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Speaker 1: This is jam Nation with Jones.

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Speaker 2: Over the last decade, our next Guest has taken well

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Speaker 2: known personalities on road trips back through their lives. We're

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Speaker 2: visiting the places and the moments that shape them. Well there, Sunday,

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Speaker 2: we're getting ready to say goodbye to Home Delivery. It's

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Speaker 2: the beginning of its final ever season. Oh, the host

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Speaker 2: of the show, Julia Zemiro, joins us.

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Speaker 1: Now, Hi, Julia, Oh I lovely? Wow?

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Speaker 3: What happened?

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Speaker 1: Julia?

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Speaker 3: Why is this the final? Do we run out of

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Speaker 3: celebrities or old cars?

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Speaker 1: Oh? Man, No, there's heaps for them. Well, you know what,

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Speaker 1: you're not in control of these things. I think you'll

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Speaker 1: find Jones. It's like anything, you know, whether it's rock

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Speaker 1: Ways or Home Delivery or Eurovision. Every year you were

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Speaker 1: not guaranteed it would go again. You know, there's no

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Speaker 1: fighting contracts anymore. You go year by year. And COVID

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Speaker 1: sort of stopped one of our theories of it's short

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Speaker 1: and I think that whole period of reassessment, you know

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Speaker 1: that you can't be doing the same thing forever. They're

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Speaker 1: new voices they want to hear from. And seventy seven episodes,

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Speaker 1: nine series is a good run, but it was I

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Speaker 1: did say to the ABC, if it is the last one,

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Speaker 1: can we say it's the last one and not just

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Speaker 1: never come back and celebrate it? So ye, we're going

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Speaker 1: to do four longer episodes on a Sunday night rather

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Speaker 1: than the thirty minute episodes on a Wednesday.

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Speaker 2: How long do you spend with someone, for example, this

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Speaker 2: latest series, you've got Ray Martin, you've got Marsha Hines.

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Speaker 2: Do you hang out with them for a week to

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Speaker 2: record one episode? How long are you in their company?

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Speaker 1: Oh, you must think you're on a Netflix budget of summertimes, Amanda.

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Speaker 2: We're sleeping top to toe the motor in.

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Speaker 1: Yeah. Well, actually, with these these episodes, we actually spent

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Speaker 1: two days with them because we were making longer episodes.

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Speaker 1: But normally we go to the town wherever we're supposed

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Speaker 1: to go, and we're there the night before and in

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Speaker 1: the morning I get up and often I meet my

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Speaker 1: guest for the first time in the flour of the

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Speaker 1: hotel and we spend the whole day together shooting. That

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Speaker 1: is kind of the main template. And sometimes we'll do

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Speaker 1: two locations, depending if you've got time, if they're available.

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Speaker 1: It's all about their availability. You know, if you're plucking

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Speaker 1: Lee Sales out of Sydney where she lives and she

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Speaker 1: makes it a nightly show to take her to Brisbane,

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Speaker 1: you're asking her to give up twenty four hours, if

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Speaker 1: not more. So you know you need to be really

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Speaker 1: economical about how you do that. And yeah, it's normally

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Speaker 1: very it can normally be very quick. But with fifth season,

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Speaker 1: we did have two full days and to hang out

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Speaker 1: with Ray Martin and Marsha Hines and Stephen Page, the

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Speaker 1: artistic director of Zangara Dan Theater.

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Speaker 4: Was fantastic and one of the big stars besides yourself

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Speaker 4: are the vintage cars that you show up in.

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Speaker 3: I'll ask you this question. I want you to be honest.

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Speaker 3: Best vintage car firstly.

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Speaker 1: Okay, the best vintage car will be the car we

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Speaker 1: see in Ray Martin's episode. I'm going to maybe get

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Speaker 1: the number wrong, but you can help me. Maybe just

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Speaker 1: it was a Citron fifteen.

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Speaker 3: Oh yeah, yep, yep, yep.

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Speaker 1: So it's a really old car. And his dad never

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Speaker 1: owned those cars, but he to park them, look after

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Speaker 1: them or something. And it was stunning. And the scene

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Speaker 1: is the doors opened the other way, so instead of

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Speaker 1: you having to get out of the car backwards, you're

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Speaker 1: stepping out in the I never want to be in

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Speaker 1: a car again that doesn't have those kind of doors.

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Speaker 1: They used to go to them and raise a lovely drive.

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Speaker 3: They used to go them the suicide doors because they

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Speaker 3: just fly open.

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Speaker 1: But when you it the other way around something, wouldn't

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Speaker 1: you say that they shouldn't have They should have made

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Speaker 1: better doors.

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Speaker 2: And also, Julia, when you're filming, you don't always want

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Speaker 2: to be seen backing out of a car with your

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Speaker 2: in the air every time.

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Speaker 4: Okay, so best vintage car, worst vintage car.

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Speaker 1: Oh, we look, it'd be the time, because of course

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Speaker 1: we get these car we hire these cars. We find,

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Speaker 1: you know, amazing people would have old cars and they

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Speaker 1: you know, we hide them for the day. Whatever. The

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Speaker 1: worst vintage car was the one that never made it.

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Speaker 1: When we did Barry Cassidy and Chiltern, we had this

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Speaker 1: beautiful old car and we said to the guy, we're

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Speaker 1: going to come down the day before. We'll get the

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Speaker 1: car ourselves and bring out together. No no, no, I'll

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Speaker 1: d over it up breakdown on the way. So we

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Speaker 1: had to hire a modern day car at the last minute.

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Speaker 1: So it's the cars that never made it the world,

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Speaker 1: so it was barrying in Tarago.

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Speaker 4: Well, Julie, you've given us great invitation, a great entertainment.

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Speaker 4: The final series of Home Delivery starts this Sunday at

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Speaker 4: seventh or.

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Speaker 3: Forty on ABC I View and ABC TV. Julia Zamiro,

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Speaker 3: thank you for joining me.

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Speaker 2: Much love to you, Julia, Thank you,