1 00:00:00,080 --> 00:00:03,360 Speaker 1: The hunt is on for a new Clzy. Y. 2 00:00:05,000 --> 00:00:10,200 Speaker 2: I'm sorry, can we can can can anything? Just stay consistent? 3 00:00:11,440 --> 00:00:15,760 Speaker 2: I will someone think of the children. It's been all 4 00:00:15,800 --> 00:00:18,200 Speaker 2: my life, it's been like this. First my own mother 5 00:00:18,280 --> 00:00:22,120 Speaker 2: and father get divorced. I was but six years old, 6 00:00:23,880 --> 00:00:28,920 Speaker 2: clinging to something solid that will always be there, and 7 00:00:29,040 --> 00:00:33,720 Speaker 2: my father moves to Australia. I chase himpathetically over here, 8 00:00:34,720 --> 00:00:37,840 Speaker 2: and then I come here and I think, oh, Fred, 9 00:00:37,880 --> 00:00:41,800 Speaker 2: Botika and Lisa, sure this will last, this, this is safe, 10 00:00:41,840 --> 00:00:44,520 Speaker 2: this isn't ever going to change. Then that falls apart. 11 00:00:44,680 --> 00:00:48,559 Speaker 2: Thankfully we've got Clazy come along, good old Clazy. He 12 00:00:48,640 --> 00:00:52,199 Speaker 2: won't go anywhere. We can rely on him. No one 13 00:00:52,240 --> 00:00:55,680 Speaker 2: ever thinks of me in the studio. 14 00:00:55,880 --> 00:01:00,720 Speaker 1: Sorry, there are people cruelly labeling me some kind of 15 00:01:00,720 --> 00:01:01,360 Speaker 1: black widow. 16 00:01:01,520 --> 00:01:04,520 Speaker 2: Yeah, kill me. 17 00:01:07,520 --> 00:01:10,080 Speaker 3: I saw you last Wednesday. You didn't see me. 18 00:01:10,360 --> 00:01:13,560 Speaker 2: I didn't see yeah. 19 00:01:13,959 --> 00:01:15,039 Speaker 3: John opened for Jeremy. 20 00:01:15,319 --> 00:01:18,520 Speaker 2: Yes, Jeremy Piven, who I must say, I'm quite proud 21 00:01:18,600 --> 00:01:20,720 Speaker 2: to say I had no idea who he was when 22 00:01:20,760 --> 00:01:22,680 Speaker 2: I was approached about doing the gig. Apparently he's on 23 00:01:22,720 --> 00:01:28,280 Speaker 2: a very famous show. You I've never seen it? Yeah, yeah, yeah, 24 00:01:28,280 --> 00:01:32,400 Speaker 2: I yet no you're going. And part of it is because, 25 00:01:33,080 --> 00:01:35,080 Speaker 2: all right, I'll have a goal for you, but it's 26 00:01:35,080 --> 00:01:40,039 Speaker 2: only for you. I always take extra special joy in 27 00:01:40,520 --> 00:01:44,039 Speaker 2: not not granting American stars with the credit that they 28 00:01:44,120 --> 00:01:47,640 Speaker 2: feel they deserve. So if it's an Australian or a 29 00:01:47,680 --> 00:01:52,680 Speaker 2: British person or from from anywhere else but America, I 30 00:01:52,840 --> 00:01:54,200 Speaker 2: like when I don't know who they are. 31 00:01:54,520 --> 00:01:57,680 Speaker 3: I hear you make an exception for I'll give it. 32 00:01:57,960 --> 00:01:59,840 Speaker 2: I'll give it a goal. But because I've already opened 33 00:01:59,840 --> 00:02:03,200 Speaker 2: for him, you know what i mean. Support. Did you 34 00:02:03,200 --> 00:02:06,760 Speaker 2: get to meet Jeremy? I was hanging out at the 35 00:02:06,800 --> 00:02:08,320 Speaker 2: back all right. 36 00:02:08,400 --> 00:02:10,200 Speaker 3: Yeah, he just had a couple of chats with him, and. 37 00:02:10,320 --> 00:02:13,200 Speaker 2: Yeah, well I had Brian Shields. You've just seen Brian 38 00:02:13,280 --> 00:02:16,679 Speaker 2: Shields from the Green Reapers podcast. He also opened. He'd 39 00:02:16,680 --> 00:02:20,920 Speaker 2: message Jeremy direct because he's a huge fan of so 40 00:02:20,960 --> 00:02:22,680 Speaker 2: it was nice that he got to open for him. 41 00:02:22,680 --> 00:02:23,840 Speaker 2: I didn't I didn't know it. 42 00:02:25,280 --> 00:02:26,880 Speaker 3: So you didn't know why people kept. 43 00:02:26,800 --> 00:02:29,160 Speaker 2: Yelling just a gig to me. Just yeah, yeah, yeah, 44 00:02:29,160 --> 00:02:32,639 Speaker 2: it's just a gig to I don't know. I don't know. 45 00:02:33,040 --> 00:02:34,200 Speaker 2: These Americans get up. 46 00:02:34,080 --> 00:02:36,399 Speaker 1: To the other thing that you'd just come back from 47 00:02:36,440 --> 00:02:39,280 Speaker 1: doing is going to see Oasis? 48 00:02:39,400 --> 00:02:43,120 Speaker 2: Yes, now that's a proper start. 49 00:02:44,000 --> 00:02:45,400 Speaker 3: Yes, was it everything? 50 00:02:45,600 --> 00:02:49,120 Speaker 2: It was everything I dreamed it would be and more. 51 00:02:49,280 --> 00:02:52,400 Speaker 2: It was. I'll tell you what Oasis because I was 52 00:02:52,400 --> 00:02:54,440 Speaker 2: trying to figure it out while I was there. I 53 00:02:54,480 --> 00:02:56,560 Speaker 2: was trying to figure out what is it about this band? 54 00:02:56,600 --> 00:03:00,799 Speaker 2: Because these are very basic chord progressions. The songs are 55 00:03:01,800 --> 00:03:06,720 Speaker 2: hymn like, the like nursery, rhyme like almost the simplicity. 56 00:03:07,919 --> 00:03:11,160 Speaker 2: These are not like any but they're the first songs 57 00:03:11,200 --> 00:03:13,480 Speaker 2: you learn if you learn to play guitar, you learn 58 00:03:13,560 --> 00:03:17,079 Speaker 2: to play Oasis. Yeah, yeah, yeah, And I'm trying to think. 59 00:03:17,120 --> 00:03:20,000 Speaker 2: I don't know what it is about the Beatles that 60 00:03:20,000 --> 00:03:21,840 Speaker 2: they're Yeah, maybe you could say the same about the 61 00:03:22,160 --> 00:03:24,920 Speaker 2: I think that they're a religion. I think that's what 62 00:03:25,040 --> 00:03:26,960 Speaker 2: was I think that's what the Beatles are as well. 63 00:03:27,000 --> 00:03:29,840 Speaker 2: I think it's like a it's a religious thing. It 64 00:03:29,880 --> 00:03:32,960 Speaker 2: was like a pilgrimage, just like a religion. There's all 65 00:03:33,080 --> 00:03:37,160 Speaker 2: strange little accessories, everybody's turning up in their special bucket hat. 66 00:03:37,240 --> 00:03:39,800 Speaker 1: And especially for someone like you who is from where 67 00:03:39,800 --> 00:03:43,360 Speaker 1: they're from. Yeah, it's it would be very pilgrimage. 68 00:03:43,560 --> 00:03:45,600 Speaker 2: It was very pilgrimage and wept. 69 00:03:46,120 --> 00:03:46,880 Speaker 3: Yeah you really. 70 00:03:46,920 --> 00:03:51,560 Speaker 2: Yeah. The boys were mushy too, weren't they. Yeah yeah, 71 00:03:51,840 --> 00:03:55,560 Speaker 2: I mean I wasn't close enough to catch each individual tearful. 72 00:03:56,920 --> 00:04:00,880 Speaker 3: Videos or like, you know, because everyone goes they Gallagher brothers, 73 00:04:00,920 --> 00:04:03,400 Speaker 3: they're going to know by the end of the first week. 74 00:04:03,520 --> 00:04:06,800 Speaker 2: To some extent, I mean, people are overreacting a little 75 00:04:06,800 --> 00:04:08,960 Speaker 2: bit in terms of, oh, they're never going to manage 76 00:04:08,960 --> 00:04:11,240 Speaker 2: to last. As all these geeseers are in the fifties. Now, 77 00:04:11,800 --> 00:04:14,120 Speaker 2: I've thought it's a total Yeah, if you're in if 78 00:04:14,160 --> 00:04:16,880 Speaker 2: you're in your fifty even if it was even if 79 00:04:16,920 --> 00:04:19,000 Speaker 2: it were legitimate, that was when they were in there, 80 00:04:19,040 --> 00:04:19,560 Speaker 2: what their. 81 00:04:19,440 --> 00:04:22,120 Speaker 3: Thirties, Yeah, yeah, exactly, still. 82 00:04:21,960 --> 00:04:25,159 Speaker 2: With a bit of fire and arrogance. They're like getting 83 00:04:25,160 --> 00:04:28,359 Speaker 2: on a bit now. It's like walking too old to 84 00:04:28,400 --> 00:04:31,960 Speaker 2: be arguing. Some footage backstage of them walking out and 85 00:04:31,960 --> 00:04:35,719 Speaker 2: they were holding hands as they want. That's cool. If 86 00:04:35,720 --> 00:04:37,880 Speaker 2: you're wrong out with your brother for that long and 87 00:04:37,960 --> 00:04:39,760 Speaker 2: all that sort of stuff. It's it's got to be 88 00:04:39,839 --> 00:04:42,320 Speaker 2: it must be good, pretty special. It's got to be good, 89 00:04:42,520 --> 00:04:45,839 Speaker 2: especially to have a thing like Oasis back together again. Yeah, 90 00:04:45,880 --> 00:04:47,840 Speaker 2: to see those crowds. 91 00:04:47,680 --> 00:04:52,719 Speaker 1: Now, I don't know what my chances are considering your lifestyle, 92 00:04:54,279 --> 00:04:57,200 Speaker 1: all the comedy, with all the comedy, the comedy shows 93 00:04:57,200 --> 00:04:59,839 Speaker 1: that you do, working late night comedy shows, I don't 94 00:04:59,839 --> 00:05:02,479 Speaker 1: know if you would have any desire it or to 95 00:05:02,480 --> 00:05:03,560 Speaker 1: get up early in the morning. 96 00:05:04,000 --> 00:05:07,880 Speaker 3: But can we just talk just in case, let's talk. 97 00:05:07,960 --> 00:05:10,320 Speaker 3: Let's talk. How's your how's your radio voice? 98 00:05:10,480 --> 00:05:11,400 Speaker 2: Or radio voice? 99 00:05:11,480 --> 00:05:20,640 Speaker 3: Because British and Australian news. 100 00:05:20,360 --> 00:05:24,320 Speaker 2: Readers, yes, yeah, hilarious. Yeah, well the English news readers. 101 00:05:24,360 --> 00:05:26,719 Speaker 2: You find English if you ever listen to British news, 102 00:05:26,760 --> 00:05:29,760 Speaker 2: you can't get sort of every word, like it's very 103 00:05:29,760 --> 00:05:32,760 Speaker 2: difficult to get the context of the news story because 104 00:05:32,800 --> 00:05:35,800 Speaker 2: they're so dull. They don't talk to you in a 105 00:05:35,880 --> 00:05:40,359 Speaker 2: fun way. Do you know what I mean? House of 106 00:05:40,440 --> 00:05:45,200 Speaker 2: Lords blur bla. Former Prime Minister Boris Johnson blah blah. 107 00:05:46,240 --> 00:05:47,520 Speaker 2: It's dull. Do you know what I mean? 108 00:05:48,000 --> 00:05:48,520 Speaker 3: Performance? 109 00:05:48,680 --> 00:05:51,280 Speaker 2: Yeah? I think I think in Australia it's a it's 110 00:05:51,320 --> 00:05:52,960 Speaker 2: a it's a lot more fun than news. I mean, 111 00:05:53,000 --> 00:05:54,440 Speaker 2: I don't know if I could be a news but 112 00:05:54,440 --> 00:05:56,800 Speaker 2: I think I find that they use more fun words. 113 00:05:56,839 --> 00:06:01,640 Speaker 2: Motorcyclists didn't instigate an altercation. The bike's head of blue. Yeah. 114 00:06:02,360 --> 00:06:04,040 Speaker 2: I think that's and the cops are on their way. 115 00:06:04,160 --> 00:06:07,479 Speaker 2: Yeah yeah, yeah, the coppers arrived at seven point thirty. Yeah. 116 00:06:07,520 --> 00:06:10,479 Speaker 2: What about when they're giving the football scores in the UK. Yeah, 117 00:06:10,560 --> 00:06:13,559 Speaker 2: oh yeah, that's one of those one of those as 118 00:06:13,640 --> 00:06:16,400 Speaker 2: Mr things for sleep, isn't it Wednesday? 119 00:06:16,880 --> 00:06:20,080 Speaker 1: You in our very news bulletins on this show the 120 00:06:20,160 --> 00:06:24,160 Speaker 1: other day, newsreader referred to Albanizey trying to get Benjamin 121 00:06:24,320 --> 00:06:25,039 Speaker 1: and Yahoo. 122 00:06:25,160 --> 00:06:28,599 Speaker 2: On the blower on the blower. Elbow was trying to 123 00:06:28,600 --> 00:06:32,400 Speaker 2: get Benjamin on the blower. Yeah, on the blower, on 124 00:06:32,440 --> 00:06:35,719 Speaker 2: the blower. I'm trying to get him on the blower. Yeah, 125 00:06:35,800 --> 00:06:37,080 Speaker 2: he ain't answering. 126 00:06:37,440 --> 00:06:41,000 Speaker 3: So yes, it's true. Okay, So your radio voice, what 127 00:06:41,120 --> 00:06:42,840 Speaker 3: is a bit of a combination of the two bass? 128 00:06:43,000 --> 00:06:45,479 Speaker 2: I think my radio voice would be. I think I 129 00:06:45,480 --> 00:06:47,240 Speaker 2: wouldn't be able to do it in this accent. Would 130 00:06:47,440 --> 00:06:50,120 Speaker 2: if I was doing radio, if I was signing up 131 00:06:50,120 --> 00:06:53,880 Speaker 2: for the closy position, you could good morning berth some 132 00:06:54,400 --> 00:06:58,440 Speaker 2: you rate your ass off in accent? Yeah, yeah, that's true. 133 00:06:58,520 --> 00:07:02,200 Speaker 2: Jound up radio clim Yeah yeah, but you're listening to 134 00:07:02,279 --> 00:07:07,120 Speaker 2: Butler FM with me jumping. You are right, our kid, 135 00:07:07,160 --> 00:07:08,160 Speaker 2: This is Oasis. 136 00:07:08,800 --> 00:07:10,040 Speaker 3: That's probably only need. 137 00:07:10,720 --> 00:07:13,480 Speaker 2: What about getting up early? John, you said to me recently, Well, see, 138 00:07:13,520 --> 00:07:15,080 Speaker 2: this is what I thought you were going to ask. 139 00:07:15,440 --> 00:07:17,240 Speaker 2: You know, what would I have to bring to the 140 00:07:17,320 --> 00:07:20,440 Speaker 2: table if I were to join a show such as this, 141 00:07:20,640 --> 00:07:22,680 Speaker 2: And I think the first thing that I would bring 142 00:07:22,720 --> 00:07:25,240 Speaker 2: to the table is changing the start time of the 143 00:07:25,280 --> 00:07:31,720 Speaker 2: show to approximately I don't know ten, We'll go till 144 00:07:32,200 --> 00:07:37,040 Speaker 2: mid afternoon. Maybe we'll play some gold knock it on 145 00:07:37,120 --> 00:07:38,920 Speaker 2: the head, you know what I mean, A lion. 146 00:07:39,640 --> 00:07:41,160 Speaker 3: Jeremy's right. 147 00:07:41,720 --> 00:07:44,560 Speaker 2: We can still make our night life work, that's right. 148 00:07:44,640 --> 00:07:47,440 Speaker 2: And then as far as mornings go, we'll we'll never 149 00:07:47,480 --> 00:07:49,280 Speaker 2: hear none of that stuff. And it gets you out 150 00:07:49,320 --> 00:07:52,400 Speaker 2: of the competition with other radio stations, because what do 151 00:07:52,480 --> 00:07:52,760 Speaker 2: you call it? 152 00:07:52,760 --> 00:07:53,360 Speaker 3: The late night break? 153 00:07:53,560 --> 00:07:56,080 Speaker 2: The trouble with breakfast radio is that it's a bloody 154 00:07:56,080 --> 00:07:59,520 Speaker 2: breakfast time. I've always said, you go to be playing 155 00:07:59,520 --> 00:08:01,600 Speaker 2: Oasis the time between the two of you will be 156 00:08:01,640 --> 00:08:04,960 Speaker 2: playing paying What else would we have? We'd have o 157 00:08:05,120 --> 00:08:09,840 Speaker 2: M D MD of the bit of the bit of 158 00:08:09,920 --> 00:08:15,040 Speaker 2: Robbie swing stuff. Oh yes, get a load of yakasion. 159 00:08:15,880 --> 00:08:18,080 Speaker 2: I think we do well if we were choosing, If 160 00:08:18,080 --> 00:08:22,240 Speaker 2: we were choosing the song. I wouldn't have the encyclopedic knowledge. 161 00:08:24,240 --> 00:08:27,200 Speaker 2: Yeah yeah, sayd all right, John, we'll be in touch. 162 00:08:27,320 --> 00:08:31,360 Speaker 2: Thanks very much, all right, and congratulations on a banging careers. 163 00:08:32,240 --> 00:08:34,720 Speaker 2: If you didn't know. And everybody's questioning what he's up to, 164 00:08:35,559 --> 00:08:38,200 Speaker 2: he's actually learning to tattoo. I'm teaching him to tattoo. 165 00:08:38,200 --> 00:08:40,760 Speaker 2: He's going to be a tatoist. Yeah, that's what he's 166 00:08:40,800 --> 00:08:45,680 Speaker 2: up to. There's been a lot of call for it 167 00:08:45,720 --> 00:08:48,920 Speaker 2: down the shop. Okay, thanks guys. Thanks Mine