WEBVTT - BEST OF: Talkback Tingz

0:00:00.360 --> 0:00:04.280
<v Speaker 1>Is it just me a podcast by a couple of midges?

0:00:04.840 --> 0:00:05.600
<v Speaker 2>How holl are you?

0:00:05.840 --> 0:00:08.760
<v Speaker 3>Hallo, Mitchell Coupe, how are you? What's been happening?

0:00:08.920 --> 0:00:09.119
<v Speaker 4>Oh?

0:00:09.240 --> 0:00:11.360
<v Speaker 2>Look at me? Do I have an Adelaide glow about me?

0:00:11.480 --> 0:00:13.319
<v Speaker 2>A brown wine region?

0:00:13.440 --> 0:00:15.000
<v Speaker 3>What did you think? What did you think? Because I've

0:00:15.040 --> 0:00:16.919
<v Speaker 3>been banging on about how much I do Adelaide for

0:00:16.960 --> 0:00:18.560
<v Speaker 3>so long and you think I'm a loser for it.

0:00:18.600 --> 0:00:20.080
<v Speaker 2>You have and I'd never been, and I was kind

0:00:20.079 --> 0:00:21.600
<v Speaker 2>of ashamed of it, but also like it didn't really

0:00:21.600 --> 0:00:24.000
<v Speaker 2>bother me that I'd not ever been to Adelaide, which

0:00:24.040 --> 0:00:27.760
<v Speaker 2>is I'm a shamed to say, but I am converted.

0:00:27.840 --> 0:00:31.080
<v Speaker 2>That play God is absolutely beautiful. And I don't know

0:00:31.080 --> 0:00:33.160
<v Speaker 2>what you thought when you went there for the first time,

0:00:33.360 --> 0:00:38.280
<v Speaker 2>but it's gorgeous. It's laiden back, like the architecture is stunning.

0:00:38.400 --> 0:00:41.000
<v Speaker 2>You've got like thirty minutes to wine region, thirty minutes

0:00:41.040 --> 0:00:43.560
<v Speaker 2>to the beach, great food, great cafes, and it's on

0:00:43.600 --> 0:00:45.920
<v Speaker 2>the up and up, like Adelaide. I was there. I

0:00:45.960 --> 0:00:47.879
<v Speaker 2>was flown down by Essay Tourism, and the head of

0:00:47.960 --> 0:00:50.200
<v Speaker 2>Essay Tourism is like, no, we got something to prove,

0:00:50.400 --> 0:00:53.080
<v Speaker 2>So like you want good food. We guarantee we are

0:00:53.120 --> 0:00:55.280
<v Speaker 2>investing to have the best food you want, a good hotel,

0:00:55.400 --> 0:00:58.160
<v Speaker 2>we're investing. Like they're putting money into the States to

0:00:58.320 --> 0:01:01.480
<v Speaker 2>make it compete with Sydney Melbourne. So they're like they've

0:01:01.480 --> 0:01:03.560
<v Speaker 2>got a flame under their asses, and I'm gloving it.

0:01:03.680 --> 0:01:03.840
<v Speaker 5>Yeah.

0:01:03.840 --> 0:01:05.440
<v Speaker 3>I feel like they were probably putting on quite a

0:01:05.480 --> 0:01:07.000
<v Speaker 3>show for you to try and win you over. But

0:01:07.080 --> 0:01:09.240
<v Speaker 3>even someone like me who's been there a few times

0:01:09.400 --> 0:01:11.720
<v Speaker 3>and they weren't, you know, going above and beyond it,

0:01:11.840 --> 0:01:13.920
<v Speaker 3>I was still impressed. I absolutely love it. I think

0:01:13.959 --> 0:01:15.480
<v Speaker 3>the first time I went was when I was like

0:01:16.120 --> 0:01:18.520
<v Speaker 3>thirteen or fourteen or something on a family holiday. But

0:01:18.520 --> 0:01:21.200
<v Speaker 3>then I went again recently for my comedy shows, and oh,

0:01:21.240 --> 0:01:23.520
<v Speaker 3>I just adored it. There was one hiccup, though, I

0:01:23.520 --> 0:01:26.919
<v Speaker 3>will say what happened. Well, you know that river cruise

0:01:26.920 --> 0:01:29.920
<v Speaker 3>thing that goes around the Adelaide River, goes past Adelaide Oval,

0:01:30.160 --> 0:01:33.120
<v Speaker 3>all that shit. Yeah, Sean and I booked one of

0:01:33.120 --> 0:01:36.160
<v Speaker 3>the river cruises and we paid extra for the Devonsha

0:01:36.240 --> 0:01:37.000
<v Speaker 3>tee package.

0:01:37.080 --> 0:01:37.520
<v Speaker 2>Gorgeous.

0:01:37.520 --> 0:01:40.399
<v Speaker 3>We got on board and they said we've run out

0:01:40.440 --> 0:01:44.880
<v Speaker 3>of scones and we'd pre ordered our chocolate chip scones

0:01:45.319 --> 0:01:48.520
<v Speaker 3>on the and I was absolutely shattered. I was really

0:01:48.560 --> 0:01:51.320
<v Speaker 3>looking forward to my quaint experience of being on a

0:01:51.320 --> 0:01:54.120
<v Speaker 3>gorgeous river cruise with a scone and a cup of tea.

0:01:54.440 --> 0:01:57.000
<v Speaker 3>But you know, all's well, that ends well they partially

0:01:57.000 --> 0:01:58.280
<v Speaker 3>refunded me. How good is that?

0:01:58.480 --> 0:02:00.600
<v Speaker 2>See that that is Adelaide. Sydney had like, hey, we're

0:02:00.640 --> 0:02:02.720
<v Speaker 2>out of scones. Fuck you pay double, you know, like

0:02:02.840 --> 0:02:05.080
<v Speaker 2>Adelaide three funds. Yeah, deal with it.

0:02:05.160 --> 0:02:05.400
<v Speaker 6>Prick.

0:02:06.240 --> 0:02:08.880
<v Speaker 2>Melbourne would deconstruct it like they'd be like the tea

0:02:09.200 --> 0:02:11.720
<v Speaker 2>water is taken from the river and the tea bag

0:02:11.840 --> 0:02:15.320
<v Speaker 2>is actually a metaphor. There's no They'd.

0:02:15.080 --> 0:02:17.440
<v Speaker 3>Give you some flour and a bottle of lemonade and

0:02:17.520 --> 0:02:19.000
<v Speaker 3>be like make your own fucking scones.

0:02:20.720 --> 0:02:22.639
<v Speaker 2>Very true. I just loved it. I just I went

0:02:22.680 --> 0:02:25.079
<v Speaker 2>on a little scooter ride around the CBD. You had

0:02:25.120 --> 0:02:26.200
<v Speaker 2>like half an hour to kill so.

0:02:26.240 --> 0:02:28.360
<v Speaker 3>Oh those things scare me. Though I've never done the

0:02:28.400 --> 0:02:28.960
<v Speaker 3>scooter thing.

0:02:29.360 --> 0:02:31.800
<v Speaker 2>I didn't realize like, thank God, I've got all these

0:02:31.919 --> 0:02:34.360
<v Speaker 2>during idiots in my DMS, because they put up I'm

0:02:34.360 --> 0:02:36.200
<v Speaker 2>gonna go on a scooter ride. And there were orange

0:02:36.200 --> 0:02:37.840
<v Speaker 2>ones and purple ones, and I thought they were just

0:02:37.880 --> 0:02:40.280
<v Speaker 2>different brands, right, yeah, like different companies. But I think

0:02:40.560 --> 0:02:44.440
<v Speaker 2>Orange is super fast, Purple is slow. So I got

0:02:44.440 --> 0:02:48.720
<v Speaker 2>an Orange one. Oh sho, this is zooming around. Everyone's like, yeah,

0:02:48.800 --> 0:02:50.960
<v Speaker 2>you did well because the Purple ones you just don't

0:02:50.960 --> 0:02:53.200
<v Speaker 2>go anywhere. So thank you to the Juran idiots that

0:02:53.200 --> 0:02:54.920
<v Speaker 2>gave me some recommendations. I even met some.

0:02:55.040 --> 0:02:56.280
<v Speaker 3>Mitch, you have to do. You have a lot of

0:02:56.280 --> 0:02:57.360
<v Speaker 3>listeners in Adelaide, don't we?

0:02:57.800 --> 0:03:00.560
<v Speaker 2>So many, so many, which it makes sense. Chill, it's

0:03:00.600 --> 0:03:02.560
<v Speaker 2>laid back, everyone's horning. They've got nothing else to do.

0:03:02.680 --> 0:03:06.440
<v Speaker 3>So and then I take themselves too seriously like Adelaide.

0:03:06.720 --> 0:03:08.400
<v Speaker 3>You know, they are what they are. They're not up

0:03:08.440 --> 0:03:11.800
<v Speaker 3>themselves and it's just fucking gorgeous and underrated totally.

0:03:11.840 --> 0:03:14.520
<v Speaker 2>And I met Sam Smith, which was.

0:03:14.480 --> 0:03:15.680
<v Speaker 3>Oh yeah, gorgeous.

0:03:15.800 --> 0:03:20.040
<v Speaker 2>Sam actually said that they think that sa Adelaide is

0:03:20.040 --> 0:03:24.760
<v Speaker 2>their favorite place in Australia because it reminded them of Sicily.

0:03:24.800 --> 0:03:26.919
<v Speaker 2>And they did say they just finished watching White Lotus,

0:03:27.120 --> 0:03:30.560
<v Speaker 2>which so have I. But it gives Sicilyan vibes. And

0:03:30.600 --> 0:03:33.160
<v Speaker 2>I know you're probably thinking I'm embellishing once again, but

0:03:33.200 --> 0:03:34.920
<v Speaker 2>you go to White Region like no.

0:03:34.840 --> 0:03:39.200
<v Speaker 3>I love Adelaide, but really it's like Sicily, Like Sisily's

0:03:39.200 --> 0:03:42.640
<v Speaker 3>got the gorgeous crystal clear waters. Adelaide River is essentially mud.

0:03:42.720 --> 0:03:44.240
<v Speaker 3>Oh no, no, get out of the river.

0:03:44.280 --> 0:03:48.520
<v Speaker 2>I'm talking wine region and like the oceans like nimclaren

0:03:48.600 --> 0:03:50.600
<v Speaker 2>Vale and the Barossa, they're are vineyards.

0:03:50.640 --> 0:03:51.840
<v Speaker 3>Now that's something I haven't done.

0:03:51.920 --> 0:03:53.280
<v Speaker 2>Oh my god, you've got to do it. I went

0:03:53.320 --> 0:03:56.200
<v Speaker 2>to the Darrenberg Cube, which is like four different cubes

0:03:56.240 --> 0:03:58.200
<v Speaker 2>stacked on top of each other with a vineyard around

0:03:58.240 --> 0:04:00.720
<v Speaker 2>it and a restaurant inside it is it was truly,

0:04:01.120 --> 0:04:02.440
<v Speaker 2>it was very, very incredible.

0:04:02.520 --> 0:04:04.280
<v Speaker 3>Have I ever told you my dream holiday?

0:04:04.960 --> 0:04:05.040
<v Speaker 7>No?

0:04:05.080 --> 0:04:07.480
<v Speaker 2>I don't think you ever have. Actually, so I feel like.

0:04:07.400 --> 0:04:09.440
<v Speaker 3>It's something I'm going to have to do, like in retirement,

0:04:09.480 --> 0:04:11.360
<v Speaker 3>because the plan is to go to Adelaide and then

0:04:11.360 --> 0:04:13.880
<v Speaker 3>go to the wine regions and say at Kingsford Homestead,

0:04:14.120 --> 0:04:16.640
<v Speaker 3>which is the house that they filmed Mcloud's Daughters at,

0:04:16.680 --> 0:04:20.440
<v Speaker 3>but they've converted it into this gorgeous hotel like winery

0:04:20.680 --> 0:04:22.120
<v Speaker 3>stay thing. I don't even know if you'd call it

0:04:22.160 --> 0:04:23.000
<v Speaker 3>a hotel.

0:04:22.720 --> 0:04:24.640
<v Speaker 2>Like a bed and breakfast, Yeah, I guess so.

0:04:24.839 --> 0:04:26.760
<v Speaker 3>And then from there I'll catch the gan up to

0:04:26.839 --> 0:04:29.080
<v Speaker 3>Darwin or Alice Springs or something.

0:04:29.520 --> 0:04:32.320
<v Speaker 2>Oh you have met This is the most Bogan holiday ever,

0:04:32.360 --> 0:04:34.479
<v Speaker 2>But I absolutely love it. Do you get that? Do

0:04:34.520 --> 0:04:36.200
<v Speaker 2>you get the full experience? Like they put you in

0:04:36.279 --> 0:04:38.719
<v Speaker 2>a tractor that's on like a roller coaster track and

0:04:38.760 --> 0:04:40.520
<v Speaker 2>does it drive off an edge and then stop and

0:04:40.560 --> 0:04:41.400
<v Speaker 2>then reverse back.

0:04:41.560 --> 0:04:43.680
<v Speaker 3>No, they don't replicate Clamcloud's death.

0:04:43.760 --> 0:04:44.960
<v Speaker 2>No, miss opportunity.

0:04:44.960 --> 0:04:45.599
<v Speaker 3>I will be in my mind.

0:04:45.640 --> 0:04:49.560
<v Speaker 2>Don't worry anyway. South Australian idiots and everyone really we

0:04:49.920 --> 0:04:51.400
<v Speaker 2>love you, Thank you for listening. But you know what,

0:04:51.480 --> 0:04:53.479
<v Speaker 2>my next trip is Perth because I've never been to

0:04:53.520 --> 0:04:57.200
<v Speaker 2>Perth neither, and I feel I'll have a similar reaction

0:04:57.279 --> 0:04:59.560
<v Speaker 2>because we live in our Sydney bubble Mitchell and it's

0:04:59.600 --> 0:05:02.039
<v Speaker 2>beautiful as it is here. You know, it's a big

0:05:02.040 --> 0:05:05.200
<v Speaker 2>white Australia out there. So I loved Essay so much for.

0:05:05.200 --> 0:05:08.240
<v Speaker 3>All its faults. Would you concur that when you fly

0:05:08.440 --> 0:05:11.520
<v Speaker 3>back into Sydney after being elsewhere, you do still get

0:05:11.520 --> 0:05:14.640
<v Speaker 3>that kind of oh I'm home. You get that feeling

0:05:14.640 --> 0:05:16.640
<v Speaker 3>when you look out the plane window and see Sydney.

0:05:16.680 --> 0:05:19.880
<v Speaker 3>Oh one, it's like Stockhelm syndrome. This place sucks, but

0:05:19.920 --> 0:05:23.960
<v Speaker 3>we love it. Even all the people in Adelaide, they're like,

0:05:23.960 --> 0:05:26.640
<v Speaker 3>where are you from. I'm like Sydney, Like, oh, intimidated

0:05:26.680 --> 0:05:29.120
<v Speaker 3>buy it. They're like, I went, there's too many areas.

0:05:29.200 --> 0:05:31.160
<v Speaker 3>I'm like, you're right, there is too many areas. Did

0:05:31.160 --> 0:05:33.120
<v Speaker 3>you go to the gay club in Adelaide? Mary's Poppin?

0:05:33.560 --> 0:05:33.640
<v Speaker 5>No?

0:05:33.960 --> 0:05:35.279
<v Speaker 2>Oh, that's a good name, though I didn't go.

0:05:35.680 --> 0:05:37.880
<v Speaker 3>I think am I confusing it with the drag queen?

0:05:37.920 --> 0:05:40.800
<v Speaker 3>Is it Mary's Poppin'? Hold on, I'm just googling it.

0:05:40.920 --> 0:05:41.520
<v Speaker 2>Funny name.

0:05:41.760 --> 0:05:45.200
<v Speaker 3>Yeah, Mary's Poppin. That's it. It's gorgeous. It's it's like

0:05:45.480 --> 0:05:47.479
<v Speaker 3>so many different levels, so spread out. So if you

0:05:47.480 --> 0:05:49.279
<v Speaker 3>get sick of one dance boy, you go to another.

0:05:49.600 --> 0:05:50.360
<v Speaker 3>Why didn't you do that?

0:05:50.360 --> 0:05:52.000
<v Speaker 2>That would have been right up your alley? No, because

0:05:52.000 --> 0:05:53.960
<v Speaker 2>I was being wined and dined every night. I did

0:05:54.120 --> 0:05:56.520
<v Speaker 2>have a free moment. I was being like jetted around

0:05:56.520 --> 0:06:00.000
<v Speaker 2>on buses and it was a whole thing. But to choose.

0:06:00.120 --> 0:06:01.360
<v Speaker 2>Sorry that the VIP.

0:06:01.200 --> 0:06:03.760
<v Speaker 3>Life anyway, Shut the fuck up about your VIP live.

0:06:03.880 --> 0:06:06.320
<v Speaker 3>What are we doing here? This is the best Bits episode,

0:06:06.760 --> 0:06:08.760
<v Speaker 3>and it's possibly going to be the best of the

0:06:08.760 --> 0:06:09.400
<v Speaker 3>best Bits.

0:06:09.600 --> 0:06:11.520
<v Speaker 2>Yes, it is Mitchell today, we're doing this.

0:06:12.800 --> 0:06:17.280
<v Speaker 3>Yes, it's talkback Tings, the segment where we play all

0:06:17.320 --> 0:06:20.880
<v Speaker 3>of the weird cooked shit that we hear on talkback radio,

0:06:20.920 --> 0:06:23.560
<v Speaker 3>and there's a lot of cookshit that happens on talkback radio.

0:06:23.600 --> 0:06:25.960
<v Speaker 3>This was voted by our listeners. We did a poll

0:06:26.000 --> 0:06:29.040
<v Speaker 3>in our Facebook group. This was voted our best segment ever.

0:06:29.160 --> 0:06:31.880
<v Speaker 3>So we're doing the best of talkback tings today.

0:06:32.040 --> 0:06:33.680
<v Speaker 2>Yeah, we've never put them all in one place, so

0:06:33.720 --> 0:06:35.760
<v Speaker 2>this is actually good going forward. If you're a fan

0:06:35.800 --> 0:06:38.000
<v Speaker 2>of talkback tings, just go back to this episode and

0:06:38.040 --> 0:06:39.680
<v Speaker 2>you can listen to all the best ones in one

0:06:39.720 --> 0:06:41.839
<v Speaker 2>little bit. So let's start off with this was Oh

0:06:41.880 --> 0:06:43.320
<v Speaker 2>my god, it was in the intro of our show

0:06:43.440 --> 0:06:46.160
<v Speaker 2>for a long time, from episode forty five. This is

0:06:46.400 --> 0:06:47.720
<v Speaker 2>Pike's nursery.

0:06:47.960 --> 0:06:51.320
<v Speaker 3>Yes, this is the famous John Laws talkback king himself.

0:06:51.839 --> 0:06:54.800
<v Speaker 3>This is John Laws versus some deaf old lady that

0:06:54.839 --> 0:06:58.479
<v Speaker 3>called into this show. We've done John Laws before here

0:06:58.480 --> 0:07:00.480
<v Speaker 3>on the show. He's back again. I got one from

0:07:00.520 --> 0:07:02.640
<v Speaker 3>the archives today. It's an old bit of goodie that

0:07:02.640 --> 0:07:05.600
<v Speaker 3>my dad was telling me about. So you know how

0:07:05.839 --> 0:07:09.560
<v Speaker 3>most talkback listeners are ancient, and maybe they don't have Google.

0:07:10.040 --> 0:07:13.640
<v Speaker 3>So this particular audio we're about to hear, an old

0:07:13.720 --> 0:07:17.160
<v Speaker 3>lady called into John Law's and she'd heard an ad

0:07:17.520 --> 0:07:20.000
<v Speaker 3>during the ad break on his show, and she was

0:07:20.080 --> 0:07:23.040
<v Speaker 3>asking for the details. She's like, oh, sorry, I heard

0:07:23.040 --> 0:07:24.360
<v Speaker 3>that ad. What was their phone number?

0:07:24.440 --> 0:07:24.880
<v Speaker 2>Standard?

0:07:25.160 --> 0:07:28.000
<v Speaker 3>So it was an ad for a nursery, Pike's nursery.

0:07:28.240 --> 0:07:31.120
<v Speaker 3>So firstly, how would you spell Pikes.

0:07:31.280 --> 0:07:32.960
<v Speaker 2>P ykes correct?

0:07:33.160 --> 0:07:35.840
<v Speaker 3>So he had a bit of trouble passing that message

0:07:35.840 --> 0:07:38.480
<v Speaker 3>on to her, but he did not give up, So

0:07:38.520 --> 0:07:41.680
<v Speaker 3>strap yourself in. This goes on for a while. He

0:07:41.880 --> 0:07:44.000
<v Speaker 3>was determined to get it to her, and as you know,

0:07:44.120 --> 0:07:46.760
<v Speaker 3>John Law's very little patience. Yes, but he persisted.

0:07:46.920 --> 0:07:49.600
<v Speaker 8>Here it is, I'll tell you what to do ring

0:07:49.680 --> 0:07:55.880
<v Speaker 8>Pikes nurseries. What nursery Pikes Pike? Yes, p y k

0:07:56.360 --> 0:08:01.320
<v Speaker 8>e s I? What am I known to deserve this?

0:08:03.600 --> 0:08:07.880
<v Speaker 8>Would you spell that again for me? Hey? I A P.

0:08:09.560 --> 0:08:10.200
<v Speaker 4>Did you cry?

0:08:10.840 --> 0:08:14.480
<v Speaker 8>No, ma'am? I said no, I said, P Why why

0:08:14.760 --> 0:08:18.880
<v Speaker 8>p s P? Why is in Yankee? K is in Kilo?

0:08:20.160 --> 0:08:24.840
<v Speaker 8>He is in Echo? S is in stupid? Pikes p

0:08:25.120 --> 0:08:33.520
<v Speaker 8>y k e s Pike's nurseries? Y I? But will

0:08:33.520 --> 0:08:36.400
<v Speaker 8>we try it again? Ma'am, okay, you ready? Now you

0:08:36.480 --> 0:08:38.920
<v Speaker 8>got your pencil handy? Okay?

0:08:38.960 --> 0:08:41.040
<v Speaker 5>P no P.

0:08:42.600 --> 0:08:43.520
<v Speaker 8>As in piddle?

0:08:45.600 --> 0:08:50.959
<v Speaker 9>Why he I from P? P?

0:08:51.200 --> 0:08:56.120
<v Speaker 8>You've got the P there? That's right? And why why?

0:08:56.440 --> 0:09:00.559
<v Speaker 8>As in yankee? That's right? Okay? Then you have.

0:09:00.720 --> 0:09:01.120
<v Speaker 10>A K.

0:09:02.840 --> 0:09:05.920
<v Speaker 8>I K is in kill?

0:09:08.840 --> 0:09:10.760
<v Speaker 11>K is it?

0:09:10.880 --> 0:09:11.080
<v Speaker 7>Pay?

0:09:11.280 --> 0:09:14.080
<v Speaker 3>Why A? Ok?

0:09:16.800 --> 0:09:19.800
<v Speaker 8>Don't get excited, ma'am. Can I ask you a leading question?

0:09:21.240 --> 0:09:26.720
<v Speaker 8>Do you have trouble hearing? I have? Yes? All right, man,

0:09:26.720 --> 0:09:31.959
<v Speaker 8>Well we'll try it again. P why why K K

0:09:33.200 --> 0:09:39.360
<v Speaker 8>okay again? Yes? K is in kill? Yes? Yes, God

0:09:39.400 --> 0:09:42.720
<v Speaker 8>you got there? Would you spell? Would you spell it

0:09:42.760 --> 0:09:43.120
<v Speaker 8>back to me?

0:09:43.200 --> 0:09:43.320
<v Speaker 5>Now?

0:09:44.360 --> 0:09:44.560
<v Speaker 2>Pay?

0:09:45.000 --> 0:09:48.640
<v Speaker 7>Why? I?

0:09:54.080 --> 0:09:59.600
<v Speaker 8>Oh, no, it's not right. Oh it's not right. Pee?

0:09:59.600 --> 0:10:02.280
<v Speaker 8>Why K E? S hey?

0:10:02.480 --> 0:10:03.720
<v Speaker 5>I y E?

0:10:05.040 --> 0:10:08.679
<v Speaker 8>Where do you go A from? I haven't said A anywhere? P?

0:10:10.200 --> 0:10:12.360
<v Speaker 8>You got the P? Right?

0:10:12.800 --> 0:10:14.360
<v Speaker 5>Why? I?

0:10:15.440 --> 0:10:15.880
<v Speaker 8>Why?

0:10:15.920 --> 0:10:16.160
<v Speaker 2>Why?

0:10:16.280 --> 0:10:16.520
<v Speaker 5>Why?

0:10:16.679 --> 0:10:16.920
<v Speaker 8>Why?

0:10:17.040 --> 0:10:17.280
<v Speaker 5>Why?

0:10:17.440 --> 0:10:18.160
<v Speaker 8>Is in yankee?

0:10:18.640 --> 0:10:18.800
<v Speaker 5>Pay?

0:10:18.920 --> 0:10:20.000
<v Speaker 4>Why it is? K?

0:10:21.280 --> 0:10:23.400
<v Speaker 8>Oh? God save me? How can a K and an

0:10:23.400 --> 0:10:28.280
<v Speaker 8>E sounded like K? Yes? I will? I will? I

0:10:29.080 --> 0:10:31.280
<v Speaker 8>throw myself right down the microphone choke you to death

0:10:31.320 --> 0:10:32.559
<v Speaker 8>in a minute. That's what I'm going to do.

0:10:34.960 --> 0:10:35.640
<v Speaker 3>Hey, why.

0:10:37.400 --> 0:10:38.760
<v Speaker 8>Did you say no?

0:10:38.760 --> 0:10:38.880
<v Speaker 9>No?

0:10:38.920 --> 0:10:41.920
<v Speaker 8>I didn't know. I don't think we're ever going to

0:10:41.960 --> 0:10:45.680
<v Speaker 8>make it, ma'am. Are we I don't think that. I

0:10:45.679 --> 0:10:47.520
<v Speaker 8>don't think that I'm ever going to be able to

0:10:47.559 --> 0:10:49.640
<v Speaker 8>give you this telephone number. I mean, this is just

0:10:49.679 --> 0:10:51.640
<v Speaker 8>the name. Imagine it when I start to get to

0:10:51.679 --> 0:10:56.520
<v Speaker 8>the telephone number and it's a nursery, is it? Yes?

0:10:56.559 --> 0:10:59.880
<v Speaker 8>It is? Strangely enough, give me the number of it?

0:11:00.080 --> 0:11:03.920
<v Speaker 8>Oh God, can I a telephone? That's all right?

0:11:03.960 --> 0:11:04.080
<v Speaker 5>Here?

0:11:04.080 --> 0:11:06.920
<v Speaker 8>You are you ready? I'll take the risk. Are you ready? Okay?

0:11:06.960 --> 0:11:09.400
<v Speaker 8>Do you have your pen at they're ready? Okay?

0:11:10.480 --> 0:11:10.720
<v Speaker 5>Six?

0:11:11.280 --> 0:11:26.840
<v Speaker 8>Six good, that's very good. Three three Jesus.

0:11:25.920 --> 0:11:28.000
<v Speaker 12>I don't know but that I'll just have a catch

0:11:28.040 --> 0:11:29.880
<v Speaker 12>it intil barbarized in my ear.

0:11:30.240 --> 0:11:33.160
<v Speaker 8>Okay, well, I'll say it very quietly. Can you hear me?

0:11:34.080 --> 0:11:43.080
<v Speaker 8>Six three very good? Six three nine nine and another

0:11:43.280 --> 0:11:56.400
<v Speaker 8>nine eight eight very good? Five five one one? Yes,

0:11:57.480 --> 0:11:57.800
<v Speaker 8>that's it?

0:11:58.400 --> 0:11:58.559
<v Speaker 13>Yes?

0:11:58.600 --> 0:11:59.679
<v Speaker 8>Would you read it back to me?

0:12:00.160 --> 0:12:00.319
<v Speaker 11>Uh?

0:12:02.840 --> 0:12:04.520
<v Speaker 9>None? None?

0:12:06.520 --> 0:12:11.480
<v Speaker 8>The legends on a five one. You've got it. You've

0:12:11.520 --> 0:12:15.480
<v Speaker 8>got it. I so just dial a telephone number. And

0:12:15.559 --> 0:12:16.720
<v Speaker 8>God helped Bruce Pike.

0:12:18.440 --> 0:12:22.520
<v Speaker 3>Oh my god, they got there and the end, didn't

0:12:22.559 --> 0:12:25.360
<v Speaker 3>they That is the best yet, And that would only

0:12:25.400 --> 0:12:31.280
<v Speaker 3>happen on talkback. Oh hey, for kill I reckon. Halfway

0:12:31.280 --> 0:12:33.439
<v Speaker 3>through he realized this is gold.

0:12:35.720 --> 0:12:37.559
<v Speaker 2>Where was she getting the april?

0:12:38.080 --> 0:12:42.360
<v Speaker 1>I'm never saying the four ka hoow?

0:12:42.360 --> 0:12:45.160
<v Speaker 2>Could they be a number? I've heard him get that

0:12:45.200 --> 0:12:46.120
<v Speaker 2>animated before.

0:12:46.280 --> 0:12:49.120
<v Speaker 3>I know. We'll see this was many years ago, right right, Okay,

0:12:49.160 --> 0:12:52.760
<v Speaker 3>So I understand now why they call him the Man

0:12:52.840 --> 0:12:55.920
<v Speaker 3>with the Golden tonsils, because that was quite a booming.

0:12:55.720 --> 0:12:56.240
<v Speaker 13>Rich boy.

0:12:56.360 --> 0:12:57.120
<v Speaker 2>That was beautiful.

0:12:57.200 --> 0:12:59.680
<v Speaker 3>These days, he doesn't really sound like that anymore.

0:12:59.720 --> 0:12:59.840
<v Speaker 5>So.

0:13:01.200 --> 0:13:02.960
<v Speaker 3>The reason I've had to dig into the archives as

0:13:03.000 --> 0:13:06.520
<v Speaker 3>well is because his podcast doesn't get updated anymore. There

0:13:06.559 --> 0:13:07.600
<v Speaker 3>hasn't been a new episode.

0:13:09.000 --> 0:13:09.200
<v Speaker 2>I know.

0:13:09.280 --> 0:13:11.680
<v Speaker 3>Well, that's how I usually find shit of his to

0:13:11.720 --> 0:13:13.880
<v Speaker 3>play on talkback teams, because I'm at work when he's

0:13:13.880 --> 0:13:16.240
<v Speaker 3>on air. Ah, That's why most of the stuff comes

0:13:16.280 --> 0:13:18.760
<v Speaker 3>from the night show. And now that John Law's podcast

0:13:18.800 --> 0:13:22.200
<v Speaker 3>has disappeared, I can't find the audio. But also the

0:13:22.240 --> 0:13:26.000
<v Speaker 3>most recent episode, which was mid March. He really doesn't

0:13:26.000 --> 0:13:29.560
<v Speaker 3>sound well really, so play the old one. This is

0:13:29.600 --> 0:13:30.839
<v Speaker 3>what he used to sound like.

0:13:30.960 --> 0:13:36.160
<v Speaker 8>Okay, I'll tell you what to do. Ring Pike's nurseries booming.

0:13:36.840 --> 0:13:39.360
<v Speaker 3>And now particulate. This is him in the most recent

0:13:39.480 --> 0:13:41.880
<v Speaker 3>podcast upload in the.

0:13:41.800 --> 0:13:44.520
<v Speaker 5>Past couple of hours. The World Health Organization has described

0:13:44.520 --> 0:13:48.720
<v Speaker 5>the coronavirus as the defining health crisis of our generation.

0:13:49.480 --> 0:13:50.240
<v Speaker 13>What day are at?

0:13:50.280 --> 0:13:50.480
<v Speaker 5>Well?

0:13:50.520 --> 0:13:51.920
<v Speaker 3>Do you? Oh?

0:13:52.600 --> 0:13:55.760
<v Speaker 5>What they are advocating is regata testing for the virus's

0:13:55.800 --> 0:14:00.240
<v Speaker 5>pressure mounts, for personal restrictions on visits to pubs and

0:14:00.400 --> 0:14:05.400
<v Speaker 5>movie houses and h care homes. Many ANZAC Day commemorations.

0:14:05.400 --> 0:14:07.600
<v Speaker 3>You can tell the turning his mic off to clear,

0:14:08.120 --> 0:14:11.839
<v Speaker 3>but it's still there. Irony, of course, being that he's

0:14:11.880 --> 0:14:13.120
<v Speaker 3>talking about coronavirus.

0:14:13.200 --> 0:14:16.840
<v Speaker 2>Yeah, she sounds like he's on a death a ventilator.

0:14:16.840 --> 0:14:19.360
<v Speaker 2>I know, I know he is up in his eighties, right.

0:14:19.280 --> 0:14:21.200
<v Speaker 3>Oh yeah, but good on him for still being on air. Right,

0:14:21.960 --> 0:14:23.720
<v Speaker 3>given to go? But just like, how the fuck am

0:14:23.760 --> 0:14:26.120
<v Speaker 3>I supposed to find audio to play on our podcast?

0:14:26.160 --> 0:14:28.760
<v Speaker 3>And he stopped uploading episodes of your podcast? It was

0:14:28.800 --> 0:14:31.560
<v Speaker 3>seventeenth of March, was the last up? That's the last

0:14:31.680 --> 0:14:32.520
<v Speaker 3>podcast episode?

0:14:33.120 --> 0:14:35.600
<v Speaker 2>Poor avid listeners, who can't you know, be up at

0:14:35.600 --> 0:14:38.040
<v Speaker 2>the cracker dawn. They might have medical appointments to see

0:14:38.240 --> 0:14:39.400
<v Speaker 2>to listen to their favorite shock.

0:14:39.640 --> 0:14:39.880
<v Speaker 6>I know.

0:14:39.920 --> 0:14:43.000
<v Speaker 3>Maybe they just assumed that his listeners don't listen to podcasts,

0:14:43.040 --> 0:14:44.960
<v Speaker 3>but they're wrong, here I am, and here I am

0:14:45.000 --> 0:14:47.400
<v Speaker 3>refreshing it going. Come on, mate, why should we call

0:14:47.480 --> 0:14:50.560
<v Speaker 3>them great minds? Thinking light? Yeah, that's actually what I

0:14:50.560 --> 0:14:51.320
<v Speaker 3>was going to get you to do.

0:14:51.360 --> 0:14:54.040
<v Speaker 2>Oh, let's do it. Let's call like reception and yeah.

0:14:54.120 --> 0:14:55.360
<v Speaker 3>This is exactly what I was going to get you

0:14:55.360 --> 0:14:57.640
<v Speaker 3>to Okay, I want you to be an old man.

0:14:57.800 --> 0:14:59.440
<v Speaker 2>Yeah, no, I don't want to be a woman. I

0:14:59.480 --> 0:15:02.160
<v Speaker 2>want to be a woman. I don't want to be

0:15:02.200 --> 0:15:04.760
<v Speaker 2>a man. Too close to.

0:15:04.760 --> 0:15:09.920
<v Speaker 3>Reality either works, Just be someone who was the senner

0:15:09.960 --> 0:15:13.320
<v Speaker 3>John Laws call two s M Reception. Let me get

0:15:13.320 --> 0:15:16.000
<v Speaker 3>the number and be like, where the fuck is the podcast?

0:15:16.160 --> 0:15:18.880
<v Speaker 3>Yeah it's been months, I'm worried. Is John still on air?

0:15:18.960 --> 0:15:19.240
<v Speaker 13>Okay?

0:15:19.360 --> 0:15:20.040
<v Speaker 3>Like where is he?

0:15:20.680 --> 0:15:20.720
<v Speaker 7>No?

0:15:20.880 --> 0:15:22.720
<v Speaker 2>I got the number? All right, I'm gonna call. I'm

0:15:22.720 --> 0:15:28.440
<v Speaker 2>gonna be Dot Wiggins. Okay, I've got the number. Are

0:15:28.440 --> 0:15:28.840
<v Speaker 2>we ready?

0:15:29.000 --> 0:15:29.200
<v Speaker 6>Yep?

0:15:29.240 --> 0:15:31.000
<v Speaker 3>I've never seen you so eager to do a prank call.

0:15:31.040 --> 0:15:35.720
<v Speaker 2>I thought my alter ego is a ninety seven year

0:15:35.720 --> 0:15:38.000
<v Speaker 2>old woman named Dot. All right, let's ring.

0:15:38.080 --> 0:15:52.040
<v Speaker 14>Okay, Hello, Hello, Hello, Hello, Hi.

0:15:52.760 --> 0:15:55.760
<v Speaker 2>Hello, my name is Dot? Is this reception desk?

0:15:55.800 --> 0:15:57.440
<v Speaker 13>Reception? Hi?

0:15:57.640 --> 0:15:59.280
<v Speaker 7>Yep, a query?

0:16:00.120 --> 0:16:01.120
<v Speaker 2>Listen, what did you say? Your name?

0:16:01.240 --> 0:16:05.160
<v Speaker 7>Was Ben Ben from two of the Ben.

0:16:05.640 --> 0:16:08.200
<v Speaker 2>My name's DoD. How are you Ben?

0:16:08.680 --> 0:16:09.360
<v Speaker 6>I'm good? Thanks?

0:16:09.400 --> 0:16:11.400
<v Speaker 3>So are you been better?

0:16:11.440 --> 0:16:15.160
<v Speaker 2>I've been better. I have a query. I listen to

0:16:15.240 --> 0:16:17.440
<v Speaker 2>the John Laws morning show program every day.

0:16:17.520 --> 0:16:17.960
<v Speaker 13>Religious.

0:16:17.960 --> 0:16:19.920
<v Speaker 2>I mean, I'm not a religious person, but I listen

0:16:19.960 --> 0:16:23.600
<v Speaker 2>every day, and for love of God, I can't listen anymore.

0:16:23.600 --> 0:16:25.760
<v Speaker 2>You've seen in the mornings do too. I have to

0:16:25.800 --> 0:16:28.240
<v Speaker 2>get my knee lanced. I've got pussing my knee. It's

0:16:28.240 --> 0:16:31.480
<v Speaker 2>a whole thing. But I can't seem to listen live,

0:16:31.520 --> 0:16:35.440
<v Speaker 2>so I have to listen via podcasts. However, there hasn't

0:16:35.680 --> 0:16:38.920
<v Speaker 2>been a podcast updated Ben since March.

0:16:39.200 --> 0:16:41.920
<v Speaker 15>Middle of March, middle of March.

0:16:42.120 --> 0:16:44.800
<v Speaker 2>Really March sevente I've written it down in my bad

0:16:44.960 --> 0:16:45.920
<v Speaker 2>March seventeen.

0:16:47.120 --> 0:16:47.520
<v Speaker 16>Anymore.

0:16:47.960 --> 0:16:51.840
<v Speaker 2>He's the last podcasts from John Laws.

0:16:52.720 --> 0:16:55.680
<v Speaker 7>Okay, March right now, I'll check the website right now?

0:16:55.760 --> 0:16:56.120
<v Speaker 1>Is here?

0:16:56.840 --> 0:16:58.320
<v Speaker 2>Is everything okay with John?

0:16:59.600 --> 0:17:02.120
<v Speaker 7>Yes, everything's okay with John. He was sick today so

0:17:02.160 --> 0:17:05.520
<v Speaker 7>it didn't get on today. Oh no, let me check.

0:17:06.000 --> 0:17:07.800
<v Speaker 7>His last show was yesterday.

0:17:08.400 --> 0:17:12.439
<v Speaker 2>Tell him tell him dot from Wanga Barradine censor.

0:17:12.560 --> 0:17:13.119
<v Speaker 13>He'll know me.

0:17:13.240 --> 0:17:16.840
<v Speaker 2>We had a briefly in vagonet night. But tell him,

0:17:17.000 --> 0:17:20.520
<v Speaker 2>I said, I am my regards. So the podcast just

0:17:20.600 --> 0:17:24.120
<v Speaker 2>don't they don't get put on, they don't get thumb

0:17:24.200 --> 0:17:26.720
<v Speaker 2>drived in. They're not on anymore.

0:17:26.760 --> 0:17:27.200
<v Speaker 1>They are in.

0:17:27.359 --> 0:17:28.600
<v Speaker 7>They're on the website.

0:17:29.160 --> 0:17:34.760
<v Speaker 2>No Apple, not the website Apple, Ben Apple, Okay, it's

0:17:35.040 --> 0:17:40.440
<v Speaker 2>it is lavender in color and the applic application has

0:17:40.480 --> 0:17:43.680
<v Speaker 2>a little boy with two rings around their head.

0:17:44.400 --> 0:17:46.760
<v Speaker 7>Okay, you might. Oh, I'm not sure if that's the

0:17:46.840 --> 0:17:49.680
<v Speaker 7>right one. You might have to download an app called

0:17:49.800 --> 0:17:54.880
<v Speaker 7>tune in. Who turn in t u n e base

0:17:55.240 --> 0:17:55.800
<v Speaker 7>I n.

0:17:56.320 --> 0:17:59.000
<v Speaker 2>I'm getting a pen hold on ben yep.

0:17:59.119 --> 0:18:04.840
<v Speaker 7>So it should be on the app store. Who it's

0:18:04.880 --> 0:18:07.040
<v Speaker 7>called turn in, So.

0:18:07.040 --> 0:18:11.680
<v Speaker 14>That's b u n e no no turn in t.

0:18:11.800 --> 0:18:14.720
<v Speaker 7>U n e tune So t.

0:18:14.680 --> 0:18:17.160
<v Speaker 2>W n e l n.

0:18:19.880 --> 0:18:22.440
<v Speaker 7>No no turn t u n e.

0:18:24.320 --> 0:18:27.520
<v Speaker 2>I n like Looney tune. T o o n.

0:18:28.280 --> 0:18:32.639
<v Speaker 7>No no no t t u m e n e

0:18:34.200 --> 0:18:39.879
<v Speaker 7>no tune like tuning the radio. Tune in t u

0:18:40.160 --> 0:18:43.240
<v Speaker 7>n e e space n I M.

0:18:43.440 --> 0:18:44.280
<v Speaker 6>You should be on.

0:18:44.240 --> 0:18:48.880
<v Speaker 2>The United Nations for I am I oh, I am, I.

0:18:48.800 --> 0:18:52.080
<v Speaker 6>Am Okay, I'm I got to pick up.

0:18:51.960 --> 0:18:55.840
<v Speaker 2>All the indo. Hold on, wait, Jamie Jamie, I've indigo

0:18:56.040 --> 0:18:57.480
<v Speaker 2>and then n for Nelly.

0:18:58.119 --> 0:19:00.240
<v Speaker 7>Yes, yeah, all.

0:19:00.240 --> 0:19:03.840
<v Speaker 2>Right, so spell it with me one more time? Ready you?

0:19:04.080 --> 0:19:06.520
<v Speaker 2>And oh and.

0:19:08.119 --> 0:19:09.840
<v Speaker 1>I no, I am.

0:19:10.440 --> 0:19:12.960
<v Speaker 2>Listen, I've got Oh god, I'll get my grands aunt together.

0:19:13.080 --> 0:19:16.000
<v Speaker 2>Thank you so much? Who who are?

0:19:17.480 --> 0:19:18.440
<v Speaker 3>Thank you?

0:19:19.520 --> 0:19:24.560
<v Speaker 17>Oh my God, Jesus like that all day?

0:19:24.560 --> 0:19:24.919
<v Speaker 3>Every day?

0:19:24.960 --> 0:19:28.399
<v Speaker 2>I can so calm, cool and collect this is it

0:19:28.920 --> 0:19:31.040
<v Speaker 2>just me?

0:19:31.800 --> 0:19:32.360
<v Speaker 1>Oh my god?

0:19:32.400 --> 0:19:34.600
<v Speaker 3>I forgot that. That used to be a hidden talent

0:19:34.600 --> 0:19:37.800
<v Speaker 3>of yours, Mitchell, just coming up with fake suburb names

0:19:37.800 --> 0:19:39.359
<v Speaker 3>on the spot. Did you hear just then how you

0:19:39.400 --> 0:19:41.800
<v Speaker 3>said that dot was from Wanga Barradine.

0:19:42.080 --> 0:19:42.280
<v Speaker 5>Yeah.

0:19:42.560 --> 0:19:44.800
<v Speaker 2>We even made details with my fake suburbs on them.

0:19:44.840 --> 0:19:47.639
<v Speaker 2>That was a real thing for a period there. I

0:19:47.640 --> 0:19:48.800
<v Speaker 2>missed that in my recent trip.

0:19:48.840 --> 0:19:50.560
<v Speaker 3>Have you lost your spark? Can you still do it?

0:19:50.640 --> 0:19:53.119
<v Speaker 2>Oh god, yeah, of course I go Bringington Ben. No,

0:19:53.280 --> 0:19:55.280
<v Speaker 2>that's terrible. I lost my spark. I feel like I

0:19:56.280 --> 0:19:58.560
<v Speaker 2>woke up one day and I just couldn't do it anymore.

0:19:58.600 --> 0:20:00.240
<v Speaker 3>You know, I'll go one more chance.

0:20:00.280 --> 0:20:02.920
<v Speaker 2>You're out of practice, okay, Well in Adelaide, Mitchell, I

0:20:03.040 --> 0:20:08.280
<v Speaker 2>used to live in oh, Hassington hillside. That works.

0:20:08.280 --> 0:20:10.720
<v Speaker 3>We're getting warmer, We're getting by the way. I need

0:20:10.760 --> 0:20:12.840
<v Speaker 3>to actually correct myself because a couple of weeks ago

0:20:12.880 --> 0:20:15.440
<v Speaker 3>I said that the first ever time Dot Wiggins came

0:20:15.480 --> 0:20:17.080
<v Speaker 3>to be was when you were prank calling that guy

0:20:17.080 --> 0:20:19.800
<v Speaker 3>that ghosted me. I think that was actually that was

0:20:19.840 --> 0:20:21.760
<v Speaker 3>the inception of Dot. That was the first time you

0:20:21.800 --> 0:20:23.879
<v Speaker 3>ever did DOT when you were calling after the Pike's

0:20:23.920 --> 0:20:27.080
<v Speaker 3>nursery thing. Was that the first Dot, the very first Yes,

0:20:27.359 --> 0:20:28.240
<v Speaker 3>I stand correct it.

0:20:28.280 --> 0:20:30.679
<v Speaker 2>Who were gaslighting people? Well that, yeah, you're right, Actually,

0:20:30.720 --> 0:20:33.359
<v Speaker 2>good call got so long ago. Who remembers now?

0:20:33.359 --> 0:20:35.720
<v Speaker 3>Anyway? Sticking with John Laws, do you remember this Mitch

0:20:35.800 --> 0:20:38.520
<v Speaker 3>back in episode seventy three, which just sets my heart

0:20:38.560 --> 0:20:40.600
<v Speaker 3>on fire. My favorite numbers are three and seven, So

0:20:40.720 --> 0:20:41.840
<v Speaker 3>seventy three, Holy shit.

0:20:41.960 --> 0:20:42.480
<v Speaker 2>I love that.

0:20:43.680 --> 0:20:45.840
<v Speaker 3>I adore the fact that this is from episode seventy three.

0:20:45.880 --> 0:20:49.639
<v Speaker 3>This is when we took inspiration from John Laws's poetry,

0:20:49.800 --> 0:20:52.280
<v Speaker 3>because sometimes he just goes rogue and gets a bit

0:20:52.320 --> 0:20:56.000
<v Speaker 3>self indulgent, plays his own poems on his radio show.

0:20:56.280 --> 0:20:57.800
<v Speaker 2>Yeah, which I think should be some sort of it

0:20:57.840 --> 0:20:59.680
<v Speaker 2>should be illegal, right, like that's cook in the books.

0:21:00.080 --> 0:21:02.000
<v Speaker 2>US is not selling these poems, like if they're in

0:21:02.040 --> 0:21:04.440
<v Speaker 2>Berklour books and he's reading them out on air. You

0:21:04.480 --> 0:21:07.680
<v Speaker 2>know that's a conflict of interest, but I think they're fine. Otherwise,

0:21:07.720 --> 0:21:09.560
<v Speaker 2>I wanted to give it my best shot, so I

0:21:09.560 --> 0:21:14.560
<v Speaker 2>did an improvised poem on the fly, John Laws. But

0:21:14.640 --> 0:21:17.120
<v Speaker 2>it was at the time of the Free Britney movement

0:21:17.200 --> 0:21:19.960
<v Speaker 2>and that was my inspiration. So from episode seventy three

0:21:20.240 --> 0:21:23.080
<v Speaker 2>here is Talkback Tings and my Free Britney poem.

0:21:24.240 --> 0:21:27.560
<v Speaker 3>I heard something during the six hour drive back home

0:21:27.600 --> 0:21:31.240
<v Speaker 3>to Bogenate Wearingham right now, and I thought, oh, that's

0:21:31.480 --> 0:21:34.240
<v Speaker 3>very out there. That's odd, But I'm thinking, Mitch, you

0:21:34.240 --> 0:21:39.800
<v Speaker 3>can implement it into your FM radio world. So John Laws, right, Yeah,

0:21:39.800 --> 0:21:41.960
<v Speaker 3>the King We've heard from him quite a few times.

0:21:42.000 --> 0:21:45.560
<v Speaker 3>In this segment, he was taking a call from someone

0:21:45.840 --> 0:21:49.560
<v Speaker 3>and halfway through he sort of just broke into song.

0:21:50.119 --> 0:21:54.200
<v Speaker 3>What but he wasn't singing. It was more like poetry.

0:21:54.280 --> 0:21:54.440
<v Speaker 2>Right.

0:21:54.520 --> 0:21:56.720
<v Speaker 3>It sounds weird, but give it a listen. I really think,

0:21:56.760 --> 0:21:58.440
<v Speaker 3>Mitch you should take this on board.

0:21:58.480 --> 0:22:01.400
<v Speaker 2>I don't think I need it. I think my show

0:22:01.480 --> 0:22:03.760
<v Speaker 2>is just fine. But all right, we have the audio.

0:22:03.800 --> 0:22:06.360
<v Speaker 2>This is John Laws on AM Radio.

0:22:06.080 --> 0:22:09.320
<v Speaker 5>One three hundred five six four sixty five two. Should

0:22:09.400 --> 0:22:10.840
<v Speaker 5>you like to give us a call and tell us.

0:22:10.800 --> 0:22:13.960
<v Speaker 2>What sorry that fucking number. Simplify it.

0:22:13.960 --> 0:22:16.080
<v Speaker 3>It's like one three hundred John Laws. It spelled his name.

0:22:16.160 --> 0:22:19.800
<v Speaker 2>The listeners already have damage frontal lobes, like don't make

0:22:19.840 --> 0:22:22.800
<v Speaker 2>them have to hours? Is thirteen one o six five easy?

0:22:23.600 --> 0:22:26.000
<v Speaker 3>I'm pretty sure you know when you use the text

0:22:26.000 --> 0:22:28.280
<v Speaker 3>on a Nokia as the letters and numbers would be there.

0:22:28.440 --> 0:22:30.560
<v Speaker 3>I'm pretty sure one three hundred whatever it is that

0:22:30.680 --> 0:22:34.680
<v Speaker 3>spells one three hundred John Laws. Oh my WSFM.

0:22:34.880 --> 0:22:37.400
<v Speaker 2>Oh that's actually smart. So they catered for that back

0:22:37.440 --> 0:22:39.080
<v Speaker 2>in the day when that was really cool.

0:22:39.520 --> 0:22:41.720
<v Speaker 3>But he doesn't say that. He says the number four

0:22:41.760 --> 0:22:45.919
<v Speaker 3>one three hundred five sixty four six fighter. His listeners can.

0:22:45.800 --> 0:22:47.920
<v Speaker 2>Barely remember to take their blood pressure medication, not alone

0:22:47.960 --> 0:22:49.960
<v Speaker 2>that number. All right here continuing the audio.

0:22:49.680 --> 0:22:52.760
<v Speaker 5>But it is that is on your mind. We better

0:22:52.880 --> 0:22:57.320
<v Speaker 5>talk to Ross Ross. Are you there? Yeah, Mite, Okay,

0:22:57.359 --> 0:22:59.400
<v Speaker 5>what do you want to talk about? Ross? Oh?

0:22:59.680 --> 0:23:02.560
<v Speaker 16>Yeah, just I had a bit of a culture shock

0:23:02.800 --> 0:23:06.000
<v Speaker 16>myself the other day. I drive a truck up and

0:23:06.040 --> 0:23:09.040
<v Speaker 16>down the up the coast and Queensland coast and out

0:23:09.080 --> 0:23:12.680
<v Speaker 16>as far as Mount Eyeser and I was getting ready

0:23:12.680 --> 0:23:14.760
<v Speaker 16>to time in the me truck and the gear bag

0:23:14.920 --> 0:23:19.639
<v Speaker 16>was missed five minutes on the front sets. And I

0:23:19.760 --> 0:23:21.520
<v Speaker 16>come from a country team where you went down the

0:23:21.600 --> 0:23:24.199
<v Speaker 16>pub and you left your wallet and your money on

0:23:24.240 --> 0:23:26.280
<v Speaker 16>the on the bar when you went to the toilet.

0:23:26.640 --> 0:23:28.040
<v Speaker 5>Yeah, and nobody touched a thing.

0:23:28.720 --> 0:23:29.240
<v Speaker 13>Yeah.

0:23:29.320 --> 0:23:31.879
<v Speaker 5>Oh, god knows what's happened to that lovely attitude we

0:23:32.000 --> 0:23:33.720
<v Speaker 5>used to have in little towns where you could do

0:23:33.760 --> 0:23:36.520
<v Speaker 5>anything you like. You just got to be so careful

0:23:36.560 --> 0:23:39.880
<v Speaker 5>these days because the world has become a much more

0:23:39.960 --> 0:23:42.240
<v Speaker 5>violent place than it You have a much more dishonest

0:23:42.240 --> 0:23:43.280
<v Speaker 5>place than it used to be.

0:23:44.080 --> 0:23:47.200
<v Speaker 16>Yeah, and you know, everyone looked after everyone else.

0:23:47.600 --> 0:23:49.480
<v Speaker 5>That's right, everyone.

0:23:49.160 --> 0:23:52.280
<v Speaker 16>Looked up for everyone up now. It makes a really

0:23:52.880 --> 0:23:54.000
<v Speaker 16>paranorid about people.

0:23:54.200 --> 0:23:57.399
<v Speaker 5>You know, I remember a story I did about little towns.

0:23:57.440 --> 0:24:03.640
<v Speaker 5>I might read that for you. Oh no, okay, Ross,

0:24:04.000 --> 0:24:06.360
<v Speaker 5>turn your radio on and listen, because it's a good

0:24:06.359 --> 0:24:08.399
<v Speaker 5>story about little towns. Are you ready?

0:24:11.119 --> 0:24:14.560
<v Speaker 3>Where do you get a guitar from?

0:24:14.920 --> 0:24:18.480
<v Speaker 18>Let's just think about the magic of the little town.

0:24:20.200 --> 0:24:23.960
<v Speaker 18>A little town is where everybody knows what everybody else

0:24:24.040 --> 0:24:27.000
<v Speaker 18>is doing, but they read the weekly newspaper just to

0:24:27.000 --> 0:24:30.199
<v Speaker 18>see who got caught doing it. A little town is

0:24:30.520 --> 0:24:32.160
<v Speaker 18>where if you get the wrong number, you can talk

0:24:32.200 --> 0:24:37.119
<v Speaker 18>for fifteen minutes anyway if you want to. In any town,

0:24:38.000 --> 0:24:40.399
<v Speaker 18>the ratio of good people to bad people is one

0:24:40.480 --> 0:24:41.440
<v Speaker 18>hundred to one.

0:24:41.640 --> 0:24:43.440
<v Speaker 2>Where'd you get that statistic from?

0:24:43.880 --> 0:24:48.840
<v Speaker 18>Thee hundred are uncomfortable in a little town, the one

0:24:49.680 --> 0:24:53.320
<v Speaker 18>is uncomfortable. A small town policeman has a first name.

0:24:54.840 --> 0:24:59.119
<v Speaker 18>The small town school teacher has the last word. The

0:24:59.160 --> 0:25:03.119
<v Speaker 18>small town preacher sometimes a full time farmer. This small

0:25:03.200 --> 0:25:10.480
<v Speaker 18>town farman takes turns, and you say, why would anybody

0:25:10.520 --> 0:25:12.719
<v Speaker 18>want to live in one of these tiny, blinker New

0:25:12.720 --> 0:25:18.600
<v Speaker 18>Missic towns. I don't know, maybe because in the class

0:25:18.640 --> 0:25:22.560
<v Speaker 18>play there's a part for everybody. What at the town

0:25:22.640 --> 0:25:25.280
<v Speaker 18>jail there's rarely anybody?

0:25:26.320 --> 0:25:27.520
<v Speaker 8>And then.

0:25:28.800 --> 0:25:35.760
<v Speaker 18>You're still among friends.

0:25:36.680 --> 0:25:39.080
<v Speaker 2>Oh my, Mitchell, what did you think when you heard

0:25:39.119 --> 0:25:39.840
<v Speaker 2>that live?

0:25:40.560 --> 0:25:43.160
<v Speaker 3>Well, I mean, I'll be honest, I did think, what

0:25:43.200 --> 0:25:46.639
<v Speaker 3>the fuck is going on? Where did this come from?

0:25:46.720 --> 0:25:49.280
<v Speaker 3>And I also did think, oh, he's clearly not reading

0:25:49.320 --> 0:25:51.439
<v Speaker 3>that live. His voice sounds way younger.

0:25:51.800 --> 0:25:54.399
<v Speaker 2>Yeah, that was in the mid eighties. At least the

0:25:54.480 --> 0:25:56.640
<v Speaker 2>plem wasn't on his throat as well at that point

0:25:56.640 --> 0:25:57.040
<v Speaker 2>in time.

0:25:57.200 --> 0:25:59.760
<v Speaker 3>But then I thought, this is John Laws. We're talking.

0:26:00.359 --> 0:26:04.320
<v Speaker 3>He has been in radio for four hundred years, and

0:26:04.359 --> 0:26:07.159
<v Speaker 3>so there must be some key to his longevity, and

0:26:07.200 --> 0:26:09.560
<v Speaker 3>I feel that that might be the fact that he

0:26:09.880 --> 0:26:13.359
<v Speaker 3>really thinks outside the box. So, Mitchell, I think you

0:26:13.400 --> 0:26:19.240
<v Speaker 3>should take an inspiration from his poetry. I was quite inspired.

0:26:18.840 --> 0:26:21.439
<v Speaker 2>And start some poetry on the night show or the

0:26:21.520 --> 0:26:23.040
<v Speaker 2>national breakfast show that I'm doing.

0:26:23.359 --> 0:26:26.600
<v Speaker 3>No, precisely, that's what I'm thinking. You've got this new

0:26:26.760 --> 0:26:29.800
<v Speaker 3>fancy radio gig. You're doing breakfast hours at the moment,

0:26:30.400 --> 0:26:35.880
<v Speaker 3>and I was thinking you should call your boss and

0:26:36.040 --> 0:26:39.480
<v Speaker 3>find some gentle guitar music similar to what John Laws

0:26:39.560 --> 0:26:44.000
<v Speaker 3>has with the pan Flete and then just say to him, Hey, man,

0:26:44.040 --> 0:26:45.840
<v Speaker 3>I've got this idea. Can you let me know what

0:26:45.880 --> 0:26:49.240
<v Speaker 3>you think of this and then wing it? Just improvise

0:26:49.320 --> 0:26:50.360
<v Speaker 3>something similar to that.

0:26:50.720 --> 0:26:54.320
<v Speaker 2>Hold on, wait a second, now, I don't want to

0:26:54.320 --> 0:26:57.160
<v Speaker 2>implement this in my show. I've got enough content. I'm

0:26:57.200 --> 0:26:58.080
<v Speaker 2>more than a cross it.

0:26:58.720 --> 0:27:01.920
<v Speaker 3>Hey, if it's good enough for the great John Law,

0:27:02.119 --> 0:27:04.640
<v Speaker 3>it's good enough for you, Bucko. Exactly. You can learn

0:27:04.680 --> 0:27:07.480
<v Speaker 3>a thing or two from him. I feel like poetry

0:27:07.480 --> 0:27:08.400
<v Speaker 3>could be your thing.

0:27:08.560 --> 0:27:12.000
<v Speaker 2>I found some music. This is perfect. This is lovely

0:27:13.840 --> 0:27:15.480
<v Speaker 2>sounds like something from Banjo.

0:27:15.200 --> 0:27:19.040
<v Speaker 3>KAZUOI okay, so call you bof dB.

0:27:19.359 --> 0:27:21.480
<v Speaker 2>No, no, I'm going to call my producer. I'm going

0:27:21.560 --> 0:27:25.119
<v Speaker 2>to call my producer, Alex Alex. Yeah, Alex is my

0:27:25.160 --> 0:27:26.840
<v Speaker 2>producer for the Winter Breakfast show that.

0:27:26.840 --> 0:27:31.199
<v Speaker 3>I oh wait, is that the same intern Alex that

0:27:31.240 --> 0:27:34.840
<v Speaker 3>we had on this podcast. We brought her into Oust Jenna.

0:27:34.680 --> 0:27:37.080
<v Speaker 2>Oh my god, yes we did, and.

0:27:37.000 --> 0:27:39.919
<v Speaker 3>Then we offered her a role on this podcast as

0:27:40.000 --> 0:27:41.800
<v Speaker 3>a producer, and then she ghosted it.

0:27:41.880 --> 0:27:43.080
<v Speaker 2>Oh my god, she fucking did.

0:27:43.480 --> 0:27:46.040
<v Speaker 3>Came never. We did a welfare check and we just

0:27:46.080 --> 0:27:49.680
<v Speaker 3>presumed she was dead. So she's back from the dead

0:27:49.680 --> 0:27:50.960
<v Speaker 3>working on your radio show, is she?

0:27:51.080 --> 0:27:53.360
<v Speaker 2>Yeah, she got the call up. She's my head producer.

0:27:53.440 --> 0:27:54.040
<v Speaker 17>She's alive.

0:27:54.320 --> 0:27:54.679
<v Speaker 13>Yeah.

0:27:54.720 --> 0:27:58.280
<v Speaker 3>Wow. I can't believe she faked her own death just

0:27:58.320 --> 0:28:01.080
<v Speaker 3>to get out of working on this podcas Cars, That's unbelieva.

0:28:01.119 --> 0:28:02.360
<v Speaker 3>That's something I would do.

0:28:02.440 --> 0:28:04.919
<v Speaker 2>You should imagine myself when I got a call from

0:28:04.960 --> 0:28:05.840
<v Speaker 2>a number I thought.

0:28:05.680 --> 0:28:10.520
<v Speaker 3>It's as anyway, So maybe call Alex then your producer

0:28:10.560 --> 0:28:12.760
<v Speaker 3>and just say, oh god, this is actually better, because

0:28:12.760 --> 0:28:15.000
<v Speaker 3>she'll be really polite. She won't have the heart to

0:28:15.040 --> 0:28:17.919
<v Speaker 3>tell you that it's fucking stupid. Yeah, like, hey, babe,

0:28:18.119 --> 0:28:19.960
<v Speaker 3>I'm thinking outside the box. I want to bring something

0:28:20.000 --> 0:28:21.880
<v Speaker 3>fresh to the radio show next week.

0:28:21.880 --> 0:28:22.840
<v Speaker 2>What do you think of it?

0:28:23.280 --> 0:28:25.480
<v Speaker 3>And then what do you want your poem to be about?

0:28:25.600 --> 0:28:25.639
<v Speaker 6>Ll?

0:28:25.640 --> 0:28:28.000
<v Speaker 2>Maybe ask her, now, what's what's my poem to be?

0:28:28.080 --> 0:28:30.479
<v Speaker 2>And I'm gonna have to have an idea for a poem?

0:28:30.520 --> 0:28:32.800
<v Speaker 2>What about Princess Diana's mural that?

0:28:33.000 --> 0:28:35.560
<v Speaker 3>Nah, you do better? You do better when you're improvising.

0:28:35.600 --> 0:28:37.439
<v Speaker 3>Maybe ask her to give you a random topic.

0:28:37.920 --> 0:28:39.880
<v Speaker 2>Oh good, Yeah, okay, I'm going to dial her through.

0:28:39.920 --> 0:28:41.920
<v Speaker 2>I'm going to connect my phone so she knows it's me.

0:28:43.360 --> 0:28:44.800
<v Speaker 2>Fucking hell.

0:28:45.440 --> 0:28:46.600
<v Speaker 3>Can I hear the music again?

0:28:46.720 --> 0:28:46.920
<v Speaker 5>Yeah?

0:28:47.120 --> 0:28:49.440
<v Speaker 2>I've got options. So there's gentle Guitar number three, which

0:28:49.480 --> 0:29:02.760
<v Speaker 2>you've heard. This sounds like the final Ballad of the

0:29:02.800 --> 0:29:05.800
<v Speaker 2>Titanic as it's something to the North Pacific does.

0:29:05.880 --> 0:29:06.080
<v Speaker 13>Yeah?

0:29:06.080 --> 0:29:13.400
<v Speaker 3>That one's too emo. It needs to be a bit inspiring. Yeah,

0:29:14.080 --> 0:29:16.959
<v Speaker 3>this one sounds like New Poins panty line if by

0:29:17.040 --> 0:29:18.080
<v Speaker 3>Libra it does?

0:29:18.240 --> 0:29:21.760
<v Speaker 2>Yeah, it does. I liked about truth it's true milk

0:29:21.840 --> 0:29:25.000
<v Speaker 2>because I don't want kathium and take from regular milk.

0:29:26.160 --> 0:29:29.040
<v Speaker 2>That's why I drink so good all right, I like three,

0:29:30.120 --> 0:29:33.239
<v Speaker 2>this is it, This is it? Okay, that's it. I'm

0:29:33.240 --> 0:29:35.720
<v Speaker 2>gonna call it, but I'm gonna get her opinion on

0:29:35.800 --> 0:29:43.400
<v Speaker 2>which it's me. You're not you won't speaker phone rule

0:29:43.520 --> 0:29:48.000
<v Speaker 2>number one, like I taught you. Oh, I had an

0:29:48.080 --> 0:29:53.120
<v Speaker 2>idea for the show. I'm thinking, you know how you

0:29:53.200 --> 0:29:56.440
<v Speaker 2>have Tom Gleismer and how he been paying attention Monday. Yeah,

0:29:56.800 --> 0:29:59.200
<v Speaker 2>I'm thinking on Tuesday, just to like tie into that

0:29:59.320 --> 0:30:02.040
<v Speaker 2>comedy aspec and the fun we should do, Like I

0:30:02.080 --> 0:30:09.000
<v Speaker 2>should do poetry on the air, okay, like live poetry,

0:30:09.160 --> 0:30:12.160
<v Speaker 2>live lyrics about a topic that's current.

0:30:12.920 --> 0:30:17.040
<v Speaker 13>Okay, cool fun.

0:30:17.280 --> 0:30:19.920
<v Speaker 2>It'd be like, yeah, like a like a slam poetry

0:30:20.080 --> 0:30:22.760
<v Speaker 2>kind of thing. Yeah, not even slam, like inspiring, Like

0:30:22.800 --> 0:30:27.320
<v Speaker 2>I want to inspire like like people like kids listening,

0:30:27.680 --> 0:30:33.000
<v Speaker 2>what's topical, what's happening at the mow in like culture? Well,

0:30:33.200 --> 0:30:37.080
<v Speaker 2>I mean you could you know, kind of do something inspiring.

0:30:36.880 --> 0:30:43.360
<v Speaker 6>In terms of Brittany you know Britney Spears, people control you, Oh.

0:30:43.320 --> 0:30:44.160
<v Speaker 2>My god, Britney Spears.

0:30:44.200 --> 0:30:44.520
<v Speaker 13>Coobie.

0:30:44.560 --> 0:30:49.480
<v Speaker 2>I just like get some music out and I like

0:30:49.560 --> 0:30:50.720
<v Speaker 2>i'd sing to music. Ideas.

0:30:50.720 --> 0:30:51.200
<v Speaker 13>It'd be like.

0:30:56.360 --> 0:31:01.640
<v Speaker 19>We knew you from a girl. You tightened, cube, but

0:31:01.920 --> 0:31:08.120
<v Speaker 19>now look at you like an old haggard boot free Brittany.

0:31:09.160 --> 0:31:13.720
<v Speaker 19>Let her out of that cage, Poor poor Brittany. It

0:31:13.880 --> 0:31:16.200
<v Speaker 19>makes me filled with rage.

0:31:18.040 --> 0:31:24.040
<v Speaker 2>Blonde hair, blue eyes, her father doing this.

0:31:24.920 --> 0:31:26.640
<v Speaker 8>I desp.

0:31:28.160 --> 0:31:30.920
<v Speaker 2>Something like that, you know, like a poem, a current,

0:31:31.440 --> 0:31:35.680
<v Speaker 2>Yeah yeah, that could work. Or what else is topical?

0:31:39.080 --> 0:31:42.560
<v Speaker 13>Well, I mean royal or topical royals?

0:31:43.880 --> 0:31:47.960
<v Speaker 2>Yeah, yeah, yeah, yeah, yeah. You shouldn't have got in

0:31:48.200 --> 0:31:50.000
<v Speaker 2>that taxi cab.

0:31:51.240 --> 0:31:51.840
<v Speaker 8>I'll die.

0:31:52.480 --> 0:31:55.600
<v Speaker 2>Why did you have to die? You would have been

0:31:55.720 --> 0:32:04.280
<v Speaker 2>sixty today. It's the sixty of an adversary of her life.

0:32:04.400 --> 0:32:09.680
<v Speaker 2>There was a statue made for die and it was

0:32:09.880 --> 0:32:12.080
<v Speaker 2>built from concrete.

0:32:11.560 --> 0:32:12.600
<v Speaker 5>And live.

0:32:14.240 --> 0:32:16.000
<v Speaker 2>Concrete and live.

0:32:17.520 --> 0:32:24.040
<v Speaker 15>A beautiful son's attended. Tension was at an all time

0:32:31.040 --> 0:32:35.560
<v Speaker 15>No sign of Queen Lizzie, no sign.

0:32:38.200 --> 0:32:45.440
<v Speaker 2>Philip wasn't there. I guess he probably couldn't, because Philip.

0:32:45.280 --> 0:32:49.120
<v Speaker 1>Died, just like Die.

0:32:51.400 --> 0:32:54.000
<v Speaker 2>Princess died. Yeah. See, I think there's something you die too.

0:32:55.960 --> 0:32:56.320
<v Speaker 18>I love.

0:32:56.880 --> 0:33:00.480
<v Speaker 2>All Right, Well, well we can talk Monday and we'll

0:33:00.520 --> 0:33:02.440
<v Speaker 2>send it to managementcause I reckon that's good to send

0:33:02.520 --> 0:33:04.520
<v Speaker 2>to like dB and the buses.

0:33:05.760 --> 0:33:07.720
<v Speaker 6>Yeah, I love that. Okay, fabulous all.

0:33:07.640 --> 0:33:09.680
<v Speaker 2>Right, thanks Alex, I'll talk to you over the weekend.

0:33:10.680 --> 0:33:13.360
<v Speaker 2>Love you, love you. See thanks the tipsy.

0:33:14.480 --> 0:33:18.360
<v Speaker 3>Oh my god, now that didn't That didn't even feel

0:33:18.400 --> 0:33:21.560
<v Speaker 3>like a prank call. That felt like a genuine fucking brainstorm.

0:33:21.640 --> 0:33:23.680
<v Speaker 3>And you know what, I'm soul I loved it.

0:33:24.040 --> 0:33:26.120
<v Speaker 2>I actually might run that audio on Monday morning.

0:33:26.240 --> 0:33:27.520
<v Speaker 3>That was inspirator.

0:33:29.360 --> 0:33:30.000
<v Speaker 13>Is it just me.

0:33:32.480 --> 0:33:33.880
<v Speaker 2>Listening on Spotify?

0:33:34.480 --> 0:33:38.640
<v Speaker 3>I don't forget to leave a five stark you, Doug.

0:33:38.720 --> 0:33:40.800
<v Speaker 3>We've got so many more best bits of talk back

0:33:40.880 --> 0:33:42.959
<v Speaker 3>teams to come. By the way, John Laws, we did

0:33:43.040 --> 0:33:44.800
<v Speaker 3>actually end up interviewing him at the end. We were

0:33:44.840 --> 0:33:47.720
<v Speaker 3>face to face with the man with the golden tonsils,

0:33:47.760 --> 0:33:50.960
<v Speaker 3>which was just very intimidating. It's back in episode ninety

0:33:50.960 --> 0:33:52.160
<v Speaker 3>four if you want to go listen to that.

0:33:52.600 --> 0:33:54.520
<v Speaker 2>Yeah, it was a lot going on, it was. He

0:33:54.680 --> 0:33:56.320
<v Speaker 2>was in a weird mood. He definitely warmed up by

0:33:56.360 --> 0:33:56.640
<v Speaker 2>the end.

0:33:56.800 --> 0:33:58.800
<v Speaker 3>I'll say that that was the first time I've ever

0:33:58.920 --> 0:34:01.520
<v Speaker 3>seen you struggling in an interview, because you've got the

0:34:01.520 --> 0:34:03.280
<v Speaker 3>gift of the gab. You interview people for a living,

0:34:03.360 --> 0:34:06.000
<v Speaker 3>but you, John's a tough nut to crack, and you

0:34:06.120 --> 0:34:08.520
<v Speaker 3>were just struggling You're used to people just falling in

0:34:08.640 --> 0:34:10.719
<v Speaker 3>love with you from the first sentence, and so you

0:34:10.800 --> 0:34:12.560
<v Speaker 3>were like, it was so funny. You were so out

0:34:12.560 --> 0:34:14.080
<v Speaker 3>of your comfort zone. I'd never seen it before.

0:34:14.120 --> 0:34:16.040
<v Speaker 2>I just couldn't crack him. And then I also was

0:34:16.160 --> 0:34:18.040
<v Speaker 2>very intimidated by him. But I also don't think he

0:34:18.080 --> 0:34:20.520
<v Speaker 2>could hear me. So there was many issues happening at once,

0:34:20.800 --> 0:34:23.000
<v Speaker 2>so I think that was the problem. But we got

0:34:23.040 --> 0:34:24.759
<v Speaker 2>there in the end. We really did well.

0:34:24.840 --> 0:34:27.720
<v Speaker 3>Moving on from John Laws, let's move on to Graham Gilbert,

0:34:28.160 --> 0:34:31.040
<v Speaker 3>who is another talk back radio host at night, and

0:34:31.200 --> 0:34:35.160
<v Speaker 3>he is so prone to prank calls. He's constantly on

0:34:35.280 --> 0:34:38.560
<v Speaker 3>the receiving end of prank calls, and this one that

0:34:38.680 --> 0:34:41.120
<v Speaker 3>we're about to listen to, back from episode fifteen, is

0:34:41.440 --> 0:34:42.280
<v Speaker 3>possibly the best.

0:34:42.160 --> 0:34:42.520
<v Speaker 2>Of the best.

0:34:46.080 --> 0:34:48.080
<v Speaker 3>Today we're not listening to John Laws. We're listening to

0:34:48.520 --> 0:34:51.440
<v Speaker 3>the guy that does the night show on the same station.

0:34:51.680 --> 0:34:53.400
<v Speaker 2>To SM, So I'm competing with him.

0:34:53.560 --> 0:34:57.279
<v Speaker 3>Well, yeah, technically your rival at nighttime. So his name's

0:34:57.320 --> 0:35:01.759
<v Speaker 3>Graham Gilbert, And as Wikipedia very generously phrases it, it

0:35:01.840 --> 0:35:06.200
<v Speaker 3>says in two thousand and two, Gilbert's nighttime show on

0:35:06.320 --> 0:35:09.480
<v Speaker 3>two SM scored a rating of zero point one in Sydney,

0:35:09.760 --> 0:35:13.920
<v Speaker 3>the lowest rating ever recorded for a commercial program in

0:35:14.040 --> 0:35:17.600
<v Speaker 3>metro market in Australia. Two of them subsequently withdrew from

0:35:17.600 --> 0:35:19.759
<v Speaker 3>the Sydney Radio ratings. So now they don't really have

0:35:19.800 --> 0:35:21.680
<v Speaker 3>any way of knowing how many people do or don't listen.

0:35:21.800 --> 0:35:23.080
<v Speaker 3>But he does get callers.

0:35:23.840 --> 0:35:24.960
<v Speaker 2>He does get it, I'll tell you that.

0:35:25.680 --> 0:35:29.080
<v Speaker 3>But unfortunately most of those callers calling Peter Graham Gilbert

0:35:29.160 --> 0:35:30.360
<v Speaker 3>are prank callers.

0:35:30.719 --> 0:35:31.319
<v Speaker 2>I don't know why.

0:35:31.400 --> 0:35:34.080
<v Speaker 3>He's just become a target for prank callers. I've done

0:35:34.120 --> 0:35:37.000
<v Speaker 3>it before. I'm not gonna lie. Oh yeah, yeah, it's

0:35:37.080 --> 0:35:39.680
<v Speaker 3>just so easy. He's such an easy target. He's had

0:35:39.760 --> 0:35:42.400
<v Speaker 3>a lot of them over the years. Most famously, I

0:35:42.440 --> 0:35:44.439
<v Speaker 3>would say, would be the India prank calls.

0:35:44.520 --> 0:35:45.680
<v Speaker 2>This is so so funny.

0:35:45.960 --> 0:35:50.759
<v Speaker 3>I can't explain to you've heard it. Yeah, I've heard this, Jenna, No, okay.

0:35:50.840 --> 0:35:52.840
<v Speaker 3>So I've got a quick example for you just to

0:35:53.000 --> 0:35:55.920
<v Speaker 3>hear that. So basically, people call in and troll him

0:35:55.960 --> 0:35:58.680
<v Speaker 3>by answering every question he asks in his quiz with

0:35:58.800 --> 0:35:59.839
<v Speaker 3>the answer India.

0:36:00.880 --> 0:36:06.000
<v Speaker 9>Question one, which Australian gymnast won Commonwealth Games gold in

0:36:06.160 --> 0:36:10.200
<v Speaker 9>nineteen ninety and again in nineteen ninety four for his

0:36:10.400 --> 0:36:15.279
<v Speaker 9>performance on the pommel horse India. I didn't think you

0:36:15.320 --> 0:36:17.640
<v Speaker 9>were that done. I didn't think you were that done, Lincoln.

0:36:17.680 --> 0:36:21.480
<v Speaker 9>But clearly I was wrong. Hello Thomas Graham.

0:36:21.560 --> 0:36:24.000
<v Speaker 6>Yeah, mate, God he's bloody idiots calling up.

0:36:23.920 --> 0:36:26.000
<v Speaker 13>Again then, but you'll have the answer.

0:36:26.040 --> 0:36:28.080
<v Speaker 3>What do you think India?

0:36:28.520 --> 0:36:32.719
<v Speaker 9>Yeah, Thomas, it's bedtime. Now, off you go, Okay, off

0:36:32.800 --> 0:36:37.440
<v Speaker 9>you go. Thirteen twelve sixty nine. Hello there, Marcus, Yes,

0:36:38.200 --> 0:36:40.600
<v Speaker 9>yes mate, Have you got an answer for us?

0:36:41.440 --> 0:36:41.800
<v Speaker 5>India?

0:36:42.080 --> 0:36:44.439
<v Speaker 13>Are you Marcus? Grow up? You women?

0:36:44.920 --> 0:36:45.319
<v Speaker 8>Grow up?

0:36:45.800 --> 0:36:47.800
<v Speaker 13>Good on you boys are going to be one of

0:36:47.840 --> 0:36:53.600
<v Speaker 13>those nights, Robert good evening. Hello Graham, Hello, not too

0:36:53.719 --> 0:36:54.440
<v Speaker 13>bad mate.

0:36:54.520 --> 0:36:57.040
<v Speaker 6>Sorry after all that nonsense, could you repeat the question?

0:36:57.120 --> 0:37:01.040
<v Speaker 9>Yeah, the question is, mate, which Australian gymnast Commonwealth Games

0:37:01.080 --> 0:37:03.680
<v Speaker 9>gold in nineteen ninety and again in nineteen ninety four

0:37:04.040 --> 0:37:11.080
<v Speaker 9>that his performance on the pommel horsephone.

0:37:11.200 --> 0:37:14.799
<v Speaker 13>It wasn't even clever, mate, not even clever. Hello, ev

0:37:15.480 --> 0:37:17.840
<v Speaker 13>I am, is who do you think it was?

0:37:19.200 --> 0:37:24.440
<v Speaker 9>India even than fall for their silly games?

0:37:24.520 --> 0:37:27.800
<v Speaker 13>Okay your match too nice to fall for their silly games.

0:37:28.840 --> 0:37:30.879
<v Speaker 3>Oh my god, I love how he says.

0:37:30.960 --> 0:37:31.080
<v Speaker 5>Oh.

0:37:31.080 --> 0:37:34.000
<v Speaker 3>Another one of those nights. This must happen a lot.

0:37:34.480 --> 0:37:36.080
<v Speaker 2>So what the fuck is a pommel horse?

0:37:36.320 --> 0:37:37.040
<v Speaker 8>I have no idea.

0:37:37.200 --> 0:37:39.600
<v Speaker 2>I don't think anyone actually knew the answer. Poor Eve

0:37:39.800 --> 0:37:41.040
<v Speaker 2>just like couldn't do it all I know.

0:37:41.320 --> 0:37:44.240
<v Speaker 3>But who are these people? I've done so much research.

0:37:44.280 --> 0:37:46.960
<v Speaker 3>I cannot find out how the India call started. And

0:37:47.120 --> 0:37:49.440
<v Speaker 3>I don't know if they're still happening, but they've happened

0:37:49.440 --> 0:37:53.080
<v Speaker 3>plenty of times. It's all over YouTube. But obviously he's

0:37:53.120 --> 0:37:55.520
<v Speaker 3>aware of those prank callers. Often he just plays music

0:37:55.560 --> 0:37:57.440
<v Speaker 3>because he gives up trying to do talk back. But

0:37:57.840 --> 0:38:00.840
<v Speaker 3>some prank calls do slip through the cracks and he

0:38:00.880 --> 0:38:02.920
<v Speaker 3>doesn't realize that they're a prank caller.

0:38:03.040 --> 0:38:04.040
<v Speaker 13>I think I know what you mean.

0:38:04.520 --> 0:38:07.839
<v Speaker 3>So this one that I'm about to play, someone called through,

0:38:08.760 --> 0:38:11.200
<v Speaker 3>and rather than talking to him, they just recited the

0:38:11.280 --> 0:38:14.400
<v Speaker 3>lyrics to the Family Guy theme song, I've given you

0:38:14.440 --> 0:38:17.800
<v Speaker 3>the themes song over there, Madge players. It seems today

0:38:18.480 --> 0:38:23.160
<v Speaker 3>that all you see is violence, you know what classic?

0:38:23.400 --> 0:38:25.680
<v Speaker 20>But where its good old fashion?

0:38:25.760 --> 0:38:29.319
<v Speaker 3>And so someone called through with those lyrics to see

0:38:29.440 --> 0:38:31.399
<v Speaker 3>if he would notice. Here's how it went.

0:38:32.360 --> 0:38:36.799
<v Speaker 13>Talk Tonight on thirteen, twelve sixty nine. Hello, Brian good

0:38:36.840 --> 0:38:37.640
<v Speaker 13>even Graham.

0:38:37.360 --> 0:38:37.960
<v Speaker 11>How are he is?

0:38:38.000 --> 0:38:38.160
<v Speaker 3>Good?

0:38:38.239 --> 0:38:38.520
<v Speaker 13>Thanks?

0:38:39.360 --> 0:38:39.600
<v Speaker 5>Mate?

0:38:39.719 --> 0:38:42.400
<v Speaker 11>It seems today that all you see is.

0:38:42.600 --> 0:38:45.319
<v Speaker 9>Violence and movies and sex on TV.

0:38:46.640 --> 0:38:50.120
<v Speaker 11>Right, Where are the good, old fashioned values on which

0:38:50.120 --> 0:38:50.759
<v Speaker 11>we used to rely.

0:38:51.400 --> 0:38:53.120
<v Speaker 13>Well that's a good point, isn't it.

0:38:54.040 --> 0:38:56.760
<v Speaker 9>And it's interesting that they've done a couple of surveys

0:38:56.800 --> 0:39:00.080
<v Speaker 9>of Blade and people are not going to movies.

0:38:59.840 --> 0:39:00.840
<v Speaker 13>As much as they used to.

0:39:01.040 --> 0:39:04.520
<v Speaker 9>And the reason they give is because of the unnecessary language,

0:39:04.560 --> 0:39:06.400
<v Speaker 9>the unnecessary sexual scenes.

0:39:06.920 --> 0:39:08.680
<v Speaker 13>And you're right, people are simply.

0:39:08.440 --> 0:39:11.920
<v Speaker 9>Wanting to go back to movies where the whole family

0:39:12.000 --> 0:39:13.200
<v Speaker 9>can go and it can be wholesome.

0:39:13.800 --> 0:39:17.759
<v Speaker 17>We're lucky there's the family guy, you know.

0:39:20.600 --> 0:39:23.520
<v Speaker 13>Okay, thank you very much. Okay, good on you, mate.

0:39:24.120 --> 0:39:26.080
<v Speaker 9>I thought he had more to say thirteen twelve and

0:39:26.120 --> 0:39:27.880
<v Speaker 9>sixty nine talk tonight, the.

0:39:27.920 --> 0:39:30.200
<v Speaker 2>Best fuddy is and old fashioned values on which were

0:39:30.280 --> 0:39:34.280
<v Speaker 2>used to like, couldn't agree more. The movies, the movies, Gias,

0:39:34.560 --> 0:39:35.880
<v Speaker 2>it's awful.

0:39:36.280 --> 0:39:36.520
<v Speaker 9>I know.

0:39:37.440 --> 0:39:40.239
<v Speaker 3>And he took the bait. He had no idea. And

0:39:40.360 --> 0:39:45.040
<v Speaker 3>so the challenge is because Graham Gilbert it is so

0:39:45.200 --> 0:39:47.840
<v Speaker 3>hyper aware of prank callers, is to try and slip

0:39:47.920 --> 0:39:51.680
<v Speaker 3>through the cracks. So what you just heard, Mitch. I

0:39:51.800 --> 0:39:54.400
<v Speaker 3>bet you're wondering why I asked to push back the

0:39:54.440 --> 0:39:57.200
<v Speaker 3>recording time this week a bit later at night.

0:39:57.320 --> 0:39:58.839
<v Speaker 2>My actual night show starts very soon.

0:39:58.920 --> 0:40:00.800
<v Speaker 3>Yes I know. And Jenny, you've it's Lumba for this

0:40:01.480 --> 0:40:04.120
<v Speaker 3>pump class and he's on seven till midnight. So there's

0:40:04.160 --> 0:40:05.640
<v Speaker 3>like a two hour window and we are currently in

0:40:05.800 --> 0:40:08.120
<v Speaker 3>that window. So I was I was thinking, oh, do

0:40:08.160 --> 0:40:10.759
<v Speaker 3>you want us to to call in? I want you

0:40:11.000 --> 0:40:14.600
<v Speaker 3>to call and like that person did recite some lyrics

0:40:14.680 --> 0:40:17.240
<v Speaker 3>that sound like a conversation and see if he notices.

0:40:17.520 --> 0:40:20.240
<v Speaker 3>So thirteen twelve sixty nine is the number? Get it ready?

0:40:20.400 --> 0:40:21.839
<v Speaker 2>Oh I don't think I can.

0:40:22.880 --> 0:40:25.919
<v Speaker 3>You knew this was coming though, Like I you act

0:40:26.000 --> 0:40:27.480
<v Speaker 3>so like, oh, you're gonna make me do this, But

0:40:27.640 --> 0:40:30.279
<v Speaker 3>like every time we do talk back things, I always

0:40:30.320 --> 0:40:31.719
<v Speaker 3>tend to make you do something. I'm like, what have

0:40:31.800 --> 0:40:32.239
<v Speaker 3>you learned from?

0:40:32.600 --> 0:40:32.799
<v Speaker 5>Sure?

0:40:32.880 --> 0:40:33.200
<v Speaker 9>You do it?

0:40:33.480 --> 0:40:34.840
<v Speaker 3>You do something off the back of it.

0:40:34.960 --> 0:40:36.840
<v Speaker 2>Okay, Well, if you give me the lyrics, I'll do it.

0:40:37.360 --> 0:40:37.520
<v Speaker 13>Well.

0:40:37.560 --> 0:40:39.239
<v Speaker 3>A couple of the ones that I thought of were

0:40:40.080 --> 0:40:42.760
<v Speaker 3>Partying in the USA by Miley Cyrus. Here's the lyrics.

0:40:42.800 --> 0:40:47.279
<v Speaker 2>Okay, thank you? Oh yeah, so just say hello? Ready,

0:40:47.640 --> 0:40:50.080
<v Speaker 2>good a mate, Oh Graham, I hopped off the plane

0:40:50.120 --> 0:40:54.320
<v Speaker 2>at Las with a dream and my cardigan. Welcome to

0:40:54.400 --> 0:40:58.840
<v Speaker 2>the land of fame excess. Oh am, I gun fitting. No,

0:40:58.960 --> 0:41:02.000
<v Speaker 2>it's the the rhyme. It's too Yeah, you can't do that.

0:41:02.440 --> 0:41:04.480
<v Speaker 2>So then I jumped Graham. Here I am for the

0:41:04.520 --> 0:41:06.800
<v Speaker 2>first time. No, you're right, I can't do that.

0:41:06.880 --> 0:41:08.759
<v Speaker 3>The other one, another one I came up with, was

0:41:09.400 --> 0:41:10.959
<v Speaker 3>all Star by smash Mouse.

0:41:11.080 --> 0:41:12.279
<v Speaker 2>Oh yeah, do you want to try?

0:41:12.840 --> 0:41:12.880
<v Speaker 7>So?

0:41:13.360 --> 0:41:15.840
<v Speaker 3>You know that song from Shrek Jenner? Yes, yeah, So

0:41:15.960 --> 0:41:19.200
<v Speaker 3>I talked to night Graham. Gilbert's good evening Graham.

0:41:19.400 --> 0:41:22.719
<v Speaker 2>Yeah, somebody once told me the world is going to

0:41:22.840 --> 0:41:25.440
<v Speaker 2>roll me Andy Graham on the first tom and I

0:41:25.600 --> 0:41:27.959
<v Speaker 2>ate the sharpest still in the shed. She was looking

0:41:28.080 --> 0:41:29.760
<v Speaker 2>kind of damn right with her fingers.

0:41:30.960 --> 0:41:32.719
<v Speaker 3>I reckon that one's okay. That one's better than party

0:41:32.719 --> 0:41:33.960
<v Speaker 3>in the rhymes.

0:41:33.960 --> 0:41:36.080
<v Speaker 2>The rhymes throw us off.

0:41:36.280 --> 0:41:37.920
<v Speaker 3>Yeah, do you reckon, Jenna, let's gover that one. Can

0:41:37.960 --> 0:41:40.200
<v Speaker 3>you think of any others? No, that one's the best. Yeah,

0:41:40.400 --> 0:41:41.960
<v Speaker 3>it's better than anyway.

0:41:42.000 --> 0:41:43.000
<v Speaker 2>No, I've got it. I've got one.

0:41:43.480 --> 0:41:43.600
<v Speaker 5>Oh.

0:41:44.120 --> 0:41:45.279
<v Speaker 2>I don't want to see what it is, but I've

0:41:45.320 --> 0:41:45.560
<v Speaker 2>got one.

0:41:46.120 --> 0:41:46.480
<v Speaker 3>What is it.

0:41:46.560 --> 0:41:46.759
<v Speaker 11>I don't.

0:41:48.760 --> 0:41:54.000
<v Speaker 2>I don't want you to know. God is gonna put on.

0:41:57.040 --> 0:41:59.799
<v Speaker 13>I mean three thousands stuff over a long period of time.

0:42:00.440 --> 0:42:04.359
<v Speaker 13>Talk to like your name please? Vern, you're on here, Vern.

0:42:04.400 --> 0:42:05.399
<v Speaker 13>What did you want to say? Mate?

0:42:05.400 --> 0:42:09.919
<v Speaker 2>I just wanted to talk about ancestry dot Com and genealogy. Yeah,

0:42:10.160 --> 0:42:12.800
<v Speaker 2>very quickly, Grahame, you wouldn't believe it, But I just

0:42:12.880 --> 0:42:15.800
<v Speaker 2>took a DNA test and turns out I'm one hundred

0:42:15.840 --> 0:42:16.640
<v Speaker 2>percent that bitch.

0:42:17.920 --> 0:42:19.520
<v Speaker 13>Yeah that sounds right, Vern, So.

0:42:22.600 --> 0:42:25.200
<v Speaker 17>Oh my god, he didn't take the bait at all.

0:42:29.160 --> 0:42:30.000
<v Speaker 17>I don't know where it came.

0:42:30.080 --> 0:42:32.279
<v Speaker 3>So that was what was Wait? Which song was that again?

0:42:32.280 --> 0:42:32.840
<v Speaker 3>I can't remember what.

0:42:33.160 --> 0:42:34.960
<v Speaker 2>Let me get it that Lizzo Truth.

0:42:35.280 --> 0:42:39.000
<v Speaker 3>Yeah, that's right. It's a Lizo lyric classic he caught

0:42:39.080 --> 0:42:39.560
<v Speaker 3>up with last week.

0:42:39.640 --> 0:42:39.920
<v Speaker 13>Dragon.

0:42:40.040 --> 0:42:42.799
<v Speaker 2>Yeah, my bff, miss Liza.

0:42:42.800 --> 0:42:44.680
<v Speaker 3>You can only play five second. That's around five second.

0:42:49.239 --> 0:42:52.200
<v Speaker 2>I just took a DNA test. Turns out I'm one

0:42:52.280 --> 0:42:52.960
<v Speaker 2>hundred person.

0:42:53.440 --> 0:42:57.600
<v Speaker 3>Oh my god, I like the time with the ancestry

0:42:57.640 --> 0:43:01.840
<v Speaker 3>dot Com. Yeah yeah, mate, I'm just like That's how

0:43:01.840 --> 0:43:04.720
<v Speaker 3>I wanted his old fart callers would start. You wouldn't

0:43:04.719 --> 0:43:05.040
<v Speaker 3>belave it.

0:43:05.080 --> 0:43:08.799
<v Speaker 2>I found the internet, said ancestry Dot cup. Yeah, keep

0:43:08.840 --> 0:43:13.320
<v Speaker 2>it quick. I didn't have time for burns.

0:43:13.360 --> 0:43:15.120
<v Speaker 3>But do you have flashback on there?

0:43:15.400 --> 0:43:15.600
<v Speaker 5>Yeah?

0:43:16.480 --> 0:43:19.120
<v Speaker 3>Okay, can you go and find two s M and

0:43:19.200 --> 0:43:21.480
<v Speaker 3>then just like scroll to what just happened and send

0:43:21.480 --> 0:43:23.359
<v Speaker 3>it to mine. I want to know what he said after,

0:43:23.880 --> 0:43:26.160
<v Speaker 3>because I reckon he would have like slagged you off

0:43:26.160 --> 0:43:26.560
<v Speaker 3>a bit more.

0:43:28.440 --> 0:43:30.839
<v Speaker 2>He said, Oh my god, what did he say? Yeah,

0:43:31.040 --> 0:43:33.680
<v Speaker 2>and I don't remember I just asking the wrong person again.

0:43:33.800 --> 0:43:35.520
<v Speaker 3>Can we just talk about the fact that that was

0:43:35.600 --> 0:43:36.920
<v Speaker 3>way too easy to get on air?

0:43:37.040 --> 0:43:39.799
<v Speaker 2>He didn't even vet me. Like normally, when someone rings

0:43:39.840 --> 0:43:42.400
<v Speaker 2>my show, okay, I go, Hi, it's Kiss Nights. What

0:43:42.480 --> 0:43:44.040
<v Speaker 2>do you want to talk about? What's your name? Get

0:43:44.080 --> 0:43:45.640
<v Speaker 2>the name and if they're ship I get rid of them,

0:43:45.719 --> 0:43:47.400
<v Speaker 2>or if they want to talk about something stupid, I

0:43:47.400 --> 0:43:50.080
<v Speaker 2>don't put them on. But I never go straight to

0:43:50.120 --> 0:43:50.720
<v Speaker 2>air with someone.

0:43:50.840 --> 0:43:54.719
<v Speaker 3>No, And like if you call a talkback station, which

0:43:54.800 --> 0:43:56.920
<v Speaker 3>is different to kiss, they still go through the basic

0:43:57.160 --> 0:43:58.279
<v Speaker 3>what's your name of? What do you want to talk?

0:43:58.480 --> 0:43:59.120
<v Speaker 2>Speak a phone?

0:43:59.480 --> 0:44:01.760
<v Speaker 3>Usually get your suburb Jane from Croydon.

0:44:02.000 --> 0:44:04.560
<v Speaker 2>That was weird that he put it straight on air

0:44:04.640 --> 0:44:07.560
<v Speaker 2>and says, what you know that I was going to

0:44:07.600 --> 0:44:08.800
<v Speaker 2>says asking to be babe.

0:44:08.840 --> 0:44:10.759
<v Speaker 3>Oh my god, I can't believe that just happened. That

0:44:10.920 --> 0:44:12.799
<v Speaker 3>that was We were in and out so quick.

0:44:13.400 --> 0:44:15.600
<v Speaker 2>Yeah, that's it's over before it even started. It's like

0:44:15.640 --> 0:44:18.759
<v Speaker 2>getting a needle form. Have you got a Jenna?

0:44:19.520 --> 0:44:20.320
<v Speaker 3>Yeah, just sent it.

0:44:20.880 --> 0:44:24.120
<v Speaker 2>I can get it in the system right there. So

0:44:24.239 --> 0:44:26.480
<v Speaker 2>this is after he hung up on me. We obviously

0:44:26.520 --> 0:44:28.120
<v Speaker 2>didn't hear what he said on air, but this is

0:44:28.600 --> 0:44:30.280
<v Speaker 2>him carrying on after the print corps.

0:44:30.640 --> 0:44:34.520
<v Speaker 13>Here we go, Talk Tonight. Your name please, Vern, you're

0:44:34.560 --> 0:44:36.239
<v Speaker 13>on air? Vern? What did you want to say? Mate?

0:44:36.520 --> 0:44:40.279
<v Speaker 2>I just wanted to talk about ancestry dot com and genealogy.

0:44:40.520 --> 0:44:41.480
<v Speaker 13>Yeah, very quickly.

0:44:42.320 --> 0:44:42.600
<v Speaker 6>Great.

0:44:42.600 --> 0:44:44.880
<v Speaker 2>You wouldn't believe it, but I just took an a

0:44:45.040 --> 0:44:47.839
<v Speaker 2>test and turns out I'm one hundred percent that bitch.

0:44:48.760 --> 0:44:51.239
<v Speaker 13>Yeah that sounds right, Vern. So you hung on for that,

0:44:51.360 --> 0:44:51.640
<v Speaker 13>did you?

0:44:52.320 --> 0:44:52.560
<v Speaker 8>Yeah?

0:44:52.800 --> 0:44:55.439
<v Speaker 13>I think you've described yourself one hundred percent.

0:44:57.880 --> 0:44:58.080
<v Speaker 2>Yep.

0:44:58.120 --> 0:44:59.839
<v Speaker 13>We've got your numbers, so we won't put your back

0:44:59.840 --> 0:45:01.800
<v Speaker 13>on Talk Tonight on thirteen.

0:45:02.200 --> 0:45:05.720
<v Speaker 3>And that wasn't too bad. Actually got better. It's actually

0:45:05.840 --> 0:45:07.799
<v Speaker 3>better hearing it from the other a point of view.

0:45:07.880 --> 0:45:12.839
<v Speaker 2>Yeah, it's very smug. I reckon.

0:45:12.920 --> 0:45:14.920
<v Speaker 3>We can easily go back on that was that was

0:45:15.000 --> 0:45:15.600
<v Speaker 3>not hard at all?

0:45:19.760 --> 0:45:19.920
<v Speaker 21>Is it?

0:45:20.520 --> 0:45:23.520
<v Speaker 1>Just when the podcast by a couple of mitches.

0:45:23.760 --> 0:45:26.399
<v Speaker 2>Now this next one Mitch from episode forty, I don't

0:45:26.440 --> 0:45:29.840
<v Speaker 2>even remember the Carter Edwards. Who's Carter Edwards?

0:45:29.880 --> 0:45:33.320
<v Speaker 3>This was I completely forgot we did this. So what

0:45:33.480 --> 0:45:35.960
<v Speaker 3>we did was we played a grab from Carter Edwards

0:45:36.000 --> 0:45:40.239
<v Speaker 3>which was him just sitting He goes call the number now,

0:45:40.880 --> 0:45:42.560
<v Speaker 3>you know, still listening for people to talk you for

0:45:42.600 --> 0:45:44.800
<v Speaker 3>the talk back, and then he just sat there in

0:45:44.880 --> 0:45:46.839
<v Speaker 3>silence waiting for someone to call. And then we did

0:45:46.880 --> 0:45:49.160
<v Speaker 3>the same thing because we were on TikTok Live, Instagram

0:45:49.239 --> 0:45:51.719
<v Speaker 3>Live and we got so many calls. It was amazing.

0:45:52.040 --> 0:45:54.160
<v Speaker 3>I completely forgot this happened, but it was such a tree.

0:45:54.280 --> 0:45:57.120
<v Speaker 3>Take a listen. I was listening to the other night

0:45:57.200 --> 0:45:59.840
<v Speaker 3>Carter Edwards late at night on a weekend, and I

0:46:00.000 --> 0:46:04.719
<v Speaker 3>I witnessed the moment that Carter Edwards just gave up. Really,

0:46:05.040 --> 0:46:07.319
<v Speaker 3>he's been in this game for a long time, been

0:46:07.400 --> 0:46:09.480
<v Speaker 3>hosting his talk back show for many years, and I

0:46:09.560 --> 0:46:11.400
<v Speaker 3>just thought this particular he was like, I'm over it.

0:46:12.239 --> 0:46:12.800
<v Speaker 3>I'm over it.

0:46:13.440 --> 0:46:15.120
<v Speaker 2>Not his heart, I thought, but his heart gave out,

0:46:15.920 --> 0:46:16.520
<v Speaker 2>eyes like that.

0:46:16.680 --> 0:46:18.359
<v Speaker 3>You'll know what I mean. But first of all, let's

0:46:18.400 --> 0:46:20.960
<v Speaker 3>just give you a little taste of what Carter Edwards

0:46:21.120 --> 0:46:21.800
<v Speaker 3>Ratio show is.

0:46:21.960 --> 0:46:27.960
<v Speaker 8>Like any topic any time called thirteen twelve sixty nine.

0:46:29.320 --> 0:46:34.400
<v Speaker 10>Baker that it's the truth. Yes, okay, it's your station.

0:46:35.040 --> 0:46:37.319
<v Speaker 10>I just pushed the buttons and give you the chance

0:46:37.360 --> 0:46:40.120
<v Speaker 10>to have your freedom of speech. And there's all kinds

0:46:40.120 --> 0:46:42.160
<v Speaker 10>of things that we'd like to give you a chance

0:46:42.239 --> 0:46:46.680
<v Speaker 10>to talk about one thing I wanted to do, and

0:46:46.800 --> 0:46:50.640
<v Speaker 10>I want to try and get your opinion on whatever

0:46:50.719 --> 0:46:55.759
<v Speaker 10>it is that we throw in your direction, because everybody's

0:46:55.800 --> 0:47:00.759
<v Speaker 10>got a a thought on whatever it is that we're

0:47:00.760 --> 0:47:07.160
<v Speaker 10>talking about. Whoops, where have I got this happening? A second?

0:47:08.080 --> 0:47:15.400
<v Speaker 13>Hang on? Okay, so he's not super.

0:47:15.160 --> 0:47:16.239
<v Speaker 3>Coherent, you know what I mean.

0:47:16.400 --> 0:47:17.799
<v Speaker 2>Everyone's got a thought but him.

0:47:18.239 --> 0:47:21.279
<v Speaker 3>Yes, So you wouldn't really tune into that show. If

0:47:21.280 --> 0:47:24.840
<v Speaker 3>you're wanting slick, polished radio FM rubbish, you have to

0:47:24.920 --> 0:47:25.600
<v Speaker 3>make exactly.

0:47:26.000 --> 0:47:28.400
<v Speaker 2>He left so many lulls. I could never do that.

0:47:29.400 --> 0:47:33.440
<v Speaker 3>Thosells are bad. So when I listened the other night,

0:47:33.960 --> 0:47:35.880
<v Speaker 3>I heard him do his thing. He's like, you know,

0:47:36.280 --> 0:47:38.680
<v Speaker 3>this is the number call in talk about whatever you

0:47:38.680 --> 0:47:41.239
<v Speaker 3>want to talk about and then he just sat and

0:47:41.360 --> 0:47:45.120
<v Speaker 3>waited for someone to call on air. He didn't fill

0:47:45.200 --> 0:47:48.040
<v Speaker 3>the silence. He literally just sat in silence waiting for

0:47:48.120 --> 0:47:48.759
<v Speaker 3>the phone to ring.

0:47:48.920 --> 0:47:50.239
<v Speaker 2>But was it a joke?

0:47:50.400 --> 0:47:50.759
<v Speaker 13>Was he doing it?

0:47:51.239 --> 0:47:51.279
<v Speaker 9>No?

0:47:51.440 --> 0:47:54.239
<v Speaker 3>No, no, he just played the audio. You'll know what

0:47:54.320 --> 0:47:54.560
<v Speaker 3>I mean.

0:47:56.160 --> 0:48:00.400
<v Speaker 13>Thank you for your thoughts, Maureen, Okay, bye, mate, than dyl.

0:48:00.280 --> 0:48:03.080
<v Speaker 10>And Boboy okay, agree or disagree?

0:48:03.760 --> 0:48:05.360
<v Speaker 13>What are your thoughts on that one? Folks?

0:48:06.160 --> 0:48:08.280
<v Speaker 10>Please give us an idea?

0:48:09.360 --> 0:48:09.640
<v Speaker 3>Okay?

0:48:09.840 --> 0:48:13.560
<v Speaker 10>Thirteen twelve sixty nine. I've got the one line waiting

0:48:13.640 --> 0:48:14.160
<v Speaker 10>for somebody.

0:48:24.080 --> 0:48:29.439
<v Speaker 3>You'll wait, No, oh my god? Wait is this real?

0:48:29.880 --> 0:48:30.080
<v Speaker 5>Yeah?

0:48:30.560 --> 0:48:31.880
<v Speaker 3>I'm not going to make you sit through all the

0:48:31.920 --> 0:48:33.440
<v Speaker 3>silence it went for over three minutes.

0:48:34.200 --> 0:48:35.239
<v Speaker 2>Was in a bad mood?

0:48:35.440 --> 0:48:37.239
<v Speaker 3>I don't know, But can I tell you there is

0:48:37.320 --> 0:48:40.440
<v Speaker 3>actually nothing he could have said in that moment that

0:48:40.480 --> 0:48:42.880
<v Speaker 3>would have been more engaging to me than that silence.

0:48:42.960 --> 0:48:45.160
<v Speaker 3>I wouldn't get out of the car. I'm sitting there

0:48:45.320 --> 0:48:47.800
<v Speaker 3>in the car park for over three minutes, being like,

0:48:47.920 --> 0:48:50.080
<v Speaker 3>what's going to happen next? It was actually so gripping.

0:48:50.200 --> 0:48:52.120
<v Speaker 2>Yeah, but also my brain goes straight to death. I'm like,

0:48:52.160 --> 0:48:54.120
<v Speaker 2>has he died? If something has happened in the studio.

0:48:54.320 --> 0:48:59.359
<v Speaker 2>There's a terrorist isis of broken in? That's just Carter Yeah,

0:49:00.280 --> 0:49:03.280
<v Speaker 2>off the week. This is why we love his program.

0:49:03.680 --> 0:49:06.120
<v Speaker 3>He's not ed off again. But anyway, I'm not going

0:49:06.200 --> 0:49:09.440
<v Speaker 3>to make you sit through the entire three minute silence.

0:49:09.520 --> 0:49:11.920
<v Speaker 3>But this is what happened when he came back on

0:49:12.000 --> 0:49:13.319
<v Speaker 3>air and finally someone called through.

0:49:13.400 --> 0:49:25.000
<v Speaker 2>Okay, what good evening?

0:49:26.400 --> 0:49:28.400
<v Speaker 3>Hello, Yeah, can you hear me?

0:49:28.640 --> 0:49:31.719
<v Speaker 13>I can hear you, yes, sir, thank you. Yeah, I

0:49:31.920 --> 0:49:33.800
<v Speaker 13>was listening to your conversation earlier.

0:49:35.320 --> 0:49:36.160
<v Speaker 3>It went on from there.

0:49:36.840 --> 0:49:39.120
<v Speaker 2>It was almost like he was asleep with a newspaper,

0:49:39.200 --> 0:49:43.280
<v Speaker 2>right Hello, Yes, Hi, I've been waiting.

0:49:43.760 --> 0:49:46.360
<v Speaker 3>Can I just ask Mitchell, as someone who works on

0:49:46.480 --> 0:49:50.080
<v Speaker 3>air in FM radio, how much trouble would you get in.

0:49:50.120 --> 0:49:50.640
<v Speaker 2>If you did that?

0:49:50.880 --> 0:49:51.000
<v Speaker 5>Oh?

0:49:52.160 --> 0:49:54.120
<v Speaker 2>If I say my name, I'm Mitch till midnight, I

0:49:54.160 --> 0:49:56.360
<v Speaker 2>can't even leave a pause between the till and midnight.

0:49:56.719 --> 0:49:58.440
<v Speaker 2>I said it was one word, Mitch till midnight. I

0:49:58.480 --> 0:50:00.520
<v Speaker 2>can't even know Mitch till at midnight.

0:50:01.360 --> 0:50:04.160
<v Speaker 3>A very very fast paced and nothing like that talk

0:50:04.239 --> 0:50:04.680
<v Speaker 3>back ship.

0:50:04.760 --> 0:50:07.120
<v Speaker 2>Also my call because I take so many calls every night,

0:50:07.200 --> 0:50:09.239
<v Speaker 2>I can if they're bad, I chop them they're done

0:50:09.560 --> 0:50:11.759
<v Speaker 2>really oh of course, but it's also funny that way.

0:50:11.840 --> 0:50:14.600
<v Speaker 2>But this way, like this is next level.

0:50:14.920 --> 0:50:17.240
<v Speaker 3>Well, as we've learned, they kind of just let anyone

0:50:17.280 --> 0:50:19.279
<v Speaker 3>on air on talkback. They don't really bet them. It's

0:50:19.320 --> 0:50:21.359
<v Speaker 3>it's like whatever someone's called, they'll take back.

0:50:21.840 --> 0:50:23.600
<v Speaker 2>That lady that he let go didn't even know his

0:50:23.760 --> 0:50:24.760
<v Speaker 2>name by mate.

0:50:26.800 --> 0:50:30.440
<v Speaker 3>But anyway, I did feel bad for Carter and the

0:50:30.480 --> 0:50:33.640
<v Speaker 3>fact that he was just left hanging, yeah, for three minutes,

0:50:33.719 --> 0:50:37.960
<v Speaker 3>waiting for someone to call. And so right now, as

0:50:38.000 --> 0:50:41.319
<v Speaker 3>we're recording we are on Facebook Live, yeah, TikTok Live,

0:50:41.400 --> 0:50:47.319
<v Speaker 3>and Instagram Live. I'm thinking that our listeners, because they're

0:50:47.560 --> 0:50:50.920
<v Speaker 3>fucking legends, they wouldn't leave us hanging like that.

0:50:53.000 --> 0:50:54.640
<v Speaker 2>Your body hope not, absolutely not.

0:50:54.719 --> 0:50:57.200
<v Speaker 3>And so we've never done this before, but we're going

0:50:57.280 --> 0:50:59.239
<v Speaker 3>to give out the number of the studio that we're

0:50:59.239 --> 0:51:03.040
<v Speaker 3>recorded here it is, and then Jenna, I want you

0:51:03.120 --> 0:51:06.239
<v Speaker 3>to get a stop watch out yep, and see how

0:51:06.320 --> 0:51:08.520
<v Speaker 3>long it takes someone to call, because I don't think

0:51:08.640 --> 0:51:11.000
<v Speaker 3>our listeners would do that to us, leave us hanging

0:51:11.040 --> 0:51:12.440
<v Speaker 3>for three over three minutes.

0:51:12.480 --> 0:51:14.719
<v Speaker 2>No, I don't think they would, although our listeners is

0:51:14.880 --> 0:51:16.640
<v Speaker 2>that way Incline that they might just do it because

0:51:16.640 --> 0:51:18.120
<v Speaker 2>they like a mile.

0:51:18.239 --> 0:51:21.359
<v Speaker 3>Anyone right now is considering doing this is control us.

0:51:22.080 --> 0:51:25.080
<v Speaker 3>I will be furious because like that's going to be

0:51:25.160 --> 0:51:25.560
<v Speaker 3>so tense.

0:51:25.640 --> 0:51:27.080
<v Speaker 2>They probably would knowing them.

0:51:27.239 --> 0:51:30.440
<v Speaker 3>We're also on Facebook Live. There's like a I tested

0:51:30.520 --> 0:51:33.320
<v Speaker 3>it earlier. There's a seven second delay, so we're guaranteed

0:51:33.320 --> 0:51:36.040
<v Speaker 3>at least some silence. Okay, So we're just going to

0:51:36.120 --> 0:51:39.120
<v Speaker 3>sit here and wait and see how long it takes

0:51:39.440 --> 0:51:41.359
<v Speaker 3>one of our listeners to call. So Mitch without further

0:51:41.360 --> 0:51:42.319
<v Speaker 3>to give out the number.

0:51:42.400 --> 0:51:44.680
<v Speaker 2>All right, I'll do it. I'll it'll be my the

0:51:44.800 --> 0:51:50.160
<v Speaker 2>very best carter I can be. Give us a call

0:51:50.239 --> 0:51:54.960
<v Speaker 2>wherever you are. Thirteen one oh six five thirteen one

0:51:55.080 --> 0:52:42.240
<v Speaker 2>oh six ' five waiting for your call. Yeh yeh

0:52:45.400 --> 0:52:45.960
<v Speaker 2>talk tonight.

0:52:46.080 --> 0:52:52.759
<v Speaker 3>This is Kata Hi Hi we go, Eloise, Elloise, are

0:52:52.800 --> 0:52:54.480
<v Speaker 3>you calling kids one A six five or are you

0:52:54.560 --> 0:52:55.560
<v Speaker 3>calling a couple of minches?

0:52:56.960 --> 0:52:58.839
<v Speaker 6>I was on TikTok watching your life.

0:52:59.040 --> 0:53:02.960
<v Speaker 3>Yeah, yeah, one of my TikTok you legends.

0:53:03.239 --> 0:53:04.920
<v Speaker 2>Hold on rate that. We've got another one as well,

0:53:05.360 --> 0:53:09.319
<v Speaker 2>right there, another second line. Hold the line. Oh they've

0:53:09.360 --> 0:53:11.800
<v Speaker 2>just hung up. That's okay, Eloise, your back, Jannel what

0:53:11.960 --> 0:53:12.439
<v Speaker 2>was the time.

0:53:12.840 --> 0:53:16.520
<v Speaker 12>It was fifty seconds thirty four.

0:53:16.600 --> 0:53:20.000
<v Speaker 3>Suck on hard Edwards. This is what social media, bloody

0:53:20.040 --> 0:53:24.240
<v Speaker 3>millennial generation can achieve, although fifty seconds still isn't anything

0:53:24.280 --> 0:53:28.120
<v Speaker 3>to raise three minutes in the comments on my TikTok

0:53:28.200 --> 0:53:32.800
<v Speaker 3>saying guys don't call and I'm like you yeah Instagram, Eloise,

0:53:32.800 --> 0:53:33.880
<v Speaker 3>where are you in.

0:53:33.920 --> 0:53:35.359
<v Speaker 2>A wind tunnel? By the sound of things?

0:53:36.160 --> 0:53:40.920
<v Speaker 3>Oh, Elois said a fish take Aways? Where in the

0:53:40.960 --> 0:53:44.919
<v Speaker 3>world are you? Sydney, Sydney okay?

0:53:45.040 --> 0:53:48.480
<v Speaker 2>Perfects you? Okay? Put on your lap, purring.

0:53:50.320 --> 0:53:52.560
<v Speaker 3>Your phone line's shocking dull and calls back with.

0:53:52.640 --> 0:53:57.480
<v Speaker 2>Fucking Leabara or something. Oh off you, I got a

0:53:57.560 --> 0:54:00.160
<v Speaker 2>new one. Hi is thirteen one O six five? Who

0:54:00.160 --> 0:54:00.640
<v Speaker 2>are you calling for?

0:54:01.760 --> 0:54:02.360
<v Speaker 6>Calling to me?

0:54:04.080 --> 0:54:04.640
<v Speaker 2>Amazing?

0:54:04.760 --> 0:54:05.399
<v Speaker 3>What's your name?

0:54:06.239 --> 0:54:07.040
<v Speaker 6>My name is Angela?

0:54:07.280 --> 0:54:07.800
<v Speaker 3>Angela?

0:54:07.960 --> 0:54:08.520
<v Speaker 2>Which Mitch?

0:54:09.200 --> 0:54:09.680
<v Speaker 13>Two of us?

0:54:11.440 --> 0:54:15.600
<v Speaker 2>Angela's got another one. I'm waiting till we get one

0:54:15.640 --> 0:54:18.560
<v Speaker 2>from Surry. Here we go, Hi, who you're calling for?

0:54:20.160 --> 0:54:20.640
<v Speaker 5>I'm Hi.

0:54:21.280 --> 0:54:23.760
<v Speaker 6>My name is Luke. I just thought i'd call ticked

0:54:23.800 --> 0:54:24.600
<v Speaker 6>up from Mitch.

0:54:26.840 --> 0:54:31.000
<v Speaker 2>Away. What's Mitch last night? What's his last name? Luke? H?

0:54:32.160 --> 0:54:32.399
<v Speaker 6>Mitch?

0:54:34.840 --> 0:54:35.839
<v Speaker 5>Thank you? Jo.

0:54:37.840 --> 0:54:40.319
<v Speaker 2>There's another one. There's another nue, we're moving on. HI,

0:54:40.560 --> 0:54:44.200
<v Speaker 2>thanks for all they hung up. Well, we've got three currently.

0:54:44.239 --> 0:54:45.480
<v Speaker 2>I'm gonna who's the first girl again?

0:54:45.560 --> 0:54:46.959
<v Speaker 3>Eloise Therese?

0:54:47.560 --> 0:54:49.320
<v Speaker 2>Eloise is in, and I'm also going to add the

0:54:49.320 --> 0:54:51.200
<v Speaker 2>second one, which I believe was Angela. You're both on there.

0:54:51.280 --> 0:54:56.200
<v Speaker 3>Hi girls, Hih, Hi lady, thanks so much for calling through.

0:54:56.239 --> 0:54:57.920
<v Speaker 3>I really thought for a long time there that we

0:54:58.000 --> 0:54:58.880
<v Speaker 3>were going to have no one.

0:54:59.120 --> 0:55:00.759
<v Speaker 2>Thank you for calling through. We do have one more

0:55:00.840 --> 0:55:05.040
<v Speaker 2>someone else? Say someone else? Hi, what are you calling for?

0:55:06.760 --> 0:55:06.880
<v Speaker 7>HI?

0:55:07.120 --> 0:55:07.680
<v Speaker 2>What's your name?

0:55:09.880 --> 0:55:13.799
<v Speaker 3>Ex? Angela? Don't hang up in her again? So how

0:55:13.840 --> 0:55:15.120
<v Speaker 3>many people are there on hold right now?

0:55:15.239 --> 0:55:17.200
<v Speaker 2>There's there's one more person calling through.

0:55:17.480 --> 0:55:20.359
<v Speaker 3>Okay, leave Angela and just put them on the other.

0:55:20.280 --> 0:55:21.640
<v Speaker 2>Okay, I'm going to get rid of you. Sorry. The

0:55:21.840 --> 0:55:24.520
<v Speaker 2>girl on the fish tank, Hi, who are you calling for?

0:55:25.239 --> 0:55:25.359
<v Speaker 5>Hi?

0:55:26.080 --> 0:55:26.200
<v Speaker 15>Hi?

0:55:26.440 --> 0:55:28.680
<v Speaker 2>Calling for kids or a couple of mitches podcast?

0:55:29.920 --> 0:55:33.200
<v Speaker 3>The second one the past familiar.

0:55:34.239 --> 0:55:38.000
<v Speaker 4>Hi, we watched your video boging Gate in English?

0:55:38.600 --> 0:55:41.480
<v Speaker 1>Did hang on?

0:55:41.600 --> 0:55:44.000
<v Speaker 3>I need context on this? Why? For what reason was

0:55:44.080 --> 0:55:46.640
<v Speaker 3>the teacher showing you my old bog video?

0:55:47.120 --> 0:55:49.120
<v Speaker 2>They're talking about lower and the middle class shut up?

0:55:49.480 --> 0:55:52.040
<v Speaker 4>Yes, Well, for some reason they thought it was really

0:55:53.440 --> 0:55:58.200
<v Speaker 4>exciting for English, so we could like research other like

0:55:58.360 --> 0:55:59.759
<v Speaker 4>other areas of Australia.

0:56:00.440 --> 0:56:02.680
<v Speaker 3>I see, okay, I mean it would have made sense

0:56:02.719 --> 0:56:04.800
<v Speaker 3>in a geography class, but I don't understand English. So

0:56:04.920 --> 0:56:05.840
<v Speaker 3>what was your name? Sorry?

0:56:06.840 --> 0:56:07.080
<v Speaker 4>Maya?

0:56:07.480 --> 0:56:09.800
<v Speaker 3>Maya meet Angela. You're both on the line at the

0:56:09.800 --> 0:56:13.200
<v Speaker 3>same time. I believe Hi. Are you both in Sydney?

0:56:14.360 --> 0:56:17.640
<v Speaker 6>No, I'm actually oh, okay, well, I don't have a

0:56:17.719 --> 0:56:18.040
<v Speaker 6>kids there.

0:56:18.960 --> 0:56:20.319
<v Speaker 2>All right, I'm gonna have to get rid of one.

0:56:20.320 --> 0:56:22.000
<v Speaker 2>Who are we dropping? Because you have more calls coming through?

0:56:22.120 --> 0:56:24.600
<v Speaker 2>I vote Angela. You've been on the longest. You have

0:56:24.640 --> 0:56:25.760
<v Speaker 2>to say goodbye to angel Angela.

0:56:25.800 --> 0:56:26.080
<v Speaker 1>Thank you.

0:56:28.520 --> 0:56:33.240
<v Speaker 2>Bye Angela. Have the other girls like bye? Angela? Thirteen

0:56:33.320 --> 0:56:36.000
<v Speaker 2>one six five if you're watching with us too, just.

0:56:36.080 --> 0:56:37.839
<v Speaker 17>Letting everyone know that I'm here as well.

0:56:38.000 --> 0:56:40.319
<v Speaker 3>Fuck off, Jenna, I'm adding the man, wait there, here

0:56:40.360 --> 0:56:42.840
<v Speaker 3>we go. Apparently the number line's busy.

0:56:42.880 --> 0:56:45.440
<v Speaker 2>That's what I keep Hi. Hi, who are you calling for?

0:56:48.200 --> 0:56:48.960
<v Speaker 3>What's your name?

0:56:50.000 --> 0:56:50.239
<v Speaker 5>Luke?

0:56:50.800 --> 0:56:53.000
<v Speaker 3>Luke? Is this the one that we anentsered earlier?

0:56:54.320 --> 0:56:57.319
<v Speaker 1>No, I'm a different Luke because what happened to one on.

0:56:58.800 --> 0:57:02.879
<v Speaker 3>Different Luke? No less? Thank god you saved affairs.

0:57:02.800 --> 0:57:05.080
<v Speaker 2>You stay there. I'm meeting someone else's I'm.

0:57:04.960 --> 0:57:06.600
<v Speaker 3>Trying to have conversations with these people.

0:57:06.680 --> 0:57:08.000
<v Speaker 2>We can't not let people through.

0:57:08.320 --> 0:57:12.200
<v Speaker 3>Hello, Hello, Hello, what's your name?

0:57:14.280 --> 0:57:15.600
<v Speaker 2>Kate? Where are you calling?

0:57:15.640 --> 0:57:17.240
<v Speaker 3>From? Facebook? Instagram? TikTok?

0:57:18.800 --> 0:57:19.040
<v Speaker 2>Thank you?

0:57:19.280 --> 0:57:21.440
<v Speaker 3>Actually, okay, we've got one from Facebook.

0:57:21.480 --> 0:57:21.880
<v Speaker 13>Amazing.

0:57:22.000 --> 0:57:22.280
<v Speaker 5>Where are you?

0:57:22.360 --> 0:57:26.480
<v Speaker 3>Where are you calling from? Wool and Gone? I hope

0:57:26.520 --> 0:57:33.040
<v Speaker 3>you're not talking and driving. It's very nice actually allow

0:57:33.120 --> 0:57:34.120
<v Speaker 3>such a thing on the radio.

0:57:34.360 --> 0:57:34.400
<v Speaker 19>No.

0:57:34.640 --> 0:57:36.680
<v Speaker 2>Yeah, you'd be cut straight away from my program. I'm

0:57:36.680 --> 0:57:39.200
<v Speaker 2>not sure about Carter, as you'd probably be left to

0:57:39.240 --> 0:57:42.400
<v Speaker 2>a podcast for since the very beginning.

0:57:42.640 --> 0:57:43.600
<v Speaker 1>Why it's.

0:57:47.080 --> 0:57:47.800
<v Speaker 2>Thank you so much.

0:57:47.920 --> 0:57:49.480
<v Speaker 3>I stopped hanging up on there.

0:57:49.560 --> 0:57:51.960
<v Speaker 2>Thank you for calling through. I appreciate it. It's nice

0:57:51.960 --> 0:57:53.400
<v Speaker 2>about to join. She got cut off because she was

0:57:53.440 --> 0:57:55.480
<v Speaker 2>going down the Wollong the spin.

0:57:55.440 --> 0:57:57.040
<v Speaker 3>Keep cutting off? What about the other ones that were

0:57:57.040 --> 0:57:57.440
<v Speaker 3>still there?

0:57:57.520 --> 0:57:58.280
<v Speaker 2>They've all hung up.

0:57:58.800 --> 0:58:01.120
<v Speaker 3>I want to talk to them more red Ball.

0:58:01.160 --> 0:58:02.120
<v Speaker 6>What do you bitches need there?

0:58:02.120 --> 0:58:04.640
<v Speaker 3>He is, Oh, they're they're sorry, Luke, he keeps hanging

0:58:04.720 --> 0:58:06.520
<v Speaker 3>up on people. I'm going to fucking ban you from

0:58:06.560 --> 0:58:07.800
<v Speaker 3>that desk if you keep hanging.

0:58:07.720 --> 0:58:10.000
<v Speaker 2>We've got calls coming through the towel radio show works, guys,

0:58:10.040 --> 0:58:10.920
<v Speaker 2>you get through them.

0:58:11.440 --> 0:58:13.280
<v Speaker 3>I've never heard a radio show that just answers and

0:58:13.320 --> 0:58:15.040
<v Speaker 3>then goes sorry after two seconds.

0:58:15.400 --> 0:58:17.560
<v Speaker 6>Next time, I think they're throwing you under the bath.

0:58:17.760 --> 0:58:21.400
<v Speaker 2>Really, they absolutely are, Jesus, get his number off the

0:58:21.440 --> 0:58:22.320
<v Speaker 2>air with you'ret it.

0:58:22.480 --> 0:58:24.160
<v Speaker 3>Let's pretend this is the radio show. What have you

0:58:24.240 --> 0:58:24.680
<v Speaker 3>called about?

0:58:24.720 --> 0:58:24.919
<v Speaker 5>Luke?

0:58:27.480 --> 0:58:28.640
<v Speaker 6>Was just calling for the pop quinn.

0:58:29.080 --> 0:58:31.960
<v Speaker 3>Oh okay, well I'm sorry you've missed. You've missed the

0:58:32.040 --> 0:58:34.880
<v Speaker 3>queue that's actually already happened, so you'll have to try

0:58:34.880 --> 0:58:36.880
<v Speaker 3>again tomorrow, Dula, But is there anything on your mind?

0:58:37.120 --> 0:58:40.040
<v Speaker 6>The three questions for thirty k No, okay, he's called.

0:58:40.600 --> 0:58:45.680
<v Speaker 2>He's definitely. How long have you listened to our podcast for?

0:58:47.240 --> 0:58:50.120
<v Speaker 6>I actually follow Mitch Kum on TikTok and I have

0:58:50.320 --> 0:58:51.440
<v Speaker 6>never listened to your podcast.

0:58:51.960 --> 0:58:55.320
<v Speaker 3>Well, you've got some homework to do, Lukey, So it's

0:58:55.400 --> 0:58:57.880
<v Speaker 3>called is it just me? You'll hear yourself next Monday

0:58:57.880 --> 0:58:59.120
<v Speaker 3>when this episode comes out.

0:59:00.080 --> 0:59:02.320
<v Speaker 6>Great, just what I've been looking forward to.

0:59:02.640 --> 0:59:04.400
<v Speaker 3>Don't you come here with your sarcasm?

0:59:04.520 --> 0:59:04.760
<v Speaker 13>Dallan?

0:59:07.760 --> 0:59:09.600
<v Speaker 2>So you want to love you guys? Thank you so much?

0:59:09.680 --> 0:59:11.920
<v Speaker 2>All right, bye, thank you bye. Jesus, can we get

0:59:12.000 --> 0:59:16.400
<v Speaker 2>someone from Instagram Please thirteen one oh six five Instagram

0:59:16.760 --> 0:59:19.000
<v Speaker 2>call for now. Jenna's on what's social geners on LinkedIn

0:59:19.080 --> 0:59:21.040
<v Speaker 2>alive or something. We've got another one, We've got two,

0:59:21.160 --> 0:59:23.400
<v Speaker 2>we've got three. I think we got that. Okay, here

0:59:24.040 --> 0:59:26.760
<v Speaker 2>we go. All right, let's go to call number one.

0:59:27.040 --> 0:59:27.320
<v Speaker 5>Hello.

0:59:28.840 --> 0:59:30.480
<v Speaker 2>Hello, what's your name? Where you're from?

0:59:31.360 --> 0:59:33.120
<v Speaker 1>I'm Jess, Yess.

0:59:33.520 --> 0:59:34.320
<v Speaker 2>What were you watching on?

0:59:35.920 --> 0:59:39.120
<v Speaker 3>I was on TikTok amazing. Thanks for calling through, Jess.

0:59:39.120 --> 0:59:40.000
<v Speaker 3>You're in Sydney, are you?

0:59:40.920 --> 0:59:41.120
<v Speaker 2>Yeah?

0:59:41.160 --> 0:59:42.280
<v Speaker 3>I was your latest video.

0:59:42.360 --> 0:59:43.160
<v Speaker 8>That was my comment.

0:59:43.360 --> 0:59:45.160
<v Speaker 3>Oh you're the one that watched my video and class

0:59:45.160 --> 0:59:45.760
<v Speaker 3>as well, are you?

0:59:46.480 --> 0:59:46.680
<v Speaker 22>Yes?

0:59:47.320 --> 0:59:49.560
<v Speaker 3>Can I tell you are one of literally hundreds of

0:59:49.600 --> 0:59:51.080
<v Speaker 3>people that have told me that, am I in the

0:59:51.160 --> 0:59:52.120
<v Speaker 3>curriculum or something?

0:59:52.240 --> 0:59:52.439
<v Speaker 7>Yeah?

0:59:53.240 --> 0:59:55.560
<v Speaker 3>You must be. We learned it because we're learning about

0:59:55.760 --> 0:59:56.920
<v Speaker 3>rural places.

0:59:57.120 --> 0:59:57.840
<v Speaker 2>Yes, country.

0:59:58.000 --> 0:59:59.880
<v Speaker 3>Can I ask you, Jess, how did the class three?

1:00:00.240 --> 1:00:02.000
<v Speaker 3>They're like, go, this is cringe and they were like, okay,

1:00:02.080 --> 1:00:03.400
<v Speaker 3>we get to watch it.

1:00:03.680 --> 1:00:04.400
<v Speaker 8>We loved it.

1:00:05.360 --> 1:00:07.160
<v Speaker 17>You showed up on my for you page like a

1:00:07.280 --> 1:00:07.880
<v Speaker 17>week later.

1:00:07.800 --> 1:00:09.480
<v Speaker 3>And I was like, oh my god, it's miss and

1:00:09.560 --> 1:00:12.000
<v Speaker 3>You're like, oh my god, it's way more foul these

1:00:12.120 --> 1:00:14.680
<v Speaker 3>days because I didn't swear in that voging Gate video.

1:00:14.720 --> 1:00:15.720
<v Speaker 3>That's the weirdest thing about it.

1:00:15.840 --> 1:00:17.840
<v Speaker 2>Back in my day, we'd study Romulus my father and

1:00:17.920 --> 1:00:22.280
<v Speaker 2>Blade Runner. That's what these kids get. This is trash. Anyway,

1:00:22.400 --> 1:00:24.600
<v Speaker 2>thank you for calling Gabby. I don't remember her name

1:00:24.720 --> 1:00:27.400
<v Speaker 2>is yes, yes, yes, yes? Do you listen to the podcast?

1:00:27.520 --> 1:00:27.760
<v Speaker 13>Jess?

1:00:28.480 --> 1:00:28.680
<v Speaker 2>Yeah?

1:00:28.920 --> 1:00:31.040
<v Speaker 3>Good amazing. I don't need I don't need to bully

1:00:31.080 --> 1:00:32.440
<v Speaker 3>you into listening then, Jess.

1:00:32.240 --> 1:00:33.800
<v Speaker 2>I'm going to let you go because we have one more.

1:00:33.840 --> 1:00:37.160
<v Speaker 2>Thank you, Jess. What's what's your name? What's your suburb?

1:00:39.080 --> 1:00:39.520
<v Speaker 2>Are you there?

1:00:39.640 --> 1:00:39.760
<v Speaker 5>Is this?

1:00:39.920 --> 1:00:40.240
<v Speaker 2>Rachel?

1:00:41.320 --> 1:00:42.880
<v Speaker 3>My guys, I love you so much.

1:00:43.160 --> 1:00:43.480
<v Speaker 13>Thank you?

1:00:44.280 --> 1:00:45.919
<v Speaker 2>What are you calling from? What social media?

1:00:45.960 --> 1:00:48.240
<v Speaker 6>Did you find us on Instagram?

1:00:48.800 --> 1:00:49.280
<v Speaker 13>There we go?

1:00:49.480 --> 1:00:52.640
<v Speaker 3>We got one on Inigo. They've done that, We've done

1:00:52.680 --> 1:00:55.560
<v Speaker 3>the full sweep. Oh, for God's sake, I've just got

1:00:55.640 --> 1:00:59.440
<v Speaker 3>a notification saying Jenna's gone live on what her own Instagram?

1:01:00.360 --> 1:01:01.040
<v Speaker 2>Live on Pinterest?

1:01:02.800 --> 1:01:04.000
<v Speaker 3>So where are you calling from?

1:01:05.000 --> 1:01:05.520
<v Speaker 6>Newcastle?

1:01:05.840 --> 1:01:07.920
<v Speaker 3>Newcastle? Newcastle girl?

1:01:08.320 --> 1:01:11.480
<v Speaker 2>How are we getting fed to Newcastle and regional students? So? Like,

1:01:11.560 --> 1:01:12.480
<v Speaker 2>what is the algorithm?

1:01:12.600 --> 1:01:13.000
<v Speaker 11>There you go?

1:01:13.400 --> 1:01:14.560
<v Speaker 2>Wow? How long have you listened for?

1:01:14.720 --> 1:01:14.959
<v Speaker 13>Range?

1:01:15.600 --> 1:01:15.720
<v Speaker 2>Oh?

1:01:15.760 --> 1:01:16.840
<v Speaker 6>I think's the very beginning.

1:01:16.920 --> 1:01:17.200
<v Speaker 11>Guys.

1:01:18.240 --> 1:01:20.840
<v Speaker 3>I'm so glad you didn't lose interest along the way.

1:01:21.320 --> 1:01:21.520
<v Speaker 18>God.

1:01:22.760 --> 1:01:24.520
<v Speaker 6>Oh, I had to catch up today because I was

1:01:24.840 --> 1:01:26.760
<v Speaker 6>in my mind. But I've literally listened to the last

1:01:26.840 --> 1:01:28.120
<v Speaker 6>two episodes today, so.

1:01:28.320 --> 1:01:31.440
<v Speaker 3>Really listened to more than one episode in a day.

1:01:31.480 --> 1:01:34.080
<v Speaker 3>To be honest, what's the most amount that you've listened

1:01:34.120 --> 1:01:34.320
<v Speaker 3>to it?

1:01:34.400 --> 1:01:34.720
<v Speaker 5>One go?

1:01:36.160 --> 1:01:38.040
<v Speaker 6>I actually this is really sad. But when I went

1:01:38.120 --> 1:01:40.400
<v Speaker 6>through Chrich to Foster, I went back and re listened

1:01:40.440 --> 1:01:43.040
<v Speaker 6>to other old episodes, so probably like three hours.

1:01:43.240 --> 1:01:46.280
<v Speaker 3>Oh my god, Oh my god, that would have Were

1:01:46.360 --> 1:01:47.120
<v Speaker 3>you sick of it's.

1:01:47.000 --> 1:01:47.360
<v Speaker 5>By the end?

1:01:47.440 --> 1:01:47.720
<v Speaker 2>Surely?

1:01:48.640 --> 1:01:50.919
<v Speaker 6>No, I'm actually husband to you guys as well.

1:01:51.240 --> 1:01:54.320
<v Speaker 3>No way think well, you.

1:01:54.320 --> 1:01:56.960
<v Speaker 6>Know he's just a big burly cloak. I think that

1:01:57.080 --> 1:01:59.400
<v Speaker 6>he'd be into you guys. But he actually really liked

1:01:59.400 --> 1:02:00.680
<v Speaker 6>you guys, So that's funny.

1:02:00.840 --> 1:02:02.440
<v Speaker 2>Yeah, we have broad appeal. I mean, that's why we

1:02:02.520 --> 1:02:11.840
<v Speaker 2>have Jennifer the Tits. So I'm just joking. That's why

1:02:11.920 --> 1:02:13.760
<v Speaker 2>I'm here the Big Cup.

1:02:14.400 --> 1:02:16.600
<v Speaker 3>Well, thank you for listening and thank you for calling.

1:02:17.320 --> 1:02:19.040
<v Speaker 6>That's all right, I'll get back onto Instagram.

1:02:19.280 --> 1:02:20.200
<v Speaker 3>I can watch its.

1:02:21.080 --> 1:02:22.640
<v Speaker 2>We love you say bye.

1:02:23.240 --> 1:02:25.800
<v Speaker 3>Wow, this was a success.

1:02:26.120 --> 1:02:27.600
<v Speaker 17>Why is no one calling for me.

1:02:27.960 --> 1:02:30.360
<v Speaker 3>I don't think you've explained it to your Instagram followers.

1:02:30.680 --> 1:02:32.920
<v Speaker 3>Jenna hasn't done the sat this went live with no

1:02:33.120 --> 1:02:35.720
<v Speaker 3>Podcast sixty five and asked for me.

1:02:36.480 --> 1:02:40.600
<v Speaker 2>God live on Etsy. Well done. I'm very impressed with

1:02:40.640 --> 1:02:43.200
<v Speaker 2>our followers. Thank you to Instagram. Everyone's saying Hi, high

1:02:43.280 --> 1:02:44.320
<v Speaker 2>high high three.

1:02:45.000 --> 1:02:48.240
<v Speaker 3>I don't like to try, and you know, thrive off

1:02:48.360 --> 1:02:51.560
<v Speaker 3>validation from other people. But my soul died in those

1:02:51.600 --> 1:02:53.520
<v Speaker 3>fifty seconds when I thought that no one was going

1:02:53.600 --> 1:02:56.840
<v Speaker 3>to call me too, Like my ego was like, bang

1:02:57.040 --> 1:02:57.840
<v Speaker 3>took such a hit?

1:02:58.920 --> 1:03:02.360
<v Speaker 2>How's my egg? After a I'm here for Mitchell Cooms's video,

1:03:02.480 --> 1:03:05.200
<v Speaker 2>we put on the YouTube. Shut up. Well, I'm on

1:03:05.240 --> 1:03:07.080
<v Speaker 2>TikTok right now you are on TikTok and I'm on

1:03:07.200 --> 1:03:09.320
<v Speaker 2>I'm on our stupid little life. We have one more.

1:03:09.400 --> 1:03:11.080
<v Speaker 2>Let's end with this. Come on may as well. Hi

1:03:11.360 --> 1:03:17.680
<v Speaker 2>name suburb, Hi Holy Holy, probably from Hobart.

1:03:18.040 --> 1:03:21.480
<v Speaker 3>Oh didn't we speak to you a while ago? Yes,

1:03:21.800 --> 1:03:24.560
<v Speaker 3>that's right, she's come back. Did the Red Ruth about

1:03:24.640 --> 1:03:25.080
<v Speaker 3>to reach you?

1:03:26.080 --> 1:03:26.440
<v Speaker 11>It did?

1:03:28.080 --> 1:03:30.120
<v Speaker 2>What did you use it?

1:03:30.520 --> 1:03:30.720
<v Speaker 5>Oh?

1:03:30.880 --> 1:03:32.240
<v Speaker 2>You're kidding, we'll send it back in.

1:03:33.120 --> 1:03:35.240
<v Speaker 3>It never occurred to me that there's no red rooster

1:03:35.320 --> 1:03:38.200
<v Speaker 3>in Tasmania. That's bullsh and you can't even leave that.

1:03:38.760 --> 1:03:42.360
<v Speaker 2>What a shitty competition we run. But here's a prized

1:03:42.360 --> 1:03:43.400
<v Speaker 2>that you can't use.

1:03:43.640 --> 1:03:46.200
<v Speaker 3>And also, I don't think Corona. I'm pretty sure those

1:03:46.240 --> 1:03:49.320
<v Speaker 3>vouchers expire in December and the porters are going to

1:03:49.360 --> 1:03:49.919
<v Speaker 3>open before.

1:03:50.160 --> 1:03:50.680
<v Speaker 14>No, they're not.

1:03:50.920 --> 1:03:54.120
<v Speaker 2>We really fucked you over. Holy. Sorry, I'm so sorry, Holly, Sure,

1:03:54.480 --> 1:03:57.720
<v Speaker 2>thanks for calling anyway, appreciate it. Who are you calling for?

1:03:57.840 --> 1:04:00.400
<v Speaker 2>Which means his name is surname Jennal.

1:04:06.000 --> 1:04:08.280
<v Speaker 3>Well done, j I'm not ending this bye.

1:04:08.120 --> 1:04:10.920
<v Speaker 2>Holy until I get a cheery hie. Name and suburb

1:04:12.760 --> 1:04:19.160
<v Speaker 2>they're there? Name suburb, good day, name and suburb.

1:04:22.800 --> 1:04:23.640
<v Speaker 3>Hey, who's calling?

1:04:26.640 --> 1:04:26.880
<v Speaker 6>Hello?

1:04:30.440 --> 1:04:30.680
<v Speaker 2>Hello?

1:04:30.920 --> 1:04:31.160
<v Speaker 5>Hello?

1:04:33.720 --> 1:04:35.120
<v Speaker 3>Must be a U fan. They're not all there.

1:04:36.720 --> 1:04:40.840
<v Speaker 2>That's finally I get what And they're not mentally stable.

1:04:40.920 --> 1:04:43.120
<v Speaker 2>That's my demographic. All right, we need to get out

1:04:43.120 --> 1:04:46.919
<v Speaker 2>of here. Thank you everyone for calling. What a great

1:04:46.960 --> 1:04:47.720
<v Speaker 2>fan base I have.

1:04:47.840 --> 1:04:50.200
<v Speaker 3>Thanks for listening, guys, and thanks to everyone and called in.

1:04:50.280 --> 1:04:51.440
<v Speaker 2>We should do this more often.

1:04:51.560 --> 1:04:52.040
<v Speaker 3>We should.

1:04:52.200 --> 1:04:54.360
<v Speaker 2>Yes, we don't have a call hold on, we have one.

1:04:54.640 --> 1:04:56.400
<v Speaker 2>I'll put it through. We may as well, yes, please,

1:04:56.520 --> 1:04:57.840
<v Speaker 2>we have the one last call if this has been

1:04:57.840 --> 1:04:59.160
<v Speaker 2>the last and last one before the line.

1:04:59.000 --> 1:04:59.920
<v Speaker 3>And then yeah you better close them.

1:05:00.360 --> 1:05:03.720
<v Speaker 2>Yeah, okay, Hello, what's your name? Where you're calling from?

1:05:05.120 --> 1:05:08.560
<v Speaker 6>Hi, sus Branden. I'm actually calling from California in the US.

1:05:09.320 --> 1:05:10.520
<v Speaker 2>Oh my god, who are you calling for?

1:05:11.720 --> 1:05:12.840
<v Speaker 6>Mitch and Mitch and Jenna?

1:05:13.000 --> 1:05:13.600
<v Speaker 13>Oh my god?

1:05:13.720 --> 1:05:16.160
<v Speaker 3>Oh wait, you're calling from the US. How did you

1:05:16.200 --> 1:05:16.560
<v Speaker 3>manage that?

1:05:17.480 --> 1:05:19.680
<v Speaker 6>I was on TikTok and I saw your lives It's

1:05:19.920 --> 1:05:22.000
<v Speaker 6>like ten pm.

1:05:22.440 --> 1:05:23.400
<v Speaker 3>Oh my god.

1:05:25.520 --> 1:05:27.280
<v Speaker 2>Did you have to work out the area code and

1:05:27.320 --> 1:05:28.680
<v Speaker 2>the international country code?

1:05:28.800 --> 1:05:29.200
<v Speaker 5>I did?

1:05:29.400 --> 1:05:31.480
<v Speaker 6>I looked, I looked up. I was like, what's the

1:05:31.560 --> 1:05:34.000
<v Speaker 6>Australian international number? I had to look it up.

1:05:34.080 --> 1:05:35.880
<v Speaker 2>Oh my god. Well, it's so good to have you.

1:05:36.200 --> 1:05:37.520
<v Speaker 3>Oh my god, that's wild.

1:05:37.520 --> 1:05:38.000
<v Speaker 17>I'm cool.

1:05:38.160 --> 1:05:40.760
<v Speaker 6>Oh I can't believe I actually got on. This is crazy.

1:05:40.920 --> 1:05:42.200
<v Speaker 3>This is cool going to all that.

1:05:42.800 --> 1:05:43.120
<v Speaker 5>What was it?

1:05:43.240 --> 1:05:43.600
<v Speaker 3>Brighton?

1:05:44.200 --> 1:05:44.720
<v Speaker 6>Yeah, that's it?

1:05:44.880 --> 1:05:46.600
<v Speaker 2>Yeah, Brighton. Do you listen to the podcast? Are you

1:05:46.720 --> 1:05:47.400
<v Speaker 2>just a TikToker?

1:05:48.240 --> 1:05:48.280
<v Speaker 13>No?

1:05:48.440 --> 1:05:49.480
<v Speaker 6>I love the podcast.

1:05:50.200 --> 1:05:52.240
<v Speaker 2>All right, how's things up?

1:05:53.000 --> 1:05:53.120
<v Speaker 5>Oh?

1:05:53.160 --> 1:05:56.760
<v Speaker 6>No, you go. My partner and I are. We went

1:05:56.840 --> 1:05:59.680
<v Speaker 6>to Australia in twenty eighteen. We visited Kansa and Sydney.

1:06:00.120 --> 1:06:01.400
<v Speaker 13>Yeah, we sort of fell.

1:06:01.320 --> 1:06:01.840
<v Speaker 6>In love with it.

1:06:03.640 --> 1:06:07.120
<v Speaker 3>Would you ever come backcumstances?

1:06:07.560 --> 1:06:11.200
<v Speaker 6>Exactly? Hopefully, I mean hopefully we'll be able to get

1:06:11.240 --> 1:06:13.440
<v Speaker 6>back at some point. But I'm in UNI now, Oh,

1:06:13.760 --> 1:06:14.960
<v Speaker 6>my undergrad.

1:06:16.240 --> 1:06:17.560
<v Speaker 3>You're an honorary Australian.

1:06:18.640 --> 1:06:18.800
<v Speaker 13>I know.

1:06:18.880 --> 1:06:21.600
<v Speaker 6>I figured college isn't the right word because we normally

1:06:21.680 --> 1:06:22.440
<v Speaker 6>just call it college.

1:06:23.120 --> 1:06:24.080
<v Speaker 2>What what are you studying?

1:06:24.800 --> 1:06:26.760
<v Speaker 6>Music education? I want to be a music teacher.

1:06:27.000 --> 1:06:31.760
<v Speaker 3>Oh, I love that she loves it. So there you got.

1:06:33.160 --> 1:06:34.680
<v Speaker 6>Where about My whole family's in music?

1:06:34.880 --> 1:06:36.520
<v Speaker 2>And oh where in California?

1:06:36.560 --> 1:06:36.760
<v Speaker 5>Are you?

1:06:37.640 --> 1:06:40.840
<v Speaker 6>Central California? Not quite La, but not quite San Francisco.

1:06:40.880 --> 1:06:43.640
<v Speaker 2>We're sort of like right in the middle Sacramento, Sacramento.

1:06:44.600 --> 1:06:47.120
<v Speaker 6>No, south of that, it's called Bakersfield.

1:06:47.160 --> 1:06:54.800
<v Speaker 2>You're in Napa? Are you of The fire is currently

1:06:54.800 --> 1:06:56.800
<v Speaker 2>like I says, bad wildfire as as you would say.

1:06:57.760 --> 1:07:00.760
<v Speaker 6>We are not, but we're sort of like it in smoke,

1:07:00.960 --> 1:07:04.640
<v Speaker 6>like at like noon outside it's like dark.

1:07:04.840 --> 1:07:10.080
<v Speaker 2>Oh god, that's what's like. Yeah, you walk into his

1:07:10.160 --> 1:07:13.160
<v Speaker 2>house and Jesus like, I'm not like a pork smokery.

1:07:13.240 --> 1:07:16.960
<v Speaker 2>Everything's just smoke. Everyone anyway, Braden, what a pleasure. Thank

1:07:17.000 --> 1:07:18.960
<v Speaker 2>you so much for listening. Spread it to as many

1:07:20.080 --> 1:07:22.080
<v Speaker 2>as many Americans as you can. Let's get the word

1:07:22.120 --> 1:07:22.480
<v Speaker 2>out there.

1:07:22.640 --> 1:07:24.600
<v Speaker 6>Oh I will, I absolutely will.

1:07:24.800 --> 1:07:27.640
<v Speaker 3>I love you guys, love you too, right, and thank

1:07:27.680 --> 1:07:28.360
<v Speaker 3>you for listening.

1:07:31.120 --> 1:07:32.240
<v Speaker 6>Well, thanks for answering.

1:07:32.520 --> 1:07:34.600
<v Speaker 2>That's fine. That delay is very talk back, isn't it

1:07:34.760 --> 1:07:40.360
<v Speaker 2>just to have the sort of pause. Yeah, no, it's

1:07:40.360 --> 1:07:42.280
<v Speaker 2>all good. Thank you for calling, buddy, We appreciate it.

1:07:42.400 --> 1:07:43.680
<v Speaker 2>We'll see you on the socials.

1:07:44.520 --> 1:07:45.600
<v Speaker 6>Thanks, bye bye.

1:07:46.600 --> 1:07:52.880
<v Speaker 2>Great question about California. Yeah, sorry, he would have got

1:07:52.920 --> 1:07:54.120
<v Speaker 2>a kick out of a guy. He would have loved it.

1:07:54.200 --> 1:07:56.240
<v Speaker 2>He would have loved it. He would have loved that.

1:07:57.080 --> 1:07:59.200
<v Speaker 2>He's not in the fires. He's not emotional at the moment.

1:08:00.680 --> 1:08:01.840
<v Speaker 5>Is it just me?

1:08:04.680 --> 1:08:07.600
<v Speaker 3>Okay, Doug? And finally, this is from episode one hundred

1:08:07.640 --> 1:08:10.720
<v Speaker 3>and four. We're going back to Graham Gilbert because, like

1:08:10.880 --> 1:08:14.760
<v Speaker 3>I keep saying, it's very, very prone to prank calls,

1:08:14.800 --> 1:08:17.960
<v Speaker 3>and we actually managed to get through and do one ourselves,

1:08:17.960 --> 1:08:18.840
<v Speaker 3>which was a bit of fun.

1:08:19.040 --> 1:08:21.080
<v Speaker 2>You know, if I was Graham Gilbert, I'd lean into

1:08:21.120 --> 1:08:23.519
<v Speaker 2>the fact. I mean, people work for years without building

1:08:23.560 --> 1:08:26.200
<v Speaker 2>a brand. He's got a brand. Yes, it is being

1:08:26.240 --> 1:08:27.760
<v Speaker 2>the butt of the joke and being the idiot, but

1:08:27.880 --> 1:08:30.280
<v Speaker 2>take it Graham take the rank calls while people still

1:08:30.320 --> 1:08:32.960
<v Speaker 2>think you're relevant, you know, because once that goes, you're done.

1:08:33.320 --> 1:08:36.519
<v Speaker 3>Like, take inspiration from the John Laws Pike's nursery thing.

1:08:36.640 --> 1:08:39.080
<v Speaker 3>Just roll with it. It's gold. Don't get all uppity

1:08:39.120 --> 1:08:42.120
<v Speaker 3>and cranky. He got very pissed off when this caller

1:08:42.240 --> 1:08:48.639
<v Speaker 3>came through and let some dirty words slip on air. Yeah,

1:08:48.720 --> 1:08:50.760
<v Speaker 3>so talk back teams is where we bring you some

1:08:50.880 --> 1:08:53.320
<v Speaker 3>of the cook shit that we hear on talkback radio.

1:08:53.360 --> 1:08:56.760
<v Speaker 3>Because it's it's live, it's dangerous. You get see these

1:08:57.000 --> 1:09:00.240
<v Speaker 3>quirky old callers calling through to those places. Then do

1:09:00.240 --> 1:09:04.280
<v Speaker 3>you remember back in episode fifteen said we're going back

1:09:04.280 --> 1:09:07.160
<v Speaker 3>a while. We played you the time that a bunch

1:09:07.240 --> 1:09:11.439
<v Speaker 3>of people banded together to sabotage Graham Gilbert's nightly quiz.

1:09:11.600 --> 1:09:13.240
<v Speaker 3>Oh we're talking.

1:09:13.200 --> 1:09:14.639
<v Speaker 2>India, yep, India.

1:09:14.760 --> 1:09:17.640
<v Speaker 3>Every question he asked, every single question he asked, they

1:09:17.640 --> 1:09:19.559
<v Speaker 3>would answer with India just to piss him off.

1:09:20.120 --> 1:09:24.880
<v Speaker 9>Which Australian gymnast one Commonwealth Games gold in nineteen ninety

1:09:25.400 --> 1:09:28.719
<v Speaker 9>for his performance on the pommel horse India.

1:09:29.000 --> 1:09:32.920
<v Speaker 13>Are you Marcus grow up whatever? Yeah, grow up? Good

1:09:32.960 --> 1:09:35.280
<v Speaker 13>on you boys are going to be one of those nights,

1:09:36.800 --> 1:09:40.120
<v Speaker 13>Robert Good evening, Hello Graham, how are you not too bad?

1:09:40.160 --> 1:09:41.799
<v Speaker 13>You'll have a sensible answer, aren't.

1:09:41.560 --> 1:09:44.000
<v Speaker 6>You step on a phone?

1:09:45.439 --> 1:09:45.599
<v Speaker 3>Oh?

1:09:46.920 --> 1:09:49.519
<v Speaker 13>And please, no more please?

1:09:50.080 --> 1:09:51.720
<v Speaker 3>That was in our show opener for a while, and

1:09:51.800 --> 1:09:53.640
<v Speaker 3>that was iconic to I have you ever heard a

1:09:53.680 --> 1:09:54.479
<v Speaker 3>more defeated man?

1:09:54.680 --> 1:09:55.320
<v Speaker 13>How please?

1:09:55.560 --> 1:09:55.840
<v Speaker 9>I know?

1:09:56.200 --> 1:09:58.120
<v Speaker 2>No, God, you never think about talk back that. I

1:09:58.160 --> 1:10:00.400
<v Speaker 2>don't think we've ever addressed. Like these guys. They have

1:10:00.520 --> 1:10:03.679
<v Speaker 2>to time out to the hour for the half hour

1:10:03.880 --> 1:10:07.240
<v Speaker 2>for the news, so they sometimes have to feel minutes

1:10:07.439 --> 1:10:09.920
<v Speaker 2>of audio of dead air just to make it out

1:10:09.920 --> 1:10:12.640
<v Speaker 2>to the news break. So you just the ship you

1:10:12.720 --> 1:10:14.240
<v Speaker 2>have to come up with. It's a tough job.

1:10:14.360 --> 1:10:15.800
<v Speaker 3>But although it's not that hard to get through to

1:10:15.840 --> 1:10:17.960
<v Speaker 3>Graham show. So that's why so many prank callers slip

1:10:18.040 --> 1:10:20.360
<v Speaker 3>through the crack. He does like we tried it once, room.

1:10:20.400 --> 1:10:21.800
<v Speaker 3>He didn't even vet us. He just put us on

1:10:21.880 --> 1:10:24.120
<v Speaker 3>air straight to it, didn't even ask our name off air. Yeah,

1:10:24.320 --> 1:10:27.200
<v Speaker 3>So he's quite used to prank calls at this point,

1:10:27.560 --> 1:10:30.240
<v Speaker 3>and he's got quite a short fuse when it comes

1:10:30.280 --> 1:10:32.960
<v Speaker 3>to being on the receiving end. So he was asking

1:10:33.120 --> 1:10:36.400
<v Speaker 3>his listeners about salt water in the ocean, and what

1:10:36.560 --> 1:10:39.040
<v Speaker 3>makes it so salty? And this old bird called through

1:10:39.080 --> 1:10:41.439
<v Speaker 3>with a dirty joke. I suspect it's not actually an

1:10:41.479 --> 1:10:42.960
<v Speaker 3>old lady. You can tell by the voice.

1:10:43.040 --> 1:10:44.759
<v Speaker 2>Oh you think it's a dot Wigan scenario.

1:10:44.920 --> 1:10:47.080
<v Speaker 3>It is very dot Wiggans. You can just tell by

1:10:47.120 --> 1:10:48.559
<v Speaker 3>the voice that it's not a real person.

1:10:48.640 --> 1:10:49.200
<v Speaker 2>Okay, here it is.

1:10:49.439 --> 1:10:52.880
<v Speaker 13>And the salt in the sea eleanor is it.

1:10:55.000 --> 1:10:56.840
<v Speaker 1>The saltiness of the ocean?

1:10:57.160 --> 1:10:59.360
<v Speaker 13>Yes, my grandson told me.

1:11:00.120 --> 1:11:02.560
<v Speaker 11>Can get up on the internet, all right, because of

1:11:02.640 --> 1:11:03.360
<v Speaker 11>all the streamen?

1:11:06.960 --> 1:11:07.679
<v Speaker 13>Is that your answer?

1:11:09.400 --> 1:11:11.719
<v Speaker 22>All the streamen in the ocean makes them salty?

1:11:13.320 --> 1:11:14.760
<v Speaker 13>Thirteen twelve sixty nine.

1:11:14.800 --> 1:11:20.400
<v Speaker 22>We will totally ignore that answer, okay, because I just

1:11:20.479 --> 1:11:24.760
<v Speaker 22>wish these people wouldn't phone up and put on body voices. Alrighty,

1:11:25.080 --> 1:11:26.960
<v Speaker 22>they think they're going to get away with it, but please,

1:11:28.880 --> 1:11:30.400
<v Speaker 22>do we need to say it one more time?

1:11:30.560 --> 1:11:34.920
<v Speaker 13>We do take all of your numbers. And is an offense? Okay?

1:11:36.000 --> 1:11:38.080
<v Speaker 13>Is an offense to Communications Act?

1:11:39.720 --> 1:11:45.320
<v Speaker 3>Shut up, horse, I just don't think that's true, Jana.

1:11:45.320 --> 1:11:47.640
<v Speaker 3>Can you look up the Communications Act? It's even an

1:11:47.680 --> 1:11:49.640
<v Speaker 3>offense to prank call someone? Because I really don't think

1:11:49.680 --> 1:11:50.599
<v Speaker 3>it is. We do it all the time.

1:11:50.840 --> 1:11:53.120
<v Speaker 2>I have to do radio codes once a year, and no,

1:11:53.360 --> 1:11:55.800
<v Speaker 2>you can call us having no legal binding, right, I

1:11:55.840 --> 1:11:56.639
<v Speaker 2>can do whatever they want.

1:11:56.760 --> 1:11:58.840
<v Speaker 3>It's just so easy and so fun to get through.

1:11:59.320 --> 1:12:03.120
<v Speaker 3>And I just love his overreaction, like, oh please, we'll

1:12:03.200 --> 1:12:05.040
<v Speaker 3>just totally ignore that. I have another example.

1:12:05.120 --> 1:12:06.800
<v Speaker 2>Yeah, well, Graham, right.

1:12:06.760 --> 1:12:09.040
<v Speaker 3>Now, it's not Graham. This is a show in Melbourne

1:12:09.040 --> 1:12:11.320
<v Speaker 3>on three a W. And they were on the receiving

1:12:11.439 --> 1:12:14.960
<v Speaker 3>end of a filthy prank call and their reaction, Oh

1:12:15.000 --> 1:12:17.519
<v Speaker 3>my god, they overreacted so much. It's like, oh, laugh

1:12:17.600 --> 1:12:18.479
<v Speaker 3>a little darling.

1:12:18.600 --> 1:12:19.439
<v Speaker 2>Oh they were angry.

1:12:19.720 --> 1:12:20.799
<v Speaker 3>Oh they were furious.

1:12:21.000 --> 1:12:23.400
<v Speaker 2>Okay, So this is a three a W in Melbourne.

1:12:23.720 --> 1:12:27.679
<v Speaker 8>Night Lion with Bruce Mansfield and Philip Brady on twelve

1:12:27.800 --> 1:12:30.759
<v Speaker 8>seventy eight, three a W Newport.

1:12:30.840 --> 1:12:31.719
<v Speaker 2>Toby is at Newport.

1:12:31.760 --> 1:12:35.599
<v Speaker 13>Hello Toby, Hi Bruce, Phil Yes, Toby, how are you cool? Good?

1:12:35.680 --> 1:12:36.000
<v Speaker 8>Thanks?

1:12:36.520 --> 1:12:40.280
<v Speaker 13>I have a joke. Yes, what's the funniest smelling thing

1:12:40.360 --> 1:12:41.400
<v Speaker 13>in the whole wild world?

1:12:41.760 --> 1:12:44.000
<v Speaker 20>The funniest smelling thing in the whole wide world.

1:12:44.160 --> 1:12:49.800
<v Speaker 16>Perhaps your nose horns an anchovy cunt?

1:12:53.400 --> 1:12:56.519
<v Speaker 20>What a pity, Toby, Never call us again. Play never

1:12:56.640 --> 1:12:59.000
<v Speaker 20>in your life even think about it.

1:12:59.000 --> 1:13:01.800
<v Speaker 18>And think we've dumped your Toby, but there are people

1:13:02.080 --> 1:13:06.320
<v Speaker 18>like Carmen and Queenie online and could hear that in

1:13:06.400 --> 1:13:07.000
<v Speaker 18>the ear.

1:13:08.960 --> 1:13:11.599
<v Speaker 13>And we heard it, and Simon heard it, So you're

1:13:11.640 --> 1:13:13.360
<v Speaker 13>ruined it for all of us. Toby.

1:13:13.720 --> 1:13:17.360
<v Speaker 20>If you've ever thinking of tuning in again, just don't

1:13:17.479 --> 1:13:19.600
<v Speaker 20>get a life and Toby, grow up.

1:13:20.600 --> 1:13:25.800
<v Speaker 3>Grow up. Carmen and Queenie, I found an answer to

1:13:26.000 --> 1:13:26.760
<v Speaker 3>the communications.

1:13:27.400 --> 1:13:30.960
<v Speaker 12>So threatening to kill or cause serious harm to someone

1:13:31.360 --> 1:13:33.440
<v Speaker 12>is considered a criminal offense.

1:13:33.160 --> 1:13:35.040
<v Speaker 2>Of course, Oh my god, Jenna, do you think we

1:13:35.120 --> 1:13:35.680
<v Speaker 2>didn't know that.

1:13:38.800 --> 1:13:41.000
<v Speaker 3>Even that's a brand new information.

1:13:41.680 --> 1:13:44.200
<v Speaker 2>Drowning a human will send you to prison. Oh good

1:13:44.240 --> 1:13:44.400
<v Speaker 2>to know.

1:13:44.840 --> 1:13:47.960
<v Speaker 3>No behead your mother in law, or even threatening to

1:13:48.080 --> 1:13:48.280
<v Speaker 3>do so.

1:13:48.880 --> 1:13:52.439
<v Speaker 12>Even if the prankster doesn't threaten their victim, repeated calls

1:13:52.520 --> 1:13:55.920
<v Speaker 12>can amount to harassment, stalking, or bullying. So that person

1:13:56.280 --> 1:13:58.719
<v Speaker 12>wasn't doing committing an offense.

1:13:58.840 --> 1:14:01.599
<v Speaker 2>God, that call was who they were so upset?

1:14:01.680 --> 1:14:03.720
<v Speaker 3>Do you love how as soon as he said an

1:14:03.720 --> 1:14:07.240
<v Speaker 3>anchover's c word, you just heard the hosts in the

1:14:07.280 --> 1:14:10.280
<v Speaker 3>background be like, yeah, like turning all the buttons of.

1:14:10.680 --> 1:14:12.720
<v Speaker 2>God, that's so funny, good joke. So I'd have heard

1:14:12.760 --> 1:14:14.400
<v Speaker 2>that one before that's fresh good.

1:14:14.439 --> 1:14:16.920
<v Speaker 3>Well, yeah, I was going to suggest that we get

1:14:17.000 --> 1:14:19.720
<v Speaker 3>dot Wiggins. You're eighty year old, ninety year old, I

1:14:19.760 --> 1:14:21.960
<v Speaker 3>can't remember how old she is, your alter ego, the

1:14:22.080 --> 1:14:23.880
<v Speaker 3>old lady that comes out to play every now and then,

1:14:23.880 --> 1:14:25.439
<v Speaker 3>Because we haven't heard from dotting a bit, no I

1:14:25.520 --> 1:14:27.519
<v Speaker 3>miss her. I was going to suggest that we call

1:14:28.200 --> 1:14:30.479
<v Speaker 3>a station and try and get through. But if it's

1:14:30.560 --> 1:14:34.120
<v Speaker 3>repeated prank call, that's like maybe that is we'd have

1:14:34.160 --> 1:14:36.920
<v Speaker 3>to call a different show for example. Actually, no, grand

1:14:36.960 --> 1:14:38.120
<v Speaker 3>it's not even on at this time of day, so

1:14:38.160 --> 1:14:38.800
<v Speaker 3>it's probably fine.

1:14:39.040 --> 1:14:40.599
<v Speaker 2>We could call an FM station.

1:14:41.200 --> 1:14:43.080
<v Speaker 3>Oh that would be way harder if it's an FM

1:14:43.200 --> 1:14:43.679
<v Speaker 3>music station.

1:14:43.880 --> 1:14:44.080
<v Speaker 13>Yeah.

1:14:44.200 --> 1:14:46.880
<v Speaker 3>True, but you have to call and basically use a

1:14:46.960 --> 1:14:50.320
<v Speaker 3>dirty word and see if they even notice. Oh, like slip,

1:14:50.760 --> 1:14:53.880
<v Speaker 3>because you know how she said the streamana in the

1:14:53.920 --> 1:14:57.040
<v Speaker 3>ocean that was like a double what's the word? Yeah,

1:14:57.120 --> 1:15:01.640
<v Speaker 3>because she was referring to men of the sea, men

1:15:01.840 --> 1:15:04.240
<v Speaker 3>at sea, which is the men, but she tied it

1:15:04.280 --> 1:15:06.280
<v Speaker 3>in with the saltingness, so it's actually dirty. So we

1:15:06.320 --> 1:15:07.280
<v Speaker 3>need like a hidden meaning.

1:15:07.400 --> 1:15:09.559
<v Speaker 2>What if I talk about the fact that my pussy

1:15:09.560 --> 1:15:12.960
<v Speaker 2>won't stop itching and I think she might have mine

1:15:13.040 --> 1:15:20.200
<v Speaker 2>that's not even life. Yeah, smaller than lies, like.

1:15:21.280 --> 1:15:24.280
<v Speaker 3>Words that sound dirty.

1:15:25.360 --> 1:15:28.200
<v Speaker 2>Beaver, be fever, Oh, beaver's good.

1:15:28.680 --> 1:15:30.479
<v Speaker 3>I don't think we even have beavers in Australia though,

1:15:30.520 --> 1:15:31.240
<v Speaker 3>so that's too obvious.

1:15:32.240 --> 1:15:33.760
<v Speaker 2>No, we don't. Maybe I can just say that I've

1:15:33.800 --> 1:15:37.559
<v Speaker 2>got suddenly I've been I'm fascinated with beavers. And it's

1:15:37.680 --> 1:15:40.320
<v Speaker 2>very late in life because I haven't normally been interested

1:15:40.320 --> 1:15:42.400
<v Speaker 2>in beavers. But I watched something on Telly.

1:15:42.520 --> 1:15:43.840
<v Speaker 3>What about the word rump?

1:15:45.000 --> 1:15:46.400
<v Speaker 2>Now I want more vogele like it needs to be

1:15:46.640 --> 1:15:49.679
<v Speaker 2>like I could say, whole, like a butthole, like Fanny

1:15:50.360 --> 1:15:51.920
<v Speaker 2>Fanny flange. What's flange?

1:15:51.960 --> 1:15:52.000
<v Speaker 7>Ma?

1:15:52.160 --> 1:15:52.599
<v Speaker 2>Oh my god?

1:15:53.000 --> 1:15:53.520
<v Speaker 3>Flaps?

1:15:53.960 --> 1:15:56.080
<v Speaker 2>Oh flaps is good?

1:15:56.720 --> 1:16:00.120
<v Speaker 3>Hi, I'm calling them having issue with my flat. What

1:16:00.160 --> 1:16:03.160
<v Speaker 3>could you actually be talking about? Obviously not your badge.

1:16:02.960 --> 1:16:04.760
<v Speaker 2>When i'd flaps on, I've got a four wheel drive.

1:16:04.960 --> 1:16:08.840
<v Speaker 3>Oh yeah, flaps are just no matter how much I

1:16:08.960 --> 1:16:12.880
<v Speaker 3>clean them, they have it in grime and grunt.

1:16:12.560 --> 1:16:16.880
<v Speaker 2>And it stinks. Let's go with flaps. Oh my god,

1:16:17.080 --> 1:16:17.799
<v Speaker 2>I like flaps.

1:16:18.080 --> 1:16:22.879
<v Speaker 3>I've heard otherwise about you. What about like we're using flaps,

1:16:22.920 --> 1:16:26.200
<v Speaker 3>but you're actually talking about flapper jacks like the pancakes,

1:16:26.520 --> 1:16:29.639
<v Speaker 3>you're like, when I come home, my my husband loves

1:16:29.720 --> 1:16:32.599
<v Speaker 3>to nore on flaps. But I'm just having some trouble.

1:16:32.640 --> 1:16:33.880
<v Speaker 3>The flaps are too dry.

1:16:34.920 --> 1:16:38.040
<v Speaker 2>Oh yeah, flaper jacks. Is that too much of a life. Also,

1:16:38.040 --> 1:16:40.160
<v Speaker 2>don't think it's flapperjacks. I think you're mispronouncing that. I

1:16:40.200 --> 1:16:44.400
<v Speaker 2>think it's flapjacks. Oh whatever, you upset the Canadian. Yeah,

1:16:44.520 --> 1:16:45.240
<v Speaker 2>flap jacks.

1:16:46.479 --> 1:16:48.880
<v Speaker 3>Like you, you have this whole narrative that you like

1:16:48.960 --> 1:16:50.880
<v Speaker 3>to cook your husband pancakes when it comes home from

1:16:50.880 --> 1:16:53.479
<v Speaker 3>work every day, but you're having problems with the flaps.

1:16:53.600 --> 1:16:54.200
<v Speaker 1>The flaps.

1:16:54.439 --> 1:16:58.439
<v Speaker 3>Yeah, okay, I like that that work, and there's nothing

1:16:58.479 --> 1:17:00.880
<v Speaker 3>more he enjoys more after a hard day at work

1:17:00.960 --> 1:17:03.280
<v Speaker 3>than my flaps, some moist flaps.

1:17:03.680 --> 1:17:05.240
<v Speaker 2>Yeah, and what I just start with them having some

1:17:05.400 --> 1:17:09.599
<v Speaker 2>meritable problems and then because I don't want to lead

1:17:09.640 --> 1:17:11.400
<v Speaker 2>with the flaps, because that'll that'll be a red flap,

1:17:11.479 --> 1:17:12.280
<v Speaker 2>maybe red fla.

1:17:12.240 --> 1:17:13.960
<v Speaker 3>Maybe when you speak to the producer or whatever, you

1:17:14.040 --> 1:17:18.000
<v Speaker 3>say you've got a cooking question. Yeah, on who's even

1:17:18.080 --> 1:17:18.240
<v Speaker 3>on it?

1:17:18.520 --> 1:17:19.760
<v Speaker 2>I'm looking now who's on air?

1:17:22.320 --> 1:17:24.679
<v Speaker 3>Oh okay, so same station is Graham and John Laws,

1:17:25.160 --> 1:17:28.479
<v Speaker 3>Brent Bultitude. Oh yeah, I don't think he'd be hard

1:17:28.520 --> 1:17:29.000
<v Speaker 3>to get through too.

1:17:29.120 --> 1:17:29.599
<v Speaker 2>What's the number?

1:17:29.680 --> 1:17:32.960
<v Speaker 3>Let's try thirteen twelve sixty nine famously.

1:17:32.840 --> 1:17:34.840
<v Speaker 2>Oh yeah, of course, all right, let's call shit, don't

1:17:34.920 --> 1:17:35.240
<v Speaker 2>get me.

1:17:36.760 --> 1:17:40.920
<v Speaker 6>Yes seper radio and it work.

1:17:41.200 --> 1:17:44.320
<v Speaker 3>Who's calling me me?

1:17:44.640 --> 1:17:44.920
<v Speaker 4>Sorry?

1:17:45.720 --> 1:17:46.360
<v Speaker 2>You're talking to me?

1:17:48.560 --> 1:17:48.760
<v Speaker 4>That me?

1:17:49.320 --> 1:17:49.360
<v Speaker 9>No?

1:17:49.800 --> 1:17:54.600
<v Speaker 2>No, no, certainly not dot d dot Yeah, if you do,

1:17:55.439 --> 1:17:58.719
<v Speaker 2>Brent A bit o g. I've been with my beloved

1:17:58.760 --> 1:18:02.600
<v Speaker 2>husband four years and having meritable issues and I just

1:18:02.800 --> 1:18:05.040
<v Speaker 2>wanted to see to stick it through. Or is it

1:18:05.120 --> 1:18:07.120
<v Speaker 2>too late in life to throw away?

1:18:07.479 --> 1:18:08.120
<v Speaker 6>It won't be long?

1:18:08.160 --> 1:18:12.240
<v Speaker 11>Hold on, make the payments. You've got serious problems, absolutely

1:18:12.320 --> 1:18:15.320
<v Speaker 11>serious problems ahead of you. Brian is next time?

1:18:15.400 --> 1:18:15.639
<v Speaker 8>Brian?

1:18:16.000 --> 1:18:16.360
<v Speaker 5>There we go?

1:18:17.960 --> 1:18:18.280
<v Speaker 8>How are you?

1:18:18.400 --> 1:18:18.639
<v Speaker 6>Brian?

1:18:18.760 --> 1:18:20.320
<v Speaker 17>How's the left eye?

1:18:21.400 --> 1:18:23.320
<v Speaker 11>The left eyes? Find it's the right eye that had

1:18:23.920 --> 1:18:25.040
<v Speaker 11>caused me all the problems.

1:18:26.280 --> 1:18:26.559
<v Speaker 3>His name?

1:18:26.640 --> 1:18:27.519
<v Speaker 2>What's this guy's name?

1:18:28.640 --> 1:18:28.840
<v Speaker 6>Brent?

1:18:29.240 --> 1:18:30.040
<v Speaker 2>The hostess branch?

1:18:30.720 --> 1:18:32.519
<v Speaker 3>It just confidently call him Kent.

1:18:35.760 --> 1:18:37.759
<v Speaker 13>And I quite order.

1:18:41.840 --> 1:18:45.200
<v Speaker 2>He does, mate, I'm quite frank. Hurry up?

1:18:45.320 --> 1:18:45.600
<v Speaker 13>What's this?

1:18:45.760 --> 1:18:47.439
<v Speaker 3>What's the call? His name again? Brian or something?

1:18:47.479 --> 1:18:47.799
<v Speaker 2>Brian?

1:18:49.240 --> 1:18:49.479
<v Speaker 7>Phil?

1:18:51.200 --> 1:18:51.880
<v Speaker 3>Come on, Brian?

1:18:52.200 --> 1:18:52.479
<v Speaker 13>Boring?

1:18:52.600 --> 1:18:56.519
<v Speaker 2>Sorry, work out here on the campaign right? I love

1:18:56.560 --> 1:19:01.120
<v Speaker 2>the head and make you knew how you go.

1:19:02.360 --> 1:19:05.160
<v Speaker 11>You can't let anybody know that, Kenny, he's gonna You've

1:19:05.160 --> 1:19:10.280
<v Speaker 11>got to carry look at good Thank you for you God?

1:19:11.120 --> 1:19:17.520
<v Speaker 2>Oh oh yes, sorry sorry Trance. Do you have conjunctivitis?

1:19:17.640 --> 1:19:17.800
<v Speaker 6>Do you?

1:19:18.640 --> 1:19:18.680
<v Speaker 3>No?

1:19:18.960 --> 1:19:19.000
<v Speaker 9>No?

1:19:19.200 --> 1:19:21.120
<v Speaker 11>No, I wish I did because I could get over that.

1:19:21.479 --> 1:19:22.439
<v Speaker 17>What you gonna?

1:19:22.520 --> 1:19:23.360
<v Speaker 2>What do you have in your eye?

1:19:23.680 --> 1:19:25.960
<v Speaker 11>I had a detached in my right eye?

1:19:26.080 --> 1:19:27.960
<v Speaker 3>Oh, this is awful. Milk.

1:19:28.720 --> 1:19:29.600
<v Speaker 2>Milk will fix this.

1:19:29.680 --> 1:19:32.200
<v Speaker 8>Side fix milk will fix it.

1:19:32.800 --> 1:19:35.360
<v Speaker 2>Skim milk, yes, skim milk. And you put it in,

1:19:35.800 --> 1:19:37.439
<v Speaker 2>No said you put it?

1:19:38.680 --> 1:19:41.599
<v Speaker 11>You put it in a shop milkul fix attachment?

1:19:42.120 --> 1:19:42.519
<v Speaker 5>You put it in?

1:19:43.640 --> 1:19:44.280
<v Speaker 6>How can I help you?

1:19:44.360 --> 1:19:44.519
<v Speaker 13>Don't?

1:19:44.560 --> 1:19:45.400
<v Speaker 11>What would you like to say?

1:19:45.479 --> 1:19:47.040
<v Speaker 2>Well, the cap of the milk and you put your

1:19:47.080 --> 1:19:50.760
<v Speaker 2>eye and you roll your right back anyway. I look,

1:19:50.760 --> 1:19:53.120
<v Speaker 2>I'm not having a maritable problem. But I've been with

1:19:53.240 --> 1:19:57.559
<v Speaker 2>my daughter's husband, Brian for forty forty forty five years,

1:19:57.960 --> 1:20:00.320
<v Speaker 2>and I'll cook him dinner every night. He's seems to

1:20:00.400 --> 1:20:02.840
<v Speaker 2>enjoy it, and it seems to enjoy tea and make

1:20:02.920 --> 1:20:05.439
<v Speaker 2>him sweets and make him food and make him savory food,

1:20:05.800 --> 1:20:09.840
<v Speaker 2>and he mostly seems to enjoy my My flaps the

1:20:09.960 --> 1:20:14.439
<v Speaker 2>only problem is he tends to be used to moist flaps. However,

1:20:14.840 --> 1:20:20.040
<v Speaker 2>he now sadly has experienced my flaps are dry, so

1:20:20.640 --> 1:20:22.000
<v Speaker 2>he's not happy.

1:20:25.320 --> 1:20:26.160
<v Speaker 8>Let's take a break.

1:20:26.680 --> 1:20:27.200
<v Speaker 2>If it's.

1:20:28.680 --> 1:20:30.240
<v Speaker 3>We're go on, I think they hung up when you

1:20:30.280 --> 1:20:31.120
<v Speaker 3>don't hung up on me.

1:20:31.960 --> 1:20:33.280
<v Speaker 2>Let's take a break.

1:20:33.520 --> 1:20:34.200
<v Speaker 3>Oh my god.

1:20:35.120 --> 1:20:36.479
<v Speaker 2>Oh he didn't want to borrow it.

1:20:36.640 --> 1:20:38.160
<v Speaker 3>No, I think you weren't subtle enough.

1:20:39.040 --> 1:20:41.920
<v Speaker 2>I really didn't weave it meant to be. I cook

1:20:42.040 --> 1:20:44.360
<v Speaker 2>him a beautiful stack of flaps.

1:20:44.000 --> 1:20:45.800
<v Speaker 3>Like you know, it could be something else.

1:20:46.680 --> 1:20:50.920
<v Speaker 2>When he got to black my dry flaps, I got

1:20:51.080 --> 1:20:55.880
<v Speaker 2>distracted by the eye, you know what. I felt bad

1:20:56.080 --> 1:20:59.519
<v Speaker 2>because the poor bus it has a detached retina. And

1:20:59.600 --> 1:21:02.160
<v Speaker 2>then he I am being a bastard to him and

1:21:02.280 --> 1:21:03.280
<v Speaker 2>I called him Trent.

1:21:05.280 --> 1:21:05.960
<v Speaker 8>Isn't just me?

1:21:06.439 --> 1:21:10.240
<v Speaker 1>You should follow these idiots online. Search a couple of mitches.

1:21:11.920 --> 1:21:14.000
<v Speaker 3>There we go the best bits of talkback things. And

1:21:14.040 --> 1:21:15.600
<v Speaker 3>we were saying a couple of weeks ago, Mitch that

1:21:16.120 --> 1:21:17.960
<v Speaker 3>when we come back to season five, we've already got

1:21:18.000 --> 1:21:20.360
<v Speaker 3>stuff ready to go. There's been some cook talkback shit

1:21:20.400 --> 1:21:21.240
<v Speaker 3>happening over the summer.

1:21:21.360 --> 1:21:22.880
<v Speaker 2>Oh god, yeah, And there was something that happened on

1:21:23.000 --> 1:21:25.160
<v Speaker 2>FM Radio. I mentioned it in the Last Best Bits

1:21:25.360 --> 1:21:27.640
<v Speaker 2>that we've been plagiarized, and I've got it and we

1:21:27.720 --> 1:21:30.240
<v Speaker 2>will will unpack it. You haven't heard it yet, Mitch.

1:21:30.280 --> 1:21:32.040
<v Speaker 3>But no, you didn't mention it was the FM radio.

1:21:32.080 --> 1:21:33.639
<v Speaker 3>I don't know if that counts as that talk back.

1:21:34.320 --> 1:21:36.200
<v Speaker 2>I'll pitch it to you and it could be a

1:21:36.240 --> 1:21:38.080
<v Speaker 2>first you know, season five for God. So if they

1:21:38.080 --> 1:21:41.920
<v Speaker 2>can change things up, we can shake things out. But oh,

1:21:42.040 --> 1:21:44.840
<v Speaker 2>that's my doorbell. Oh oh fuck, it's the open house.

1:21:44.840 --> 1:21:46.320
<v Speaker 2>I have an open house in a minute now, an

1:21:46.360 --> 1:21:49.120
<v Speaker 2>open house, and I think that's a real estate agent.

1:21:50.760 --> 1:21:53.720
<v Speaker 2>Oh no, do you think this will up the value? Actually, Mitch,

1:21:53.760 --> 1:21:55.280
<v Speaker 2>can you just sit here and smile and I'm just

1:21:55.280 --> 1:21:57.320
<v Speaker 2>gonna put the webcam on full screen and then if

1:21:57.320 --> 1:21:59.160
<v Speaker 2>people see you, they might bid more. It might make

1:21:59.240 --> 1:22:01.160
<v Speaker 2>us some more cash. Do you mind take your top

1:22:01.200 --> 1:22:01.680
<v Speaker 2>off as well?

1:22:01.840 --> 1:22:05.040
<v Speaker 3>No, I'm not showing my tits to these random inspectors

1:22:05.120 --> 1:22:05.920
<v Speaker 3>or whatever you call them.

1:22:07.120 --> 1:22:08.960
<v Speaker 2>I better go what do you call them?

1:22:10.080 --> 1:22:12.360
<v Speaker 3>Can I just say, by the way, it's very fitting

1:22:12.400 --> 1:22:14.840
<v Speaker 3>that this has happened because next week, our Final Best

1:22:14.880 --> 1:22:18.240
<v Speaker 3>Bits episode, we're doing all the times that we've fucked

1:22:18.280 --> 1:22:19.880
<v Speaker 3>with sound you know, we love a sound effect, we

1:22:19.960 --> 1:22:22.760
<v Speaker 3>love creating our own sounds and such. And one of

1:22:22.800 --> 1:22:24.880
<v Speaker 3>the segments that made it into the Best Bits, you'd

1:22:24.920 --> 1:22:28.719
<v Speaker 3>be surprised was top five Doorbells not Switches. I shit can't.

1:22:28.760 --> 1:22:30.439
<v Speaker 21>At the time, I said, that's a terrible idea, but

1:22:30.479 --> 1:22:33.000
<v Speaker 21>it's made the Best Bits, so go see. Okay, that's

1:22:33.080 --> 1:22:35.240
<v Speaker 21>next week. I've got to go sell my house. Love

1:22:35.280 --> 1:22:37.240
<v Speaker 21>you guys, thanks for listening. We're back live with season

1:22:37.320 --> 1:22:40.160
<v Speaker 21>five very soon. Another Best Bitch next week, see you, Mitchell.

1:22:40.320 --> 1:22:43.280
<v Speaker 21>I'll talk to you then with the inspection. By the way,

1:22:43.439 --> 1:22:44.560
<v Speaker 21>good to storbell.

1:22:44.200 --> 1:22:44.680
<v Speaker 13>From you too.

1:22:44.920 --> 1:22:47.040
<v Speaker 2>Yeah, thank you so much Amazon.

1:22:47.880 --> 1:22:48.760
<v Speaker 3>Catch you at It's fake?

1:22:49.520 --> 1:22:50.720
<v Speaker 5>Is it just me?

1:22:51.320 --> 1:22:53.479
<v Speaker 1>A podcast by a couple of mitches.

1:22:53.800 --> 1:22:56.840
<v Speaker 8>Make sure you've hit follow on your podcast.