1 00:00:00,560 --> 00:00:00,840 Speaker 1: Quest. 2 00:00:00,960 --> 00:00:04,280 Speaker 2: Yeah, welcome friends to the Christian O'Connell show podcast. 3 00:00:04,559 --> 00:00:08,639 Speaker 1: Been talking about uninvited animal visitors. Set a great email 4 00:00:08,680 --> 00:00:12,200 Speaker 1: from Sam. Morning Sam, Christian. I was in the shower 5 00:00:12,200 --> 00:00:14,840 Speaker 1: one day, instantly minding my own business, and a monster 6 00:00:15,000 --> 00:00:18,000 Speaker 1: possum fell through the event in the shower from above 7 00:00:18,040 --> 00:00:22,240 Speaker 1: me and into the shower and started going bizark, running 8 00:00:22,239 --> 00:00:26,080 Speaker 1: around the shower trying to get out. I was screaming, 9 00:00:26,760 --> 00:00:29,680 Speaker 1: that's a cool possum man to come back to him. 10 00:00:29,720 --> 00:00:31,479 Speaker 1: Did you have to wait in the shower until the 11 00:00:31,520 --> 00:00:36,240 Speaker 1: possum man? He feels so vulnerable naked in the shower. 12 00:00:36,360 --> 00:00:39,920 Speaker 1: That is terrifying. It's worse then, Psycho Sam, thank you 13 00:00:40,000 --> 00:00:43,320 Speaker 1: very much for your email. So the weekend a comedy, 14 00:00:43,360 --> 00:00:46,320 Speaker 1: great pastaway. And that's Barry Humphries. I thought this morning 15 00:00:46,680 --> 00:00:50,880 Speaker 1: somebody would have explained just about the huge, huge legend 16 00:00:50,960 --> 00:00:54,520 Speaker 1: that Barry wasn't. The life he leaved is Steve Weissar. 17 00:00:54,640 --> 00:00:56,680 Speaker 1: So Steve's on the line now, Good morning Steve. 18 00:00:57,000 --> 00:01:01,440 Speaker 2: Good morning Christian. And what an appropriate, an appropriate anecdote 19 00:01:01,560 --> 00:01:03,560 Speaker 2: that someone should have a possum in the shower. 20 00:01:06,120 --> 00:01:07,559 Speaker 1: There's something Barry about though. 21 00:01:07,880 --> 00:01:10,560 Speaker 2: There's so Barry Humphreys a possum in the shower. It's 22 00:01:10,560 --> 00:01:12,640 Speaker 2: as an expression that they Nedda would have. 23 00:01:14,319 --> 00:01:15,760 Speaker 1: It feels like the euphemism as well. 24 00:01:15,760 --> 00:01:18,120 Speaker 2: Steve to me, the euphemism I'm going to problem in 25 00:01:18,120 --> 00:01:19,480 Speaker 2: the shower for lucky you. 26 00:01:22,880 --> 00:01:26,200 Speaker 1: So Steve tell us about the huge impact then or 27 00:01:26,240 --> 00:01:27,360 Speaker 1: the great Barry Humphrees. 28 00:01:28,160 --> 00:01:31,160 Speaker 2: I mean, it's where to start. I mean, we wake 29 00:01:31,240 --> 00:01:33,480 Speaker 2: up today in a less funny world. He was a 30 00:01:33,520 --> 00:01:36,200 Speaker 2: man who he was born in the thirties, so he 31 00:01:36,280 --> 00:01:38,280 Speaker 2: was an old man. He was nearly ninety years old, 32 00:01:38,480 --> 00:01:42,039 Speaker 2: but even as a student, he was creating mayhem at school. 33 00:01:42,080 --> 00:01:47,240 Speaker 2: At university he became a datist, an artist whose entire 34 00:01:47,319 --> 00:01:50,760 Speaker 2: career was focused on disrupting things. He organized an art 35 00:01:50,840 --> 00:01:54,560 Speaker 2: exhibition at Uni of Dardur Art, and he got some 36 00:01:54,640 --> 00:01:58,320 Speaker 2: old boots together and filled them with custard and called 37 00:01:58,320 --> 00:02:05,440 Speaker 2: his exhibition Puss in Boots. His entire life was focused 38 00:02:05,480 --> 00:02:08,600 Speaker 2: on disrupting people. Of those we all know those stunts 39 00:02:08,600 --> 00:02:11,000 Speaker 2: that he did. I mean those stunts as a student 40 00:02:11,040 --> 00:02:14,120 Speaker 2: where he were on his way on an early morning 41 00:02:14,160 --> 00:02:17,239 Speaker 2: train to work, he had people bringing in He got 42 00:02:17,240 --> 00:02:19,880 Speaker 2: on the first stop, and at every stop thereafter he'd 43 00:02:19,960 --> 00:02:22,720 Speaker 2: organized people to bring on a different course of breakfast. 44 00:02:23,040 --> 00:02:26,160 Speaker 2: So he was sitting on a crowded break train going 45 00:02:26,200 --> 00:02:29,120 Speaker 2: into work with all these people hanging on, and at 46 00:02:29,120 --> 00:02:32,600 Speaker 2: every station some of the first bring on the Coco pops, 47 00:02:32,840 --> 00:02:35,079 Speaker 2: and at the next station they brought on some bacon 48 00:02:35,120 --> 00:02:37,000 Speaker 2: and eggs, and the next one they brought in a 49 00:02:37,040 --> 00:02:40,600 Speaker 2: cup of tea, and nothing was said. They got on 50 00:02:41,600 --> 00:02:44,760 Speaker 2: took off the preceeding trade with. Another one he did 51 00:02:44,760 --> 00:02:49,400 Speaker 2: in town was he got a sick bag and he 52 00:02:49,480 --> 00:02:53,560 Speaker 2: filled it with vegetable canned vegetables, put it on the 53 00:02:53,600 --> 00:02:58,440 Speaker 2: footpath just before peak hour, and then dressed up where 54 00:02:58,480 --> 00:03:01,880 Speaker 2: it virtually a beggar clothes and proceeded to eat it 55 00:03:01,919 --> 00:03:06,040 Speaker 2: all up with a spoon, and people peak, our commuters 56 00:03:06,080 --> 00:03:09,480 Speaker 2: were gathering around in disbelief. It is horrible thing. I mean. 57 00:03:09,560 --> 00:03:12,360 Speaker 2: Another time in London and for no reason he did this. 58 00:03:13,520 --> 00:03:15,800 Speaker 2: He got on a train and pretended he was blind, 59 00:03:15,800 --> 00:03:18,320 Speaker 2: and he was reading a pianola role, you know those 60 00:03:18,360 --> 00:03:22,520 Speaker 2: perforated roles, and someone started beating him and said get 61 00:03:22,520 --> 00:03:25,040 Speaker 2: out of the road to stupid old blind man. For 62 00:03:25,120 --> 00:03:28,680 Speaker 2: no reason. He thought that was performance, asked, I mean 63 00:03:28,919 --> 00:03:31,359 Speaker 2: he was doing this before he got onto a stage, 64 00:03:31,600 --> 00:03:35,320 Speaker 2: and then he got onto a stage, and for seventy 65 00:03:35,480 --> 00:03:39,720 Speaker 2: years he created these characters. Dame Edna, who charted the 66 00:03:39,760 --> 00:03:43,920 Speaker 2: course of from a suburban Mooney Pond's housewife to becoming 67 00:03:44,320 --> 00:03:47,200 Speaker 2: a superstar. I mean, she was the original blogger. She 68 00:03:47,440 --> 00:03:51,800 Speaker 2: was a celebrity with no good reason before there were 69 00:03:51,880 --> 00:03:54,840 Speaker 2: before there were bloggers. And maybe that was what he 70 00:03:54,960 --> 00:04:00,400 Speaker 2: was commenting on. Les Patterson astral as cultural attache, just 71 00:04:00,520 --> 00:04:07,880 Speaker 2: this slobbering, speeding, gufforing buffoon who was hilariously funny. And 72 00:04:07,920 --> 00:04:10,760 Speaker 2: then you know, there was just a plethora of other characters. 73 00:04:11,160 --> 00:04:13,840 Speaker 2: But you know, at his heart, mate he was I 74 00:04:13,880 --> 00:04:16,680 Speaker 2: think he was a collector and he collected. Not only 75 00:04:16,720 --> 00:04:19,159 Speaker 2: did collect books and things, he collected characters, but he 76 00:04:19,200 --> 00:04:23,560 Speaker 2: also was responsible over seventy years for collecting great phrases. 77 00:04:23,920 --> 00:04:26,479 Speaker 2: I mean, he was a blokeouo. Through his character Barry 78 00:04:26,520 --> 00:04:30,159 Speaker 2: McKenzie collected all those phrases and brought them into the 79 00:04:30,680 --> 00:04:34,920 Speaker 2: into common Parlance's phrase like you know, up at Sparrow's 80 00:04:34,920 --> 00:04:39,240 Speaker 2: fat and up she'd creeked in a barbed white canoe 81 00:04:39,240 --> 00:04:42,400 Speaker 2: without a paddle and she goes off like an alarm clock, 82 00:04:42,839 --> 00:04:46,680 Speaker 2: or you know, he's got Buckley's or not with it, 83 00:04:46,839 --> 00:04:49,719 Speaker 2: bulls roar or flashes a rat with a gold tooth, 84 00:04:50,320 --> 00:04:54,000 Speaker 2: or flat out like a lizard drinking or more full 85 00:04:54,040 --> 00:04:57,200 Speaker 2: in a Catholic school. I mean, these these were all 86 00:04:57,240 --> 00:04:59,480 Speaker 2: the phrases that he just heard in pubs and on 87 00:04:59,520 --> 00:05:02,960 Speaker 2: the street, and he incorporated them into his act. I mean, 88 00:05:02,960 --> 00:05:05,080 Speaker 2: he was a giant. I mean, the best way of 89 00:05:05,120 --> 00:05:07,919 Speaker 2: thinking about it is, we've just had the comedy Festival 90 00:05:07,960 --> 00:05:11,160 Speaker 2: in Melbourne Christian and you know we're the best comedians 91 00:05:11,200 --> 00:05:13,279 Speaker 2: in the world, and some might do a set of 92 00:05:13,279 --> 00:05:15,440 Speaker 2: twenty minutes and the best might do a set of 93 00:05:15,480 --> 00:05:20,159 Speaker 2: an hour. Barry Humphreys, even as a seventy year old man, 94 00:05:20,520 --> 00:05:24,680 Speaker 2: was doing a three hour show himself alone on stage, 95 00:05:25,080 --> 00:05:28,840 Speaker 2: all of his characters. He did dozens of those shows 96 00:05:28,880 --> 00:05:32,239 Speaker 2: on three continents. A star in the US, a Star 97 00:05:32,440 --> 00:05:36,479 Speaker 2: in the UK, Star in Australia, dozens of hundreds of 98 00:05:36,560 --> 00:05:40,120 Speaker 2: TV specials, his own shows with the greatest stars in 99 00:05:40,160 --> 00:05:44,840 Speaker 2: the world. But he would fulfill an available space all 100 00:05:44,880 --> 00:05:47,560 Speaker 2: by himself. And you know, anyone who stood on a 101 00:05:47,600 --> 00:05:49,599 Speaker 2: stage in dro and you know you do it every day, 102 00:05:49,640 --> 00:05:52,000 Speaker 2: but you know the ad breaks he would stand on 103 00:05:52,080 --> 00:05:56,920 Speaker 2: a stage by himself a three hours flat and entertain people. 104 00:05:57,200 --> 00:05:59,880 Speaker 2: And it's not like singing songs where people can tune 105 00:05:59,920 --> 00:06:01,800 Speaker 2: in and out or listen to that song and of 106 00:06:01,880 --> 00:06:04,279 Speaker 2: the next. When you're doing comedy, you have to have 107 00:06:04,440 --> 00:06:08,640 Speaker 2: people's attention every second. He would get a laugh for 108 00:06:08,800 --> 00:06:13,160 Speaker 2: five laughs a minute, non stop for three hours. It's 109 00:06:13,160 --> 00:06:17,040 Speaker 2: an unheard of feet and he did that in the sixties, 110 00:06:17,240 --> 00:06:21,720 Speaker 2: the seventies, the eighties, the nineties. That he was even 111 00:06:21,800 --> 00:06:24,880 Speaker 2: touring a one man show his own life all through 112 00:06:24,920 --> 00:06:28,200 Speaker 2: the UK and Australia last year, right up to the 113 00:06:28,240 --> 00:06:31,000 Speaker 2: moment of his demise. So you know, what, what a 114 00:06:31,120 --> 00:06:35,080 Speaker 2: talent and you know he's going to be sorely missed. 115 00:06:35,080 --> 00:06:38,440 Speaker 2: He wasn't just a great performer. He was a great writer. 116 00:06:38,839 --> 00:06:42,080 Speaker 2: He was a great social observer and I think you know, 117 00:06:42,560 --> 00:06:45,360 Speaker 2: these these are unique. He was kind of like a 118 00:06:45,440 --> 00:06:48,880 Speaker 2: Mark Twain of Australia or an Oscar Wild of Australia. 119 00:06:49,240 --> 00:06:52,000 Speaker 2: You know, a penetrating wit and a one off. 120 00:06:52,600 --> 00:06:55,200 Speaker 1: What high praise as well, Steve, You've done You've done 121 00:06:55,200 --> 00:06:57,880 Speaker 1: the great man justice. You're right, a colossal talent and 122 00:06:58,800 --> 00:07:01,440 Speaker 1: like you, Steve, and I'm sure many people listening right now. 123 00:07:01,720 --> 00:07:05,159 Speaker 1: Disappeared down a very pleasurable wormhole yesterday watching there's so 124 00:07:05,279 --> 00:07:08,720 Speaker 1: many clips you're right, from the sixties and seventies with Parkinson, 125 00:07:08,800 --> 00:07:12,680 Speaker 1: Joan Rivers and he's holding court. They were all his 126 00:07:12,920 --> 00:07:16,080 Speaker 1: timing and his use of words and phrasing and look 127 00:07:16,200 --> 00:07:18,200 Speaker 1: to cameras and to the audience, is. 128 00:07:18,400 --> 00:07:19,240 Speaker 2: Y yeah or real? 129 00:07:19,280 --> 00:07:21,240 Speaker 1: One off there? You never get another one like Barry. 130 00:07:21,800 --> 00:07:24,960 Speaker 2: No, he's a one off mate. And you know if 131 00:07:25,000 --> 00:07:26,400 Speaker 2: you say, what are we going to miss, We're going 132 00:07:26,440 --> 00:07:28,560 Speaker 2: to miss a laughter. I mean, it is a rare 133 00:07:28,640 --> 00:07:31,040 Speaker 2: thing to be able to make a stranger laugh. It's 134 00:07:31,040 --> 00:07:33,560 Speaker 2: a unique gallup. And he could take a room full 135 00:07:33,600 --> 00:07:37,080 Speaker 2: of strangers, an auditorium full of strangers and make them 136 00:07:37,160 --> 00:07:40,080 Speaker 2: laugh and in the best way doing this one thing 137 00:07:40,120 --> 00:07:44,040 Speaker 2: that is a very rare gift self recognition. He would 138 00:07:44,160 --> 00:07:46,920 Speaker 2: turn the mirror on themselves and very few people can 139 00:07:46,960 --> 00:07:49,840 Speaker 2: get a lot doing that. He was a genius. He's 140 00:07:49,920 --> 00:07:52,000 Speaker 2: a genius or one of a one of a kind 141 00:07:52,040 --> 00:07:53,520 Speaker 2: and he's going to be miss made. 142 00:07:53,720 --> 00:07:56,120 Speaker 1: Oh you did him justice there, Steve. Thanks for talking 143 00:07:56,160 --> 00:07:57,920 Speaker 1: to us this morning. I'll catch up with you soon, mate, 144 00:07:57,960 --> 00:07:59,920 Speaker 1: But thank you Steve for doing that thanks. 145 00:07:59,760 --> 00:08:03,520 Speaker 2: Chris at any time. The Christian O'Connell Show podcast