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Speaker 1: The Will and Woody podcast.

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Speaker 2: Can you be too silly in the in the Birth

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Speaker 2: Suite thirteen one and six five, obviously talking about the well,

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Speaker 2: look if you were if you were delivering a baby

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Speaker 2: and you were a bit silly, I think all the

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Speaker 2: power too.

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Speaker 3: Yeah, I think you'd probably do whatever the hell you like.

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Speaker 2: But I'm talking largely about the supporting partner, So the

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Speaker 2: one's who's there to support.

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Speaker 4: To listen, to be patient.

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Speaker 5: Yes, take the cave is a big word that we're

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Speaker 5: using in our house at the moment of security. Yeah,

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Speaker 5: this is mims fight the birth that's going to come up,

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Speaker 5: and it's her journey.

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Speaker 4: I'm there to protect the cave.

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Speaker 6: Yes.

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Speaker 3: And you're also there to not act like a dickhead.

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Speaker 7: Yes, yeah, you do.

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Speaker 4: And I think that goes for.

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Speaker 2: A lot of people who are in the supporting role,

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Speaker 2: whether it's nervousness or whatever it is. And maybe they

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Speaker 2: tried to be a little bit too fun. Maybe they

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Speaker 2: went for a joke at the wrong time, Maybe they

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Speaker 2: tried to do something fun with the newborn infant in

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Speaker 2: their arms.

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Speaker 4: Whatever that is. Thirteen one and sixty five.

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Speaker 2: If you can be too silly in the birthweek, please

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Speaker 2: give us a call, because this is something that we

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Speaker 2: discussed in the latest episode Fresh Today actually of William Woodies.

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Speaker 4: We'll get to that brand new podcast, which.

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Speaker 2: You can get wherever you get your pods, guys, And

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Speaker 2: in this we always ask a pretty deep philosophical question

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Speaker 2: and then we always end up tangenting into oblivion. But

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Speaker 2: would you asked the question this week, which was just

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Speaker 2: in general, can you be too silly?

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Speaker 4: Yes? Broadly?

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Speaker 2: Yeah, yeah, yeah, which is I think a great question,

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Speaker 2: thank you, because it's also like something that you live

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Speaker 2: by in a lot of ways.

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Speaker 4: Definitely, and again go and listening to it in the podcast.

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Speaker 5: But in short, I think I live my life if

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Speaker 5: anyone's listened to this show probably more on the silly side,

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Speaker 5: and I get told a lot do you stop.

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Speaker 4: Being so silly? Like, please take this seriously?

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Speaker 5: And my defense to that is always I am taking

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Speaker 5: this seriously. But I do think my silliness is actually

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Speaker 5: helping the situation. Yeah, if we're also serious all the time,

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Speaker 5: sometimes a solution won't come to you, whereas if I

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Speaker 5: can just do a quick little gag here like look

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Speaker 5: over here, then sometimes the solutions just come because everyone's calmer.

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Speaker 2: And that's the idea, and I think that, like the

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Speaker 2: rationale is, actually it's funny when people get annoyed when

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Speaker 2: someone's silly, Yeah, because often that is the thing you need.

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Speaker 2: And if you're if you're an intense brainstorm at work,

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Speaker 2: if you're in a fight with your partner, And that's

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Speaker 2: a Friudian slip, because if someone farts during a fight

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Speaker 2: with your partner, that's often the thing that you need

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Speaker 2: to cut the tension, and then he's banning out and

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Speaker 2: then then you do actually make progress though yeah, sometimes

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Speaker 2: you know, if it is really intense.

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Speaker 3: Yeah, sorry, did you say that farting during a fight

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Speaker 3: is banned.

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Speaker 5: Because you because said it's not fair because obviously it's

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Speaker 5: funny she laughs obviously, which is like I was actually

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Speaker 5: making a good and you've you've done an absolute ripper

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Speaker 5: and obviously that's awesome, but you've now completely taken away

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Speaker 5: the very valid argument that I was making.

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Speaker 4: So that is banned in our house.

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Speaker 2: But that is what that is. That is kind of

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Speaker 2: the bit though, isn't it. It's like, distract is the tension?

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Speaker 2: Can you be too silly?

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Speaker 5: And that's we're also talking about in the birthing suite

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Speaker 5: because like I actually do believe, and I will be

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Speaker 5: in the birthing suite very very shortly with baby number two.

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Speaker 5: That the whole one of the one of the big

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Speaker 5: things we're trying to do is like have a feeling

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Speaker 5: of calm in the room because that will actually help

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Speaker 5: the baby coming pea.

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Speaker 3: It increases the oxytocin, you get more contractions.

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Speaker 5: So if you can do, if you can deliver a

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Speaker 5: good joke which actually evokes your wife or partner, that

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Speaker 5: will actually help.

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Speaker 4: But I guess high risk.

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Speaker 2: Well I remember actually when Simon's gone, when Simmons in labor,

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Speaker 2: she'd been lamed for nineteen hours with our child and

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Speaker 2: we're at a real loggerhead and midwife rocked up and

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Speaker 2: the first thing she said to Sam, who was exhausted,

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Speaker 2: she's in the shower, had no medications, laboring for nineteen hours.

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Speaker 4: The first thing she said.

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Speaker 2: Was WHOA, what a sexy body right on sem, which

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Speaker 2: you know from a seventy five year old woman was

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Speaker 2: hilarious and Sam laughed and you know naturally actually brought

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Speaker 2: on later. Yeah.

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Speaker 5: So again, so high reward, high ris. So get the

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Speaker 5: joke wrong, awful.

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Speaker 2: Well, that's right, and I think we discussed the in

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Speaker 2: the podcast, So go and grab the latest episode of

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Speaker 2: We'll get to that where you get your pods and

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Speaker 2: that discussion around can you be too silly? Because I

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Speaker 2: naturally asked the question from there because going back to

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Speaker 2: our birth, we ended up in a Code blue Sasarian

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Speaker 2: so Max had to get resuscitated.

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Speaker 4: Probably a no joke zone. I reckon, Yes, I reckon,

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Speaker 4: it does even for me.

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Speaker 3: Right, you know, so there is there a line there.

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Speaker 2: But then if I look back on it and I

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Speaker 2: think about how distressed Semi was when she had a

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Speaker 2: stomach's blade open and we didn't heard Max cry yet,

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Speaker 2: you know she's so stressed because stress kills everything.

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Speaker 3: Stress is really dangerous that level.

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Speaker 2: Right, if I hadn't made a joke there, if I had,

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Speaker 2: maybe I had made a smile, I had found a

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Speaker 2: way to make her laugh or catch her off guard.

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Speaker 2: I'm not giving her a wet willie when she's you know,

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Speaker 2: you know what I mean that I'm not doing that.

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Speaker 4: But I think I did suggest a joke for you

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Speaker 4: in that scenario. Well we can go people, can you

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Speaker 4: can decide if it's a good joke?

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Speaker 2: Yes, and dream the god Arian on the podcast you

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Speaker 2: also did it, and I've found this very funny Woods

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Speaker 2: and I have got some audio from the pod to

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Speaker 2: listen to, because you I feel like you're talking about

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Speaker 2: protecting the cave yes at the birth suite.

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Speaker 4: Yeah.

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Speaker 5: Yeah.

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Speaker 4: He also had a certain.

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Speaker 3: Element of pride in your role in the birth suite.

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Speaker 4: In your last birth. For the birth of REMI.

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Speaker 5: Mim had a birth plan, yeah, and I laminated some

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Speaker 5: bits of paper and I wanted to give every single

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Speaker 5: person in the room the birth plan. But so things

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Speaker 5: were moving quite fast for us when Mim was in

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Speaker 5: the birthing suite, and so I said, all right, everyone,

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Speaker 5: just let's just stop for a sec. I've got the

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Speaker 5: birthing plan here. I was about to hand the birthing

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Speaker 5: plan to every single person of my effectively said.

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Speaker 4: Put the birth plan down and get over here.

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Speaker 5: And I was a bit hurt by that because I

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Speaker 5: was like, I've put a lot of time and effort.

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Speaker 4: I don't know if you realize this, but I laminated

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Speaker 4: bloody office works.

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Speaker 2: So I want to hear that alone the podcast. We'll

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Speaker 2: get to that latest episode. Can you be too silly?

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Speaker 5: Yeah, because we were kind of we were spitballing for

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Speaker 5: a while there on what is the one scenario where

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Speaker 5: you you probably should be a bit serious and we

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Speaker 5: did land on Earth sweet although for.

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Speaker 2: Any men listening, I think that we do end up

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Speaker 2: in a really good discussion. Or if you've got a

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Speaker 2: partner who's going to be in the birth suite son,

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Speaker 2: maybe suggest they have a listened to it, because we

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Speaker 2: do really get into like that line of being fun

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Speaker 2: and maybe providing some relief versus going too far, and

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Speaker 2: we bring up actually, funnily enough, you bring up Robbie

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Speaker 2: Williams in the birth suit, which I think was all

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Speaker 2: a little bit too far.

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Speaker 8: Go and one with a reading and so.

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Speaker 5: Here I don't think his partner Ada was loving that.

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Speaker 4: Wow, there you go, there you go. Wow, I've loaded

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Speaker 4: that U.

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Speaker 2: So anyway, can you be too silly in the birthtuaite?

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Speaker 3: Mary, what did your partner say to you?

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Speaker 9: Yeah?

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Speaker 7: Hi?

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Speaker 6: So I was having my C section and my husband

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Speaker 6: was right behind me obviously for support. They had to

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Speaker 6: use a cautery to basically fell off the wound and

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Speaker 6: when that happens, you get that sizzling smell. And my

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Speaker 6: husband just said in the theater, he said, well, what's cooking?

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Speaker 6: And when he said that I cracked up for the

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Speaker 6: curtain next three, he was straight face, that's not something

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Speaker 6: I thought.

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Speaker 7: It was hilarious.

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Speaker 4: Why I reward because Mary?

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Speaker 5: And then given your having a laugh there, like did

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Speaker 5: that you're down a little bit.

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Speaker 10: It's weird, kind of like I just sort of cheered

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Speaker 10: up laughing because I was like, I'm in like so

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Speaker 10: much of an awkward position right now, but I have

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Speaker 10: to laugh.

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Speaker 4: So that it's a positive. I've got to Rebecca here.

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Speaker 5: Jeez, that could have gone badly anyway, Rebecca, what did

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Speaker 5: your partner go for in the birth suite?

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Speaker 10: He wanted to see how high the hospital bed can

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Speaker 10: go to the sky. I was stuck in it, or

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Speaker 10: I was stuck in it with after I've been in

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Speaker 10: labor for about six hours, and I was like, you

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Speaker 10: know what, Ebid or me sweet got that in. So

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Speaker 10: it was like relaxed time. And I think he was

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Speaker 10: just trying to, you know, just make me feel better.

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Speaker 10: And he's like, I wonder, actually how high this thing

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Speaker 10: can go?

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Speaker 4: How high? Did you get it?

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Speaker 3: Pretty high?

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Speaker 4: I am curious.

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Speaker 10: Yeah that's different. You like, yeah, you mean it's this

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Speaker 10: guy and you're kind of like, oh my lord. We

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Speaker 10: were quite young when we had our first child, so

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Speaker 10: that you, yeah, we're kind of think, who let us?

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Speaker 11: Who let us?

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Speaker 10: Who's gonna let us have a child?

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Speaker 4: But you know, services immediately when they had the best

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Speaker 4: came in.

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Speaker 10: But we were like, oh my god, but the Norths

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Speaker 10: had come back, and he goes, have me seen how

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Speaker 10: hard they think?

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Speaker 4: Oh well there's another story, another success.

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Speaker 2: All right, we've got Brittany here, Brittany on thirty one?

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Speaker 2: Can you be too silly in the birth? Sweet Brittany,

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Speaker 2: I assume you haven't heard the podcast yet.

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Speaker 6: I know.

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Speaker 2: Okay, we'll make sure you don't give it a listen

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Speaker 2: because what he reveals more embarrassing things about what he

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Speaker 2: did in the last birth, sweat he was in, and

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Speaker 2: some very.

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Speaker 4: Bad advice to his brother. Actually, but let's get into

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Speaker 4: your babies, all healthy babies. What your partner did in

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Speaker 4: the birth Swet Brittany.

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Speaker 7: So I went into I was going about eight hours

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Speaker 7: of labor, so very painful. I think it was the

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Speaker 7: way it was very painful, And just for school while

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Speaker 7: I was going through contruction, he'd thought it be good

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Speaker 7: to slip.

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Speaker 4: Mouse slap your as.

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Speaker 7: Well. If I'm going for a massive construction. Then I

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Speaker 7: literally really did a three sixty turn, really punched him

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Speaker 7: in the face.

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Speaker 2: And what sort of a slap brick like a are

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Speaker 2: we talking like a like a spank.

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Speaker 12: Or like flap on the art?

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Speaker 8: Like good job?

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Speaker 5: What was God going for? So he was going for

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Speaker 5: like an encouragement, like encouragement.

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Speaker 7: Encouragement like good job, you're doing well.

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Speaker 4: God, you're not a horse that.

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Speaker 5: We want a taxi dermied animal here in the studio, wilbur.

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Speaker 3: Well, one of us definitely does what hang on, I'm not.

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Speaker 5: I'm not if you're so for this. As soon as

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Speaker 5: we get on here, you come for me. I just

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Speaker 5: need look look, look Arounie, look a Angie.

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Speaker 4: It's bland. So we've got the rat. Pause. Yeah, it was.

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Speaker 5: Okay, So good that you're pointed out the rat there,

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Speaker 5: because yes, so last week we didn't have a funeral

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Speaker 5: for a rat that I found dead inside my house

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Speaker 5: inside the TV unit.

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Speaker 4: We had that cremated. The urn in the corner there

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Speaker 4: looks quite nice. But I think we.

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Speaker 5: Kind of we we missed an opportunity there to get

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Speaker 5: that rat taxidermy okay, because I think if you know,

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Speaker 5: if the rat was actually there, in the corner. Yeah,

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Speaker 5: beautiful bit of class, bit of culture here in the studio.

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Speaker 5: So look, we missed a beat there. We missed out

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Speaker 5: on taxidermy in the rat. So yesterday we came on

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Speaker 5: here and we were like, I mean, it.

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Speaker 4: Was a strange question to ask.

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Speaker 5: We effectively just asked, you, guys, have you got something

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Speaker 5: that we can taxidermy, which is a nice way of saying,

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Speaker 5: are you currently in possession of a dead animal? Stacy,

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Speaker 5: you are currently in possession of something that we could

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Speaker 5: potentially taxidermy My dog.

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Speaker 6: He's currently still in my deep freezer.

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Speaker 7: Oh wow, he was a staffy.

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Speaker 12: I have a dead blue sung lizard in my shed.

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Speaker 3: O't hozy being dead for the.

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Speaker 11: Harrison about two years.

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Speaker 7: But he's still in good condition. My granddad took his

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Speaker 7: insides out.

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Speaker 4: Oh so you've already removed the insights.

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Speaker 6: Okay.

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Speaker 7: I've got a collection in my freezer, a collection.

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Speaker 12: Got my son's beard, a dragon, that's the first thing

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Speaker 12: we're put in there.

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Speaker 10: Then.

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Speaker 12: Indeed, I've got birds heads, I've got awful the bugs.

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Speaker 6: And the something there would be a bit of an

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Speaker 6: homage to the rat.

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Speaker 4: I've got two mice too. Mice Okay, so why have

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Speaker 4: you got these mice and where are they currently?

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Speaker 6: Well, they're currently in the bin.

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Speaker 5: I caught them a couple of nights ago in the trap.

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Speaker 10: It is a.

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Speaker 12: Twenty two year old goldfish who's probably twenty five centimeters long,

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Speaker 12: and he's been in the freezer for about three weeks.

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Speaker 4: Totally wild again.

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Speaker 5: I wasn't expecting anyone to call a lot of people

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Speaker 5: offering up dead animals that they still have in their freezers.

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Speaker 4: Now for mine, Will it's a really interesting part because

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Speaker 4: when you said this.

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Speaker 2: I was like, you know, what are you know, beyond

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Speaker 2: a rat that someone's put in the bin, how are

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Speaker 2: we going to find them? But a lot of people,

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Speaker 2: a lot of people they're dead pets in the deep freeze.

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Speaker 5: Some people have a collection of dead animals. I mean

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Speaker 5: Struth the Mighty. That got strange. Anyway, we did put

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Speaker 5: a pole up last night on the socials there as

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Speaker 5: to what animal you want us to TAXI dermy, I

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Speaker 5: mean for mine, it's just so obvious between either Zeus

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Speaker 5: the dog or.

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Speaker 4: The humongous skullfish.

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Speaker 5: But kV our digital producer, you do have the results

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Speaker 5: of the pole, I believe I do.

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Speaker 13: You've got to be a bit disappointed, would you honestly?

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Speaker 14: Okay, so zeus actually was twenty three percent.

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Speaker 5: You're kidding classic to have a full sized dog in

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Speaker 5: the corner of the studio.

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Speaker 4: No one gets that anyway, Go yeah, go on twenty

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Speaker 4: three percent.

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Speaker 13: Do you want the whole rundown of all them?

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Speaker 4: Or yeah, yeah, yeah, give us we got all right.

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Speaker 13: Two mice thirteen percent?

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Speaker 4: Yeah, great tongue lizard percent would have been a blue.

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Speaker 2: Tongue lizard beat dog, not a blue tongue, a blue tongue.

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Speaker 5: But yeah, and then the gold.

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Speaker 4: Goldfish wins with thirty nine percent. Okay, well, I like goldfish.

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Speaker 4: We can we get a tank in here, but what

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Speaker 4: wouldn't We wouldn't need to. It's dead, that's the bit, mate.

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Speaker 4: I get it.

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Speaker 6: I get it.

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Speaker 4: I'm following.

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Speaker 2: So you say, fully will come in here, and they're like,

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Speaker 2: you got a fish in here, because you've got to

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Speaker 2: clean tanks and stuff if you had an actual fish

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Speaker 2: in the heir.

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Speaker 4: But you've got a dead fish. So we put a

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Speaker 4: dead fish in water. Yeah, brilliant in the corner.

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Speaker 5: So we commit to the water. Bit, have the tank

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Speaker 5: and then it's just a goldfish. He just sits there.

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Speaker 4: Okay, so my next question is stuff.

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Speaker 3: Though no water I like as well, just an empty tank.

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Speaker 4: Oh yeah, bit of an optical illusion.

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Speaker 5: I don't know much about taxiderman or taxi demon taxadermetry anyway.

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Speaker 5: Can you taxiderm a fish like a water creature?

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Speaker 2: If you can taxa dermal is it and you can

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Speaker 2: taxiderma rat it sounds like I'm doing an ad here.

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Speaker 4: You can get it anywhore. The scales need to say

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Speaker 4: wet or something.

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Speaker 2: The scales it's dead man, Oh yeah, like they enbarn

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Speaker 2: it like hope him in. Yeah, I'll put a wax

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Speaker 2: on it of some sort. Yeah, okay, it like yeah,

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Speaker 2: I think you can preserve anything. If you can preserve

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Speaker 2: a lemon, you can preserve a fish.

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Speaker 4: Brother.

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Speaker 5: Well, all right, well maybe we can actually speak to

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Speaker 5: a taxidermist up next.

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Speaker 4: That'll be handy.

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Speaker 5: But I do believe we've got the owner of the

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Speaker 5: fish on the line right now, Ella, are you there?

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Speaker 4: Yeah?

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Speaker 5: Okay, Ella, looks like we want to go for taxiderm

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Speaker 5: in your twenty five centimeter goldfish.

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Speaker 4: Well, what's his name? Maybe we'll start with that.

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Speaker 9: Ella.

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Speaker 11: It's really original.

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Speaker 10: It's fish Jesus, you.

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Speaker 4: Know, what's funny.

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Speaker 5: The rat that died in my house, he was called rat.

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Speaker 5: Sometimes the obvious names are the best names. Ella. Yeah, okay,

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Speaker 5: after he died, was there any reason he died? Or

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Speaker 5: did you do anything for him when he died? A

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Speaker 5: funeral for him?

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Speaker 12: If he was twenty two and I actually took him

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Speaker 12: to the vet and had him used and aged, I

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Speaker 12: certainly didn't want to watch him suffer.

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Speaker 3: So uthense dell like, was he.

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Speaker 12: Because he was twenty two? He was sick? No? No, No,

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Speaker 12: he was sick. He's been upside down for probably twenty

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Speaker 12: four hours and he was struggling, and I tried everything.

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Speaker 12: The next thing was to send him to Fishy Heaven.

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Speaker 6: Yeah.

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Speaker 8: Well I don't know about that.

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Speaker 4: Okay, Well you would have asked him.

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Speaker 12: I don't know.

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Speaker 3: I did you have the power of attorney, Ela, I

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Speaker 3: mean a couple of questions?

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Speaker 15: Then, Yeah, I.

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Speaker 5: Think you did the right thing. And I think the

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Speaker 5: next right thing to do is to taxi jerm him

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Speaker 5: up and then check him here in this radio. Yeah.

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Speaker 12: So I think it would be funny.

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Speaker 5: Yeah, I think it'd be funny, and I also think

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Speaker 5: it would be respectful to the life that fish led.

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Speaker 4: Stayed with us.

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Speaker 12: It's better that than in the garden.

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Speaker 4: Yeah, exactly right the end of the day he did.

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Speaker 4: So he doesn't know.

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Speaker 5: But currently he's in a fraser and he's been there

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Speaker 5: for three weeks that we need to get him out.

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Speaker 4: He's like a fish finger at this point.

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Speaker 5: Al Right, up next, I think we do have a

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Speaker 5: taxidermist who's going to join us and see if they're

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Speaker 5: up for the job of taxidermy. In the twenty five

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Speaker 5: centimeter goldfish that's been in a freezer for three weeks?

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Speaker 4: Will could we eat it?

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Speaker 8: Jeez?

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00:17:15,640 --> 00:17:18,719
Speaker 4: Could we eat it? Little fishbowl in the corner wheel.

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Speaker 4: A bit of an optical illusion no water and no

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00:17:21,080 --> 00:17:22,040
Speaker 4: water though, a bit.

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Speaker 5: Taxidermy gold real fish. That's great, that's good. It's just

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00:17:26,640 --> 00:17:29,080
Speaker 5: nice small talk for every guest that comes in. Great

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00:17:29,119 --> 00:17:32,200
Speaker 5: ice breaker to the fisht it's a twenty five c fish.

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00:17:32,240 --> 00:17:33,480
Speaker 3: Can't be it'll have to be a tank.

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00:17:33,720 --> 00:17:35,600
Speaker 4: Don't bring in a fish bowl. Have you get a tank?

403
00:17:35,640 --> 00:17:37,960
Speaker 4: Have you get a tank in here? No worries anyway.

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00:17:38,400 --> 00:17:41,199
Speaker 5: I do have question marks just about taxidermy, though I

405
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Speaker 5: don't know how long it takes. I don't know if

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Speaker 5: you can taxiderm a fish, And thankfully we are joined

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Speaker 5: by taxidermy Extraordinary Hannah from Pilage Studio. You can check

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Speaker 5: out their stuff pilage studio dot com.

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Speaker 4: Hannah, can you taxiderma fish?

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Speaker 11: You certainly can. There are different types of animal preservation though,

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00:18:04,800 --> 00:18:08,119
Speaker 11: so whether you were wanting it to fish as a

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00:18:08,160 --> 00:18:10,679
Speaker 11: wet specimen, which I think maybe that's what you were

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00:18:10,720 --> 00:18:12,960
Speaker 11: talking about, that if you wanted it in a in

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Speaker 11: a bowl or in a jar.

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Speaker 4: Did discuss that? Do you think?

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Speaker 5: Do you think if we went for the wet specimen

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00:18:18,000 --> 00:18:21,439
Speaker 5: option that people could potentially believe that it was a

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Speaker 5: living fish, it.

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Speaker 11: Would probably look more like a dead fish than a

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Speaker 11: living fish.

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Speaker 4: Yeah.

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00:18:31,760 --> 00:18:31,920
Speaker 5: Oh.

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Speaker 11: The other type is more like you know people who

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Speaker 11: go like bas.

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Speaker 3: Seed, put it on a piece, yeah, foot press a

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Speaker 3: button that bends us.

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Speaker 11: Yeah, yeah that's the one.

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Speaker 4: So sorry. You could get it to sing to us.

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Speaker 11: I can't do that, No, I don't. I do mostly birds,

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Speaker 11: mammals and wet specimens, not not full fish mounts. Not

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Speaker 11: too many people in Sydney who do that. I don't

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Speaker 11: think it's maybe fishing is not too huge over here.

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Speaker 4: Hey, Hannah, what's.

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Speaker 2: The Can I ask what the process is like We've

435
00:19:07,359 --> 00:19:09,960
Speaker 2: kind of been throwing around taxidermying for a while.

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Speaker 4: First of all, how do you get.

437
00:19:12,800 --> 00:19:14,560
Speaker 3: Into stuffing an animal for a job?

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Speaker 4: And second of all, what do you do?

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00:19:17,240 --> 00:19:20,440
Speaker 3: Like, how do you because it looks like a I

440
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Speaker 3: kind of don't even know.

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Speaker 11: It's quite Yeah, there's it's quite.

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00:19:26,960 --> 00:19:27,200
Speaker 6: Well.

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Speaker 11: Firstly, start with the animal. You have to remove this skin.

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Speaker 11: A lot of the times people were the main question

445
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Speaker 11: that I get asked is do you have to gut it?

446
00:19:35,359 --> 00:19:39,119
Speaker 11: And the answer is no, because taxidermy actually just means

447
00:19:39,240 --> 00:19:43,160
Speaker 11: movement of this skin. So we're moving the skin onto

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00:19:43,320 --> 00:19:51,919
Speaker 11: an artificial form right to look like replicate what the

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Speaker 11: body actually looked like.

450
00:19:53,840 --> 00:19:57,119
Speaker 2: Oh, that would be I told you I was reading

451
00:19:57,800 --> 00:20:00,560
Speaker 2: Horse by Geraldine Brooks, which is all about it very.

452
00:20:00,640 --> 00:20:03,760
Speaker 3: If you read a horse, Hannah, pardon have you read Horse?

453
00:20:03,800 --> 00:20:08,200
Speaker 4: Don't answer that question. I read are No, don't worry

454
00:20:08,200 --> 00:20:08,800
Speaker 4: about it, Hannah.

455
00:20:09,160 --> 00:20:12,720
Speaker 5: So effectively, so we would deliver a frozen fish to you,

456
00:20:12,760 --> 00:20:16,520
Speaker 5: a twenty five centimeter frozen goldfish, you would renew, you'd

457
00:20:16,520 --> 00:20:20,639
Speaker 5: remove that goldfish's skin and then put it on like

458
00:20:20,680 --> 00:20:22,280
Speaker 5: a model.

459
00:20:22,760 --> 00:20:27,360
Speaker 11: Well, no, because I would do a wet specimen for that.

460
00:20:28,400 --> 00:20:30,040
Speaker 3: Spos to that's more I.

461
00:20:30,000 --> 00:20:32,439
Speaker 11: Heard you talking about it before. It's more like embalming.

462
00:20:32,520 --> 00:20:35,320
Speaker 11: So we use the same chemicals that they use to

463
00:20:35,359 --> 00:20:38,840
Speaker 11: embalm the human body and it fixes the tissue. So

464
00:20:39,359 --> 00:20:42,359
Speaker 11: the tissue pretty much turns into plastic. So it's not

465
00:20:42,440 --> 00:20:44,959
Speaker 11: going to like, well not not really, but it's not

466
00:20:44,960 --> 00:20:46,760
Speaker 11: going to break down like it's going to look like

467
00:20:46,840 --> 00:20:51,199
Speaker 11: that for it, but it will out outlive us. We

468
00:20:51,240 --> 00:20:52,040
Speaker 11: didn't look like that.

469
00:20:52,320 --> 00:20:55,000
Speaker 5: I'm sure you're across ho Chi Minh who is currently

470
00:20:55,440 --> 00:20:56,160
Speaker 5: he's embalmed?

471
00:20:56,200 --> 00:20:58,680
Speaker 4: I saw him? Is he a wet's best?

472
00:20:59,640 --> 00:21:01,719
Speaker 11: I actually have no idea.

473
00:21:02,040 --> 00:21:05,760
Speaker 5: Yeah, okay. My next question is that do you usually

474
00:21:05,800 --> 00:21:09,600
Speaker 5: do pets like? Is that like a regular type of

475
00:21:09,600 --> 00:21:10,480
Speaker 5: business for you?

476
00:21:10,760 --> 00:21:14,040
Speaker 11: It's it's a regular question. It's probably one of the

477
00:21:14,080 --> 00:21:18,399
Speaker 11: most common calls that I get, mostly for cat cat people.

478
00:21:19,760 --> 00:21:22,080
Speaker 4: Yeah, my wife's a cat person.

479
00:21:22,160 --> 00:21:27,800
Speaker 11: But it's it's a bit s like. I've been doing

480
00:21:27,840 --> 00:21:30,960
Speaker 11: birds the longest. I've been doing taxermi for over five

481
00:21:31,080 --> 00:21:33,720
Speaker 11: years now, so I'm pretty confident with my bird so

482
00:21:33,720 --> 00:21:36,840
Speaker 11: I would do I do bird commissions like pet bird commissions,

483
00:21:37,200 --> 00:21:41,680
Speaker 11: whereas cat and dog. I feel like it's just it's

484
00:21:41,760 --> 00:21:45,040
Speaker 11: just different birds. Are more of an ornamental pet in

485
00:21:45,119 --> 00:21:46,800
Speaker 11: my eyes rather than you know.

486
00:21:47,200 --> 00:21:51,280
Speaker 5: Okay, well, Hannah, if we can talk specifically about fish,

487
00:21:51,280 --> 00:21:55,639
Speaker 5: would you be up for taxiderming our twenty five centimeter fish.

488
00:21:55,840 --> 00:21:57,439
Speaker 11: I can do that for you, no problem.

489
00:21:57,560 --> 00:21:59,320
Speaker 4: That's extraordinary, that's really exciting.

490
00:21:59,440 --> 00:22:04,679
Speaker 5: My second question, so how long does it take you

491
00:22:04,720 --> 00:22:05,800
Speaker 5: to taxi derm of fish?

492
00:22:08,080 --> 00:22:12,000
Speaker 11: Maybe a couple of weeks because you need to let

493
00:22:12,040 --> 00:22:16,560
Speaker 11: it soak in the formulain and then change it safely

494
00:22:16,720 --> 00:22:18,320
Speaker 11: to an iceo propal.

495
00:22:19,400 --> 00:22:20,959
Speaker 5: If I said to you, if I said to you

496
00:22:21,000 --> 00:22:23,640
Speaker 5: had to like you know, like just if you had

497
00:22:23,640 --> 00:22:27,720
Speaker 5: to get it done in twenty four hours, it's absolutely impossible.

498
00:22:28,760 --> 00:22:33,199
Speaker 11: No, I mean it probably wouldn't be safe because the

499
00:22:33,520 --> 00:22:39,399
Speaker 11: chemicals might I'm okay with in twenty four hours.

500
00:22:39,440 --> 00:22:45,200
Speaker 4: Well, let's talk. We'll talk off it. I mean, look,

501
00:22:45,240 --> 00:22:45,840
Speaker 4: buddy talks.

502
00:22:45,840 --> 00:22:48,119
Speaker 5: I hope Buddy talks for you, Hannah, And hopefully we

503
00:22:48,160 --> 00:22:49,560
Speaker 5: can get a shortened.

504
00:22:49,119 --> 00:22:53,560
Speaker 4: Time frame there for the taxi germs. Just glad rap

505
00:22:54,240 --> 00:22:55,320
Speaker 4: ship back.

506
00:22:57,280 --> 00:22:58,520
Speaker 11: I'm sure we can make it work.

507
00:22:58,680 --> 00:23:03,560
Speaker 5: Yeah, amazing talk off air, But looks like we've got

508
00:23:03,560 --> 00:23:08,000
Speaker 5: to deal. We're gonna fish Studio.

509
00:23:07,640 --> 00:23:12,320
Speaker 2: Impey to add to the collection, though if anyone else

510
00:23:12,359 --> 00:23:14,200
Speaker 2: has got some other animals, we can chuck in here

511
00:23:15,480 --> 00:23:17,320
Speaker 2: a bit of a piece going on, like, oh, there's

512
00:23:17,320 --> 00:23:18,520
Speaker 2: a cat trying to catch the fish.

513
00:23:18,920 --> 00:23:26,639
Speaker 5: This radio show can just become give us your dead animals.

514
00:23:30,000 --> 00:23:31,360
Speaker 4: Right now, though, JUNI.

515
00:23:31,160 --> 00:23:33,000
Speaker 3: Produce Analytes is in the studio.

516
00:23:33,160 --> 00:23:35,000
Speaker 4: She's a gen zetta. We're millennials.

517
00:23:35,080 --> 00:23:37,040
Speaker 3: We're trying to find out which generation is most out

518
00:23:37,040 --> 00:23:37,560
Speaker 3: of touch.

519
00:23:40,080 --> 00:23:40,600
Speaker 8: Alone.

520
00:23:41,080 --> 00:23:49,080
Speaker 5: It's will and woodiest of the.

521
00:23:47,320 --> 00:23:51,520
Speaker 2: So we do scandals today, ab scandals, scandals because there's

522
00:23:51,560 --> 00:23:54,760
Speaker 2: a huge scandal obviously unfolding that could undo Donald Trump

523
00:23:54,800 --> 00:24:01,360
Speaker 2: at the moment. These Epstein files finally released, which is extraordinary.

524
00:24:01,359 --> 00:24:04,320
Speaker 2: But one of the things that Trump certainly didn't want

525
00:24:04,400 --> 00:24:08,160
Speaker 2: hitting the public eye was this birthday letter that he

526
00:24:08,720 --> 00:24:12,120
Speaker 2: sent to Jeffrey Epstein, obviously a convicted sex offender now dead.

527
00:24:12,119 --> 00:24:18,159
Speaker 2: But the birthday letter involves a drawing of the silhouette

528
00:24:18,160 --> 00:24:22,320
Speaker 2: of a woman, and just one of the lines that

529
00:24:22,359 --> 00:24:25,040
Speaker 2: says on it is from Donald a pal is a

530
00:24:25,080 --> 00:24:29,119
Speaker 2: wonderful thing. Happy birthday, and may every day be another

531
00:24:29,400 --> 00:24:35,480
Speaker 2: wonderful secret from Donald J. Trump, signed Donald pretty rare,

532
00:24:36,640 --> 00:24:37,240
Speaker 2: pretty sick.

533
00:24:38,280 --> 00:24:40,840
Speaker 4: I mean, it's not him photoshop.

534
00:24:40,920 --> 00:24:41,719
Speaker 8: He doesn't draw at all.

535
00:24:41,760 --> 00:24:43,600
Speaker 3: I mean, it's fake news, mate, it's fake news.

536
00:24:44,000 --> 00:24:47,920
Speaker 4: God's yeah. Well, I think that's why he's got it.

537
00:24:49,240 --> 00:24:50,520
Speaker 4: He's used. It's a good effect.

538
00:24:51,080 --> 00:24:52,439
Speaker 2: I mean, if you think about all the things that

539
00:24:52,480 --> 00:24:54,960
Speaker 2: he has done wrong, all the things controversially to do

540
00:24:55,000 --> 00:24:57,960
Speaker 2: against him, they just can't land anything on him because he's.

541
00:24:57,840 --> 00:25:03,000
Speaker 16: Just you know, he's dud. He sued about that letter existing.

542
00:25:03,040 --> 00:25:05,639
Speaker 9: He sued up newspapers who first initially claimed that that

543
00:25:05,720 --> 00:25:08,800
Speaker 9: letter was a thing. He sued that newspaper saying, Nope,

544
00:25:08,840 --> 00:25:10,600
Speaker 9: it's definitely not a thing. And now it's come out

545
00:25:10,600 --> 00:25:11,240
Speaker 9: that that's a thing.

546
00:25:11,400 --> 00:25:13,760
Speaker 3: The Wall Street Journal for ten billion dollars.

547
00:25:13,880 --> 00:25:15,639
Speaker 4: Yeah, okay, well, you're very across that a B.

548
00:25:15,800 --> 00:25:19,200
Speaker 5: But are you across some scandals?

549
00:25:19,600 --> 00:25:23,080
Speaker 4: Now you're happy with that, You're very happy with that, But.

550
00:25:23,119 --> 00:25:27,280
Speaker 5: Are you across the scandals which may be from a

551
00:25:27,480 --> 00:25:28,480
Speaker 5: little bit of go.

552
00:25:29,119 --> 00:25:31,200
Speaker 16: Not from the nineties to tell you that right now.

553
00:25:31,160 --> 00:25:35,160
Speaker 4: The nineties is definitely a black spot for you. Okay.

554
00:25:35,280 --> 00:25:39,520
Speaker 4: First one, this is well, this is I'm not going

555
00:25:39,560 --> 00:25:39,960
Speaker 4: to say to you.

556
00:25:40,080 --> 00:25:44,560
Speaker 5: If I say to you, lay down, Sally, what comes

557
00:25:44,600 --> 00:25:47,000
Speaker 5: to mind when I say laydown? I'm not asking for

558
00:25:47,080 --> 00:25:50,160
Speaker 5: specific details, but you should know what lay down Sally?

559
00:25:50,320 --> 00:25:51,080
Speaker 16: Lay down Sally.

560
00:25:53,440 --> 00:25:56,480
Speaker 9: Nothing comes to me, seriously, it reminds me of someone

561
00:25:57,119 --> 00:25:59,680
Speaker 9: I know called Sally, just telling her to lie down.

562
00:26:00,119 --> 00:26:01,399
Speaker 16: To all that's coming to me?

563
00:26:01,840 --> 00:26:03,200
Speaker 4: What do you think it could mean?

564
00:26:04,280 --> 00:26:09,240
Speaker 5: It's it's from It's about an Australian Sally, very.

565
00:26:09,800 --> 00:26:12,520
Speaker 1: Sally, Sally, Sally Fletcher home and away, lay down.

566
00:26:12,359 --> 00:26:14,400
Speaker 4: Sally and go on? What does it mean?

567
00:26:15,160 --> 00:26:15,320
Speaker 8: No?

568
00:26:15,359 --> 00:26:18,480
Speaker 1: Maybe Alf was telling Sally to lay down.

569
00:26:18,520 --> 00:26:23,200
Speaker 16: On my gosh, okay.

570
00:26:23,480 --> 00:26:25,800
Speaker 5: It's referring to Sally Robins from the two thousand and

571
00:26:25,800 --> 00:26:26,840
Speaker 5: four Athens Olympics.

572
00:26:26,960 --> 00:26:28,640
Speaker 4: She was in the rowing and she lay down.

573
00:26:29,680 --> 00:26:31,720
Speaker 16: No stop, Why did she lay down?

574
00:26:31,720 --> 00:26:33,160
Speaker 4: She stopped rolling before the end of the race.

575
00:26:33,840 --> 00:26:36,320
Speaker 5: Yeah, got so fatigued that she in the lead and

576
00:26:36,320 --> 00:26:37,800
Speaker 5: she just laid down and couldn't keep rolling.

577
00:26:39,520 --> 00:26:42,120
Speaker 16: You know, but that is amazing.

578
00:26:42,119 --> 00:26:44,440
Speaker 4: Two thousand and four and four.

579
00:26:44,680 --> 00:26:45,200
Speaker 16: I was four.

580
00:26:46,040 --> 00:26:50,520
Speaker 4: Oh my god, Yeah, that's terrible. I'm not across that

581
00:26:51,880 --> 00:26:52,440
Speaker 4: four years old.

582
00:26:52,440 --> 00:26:56,960
Speaker 3: Fair enough, Okay, we.

583
00:26:56,920 --> 00:27:00,199
Speaker 9: All know, we all know love Olivia Rogers. You go

584
00:27:00,320 --> 00:27:07,760
Speaker 9: song drivers lasses, bang up, see those headlights? Okay, who's

585
00:27:07,800 --> 00:27:08,480
Speaker 9: this song about?

586
00:27:09,320 --> 00:27:13,240
Speaker 2: Oh? I do remember, I do remember this, Yes, I

587
00:27:13,240 --> 00:27:13,800
Speaker 2: do remember.

588
00:27:13,800 --> 00:27:16,440
Speaker 13: This a big deal.

589
00:27:17,400 --> 00:27:19,359
Speaker 3: I'm guessing Sean Mendes here we go.

590
00:27:19,480 --> 00:27:21,840
Speaker 4: Okay, why ses, we're kind of right there.

591
00:27:22,440 --> 00:27:24,200
Speaker 3: I'm not far from it, am I.

592
00:27:24,320 --> 00:27:26,600
Speaker 4: No, No, I'm not right. She's too happy. She's just

593
00:27:26,760 --> 00:27:29,000
Speaker 4: too happy, smile, too happy.

594
00:27:29,000 --> 00:27:31,480
Speaker 16: But I think I shut my mouth, so.

595
00:27:31,440 --> 00:27:37,240
Speaker 5: It's not Mendyes. But so what's the song? I think

596
00:27:37,240 --> 00:27:38,320
Speaker 5: it's a breakup song?

597
00:27:38,359 --> 00:27:41,720
Speaker 4: Okay, great, this is good. I do remember God? Who

598
00:27:41,720 --> 00:27:43,720
Speaker 4: has who else has Olivia Rodriguo dated?

599
00:27:44,359 --> 00:27:46,159
Speaker 3: That's not in my wheelhouse?

600
00:27:47,200 --> 00:27:50,040
Speaker 4: What about I'm pretty sure she's dating a music producer.

601
00:27:50,080 --> 00:27:52,119
Speaker 2: By the way, there's a bit of controversy over the

602
00:27:52,160 --> 00:27:54,760
Speaker 2: fact that he actually writes and produces all of it

603
00:27:54,840 --> 00:27:55,840
Speaker 2: and she just sings on it.

604
00:27:55,880 --> 00:27:58,920
Speaker 14: But anyway, interesting, you know that same guy.

605
00:27:58,720 --> 00:28:01,320
Speaker 4: Who produced both her records. Well, who's informing?

606
00:28:03,200 --> 00:28:04,840
Speaker 16: And you haven't answered my question?

607
00:28:05,760 --> 00:28:07,399
Speaker 4: Fair Heaven? I don't know.

608
00:28:07,520 --> 00:28:09,080
Speaker 16: What about if I give you a little hint?

609
00:28:09,600 --> 00:28:13,199
Speaker 9: Okay, what about not focusing on the person that she dated,

610
00:28:13,240 --> 00:28:16,040
Speaker 9: but maybe the other party involved in it?

611
00:28:16,760 --> 00:28:26,600
Speaker 4: Okay? Is it about Ellie Gould Eli? Yeah, that'dal serious.

612
00:28:26,760 --> 00:28:28,840
Speaker 3: It was great because he wrote a something about her,

613
00:28:28,880 --> 00:28:29,159
Speaker 3: didn't he?

614
00:28:30,840 --> 00:28:34,760
Speaker 4: La that's right, there's another one for us. Yeah, that's

615
00:28:34,960 --> 00:28:36,280
Speaker 4: Olivia Rodrigo.

616
00:28:36,040 --> 00:28:37,440
Speaker 16: About Sabrina Carpenter.

617
00:28:40,680 --> 00:28:41,920
Speaker 4: So who was the guy?

618
00:28:42,160 --> 00:28:45,440
Speaker 9: So Olivia was dating her co star from high school musical,

619
00:28:45,480 --> 00:28:49,440
Speaker 9: the musical, Joshua Bassett, and then they broke up, and

620
00:28:49,440 --> 00:28:54,160
Speaker 9: then Sabrina Carpenter started dating rumored allegedly thought the dating,

621
00:28:54,760 --> 00:28:58,239
Speaker 9: and then they all, let's do another one, would about it?

622
00:28:58,640 --> 00:28:59,360
Speaker 8: Yeah?

623
00:29:00,040 --> 00:29:02,480
Speaker 16: In a carpet that released the song Joshua. Joshua released

624
00:29:02,480 --> 00:29:03,760
Speaker 16: a song, and then we've got I.

625
00:29:03,680 --> 00:29:05,760
Speaker 2: Think we're still spilling that. I think we're still spinning

626
00:29:05,760 --> 00:29:06,880
Speaker 2: that josh Joshua's song.

627
00:29:06,920 --> 00:29:11,680
Speaker 4: I think my life. I should look in josh Bassett

628
00:29:11,680 --> 00:29:15,080
Speaker 4: for a chap for me. I love about you, the

629
00:29:15,160 --> 00:29:18,280
Speaker 4: Sea Bass team of my life. Let's get to the

630
00:29:18,280 --> 00:29:19,760
Speaker 4: next one, show we sure?

631
00:29:19,760 --> 00:29:23,440
Speaker 5: Okay, Okay, another one for you here, Abe, when I

632
00:29:23,480 --> 00:29:26,160
Speaker 5: say O. J. Simpson to you, yes I know this.

633
00:29:26,800 --> 00:29:28,720
Speaker 4: Just just tell me what you know about O. J. Simpson.

634
00:29:28,920 --> 00:29:30,160
Speaker 16: He was a very bad man.

635
00:29:30,680 --> 00:29:36,840
Speaker 9: He he Kim Kardashian's stab was his lawyer, Robert Kardashian, And.

636
00:29:38,200 --> 00:29:40,280
Speaker 4: The Kardashian link is the first thing that comes.

637
00:29:40,800 --> 00:29:45,720
Speaker 9: That's how I know about this Okay, did he do

638
00:29:46,000 --> 00:29:47,280
Speaker 9: a bad thing to his wife?

639
00:29:48,680 --> 00:29:50,280
Speaker 4: You're the one fee I.

640
00:29:50,160 --> 00:29:55,280
Speaker 1: Believe he I believe he allegedly killed his wife.

641
00:29:56,600 --> 00:29:57,320
Speaker 4: Well he.

642
00:29:58,800 --> 00:30:03,040
Speaker 2: Don't look at me, look at you go look at

643
00:30:03,600 --> 00:30:04,240
Speaker 2: there's no notes.

644
00:30:04,280 --> 00:30:05,840
Speaker 4: He wasn't charged with that.

645
00:30:05,800 --> 00:30:07,080
Speaker 16: So allegedly.

646
00:30:08,320 --> 00:30:12,760
Speaker 4: Allegedly didn't he get off? But he was charged? Sorry charge, yes, charge,

647
00:30:13,120 --> 00:30:13,680
Speaker 4: but not guilty.

648
00:30:13,680 --> 00:30:15,400
Speaker 3: But what was the scandal around the court case?

649
00:30:16,360 --> 00:30:18,440
Speaker 4: Oh, what was the moment? What was the what was

650
00:30:18,440 --> 00:30:19,120
Speaker 4: the big.

651
00:30:19,000 --> 00:30:20,440
Speaker 16: Wasn't he having an affair as well?

652
00:30:20,640 --> 00:30:22,520
Speaker 2: What was the big thing in the court case? He

653
00:30:22,560 --> 00:30:24,880
Speaker 2: went and put something on in the court case?

654
00:30:26,840 --> 00:30:28,680
Speaker 4: Orange in the courtroom.

655
00:30:29,280 --> 00:30:29,840
Speaker 16: He's in prison.

656
00:30:29,960 --> 00:30:33,320
Speaker 3: No, he handled a piece of evidence. What was the evidence?

657
00:30:33,760 --> 00:30:37,120
Speaker 9: Oh, Kim did not tell me about that?

658
00:30:37,440 --> 00:30:41,920
Speaker 4: I think, actually Robert, but that was probably lead this defense.

659
00:30:42,240 --> 00:30:43,880
Speaker 16: Yes, and he was very controversial.

660
00:30:45,040 --> 00:30:48,440
Speaker 3: It's to do with like a an accessory.

661
00:30:48,880 --> 00:30:59,040
Speaker 16: Accessory to murder um? Sorry, uh accessory? Did you put

662
00:30:59,080 --> 00:31:01,800
Speaker 16: on like a ring? No, we're like in their place?

663
00:31:02,200 --> 00:31:06,760
Speaker 5: Nor the glove, No.

664
00:31:06,720 --> 00:31:10,480
Speaker 4: Glove not fitting? Oh no, glove doesn't fit?

665
00:31:10,880 --> 00:31:13,160
Speaker 16: Oh what like a actual glove?

666
00:31:14,080 --> 00:31:16,440
Speaker 3: Don't give us a bit of Josh take us out

667
00:31:16,440 --> 00:31:17,120
Speaker 3: with a bit of Josh.

668
00:31:17,120 --> 00:31:21,360
Speaker 5: Pass I reckon Captain Poopen's executive producer.

669
00:31:21,640 --> 00:31:23,880
Speaker 4: It is his final week on this show.

670
00:31:24,480 --> 00:31:26,720
Speaker 5: And you know, whilst there is all sorts of emotion

671
00:31:26,920 --> 00:31:29,960
Speaker 5: attached to that, he has been a phenomenal executive producer

672
00:31:30,000 --> 00:31:31,160
Speaker 5: for the last five years.

673
00:31:31,440 --> 00:31:34,120
Speaker 4: Get to the point. Yeah, we just thought it's not

674
00:31:34,240 --> 00:31:35,640
Speaker 4: been doing for five years.

675
00:31:36,600 --> 00:31:39,280
Speaker 5: Get to the point, and the point is that we're

676
00:31:39,280 --> 00:31:41,800
Speaker 5: making your work this week, in the final week, so

677
00:31:41,840 --> 00:31:44,320
Speaker 5: effectively we're giving you a new task or.

678
00:31:44,440 --> 00:31:45,840
Speaker 4: Chore every single day.

679
00:31:46,600 --> 00:31:49,520
Speaker 5: Yesterday, actually Pooh, I mean I think you showed a

680
00:31:49,520 --> 00:31:53,080
Speaker 5: bit doubt. We said you had to be our US

681
00:31:53,120 --> 00:31:57,520
Speaker 5: correspondent doing an interview with us live from the VMAs,

682
00:31:57,520 --> 00:31:58,800
Speaker 5: and I think you were phenomenal.

683
00:32:00,480 --> 00:32:03,360
Speaker 17: I mean, she's just the hardest thing around right now

684
00:32:03,560 --> 00:32:07,800
Speaker 17: and you look in a in a very okay way,

685
00:32:08,600 --> 00:32:11,400
Speaker 17: was great accent. I tell you it did not look

686
00:32:11,480 --> 00:32:13,440
Speaker 17: good with power Kildon.

687
00:32:15,760 --> 00:32:16,240
Speaker 2: Garpenter.

688
00:32:16,320 --> 00:32:17,160
Speaker 15: Have I mentioned her?

689
00:32:19,120 --> 00:32:20,959
Speaker 4: Ricky Martin? Am I right to saying that you've got

690
00:32:21,040 --> 00:32:23,120
Speaker 4: Ricky down there with you know?

691
00:32:23,320 --> 00:32:25,040
Speaker 2: You know you're increase.

692
00:32:28,520 --> 00:32:31,040
Speaker 5: Okay, So today, by the way, you can see that

693
00:32:31,360 --> 00:32:33,160
Speaker 5: if you want to on our Instagram and TikTok.

694
00:32:34,320 --> 00:32:36,880
Speaker 4: The back pedaling was the undoing of the accent.

695
00:32:39,200 --> 00:32:40,840
Speaker 17: I had to backpedal the lost.

696
00:32:40,720 --> 00:32:42,200
Speaker 3: Accents straight into what they were wearing.

697
00:32:42,240 --> 00:32:42,440
Speaker 8: Mate.

698
00:32:42,480 --> 00:32:45,040
Speaker 3: I mean they're there for they're there for their art.

699
00:32:45,440 --> 00:32:49,000
Speaker 4: Which I thought, Yeah, I thought you were a bit sick.

700
00:32:49,240 --> 00:32:52,240
Speaker 17: Yeah, yeah, And I tried to make that clear at

701
00:32:52,280 --> 00:32:52,600
Speaker 17: the time.

702
00:32:52,640 --> 00:32:55,680
Speaker 4: But I don't think I did it anyway. I don't think.

703
00:32:56,520 --> 00:32:58,520
Speaker 5: I don't think you are a chance of being canceled

704
00:32:58,520 --> 00:33:01,080
Speaker 5: for this chour we've got for you today, but who knows.

705
00:33:01,720 --> 00:33:04,320
Speaker 5: We said to you thirty minutes ago that we would

706
00:33:04,360 --> 00:33:08,240
Speaker 5: like you to write a song parody for us, effectively

707
00:33:08,960 --> 00:33:10,880
Speaker 5: saying how much you're going to miss Will and I

708
00:33:10,920 --> 00:33:13,840
Speaker 5: when you leave the show this Friday. We said you

709
00:33:13,840 --> 00:33:17,360
Speaker 5: could choose the song. Obviously, I'm interested. What song have

710
00:33:17,480 --> 00:33:17,960
Speaker 5: you gone for?

711
00:33:19,800 --> 00:33:25,000
Speaker 17: Well, it was mccraye Serena car No, no, we went

712
00:33:25,080 --> 00:33:27,760
Speaker 17: for what you said. I didn't have time to think

713
00:33:27,800 --> 00:33:30,040
Speaker 17: about song choice, so I when my first thing came

714
00:33:30,080 --> 00:33:31,880
Speaker 17: to my head, which is the thing that you said

715
00:33:31,880 --> 00:33:34,400
Speaker 17: on the radio, Woody Gat James Blunt, Goodbye.

716
00:33:34,120 --> 00:33:39,280
Speaker 4: My lover makes sense. Goodbye makes sense makes sense.

717
00:33:39,480 --> 00:33:42,480
Speaker 5: That's that's the feel that obviously I want to receive you,

718
00:33:42,720 --> 00:33:44,080
Speaker 5: which is how much you are going to miss us.

719
00:33:44,080 --> 00:33:45,920
Speaker 17: He's a spiritual idol of the show as well.

720
00:33:45,920 --> 00:33:52,080
Speaker 4: We do like we So how are the pipes? Because

721
00:33:52,080 --> 00:33:53,480
Speaker 4: I mean not an easy song to sing.

722
00:33:53,840 --> 00:33:58,240
Speaker 17: No no, And I've practiced this about half a time

723
00:33:58,480 --> 00:34:01,320
Speaker 17: with Mark in our audio just before.

724
00:34:02,520 --> 00:34:05,200
Speaker 4: The man buzz in can we get him on the air.

725
00:34:05,880 --> 00:34:06,880
Speaker 4: How was the rehearsal?

726
00:34:06,960 --> 00:34:07,240
Speaker 8: Mark?

727
00:34:07,680 --> 00:34:08,360
Speaker 4: It was great.

728
00:34:10,560 --> 00:34:15,480
Speaker 5: I don't think it comes down? Is it okay? Were

729
00:34:15,520 --> 00:34:18,560
Speaker 5: you happy with the first okay? So you're not happy

730
00:34:18,560 --> 00:34:21,360
Speaker 5: with where it's at. There was a bit of talk

731
00:34:21,600 --> 00:34:24,439
Speaker 5: outside amongst the other producers that you were using chat

732
00:34:24,480 --> 00:34:26,160
Speaker 5: GPT for you.

733
00:34:27,640 --> 00:34:29,840
Speaker 4: But and this is a win for humans.

734
00:34:30,000 --> 00:34:31,560
Speaker 14: What what they returned at.

735
00:34:31,440 --> 00:34:35,120
Speaker 4: The moment wasn't great? Aad? I think great?

736
00:34:35,160 --> 00:34:35,719
Speaker 8: But put it?

737
00:34:35,760 --> 00:34:36,600
Speaker 4: Where did you put in it?

738
00:34:37,120 --> 00:34:38,200
Speaker 14: Do you want to hear some of the lyrics?

739
00:34:40,040 --> 00:34:41,239
Speaker 4: Yeah, this is not the song.

740
00:34:41,320 --> 00:34:42,320
Speaker 8: This is not what you were.

741
00:34:43,760 --> 00:34:47,759
Speaker 17: I said, write me a James Blunt parody that says something.

742
00:34:47,520 --> 00:34:49,839
Speaker 3: About Ed missing Will and Woody the radio show.

743
00:34:50,840 --> 00:34:52,279
Speaker 4: I said, did I disappoint you?

744
00:34:52,280 --> 00:34:52,839
Speaker 8: Will let you down?

745
00:34:52,880 --> 00:34:55,800
Speaker 17: Which is the original line of the song, laugh so

746
00:34:55,880 --> 00:34:58,799
Speaker 17: hard choked on a tim Tam. That's no fib you

747
00:34:58,880 --> 00:35:01,600
Speaker 17: two fools, just spin in gold. Now you're off what

748
00:35:01,960 --> 00:35:02,600
Speaker 17: getting old?

749
00:35:03,360 --> 00:35:04,600
Speaker 8: Oh right?

750
00:35:05,719 --> 00:35:07,160
Speaker 3: Great?

751
00:35:08,640 --> 00:35:09,680
Speaker 4: So I've written an original.

752
00:35:09,680 --> 00:35:12,200
Speaker 3: We're going to hear the O G on the other side.

753
00:35:12,120 --> 00:35:16,600
Speaker 5: Written in thirty minutes, food Vants is parody of Goodbye.

754
00:35:17,640 --> 00:35:18,400
Speaker 4: How are you going to do this?

755
00:35:18,440 --> 00:35:20,239
Speaker 8: I hadn't thought that far to.

756
00:35:21,920 --> 00:35:30,799
Speaker 4: Support this is good. Oh no, this will behave us.

757
00:35:30,960 --> 00:35:31,880
Speaker 15: It's up next.

758
00:35:39,160 --> 00:35:42,480
Speaker 2: RB Captain Poop vance in the studio for another challenge.

759
00:35:43,040 --> 00:35:44,680
Speaker 4: He's last week. That's it.

760
00:35:44,800 --> 00:35:47,680
Speaker 5: We just thought because he is leaving this Friday. We

761
00:35:48,080 --> 00:35:50,400
Speaker 5: bloody love this man. He's done a great thing for us.

762
00:35:50,440 --> 00:35:53,040
Speaker 5: But you've just got to make someone work before they leave.

763
00:35:53,320 --> 00:35:57,400
Speaker 5: So you've got a task or a chore every single

764
00:35:57,480 --> 00:36:01,239
Speaker 5: day to complete. Yesterday you were out American correspondent at

765
00:36:01,239 --> 00:36:03,680
Speaker 5: the VMA's did a sublime job. You can see that

766
00:36:03,719 --> 00:36:06,799
Speaker 5: on our socials today. We told you thirty minutes ago

767
00:36:06,960 --> 00:36:13,160
Speaker 5: to write a song parody for us YEP, effectively saying, yeah,

768
00:36:13,360 --> 00:36:14,520
Speaker 5: so you're going through the song.

769
00:36:15,920 --> 00:36:20,080
Speaker 4: I'm not listening to you. So we said the subject

770
00:36:20,080 --> 00:36:21,719
Speaker 4: of the song needs to be how much you're going

771
00:36:21,760 --> 00:36:25,400
Speaker 4: to miss us when you leave on Friday, and you

772
00:36:25,400 --> 00:36:30,560
Speaker 4: are deciding to parody this song Goodbye, My lover goodbye?

773
00:36:32,239 --> 00:36:36,560
Speaker 4: You have one good choice? Good choice is your choice? True?

774
00:36:36,640 --> 00:36:41,640
Speaker 5: Yeah, hence what's great choice? So you haven't really rehearsed

775
00:36:41,640 --> 00:36:43,439
Speaker 5: this yet, you're currently rehearsing it in your head.

776
00:36:44,280 --> 00:36:44,480
Speaker 10: Yep.

777
00:36:44,560 --> 00:36:46,520
Speaker 17: I've got a couple of different ways that this could go.

778
00:36:46,719 --> 00:36:50,400
Speaker 14: So I'm just trying to Yeah, I think.

779
00:36:50,320 --> 00:36:54,960
Speaker 2: Yeah, yeah, wow, wow, okay, great?

780
00:36:57,480 --> 00:37:01,560
Speaker 4: You need any any words before you start singing? Words?

781
00:37:01,880 --> 00:37:02,880
Speaker 17: No, not words of encoaging.

782
00:37:03,239 --> 00:37:04,919
Speaker 4: I was saying, do you want to talk at all? Before?

783
00:37:06,120 --> 00:37:10,160
Speaker 4: Good question? Sometimes the artist tells a little story before

784
00:37:10,160 --> 00:37:13,200
Speaker 4: they sing a song. I haven't gone with this lyric, but.

785
00:37:17,200 --> 00:37:18,120
Speaker 3: This is so stupid.

786
00:37:18,360 --> 00:37:21,160
Speaker 17: One of the lover goodbye my lovers that one of

787
00:37:21,200 --> 00:37:23,640
Speaker 17: the words was plovers, and I was thinking of just

788
00:37:23,680 --> 00:37:28,720
Speaker 17: replacing different like different types of plover, like goodbye beach plubbs.

789
00:37:28,960 --> 00:37:33,120
Speaker 17: I'm not jim in plover like the bird, isn't it plover?

790
00:37:33,680 --> 00:37:37,280
Speaker 14: Well, I'm not doing that, So you're not doing that.

791
00:37:37,280 --> 00:37:42,000
Speaker 4: That was the idea that you are doing about birds

792
00:37:42,000 --> 00:37:45,839
Speaker 4: in sand dunes, for example. Exactly, Yeah, Mars, we said

793
00:37:45,840 --> 00:37:50,719
Speaker 4: to have a song. Here we go, Marhes.

794
00:37:57,920 --> 00:37:59,479
Speaker 15: Did I disappoint you?

795
00:38:00,520 --> 00:38:01,480
Speaker 8: I'll let you down?

796
00:38:02,320 --> 00:38:05,520
Speaker 15: Shouldn't you be feeling guilty for laughing at me like

797
00:38:05,560 --> 00:38:10,360
Speaker 15: a clown because you saw the end, and whilst we

798
00:38:10,440 --> 00:38:14,520
Speaker 15: had some fun, I knew this was career limiting, given

799
00:38:14,560 --> 00:38:16,239
Speaker 15: how many times I saw Body's bomb.

800
00:38:17,760 --> 00:38:21,160
Speaker 17: So I've left the show now and gone into the night.

801
00:38:22,120 --> 00:38:25,000
Speaker 17: The things I've seen off here would give us all

802
00:38:25,000 --> 00:38:31,280
Speaker 17: the fright. It may be over, but you won't stop there.

803
00:38:32,120 --> 00:38:35,279
Speaker 17: I'm always here for you, but I don't think you care.

804
00:38:37,960 --> 00:38:43,600
Speaker 17: Goodbye Secret Lovers, Goodbye gal friends. This has been some fun.

805
00:38:44,080 --> 00:38:49,760
Speaker 17: You have been the one for me. Good Goodbye Secret Lovers.

806
00:38:50,200 --> 00:38:55,120
Speaker 15: Goodbye gall friends, because that's been some you have.

807
00:38:55,200 --> 00:39:08,760
Speaker 8: Been the one for me.

808
00:39:09,160 --> 00:39:11,600
Speaker 2: Yes, if you are just tuning in, you are listening

809
00:39:11,760 --> 00:39:13,200
Speaker 2: to a professional.

810
00:39:16,400 --> 00:39:20,680
Speaker 17: My goly gosh because it felt awful out of the man.

811
00:39:23,000 --> 00:39:23,439
Speaker 4: We'll try.

812
00:39:23,920 --> 00:39:26,760
Speaker 2: We've got some people that we I mean, off air hate,

813
00:39:26,840 --> 00:39:29,800
Speaker 2: but in the studio it's Rob Mills and Georgie.

814
00:39:32,520 --> 00:39:35,040
Speaker 13: Sit down. Please, you don't need to give us a standing.

815
00:39:37,880 --> 00:39:41,680
Speaker 4: Like it are given again. It's used to the stage.

816
00:39:41,719 --> 00:39:44,840
Speaker 4: Give it again again.

817
00:39:44,920 --> 00:39:46,320
Speaker 14: It's been a while, guy, So thank.

818
00:39:46,120 --> 00:39:49,960
Speaker 2: You you have there. The Australian media power couples all

819
00:39:50,000 --> 00:39:50,319
Speaker 2: of fame.

820
00:39:50,400 --> 00:39:52,480
Speaker 4: You probably aren't you, So.

821
00:39:53,600 --> 00:39:55,680
Speaker 18: I think it's just all like it's like a unit

822
00:39:55,760 --> 00:39:58,000
Speaker 18: building and in every room that's just a photo of us.

823
00:40:00,000 --> 00:40:05,799
Speaker 4: I thought it was Is it not Australians? Yeah, Australian couples.

824
00:40:07,000 --> 00:40:08,320
Speaker 13: Paddy Newton, Yeah.

825
00:40:08,360 --> 00:40:09,160
Speaker 4: Of course.

826
00:40:10,520 --> 00:40:10,640
Speaker 7: No.

827
00:40:11,600 --> 00:40:13,319
Speaker 4: Previously previously that.

828
00:40:15,040 --> 00:40:16,120
Speaker 13: Maddy Jay and Laura.

829
00:40:15,880 --> 00:40:18,800
Speaker 4: Bert oh Big and Brand as.

830
00:40:18,640 --> 00:40:23,280
Speaker 13: Well well, and then I think it's us. That's the NAT.

831
00:40:25,719 --> 00:40:26,480
Speaker 4: That's about right.

832
00:40:27,040 --> 00:40:27,680
Speaker 14: Read the Daily Mail.

833
00:40:27,719 --> 00:40:31,040
Speaker 4: I don't know, yeah, speaking of power couples.

834
00:40:31,040 --> 00:40:32,959
Speaker 2: So that we were looking, there was a I didn't

835
00:40:33,000 --> 00:40:34,600
Speaker 2: know this but don't want to produce this came in

836
00:40:34,600 --> 00:40:36,799
Speaker 2: before and told me it was leaked the salaries of

837
00:40:36,880 --> 00:40:38,319
Speaker 2: people on the race this year.

838
00:40:38,440 --> 00:40:39,040
Speaker 4: This is wild.

839
00:40:39,080 --> 00:40:41,239
Speaker 3: So Melissaly, I'm Gretel Colleen one hundred and.

840
00:40:41,239 --> 00:40:44,600
Speaker 2: Fifty thousand dollars goodness, and Milton was one hundred and

841
00:40:44,640 --> 00:40:49,120
Speaker 2: forty grand apparently, Ed Cavali and tiff Hall one hundred

842
00:40:49,120 --> 00:40:50,719
Speaker 2: and twenty grand one.

843
00:40:50,640 --> 00:40:53,359
Speaker 4: Episode because they got knocked out last night. That's well

844
00:40:53,400 --> 00:40:54,600
Speaker 4: known for one of the good.

845
00:40:55,000 --> 00:40:57,360
Speaker 3: And then Mills and Georgie Turney one and a half

846
00:40:57,440 --> 00:40:58,160
Speaker 3: million each.

847
00:40:59,080 --> 00:40:59,600
Speaker 8: Small.

848
00:41:00,160 --> 00:41:00,839
Speaker 4: You guys got there.

849
00:41:00,920 --> 00:41:06,760
Speaker 13: That's why we're in the penthouse. We need our managers,

850
00:41:06,800 --> 00:41:09,200
Speaker 13: we need Chace to them, that's not what.

851
00:41:09,120 --> 00:41:13,880
Speaker 14: We got paid. The commission has gone up somewhat. Remember

852
00:41:13,960 --> 00:41:15,839
Speaker 14: doing Dancing with the Stars a few years ago and

853
00:41:15,960 --> 00:41:19,320
Speaker 14: it was per episode, Yeah, except we were all contracted

854
00:41:19,320 --> 00:41:21,799
Speaker 14: to be there for the final episode. So even if

855
00:41:21,840 --> 00:41:23,120
Speaker 14: I didn't make the so I didn't even have to

856
00:41:23,120 --> 00:41:24,640
Speaker 14: make the final, I still got paid for the final.

857
00:41:25,160 --> 00:41:25,560
Speaker 4: I think that.

858
00:41:26,200 --> 00:41:28,600
Speaker 14: Yeah, however, I made the semis. I was really going

859
00:41:28,640 --> 00:41:29,960
Speaker 14: for it in the in the dance off.

860
00:41:29,960 --> 00:41:31,960
Speaker 5: But yeah, did you care more about Dancing with the

861
00:41:32,000 --> 00:41:34,279
Speaker 5: Stars than the Amazing Race or have you?

862
00:41:35,320 --> 00:41:39,359
Speaker 14: Amazing Race has been in the bucket list for so long.

863
00:41:39,400 --> 00:41:41,040
Speaker 14: I love the show. I think it's awesome.

864
00:41:41,680 --> 00:41:42,279
Speaker 8: There's no need.

865
00:41:42,320 --> 00:41:45,520
Speaker 4: There's been no need for you guys get very competitive.

866
00:41:45,120 --> 00:41:47,719
Speaker 18: Because Robert would have described himself as quite competitive as well,

867
00:41:47,719 --> 00:41:48,480
Speaker 18: because we blow.

868
00:41:49,960 --> 00:41:52,640
Speaker 13: But you did, that's what you say.

869
00:41:55,800 --> 00:42:02,480
Speaker 5: Still hanging finals this week ends up.

870
00:42:03,080 --> 00:42:05,040
Speaker 18: But I do think that even for him, there were

871
00:42:05,040 --> 00:42:08,120
Speaker 18: certain challenges when you look at me and go, who

872
00:42:08,200 --> 00:42:09,040
Speaker 18: are yeah.

873
00:42:08,840 --> 00:42:11,280
Speaker 2: Wow, okay, did you have anyone that you were like,

874
00:42:11,440 --> 00:42:14,840
Speaker 2: particularly like at Loggerheads with who is also very competitive?

875
00:42:14,840 --> 00:42:16,080
Speaker 3: Did that happen for you guys.

876
00:42:15,880 --> 00:42:18,600
Speaker 14: In the in the race, Georgie was probably the most.

877
00:42:21,280 --> 00:42:22,880
Speaker 4: Definitely everyone.

878
00:42:23,120 --> 00:42:26,720
Speaker 2: You're doing the bon Jovi tour still it's still Roughie, Yeah, Georgie,

879
00:42:26,840 --> 00:42:27,920
Speaker 2: how insufferable was that?

880
00:42:27,960 --> 00:42:28,319
Speaker 4: At home?

881
00:42:29,200 --> 00:42:32,320
Speaker 18: In the prep it's the initial stages of him fully

882
00:42:32,680 --> 00:42:36,120
Speaker 18: cementing the lyrics in his brain, which can be a lot,

883
00:42:36,160 --> 00:42:37,960
Speaker 18: and I'll be like I can't, We'll go cop in

884
00:42:37,960 --> 00:42:40,040
Speaker 18: the car and then it's like just automatically sinks to

885
00:42:40,080 --> 00:42:41,800
Speaker 18: his phone and it's like, you know, we've got living on.

886
00:42:42,320 --> 00:42:42,800
Speaker 13: I can't do that.

887
00:42:43,360 --> 00:42:44,560
Speaker 14: We're on the halfway there, so.

888
00:42:46,640 --> 00:42:52,640
Speaker 4: A lot of that as well. Welcome, welcome to a

889
00:42:52,640 --> 00:42:59,680
Speaker 4: little bit of bad medicine. Enough already, there's a shot

890
00:42:59,680 --> 00:43:01,040
Speaker 4: that I seen a few mills.

891
00:43:01,280 --> 00:43:04,880
Speaker 5: The leather pants, the leather jacket, like the leg hohoked

892
00:43:05,000 --> 00:43:07,800
Speaker 5: up speaker at the front of the stage. That's pure

893
00:43:07,840 --> 00:43:09,799
Speaker 5: sex in my mind, Georgie, how do you feel about that?

894
00:43:09,880 --> 00:43:12,919
Speaker 18: Yeah, it's it's quite disconcerting when you see a room

895
00:43:13,080 --> 00:43:15,640
Speaker 18: full of people, men and women.

896
00:43:16,640 --> 00:43:17,719
Speaker 14: The fifty sixty year olds.

897
00:43:17,800 --> 00:43:18,560
Speaker 13: No, no, but.

898
00:43:18,600 --> 00:43:23,440
Speaker 18: Just just openly throwing underwear at your fiance's.

899
00:43:24,360 --> 00:43:25,560
Speaker 13: Interesting. It's interesting.

900
00:43:25,880 --> 00:43:28,080
Speaker 4: Jocks on the stage, Yeah.

901
00:43:27,480 --> 00:43:34,320
Speaker 13: Yeah, yeah, yeah, the nickers.

902
00:43:36,560 --> 00:43:37,759
Speaker 14: I haven't only jocked.

903
00:43:39,000 --> 00:43:43,919
Speaker 5: You, you would have been back on amazing.

904
00:43:44,320 --> 00:43:45,319
Speaker 4: Another that jompon joke.

905
00:43:46,280 --> 00:43:49,200
Speaker 5: I believe there's a story about Uzbekistan. We weren't sure

906
00:43:49,200 --> 00:43:50,920
Speaker 5: whether we were allowed to talk about it on air, But.

907
00:43:50,880 --> 00:43:53,440
Speaker 14: Here we are thists spoiler. I suppose because she has

908
00:43:53,480 --> 00:43:56,799
Speaker 14: this mindset where she thinks she's amazing at everything.

909
00:43:57,200 --> 00:43:59,040
Speaker 13: That's right immediately, I'll be great.

910
00:43:59,120 --> 00:44:01,759
Speaker 14: I'll be great at this the task that you've never

911
00:44:01,840 --> 00:44:04,920
Speaker 14: done before in your life, entire life, like picking up

912
00:44:04,960 --> 00:44:08,360
Speaker 14: a guitar. Go, I'll be fine. Speaking of musical instruments,

913
00:44:08,360 --> 00:44:10,359
Speaker 14: one of them was a musical instrument. It was a

914
00:44:10,440 --> 00:44:11,360
Speaker 14: like a giant horn.

915
00:44:12,080 --> 00:44:12,560
Speaker 4: What was it called?

916
00:44:12,560 --> 00:44:13,880
Speaker 13: A thank you?

917
00:44:13,920 --> 00:44:16,360
Speaker 14: Georgie's like, I'm gonna know this absolutely no.

918
00:44:17,000 --> 00:44:20,120
Speaker 18: I could have been born, never picked up a trumpet

919
00:44:20,120 --> 00:44:22,239
Speaker 18: in my life, really, and I was like, can't be

920
00:44:22,280 --> 00:44:22,600
Speaker 18: that hard?

921
00:44:23,160 --> 00:44:25,640
Speaker 5: Fine, and so Mills is a musician, that's right, and

922
00:44:25,719 --> 00:44:28,920
Speaker 5: yet you've gone step back, but I've got this.

923
00:44:29,000 --> 00:44:31,279
Speaker 13: Yeah, get five steps back. I'll need all the room

924
00:44:31,320 --> 00:44:32,520
Speaker 13: I can let.

925
00:44:34,239 --> 00:44:37,759
Speaker 18: Really like manifest and nothing.

926
00:44:39,920 --> 00:44:43,359
Speaker 13: Not like a squeak, nothing. And I was like.

927
00:44:45,520 --> 00:44:49,040
Speaker 14: A YouTube hands down. Tonny did not take a time

928
00:44:49,080 --> 00:44:50,399
Speaker 14: penalty once. She never gave up.

929
00:44:50,719 --> 00:44:51,960
Speaker 13: These are all spoilers that you're not.

930
00:44:55,040 --> 00:44:55,440
Speaker 14: Ill.

931
00:44:55,719 --> 00:44:58,160
Speaker 2: Okay, we were talking before about how you guys met,

932
00:44:58,360 --> 00:45:00,759
Speaker 2: which which I it was not across it.

933
00:45:00,880 --> 00:45:03,200
Speaker 4: So you slid into Georgie's DM. Is that right after?

934
00:45:03,760 --> 00:45:07,000
Speaker 2: Remember vividly when you were talking to Georgie because you're

935
00:45:07,200 --> 00:45:07,760
Speaker 2: you're giddy.

936
00:45:08,360 --> 00:45:10,040
Speaker 3: You were like, man, this chick's it like.

937
00:45:10,000 --> 00:45:13,200
Speaker 4: We spoke to you early, and you remember where.

938
00:45:12,960 --> 00:45:14,880
Speaker 3: Were we I remember he was so pumped about it.

939
00:45:15,120 --> 00:45:15,479
Speaker 4: I reckon.

940
00:45:15,480 --> 00:45:17,359
Speaker 5: We were in the studio and this was off air,

941
00:45:17,480 --> 00:45:20,200
Speaker 5: and you were like, mate, this is girl Georgie who's

942
00:45:20,200 --> 00:45:22,680
Speaker 5: just into all the things that I'm into, and she's

943
00:45:22,719 --> 00:45:24,080
Speaker 5: also stunningly beautiful.

944
00:45:24,200 --> 00:45:26,000
Speaker 4: You and you were like, I just can't believe it.

945
00:45:26,080 --> 00:45:28,560
Speaker 14: And she loves sports, right, it's the best. Yeah, it

946
00:45:28,600 --> 00:45:30,080
Speaker 14: was many.

947
00:45:29,960 --> 00:45:32,439
Speaker 13: Years ago, seven years, some may say seven.

948
00:45:32,960 --> 00:45:37,400
Speaker 3: The message that you first said it was Hi Georgie.

949
00:45:38,040 --> 00:45:41,359
Speaker 14: My name is Rob. Not a weirdo. We do have

950
00:45:41,400 --> 00:45:43,239
Speaker 14: some mutual friends. I know what it's like to be

951
00:45:43,320 --> 00:45:45,320
Speaker 14: new in a new city. If you'd like someone to

952
00:45:45,320 --> 00:45:47,799
Speaker 14: show you around where the best coffee is, I'd like

953
00:45:47,800 --> 00:45:51,520
Speaker 14: to be that guy once again, not a widow. Hit

954
00:45:51,600 --> 00:45:53,319
Speaker 14: me back or something like that. Did I say hit

955
00:45:53,360 --> 00:45:53,600
Speaker 14: me back?

956
00:45:53,600 --> 00:46:01,640
Speaker 5: You didn't say not a widow twice.

957
00:46:01,280 --> 00:46:03,239
Speaker 13: And for mine, I ignored them and I was like, oh.

958
00:46:03,160 --> 00:46:03,840
Speaker 17: My god, Hi.

959
00:46:06,440 --> 00:46:08,120
Speaker 14: Left me on read night for three days.

960
00:46:08,280 --> 00:46:11,279
Speaker 5: Oh nice, before she got deliberately deliberately left it for

961
00:46:11,320 --> 00:46:13,600
Speaker 5: three days to like, Oh but yes.

962
00:46:13,440 --> 00:46:15,800
Speaker 18: But probably not for the reasons that everyone would assume.

963
00:46:15,880 --> 00:46:17,839
Speaker 18: Robert thought that I was seeing people and just dating

964
00:46:17,880 --> 00:46:20,400
Speaker 18: other people, whereas I was just busy and useless. So

965
00:46:21,280 --> 00:46:23,839
Speaker 18: I just started on news Breakfast. I was getting up

966
00:46:23,880 --> 00:46:28,040
Speaker 18: and being at two am, like I was just like, Oh,

967
00:46:28,400 --> 00:46:30,120
Speaker 18: this is I don't know what this is.

968
00:46:30,160 --> 00:46:32,840
Speaker 13: I'm an awkward human being. It probably doesn't mean anything.

969
00:46:32,840 --> 00:46:33,760
Speaker 4: He screams weirdo.

970
00:46:34,800 --> 00:46:36,640
Speaker 5: He said it to me twice and then and then

971
00:46:37,280 --> 00:46:40,000
Speaker 5: that doesn't scream weirdo enough. You then invite her to

972
00:46:40,160 --> 00:46:44,719
Speaker 5: your show months later, first day you go, come and

973
00:46:44,719 --> 00:46:45,560
Speaker 5: watch me on stage.

974
00:46:45,640 --> 00:46:50,279
Speaker 14: Yeah, if you like, if you like your audacity, if

975
00:46:50,280 --> 00:46:52,359
Speaker 14: you like Harry pot Up. We've been messaging back and forth.

976
00:46:52,760 --> 00:46:55,400
Speaker 14: Yeah yeah, I was like, okay, you replied.

977
00:46:55,000 --> 00:46:58,239
Speaker 18: To an Instagram story of me. I was in Port

978
00:46:58,280 --> 00:47:00,759
Speaker 18: Douglas with my best friend and we had this was

979
00:47:00,760 --> 00:47:03,479
Speaker 18: back when boomerangs weould big guys wow, And we.

980
00:47:03,400 --> 00:47:05,480
Speaker 13: Did a boomerang with an apparol spirits.

981
00:47:05,520 --> 00:47:09,440
Speaker 18: Don't know if you've heard of those drinks and no

982
00:47:09,520 --> 00:47:11,680
Speaker 18: when we were and you replied being like, what's your

983
00:47:11,680 --> 00:47:12,400
Speaker 18: best email?

984
00:47:13,440 --> 00:47:18,960
Speaker 4: What? What's your best email? Often no content? You were

985
00:47:19,000 --> 00:47:24,719
Speaker 4: a boomerang and approle spirits And is that for the tickets?

986
00:47:25,239 --> 00:47:26,360
Speaker 4: Is that for the concert tickets?

987
00:47:26,400 --> 00:47:26,839
Speaker 8: Is that why?

988
00:47:27,040 --> 00:47:27,239
Speaker 13: Yeah?

989
00:47:29,920 --> 00:47:30,239
Speaker 8: I didn't know.

990
00:47:31,640 --> 00:47:36,520
Speaker 4: Yeah, what's your best email? So good guys, it worked.

991
00:47:37,880 --> 00:47:40,320
Speaker 4: She came, who's faced the eggs on?

992
00:47:40,440 --> 00:47:40,600
Speaker 8: More?

993
00:47:40,680 --> 00:47:42,800
Speaker 4: I mean that you said, what's your best email? But Georgie,

994
00:47:42,840 --> 00:47:49,320
Speaker 4: actually I replied, smooth guys, a smooth up. So what

995
00:47:49,480 --> 00:47:50,279
Speaker 4: was the show was?

996
00:47:50,480 --> 00:47:53,240
Speaker 14: I was doing a Harry Potter spoof play called Puffs,

997
00:47:53,760 --> 00:47:58,000
Speaker 14: which follows the kids from Hufflepuff. It's very funny. It's

998
00:47:58,120 --> 00:48:01,400
Speaker 14: a very off Broadway show. And I played Cedric Diggery

999
00:48:01,440 --> 00:48:03,040
Speaker 14: in the first act obviously spoiler it a lot, he

1000
00:48:03,040 --> 00:48:07,960
Speaker 14: doesn't make it. And the second act I played Voldemort

1001
00:48:08,520 --> 00:48:10,000
Speaker 14: and he came and he came out.

1002
00:48:10,440 --> 00:48:12,239
Speaker 18: He came out in a swimming cap with a band

1003
00:48:12,239 --> 00:48:14,040
Speaker 18: aid over his nose, and I thought, that's the man.

1004
00:48:16,920 --> 00:48:19,840
Speaker 4: And it's very camp green like Kimona.

1005
00:48:20,840 --> 00:48:22,040
Speaker 8: It was so great.

1006
00:48:23,200 --> 00:48:25,799
Speaker 4: That's great. We love you guys, all right, well, thanks

1007
00:48:25,840 --> 00:48:28,239
Speaker 4: for coming in. It worked us, It worked. I can

1008
00:48:28,320 --> 00:48:29,760
Speaker 4: tell what you're engaged. It's crazy.

1009
00:48:30,680 --> 00:48:32,120
Speaker 2: If you guys want to go and see Millsey and

1010
00:48:32,160 --> 00:48:34,359
Speaker 2: Tunny there on the Amazing Race Australia Celebrity Edition, which

1011
00:48:34,360 --> 00:48:37,920
Speaker 2: continues tonight seven thirty on ten and ten Play go

1012
00:48:38,000 --> 00:48:40,520
Speaker 2: on watch Georgie do amazing things and watch Rob watch

1013
00:48:40,600 --> 00:48:40,640
Speaker 2: on