1 00:00:00,840 --> 00:00:03,840 Speaker 1: How it by the My Heart Radio wapp from ninety 2 00:00:03,840 --> 00:00:06,560 Speaker 1: six air VM to where here But you're listening today? 3 00:00:06,920 --> 00:00:10,920 Speaker 2: This is Clezy and Lisa's podcast. Coming up on the podcast, 4 00:00:11,160 --> 00:00:14,360 Speaker 2: continuing our series The History of sum Today it's all 5 00:00:14,360 --> 00:00:15,640 Speaker 2: about Vinyl records. 6 00:00:15,840 --> 00:00:20,360 Speaker 3: Tex Perkins came in and you okay. We talked about 7 00:00:20,400 --> 00:00:22,560 Speaker 3: the Rolling Stones review and the fact that Tex wants 8 00:00:22,600 --> 00:00:24,480 Speaker 3: to hire Lisa for multiple jobs. 9 00:00:25,040 --> 00:00:27,720 Speaker 2: You've heard of Night at the Museum, what about Noody 10 00:00:27,840 --> 00:00:29,800 Speaker 2: Night at the Museum. 11 00:00:29,760 --> 00:00:32,280 Speaker 3: York Festival with clothes on. We spoke to Joe Bryant. 12 00:00:32,280 --> 00:00:35,159 Speaker 2: And Jeff Bezos. Very rich Man has a very. 13 00:00:34,960 --> 00:00:37,599 Speaker 3: Fast new toy, Lisa. I noticed this story has come 14 00:00:37,680 --> 00:00:41,720 Speaker 3: out from the Dorset Museum. Visitors to the Dorset Museum 15 00:00:42,240 --> 00:00:44,680 Speaker 3: may very soon be going to a special event which 16 00:00:44,680 --> 00:00:47,200 Speaker 3: they're hosting the museum. The museum, of course has had 17 00:00:47,400 --> 00:00:49,800 Speaker 3: some incredible changes. They had to be revamp, costing about 18 00:00:49,800 --> 00:00:52,200 Speaker 3: thirty million bucks recently. So it's a pretty flash place. 19 00:00:52,880 --> 00:00:54,640 Speaker 3: A bit of flashing might go on because they're hosting 20 00:00:54,680 --> 00:00:58,640 Speaker 3: a special private viewing for naturists. Naturists I should say, okay, 21 00:00:58,840 --> 00:01:01,600 Speaker 3: I was going to say, with privates in full view, 22 00:01:01,640 --> 00:01:04,280 Speaker 3: I would imagine because the price of a ticket for 23 00:01:04,360 --> 00:01:08,680 Speaker 3: the nudies includes a glass of wine, changing facilities and 24 00:01:08,680 --> 00:01:10,880 Speaker 3: a locker for your clothing as you walk around the music. 25 00:01:10,920 --> 00:01:13,760 Speaker 2: Hang on, they're gonna have a naked knife. 26 00:01:13,880 --> 00:01:14,959 Speaker 3: They're having a moody night. 27 00:01:15,440 --> 00:01:15,840 Speaker 2: Museum. 28 00:01:15,920 --> 00:01:18,920 Speaker 3: Why maybe if you want to get your kid off, 29 00:01:19,000 --> 00:01:20,959 Speaker 3: that's the freedom again? 30 00:01:21,080 --> 00:01:25,800 Speaker 2: Why? Well, not sure, I'm not sure exactly. Whyn't what 31 00:01:25,840 --> 00:01:29,360 Speaker 2: a stranger's exhibits clapping around in my face? Sure? 32 00:01:29,480 --> 00:01:32,600 Speaker 3: Yes, sure, but with his luck for like like they're 33 00:01:32,840 --> 00:01:35,160 Speaker 3: rangers with their own their own peeps, you know what 34 00:01:35,200 --> 00:01:38,280 Speaker 3: I'm saying. They'll be strutting around and checking out the 35 00:01:38,319 --> 00:01:40,679 Speaker 3: old Bones and other exhibits. 36 00:01:42,400 --> 00:01:45,080 Speaker 2: We know they rarely look like Hugh Jackman on day 37 00:01:45,120 --> 00:01:47,920 Speaker 2: one of filming Woaverine. We understand, we understand. 38 00:01:48,000 --> 00:01:50,200 Speaker 3: Not everyone who likes to get their gear off and 39 00:01:50,280 --> 00:01:52,720 Speaker 3: the parade around is in great nick you. 40 00:01:52,840 --> 00:01:57,720 Speaker 2: See fast forward. That's right. 41 00:01:59,360 --> 00:01:59,920 Speaker 3: Didn't he do that? 42 00:02:02,600 --> 00:02:02,960 Speaker 2: However? 43 00:02:03,120 --> 00:02:06,200 Speaker 3: Dorset Museum and on alone because the French Museum, Mars 44 00:02:06,520 --> 00:02:10,400 Speaker 3: Museum of European and Mediterranean Civilizations, they're getting their people 45 00:02:10,400 --> 00:02:11,639 Speaker 3: can get their gear off, but you have to wear 46 00:02:11,639 --> 00:02:12,519 Speaker 3: shoes at that one. 47 00:02:12,840 --> 00:02:15,480 Speaker 2: Oh that nothing looks sillier than a naked person in 48 00:02:15,560 --> 00:02:17,760 Speaker 2: shoes great round in the shoes. 49 00:02:17,960 --> 00:02:20,200 Speaker 3: Well, people judge you purely on your shoes, then your 50 00:02:20,200 --> 00:02:23,919 Speaker 3: shoes and your smile. I bet their crocs true, They 51 00:02:23,919 --> 00:02:26,440 Speaker 3: probably would be crocs or maybe some flip flop of 52 00:02:26,480 --> 00:02:27,680 Speaker 3: some kind of variety. 53 00:02:28,360 --> 00:02:33,120 Speaker 4: Probably not a nice Manolo Blannet quite possibly. Not judging 54 00:02:33,120 --> 00:02:34,480 Speaker 4: then you're going to go all that stuff about that 55 00:02:34,600 --> 00:02:37,679 Speaker 4: kind of nice unbelievable. So I mean, can you see 56 00:02:37,680 --> 00:02:39,760 Speaker 4: it happening in Perth? People nuding up a bit more 57 00:02:39,760 --> 00:02:40,640 Speaker 4: at some big events? 58 00:02:41,160 --> 00:02:44,800 Speaker 2: Do we? Is there a big nude community here? I wouldn't. 59 00:02:44,960 --> 00:02:45,360 Speaker 2: I don't know. 60 00:02:45,520 --> 00:02:48,000 Speaker 3: I don't know how big the community is, but size 61 00:02:48,000 --> 00:02:49,280 Speaker 3: doesn't matter least let's. 62 00:02:49,040 --> 00:02:51,280 Speaker 2: Be the size of the community. 63 00:02:51,440 --> 00:02:54,960 Speaker 3: But think about it, like we love going to Coddessloafa 64 00:02:55,000 --> 00:02:58,040 Speaker 3: scrowed them by the sea. Could you imagine maybe not 65 00:02:59,160 --> 00:03:02,400 Speaker 3: Swan board booms at the bell tower. I don't know, 66 00:03:02,520 --> 00:03:04,399 Speaker 3: I know Swan, But there's a nudy beach at swanmb 67 00:03:04,840 --> 00:03:05,880 Speaker 3: really isn't now? I think? 68 00:03:05,919 --> 00:03:05,959 Speaker 5: So? 69 00:03:07,120 --> 00:03:09,320 Speaker 3: Probably not too many down there this morning, I would imagine. 70 00:03:09,320 --> 00:03:11,200 Speaker 3: But yeah, so if you want to go to Dorset Museum, 71 00:03:11,280 --> 00:03:14,400 Speaker 3: you'll get a little locker for your gear changing facilities 72 00:03:14,400 --> 00:03:15,280 Speaker 3: in a glass of wine. 73 00:03:15,360 --> 00:03:17,400 Speaker 2: I feel like this is a good time to remind 74 00:03:17,440 --> 00:03:19,360 Speaker 2: you that you can text us at any time on 75 00:03:19,480 --> 00:03:22,120 Speaker 2: zero four seven six ninety six, ninety six ninety six. 76 00:03:23,000 --> 00:03:26,320 Speaker 2: Maybe you know all about the Perth nody community. 77 00:03:26,320 --> 00:03:28,120 Speaker 3: You may know what's going on, yeah, or you may 78 00:03:28,160 --> 00:03:29,400 Speaker 3: just want to complain that I said the words go 79 00:03:29,480 --> 00:03:32,880 Speaker 3: I'm on the radio, I don't know what twice. 80 00:03:32,960 --> 00:03:37,440 Speaker 2: Now I know. This is a journey into pop up 81 00:03:37,520 --> 00:03:41,560 Speaker 2: the val your crazy releases. The history of sound. This 82 00:03:41,720 --> 00:03:43,600 Speaker 2: week we are looking at the history of sound in 83 00:03:43,640 --> 00:03:46,640 Speaker 2: the National Film and Sound Archive of Australia has kindly 84 00:03:46,640 --> 00:03:48,920 Speaker 2: teamed up with us to talk all about it. Today. 85 00:03:49,160 --> 00:03:51,960 Speaker 2: We are looking at vinyl records. I mean, who can 86 00:03:52,000 --> 00:03:52,800 Speaker 2: forget doing this? 87 00:03:57,080 --> 00:03:58,040 Speaker 3: That's a well worn one. 88 00:03:58,640 --> 00:04:01,840 Speaker 2: Is a well worn one. They sounded like that. From 89 00:04:01,880 --> 00:04:05,160 Speaker 2: the National Film and Sound Archive of Australia. Crispian Windsor 90 00:04:05,240 --> 00:04:07,400 Speaker 2: good morning, welcomete. 91 00:04:07,360 --> 00:04:09,160 Speaker 6: Good morning, Yes, good to talk to you both. 92 00:04:09,280 --> 00:04:12,960 Speaker 2: Thanks for joining us. Now, when was the first vinyl 93 00:04:13,120 --> 00:04:13,960 Speaker 2: record made? 94 00:04:15,320 --> 00:04:19,240 Speaker 6: It was nineteen forty eight. That's when things started to 95 00:04:19,320 --> 00:04:21,200 Speaker 6: get a bit different. They were Shilac records up to 96 00:04:21,200 --> 00:04:23,120 Speaker 6: that point, but then they winded records to go a 97 00:04:23,120 --> 00:04:25,000 Speaker 6: bit longer and to be made of more of a 98 00:04:25,160 --> 00:04:28,400 Speaker 6: durable quality, and nineteen forty eight was the first time 99 00:04:28,440 --> 00:04:29,800 Speaker 6: that was done, and I think they were sold in 100 00:04:29,880 --> 00:04:32,040 Speaker 6: nineteen forty nine, include. 101 00:04:31,720 --> 00:04:34,080 Speaker 2: Seventy eight and forty five, and. 102 00:04:34,600 --> 00:04:37,960 Speaker 6: Well seventy eights. Forty five was slightly later. It was 103 00:04:38,000 --> 00:04:40,720 Speaker 6: seventy eight still in nineteen forty eight. Yeah, they were 104 00:04:41,000 --> 00:04:44,440 Speaker 6: certainly around on silac, but that was still the standard 105 00:04:44,839 --> 00:04:47,880 Speaker 6: in nineteen forty eight until they started to get the 106 00:04:48,200 --> 00:04:52,359 Speaker 6: bigger thirty three C three inches C three upy in. 107 00:04:52,480 --> 00:04:54,280 Speaker 2: Sorry yeah, yeah, twelve inches. 108 00:04:54,560 --> 00:04:57,599 Speaker 6: Seven inch discs whitch of forty five revolutions permittent correct? 109 00:04:57,600 --> 00:04:59,560 Speaker 3: Okay, so what can you explain what schilacky is for? 110 00:04:59,600 --> 00:04:59,880 Speaker 5: Status? 111 00:05:00,279 --> 00:05:01,520 Speaker 3: When they were going from god, I think of a 112 00:05:02,080 --> 00:05:03,599 Speaker 3: in the footy, what was. 113 00:05:05,279 --> 00:05:09,599 Speaker 6: Yeah, well, it was a much different sort of piece 114 00:05:09,600 --> 00:05:14,000 Speaker 6: of material where it was very very brittle, and the 115 00:05:14,040 --> 00:05:16,599 Speaker 6: sound wasn't that great either, but it was very easy 116 00:05:16,640 --> 00:05:19,680 Speaker 6: to break and it didn't take much further things first 117 00:05:19,680 --> 00:05:23,440 Speaker 6: to like just to shatter this and yeah, there's the 118 00:05:23,480 --> 00:05:26,640 Speaker 6: sound wasn't fantastic either, so something had to be done. 119 00:05:26,680 --> 00:05:27,679 Speaker 6: I think at that point. 120 00:05:28,720 --> 00:05:32,080 Speaker 2: Why were there so many formats and recording lengths with 121 00:05:32,160 --> 00:05:33,480 Speaker 2: the vinyl album There were a lot. 122 00:05:34,120 --> 00:05:37,560 Speaker 6: It took them a long time to come up with 123 00:05:38,080 --> 00:05:42,080 Speaker 6: the sort of a standardized size and format. There were 124 00:05:42,120 --> 00:05:45,440 Speaker 6: some the speeds at points, sometimes it was a slow 125 00:05:45,480 --> 00:05:48,600 Speaker 6: at sixty revolutions per minute, and even as fast as 126 00:05:48,600 --> 00:05:51,280 Speaker 6: one hundred and thirty revolutions per minute. 127 00:05:51,080 --> 00:05:52,080 Speaker 7: Which is pretty fast. 128 00:05:54,160 --> 00:05:55,000 Speaker 6: It took a long time. 129 00:05:55,120 --> 00:05:56,000 Speaker 5: They really didn't. 130 00:05:56,040 --> 00:05:59,920 Speaker 6: The records weren't standardized to seventy eight rpm until much later, 131 00:06:00,120 --> 00:06:03,200 Speaker 6: and then in nineteen forty eight is when there was 132 00:06:03,240 --> 00:06:05,920 Speaker 6: sandardized more into seventiest discs and twelve inch discs. 133 00:06:06,440 --> 00:06:09,120 Speaker 3: Absolutely move, We'll be into the second hand shop, spoken 134 00:06:09,160 --> 00:06:12,320 Speaker 3: to Nana and seeing those really old heavy things they build, 135 00:06:12,320 --> 00:06:14,880 Speaker 3: and yeah, they were very weighty, very sick, weren't they. 136 00:06:15,760 --> 00:06:19,360 Speaker 6: Absolutely, Yeah they're really heavy. Yeah I don't have any myself, 137 00:06:19,880 --> 00:06:22,440 Speaker 6: but yeah, you can still see them around in off 138 00:06:22,480 --> 00:06:23,960 Speaker 6: tops and things like that. At times. 139 00:06:24,200 --> 00:06:26,240 Speaker 2: I always used to be fascinated by the fact that 140 00:06:26,440 --> 00:06:29,600 Speaker 2: my albums just had the little hole to put, you know, 141 00:06:30,000 --> 00:06:31,960 Speaker 2: over the you know, onto the record player, and my 142 00:06:32,240 --> 00:06:35,159 Speaker 2: dad's old seventy eighths had like a big sort of 143 00:06:35,160 --> 00:06:38,880 Speaker 2: elaborate pattern in the middle that was cut out. Why 144 00:06:39,080 --> 00:06:41,320 Speaker 2: the different cutouts. 145 00:06:41,520 --> 00:06:45,560 Speaker 6: Well, that's a very American thing mainly with it was 146 00:06:45,640 --> 00:06:48,920 Speaker 6: just the juke boxes, so the big yeah, yeah, we 147 00:06:49,000 --> 00:06:51,560 Speaker 6: used to juke boxes. You can still get them around. 148 00:06:51,560 --> 00:06:53,599 Speaker 6: Some people still make them with a bigger hole. But 149 00:06:53,839 --> 00:06:56,440 Speaker 6: basically it was the jukeboxes in America. 150 00:06:55,920 --> 00:06:58,560 Speaker 2: Primarily, and it is also is that why they're measured 151 00:06:58,560 --> 00:07:02,039 Speaker 2: in inches? Just an American totally yeah. 152 00:07:02,440 --> 00:07:05,880 Speaker 6: I for some reason that never changed when it went 153 00:07:06,000 --> 00:07:09,920 Speaker 6: around the world. Always say changed, yeah, seven inch and. 154 00:07:09,840 --> 00:07:12,800 Speaker 2: Twelve inches because most of my twelve inch remix extandard 155 00:07:12,840 --> 00:07:16,360 Speaker 2: versions that I waited six months to come to a right, 156 00:07:17,880 --> 00:07:22,400 Speaker 2: those are coming from the UK. So yeah, yes, yes, Chris, 157 00:07:22,920 --> 00:07:23,559 Speaker 2: that's the reason. 158 00:07:23,800 --> 00:07:25,360 Speaker 3: What about rock and roll? I mean rock and roll, 159 00:07:25,600 --> 00:07:28,120 Speaker 3: you know, the music changed, and so did the way 160 00:07:28,160 --> 00:07:30,560 Speaker 3: that people young people bought music so that they really 161 00:07:30,600 --> 00:07:33,880 Speaker 3: annoy their parents. It did change. Did the distribution changed 162 00:07:33,880 --> 00:07:36,400 Speaker 3: to it didn't there, I really. 163 00:07:36,200 --> 00:07:38,280 Speaker 6: Did, And I think a lot of that was with 164 00:07:38,320 --> 00:07:39,920 Speaker 6: the portability of. 165 00:07:39,880 --> 00:07:40,800 Speaker 5: Record players as well. 166 00:07:40,920 --> 00:07:43,680 Speaker 6: You start to get really small once people could sort 167 00:07:43,680 --> 00:07:46,720 Speaker 6: of take any words to anybody's houses, and vinyl really 168 00:07:46,880 --> 00:07:49,720 Speaker 6: was a big revolution that especially the forty the seven 169 00:07:49,720 --> 00:07:52,600 Speaker 6: inch discs around that time. Singles start to be extremely 170 00:07:52,640 --> 00:07:54,560 Speaker 6: popular in the nine and fifties from the onset of 171 00:07:54,600 --> 00:07:55,080 Speaker 6: rock and roll. 172 00:07:55,840 --> 00:07:59,160 Speaker 2: When when did the first vinyl pressing plant open in Australia. 173 00:08:00,400 --> 00:08:03,440 Speaker 6: Well, it was actually CBS Records later Sony in nineteen 174 00:08:03,480 --> 00:08:06,040 Speaker 6: fifty four. That was the first one and there used 175 00:08:06,040 --> 00:08:09,840 Speaker 6: to be several, but now there's currently only three pressing 176 00:08:10,160 --> 00:08:11,000 Speaker 6: plants in Australia. 177 00:08:11,080 --> 00:08:14,320 Speaker 2: Oh wow, is it started to pick up again in 178 00:08:14,360 --> 00:08:16,360 Speaker 2: recent times, isn't it? That's the thing it has. 179 00:08:16,560 --> 00:08:19,119 Speaker 6: Yeah, so there's one, there's two mo one called Zennis 180 00:08:19,120 --> 00:08:21,840 Speaker 6: and one called Program Zens. Originally was called Cordiali and 181 00:08:21,840 --> 00:08:24,560 Speaker 6: that was around for a long time, but the program 182 00:08:24,640 --> 00:08:26,720 Speaker 6: is fairly new, that's been about three or four years. 183 00:08:26,800 --> 00:08:28,560 Speaker 6: And there's also a fairly new one in Brisbane court 184 00:08:28,640 --> 00:08:29,560 Speaker 6: Suitcase Records. 185 00:08:29,680 --> 00:08:29,880 Speaker 5: Yeah. 186 00:08:30,000 --> 00:08:34,199 Speaker 2: They are, of course, vinyl albums making a huge comeback. 187 00:08:34,360 --> 00:08:36,479 Speaker 2: What do you put it down to, Crispian. 188 00:08:37,480 --> 00:08:40,920 Speaker 6: I think I think with when they were basically replaced 189 00:08:40,920 --> 00:08:46,040 Speaker 6: by CDs, the artwork's very small on those, and then 190 00:08:46,160 --> 00:08:50,160 Speaker 6: when CDs start to go and be replaced by digital 191 00:08:50,360 --> 00:08:52,800 Speaker 6: I think there's a lot of people, including myself, which 192 00:08:52,920 --> 00:08:55,640 Speaker 6: just loves the physical, physical product. And I think Vinyl 193 00:08:55,720 --> 00:08:58,520 Speaker 6: with the size, you know, it's a real effort to 194 00:08:58,600 --> 00:09:00,679 Speaker 6: listen to Vinyl in a way. I think a lot 195 00:09:00,679 --> 00:09:02,080 Speaker 6: of people really love that, you know. 196 00:09:02,240 --> 00:09:05,240 Speaker 2: Yeah, the loarning notes experience, all that. Yeah, the notes 197 00:09:05,280 --> 00:09:08,360 Speaker 2: on the album. You spent all day just lying there 198 00:09:08,480 --> 00:09:11,319 Speaker 2: reading that from the lyrics beginning to end. Hear the lyrics. 199 00:09:12,320 --> 00:09:17,120 Speaker 6: The lyric now very important, Yeah, absolutely, And like I 200 00:09:17,160 --> 00:09:20,280 Speaker 6: still remember lyrics now just because I read them off 201 00:09:20,760 --> 00:09:21,920 Speaker 6: Vinyl back when I was a kids. 202 00:09:22,240 --> 00:09:23,720 Speaker 2: Yeah, hey, Christian, that was correct. 203 00:09:23,800 --> 00:09:23,959 Speaker 7: Yeah. 204 00:09:23,960 --> 00:09:25,120 Speaker 3: I want to go one of the clock back to 205 00:09:25,240 --> 00:09:27,120 Speaker 3: sort of like a sort of wartime first and the 206 00:09:27,160 --> 00:09:30,720 Speaker 3: Second World War and beyond that where servicemen from the 207 00:09:30,720 --> 00:09:33,440 Speaker 3: States would take blues records to the UK and then 208 00:09:33,720 --> 00:09:35,640 Speaker 3: eventually they ended up with a whole lot of bands 209 00:09:35,640 --> 00:09:37,280 Speaker 3: like the Stones, and that with the British invasion of 210 00:09:37,320 --> 00:09:39,079 Speaker 3: the US, so it went all the way back. But they 211 00:09:39,240 --> 00:09:42,280 Speaker 3: were pretty pretty remarkable. So many people traveled with records 212 00:09:42,320 --> 00:09:43,000 Speaker 3: that didn't break. 213 00:09:44,760 --> 00:09:46,920 Speaker 6: Yeah, absolutely, And I think that was part of the 214 00:09:47,480 --> 00:09:50,880 Speaker 6: issue with Schilac originally. Yeah, got Vinyl like that. Yeah, 215 00:09:51,160 --> 00:09:53,760 Speaker 6: I think that that was the reason why. You're absolutely right. 216 00:09:53,800 --> 00:09:57,000 Speaker 6: I think a lot of people credit that's happening with 217 00:09:57,040 --> 00:09:59,240 Speaker 6: Liverpool and the Beatles gainst so many records because it 218 00:09:59,280 --> 00:09:59,880 Speaker 6: was a poor town. 219 00:10:00,120 --> 00:10:00,440 Speaker 7: Hmmm. 220 00:10:01,320 --> 00:10:03,960 Speaker 2: Of course. The main drawback of them, as we remember 221 00:10:04,080 --> 00:10:08,520 Speaker 2: was they would scratch and they would skip. Was there 222 00:10:08,679 --> 00:10:11,439 Speaker 2: were companies around the world trying the hardest to come 223 00:10:11,520 --> 00:10:14,200 Speaker 2: up with, you know, the magic answer to that, because 224 00:10:14,200 --> 00:10:18,199 Speaker 2: they would have made, you know, a mozza. No one 225 00:10:18,200 --> 00:10:19,880 Speaker 2: ever really did come up with an answer to it, 226 00:10:19,920 --> 00:10:20,280 Speaker 2: did they. 227 00:10:21,080 --> 00:10:23,439 Speaker 6: No, they didn't, they didn't. I think the only thing 228 00:10:23,480 --> 00:10:26,199 Speaker 6: you can get around it is cleaning records from the 229 00:10:26,240 --> 00:10:28,640 Speaker 6: get go. I cleaned all my records, whether they're old 230 00:10:28,720 --> 00:10:29,080 Speaker 6: or new. 231 00:10:29,440 --> 00:10:31,400 Speaker 5: And the way that gets. 232 00:10:31,240 --> 00:10:33,000 Speaker 6: Rid of dust and dust is a part of the 233 00:10:33,000 --> 00:10:36,880 Speaker 6: problem where you start to get skipping and to scratching. 234 00:10:37,240 --> 00:10:38,840 Speaker 6: It's hard to get rid of scratches, of course, but 235 00:10:38,880 --> 00:10:40,880 Speaker 6: you can get dust and started quite easily. 236 00:10:41,120 --> 00:10:42,559 Speaker 2: When you take it off, put it back in the bag. 237 00:10:42,600 --> 00:10:45,400 Speaker 2: Don't just put it on the foreway next one. Hear 238 00:10:45,440 --> 00:10:47,640 Speaker 2: the end of that exactly. 239 00:10:48,000 --> 00:10:51,160 Speaker 6: Yeah, absolutely, I'm really bored about all that stuff. 240 00:10:51,559 --> 00:10:55,560 Speaker 3: I don't probably helped Chrispian wh A couple of recent 241 00:10:55,640 --> 00:10:58,120 Speaker 3: changes have been the heavier vinyl. Can you explain what 242 00:10:58,160 --> 00:11:00,400 Speaker 3: that means? Because you know, people spend seventy eight eighteen 243 00:11:00,480 --> 00:11:02,600 Speaker 3: ninety dollars on an album now and in recent weeks 244 00:11:02,640 --> 00:11:05,920 Speaker 3: we've given away these one step albums that we gave 245 00:11:05,960 --> 00:11:08,600 Speaker 3: away the last four weeks, So what's the technology there, 246 00:11:08,640 --> 00:11:09,480 Speaker 3: what's going on with those? 247 00:11:10,520 --> 00:11:12,200 Speaker 6: I guess a lot of those will be to do 248 00:11:12,280 --> 00:11:15,240 Speaker 6: with virgin vinyls, so they're not recycled. It's the first 249 00:11:15,679 --> 00:11:20,160 Speaker 6: batch of vinyl. It's that technically, that's to mean it's 250 00:11:20,160 --> 00:11:24,080 Speaker 6: the best quality and there's nothing else happening happening to them, 251 00:11:24,120 --> 00:11:24,920 Speaker 6: so it's version file. 252 00:11:25,080 --> 00:11:25,760 Speaker 2: They are a lot. 253 00:11:25,640 --> 00:11:29,400 Speaker 6: Heavier as a result, and that's that's the way around. 254 00:11:29,400 --> 00:11:32,800 Speaker 6: That is just the better quality, the technically the best 255 00:11:32,920 --> 00:11:36,640 Speaker 6: quality you can get. But that does make them expensive. 256 00:11:37,000 --> 00:11:37,120 Speaker 5: Yah. 257 00:11:37,120 --> 00:11:41,040 Speaker 2: Of course, do you play vinyl at home or are 258 00:11:41,080 --> 00:11:41,800 Speaker 2: you a stranger? 259 00:11:43,080 --> 00:11:43,600 Speaker 8: Oh don't know. 260 00:11:43,840 --> 00:11:45,800 Speaker 6: I do stream as well, but I very much final. 261 00:11:45,840 --> 00:11:48,320 Speaker 6: I've got quite quite a large vinyl collection, and only 262 00:11:48,400 --> 00:11:49,520 Speaker 6: DJ Vinyl was well. 263 00:11:49,880 --> 00:11:51,840 Speaker 2: What was your first vinyl record? 264 00:11:53,200 --> 00:11:55,880 Speaker 6: Yeah, I think I think it's hard to say, but 265 00:11:55,960 --> 00:11:57,920 Speaker 6: I believe it might have been This Whole House by 266 00:11:57,920 --> 00:11:58,679 Speaker 6: Shake and Stephens. 267 00:12:00,120 --> 00:12:00,640 Speaker 8: I think so. 268 00:12:00,800 --> 00:12:05,959 Speaker 3: Yeah, that'll get it well from the few people here. Yeah, 269 00:12:07,160 --> 00:12:14,280 Speaker 3: it was a green door. It was like England's Elvis, wasn't. 270 00:12:14,160 --> 00:12:22,319 Speaker 2: He for time? That's great, we're not judging Co's. Actually 271 00:12:23,360 --> 00:12:25,160 Speaker 2: I have to say, it's not like I have it now. 272 00:12:25,200 --> 00:12:28,440 Speaker 2: And by the way, mine was probably arrival, so I 273 00:12:28,559 --> 00:12:29,760 Speaker 2: wasn't really dear. 274 00:12:29,840 --> 00:12:34,800 Speaker 3: I played that to death. Minma Sherbert's how's that? Only 275 00:12:34,800 --> 00:12:37,400 Speaker 3: because my sisters meant for two weeks? She goes, I'll 276 00:12:37,400 --> 00:12:39,840 Speaker 3: buy you, and I reckon. I lasted about three days. 277 00:12:39,880 --> 00:12:41,520 Speaker 3: You still bought it for me. Very sweet. 278 00:12:42,520 --> 00:12:45,800 Speaker 2: That's great, Christian, thank you so much for giving us 279 00:12:45,800 --> 00:12:48,760 Speaker 2: a bit more insight into the history of vinyl. And 280 00:12:48,880 --> 00:12:51,040 Speaker 2: it's good to know that there are still some places 281 00:12:51,280 --> 00:12:52,439 Speaker 2: in Australia pressing them. 282 00:12:53,720 --> 00:12:53,920 Speaker 5: Yeah. 283 00:12:53,960 --> 00:12:56,760 Speaker 6: Absolutely, And you can learn more about the vinyl and 284 00:12:56,840 --> 00:12:59,480 Speaker 6: that radio one hundred expression at an episode doc after 285 00:13:00,000 --> 00:13:00,840 Speaker 6: brilliant excellent. 286 00:13:00,920 --> 00:13:03,199 Speaker 2: Thanks Christian, Thanks very much. 287 00:13:03,240 --> 00:13:03,440 Speaker 6: Bye. 288 00:13:04,120 --> 00:13:06,960 Speaker 3: I can't be you know what are such a big amaphan. 289 00:13:08,400 --> 00:13:08,720 Speaker 2: Everything. 290 00:13:09,000 --> 00:13:12,480 Speaker 9: I had a pillow case, a pillow case. Yeah, you 291 00:13:12,520 --> 00:13:15,240 Speaker 9: have a lunchbox, oh probably, Yeah, it wouldn't surprise me. 292 00:13:15,320 --> 00:13:19,520 Speaker 9: Have a T shirt the old beyond albums lunchbox. 293 00:13:19,640 --> 00:13:20,439 Speaker 2: Can I be honest with you? 294 00:13:20,600 --> 00:13:22,120 Speaker 3: When I was a little kid, mile Man made me 295 00:13:22,200 --> 00:13:25,559 Speaker 3: a Beyorn Star guitar out of wood Really he's pretty good. 296 00:13:25,840 --> 00:13:28,760 Speaker 3: Would he made a wooden stargeting you couldn't play it 297 00:13:28,800 --> 00:13:32,040 Speaker 3: had no strings? You can said it on five though, Yeah, 298 00:13:32,160 --> 00:13:35,440 Speaker 3: you could say that that wasn't really have a star. 299 00:13:35,480 --> 00:13:43,040 Speaker 2: Was more c More Lisa More podcasts soon, with vinyl 300 00:13:43,120 --> 00:13:45,600 Speaker 2: the subject of our History of Sound series. Today, we're 301 00:13:45,600 --> 00:13:49,200 Speaker 2: talking about your favorite vinyl memories. Tim and Billy says, 302 00:13:49,200 --> 00:13:51,680 Speaker 2: in the early seventies, when I was thirteen, you could 303 00:13:51,720 --> 00:13:54,079 Speaker 2: join a record club and get six free albums for 304 00:13:54,240 --> 00:13:56,520 Speaker 2: just agreeing to buy for one month. I still remember 305 00:13:56,600 --> 00:13:59,360 Speaker 2: the excitement of when they arrived, and my favorite one 306 00:13:59,480 --> 00:14:01,839 Speaker 2: was Alice Cooper Welcome to My Night. 307 00:14:02,000 --> 00:14:06,280 Speaker 3: Oh the Department of Youth Love Cool. So many good 308 00:14:06,280 --> 00:14:07,960 Speaker 3: ones coming through and the text line is going off 309 00:14:08,000 --> 00:14:09,120 Speaker 3: this morning to the funds to. 310 00:14:09,320 --> 00:14:12,079 Speaker 5: Go Darren get a people. How are we good? 311 00:14:12,320 --> 00:14:14,000 Speaker 3: Very well mate, celebrating the vinyl today. 312 00:14:14,240 --> 00:14:16,719 Speaker 10: Yes, I remember, and I think I still have it. 313 00:14:17,040 --> 00:14:22,720 Speaker 10: My first vinyl was forty five Dreen Police by Cheap Trick. Yeah, yes, 314 00:14:23,000 --> 00:14:26,080 Speaker 10: and my favorite too Many to choose from but a 315 00:14:26,120 --> 00:14:31,560 Speaker 10: few Kiss Alive too, kiss double Platinum, Coaches was East Yeah, 316 00:14:32,360 --> 00:14:36,040 Speaker 10: and I just thought of another one, Flowers nice. 317 00:14:36,360 --> 00:14:38,880 Speaker 3: Oh yes, back in the early days when they were Flowers, 318 00:14:38,960 --> 00:14:40,600 Speaker 3: have a Davies, they were Flowers. 319 00:14:40,800 --> 00:14:44,160 Speaker 10: Yeah, yeah, vinyl and I stupidly got rid of some 320 00:14:44,320 --> 00:14:47,480 Speaker 10: of my albums when c D's came in, thinking oh, 321 00:14:47,560 --> 00:14:48,520 Speaker 10: this is the next big thing. 322 00:14:48,680 --> 00:14:50,400 Speaker 5: So now in the process of buying them. 323 00:14:50,280 --> 00:14:55,800 Speaker 2: All back in Baron, I fell for that one too. Thanks. 324 00:14:57,320 --> 00:14:57,560 Speaker 11: Thanks. 325 00:14:58,520 --> 00:15:00,200 Speaker 3: It's always that thing when you going back and you go, 326 00:15:00,560 --> 00:15:01,720 Speaker 3: thank you so much more now. 327 00:15:03,760 --> 00:15:06,320 Speaker 2: That you wouldn't be able to get now today. 328 00:15:06,480 --> 00:15:08,600 Speaker 3: And the vinyl some of the vinyls ninety dollars and 329 00:15:09,680 --> 00:15:11,080 Speaker 3: one album, some of those are. 330 00:15:11,000 --> 00:15:13,960 Speaker 2: All rare, you know, extended remixes that I said, I waited, 331 00:15:14,040 --> 00:15:17,480 Speaker 2: you know, three months arrive at d Records or whatever. 332 00:15:18,080 --> 00:15:20,000 Speaker 2: They you wouldn't I don't know if you'd even find 333 00:15:20,040 --> 00:15:20,280 Speaker 2: them now. 334 00:15:20,440 --> 00:15:23,320 Speaker 3: The collector's items now on discogs, that's what you do discogs. 335 00:15:23,360 --> 00:15:26,600 Speaker 2: And stew And Bell Divers said his first record was 336 00:15:26,680 --> 00:15:28,640 Speaker 2: Adam and the Ants Stand and Deliver. 337 00:15:28,800 --> 00:15:32,920 Speaker 3: Oh wow, that's funny about people who had the you know, 338 00:15:33,000 --> 00:15:34,880 Speaker 3: when you had the picture disc because that was like 339 00:15:34,960 --> 00:15:35,840 Speaker 3: a really big deal. 340 00:15:36,000 --> 00:15:38,720 Speaker 2: It was just a colored one of some sort, anything 341 00:15:38,760 --> 00:15:41,600 Speaker 2: that was a bit different. Clayton from Canning Bell said 342 00:15:41,640 --> 00:15:43,600 Speaker 2: he pretty much wore out the grooves on Breakfast in 343 00:15:43,640 --> 00:15:46,280 Speaker 2: America by Supertramp. Great album, some. 344 00:15:46,360 --> 00:15:47,440 Speaker 3: Really great pop songs on there. 345 00:15:47,440 --> 00:15:50,040 Speaker 2: And tell you what, Sandy in Hall's Head says, I 346 00:15:50,200 --> 00:15:52,440 Speaker 2: didn't own any but I would go over to my 347 00:15:52,560 --> 00:15:55,280 Speaker 2: next door neighbor and she had a little portable turntable 348 00:15:55,360 --> 00:15:59,040 Speaker 2: under her bed and we would put popcorn on. Oh 349 00:16:00,080 --> 00:16:04,720 Speaker 2: that one, I think Brad and Leming what about you? 350 00:16:06,680 --> 00:16:09,600 Speaker 11: My first? My first was a single Robert Palmers, He 351 00:16:09,720 --> 00:16:13,360 Speaker 11: Makes my Day. Probably I was probably too young for 352 00:16:13,440 --> 00:16:15,680 Speaker 11: the albums at that stage, but I've well and truly 353 00:16:15,760 --> 00:16:19,000 Speaker 11: made up for it now. From Addicted to vinylt Vinyl 354 00:16:20,240 --> 00:16:23,360 Speaker 11: do a weekly blog of an album each week, the 355 00:16:23,800 --> 00:16:25,080 Speaker 11: first to the Instagram called. 356 00:16:24,960 --> 00:16:25,800 Speaker 5: Harry's the Week. 357 00:16:25,840 --> 00:16:30,480 Speaker 11: If anyone's anyone's listening out there or followers of the wind, 358 00:16:31,320 --> 00:16:34,520 Speaker 11: so yeah, har Harry is on the week. 359 00:16:34,600 --> 00:16:34,800 Speaker 5: Yeah. 360 00:16:36,080 --> 00:16:38,240 Speaker 2: It can be an addiction because it's a whole ritual, 361 00:16:38,480 --> 00:16:40,280 Speaker 2: you know, the whole taking it out of the bag, 362 00:16:40,720 --> 00:16:43,440 Speaker 2: just making sure it's all you know, shiny clean, putting 363 00:16:43,480 --> 00:16:45,120 Speaker 2: it on, moving the needle across. 364 00:16:45,000 --> 00:16:47,400 Speaker 3: Even going to record phase. Yeah, going through through the 365 00:16:47,480 --> 00:16:49,800 Speaker 3: buckets of albums that record fairs is fun, Brad. 366 00:16:49,880 --> 00:16:54,360 Speaker 2: Yeah, digging through that, that's that whole experience, searching for gold. 367 00:16:55,080 --> 00:16:57,680 Speaker 11: The cover arts fantastic too, love it. 368 00:16:57,760 --> 00:16:57,920 Speaker 6: Yeah. 369 00:16:58,560 --> 00:17:00,400 Speaker 3: And then you get the collectors who've got six copies 370 00:17:00,440 --> 00:17:02,680 Speaker 3: of different albums, and you go, I've got six, and go, well, 371 00:17:02,840 --> 00:17:05,480 Speaker 3: some are in different condition, but that's serious. 372 00:17:06,640 --> 00:17:12,560 Speaker 2: Thanks. You remember the ripper albums, the compilation album circle 373 00:17:12,640 --> 00:17:15,520 Speaker 2: mid seventies. You'd never see that today. Well, you'd see 374 00:17:15,560 --> 00:17:18,040 Speaker 2: a woman's bum with a tiny short the album. Yeah, 375 00:17:18,080 --> 00:17:20,639 Speaker 2: the track listing was written on the bare buttock of 376 00:17:20,760 --> 00:17:26,120 Speaker 2: a torn pair of jeans, cut off short a pair 377 00:17:26,119 --> 00:17:30,359 Speaker 2: of daisy dukes. Yes, but they were ripped, right. I 378 00:17:30,400 --> 00:17:34,080 Speaker 2: guess that's why they were called because they were ripper songs. 379 00:17:36,359 --> 00:17:36,560 Speaker 5: Yeah. 380 00:17:37,920 --> 00:17:40,879 Speaker 2: Also, compilation albums. 381 00:17:42,080 --> 00:17:42,679 Speaker 3: Brains, aren't they? 382 00:17:42,760 --> 00:17:47,000 Speaker 2: They are eched our brains. Melinda in Innerloo, what are 383 00:17:47,040 --> 00:17:51,880 Speaker 2: your vinyl memories? Meda, Hey, how are you going for us? Yeah? 384 00:17:52,119 --> 00:17:54,280 Speaker 12: My god used to work for mal at wall in 385 00:17:54,440 --> 00:17:59,840 Speaker 12: per He used to own all the jukeboxes around the pups. Yes, 386 00:18:00,160 --> 00:18:03,240 Speaker 12: and as a twelve thirteen year old. My job was 387 00:18:03,320 --> 00:18:06,160 Speaker 12: to type up on a manual typewrite all the labels 388 00:18:06,200 --> 00:18:07,480 Speaker 12: that went into the jukeboxes. 389 00:18:07,560 --> 00:18:08,439 Speaker 3: Oh wow, okay. 390 00:18:09,600 --> 00:18:11,200 Speaker 12: And then I used to get in my dad's ute 391 00:18:11,280 --> 00:18:14,119 Speaker 12: and go around to all the pubs and change the like, 392 00:18:14,160 --> 00:18:17,520 Speaker 12: get the old records and put in the new ones. 393 00:18:18,240 --> 00:18:20,080 Speaker 12: And I was allowed to keep a whole set of 394 00:18:20,200 --> 00:18:22,520 Speaker 12: the records, which were changed on a monthly basis. 395 00:18:22,880 --> 00:18:23,280 Speaker 5: Sweet. 396 00:18:23,440 --> 00:18:28,159 Speaker 12: So I literally had thousands of forty five yeah, in 397 00:18:28,280 --> 00:18:30,680 Speaker 12: a crate at home. But the worst part is when 398 00:18:30,720 --> 00:18:33,640 Speaker 12: my parents decided to fill in their underground swimming pool, 399 00:18:34,119 --> 00:18:35,320 Speaker 12: they used them as a filler. 400 00:18:35,680 --> 00:18:43,320 Speaker 2: No, oh my god. It became imagine if someone thinks 401 00:18:43,359 --> 00:18:44,879 Speaker 2: that swimming pull up one day to. 402 00:18:46,640 --> 00:18:47,880 Speaker 6: Cards washing machine. 403 00:18:48,359 --> 00:18:52,560 Speaker 12: Yeah, it would be like an you know Indiana Jones. 404 00:18:52,800 --> 00:18:57,119 Speaker 3: Yeah, maybe a little brother who knows Wow, Linda, and 405 00:18:57,240 --> 00:18:58,920 Speaker 3: now that well, he's a great business man and a 406 00:18:59,000 --> 00:19:00,400 Speaker 3: wonderful man with a person club. 407 00:19:00,760 --> 00:19:05,240 Speaker 12: Yes that's right, Yes, that's right. And he and a 408 00:19:05,359 --> 00:19:08,200 Speaker 12: friend of mine back in the day was getting into DJing. 409 00:19:08,359 --> 00:19:12,280 Speaker 12: So yeah, his warehouse was just full of forty five. 410 00:19:12,960 --> 00:19:15,720 Speaker 12: So he came, David Wells was his name. He came 411 00:19:15,800 --> 00:19:18,480 Speaker 12: and he grabbed as many as he could possibly put 412 00:19:18,520 --> 00:19:20,720 Speaker 12: into his car, and he used him when he was 413 00:19:20,840 --> 00:19:22,720 Speaker 12: using his DJing jobs around the trip. 414 00:19:23,600 --> 00:19:25,120 Speaker 3: I don't believe you filled in the pool. 415 00:19:27,000 --> 00:19:30,240 Speaker 12: I know, cry think about it. 416 00:19:33,000 --> 00:19:36,879 Speaker 3: Thanks Melenda, Thanks Melinda, Welcome. I could have made that 417 00:19:36,960 --> 00:19:37,760 Speaker 3: beautiful sound. 418 00:19:40,760 --> 00:19:44,280 Speaker 2: Yes, everyone's got a vital story. I love this from 419 00:19:44,400 --> 00:19:47,480 Speaker 2: kateon Double says, my first album was The Village People, 420 00:19:47,760 --> 00:19:51,919 Speaker 2: which I won in a six pm coloring in competition. Coloring. 421 00:19:53,800 --> 00:19:55,919 Speaker 2: I never won a coloring in competition. I went outside 422 00:19:57,240 --> 00:19:58,960 Speaker 2: and also I went in all different directions. 423 00:19:59,119 --> 00:20:01,520 Speaker 3: Oh yeah it man, Yeah, but there's nothing wrong with 424 00:20:01,880 --> 00:20:04,639 Speaker 3: outside the lines. We always inside. That's funny. What do 425 00:20:04,680 --> 00:20:06,240 Speaker 3: you have to like coloring? Like a picture of Yorky 426 00:20:06,359 --> 00:20:08,160 Speaker 3: or something color I remember. 427 00:20:07,920 --> 00:20:10,359 Speaker 2: Doing a coloring in competition where it was the you know, 428 00:20:10,440 --> 00:20:13,080 Speaker 2: the black Swan for the nineteen seventy nine year me. 429 00:20:13,200 --> 00:20:13,840 Speaker 3: You're of excitement. 430 00:20:14,680 --> 00:20:18,520 Speaker 2: I couldn't even color in a black swan. Jake in Inglewood, Hello. 431 00:20:18,840 --> 00:20:21,160 Speaker 7: Jake, good morning, folks. How are we going. 432 00:20:21,600 --> 00:20:23,639 Speaker 3: We're great. We're celebrating Vinyl today, as you know. 433 00:20:24,200 --> 00:20:25,280 Speaker 8: Look, I love it made it. 434 00:20:25,320 --> 00:20:26,160 Speaker 7: Takes you right back. 435 00:20:26,200 --> 00:20:26,560 Speaker 5: I love it. 436 00:20:26,600 --> 00:20:27,399 Speaker 7: I love the crackle. 437 00:20:27,440 --> 00:20:30,159 Speaker 8: When it first goes on, like reading the cover or 438 00:20:30,280 --> 00:20:32,320 Speaker 8: like getting on the butts of the mates and going 439 00:20:32,400 --> 00:20:35,040 Speaker 8: into the city to seventy eight and everyone buy the record. 440 00:20:35,119 --> 00:20:37,359 Speaker 3: It was awesome, unreal, unreal. 441 00:20:37,800 --> 00:20:38,040 Speaker 6: Listen. 442 00:20:38,160 --> 00:20:42,560 Speaker 7: My story is that my first singles were I got 443 00:20:42,600 --> 00:20:43,760 Speaker 7: two singles, first with. 444 00:20:44,200 --> 00:20:46,320 Speaker 8: Grease Lightning from the Grease soundtrack. 445 00:20:46,680 --> 00:20:51,400 Speaker 7: I'm sure ye, also yeah exactly and the sex pistols 446 00:20:51,680 --> 00:20:52,280 Speaker 7: God Save the. 447 00:20:52,320 --> 00:20:56,920 Speaker 8: Queen, Oh yeah, okay, And I vily remember my poor 448 00:20:57,000 --> 00:20:59,720 Speaker 8: old man losing his stuff when he heard the rude 449 00:20:59,760 --> 00:21:03,400 Speaker 8: word in both of those songs. There's root words, yes. 450 00:21:03,680 --> 00:21:06,760 Speaker 7: And he loved it. But the best part about this 451 00:21:07,040 --> 00:21:08,080 Speaker 7: was my first. 452 00:21:07,920 --> 00:21:09,960 Speaker 8: Album I went and bought with my own money, was 453 00:21:10,119 --> 00:21:11,560 Speaker 8: Iron Made Number of the Beast. 454 00:21:11,680 --> 00:21:15,639 Speaker 2: Awesome, and I remember bringing it home and. 455 00:21:15,800 --> 00:21:18,600 Speaker 8: Putting it on the old man's record player, and I 456 00:21:18,720 --> 00:21:21,479 Speaker 8: can visualize this. This was decades ago, but I can 457 00:21:21,640 --> 00:21:25,600 Speaker 8: visualize it. He once again lost his stuff because I 458 00:21:25,760 --> 00:21:27,800 Speaker 8: was going to ruin it. You're going to ruin my 459 00:21:27,960 --> 00:21:28,520 Speaker 8: stylist for. 460 00:21:28,560 --> 00:21:32,280 Speaker 2: That awful, bloody music, going to blow it up. 461 00:21:36,480 --> 00:21:39,120 Speaker 7: I remember it was like an eighteen year old trying 462 00:21:39,160 --> 00:21:41,440 Speaker 7: to just explain the physics. 463 00:21:41,080 --> 00:21:45,119 Speaker 8: Of how it works. For the vibrants. You're ruining my needle. 464 00:21:47,040 --> 00:21:50,760 Speaker 8: So I went I went down and bought my own stylists, 465 00:21:50,800 --> 00:21:53,560 Speaker 8: and when I used it, I used to have to 466 00:21:53,800 --> 00:21:54,919 Speaker 8: change the needle to. 467 00:21:54,960 --> 00:21:55,560 Speaker 7: Make him happy. 468 00:21:56,920 --> 00:21:59,880 Speaker 2: I didn't have to touch his max fibra. Yeah, God, 469 00:22:00,640 --> 00:22:01,240 Speaker 2: somebody else. 470 00:22:01,480 --> 00:22:08,000 Speaker 8: He actually had one of those Whirlitzer record players, which 471 00:22:08,320 --> 00:22:12,800 Speaker 8: the speaker when I ran playing all this, I mean, 472 00:22:12,840 --> 00:22:15,000 Speaker 8: I've got jazz. I've got that from him, but only 473 00:22:15,240 --> 00:22:18,000 Speaker 8: like my like my metal as well. But yeah, takes 474 00:22:18,040 --> 00:22:18,520 Speaker 8: me right back. 475 00:22:19,119 --> 00:22:20,639 Speaker 3: You did have to see your iron made on the weekend, 476 00:22:20,680 --> 00:22:20,879 Speaker 3: did you? 477 00:22:21,720 --> 00:22:21,760 Speaker 5: No? 478 00:22:22,000 --> 00:22:22,480 Speaker 8: I didn't. 479 00:22:22,640 --> 00:22:23,000 Speaker 2: I didn't. 480 00:22:23,320 --> 00:22:25,480 Speaker 8: I've seen that. I've seen the Irons quite a few times. 481 00:22:25,520 --> 00:22:28,480 Speaker 7: On the last the last time I saw them, I 482 00:22:28,560 --> 00:22:30,920 Speaker 7: stood there with my brother and we didn't know any 483 00:22:31,000 --> 00:22:31,480 Speaker 7: of the songs. 484 00:22:31,720 --> 00:22:33,720 Speaker 8: They were only released about they were only released about 485 00:22:33,760 --> 00:22:34,719 Speaker 8: two thousand albums. 486 00:22:36,640 --> 00:22:37,040 Speaker 7: I didn't. 487 00:22:37,240 --> 00:22:38,720 Speaker 8: I didn't know any of the songs. And we looked 488 00:22:38,760 --> 00:22:40,280 Speaker 8: at each other and said, bloody hell, what happened to 489 00:22:40,320 --> 00:22:41,639 Speaker 8: the Iron Maiden that we used to go and see 490 00:22:41,800 --> 00:22:43,040 Speaker 8: years and years ago? But that's life. 491 00:22:43,280 --> 00:22:45,439 Speaker 3: Yeah, never mind Run of the Hills, thanks to. 492 00:22:48,800 --> 00:22:48,960 Speaker 5: Look. 493 00:22:49,000 --> 00:22:50,639 Speaker 3: If Jake was a bit more passionate, he'd be better 494 00:22:50,720 --> 00:22:51,160 Speaker 3: on the radio. 495 00:22:51,800 --> 00:22:55,520 Speaker 2: Great, I can say I relate to that with his 496 00:22:55,680 --> 00:23:00,240 Speaker 2: dad Gavin and Ashfield. Hello, get a pleasing. 497 00:23:01,440 --> 00:23:01,800 Speaker 3: Big day. 498 00:23:01,840 --> 00:23:05,000 Speaker 2: We're celebrating Vinyl as you know, Yeah, happy days. 499 00:23:05,640 --> 00:23:08,480 Speaker 5: Jake's got a great story and yeah, yeah what do 500 00:23:08,520 --> 00:23:10,200 Speaker 5: you go for you right? 501 00:23:10,800 --> 00:23:12,840 Speaker 1: I'm a bit embarrassed to say what my first record 502 00:23:13,119 --> 00:23:14,879 Speaker 1: really was, so I won't tell you that one. But 503 00:23:15,000 --> 00:23:17,480 Speaker 1: the first record of the first record that I bought 504 00:23:17,560 --> 00:23:21,440 Speaker 1: in a record club, which used to I'm sending like 505 00:23:21,760 --> 00:23:25,159 Speaker 1: a money order, your order, and then it'd be delivered 506 00:23:25,200 --> 00:23:28,200 Speaker 1: in cardboard boxes some weeks later. It was just like 507 00:23:28,359 --> 00:23:31,400 Speaker 1: Christmas was Eagles, Eagles, Desperado. 508 00:23:31,800 --> 00:23:32,880 Speaker 3: Yes you're talking. 509 00:23:33,760 --> 00:23:34,840 Speaker 10: And if you didn't want to. 510 00:23:34,840 --> 00:23:37,080 Speaker 1: Do it that way, the other way was in Albany 511 00:23:37,480 --> 00:23:39,800 Speaker 1: you used to go to Keynote Music or the Chemists 512 00:23:39,840 --> 00:23:43,240 Speaker 1: and buy him from the Chemist Chemist. Yeah, which which 513 00:23:43,359 --> 00:23:46,040 Speaker 1: was where I didn't where I didn't buy that record 514 00:23:46,080 --> 00:23:47,000 Speaker 1: that won't be mentioned. 515 00:23:49,320 --> 00:23:53,200 Speaker 2: It was it No, I'm not going there. I come on, 516 00:23:53,800 --> 00:23:54,840 Speaker 2: Was it BOI or something? 517 00:23:54,960 --> 00:23:55,200 Speaker 5: Come on? 518 00:23:55,760 --> 00:23:58,000 Speaker 2: Right? It was? 519 00:23:58,320 --> 00:24:02,360 Speaker 1: It was Star Wars and other intergalactic fun. 520 00:24:03,880 --> 00:24:06,720 Speaker 8: By Miko. I think it was. 521 00:24:07,040 --> 00:24:09,800 Speaker 5: It was a mood record, mate, that'sn't wrong with that. 522 00:24:10,280 --> 00:24:11,959 Speaker 3: Yeah, that was that was a huge hit. 523 00:24:12,480 --> 00:24:12,720 Speaker 13: Yeah. 524 00:24:13,600 --> 00:24:16,040 Speaker 2: We had the Star Wars soundtrack at our house and 525 00:24:16,160 --> 00:24:24,280 Speaker 2: that thing played into oblivion. Yeah exactly. Yeah, don't worry, Gavin, 526 00:24:24,440 --> 00:24:25,800 Speaker 2: it could be a lot worse. 527 00:24:26,240 --> 00:24:28,239 Speaker 5: Yeah. A couple other things too. 528 00:24:28,320 --> 00:24:30,560 Speaker 1: The old old mate who gave us the rundown of 529 00:24:30,640 --> 00:24:33,520 Speaker 1: record speeds and all the rest of the little known 530 00:24:33,600 --> 00:24:39,919 Speaker 1: record speed sixteen and two thirds sixteen exactly half of. 531 00:24:39,960 --> 00:24:40,960 Speaker 5: A thirty three and a third. 532 00:24:41,000 --> 00:24:41,680 Speaker 8: They didn't really know. 533 00:24:41,880 --> 00:24:44,560 Speaker 2: Well, I don't know why it took about a week 534 00:24:44,560 --> 00:24:45,600 Speaker 2: to go around one revolution. 535 00:24:46,000 --> 00:24:46,560 Speaker 3: That's crazy. 536 00:24:47,200 --> 00:24:52,000 Speaker 2: You didn't just make that happen, did you. Wasn't actual story, okay. 537 00:24:53,119 --> 00:24:55,240 Speaker 1: And what I also found was when you had the 538 00:24:55,320 --> 00:24:58,119 Speaker 1: old thirty threes, if you got a scratch and you 539 00:24:58,240 --> 00:25:01,520 Speaker 1: used to keep going kick kick chick, if you played 540 00:25:01,520 --> 00:25:04,200 Speaker 1: it at forty five, they sounded like chipmunks for a start. 541 00:25:04,320 --> 00:25:05,400 Speaker 3: Oh yeah, of course. 542 00:25:05,880 --> 00:25:09,280 Speaker 1: But sometimes it would cut a new groove and your 543 00:25:09,320 --> 00:25:09,960 Speaker 1: record would. 544 00:25:09,760 --> 00:25:10,240 Speaker 5: Be good again. 545 00:25:10,600 --> 00:25:13,080 Speaker 2: Oh oh really, Well there you go once the once, 546 00:25:13,200 --> 00:25:14,480 Speaker 2: the scratch, scratch. 547 00:25:14,160 --> 00:25:17,520 Speaker 3: And yeah yeah yeah you break away, yeah yeah yeah, 548 00:25:17,920 --> 00:25:19,640 Speaker 3: crack it then yeah, yeah. 549 00:25:20,640 --> 00:25:22,200 Speaker 2: Thank you, thanks mane. 550 00:25:22,560 --> 00:25:22,720 Speaker 5: Great. 551 00:25:24,320 --> 00:25:28,320 Speaker 3: I remember having the Chipmunks Chipmunks single, and we played 552 00:25:28,320 --> 00:25:30,080 Speaker 3: it forty five and you played in thirty three and 553 00:25:30,080 --> 00:25:31,600 Speaker 3: it sounds like a bunch of session singers. 554 00:25:31,960 --> 00:25:34,639 Speaker 2: It was so weird, Like the it was so weird. 555 00:25:34,800 --> 00:25:36,680 Speaker 3: I was like, Oh, they've just got normal voices. That 556 00:25:36,840 --> 00:25:39,680 Speaker 3: just sped them up. I was so disappointed at Albert n. 557 00:25:39,720 --> 00:25:41,120 Speaker 3: Theodore and the other one. 558 00:25:41,560 --> 00:25:43,320 Speaker 2: I got to mention Michael and Allen Brooks as his 559 00:25:43,400 --> 00:25:45,680 Speaker 2: favorite vinyl is the War of the World soundtrack. That 560 00:25:45,840 --> 00:25:49,320 Speaker 2: is that is a masterpiece. That'll speak about absolute masterpiece. 561 00:25:49,720 --> 00:25:51,480 Speaker 3: Was a bit too paranoid when you put that one on. 562 00:25:51,600 --> 00:25:53,920 Speaker 3: No trae is it really happening on? 563 00:25:54,359 --> 00:25:56,080 Speaker 2: Yeah, well many thought it was. 564 00:25:56,160 --> 00:25:56,440 Speaker 3: I did. 565 00:25:56,680 --> 00:25:59,320 Speaker 2: Yeah, they went to the great lengths, Richard Beton's Too Good, 566 00:25:59,480 --> 00:26:00,200 Speaker 2: Far Out. 567 00:26:00,320 --> 00:26:01,240 Speaker 3: Yeah, it's incredible. 568 00:26:01,400 --> 00:26:04,040 Speaker 2: Simon in Mosman Park, Good morning, the morning. 569 00:26:03,800 --> 00:26:05,760 Speaker 14: Players and Lisa, great show. 570 00:26:05,920 --> 00:26:06,200 Speaker 8: Thank you. 571 00:26:06,400 --> 00:26:14,240 Speaker 14: My first record, My first record was Vienna by Ultravox. Yeah, 572 00:26:14,359 --> 00:26:19,840 Speaker 14: there was absolute classic. But my favorite is Goodbye Yellow 573 00:26:19,880 --> 00:26:24,520 Speaker 14: Brick Road by Elton John and I've. 574 00:26:23,680 --> 00:26:24,920 Speaker 2: Bought that on vinyl. 575 00:26:25,960 --> 00:26:28,320 Speaker 14: I then had a car that had a cassette player 576 00:26:28,480 --> 00:26:31,280 Speaker 14: and I played and I bought the I bought the cassette, 577 00:26:31,320 --> 00:26:34,920 Speaker 14: the double cassette, and then I since bought the the 578 00:26:35,160 --> 00:26:37,679 Speaker 14: c D and of course now I've bought it on. 579 00:26:39,960 --> 00:26:41,400 Speaker 8: Uh you know, Apple Music. 580 00:26:43,480 --> 00:26:48,760 Speaker 14: It's great, but your your previous caller go the Irons. 581 00:26:49,359 --> 00:26:51,600 Speaker 7: I called him in the berth. 582 00:26:51,680 --> 00:26:52,400 Speaker 8: It was fantastic. 583 00:26:53,240 --> 00:26:55,080 Speaker 3: Everyone talking to her saying it was wonderful. 584 00:26:55,880 --> 00:26:59,520 Speaker 14: Well that's right, so yeah, so everyone in Perth it 585 00:26:59,640 --> 00:27:02,480 Speaker 14: was was great And I'm with you on Roultravox. 586 00:27:02,560 --> 00:27:04,919 Speaker 2: That was such such a Vinyl moment that. 587 00:27:05,119 --> 00:27:06,760 Speaker 3: Was Wasn't that a game change of that song with 588 00:27:06,880 --> 00:27:10,320 Speaker 3: this synthesizes midah everything about it. 589 00:27:10,440 --> 00:27:13,399 Speaker 14: Yeah, yeah, it was just the quality of the sound 590 00:27:13,480 --> 00:27:17,080 Speaker 14: that was incredible, and the video was game changer too. 591 00:27:17,440 --> 00:27:24,160 Speaker 2: Yeah, beautiful, thanks of the memory, Simon. The Rolling Stones 592 00:27:24,240 --> 00:27:28,560 Speaker 2: Review is Rolling into Perth starring Text Perkins, Steve Kilby, 593 00:27:28,720 --> 00:27:33,760 Speaker 2: Sarah McLeod and Adelita, September thirteen at the Glorious Asta Theater. 594 00:27:34,440 --> 00:27:40,720 Speaker 2: Text Perkins is with us. Now, good morning, very well, welcome. 595 00:27:41,040 --> 00:27:44,680 Speaker 2: Now this thank you sounds awesome. The Rolling Stones Review 596 00:27:44,840 --> 00:27:49,119 Speaker 2: is a full blown rock and roll spectacle, starting with 597 00:27:49,280 --> 00:27:52,399 Speaker 2: the seminal Sticky Fingers album. That's going to be the 598 00:27:52,440 --> 00:27:55,240 Speaker 2: first half of the show. Widely considered one of the Stones' 599 00:27:55,280 --> 00:27:59,080 Speaker 2: best albums, twenty six million copies worldwide. I think anytime 600 00:27:59,760 --> 00:28:02,919 Speaker 2: a thing kicks off with the opening notes of brown Sugar, 601 00:28:03,680 --> 00:28:06,159 Speaker 2: you know you've got something good ahead of you. 602 00:28:07,680 --> 00:28:11,919 Speaker 5: Well, yes, Sticky Fingers. The reason that I was lured 603 00:28:12,000 --> 00:28:16,040 Speaker 5: into this in the beginning was the Sticky Fingers is 604 00:28:16,160 --> 00:28:19,240 Speaker 5: my favorite, not only Stones albums, It might be my 605 00:28:19,359 --> 00:28:20,560 Speaker 5: favorite album of all time. 606 00:28:20,600 --> 00:28:22,879 Speaker 2: Oh my god, that is a big cat. That is 607 00:28:23,040 --> 00:28:23,639 Speaker 2: high praise. 608 00:28:24,160 --> 00:28:27,040 Speaker 3: Depending on my mood, of course, absolutely, that's crazy. 609 00:28:27,680 --> 00:28:31,639 Speaker 5: But now it's fascinated me from from a child. It 610 00:28:32,200 --> 00:28:36,240 Speaker 5: was one of the earliest cultural references that I had 611 00:28:36,280 --> 00:28:40,240 Speaker 5: to be the seed a darker side of life, right, 612 00:28:40,680 --> 00:28:48,000 Speaker 5: that album is just dripping with sex and drugs. As 613 00:28:48,040 --> 00:28:50,880 Speaker 5: a young child I was, it was very. 614 00:28:50,840 --> 00:28:56,560 Speaker 2: Curious and the album cover just is it amazing. 615 00:28:57,000 --> 00:28:59,800 Speaker 5: Indeed, my brother had one of the original albums, was 616 00:29:00,160 --> 00:29:01,080 Speaker 5: the actual Zipper. 617 00:29:01,720 --> 00:29:05,480 Speaker 2: Oh my god, cool, and the sleeve was yeah. 618 00:29:05,520 --> 00:29:06,959 Speaker 5: He pulled it out and then there was a man 619 00:29:07,000 --> 00:29:07,680 Speaker 5: in underpants. 620 00:29:07,840 --> 00:29:10,400 Speaker 3: Yes, yeah, yeah, because he still got the. 621 00:29:10,400 --> 00:29:13,480 Speaker 5: Copy which is not Big Jagger no, no, apparently now. 622 00:29:13,440 --> 00:29:14,840 Speaker 2: It's a stunt underpanties man. 623 00:29:17,240 --> 00:29:22,040 Speaker 5: Stunt growing is one of Andy Warhol designed that record cover. 624 00:29:22,720 --> 00:29:27,240 Speaker 3: One of his is one of his models, yes, which 625 00:29:27,280 --> 00:29:30,600 Speaker 3: he had a few in the factory there. Yeah, absolutely 626 00:29:31,000 --> 00:29:34,600 Speaker 3: text always that question, mate, do you have a favorite 627 00:29:34,680 --> 00:29:35,480 Speaker 3: child from the album? 628 00:29:35,640 --> 00:29:35,840 Speaker 5: Is there? 629 00:29:36,000 --> 00:29:37,719 Speaker 3: And is it this? You've got a favorite song from 630 00:29:37,720 --> 00:29:39,600 Speaker 3: the album? Is it the best one to sing? Two 631 00:29:39,640 --> 00:29:39,800 Speaker 3: for you? 632 00:29:41,280 --> 00:29:45,160 Speaker 5: No, My favorite song from the album is Moonlight mile right, yep, 633 00:29:46,320 --> 00:29:51,720 Speaker 5: And I do get to sing it without a leader's look. 634 00:29:51,880 --> 00:29:54,080 Speaker 5: It's more my favorite to listen to than to sing. 635 00:29:54,160 --> 00:29:59,400 Speaker 5: It's a bit tough to sing, really, but things like 636 00:30:00,120 --> 00:30:06,120 Speaker 5: also think like System Morphine, which just just it's quite chilling, 637 00:30:06,280 --> 00:30:12,320 Speaker 5: really authenticity. And then there's but I could sing other 638 00:30:12,440 --> 00:30:17,040 Speaker 5: tracks like Sway, which is the second song on the album, 639 00:30:17,120 --> 00:30:21,080 Speaker 5: and the one called I Got the Blues, which has 640 00:30:21,160 --> 00:30:27,400 Speaker 5: an incredible keyboard solo. But yeah, but the musicians that 641 00:30:28,080 --> 00:30:34,640 Speaker 5: are playing the music is it's backing band, and they're 642 00:30:34,680 --> 00:30:39,600 Speaker 5: sort of almost like nerds, rock and roll nerds just 643 00:30:39,640 --> 00:30:43,440 Speaker 5: for the details. They get all the details right, yeah, 644 00:30:43,720 --> 00:30:46,800 Speaker 5: you know, like you know, especially the guitar players and 645 00:30:46,880 --> 00:30:52,880 Speaker 5: the keyboard player. It's it's it's the finest exact details 646 00:30:52,960 --> 00:30:55,680 Speaker 5: that they get the music right. It's very impressive. 647 00:30:55,880 --> 00:30:58,640 Speaker 2: So you will are you all for on stage at 648 00:30:58,680 --> 00:31:00,560 Speaker 2: the same time. It's not like it's not like the 649 00:31:00,640 --> 00:31:02,440 Speaker 2: three Tenors. You're not coming out one one at a 650 00:31:02,560 --> 00:31:03,000 Speaker 2: time and. 651 00:31:03,440 --> 00:31:08,000 Speaker 5: Doing a song the very the very final finale. I 652 00:31:08,080 --> 00:31:12,120 Speaker 5: think we all will all come out together, okay, which 653 00:31:12,240 --> 00:31:15,120 Speaker 5: will probably the stones most famous song. If you could 654 00:31:15,440 --> 00:31:18,080 Speaker 5: probably guess what that might have been a fair idea. 655 00:31:24,160 --> 00:31:26,600 Speaker 2: No, don't give it away, do you know what? You're not? 656 00:31:26,760 --> 00:31:31,800 Speaker 2: My favorite rolling Stone song? Hand had that one yourself. 657 00:31:32,320 --> 00:31:35,840 Speaker 2: My favorite Rolling Stone song is Memory Motel, which I 658 00:31:35,880 --> 00:31:38,120 Speaker 2: have Memory Motel from Black and Blue. That is my 659 00:31:38,360 --> 00:31:42,520 Speaker 2: absolute Second half of the show is other stuff. 660 00:31:44,480 --> 00:31:48,600 Speaker 5: It's a collection of highlights of the Stones from the 661 00:31:48,640 --> 00:31:50,920 Speaker 5: sixties and seventies and a little bit of the eighties. 662 00:31:51,880 --> 00:31:55,400 Speaker 5: And now that we've got Steve Kilby on board, he's 663 00:31:55,480 --> 00:32:01,320 Speaker 5: taking it into some very interesting places. It's kind of 664 00:32:01,360 --> 00:32:05,480 Speaker 5: handling these sort of more psychedelic sixties kind of okay 665 00:32:05,840 --> 00:32:09,440 Speaker 5: stuff of the Stones. Okay, I believe that given too 666 00:32:09,480 --> 00:32:13,600 Speaker 5: much ways, he's chosen to do two thousand Light Years 667 00:32:13,640 --> 00:32:18,480 Speaker 5: from Home, Oh wow, yeah yeah, which is a fall 668 00:32:18,560 --> 00:32:19,920 Speaker 5: on psychedelic Yeah. 669 00:32:19,880 --> 00:32:26,880 Speaker 3: Yeah, it's more piece Brian's territory yeah, Brian Jes Keith. 670 00:32:26,960 --> 00:32:29,200 Speaker 3: You can't have Stones without Keith the human riff and 671 00:32:29,600 --> 00:32:32,040 Speaker 3: having Jack Houst and Bad Loves and they played with 672 00:32:32,040 --> 00:32:33,920 Speaker 3: the Whitlams as well and meetting the Bad Love days. 673 00:32:35,000 --> 00:32:37,720 Speaker 3: He's great because there's only one key Riches. It doesn't 674 00:32:37,720 --> 00:32:40,120 Speaker 3: go over the top. He's just Keith. It's all about 675 00:32:40,240 --> 00:32:41,960 Speaker 3: the feel and the melody, isn't it Well? 676 00:32:42,040 --> 00:32:44,240 Speaker 5: As I say, these guys get it, get the music. 677 00:32:44,360 --> 00:32:48,320 Speaker 5: So yeah, right, it's not just an approximation. Now as 678 00:32:48,360 --> 00:32:55,480 Speaker 5: I said, they're they're almost they're almost obsessively Nerdish's good, 679 00:32:55,760 --> 00:32:56,400 Speaker 5: which is great. 680 00:32:56,600 --> 00:32:58,880 Speaker 2: But they make the best actual musicians, don't they the 681 00:32:58,960 --> 00:33:02,000 Speaker 2: ones that are nerdy, not the ones with the sticky fingers. 682 00:33:04,560 --> 00:33:08,400 Speaker 5: When you're putting on a tribute show to a particular album, yes, 683 00:33:08,760 --> 00:33:12,640 Speaker 5: and people want to hear that album. Yeah, done correctly. 684 00:33:14,160 --> 00:33:17,200 Speaker 5: It's I mean vocally it's a bit of an interpretation 685 00:33:17,440 --> 00:33:21,120 Speaker 5: because none of us are Mick Jagan. Ye. Music wise, 686 00:33:21,640 --> 00:33:26,200 Speaker 5: it's spot on. Yeah, you can't argue with the details there. 687 00:33:26,440 --> 00:33:27,880 Speaker 3: I know what you made. I would never have thought 688 00:33:27,960 --> 00:33:29,600 Speaker 3: being a Steely Dan frek I would go to see 689 00:33:29,640 --> 00:33:32,080 Speaker 3: a Steely Dan tribute act, but there was these brilliant 690 00:33:32,160 --> 00:33:34,360 Speaker 3: musics in Perth to Friends Restaurant a few years ago, 691 00:33:34,480 --> 00:33:38,920 Speaker 3: and their meticulous attention to detail was incredible. 692 00:33:39,000 --> 00:33:41,200 Speaker 2: So really in the years was really in the ears. 693 00:33:41,200 --> 00:33:44,000 Speaker 2: You know what I'm saying, They're very nerdy. 694 00:33:44,280 --> 00:33:47,280 Speaker 5: I think you're going to if you're going to present 695 00:33:48,240 --> 00:33:52,160 Speaker 5: an honor a particular piece of work, then yeah, I 696 00:33:52,240 --> 00:33:55,160 Speaker 5: think you've really got to pay attention to those details 697 00:33:55,600 --> 00:33:56,520 Speaker 5: which fans know. 698 00:33:57,000 --> 00:33:59,000 Speaker 3: Yes, true, and they want to hear. 699 00:34:00,000 --> 00:34:02,720 Speaker 2: So we referred to it as rolling into Perth. It is, 700 00:34:03,240 --> 00:34:05,280 Speaker 2: you know, it's a review. How is it being on 701 00:34:05,360 --> 00:34:07,200 Speaker 2: the road with these this lot? 702 00:34:08,520 --> 00:34:11,440 Speaker 5: Pretty good. The whole thing's been spread out so it 703 00:34:11,760 --> 00:34:17,000 Speaker 5: hasn't been like a grinding tour. Oh okay, it's been 704 00:34:17,040 --> 00:34:21,600 Speaker 5: sort of separated. But by three weeks weekend of gigs 705 00:34:21,760 --> 00:34:25,719 Speaker 5: and then three weeks doing other stuff, right, I mean 706 00:34:25,800 --> 00:34:29,600 Speaker 5: the last thing we did was the Mundy Monkey Bash 707 00:34:29,680 --> 00:34:34,080 Speaker 5: out in a broken hill well and this enormous concert 708 00:34:34,120 --> 00:34:39,399 Speaker 5: in the middle of the desert, and that was amazing. Yeah. 709 00:34:39,440 --> 00:34:42,240 Speaker 3: I can imagine k here, you're not going off there unreal. 710 00:34:43,040 --> 00:34:43,239 Speaker 5: Yeah. 711 00:34:44,239 --> 00:34:46,080 Speaker 2: On another note, I was on a road trip the 712 00:34:46,160 --> 00:34:48,960 Speaker 2: other weekend text and one of the things that got 713 00:34:49,000 --> 00:34:52,040 Speaker 2: me through the long lonely road. Was listening to Text 714 00:34:52,080 --> 00:34:56,120 Speaker 2: and the Lady Boys again. It is so good on 715 00:34:56,239 --> 00:34:57,799 Speaker 2: a road trip. Is there going to be any more 716 00:34:57,840 --> 00:34:58,000 Speaker 2: of that? 717 00:35:00,400 --> 00:35:02,719 Speaker 5: I always threaten it, threaten it. 718 00:35:02,960 --> 00:35:05,480 Speaker 2: There's so many songs, so many songs that you've yet 719 00:35:05,520 --> 00:35:06,000 Speaker 2: to tackle. 720 00:35:06,920 --> 00:35:10,879 Speaker 5: I know. Yeah, look, if you could give me, give 721 00:35:10,920 --> 00:35:17,600 Speaker 5: me a few, Willy, you can come on board and 722 00:35:17,640 --> 00:35:18,440 Speaker 5: produce the album. 723 00:35:18,640 --> 00:35:21,240 Speaker 2: Okay, all right, there's the office. 724 00:35:22,239 --> 00:35:28,200 Speaker 5: She want one of them, she'll be she'll be right, 725 00:35:28,400 --> 00:35:31,640 Speaker 5: you'll be right, Yes, it down. 726 00:35:32,040 --> 00:35:34,440 Speaker 3: I should be thinking, she's Trevor Horn want me producing? 727 00:35:37,680 --> 00:35:39,040 Speaker 5: Were going to karaoke bars? 728 00:35:39,280 --> 00:35:45,879 Speaker 2: Yeah, taking notes? Fun examples, no serious, If no one's 729 00:35:45,880 --> 00:35:48,720 Speaker 2: ever heard these, they should They should do themselves a favor, 730 00:35:49,280 --> 00:35:49,919 Speaker 2: all right, Lisa. 731 00:35:49,960 --> 00:35:52,480 Speaker 5: When I come to Perth, Well, well we'll go out 732 00:35:52,640 --> 00:35:56,480 Speaker 5: karaoke planning the new Lady Boys album. 733 00:35:56,600 --> 00:35:57,640 Speaker 3: Okay, I reckon? 734 00:35:57,719 --> 00:35:59,879 Speaker 7: You're all right? Well? 735 00:36:00,120 --> 00:36:03,879 Speaker 5: Day? Actually, what is happening? Yes for true, for real? 736 00:36:04,160 --> 00:36:09,920 Speaker 5: Yes is a new Cruel Sea album Hello Stop, A 737 00:36:10,080 --> 00:36:14,080 Speaker 5: new Beat and a new Beat album, Oh my God, 738 00:36:14,760 --> 00:36:19,920 Speaker 5: featuring all your favorite person editions. Yeah yeah, James Baker 739 00:36:20,600 --> 00:36:25,640 Speaker 5: and Borisuit wicked. So they're all both already recorded and 740 00:36:25,840 --> 00:36:27,439 Speaker 5: that will come out year. 741 00:36:27,800 --> 00:36:29,080 Speaker 2: Is the best news ever. 742 00:36:29,880 --> 00:36:32,759 Speaker 3: He's a trooper, always against the against the odds and 743 00:36:32,800 --> 00:36:34,040 Speaker 3: rest of times. James isn't he. 744 00:36:36,560 --> 00:36:41,040 Speaker 5: Seventy now he's got cancer. Yeah, he's still he's still going. 745 00:36:40,960 --> 00:36:41,480 Speaker 3: Still doing it. 746 00:36:41,960 --> 00:36:44,440 Speaker 5: I just wanted to say, Brock and Roll is good 747 00:36:44,480 --> 00:36:44,680 Speaker 5: for you. 748 00:36:44,880 --> 00:36:49,319 Speaker 2: Yes, absolutely cool in the meantime while we await those 749 00:36:49,440 --> 00:36:53,520 Speaker 2: are two new albums September thirteen at the Asta Theater. 750 00:36:54,160 --> 00:36:56,880 Speaker 2: Tickets are on sale, of course. Now, thank you for 751 00:36:57,000 --> 00:36:58,200 Speaker 2: chatting to us this morning. 752 00:36:59,320 --> 00:37:01,400 Speaker 5: It's been a pleasure, Always a pleasure talking. 753 00:37:01,160 --> 00:37:02,200 Speaker 2: To you to thank you. 754 00:37:02,600 --> 00:37:05,520 Speaker 3: Text Perkins in his new producer Lisa Maximan shaw. 755 00:37:06,200 --> 00:37:07,640 Speaker 2: I'll start working on my list. 756 00:37:08,360 --> 00:37:19,360 Speaker 3: Thanks, you've got my number. Why you won't sleep? A spray? 757 00:37:19,400 --> 00:37:20,920 Speaker 3: Have missed for studio? 758 00:37:21,640 --> 00:37:29,360 Speaker 12: More clesic more Lisa, More podcasts soon, The Sure Report 759 00:37:29,600 --> 00:37:30,680 Speaker 12: on ninety six. 760 00:37:30,560 --> 00:37:35,840 Speaker 2: AM the Trump campaign's not happy that an upcoming movie 761 00:37:35,960 --> 00:37:39,399 Speaker 2: called The Apprentice, a loose biography of Donald Trump's early life, 762 00:37:39,480 --> 00:37:42,480 Speaker 2: is going to be released before the November US election. 763 00:37:42,920 --> 00:37:46,200 Speaker 2: Sebastian Stan, who played Tommy Lee in the Pam and 764 00:37:46,239 --> 00:37:51,000 Speaker 2: Tommy series, plays Trump. The movie also stars successions Jeremy 765 00:37:51,080 --> 00:37:54,560 Speaker 2: strong as Trump's infamous attorney Roy Cohne. It is set 766 00:37:54,640 --> 00:37:57,600 Speaker 2: for release in the middle of next month. There's a 767 00:37:57,680 --> 00:38:00,400 Speaker 2: report today that Prince Harry is moaning to that he 768 00:38:00,440 --> 00:38:03,520 Speaker 2: feels overshadowed by Megan and feels like the spare living 769 00:38:03,560 --> 00:38:06,040 Speaker 2: in exile in the US. This report is in the 770 00:38:06,200 --> 00:38:08,800 Speaker 2: UK Sun, so take it with however, bigger grown of 771 00:38:08,880 --> 00:38:12,240 Speaker 2: salters you like. But the report claims Harry's seeking guidance 772 00:38:12,280 --> 00:38:15,000 Speaker 2: on a return to Britain and to the royal family. 773 00:38:15,200 --> 00:38:18,200 Speaker 2: I've always said it will happen eventually. Apparently those and 774 00:38:18,280 --> 00:38:20,520 Speaker 2: Harry's in a circle of noted He seems to be 775 00:38:20,680 --> 00:38:24,200 Speaker 2: enjoying regular solo trips back to the UK, with Megan 776 00:38:24,280 --> 00:38:27,520 Speaker 2: refusing to set foot in the country. A sequel series 777 00:38:27,560 --> 00:38:29,720 Speaker 2: of One Tree Hill is in the works at Netflix, 778 00:38:29,920 --> 00:38:32,640 Speaker 2: or to say, the show's original stars, Sophia Bush and 779 00:38:32,880 --> 00:38:36,320 Speaker 2: Hillary Burton will not only reprise their roles but executive 780 00:38:36,360 --> 00:38:39,600 Speaker 2: produce the new show. And It's nice to be Jeff Bezos, 781 00:38:39,880 --> 00:38:43,440 Speaker 2: the third richest man in the world. The Amazon founders 782 00:38:43,520 --> 00:38:46,520 Speaker 2: breaking in a shiny new toy, a one hundred and 783 00:38:46,600 --> 00:38:50,160 Speaker 2: fifteen million dollar private jet, something to tool around in 784 00:38:50,280 --> 00:38:53,560 Speaker 2: on the weekends. Its top speed is mac zero point 785 00:38:53,640 --> 00:38:56,200 Speaker 2: nine two five, which is seven hundred and ten miles 786 00:38:56,200 --> 00:38:58,480 Speaker 2: per hour, which is one thy one hundred and forty 787 00:38:58,560 --> 00:39:01,640 Speaker 2: kilometers per hour, which is about ninety two point five 788 00:39:01,719 --> 00:39:03,160 Speaker 2: percent the speed of sound. 789 00:39:04,440 --> 00:39:08,319 Speaker 3: That's insane. So may hear a sonic boom soon? Yeah, 790 00:39:08,440 --> 00:39:10,560 Speaker 3: because it's coming to town. Well that new girlfriend of 791 00:39:10,600 --> 00:39:11,239 Speaker 3: me love, won't she. 792 00:39:11,560 --> 00:39:14,640 Speaker 2: The York Festival is on this month, September twenty to 793 00:39:14,760 --> 00:39:17,200 Speaker 2: twenty nine. You can get tickets through York Festival dot 794 00:39:17,280 --> 00:39:21,279 Speaker 2: com dot au. Joe Bryant is the coordinator of this 795 00:39:21,960 --> 00:39:26,040 Speaker 2: York stravaganza and she's with us now. Good morning, Joe, Jo, Welcome, 796 00:39:26,239 --> 00:39:29,680 Speaker 2: Good morning guys yorky would as we're calling you now, Joe, 797 00:39:29,920 --> 00:39:34,840 Speaker 2: considering you are the hot spot of all sorts of study, 798 00:39:35,160 --> 00:39:36,359 Speaker 2: are we are? 799 00:39:36,520 --> 00:39:39,160 Speaker 13: There's barely a person in town who haven't had an 800 00:39:39,160 --> 00:39:39,759 Speaker 13: extra role. 801 00:39:40,960 --> 00:39:41,640 Speaker 3: That's cool. 802 00:39:42,120 --> 00:39:44,440 Speaker 2: There must just be such a fun atmosphere to be 803 00:39:44,480 --> 00:39:46,240 Speaker 2: in the midst of all that. I mean, Brian Brown 804 00:39:46,280 --> 00:39:47,719 Speaker 2: in town there? 805 00:39:48,000 --> 00:39:48,200 Speaker 6: Yes? 806 00:39:49,120 --> 00:39:51,880 Speaker 5: Well absolutely, sorry, go on. 807 00:39:52,239 --> 00:39:53,719 Speaker 2: I was going to say, this is the eighth year 808 00:39:53,760 --> 00:39:57,480 Speaker 2: of the festival and and your cultural event celebrating York's 809 00:39:57,560 --> 00:40:01,160 Speaker 2: cultural history. Heritage and wonderful arts community. 810 00:40:02,200 --> 00:40:06,719 Speaker 13: Yes, yes, absolutely, so we call ourselves a multi arts 811 00:40:06,880 --> 00:40:10,880 Speaker 13: festival and that allows us to pull in all sorts 812 00:40:10,880 --> 00:40:14,759 Speaker 13: of different acts, to really showcase a diverse range of 813 00:40:14,960 --> 00:40:17,440 Speaker 13: disciplines and offer something for everyone. 814 00:40:17,560 --> 00:40:20,400 Speaker 3: Really, when you say something for everyone, so it's not 815 00:40:20,520 --> 00:40:22,879 Speaker 3: just doming as a huge jazz component here, but what else? 816 00:40:22,920 --> 00:40:26,320 Speaker 3: What can people get their teeth into with this one. 817 00:40:27,360 --> 00:40:30,040 Speaker 13: Look, we've got a variety of performances, so we've got 818 00:40:30,760 --> 00:40:35,919 Speaker 13: a small play happening in one venue. We've got workshops 819 00:40:36,200 --> 00:40:42,200 Speaker 13: like paint and sip and collage boarding and sculptured play workshops. 820 00:40:43,600 --> 00:40:48,880 Speaker 13: We've got Flir Alder who's a stunning dancer who's performing 821 00:40:49,040 --> 00:40:54,400 Speaker 13: for us, but she's also running some workshops on contemporary 822 00:40:54,440 --> 00:40:58,680 Speaker 13: and creative dance techniques, and drawing workshops where instead of 823 00:40:58,880 --> 00:41:03,480 Speaker 13: life drawing, it's live drawing, the drawing, live dancer capturing 824 00:41:03,560 --> 00:41:08,080 Speaker 13: those shapes. We have got, as you say, a very 825 00:41:08,120 --> 00:41:12,720 Speaker 13: strong jazz component, but we've also got a broader range 826 00:41:12,719 --> 00:41:15,520 Speaker 13: of musics as well. So we have some beautiful pieces 827 00:41:15,719 --> 00:41:20,920 Speaker 13: at the Holy Trinity Church with our Silver Sounds Guitar Quartet, 828 00:41:22,360 --> 00:41:25,160 Speaker 13: and we've got Melody Paul as Well, who's an Australian 829 00:41:25,239 --> 00:41:31,600 Speaker 13: singer songwriter and she is launching her latest single in 830 00:41:31,719 --> 00:41:33,919 Speaker 13: advance of her international tour. 831 00:41:35,280 --> 00:41:37,480 Speaker 2: It's great that jazz is part of this because a 832 00:41:37,560 --> 00:41:40,560 Speaker 2: lot of us do remember the Old York Jazz Festival 833 00:41:40,680 --> 00:41:43,120 Speaker 2: of Days of Yore. It was such an amazing weekend 834 00:41:43,480 --> 00:41:46,000 Speaker 2: and it's a beautiful thing about York with a festival 835 00:41:46,120 --> 00:41:49,640 Speaker 2: like this is it's not just the events that you 836 00:41:49,719 --> 00:41:51,759 Speaker 2: can attend, it's the buildings that they're in. 837 00:41:53,239 --> 00:41:56,880 Speaker 13: Yep, yeah, yeah, So we have we're the first inland 838 00:41:56,960 --> 00:42:02,719 Speaker 13: town in WA and we have maintained of fully heritage 839 00:42:03,440 --> 00:42:06,000 Speaker 13: main Terrace and a lot of a lot of properties 840 00:42:06,120 --> 00:42:11,080 Speaker 13: around town. So we're utilizing the old West Australian Bank 841 00:42:11,600 --> 00:42:15,640 Speaker 13: for one of the venues. We've got the Imperial Homestead Hub, 842 00:42:16,400 --> 00:42:19,920 Speaker 13: We've got a new live music venue called the Rookery 843 00:42:20,520 --> 00:42:25,600 Speaker 13: that's in the back of the ancient shoemaker's shop. So 844 00:42:25,680 --> 00:42:29,080 Speaker 13: there's lots of lots of activities taking place in really 845 00:42:29,160 --> 00:42:33,399 Speaker 13: interesting buildings as well as of course our town Hall, 846 00:42:33,480 --> 00:42:34,200 Speaker 13: which is stunning. 847 00:42:34,880 --> 00:42:36,919 Speaker 3: Absolutely, I'm pretty sure I saw that during the film 848 00:42:36,960 --> 00:42:40,160 Speaker 3: and during the watching the twelve last week I did. 849 00:42:41,160 --> 00:42:42,960 Speaker 13: They renamed it as the courthouse. 850 00:42:45,719 --> 00:42:47,879 Speaker 3: You're running September twenty to twenty nine, so there's plenty 851 00:42:47,920 --> 00:42:49,479 Speaker 3: of chances for people to come up. The many people 852 00:42:49,520 --> 00:42:52,080 Speaker 3: come and stays are much accommodation for them. I pop 853 00:42:52,120 --> 00:42:53,160 Speaker 3: in for one day quite often. 854 00:42:54,800 --> 00:42:55,759 Speaker 2: Look, you can do either. 855 00:42:55,920 --> 00:42:59,080 Speaker 13: York is a tourist town, so we do have plenty 856 00:42:59,160 --> 00:43:04,560 Speaker 13: of beautiful accommodation, although I think we're filling up very rapidly. Yeah, yeah, 857 00:43:05,400 --> 00:43:07,840 Speaker 13: but you know, we're just we're ninety minutes from the 858 00:43:07,920 --> 00:43:11,360 Speaker 13: center of Perth. We're an hour from Midlands. It's a 859 00:43:11,480 --> 00:43:15,120 Speaker 13: beautiful drive, a nice drive. It's a lovely drive, and 860 00:43:15,200 --> 00:43:18,520 Speaker 13: I think people are often surprised. I think it sounds 861 00:43:18,600 --> 00:43:21,239 Speaker 13: further away and then when they get here they're like, oh, 862 00:43:21,360 --> 00:43:23,320 Speaker 13: it only took me seventeen minutes. 863 00:43:24,120 --> 00:43:24,840 Speaker 3: It's not Candenden. 864 00:43:28,360 --> 00:43:30,200 Speaker 2: It's pretty easy, quite drivable. 865 00:43:31,640 --> 00:43:33,560 Speaker 8: Yeah, and what are our. 866 00:43:33,560 --> 00:43:36,839 Speaker 2: Chances of running into a celebrity filming about town during 867 00:43:36,920 --> 00:43:40,560 Speaker 2: that week? Are we on a down sort of time 868 00:43:40,640 --> 00:43:42,800 Speaker 2: at the moment because Runt's about to open that of 869 00:43:42,880 --> 00:43:45,040 Speaker 2: course film there. I believe Brian Brown had been in 870 00:43:45,160 --> 00:43:45,880 Speaker 2: town filming. 871 00:43:46,840 --> 00:43:49,759 Speaker 13: Yeah, Sam Neil was in town. So yeah, it's been 872 00:43:49,920 --> 00:43:52,880 Speaker 13: very busy obviously we can't say we all go oh. 873 00:43:54,840 --> 00:43:56,680 Speaker 2: That is why they like filming. 874 00:43:58,080 --> 00:44:00,120 Speaker 3: That's a collective one. What happens in York days. 875 00:44:00,040 --> 00:44:00,359 Speaker 11: New York. 876 00:44:01,040 --> 00:44:03,320 Speaker 2: Yeah, absolutely absolutely. 877 00:44:03,239 --> 00:44:04,520 Speaker 3: We want to do so the name drop. 878 00:44:04,800 --> 00:44:07,440 Speaker 2: It's the eighth year at the festival. So much to do, 879 00:44:07,640 --> 00:44:10,960 Speaker 2: so much to see. It's September twenty to twenty nine. 880 00:44:11,040 --> 00:44:13,440 Speaker 2: You can get tickets through York Festival dot com. Dot 881 00:44:13,600 --> 00:44:16,200 Speaker 2: you Joe, thanks for chatting to us, Thanks so much, 882 00:44:16,640 --> 00:44:17,120 Speaker 2: Cleazie 883 00:44:17,280 --> 00:44:19,560 Speaker 5: And Lisa ninety six am