fact that

1141
00:56:18,640 --> 00:56:21,520
Speaker 3: we just called him Eric the astronauts. I don't know

1142
00:56:21,560 --> 00:56:24,000
Speaker 3: who this legend is. He's he's done a lot of

1143
00:56:24,000 --> 00:56:25,920
Speaker 3: good things. He's been to a North and South Pole.

1144
00:56:26,239 --> 00:56:30,600
Speaker 3: Always been reduced to as a catch raise in the media, called.

1145
00:56:30,560 --> 00:56:32,879
Speaker 5: Eric the astronaut, and he's actually not an astronaut. That's

1146
00:56:32,880 --> 00:56:33,920
Speaker 5: what makes it so interesting.

1147
00:56:33,960 --> 00:56:37,280
Speaker 4: Now he's a medical officer, in fact, an Aussie polar guide.

1148
00:56:37,400 --> 00:56:42,399
Speaker 4: I would I would, honestly, I would trust the earlier time.

1149
00:56:42,520 --> 00:56:45,799
Speaker 4: Maybe it's been brought forward because of weather earlier this

1150
00:56:45,880 --> 00:56:47,960
Speaker 4: morning when I got into the station, it was like

1151
00:56:48,200 --> 00:56:48,840
Speaker 4: your telescope.

1152
00:56:49,000 --> 00:56:50,960
Speaker 3: I saw, I saw you looking up there. We having

1153
00:56:50,960 --> 00:56:52,160
Speaker 3: a look, see what the clouds are.

1154
00:56:52,080 --> 00:56:56,600
Speaker 4: Like bell Either way, it's that. It's that window, isn't

1155
00:56:56,600 --> 00:56:58,479
Speaker 4: it between sort of eleven and two?

1156
00:56:58,760 --> 00:57:04,239
Speaker 3: So myself into space, I'll only go eleven to one. Well,

1157
00:57:04,239 --> 00:57:06,080
Speaker 3: when I'm having an app in the afternoon, so I've

1158
00:57:06,800 --> 00:57:08,960
Speaker 3: launch that get up there, and the moonshot is always

1159
00:57:08,960 --> 00:57:10,480
Speaker 3: between eleven to one.

1160
00:57:10,440 --> 00:57:13,279
Speaker 4: Middaysh so they're up there three to five days. There's

1161
00:57:13,360 --> 00:57:16,880
Speaker 4: four on board, including our Aussie medical officer, Eric Phillips.

1162
00:57:16,880 --> 00:57:19,959
Speaker 4: There's also a commander, a vehicle commander, so I guess

1163
00:57:19,960 --> 00:57:23,240
Speaker 4: he's driving the thing. And there is a pilot as well,

1164
00:57:23,520 --> 00:57:26,800
Speaker 4: rebea Rog who's a German robotics expert.

1165
00:57:27,880 --> 00:57:30,640
Speaker 3: They'll be doing it like a couple of days, yeah.

1166
00:57:30,400 --> 00:57:32,920
Speaker 4: Three to five days. They're doing a ninety degree polar

1167
00:57:33,200 --> 00:57:35,520
Speaker 4: orbit enabling direct overpasses.

1168
00:57:36,440 --> 00:57:38,160
Speaker 3: The Aussie then going to have a doing a ninety

1169
00:57:38,200 --> 00:57:40,120
Speaker 3: degree turn or something or donuts something.

1170
00:57:40,280 --> 00:57:42,560
Speaker 5: Let me show you a hook there.

1171
00:57:44,480 --> 00:57:49,880
Speaker 3: So come on space space space.

1172
00:57:51,120 --> 00:57:54,600
Speaker 4: So they'll be doing experiments. They'll be growing oyster mushrooms

1173
00:57:54,640 --> 00:57:59,280
Speaker 4: in micro gravity to assess potential for long duration space missions.

1174
00:57:59,320 --> 00:58:01,360
Speaker 5: And also this is all off the top of your head. Yeah,

1175
00:58:01,800 --> 00:58:02,200
Speaker 5: of course.

1176
00:58:02,240 --> 00:58:05,240
Speaker 3: The people this is the only people that are going

1177
00:58:05,280 --> 00:58:06,960
Speaker 3: to be going into in their space in our lifetime

1178
00:58:07,080 --> 00:58:10,040
Speaker 3: is billionaires. And what they're worried about, wait, will there

1179
00:58:10,040 --> 00:58:13,200
Speaker 3: be oysters up there? How does that benefit the rest

1180
00:58:13,240 --> 00:58:24,960
Speaker 3: of us? Plus that's why the Aussie's up there. They're

1181
00:58:25,200 --> 00:58:25,560
Speaker 3: told in.

1182
00:58:25,680 --> 00:58:28,360
Speaker 14: You guys, I can't believe my love, I see you

1183
00:58:28,400 --> 00:58:30,920
Speaker 14: feel three days time we get that excellent now Eric

1184
00:58:30,960 --> 00:58:34,960
Speaker 14: the Aussie, Yeah, yeah, he got playlists of Australian artists, great,

1185
00:58:39,040 --> 00:58:40,000
Speaker 14: incredible scenes.

1186
00:58:40,200 --> 00:58:43,000
Speaker 3: There's still something so excited about space explorations and there

1187
00:58:43,240 --> 00:58:44,800
Speaker 3: I really want to know when they come back. Can

1188
00:58:44,840 --> 00:58:48,840
Speaker 3: you really grow oysters up there? Rock oysters are there?

1189
00:58:50,920 --> 00:58:52,960
Speaker 3: And then twenty minutes ago, we're going an email from

1190
00:58:53,000 --> 00:58:55,360
Speaker 3: Kenny listening to us up in Cans who says Australia

1191
00:58:55,360 --> 00:58:58,080
Speaker 3: has a claim to be, claim to find the only

1192
00:58:58,600 --> 00:59:01,200
Speaker 3: how with an Australian the only want space with a beard?

1193
00:59:01,280 --> 00:59:05,280
Speaker 3: She was telling us about Paul Scully Power, amazing guy

1194
00:59:05,320 --> 00:59:07,840
Speaker 3: from not a nineties went on to the thirteenth ever

1195
00:59:08,000 --> 00:59:12,320
Speaker 3: Space Shuttle mission in a full big ass dad bed

1196
00:59:13,480 --> 00:59:15,280
Speaker 3: rio walking and tell us about the legend that was

1197
00:59:15,320 --> 00:59:16,800
Speaker 3: and stood. It is Paul Scully Power.

1198
00:59:17,000 --> 00:59:19,920
Speaker 8: Well, good news, the record still stands.

1199
00:59:19,920 --> 00:59:22,640
Speaker 5: We still hold the only beard in space.

1200
00:59:23,240 --> 00:59:25,400
Speaker 8: NASA really didn't want him to have the beard. They

1201
00:59:25,440 --> 00:59:28,080
Speaker 8: said it's a safety issue and it will prevent the

1202
00:59:28,200 --> 00:59:28,960
Speaker 8: helmet from.

1203
00:59:28,880 --> 00:59:33,880
Speaker 5: Having an air tight seal. Is that important?

1204
00:59:34,520 --> 00:59:38,280
Speaker 3: Yeah, that's important. Yeah, Yeah, I don't care. It's a

1205
00:59:38,320 --> 00:59:38,880
Speaker 3: proper bed.

1206
00:59:38,960 --> 00:59:42,080
Speaker 5: Yeah, it's a lush beard. But he just insisted. He said, no,

1207
00:59:42,200 --> 00:59:43,000
Speaker 5: I'm not shaving it.

1208
00:59:43,080 --> 00:59:47,040
Speaker 3: Until they were like, NASA called the shots, don't they.

1209
00:59:47,320 --> 00:59:50,160
Speaker 3: I guess they're really really really needed him up there.

1210
00:59:50,160 --> 00:59:53,000
Speaker 5: Make a bigger helmet. NASA.

1211
00:59:55,640 --> 01:00:00,560
Speaker 3: No, this guy, this this has gone the nineties, It's

1212
01:00:00,560 --> 01:00:02,439
Speaker 3: all right. It's often what happens to the last half

1213
01:00:02,480 --> 01:00:05,080
Speaker 3: hour show where Patsy really really wigs out.

1214
01:00:05,800 --> 01:00:07,720
Speaker 5: And you did so well there. You had so many

1215
01:00:07,760 --> 01:00:08,520
Speaker 5: facts about.

1216
01:00:08,280 --> 01:00:09,960
Speaker 3: This because we had to prove them up, we had

1217
01:00:09,960 --> 01:00:11,880
Speaker 3: to bring them off when given to her. You ever,

1218
01:00:11,960 --> 01:00:15,120
Speaker 3: normally hear like that, Oh Bladdy put me on the spot,

1219
01:00:15,680 --> 01:00:20,320
Speaker 3: but he was in space. Whatever the herald son is saying. Anyway,

1220
01:00:21,520 --> 01:00:24,400
Speaker 3: you got it. Yeah, we're back. Tomorrow's here then.

1221
01:00:25,240 --> 01:00:28,400
Speaker 7: Christian O'Connell Show one podcast