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Speaker 1: The Christian O'Connell Breakfast Show Podcast Melbourn's Gold one oh

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Speaker 1: four point three Live from level two twenty one to

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Speaker 1: thirty one, good Wood Street.

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Speaker 2: Wretchman, this is.

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Speaker 1: The Chris Jan o'conn all Breakfast Show on Melvin's Gold

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Speaker 1: one oh four point three.

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Speaker 2: Good morning. Is the Christian O'Connor Breakfast Show. Have you

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Speaker 2: well this morning? It has shown number forty six before

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Speaker 2: we even get into this morning show. Perhaps, what did

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Speaker 2: you say today's weather was? Mate?

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Speaker 3: Today's weather? Just let me have a look for you.

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Speaker 2: I've not that tab.

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Speaker 4: Hot off the press as share or two sixteen sixteen.

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Speaker 2: Okay, well, yesterday coming out of this WhatsApp group that

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Speaker 2: I've created when I gave away my mobile number on

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Speaker 2: Friday show. Still got a couple of places I share

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Speaker 2: the number again on this morning show. But anyway, there's

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Speaker 2: a guy who is up way before we get up.

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Speaker 2: He's up early about four am in the morning, Big John.

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Speaker 2: And yesterday, do you remember we left the message saying

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Speaker 2: what the weather was?

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Speaker 1: Yeah?

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Speaker 5: He currently two point five degrees.

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Speaker 2: Two point five a lot more specific than Pats. He's

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Speaker 2: and so I've made him the brand new weather reporter

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Speaker 2: to the show. Obviously that's Pats' job. He's a man

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Speaker 2: on the streets because he's up early. Anyway, he's weighed

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Speaker 2: in this morning with his weather report.

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Speaker 6: Oneing, Christian, be John here with your four o'clock weather report.

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Speaker 6: Sixteen degrees today currently it feels like three point nine,

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Speaker 6: not four degrees, but three point nine degrees.

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Speaker 2: The wind's coming from the northwest.

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Speaker 6: Huh, we gus to forty five kilometers an hour to

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Speaker 6: just take it easy out on the roads today.

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Speaker 5: How many people are giving you the weather from two

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Speaker 5: hours ago?

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Speaker 2: Two hours ago at four am. Anyone can be a

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Speaker 2: hero now, right Jack, four am, he's out there. And

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Speaker 2: also given the wind speed, we didn't have that yesterday.

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Speaker 2: What are we going to get by Friday? I don't

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Speaker 2: know where it's going to go with it, So thank

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Speaker 2: you very much, Big John. I've had an amazing voicemail

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Speaker 2: message left in the last twenty four hours. There is

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Speaker 2: someone who is at work right now doing something extraordinary.

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Speaker 2: I'll play the message next.

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Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: You're listening to the show. You might be lying in

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Speaker 2: your bed, you might already be at work, you might

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Speaker 2: be a new way home from work. However, there is

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Speaker 2: someone who, like Big John, has been up for a while.

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Speaker 2: So this is someone else who I've come to meet

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Speaker 2: through this WhatsApp group when I gave out my mobile

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Speaker 2: number on Friday. This guy is called big Al and

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Speaker 2: I was stopping messages with him yesterday saying, look, I'm

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Speaker 2: really interested by what you do. Any chance that sometimes

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Speaker 2: we can get some voicemails and I want you to

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Speaker 2: give away too much that could harm the work that

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Speaker 2: you do, So come up with a cover name big

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Speaker 2: Al and to make things a bit more confusing. But

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Speaker 2: I've also started to call him Magnum because he is

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Speaker 2: a private investigator. Oh wow, how.

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Speaker 5: Do you know he's real?

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Speaker 2: Details interesting always, Pats, What does our journalists have to

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Speaker 2: do protect your sources?

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Speaker 3: Absolutely never reveal a source.

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Speaker 2: I am not a journalist. And let's have a listened

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Speaker 2: to this. Then cover name big ol.

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Speaker 7: Morning Higgins's Maden here and then Robin one five forty

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Speaker 7: four in the morning, you know, currently sitting off his

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Speaker 7: house in the back of my car.

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Speaker 8: All my cameras are ready. Let's see if we can

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Speaker 8: catch this build doing the wrong thing.

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Speaker 5: Wow, what's his what's his mission?

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Speaker 9: Uh?

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Speaker 2: Stopping messages yesterday? I can divulge this much. He's been

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Speaker 2: high by a guy to who thinks that his wife

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Speaker 2: is cheating and covename big al.

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Speaker 5: I guess that must be ninety nine percent of what

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Speaker 5: pis do these days.

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Speaker 2: Is there any other.

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Speaker 5: PI cases but the cheating spouse?

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Speaker 2: You're right, what is there? I reckon that is the

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Speaker 2: bulk of their work. As someone man or woman thinks

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Speaker 2: the other half is cheating, that's got to be all

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Speaker 2: they do so and they must have a set way

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Speaker 2: of knowing how to catch somebody out. Do you think

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Speaker 2: I always think in my mind, i'd know if someone

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Speaker 2: was following me?

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Speaker 5: Are okay?

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Speaker 2: I do you think of big big Ol was on

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Speaker 2: your case that you'd get out in the morning. We're

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Speaker 2: barely awake, car would be not paying attention.

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Speaker 5: I reckon I'm an easy target. I think you could

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Speaker 5: have one hundred photos of me and I wouldn't know.

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Speaker 2: Yeah, because we wouldn't think, would we that someone would

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Speaker 2: be following us? You know, you would never think to

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Speaker 2: look in the rear view mirror. Oh that car three

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Speaker 2: cars back?

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Speaker 5: So I can't believe is he on the steakout right now.

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Speaker 2: Yeah, I have listened to again five forty five as

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Speaker 2: you left the message.

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Speaker 7: Warning Higgins, I mean Robin one, five forty four in

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Speaker 7: the morning.

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Speaker 8: You know, I'm currently sitting off his house in the

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Speaker 8: back of my car. All my cameras are ready. Let's

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Speaker 8: see if we can catch this guild doing the wrong thing.

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Speaker 2: So all his cameras are ready. How many cameras do

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Speaker 2: you need to catch somebody? You've got the old You've

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Speaker 2: got the old black and white long range one. They

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Speaker 2: still got, like, how many cameras do you need? Does

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Speaker 2: he need? Then? Does he sweat on? He's got the

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Speaker 2: old street and what are you catching? Is there another guy?

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Speaker 2: When they do this in the TV shows, don't they

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Speaker 2: They always they open up the A four envelope and

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Speaker 2: they go, yeah, you think you know him, you think

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Speaker 2: you know her? And take a look at these. They're

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Speaker 2: always kissing some on the cheek with an illuminated door

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Speaker 2: framing the guy.

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Speaker 5: I believe, and you're right, they're never in color.

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Speaker 2: I think that if you go to PI, he obviously

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Speaker 2: two packages. Okay, so I give you two sets of photos.

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Speaker 2: This is the basic one, but it's black and white.

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Speaker 2: I wondered that, Yeah, okay, but it's going to cost

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Speaker 2: you another two thousand bucks to go for color.

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Speaker 5: All right, I'll go.

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Speaker 2: So yeah, Big Al is out there right now. Then

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Speaker 2: he's been out there since five forty four am. He's

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Speaker 2: got his cameras. I don't know if he's got like

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Speaker 2: one to get the old and then do you think

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Speaker 2: he's also got video?

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Speaker 3: I reckon, you have desh can in the car?

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Speaker 2: How close you have to get that to get that?

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Speaker 5: Not very close about the driveways?

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Speaker 2: On the third time, that guy who is often out

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Speaker 2: in the back of his car has accidentally had to

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Speaker 2: turn around here. Okay, So my question Melbourne this morning

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Speaker 2: is why are you up right now? What are you

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Speaker 2: doing right now? Big Al cover name is in the

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Speaker 2: back of his car with all of his cameras getting

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Speaker 2: his basic star Cha Chiat package in black and white.

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Speaker 2: Why are you up right now? Melbourne? What are you

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Speaker 2: up to? Nine four three.

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Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: I want to know why you up right now? What

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Speaker 2: are you doing? We've just heard from Big Al, who

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Speaker 2: is a PI private investigator, stake in some woman out

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Speaker 2: the moment. He's got the cameras. He's in the back

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Speaker 2: of his car. He's been there since quarters to six

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Speaker 2: this morning.

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Speaker 5: Do you have to be licensed to be a private

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Speaker 5: investigator or could anybody take it up as a hobby

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Speaker 5: and start singing outside people's houses on a camera.

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Speaker 3: I think you'd have to have a bit of paper.

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Speaker 2: No, we need to have a look at this. I

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Speaker 2: think Pahts is one. I think you must have to

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Speaker 2: be licensed. But what powers do you get if you've

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Speaker 2: got the license? What can you do over you?

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Speaker 5: And I just find if a cop comes knocks on

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Speaker 5: your window and says, why are you taking photos of

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Speaker 5: that house? You can go well, I've got the bit

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Speaker 5: of paper.

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Speaker 3: And you won't be charged with stalking.

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Speaker 2: Yeah, but again, why are they allowed to do that?

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Speaker 2: Just buy what they do? A basic evening course?

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Speaker 5: Is there a professional stalker?

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Speaker 2: Right? Okay, huge store friends, Okay, they've got certificate. Hey, Ray,

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Speaker 2: good morning here, I'm pretty good.

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Speaker 1: Ray.

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Speaker 2: I hope you well this morning? Now, why are you

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Speaker 2: up so early? What are you doing?

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Speaker 5: Thankfully?

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Speaker 10: On gardener you.

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Speaker 2: Can hardly see playing around my garden and the pitch

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Speaker 2: black and that's that's next doors.

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Speaker 10: Right, Yeah, we don't have that to basically just sitting

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Speaker 10: out our work playing through body giddy so you can

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Speaker 10: light up all the equipment and go off for the day.

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Speaker 2: Right, okay, So basically at the moment Big l the

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Speaker 2: p I ray here as well, everyone just sat outside somewhere.

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Speaker 2: Now it is actually at work around in the morning.

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Speaker 2: We got Scott. Come morning, Scotty morning, Yeah, pretty good, Scott.

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Speaker 2: What are you up to this morning?

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Speaker 11: I'm actually hand along the silve vending machines, phil vending machines.

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Speaker 2: What are you filling them with?

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Speaker 8: You?

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Speaker 2: Are you the guy who basically at the cans of

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Speaker 2: fizzy drinks in and the crisps and.

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Speaker 11: The certainly am Actually we actually sell the one in

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Speaker 11: your kitchen too, so actually one of them of our machine.

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Speaker 3: It's a good going, do you know what?

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Speaker 2: I use that one quite a bit sixty one as

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Speaker 2: the number eyes go to get a good old coke zero.

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Speaker 2: Tell me this the next time you're swinging by, what's

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Speaker 2: to say, a few extra cans some chos.

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Speaker 5: Ye.

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Speaker 11: I don't generally do that machine myself. I'll speak to

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Speaker 11: the bloke that.

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Speaker 2: Please do, and then I can help you out with

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Speaker 2: a little gift from me, okay to you, thanks pretty much,

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Speaker 2: nudge Scott.

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Speaker 5: Because you must have inside knowledge of many venue machines

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Speaker 5: around the city. I know that some are higher price,

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Speaker 5: like a trained station is a higher price. Where's the

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Speaker 5: lowest price vending machine that we can.

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Speaker 11: Get our hands on, the lowest price around around? Oh? Jee,

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Speaker 11: some I know we've got one of our company, one

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Speaker 11: of our businesses actually have a They actually do a

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Speaker 11: bit of a a refund on their on their their stuff,

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Speaker 11: so they charge a little bit less for it for

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Speaker 11: us to charge. And then the one not work actually

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Speaker 11: one of the ones that were companies in the city.

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Speaker 11: So yeah, they actually do.

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Speaker 2: This radio station set the price for it and they

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Speaker 2: and then they no.

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Speaker 11: No, no, no, that's prices.

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Speaker 2: Up. This party was getting a little bit angry.

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Speaker 4: Then, comrades, do you ever get called to anyone with

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Speaker 4: your hands stuck in the machine?

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Speaker 2: He's gone.

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Speaker 3: Stuck.

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Speaker 2: We're getting back in five minutes times, so that Pat's

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Speaker 2: can ask him that. Okay, Brian's call him back.

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Speaker 1: A Christian O'Connell breakfast show on Gold one oh four

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Speaker 1: point three, we're.

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Speaker 2: Asking this morning, why are you up so early? What

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Speaker 2: are you doing? One of you cover named big Al.

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Speaker 2: There's a private investigator staked out watching some lady. He's

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Speaker 2: got the cameras suspect she might be cheating. Told me

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Speaker 2: yesterday he records there's at least two different guys she's seeing,

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Speaker 2: maybe even three.

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Speaker 5: Oh, you're going to have those black and white photos

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Speaker 5: to prove it.

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Speaker 2: On an be funny the time management you have, said,

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Speaker 2: my if someone is doing that, the time management.

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Speaker 5: Yeah, you can have a full time job, surely at

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Speaker 5: the same time.

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Speaker 2: Have three different you know, people on the go. I mean,

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Speaker 2: I'd find this astonishing. Who's got the time to conduct

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Speaker 2: an affair? I'm not saying. Can I just say, in

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Speaker 2: case my wife is this in right now, that if

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Speaker 2: I'd have a bit more spare time, that's what I'd

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Speaker 2: be up to, Okay, my wife is this going? So

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Speaker 2: if you're saying, if you had a bit more free time,

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Speaker 2: and maybe it was a quicker show just two hours,

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Speaker 2: he's got time to drive around start. Maybe that's why

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Speaker 2: he's forming this WhatsApp group. Who fancies a little DJ

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Speaker 2: calling at the house after the show. Hello, Hey guess

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Speaker 2: he's back. Scott's back. The vending machine guy. There he goes.

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Speaker 2: Now listen we'll cut you off. Earlier, Pat's had a

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Speaker 2: really good.

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Speaker 4: Question for you, Scott, I did, Scott, I want to know,

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Speaker 4: is anyone ever caught their hand in one of those

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Speaker 4: machines and you've been called out to help.

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Speaker 11: Thankfully, in eleven years that I've been doing it, No,

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Speaker 11: I have not had that phone call.

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Speaker 2: But do you know what I know someone that did

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Speaker 2: get the hands stuck in one of the machine. And Scott,

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Speaker 2: I don't know if it's the same law over here,

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Speaker 2: but in the UK it is illegal for anyone to

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Speaker 2: break one of those machines as theft. You have to

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Speaker 2: call the fire brigade and only they're allowed to open

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Speaker 2: it up. Is that true because there's money there.

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Speaker 11: He's actually a little different way. Actually, it's generally any

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Speaker 11: emergency service can do it. Generally they get the staff out,

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Speaker 11: well one of the the company that employees will come

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Speaker 11: out and fix them, do that for them.

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Speaker 2: So a friend of mine three years ago at a

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Speaker 2: busy train station in London got their hand stuck in

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Speaker 2: this right, couldn't get it out and you know iticed

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Speaker 2: like a jaw, isn't it, And so he had to

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Speaker 2: lie on the ground and as he was panicking. Obviously

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Speaker 2: the blood was getting it expanding, so people trying to

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Speaker 2: get you know, helping him out. In the morning, he's

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Speaker 2: lying there in his suit. He's got a briefcase now

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Speaker 2: lying down next to him, and people are stopping people

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Speaker 2: you know what like now savage. People just filming it

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Speaker 2: because the funny on my insta feet Anyway, a policeman

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Speaker 2: comes over. He's not allowed to break it open. It

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Speaker 2: is that you're having an homage law we have in

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Speaker 2: the UK. Policeman can't break it open. He refused to

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Speaker 2: smash it to free his arm. He has to call

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Speaker 2: the fiber goa. They have to wait for about another

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Speaker 2: half an hour. Oh my goodness, all people taking photos.

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Speaker 2: You says this is line there, he's entertainment and then

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Speaker 2: the fibrigame turn up. They have to ring someone the

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Speaker 2: number on the back there's that eight hundred, triple one,

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Speaker 2: triple five, and say yeah, no it's this one here.

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Speaker 2: Can we break it? Just now took an hour to

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Speaker 2: get his armor, poor guy.

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Speaker 5: Yes, by now you've give me a ninety for the

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Speaker 5: rest of the morning. CCTV footage of people with their

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Speaker 5: arms stuff in any machines.

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Speaker 1: It's a new TV show, The Christian O'Connell Breakfast Show,

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Speaker 1: Melbourne's Gold one oh four point three.

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Speaker 4: It's six thirty am and time to play the early

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Speaker 4: morning game.

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Speaker 2: It sounds like a song to me, Christian, all right,

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Speaker 2: so we started this Monday. We play a little thing.

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Speaker 2: There are a couple of sound effects in there. You

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Speaker 2: listen to the sound effects. You try and guess the

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Speaker 2: song title. You're too smart, You're too good with this.

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Speaker 2: It's going too quickly. I thought this might stump you

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Speaker 2: for the whole week. We've been going to all this

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Speaker 2: effort and then and within like a minute, we get

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Speaker 2: the right answers. Okay, so demo round for you and

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Speaker 2: Pats to play first of all.

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Speaker 5: So it's the demo round increasing difficulty.

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Speaker 2: I think it's gone from a bronze to silver level. Right,

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Speaker 2: all right, you two listener.

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Speaker 5: Alarm guns.

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Speaker 2: That well known sold by alarm Guns. They sound like

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Speaker 2: a rock band. I gotta say that, alarm Guns. This

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Speaker 2: sounds like a thrash metal one. Once more, say what

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Speaker 2: you hear?

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Speaker 11: What is it?

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Speaker 4: Living on a prayer? I don't know's got no idea.

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Speaker 5: At least match one of them.

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Speaker 3: Yeah, preds looking at me?

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Speaker 2: What do you hear what do you hear?

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Speaker 3: An alarm?

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Speaker 5: Jane's got a gun?

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Speaker 2: No, not that way.

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Speaker 3: Wake me up before you.

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Speaker 2: Go go get there, you lad the news booth winner,

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Speaker 2: Well what's go go gun?

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Speaker 3: Gun alarm? Yeah, it's good, right, all right, So surprise myself.

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Speaker 2: If you have a guest, keep it to yourself. Now,

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Speaker 2: this is for you Melbourne nine four one four one

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Speaker 2: four three. If you get this right this morning, I'll

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Speaker 2: be really annoyed. We've got to make it even harder,

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Speaker 2: all right, even harder. It's too easy. But what prizes

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Speaker 2: await you? Wow? We this week we've been blessed with

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Speaker 2: some amazing prizes. Uh, George Michael c D Listen Without Prejudice,

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Speaker 2: Released in nineteen ninety on the format no one wants anymore.

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Speaker 2: People have gone back to vinyl, No one is going

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Speaker 2: back to compact disc Dolby Surround sound.

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Speaker 5: Is anyone chosen George Michael yet? Or we've only had

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Speaker 5: the Elton CD is given away?

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Speaker 2: No people have gone for And also if you don't

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Speaker 2: want that, then how about this the greatest Hits of

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Speaker 2: Elton John Again what format CD? Great prizes? But here

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Speaker 2: is here's today's song.

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Speaker 5: Is stuck on loop.

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Speaker 2: Nah, that's it, that's it, no more? All right? Nine

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Speaker 2: four one four one oh four three? What is this song?

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Speaker 2: What do you think the song tightened? This from that clue?

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Speaker 2: Give me a call with your guests.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 4: It's six thirty am and time to play the Early

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Speaker 4: morning game.

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Speaker 2: It sounds like a song to me, Christian, thank you,

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Speaker 2: and this is how works. I play you with a clip.

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Speaker 2: It's got some sound effects. Then listen to the sound effects,

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Speaker 2: try and work out the song title this morning. I'll

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Speaker 2: be really honest with you. I don't want this to

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Speaker 2: go I want this to be really, really hard. I'll

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Speaker 2: be really annoyed. I will go home upset today if

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Speaker 2: this goes. Jack even a Sassar producer, Brad, do you

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Speaker 2: know what the do you know what the answer is?

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Speaker 2: He has to know he's taking the call, which otherwise

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Speaker 2: easy to be going to all them. I don't listener,

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Speaker 2: stay there, we'll find out together. Peter, good morning, here

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Speaker 2: you going, I'm very good beat Okay, we're all poised.

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Speaker 2: Are you gonna take it down? Peter? What's the song? Mate?

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Speaker 12: Time after time?

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Speaker 2: Good. Guess it's not the right one. No, that's not

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Speaker 2: the song Straight to Niagara Falls, the Dragon's Brenton, What

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Speaker 2: a name? What a name? Brenton? It sounds like the

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Speaker 2: Game of Thrones, Brenton. What do you think the song is? Mate?

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Speaker 5: Editor Time by Pink Point.

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Speaker 2: It gris me enormous pleasure to say. No, it's not

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Speaker 2: that either. All right, okay, let's try one more, Mick,

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Speaker 2: Good morning, Good morning, Mick. What do you think it is?

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Speaker 13: I think it's quin Stefani's what you're waiting for?

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Speaker 2: What you're waiting for? No, it's not that, met tough luck.

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Speaker 2: Nice try Benny boy. What sounds like an indicator? So

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Speaker 2: I think it's a turn turn turn.

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Speaker 5: I love your voice, by the way, Ben, Ben, I

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Speaker 5: thought indicator as well.

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Speaker 2: Yeah?

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Speaker 5: Is that wrong?

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Speaker 2: I can only say whether it's a song title. We

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Speaker 2: do not discuss the clips themselves. Ben. It's not the

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Speaker 2: right answer. Oh well, thank you, Ben. He thought he

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Speaker 2: had it, didn't he? Oh well? Uh, Paul, yes, Paul,

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Speaker 2: I haven't called you.

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Speaker 5: Is just one Paul's game show? Which is what is

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Speaker 5: my name?

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Speaker 2: W do you think the song is?

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Speaker 9: Paulie Time by Steve Miller, Ban no.

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Speaker 2: It's not, which means it rolls over till tomorrow morning.

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Speaker 2: Those George Michael C's haven't gone.

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Speaker 1: The Christian O'Connell breakfast show, Melbourne's gold one oh four point.

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Speaker 2: Three on this morning show. Then why do you think

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Speaker 2: this great city? I traveled ten thousand miles to start

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Speaker 2: a new life in a new radio show telling my family. Hey, listen,

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Speaker 2: you know the main reason we're going is it is

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Speaker 2: the most liberal city in the world. There's a reason

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Speaker 2: why it's been there for eight years and then suddenly

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Speaker 2: yesterday it's not anymore.

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Speaker 5: Tom In eight years you've been top now and the

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Speaker 5: only thing I can think that's changed about Melbourne in

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Speaker 5: the last year is for the last two months we've

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Speaker 5: had these billboards and posters up and seemingly every bus

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Speaker 5: stop of a British man. I can't really think of

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Speaker 5: what other things the city.

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Speaker 2: Is It all my faults? Things were going great. What's

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Speaker 2: changed in the last eight years? You've come, Christian, You've

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Speaker 2: stunk up the place and that is why we're now

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Speaker 2: at number two. It's all my fault. So other than me,

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Speaker 2: why do you think Melbourne is no longer number one?

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Speaker 2: Give us a call? We'll get your calls off the

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Speaker 2: seven o'clock nine.

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Speaker 1: Four one oh four three, The Christian O'Connell Breakfast Show,

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Speaker 1: Melbourne's Gold one oh four point three.

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Speaker 2: That could be the most important song you hear in

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Speaker 2: your life today. It is true in your life today. Hey,

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Speaker 2: stand by those words, Jackson. It could be worth ten

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Speaker 2: thousand bucks. Is none of the song they're going to

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Speaker 2: hear today that is more important and powerful in their lives.

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Speaker 2: Today's show, folks, I speak to you someone who shouldn't

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Speaker 2: be here today, alive for the second time in this country.

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Speaker 2: I almost died yesterday. More on that in the next hour.

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Speaker 2: Do you mind if I just have you? Do you

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Speaker 2: mind if I also get a photo with you today

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Speaker 2: and have your autograph? What do you mean? I saw

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Speaker 2: you on TV last night in the presence of a

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Speaker 2: great the next great Australian Hope bow Down, Jack Post Bang,

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Speaker 2: what a debut last night? Second episode of True Stories.

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Speaker 5: Yeah, almost didn't come in this morning, but thought I

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Speaker 5: should come in and do a Look.

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Speaker 2: That's the act that we're dealing with the actor Jack

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Speaker 2: post He still just walks amongst us. He's not changed.

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Speaker 2: That's what I love about the actor Jack Post. And

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Speaker 2: that's how I'm going to refer to you from now

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Speaker 2: on is the actor Jack Post, because what I saw

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Speaker 2: last night is up when anything Janio and Pacina could do,

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Speaker 2: Jannero Paccino the actor Jack Post.

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Speaker 5: I'm not a hero, I'm just I'm just a man.

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Speaker 2: But you are the actor Jack Post. This I mean,

444
00:19:54,880 --> 00:19:56,280
Speaker 2: I don't know how long we're going to have him

445
00:19:56,280 --> 00:19:59,320
Speaker 2: with the Sir Pats. I know any day now expecting listen,

446
00:19:59,480 --> 00:20:03,360
Speaker 2: Ron Howard called up Spielbeb wants to me this Buffy reboo.

447
00:20:03,560 --> 00:20:05,560
Speaker 2: You know, batgirl needs a little mate as well.

448
00:20:05,760 --> 00:20:07,000
Speaker 3: I'll do your pr Jack.

449
00:20:09,240 --> 00:20:10,960
Speaker 2: Okay. Also the big thing we've got to get into

450
00:20:11,040 --> 00:20:14,960
Speaker 2: today then he is Melbourne not number one, slip down

451
00:20:15,000 --> 00:20:18,440
Speaker 2: to number two. Sim Pats's news. It broke yesterday's news

452
00:20:18,520 --> 00:20:21,000
Speaker 2: all over the world. I was sketching up with my

453
00:20:21,080 --> 00:20:23,680
Speaker 2: mum yesterday back home, and she even she'd heard about

454
00:20:23,720 --> 00:20:27,800
Speaker 2: it and said, what's She actually said, what's happened? Like

455
00:20:28,359 --> 00:20:36,080
Speaker 2: people are on the streets, riot just over hearing people,

456
00:20:36,160 --> 00:20:39,200
Speaker 2: everyone reacting to it yesterday. Everyone's got their theory. You know,

457
00:20:39,280 --> 00:20:42,080
Speaker 2: we live in the world now of we're all instant experts.

458
00:20:42,119 --> 00:20:44,879
Speaker 2: We're all pundits these days online. It's full of everyone

459
00:20:44,960 --> 00:20:47,520
Speaker 2: with their opinions. Everyone's got to take. And why you've

460
00:20:47,560 --> 00:20:49,480
Speaker 2: gone from number one to number two? And I want

461
00:20:49,520 --> 00:20:52,399
Speaker 2: to hear this morning nine four one for one, oh

462
00:20:52,520 --> 00:20:55,080
Speaker 2: for three? Why do you think you're not number one anymore?

463
00:20:55,119 --> 00:20:58,439
Speaker 2: You've lost that coveted spot you've had for years? To Vienna,

464
00:20:58,520 --> 00:21:01,639
Speaker 2: I know, Sydney Vancoue, you've always been in that kind

465
00:21:01,680 --> 00:21:04,240
Speaker 2: of top three, top four there, But Vienna.

466
00:21:04,200 --> 00:21:06,760
Speaker 5: No, do you think we took it for granted paths?

467
00:21:06,800 --> 00:21:09,920
Speaker 5: While those eight years that we enjoyed at the top,

468
00:21:10,160 --> 00:21:11,920
Speaker 5: we didn't really care. And now that we're number two,

469
00:21:12,320 --> 00:21:14,160
Speaker 5: I don't stop thinking about it, that's right.

470
00:21:14,520 --> 00:21:16,880
Speaker 3: I don't know. I think the crime hasn't probably been

471
00:21:16,960 --> 00:21:18,280
Speaker 3: in our favor I.

472
00:21:18,400 --> 00:21:20,520
Speaker 2: Like typical news journalists. Then it's straight that was at

473
00:21:20,520 --> 00:21:21,359
Speaker 2: the African gangs.

474
00:21:21,720 --> 00:21:24,280
Speaker 3: Yeah no, I didn't say that, hanging in the air

475
00:21:24,440 --> 00:21:25,560
Speaker 3: crime figures.

476
00:21:25,560 --> 00:21:27,480
Speaker 2: And looking at me as well over those glasses as well.

477
00:21:28,280 --> 00:21:30,200
Speaker 2: All right, well listen on the line. Now let's go

478
00:21:30,320 --> 00:21:32,440
Speaker 2: to someone who will have an inside take on this

479
00:21:32,560 --> 00:21:34,879
Speaker 2: that's worth hearing on the line. Now we should have

480
00:21:35,080 --> 00:21:36,440
Speaker 2: the Lord Mayor no less.

481
00:21:36,440 --> 00:21:38,600
Speaker 13: Sally cap Good morning, Christian.

482
00:21:38,880 --> 00:21:40,879
Speaker 2: Hey, listen, thank you very much for coming on my

483
00:21:41,400 --> 00:21:43,479
Speaker 2: new show. I felt like now the show has been

484
00:21:43,520 --> 00:21:46,199
Speaker 2: probably anointed not by the Pope, but someone more powerful

485
00:21:46,280 --> 00:21:48,520
Speaker 2: than the Pope here in Melbourne, by you, Lord mayor.

486
00:21:49,480 --> 00:21:51,720
Speaker 13: Well, Christian, I heard that you moved here because it

487
00:21:51,840 --> 00:21:54,640
Speaker 13: is the most livable city, and I'm pleased to say

488
00:21:54,800 --> 00:21:57,040
Speaker 13: our scores improved and you might have something to do

489
00:21:57,160 --> 00:21:57,359
Speaker 13: with that.

490
00:21:57,560 --> 00:21:59,480
Speaker 2: Well, thank you very very much. Some people are sadly

491
00:21:59,520 --> 00:22:02,200
Speaker 2: blaming me for actually toppling you from number one, so

492
00:22:02,880 --> 00:22:05,240
Speaker 2: you're very kind for saying that. Now listen, obviously I

493
00:22:05,359 --> 00:22:08,040
Speaker 2: have moved out here and I'm loving life in Melbourne

494
00:22:08,080 --> 00:22:10,880
Speaker 2: already we've not done our first summer, but you must

495
00:22:10,920 --> 00:22:12,960
Speaker 2: be shocked by the news that you're not number one anymore.

496
00:22:14,320 --> 00:22:17,760
Speaker 13: Well, look, the fact is our score actually went up

497
00:22:18,080 --> 00:22:20,520
Speaker 13: this year and we still came in at second, so

498
00:22:20,640 --> 00:22:23,040
Speaker 13: we really can't complain too much. And the reason why

499
00:22:23,080 --> 00:22:25,159
Speaker 13: I referenced you may have something to do with that

500
00:22:25,400 --> 00:22:29,240
Speaker 13: is that our score improved in culture and environments.

501
00:22:31,640 --> 00:22:34,399
Speaker 2: Do you know what. I've only done forty six shows,

502
00:22:34,440 --> 00:22:37,719
Speaker 2: but that is the O'Connell factor. It's my essence.

503
00:22:37,920 --> 00:22:39,119
Speaker 13: I think you can claim it.

504
00:22:43,160 --> 00:22:45,359
Speaker 2: Sadly, no one in the studio is agreeing with you.

505
00:22:46,119 --> 00:22:48,960
Speaker 2: No one is, no, they're just laughing us fair loss.

506
00:22:49,160 --> 00:22:49,800
Speaker 14: I can hear it.

507
00:22:51,800 --> 00:22:55,120
Speaker 13: Look, we did go up in our score, but unfortunately

508
00:22:55,240 --> 00:22:57,399
Speaker 13: Dianna went up just a little bit more than us.

509
00:22:57,440 --> 00:23:00,240
Speaker 13: And it's been neck and neck for many years and

510
00:23:00,400 --> 00:23:03,000
Speaker 13: number two. It gives us lots of focus on and

511
00:23:03,600 --> 00:23:06,760
Speaker 13: lots to do in anticipation of us climbing.

512
00:23:06,480 --> 00:23:08,840
Speaker 5: Back up on top. Sally. I love that you're leaning

513
00:23:08,920 --> 00:23:12,720
Speaker 5: on our scores improved. This is exactly what radio stations

514
00:23:12,760 --> 00:23:15,360
Speaker 5: do when their ratings come out if they're not number one,

515
00:23:15,400 --> 00:23:17,320
Speaker 5: they find other ways to still celebrate.

516
00:23:17,400 --> 00:23:20,400
Speaker 13: And you've done that well, Jack, We've got something else

517
00:23:20,480 --> 00:23:24,120
Speaker 13: to celebrate, and that is that I reckon our record

518
00:23:24,400 --> 00:23:29,879
Speaker 13: of seven years straight at number one will never be broken.

519
00:23:29,960 --> 00:23:32,480
Speaker 13: There's a big statement for you, a bit like Collingwood

520
00:23:32,520 --> 00:23:35,199
Speaker 13: winning four premierships in a row. It's still a record.

521
00:23:35,480 --> 00:23:37,560
Speaker 2: Dennison, don't go and ruin at all. Don't go ruin

522
00:23:37,600 --> 00:23:40,879
Speaker 2: all your great work by bringing Collinwood into this. That

523
00:23:41,000 --> 00:23:43,520
Speaker 2: might be the thing that Vienna actually tipped it. The

524
00:23:43,640 --> 00:23:48,320
Speaker 2: lack of Collingwood supporters. Eddie McGuire may have lost you

525
00:23:48,480 --> 00:23:48,879
Speaker 2: number one.

526
00:23:51,080 --> 00:23:54,199
Speaker 13: Well we've got lots of counterbalance, don't worry. But it's

527
00:23:54,240 --> 00:23:57,240
Speaker 13: a fine record and look, we'll still keep moving forward.

528
00:23:57,280 --> 00:23:59,800
Speaker 13: But I think we are a fantastic city and I'm

529
00:23:59,800 --> 00:24:00,520
Speaker 13: sure you are.

530
00:24:01,359 --> 00:24:03,480
Speaker 2: Honestly, I'm loving life here. One final thing. You have

531
00:24:03,600 --> 00:24:05,520
Speaker 2: a lot of power. The thing that I think has

532
00:24:05,560 --> 00:24:09,160
Speaker 2: helped Vienna. There is a song called Vienna, an eighty song.

533
00:24:09,160 --> 00:24:11,560
Speaker 2: All right, I think you have the power to commission

534
00:24:11,560 --> 00:24:16,120
Speaker 2: an Australian artist to write a song for Melbourne. Or Jack,

535
00:24:16,640 --> 00:24:20,000
Speaker 2: Jack Poster works on the show, is an Australian amateur artist.

536
00:24:21,400 --> 00:24:23,159
Speaker 2: How do you feel about if we got Jack to

537
00:24:23,280 --> 00:24:26,040
Speaker 2: write a song about all that's great about Melbourne? Could

538
00:24:26,040 --> 00:24:27,600
Speaker 2: we play it to you in the next week or two.

539
00:24:28,600 --> 00:24:30,840
Speaker 13: Well, I'd be thrilled if Jack did that, because of

540
00:24:30,920 --> 00:24:32,960
Speaker 13: course the Enna missed out. I'm being number one in

541
00:24:33,040 --> 00:24:36,040
Speaker 13: the UK because of Joe Dolcea's shut up Are your Face?

542
00:24:36,760 --> 00:24:39,000
Speaker 2: Which is another cultural milestone.

543
00:24:40,119 --> 00:24:42,280
Speaker 5: Yeah, go for it, Jack, Thank you telling him?

544
00:24:42,320 --> 00:24:44,920
Speaker 2: Okay, listen, lord man, thank you first speaking just this morning.

545
00:24:44,920 --> 00:24:46,040
Speaker 2: It was great to get you on the show. Were

546
00:24:46,040 --> 00:24:47,280
Speaker 2: speeches soon have a great day.

547
00:24:47,640 --> 00:24:50,480
Speaker 1: Thank you so much Bye bye the Christian O'Connell Breakfast

548
00:24:50,520 --> 00:24:52,920
Speaker 1: Show Melbourne's Gold one oh four point three.

549
00:24:53,200 --> 00:24:56,920
Speaker 2: So on Friday's Beckford Show I gave out my mobile number.

550
00:24:57,119 --> 00:24:58,600
Speaker 2: I said. The reason why I was doing this, I

551
00:24:58,640 --> 00:25:01,520
Speaker 2: wanted to form like a big WhatsApp group of people

552
00:25:01,560 --> 00:25:03,840
Speaker 2: that want to be part of that. And every night

553
00:25:03,920 --> 00:25:05,560
Speaker 2: I leave a little message to the group. There's about

554
00:25:05,560 --> 00:25:07,119
Speaker 2: two hund people or so at the moment I've put

555
00:25:07,160 --> 00:25:10,800
Speaker 2: in the group, and there's about fifty six spaces. If

556
00:25:10,840 --> 00:25:12,480
Speaker 2: you still want it, I'll give out the number about

557
00:25:12,480 --> 00:25:16,040
Speaker 2: five minutes time. But anyway, yesterday evening I asked people

558
00:25:16,080 --> 00:25:17,560
Speaker 2: in the little WhatsApp group, why do you think you've

559
00:25:17,560 --> 00:25:19,639
Speaker 2: lost the number one spot to Vienna. And here's what

560
00:25:19,680 --> 00:25:20,080
Speaker 2: they said.

561
00:25:20,480 --> 00:25:24,879
Speaker 15: Hey see it's John fan Caner Sydney, Sydney Sabotaze.

562
00:25:25,280 --> 00:25:27,120
Speaker 2: Without a doubt. It will be all over the one's

563
00:25:27,119 --> 00:25:28,919
Speaker 2: papers tomorrow. It's all because of.

564
00:25:28,960 --> 00:25:30,480
Speaker 11: Six Hi Christian.

565
00:25:30,800 --> 00:25:33,600
Speaker 3: It's Peter from Olwood the Skyrail.

566
00:25:33,920 --> 00:25:37,560
Speaker 12: It's bloody awful yeah high Christian bread from Bunny on here.

567
00:25:38,119 --> 00:25:41,240
Speaker 12: I reckon it's because there's too many deconstructed lattes or

568
00:25:41,520 --> 00:25:44,239
Speaker 12: deconstructed video one on Coast to smash down. He's got

569
00:25:44,359 --> 00:25:47,600
Speaker 12: too far ahead of ourselves and the hipster crowd. Unfortunately

570
00:25:47,720 --> 00:25:49,159
Speaker 12: we ruined it for everyone.

571
00:25:49,880 --> 00:25:52,400
Speaker 2: So listen, it's time for this great city to strike back.

572
00:25:52,400 --> 00:25:54,000
Speaker 2: Don't take this line down. So it's a chance to

573
00:25:54,040 --> 00:25:57,280
Speaker 2: the Lord mayor sell it cap and with all the powers.

574
00:25:57,320 --> 00:25:59,560
Speaker 2: I said, listen, this city needs a song. I think

575
00:25:59,640 --> 00:26:07,399
Speaker 2: this song on Bianna's Got this Melbourne. You need a

576
00:26:07,520 --> 00:26:10,560
Speaker 2: song and we need a great song. And so the

577
00:26:10,680 --> 00:26:13,200
Speaker 2: easiest commission for me is you, Jack Post. This is

578
00:26:13,280 --> 00:26:16,320
Speaker 2: the actor Jack Post. He's like a Swiss army knife

579
00:26:16,359 --> 00:26:19,240
Speaker 2: on the show. What doesn't this guy do tap dance?

580
00:26:19,280 --> 00:26:21,239
Speaker 2: He does it all. So I need you to come

581
00:26:21,320 --> 00:26:23,119
Speaker 2: up with a great song for this great city.

582
00:26:23,359 --> 00:26:26,560
Speaker 5: I will tinker away on my laptop where I write

583
00:26:26,600 --> 00:26:30,679
Speaker 5: my songs. If we can do it, record it properly,

584
00:26:30,960 --> 00:26:33,879
Speaker 5: like in a recording studio, proper microphones.

585
00:26:35,480 --> 00:26:37,960
Speaker 2: Great songs that will always be great songs. You think

586
00:26:38,000 --> 00:26:39,920
Speaker 2: Abby Road studios? Okay?

587
00:26:40,000 --> 00:26:41,080
Speaker 5: Should we go to Abby Road?

588
00:26:43,400 --> 00:26:46,440
Speaker 2: Barnes is on the show tomorrow. Where's he laid down

589
00:26:46,480 --> 00:26:47,399
Speaker 2: all his great tracks?

590
00:26:47,440 --> 00:26:49,199
Speaker 3: You know he's got a home studio?

591
00:26:49,280 --> 00:26:49,600
Speaker 11: Has he?

592
00:26:50,119 --> 00:26:51,600
Speaker 3: I think in his garage or something?

593
00:26:51,960 --> 00:26:52,080
Speaker 11: Right?

594
00:26:52,160 --> 00:26:53,520
Speaker 2: Okay? We he's not me using it for what with

595
00:26:53,600 --> 00:26:55,520
Speaker 2: the cuts on his legs that stage he fell through,

596
00:26:55,600 --> 00:26:59,880
Speaker 2: you know. But we need what is Melbourne's most famous record.

597
00:27:00,000 --> 00:27:01,680
Speaker 5: We have on path? Can you think of something like

598
00:27:01,800 --> 00:27:02,240
Speaker 5: that that we.

599
00:27:02,320 --> 00:27:04,600
Speaker 3: Have like Abbey Road that No, I don't think we

600
00:27:04,680 --> 00:27:04,960
Speaker 3: do do.

601
00:27:06,720 --> 00:27:09,560
Speaker 2: Just hanging around, just hanging around Coles Down anyways. I

602
00:27:09,600 --> 00:27:12,080
Speaker 2: we're trying to get collectables. I'm going to know about

603
00:27:12,080 --> 00:27:15,080
Speaker 2: where the phil Spector base is here. We know so

604
00:27:15,240 --> 00:27:17,080
Speaker 2: far is produce of Brad Went. He's got a mate

605
00:27:17,119 --> 00:27:19,680
Speaker 2: called Ralph who's got a place around the Corn in Richmond.

606
00:27:20,720 --> 00:27:22,880
Speaker 2: We need to find out where Jack can go down

607
00:27:22,920 --> 00:27:26,359
Speaker 2: and be inspired the Christian O'Connell breakfast show Gold one

608
00:27:26,440 --> 00:27:30,119
Speaker 2: oh four point three. So this situation is broken in

609
00:27:30,200 --> 00:27:33,120
Speaker 2: the last twenty minutes and we need to do this right.

610
00:27:33,280 --> 00:27:34,920
Speaker 2: I'm going to get it. I'm going to do everything

611
00:27:35,040 --> 00:27:37,280
Speaker 2: I can in the small powers that I have Jack,

612
00:27:37,359 --> 00:27:39,160
Speaker 2: to get you everything. You need to write a great

613
00:27:39,280 --> 00:27:43,400
Speaker 2: song to smash ultra boxes Vienna. We need to take

614
00:27:43,400 --> 00:27:46,119
Speaker 2: this seriously. You need a great recording studio. You also

615
00:27:46,240 --> 00:27:47,600
Speaker 2: need an orchestra.

616
00:27:48,440 --> 00:27:51,240
Speaker 5: Wow, okay, okay, I thought it might be a ballad,

617
00:27:51,280 --> 00:27:51,840
Speaker 5: but you're right.

618
00:27:52,600 --> 00:27:59,320
Speaker 2: All crings some strings, my friend, big stirring, sweeping, majestic strings.

619
00:28:00,119 --> 00:28:02,880
Speaker 2: Karen here agrees with me, Christian. Please don't let Jack

620
00:28:02,960 --> 00:28:05,440
Speaker 2: open that laptop of this to write this song. It

621
00:28:05,600 --> 00:28:09,240
Speaker 2: needs bigger production that comes from No.

622
00:28:09,320 --> 00:28:11,640
Speaker 5: I wasn't going to like make it on garage bend.

623
00:28:12,000 --> 00:28:14,240
Speaker 5: I that's where I actually write the word.

624
00:28:14,040 --> 00:28:16,159
Speaker 2: We don't want is the old three chord wonder that

625
00:28:16,200 --> 00:28:19,600
Speaker 2: we get on Friday, six the week. Okay, this is

626
00:28:19,680 --> 00:28:22,399
Speaker 2: your big moment, Jack, Okay, don't blow it. Karen's on

627
00:28:22,440 --> 00:28:24,840
Speaker 2: the line, Good morning, Karen, Hey, here are you going.

628
00:28:25,480 --> 00:28:28,119
Speaker 2: We're very excited at the moment then where Jack's going

629
00:28:28,200 --> 00:28:30,000
Speaker 2: to try and write a song that's even better than

630
00:28:30,119 --> 00:28:33,959
Speaker 2: Vienna and hopefully get Melbourne back to the number one spot.

631
00:28:35,480 --> 00:28:36,120
Speaker 15: We hope.

632
00:28:36,160 --> 00:28:38,840
Speaker 2: So and how can you help Karen?

633
00:28:38,880 --> 00:28:41,480
Speaker 5: Well, Christian, he suggested that I go to Abbey Road

634
00:28:41,560 --> 00:28:45,160
Speaker 5: Studios in London to record where the Beatles recording I've

635
00:28:45,200 --> 00:28:46,200
Speaker 5: gotten in at Flight Center.

636
00:28:47,200 --> 00:28:49,440
Speaker 13: Well they've also got Weddy Melvin, so you can get

637
00:28:49,560 --> 00:28:52,040
Speaker 13: every road in Melbourne. And I have a niece that

638
00:28:52,120 --> 00:28:52,720
Speaker 13: may be able to.

639
00:28:52,720 --> 00:28:53,720
Speaker 14: Help you out with that.

640
00:28:54,160 --> 00:28:55,600
Speaker 2: Oh this is great. Does she know Ralph?

641
00:28:56,880 --> 00:28:58,880
Speaker 13: I don't know if she knows herrel but I find

642
00:28:58,920 --> 00:28:59,160
Speaker 13: it out.

643
00:28:59,440 --> 00:29:02,880
Speaker 2: This is this is exciting. So you think Abby Road Studios, No,

644
00:29:03,040 --> 00:29:05,680
Speaker 2: not that famous one, the Beatles, the recorded stuff. There's

645
00:29:05,680 --> 00:29:08,320
Speaker 2: an Abby Road Studios here in Melbourne. Your series.

646
00:29:08,320 --> 00:29:10,200
Speaker 15: It's connected with the London one.

647
00:29:10,680 --> 00:29:13,360
Speaker 16: She actually graduated from Abbie Road in London last year.

648
00:29:13,520 --> 00:29:15,480
Speaker 2: Hey, that's great. You can help us out.

649
00:29:15,480 --> 00:29:17,600
Speaker 5: I don't know you could educate yourself at every row.

650
00:29:17,920 --> 00:29:21,120
Speaker 2: Yeah, yeah, well this is exciting, Karen. Thanks for giving

651
00:29:21,200 --> 00:29:23,320
Speaker 2: us the heads up on this. All right, that's okay,

652
00:29:23,360 --> 00:29:25,360
Speaker 2: good luck with it all. Thank you very much, Karen.

653
00:29:25,920 --> 00:29:27,720
Speaker 2: I'm the going to help you out as well. I

654
00:29:27,960 --> 00:29:30,680
Speaker 2: have produced two top ten songs. What are they?

655
00:29:30,920 --> 00:29:30,960
Speaker 17: No?

656
00:29:31,080 --> 00:29:34,160
Speaker 2: I have really the last fifteen years twice we've done

657
00:29:34,640 --> 00:29:37,360
Speaker 2: on my radio show. We've done songs and one got

658
00:29:37,360 --> 00:29:39,640
Speaker 2: to number ten UK chance, one got to number nine.

659
00:29:39,720 --> 00:29:41,280
Speaker 5: Well if they got that high, we should know them.

660
00:29:41,320 --> 00:29:42,440
Speaker 5: Well tell us the song.

661
00:29:42,640 --> 00:29:44,960
Speaker 2: Right, Well, they're both to do with football songs from

662
00:29:45,000 --> 00:29:47,360
Speaker 2: a couple of different World Cup campaigns. Are you kiding me? Now?

663
00:29:47,560 --> 00:29:49,120
Speaker 2: One got the first one we did went to number

664
00:29:49,160 --> 00:29:52,600
Speaker 2: ten and the second one went to number nine. Yeah.

665
00:29:52,960 --> 00:29:55,280
Speaker 2: We did a competition where listeners had to write songs,

666
00:29:55,280 --> 00:29:57,400
Speaker 2: and then we got like Stephen Street, who is a

667
00:29:57,480 --> 00:30:00,480
Speaker 2: famous record producer in the UK, so all the smiths and.

668
00:30:00,520 --> 00:30:03,440
Speaker 5: It got to the proper like top ten, not just

669
00:30:03,520 --> 00:30:08,760
Speaker 5: like the iTunes like that radio show clarification.

670
00:30:08,400 --> 00:30:11,960
Speaker 2: The actual UK top forty. He got ten and not

671
00:30:12,040 --> 00:30:15,000
Speaker 2: one of those lit iTunes one off the download charts,

672
00:30:15,640 --> 00:30:17,800
Speaker 2: you know, some kind of bogan one at that. No,

673
00:30:17,960 --> 00:30:19,040
Speaker 2: this is legit top four.

674
00:30:19,120 --> 00:30:21,280
Speaker 5: All right, you can be my producer. Path already offered

675
00:30:21,320 --> 00:30:22,880
Speaker 5: to be pr and marketing.

676
00:30:22,960 --> 00:30:27,280
Speaker 2: See her more as head of security all Breakfast show

677
00:30:27,560 --> 00:30:30,200
Speaker 2: on Gold one oh four point three. What does a

678
00:30:30,240 --> 00:30:32,239
Speaker 2: great song have? What are the things that we love

679
00:30:32,280 --> 00:30:34,520
Speaker 2: about the songs who play on this radio station? What

680
00:30:34,720 --> 00:30:38,720
Speaker 2: is it? Is it the guitar solo? That's what I reckon.

681
00:30:38,800 --> 00:30:41,080
Speaker 2: Your song's gonna need it needs a big old guitar

682
00:30:41,400 --> 00:30:44,080
Speaker 2: wig out because this song Vienna now at number one,

683
00:30:44,360 --> 00:30:46,160
Speaker 2: that's what we're talking about this morning at Vienna. It's

684
00:30:46,160 --> 00:30:48,080
Speaker 2: top of Melbourne for the first time about seven or

685
00:30:48,120 --> 00:30:49,760
Speaker 2: eight years. Your great city is not a number one

686
00:30:49,920 --> 00:30:52,400
Speaker 2: most Liverpool city in the world. Is this got something

687
00:30:52,400 --> 00:30:56,440
Speaker 2: to do with it? It's a miserable old song as

688
00:30:56,480 --> 00:31:01,400
Speaker 2: well measures a guy I know mentioned, But that song

689
00:31:01,520 --> 00:31:04,360
Speaker 2: is a miserable, old dour song, isn't it. That's why

690
00:31:04,440 --> 00:31:06,840
Speaker 2: this great city needs a great song of great anthem.

691
00:31:06,880 --> 00:31:09,160
Speaker 2: And I've commissioned with the Lord mayors back in the

692
00:31:09,280 --> 00:31:11,760
Speaker 2: last half an hour, Jackpost, you are the artists to

693
00:31:11,840 --> 00:31:12,840
Speaker 2: write this great song.

694
00:31:13,000 --> 00:31:15,800
Speaker 5: So am I trying to do something that's well away

695
00:31:15,880 --> 00:31:16,920
Speaker 5: from that Vienna song?

696
00:31:17,000 --> 00:31:20,160
Speaker 2: Whatever that is? You go the opposite direction one hundred

697
00:31:20,200 --> 00:31:23,560
Speaker 2: miles an hour. Okay, So if you're going to write

698
00:31:23,640 --> 00:31:26,520
Speaker 2: a great song for Melbourne, let's help Jack out. And

699
00:31:26,680 --> 00:31:28,920
Speaker 2: boy is this kid going to need our help. This

700
00:31:29,040 --> 00:31:32,560
Speaker 2: guy crumbles under any pressure. We need to help feed

701
00:31:32,680 --> 00:31:37,120
Speaker 2: the muse with the actor, Jackpost. So all right, we

702
00:31:37,240 --> 00:31:39,040
Speaker 2: need help this morning. H you mean Melbourne? What should

703
00:31:39,080 --> 00:31:41,239
Speaker 2: the song be called? What needs to be in there?

704
00:31:41,280 --> 00:31:43,000
Speaker 2: What needs to be mentioned? What are you the most?

705
00:31:43,240 --> 00:31:46,960
Speaker 2: You're already proud of the city and you should be Chasten.

706
00:31:48,000 --> 00:31:50,360
Speaker 2: I speak of someone who's recently turned up here and

707
00:31:50,440 --> 00:31:52,800
Speaker 2: there might have beeple that go to me Chaston. Have

708
00:31:52,880 --> 00:31:56,840
Speaker 2: you been to Chasten, largest shopping center in the Southern Hemisphere.

709
00:31:56,880 --> 00:31:59,120
Speaker 2: You guys are very proud of Chaddy, But what.

710
00:31:59,160 --> 00:32:01,600
Speaker 5: Did I get from you on the we a text message?

711
00:32:01,640 --> 00:32:03,320
Speaker 5: There was a photo of you at Chadstone and he

712
00:32:03,400 --> 00:32:04,000
Speaker 5: said kill.

713
00:32:03,920 --> 00:32:08,080
Speaker 2: Me, Kill me because I felt like I've gone to heaven.

714
00:32:11,360 --> 00:32:14,160
Speaker 2: I'm in heaven, Chatty. I want to be in the

715
00:32:14,240 --> 00:32:17,000
Speaker 2: Southern Hemisphere's largest shopping center that I don't know if

716
00:32:17,000 --> 00:32:18,960
Speaker 2: I'm ever going to see daylight again because I can't

717
00:32:19,000 --> 00:32:21,080
Speaker 2: get out because it's so amazing. I don't want to

718
00:32:21,160 --> 00:32:23,760
Speaker 2: get out. Kill me. Life isn't going to get any better.

719
00:32:23,840 --> 00:32:25,760
Speaker 5: Alright, it's the first thing on the list, Chatty. I

720
00:32:25,880 --> 00:32:29,360
Speaker 5: still retain creative control. Anything can be cut or included

721
00:32:29,440 --> 00:32:30,720
Speaker 5: by me. But Chadstone is.

722
00:32:34,920 --> 00:32:39,280
Speaker 2: No Chaddy has to go in have Chaddy, Chaddy, Chaddy.

723
00:32:39,320 --> 00:32:41,800
Speaker 2: That's not the opening. But well this isn't so sure

724
00:32:43,920 --> 00:32:47,040
Speaker 2: where Lennon and mcartment. Already we're falling out. Pats is

725
00:32:47,120 --> 00:32:49,680
Speaker 2: a Yoko, she's broken up the band. We're not chatting

726
00:32:49,720 --> 00:32:50,360
Speaker 2: with the Chaddy.

727
00:32:50,440 --> 00:32:54,760
Speaker 5: What it sounds like Chumberwan but they started the Huguet

728
00:32:54,840 --> 00:32:56,960
Speaker 5: Chatty Uga Chatty, chumber.

729
00:32:56,760 --> 00:32:58,840
Speaker 2: One, chumber One. Where As I get knocked down? What

730
00:32:59,000 --> 00:33:02,040
Speaker 2: is this is what? He our help? We short circuiting Melbourne,

731
00:33:03,320 --> 00:33:05,880
Speaker 2: all right, So what should be in the song nine

732
00:33:06,000 --> 00:33:08,840
Speaker 2: four one four one O four three Melbourne, help us

733
00:33:08,840 --> 00:33:14,560
Speaker 2: write this song nine four one Okay, I'm now a

734
00:33:14,640 --> 00:33:17,000
Speaker 2: short circuited. I need your help nine four one four

735
00:33:17,080 --> 00:33:17,960
Speaker 2: one O four three.

736
00:33:18,160 --> 00:33:21,480
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

737
00:33:21,560 --> 00:33:22,000
Speaker 1: point three.

738
00:33:22,360 --> 00:33:26,400
Speaker 2: So we need to help about the spark of creativity, inspiration.

739
00:33:27,000 --> 00:33:30,080
Speaker 2: It can't exist in darkness. You need that spark. We

740
00:33:30,200 --> 00:33:32,760
Speaker 2: need that spark to turn into a fire. But unfortunately,

741
00:33:32,800 --> 00:33:35,600
Speaker 2: I'm going to talk about the young tender artist. He's

742
00:33:35,640 --> 00:33:37,479
Speaker 2: like a sunflower. You've got a water here you can

743
00:33:37,520 --> 00:33:39,200
Speaker 2: look out and talk about the act to Jack Bosty

744
00:33:39,280 --> 00:33:42,360
Speaker 2: might sing on TV light and you have warned me.

745
00:33:42,440 --> 00:33:44,360
Speaker 5: I tell you what. It'ut three teeth in front of me.

746
00:33:44,760 --> 00:33:47,240
Speaker 2: I'm going to lubricate the creativen't he? Because this is

747
00:33:47,320 --> 00:33:50,120
Speaker 2: your greatest musical challenge. We step it. We step it

748
00:33:50,240 --> 00:33:53,160
Speaker 2: up now from sings the week to Jacket needs to

749
00:33:53,240 --> 00:33:56,040
Speaker 2: write an anthem for this great city. Forget about via

750
00:33:56,120 --> 00:33:57,920
Speaker 2: the air they're at number one. For now we're going

751
00:33:57,960 --> 00:33:59,440
Speaker 2: to strike back. We're going to take the spot. And

752
00:33:59,520 --> 00:34:02,040
Speaker 2: it starts the song an anthem for this great city

753
00:34:02,160 --> 00:34:09,680
Speaker 2: to beat this or an old, revery old song. All right,

754
00:34:09,760 --> 00:34:11,440
Speaker 2: so I'm thinking about you know, I said at the

755
00:34:11,480 --> 00:34:14,480
Speaker 2: beginning some kind of you know, mentioned like chatty or something.

756
00:34:14,280 --> 00:34:17,280
Speaker 18: That, and then you start a chant, Oh go chatter,

757
00:34:17,520 --> 00:34:23,680
Speaker 18: oh go chag you know, Chaddy Chasten, Chastin, chadstan Chastin

758
00:34:23,840 --> 00:34:26,040
Speaker 18: amody please kill me?

759
00:34:26,520 --> 00:34:31,239
Speaker 2: We got that brown river. That's how it can't be

760
00:34:31,320 --> 00:34:36,880
Speaker 2: a cover there we all agree we need an original composition. Okay, uh, Paula.

761
00:34:36,960 --> 00:34:38,440
Speaker 2: What needs to be in this anthem?

762
00:34:39,400 --> 00:34:43,160
Speaker 14: Football mate, pies, kangaroos and holden cards?

763
00:34:45,320 --> 00:34:49,480
Speaker 5: It sounds that sounds like a poem by Benjo Patterson.

764
00:34:50,320 --> 00:34:51,759
Speaker 3: It was an old song, wasn't it?

765
00:34:51,920 --> 00:34:54,319
Speaker 2: What meat, pies, kangaroos and holden car Yeah, it.

766
00:34:54,400 --> 00:34:55,160
Speaker 3: Was an old anthem.

767
00:34:56,680 --> 00:34:57,160
Speaker 5: How does it go?

768
00:34:57,280 --> 00:34:58,520
Speaker 3: And don't ask me to sing it?

769
00:34:59,480 --> 00:35:00,440
Speaker 2: Who sings? No?

770
00:35:00,920 --> 00:35:02,799
Speaker 4: Forget how it goes? But it's an old I think,

771
00:35:02,880 --> 00:35:04,279
Speaker 4: old seventies or sixties song.

772
00:35:04,400 --> 00:35:04,680
Speaker 2: Isn't it?

773
00:35:05,560 --> 00:35:06,920
Speaker 5: Does that ring a bell to you? Is it a

774
00:35:06,960 --> 00:35:07,480
Speaker 5: song already?

775
00:35:08,160 --> 00:35:11,600
Speaker 13: Football, meat, pies, kangaroos and holding cards?

776
00:35:11,880 --> 00:35:13,879
Speaker 5: It don't give you a song that orient.

777
00:35:15,719 --> 00:35:16,040
Speaker 2: Issues.

778
00:35:16,320 --> 00:35:17,120
Speaker 5: I write it myself.

779
00:35:17,280 --> 00:35:19,359
Speaker 2: We can't have a restraining order. But before we even

780
00:35:19,360 --> 00:35:23,440
Speaker 2: get out of the studio today, Andrew, good morning, good morning.

781
00:35:23,480 --> 00:35:25,360
Speaker 2: How are we well pretty good? Andrew? We need you

782
00:35:25,400 --> 00:35:26,680
Speaker 2: to help us, morning mate. How do you think we

783
00:35:26,760 --> 00:35:28,839
Speaker 2: can bring this great city to song.

784
00:35:30,040 --> 00:35:34,000
Speaker 11: Well, in relation to the previous caller, the mc G.

785
00:35:34,480 --> 00:35:36,960
Speaker 2: You're quite right, one of the most iconic sports grounds

786
00:35:37,040 --> 00:35:39,400
Speaker 2: in the world, only in this city. The G is

787
00:35:39,400 --> 00:35:44,000
Speaker 2: an amazing institution, now exactly, Andrew, let me pitch this

788
00:35:44,120 --> 00:35:46,759
Speaker 2: to you and Jack together here. You think about the G,

789
00:35:46,880 --> 00:35:49,000
Speaker 2: you think all about the great games that have been

790
00:35:49,040 --> 00:35:52,120
Speaker 2: played there. If only we knew someone who could add

791
00:35:52,239 --> 00:36:01,640
Speaker 2: some sports commentary, some kind of they kicked, they score,

792
00:36:01,840 --> 00:36:06,920
Speaker 2: Melbourne have won commentary. That's a classic commentary that we

793
00:36:06,960 --> 00:36:07,640
Speaker 2: would have to write.

794
00:36:07,680 --> 00:36:10,480
Speaker 5: That's a great idea, Glocklan to feature in the song.

795
00:36:10,640 --> 00:36:14,080
Speaker 2: Yes, yes, Catherine, good morning, good morning.

796
00:36:14,719 --> 00:36:16,799
Speaker 19: I did start by saying there is a great song

797
00:36:16,800 --> 00:36:19,320
Speaker 19: about Melbourne called Leaps and Bounds by Paul Kelly.

798
00:36:19,520 --> 00:36:19,719
Speaker 2: Yep.

799
00:36:20,960 --> 00:36:23,200
Speaker 19: But for an original song, I think you have to

800
00:36:23,360 --> 00:36:24,160
Speaker 19: refer to coffee.

801
00:36:24,400 --> 00:36:26,160
Speaker 2: Yep. You're obsessed with it here, you fuel by it.

802
00:36:26,560 --> 00:36:30,440
Speaker 19: Definitely trams and definitely some hipster references in there.

803
00:36:30,680 --> 00:36:34,200
Speaker 5: Right dungarees, Catherine, I don't drink a lot of coffee myself.

804
00:36:34,280 --> 00:36:37,239
Speaker 5: Would a coffee drinker be offended if I started going

805
00:36:37,320 --> 00:36:39,720
Speaker 5: like love my coffee in the morning?

806
00:36:39,920 --> 00:36:45,960
Speaker 2: What about chai? All right, we're taking ideas at the moment.

807
00:36:46,040 --> 00:36:48,279
Speaker 2: Let's have one last one from conn. Good morning, Con,

808
00:36:49,000 --> 00:36:49,359
Speaker 2: good day?

809
00:36:49,440 --> 00:36:50,120
Speaker 9: Hell are you all?

810
00:36:50,400 --> 00:36:52,200
Speaker 2: We're excited and hopefully inspired?

811
00:36:52,280 --> 00:36:52,360
Speaker 17: Con?

812
00:36:52,520 --> 00:36:53,560
Speaker 2: What do you want to check into it?

813
00:36:54,280 --> 00:36:56,800
Speaker 20: I can till you're inspired. Look, you've got to include

814
00:36:56,800 --> 00:37:01,400
Speaker 20: the Yarrow River. Surely, yes, with the street station nic landmarks.

815
00:37:01,440 --> 00:37:04,080
Speaker 20: But but for something a bit obscure. What are we

816
00:37:04,160 --> 00:37:06,680
Speaker 20: What don't we put in the possums from Flagstaff gardens?

817
00:37:09,280 --> 00:37:13,520
Speaker 5: The people have gone You're right kind of possums are

818
00:37:13,520 --> 00:37:15,160
Speaker 5: actually terrorizing Christian at the moment?

819
00:37:15,719 --> 00:37:19,239
Speaker 2: I mean, ah, is it inspirational to put to song

820
00:37:19,400 --> 00:37:21,840
Speaker 2: something about vermins and a one that almost killed me

821
00:37:21,960 --> 00:37:29,200
Speaker 2: when it was in a tree opposite my house? Confound

822
00:37:29,239 --> 00:37:30,440
Speaker 2: the idea of mean facing death?

823
00:37:30,480 --> 00:37:34,520
Speaker 1: Funny everyone the Christian O'Connell breakfast show Melbourne's Gold one

824
00:37:34,560 --> 00:37:35,720
Speaker 1: oh four point three.

825
00:37:35,800 --> 00:37:38,920
Speaker 2: For the second time since moving to the city. I

826
00:37:39,000 --> 00:37:42,959
Speaker 2: almost died yesterday, as I said, a bit more reaction

827
00:37:43,040 --> 00:37:44,880
Speaker 2: on farm of the chat. But he's staring at me

828
00:37:44,960 --> 00:37:49,040
Speaker 2: back I've given him too much. Today he's still thinking

829
00:37:49,040 --> 00:37:51,239
Speaker 2: about how he's going to work. In the lyric Chadstone

830
00:37:51,760 --> 00:37:52,200
Speaker 2: the New.

831
00:37:52,120 --> 00:37:53,400
Speaker 5: Anthem, I'm sorry to hear it.

832
00:37:53,480 --> 00:37:55,160
Speaker 2: I was having you go, Oh my god, the thought

833
00:37:55,200 --> 00:37:57,880
Speaker 2: of anything happening to you. I can imagine such a

834
00:37:57,960 --> 00:38:02,080
Speaker 2: thing instead of just getting excited. And anyway, I'll tell

835
00:38:02,120 --> 00:38:04,040
Speaker 2: you guys about it later you actually care.

836
00:38:04,760 --> 00:38:08,120
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

837
00:38:08,200 --> 00:38:08,640
Speaker 1: point three.

838
00:38:08,920 --> 00:38:11,040
Speaker 2: So a couple of weeks ago, Chack was chopping me

839
00:38:11,080 --> 00:38:13,640
Speaker 2: off outside of my house one o'clock in the morning,

840
00:38:13,800 --> 00:38:18,200
Speaker 2: and death is waiting for me up a tree right there.

841
00:38:19,360 --> 00:38:23,279
Speaker 2: Whole life that's for my eyes. Ah, just sorry, I'll

842
00:38:23,280 --> 00:38:25,479
Speaker 2: be run in a minute. Whole life that's with my eyes,

843
00:38:25,520 --> 00:38:27,400
Speaker 2: because I just saw standing up in a tree was

844
00:38:27,480 --> 00:38:31,040
Speaker 2: a deadly animal that could have savaged me. But this animal,

845
00:38:31,160 --> 00:38:33,760
Speaker 2: I think, looked into my eyes and it got scared

846
00:38:34,239 --> 00:38:36,000
Speaker 2: and I think it's a sense my aura, and it

847
00:38:36,120 --> 00:38:38,239
Speaker 2: backed down. But it was a deadly animal, one of

848
00:38:38,239 --> 00:38:40,640
Speaker 2: the most deadly animals here, you know. By the possum,

849
00:38:40,800 --> 00:38:42,120
Speaker 2: I know it is a death machine.

850
00:38:43,239 --> 00:38:47,120
Speaker 5: Maybe it had already eaten and then therefore didn't want

851
00:38:47,120 --> 00:38:47,960
Speaker 5: to take you as a meal.

852
00:38:48,000 --> 00:38:50,600
Speaker 2: Didn't it take me? It was terrifying to be face

853
00:38:50,640 --> 00:38:52,880
Speaker 2: to face with your own death. And what a horrible

854
00:38:52,880 --> 00:38:54,680
Speaker 2: way to go on the death. I guess death by

855
00:38:54,719 --> 00:38:58,960
Speaker 2: possum I would have been a footnote. And then yesterday evening,

856
00:38:59,200 --> 00:39:01,800
Speaker 2: I'm getting are ready for the kids and my wife,

857
00:39:02,320 --> 00:39:05,000
Speaker 2: and I've got a large the old You know your

858
00:39:05,080 --> 00:39:07,279
Speaker 2: knives you have in the kitchen draw. You've always got

859
00:39:07,320 --> 00:39:09,400
Speaker 2: the big one, the real one. You actually get a

860
00:39:09,400 --> 00:39:10,480
Speaker 2: little bit scared handing it. Right.

861
00:39:10,560 --> 00:39:12,080
Speaker 5: You have to put in a different draw because you

862
00:39:12,120 --> 00:39:13,320
Speaker 5: don't want to mistake trust.

863
00:39:13,520 --> 00:39:16,520
Speaker 2: You've got to respect the blade, okay, And anyway, whenever

864
00:39:16,560 --> 00:39:18,279
Speaker 2: I'm handing this, I get a little bit scared. Do

865
00:39:18,320 --> 00:39:20,560
Speaker 2: you ever win that real big one? You ever think?

866
00:39:20,600 --> 00:39:22,239
Speaker 2: Can I go? What if I tripped or something? So

867
00:39:22,560 --> 00:39:25,080
Speaker 2: you're extra cautious about how you move around. So I

868
00:39:25,120 --> 00:39:27,880
Speaker 2: was extra courseous handling the big one, the big blade,

869
00:39:27,880 --> 00:39:30,440
Speaker 2: the kitchen knife that must be respected. It's more like

870
00:39:30,680 --> 00:39:36,479
Speaker 2: a katana sammurai sword. And then suddenly and my foot

871
00:39:36,560 --> 00:39:39,359
Speaker 2: goes over. Dog owners your nerve. This thing is called

872
00:39:39,600 --> 00:39:45,400
Speaker 2: a cong There are certain things that US dog owners

873
00:39:45,480 --> 00:39:48,680
Speaker 2: have that could actually sound like sex toys. The leash,

874
00:39:48,920 --> 00:39:51,360
Speaker 2: the collar, the com all of those could be in

875
00:39:51,440 --> 00:39:52,799
Speaker 2: an adults shop, couldn't they?

876
00:39:52,920 --> 00:39:53,080
Speaker 17: You know?

877
00:39:54,200 --> 00:39:56,960
Speaker 2: The cong is how could how can we best describe

878
00:39:57,040 --> 00:39:59,279
Speaker 2: Jack your dog? If you au describe a cong to

879
00:39:59,320 --> 00:40:00,319
Speaker 2: someone who doesn't known a dog.

880
00:40:00,480 --> 00:40:03,560
Speaker 5: Well, Kong's actually come in many shapes and sizes like

881
00:40:03,680 --> 00:40:08,000
Speaker 5: sex toys. But we've got We've got like the kong

882
00:40:08,120 --> 00:40:10,960
Speaker 5: squishy ball that squeaks. But there's also a kong that

883
00:40:11,760 --> 00:40:12,640
Speaker 5: hides a bit of food.

884
00:40:12,680 --> 00:40:15,440
Speaker 2: So that's what I got. It's a big one, it's circular,

885
00:40:15,480 --> 00:40:17,680
Speaker 2: it's got a whole at the start of it. Again,

886
00:40:18,000 --> 00:40:19,000
Speaker 2: this is sounding dodgy.

887
00:40:18,960 --> 00:40:19,799
Speaker 3: And it's rock hard.

888
00:40:23,120 --> 00:40:27,880
Speaker 2: We go easy everyone from yesterday. So just like I

889
00:40:28,120 --> 00:40:31,960
Speaker 2: like to mining peanut butter, the dog the dog to

890
00:40:32,080 --> 00:40:35,040
Speaker 2: lick it out. Okay, my god, mind the dog sticks

891
00:40:35,160 --> 00:40:36,920
Speaker 2: is pouring there and as it sticks its snout and

892
00:40:36,960 --> 00:40:39,360
Speaker 2: gets right up there and it enjoys some of that

893
00:40:39,480 --> 00:40:40,800
Speaker 2: lovely smooth peanut butter.

894
00:40:40,960 --> 00:40:42,080
Speaker 5: You tripped on the kong.

895
00:40:42,520 --> 00:40:44,200
Speaker 2: I tripped on the kong, and I've got a deadly

896
00:40:44,239 --> 00:40:46,520
Speaker 2: blade in my hand. On my hand with the blade

897
00:40:46,600 --> 00:40:49,040
Speaker 2: then gets nudgs as I fall into the kitchen counter.

898
00:40:49,440 --> 00:40:52,720
Speaker 2: The blade is coming towards me, coming towards my chest cavity,

899
00:40:53,040 --> 00:40:58,120
Speaker 2: coming towards my heart. Luckily, because my martial arts training,

900
00:40:58,280 --> 00:41:04,520
Speaker 2: like Bruce Lee, we martial artists karataka, we see stuff

901
00:41:04,560 --> 00:41:05,880
Speaker 2: like this in slow motion where the rest of you

902
00:41:05,960 --> 00:41:08,680
Speaker 2: are panic. Id In I moved, I opened up a gap.

903
00:41:08,760 --> 00:41:11,320
Speaker 2: Suddenly there's a gap there, and the blade passes to

904
00:41:11,400 --> 00:41:13,799
Speaker 2: my through the side of me and it goes under

905
00:41:13,840 --> 00:41:14,400
Speaker 2: my armpit.

906
00:41:14,960 --> 00:41:18,239
Speaker 5: Oh my god, why weren't you holding it down? Isn't

907
00:41:18,239 --> 00:41:19,360
Speaker 5: the first rule about blade?

908
00:41:19,440 --> 00:41:20,440
Speaker 3: Yeah, like scissors?

909
00:41:20,680 --> 00:41:22,359
Speaker 2: Yeah? No, what if you drop it on your foot,

910
00:41:22,360 --> 00:41:24,279
Speaker 2: It's going straight through your foot. That's the worst way

911
00:41:24,320 --> 00:41:27,359
Speaker 2: to hold it. No, hold it anyway anyway.

912
00:41:27,320 --> 00:41:29,279
Speaker 5: Well, don't do a stat You just did a stabbing motion.

913
00:41:29,360 --> 00:41:30,440
Speaker 5: You don't hold it like Adam.

914
00:41:31,719 --> 00:41:35,840
Speaker 2: I was putting in the stabbing motion. I was stabbing

915
00:41:35,880 --> 00:41:37,640
Speaker 2: it towards the sink to put it in there, like

916
00:41:38,239 --> 00:41:40,760
Speaker 2: you drop it. Yeah, drop the blade, drop the weapon.

917
00:41:41,120 --> 00:41:42,960
Speaker 2: But again he got nudged because of the rolling on

918
00:41:43,000 --> 00:41:45,960
Speaker 2: the cong and then the gap. So the thing is

919
00:41:46,000 --> 00:41:48,320
Speaker 2: this morning, I want to know what have you tripped on?

920
00:41:48,520 --> 00:41:50,480
Speaker 2: I tripped on a col I mean I could have

921
00:41:50,520 --> 00:41:52,840
Speaker 2: been an a and e rushed with a blade sticking

922
00:41:52,880 --> 00:41:55,719
Speaker 2: out my heart. He tripped on a com Is that

923
00:41:55,800 --> 00:41:59,640
Speaker 2: the guy that was dying with a possum? There's bloody

924
00:41:59,719 --> 00:42:05,200
Speaker 2: weak pommy every week heak is in here with another mild.

925
00:42:05,400 --> 00:42:08,080
Speaker 5: You realize you took yourself to emergency for that possum attack.

926
00:42:09,600 --> 00:42:10,960
Speaker 2: Is any wrong with you? No, it's a little bit

927
00:42:11,000 --> 00:42:13,200
Speaker 2: freaked out. Can have a cup of tea, ins and

928
00:42:13,239 --> 00:42:16,200
Speaker 2: biscuits all right this morning?

929
00:42:16,200 --> 00:42:16,319
Speaker 5: There?

930
00:42:16,440 --> 00:42:18,480
Speaker 2: What did you trip on? It was almost a calm

931
00:42:18,560 --> 00:42:20,800
Speaker 2: of death for me. Nine four one four one o

932
00:42:20,920 --> 00:42:22,480
Speaker 2: four three? What did you trip on?

933
00:42:22,680 --> 00:42:26,040
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

934
00:42:26,080 --> 00:42:26,560
Speaker 1: point three?

935
00:42:27,280 --> 00:42:30,319
Speaker 2: Tripped over a dog toy yesterday's called a cong nine

936
00:42:30,400 --> 00:42:33,200
Speaker 2: four one four one o four three almost put a

937
00:42:33,320 --> 00:42:36,359
Speaker 2: knife through my chest A little bit was saying, because

938
00:42:36,400 --> 00:42:38,000
Speaker 2: she's not the possums you got worried about someone called

939
00:42:38,040 --> 00:42:42,520
Speaker 2: a drop bear. Drop bear, it's going to drop out

940
00:42:42,560 --> 00:42:43,960
Speaker 2: the sky like a ben ninja?

941
00:42:44,760 --> 00:42:47,080
Speaker 5: Are we about Australians paths? If we don't keep the

942
00:42:47,200 --> 00:42:47,920
Speaker 5: gag going.

943
00:42:48,160 --> 00:42:50,920
Speaker 3: Well, I've given it up now, haven't I ruined it?

944
00:42:51,520 --> 00:42:52,440
Speaker 3: About drop beers?

945
00:42:52,560 --> 00:42:57,719
Speaker 2: It's not a thing. All right. So Bianko almost tripped

946
00:42:57,719 --> 00:42:58,719
Speaker 2: on something this week. She did.

947
00:42:59,400 --> 00:43:03,680
Speaker 5: She's gone there, she's got a hand in bandage.

948
00:43:04,880 --> 00:43:09,800
Speaker 2: Dr Jack is only his wife. Is that an oven glove?

949
00:43:12,239 --> 00:43:12,800
Speaker 3: What happens?

950
00:43:13,440 --> 00:43:16,760
Speaker 5: She tripped over running? So she's training for this marathon

951
00:43:17,239 --> 00:43:20,400
Speaker 5: and the Melbourne mauth Yeah, the one one coming up

952
00:43:20,400 --> 00:43:23,160
Speaker 5: in October. Whichever one that is. The council has, you.

953
00:43:23,200 --> 00:43:26,359
Speaker 2: Know that is all over the place today. The moment

954
00:43:26,400 --> 00:43:29,120
Speaker 2: I asked him to write this song, he's falling, he's clustered.

955
00:43:29,400 --> 00:43:32,000
Speaker 5: Yeah, I don't know every marathon.

956
00:43:33,560 --> 00:43:35,800
Speaker 2: Just back that conversation. And she's doing a marathon. What

957
00:43:35,840 --> 00:43:39,000
Speaker 2: the one in Melbourne? Yeah, in October, whichever one that is.

958
00:43:39,840 --> 00:43:42,719
Speaker 2: It's not five marathons running at the same time. Hey, hey,

959
00:43:42,800 --> 00:43:44,520
Speaker 2: what you running in Melbourne? Me too?

960
00:43:46,160 --> 00:43:48,640
Speaker 5: There is a couple of different marathons. So Maye Melbourne

961
00:43:48,640 --> 00:43:49,560
Speaker 5: Marathon is in July.

962
00:43:50,880 --> 00:43:52,760
Speaker 2: Okay, yeah, anyway, she tripped.

963
00:43:53,080 --> 00:43:57,000
Speaker 5: The council has those yellow on the sidewalk. You'll see

964
00:43:57,040 --> 00:43:59,799
Speaker 5: the yellow pads that have got grip on them.

965
00:44:00,160 --> 00:44:02,480
Speaker 2: I don't when its frost or there's water. There's like

966
00:44:02,520 --> 00:44:03,759
Speaker 2: an anti slip thing, isn't it.

967
00:44:03,880 --> 00:44:06,120
Speaker 5: So the council is putting one of those in and

968
00:44:06,320 --> 00:44:08,880
Speaker 5: she doesn't. It looks like it's in the ground already,

969
00:44:08,920 --> 00:44:10,520
Speaker 5: but it's actually sitting up above the pavement.

970
00:44:10,640 --> 00:44:14,480
Speaker 2: They haven't put it in here, an anti slip device.

971
00:44:14,520 --> 00:44:19,279
Speaker 5: She married to you, she's most angry about because she's

972
00:44:19,280 --> 00:44:24,439
Speaker 5: American originally. She's like, if this was America, I don't

973
00:44:24,440 --> 00:44:25,120
Speaker 5: think we really do.

974
00:44:25,280 --> 00:44:28,879
Speaker 2: That here where there's blame, there's a claim the state

975
00:44:28,960 --> 00:44:30,960
Speaker 2: of it, all right, Michelle's on the line. Good morning, Michelle,

976
00:44:31,400 --> 00:44:35,080
Speaker 2: Good morning, Michelle. What did you trip over a gum

977
00:44:35,160 --> 00:44:42,279
Speaker 2: nut and you fell over such a large thing?

978
00:44:43,200 --> 00:44:44,839
Speaker 15: Well, they're about the size of the tea, but they're

979
00:44:44,840 --> 00:44:47,000
Speaker 15: a lot hard. And I was wearing like the most sensible,

980
00:44:47,160 --> 00:44:49,960
Speaker 15: you know, flat broken stocks on my driveway and I

981
00:44:50,160 --> 00:44:52,680
Speaker 15: slipped and I sort of was going to go backwards

982
00:44:52,719 --> 00:44:54,880
Speaker 15: and hit the back of my head and I flipped

983
00:44:54,920 --> 00:44:58,280
Speaker 15: at the last minute onto my side and I tipped

984
00:44:58,320 --> 00:44:59,800
Speaker 15: my browbone and I fratched it.

985
00:45:00,239 --> 00:45:04,240
Speaker 2: And this is really bad. She had a really bad full.

986
00:45:04,719 --> 00:45:06,920
Speaker 15: I've got an A and E with a head injury.

987
00:45:06,960 --> 00:45:08,640
Speaker 15: I was concussed for about four or five days.

988
00:45:10,200 --> 00:45:12,600
Speaker 2: You're okay now, though, Yeah, yeah, it was a couple

989
00:45:12,600 --> 00:45:13,040
Speaker 2: of years ago.

990
00:45:13,560 --> 00:45:15,240
Speaker 15: But I've got a lovely picture with a big purple

991
00:45:15,280 --> 00:45:17,000
Speaker 15: swollen I've completely closed up.

992
00:45:17,120 --> 00:45:18,640
Speaker 2: But yeah, all god, do you know what, when you

993
00:45:18,719 --> 00:45:22,160
Speaker 2: get to a certain age, it's embarrassing when you have

994
00:45:22,239 --> 00:45:25,520
Speaker 2: to tell people I've had a full. It's a thing

995
00:45:25,560 --> 00:45:27,799
Speaker 2: you normady hear about very old people. If you heard

996
00:45:27,840 --> 00:45:29,800
Speaker 2: what happened to Derek, he's seventy two, he's had a

997
00:45:29,840 --> 00:45:30,239
Speaker 2: bad full.

998
00:45:30,640 --> 00:45:31,640
Speaker 5: Was there really a gum nup?

999
00:45:31,719 --> 00:45:37,120
Speaker 2: We'll never know, Emma, good morning, good money. All right,

1000
00:45:37,200 --> 00:45:38,960
Speaker 2: So we go from the smallest thing to trip over.

1001
00:45:39,040 --> 00:45:40,600
Speaker 2: Let's se if we can get a bit bigger. Emma,

1002
00:45:40,640 --> 00:45:41,480
Speaker 2: what did you trip over?

1003
00:45:42,120 --> 00:45:43,920
Speaker 13: I chipped over my British builder.

1004
00:45:44,800 --> 00:45:46,439
Speaker 2: Yeah, my dog's always getting in the way, they said,

1005
00:45:46,640 --> 00:45:48,360
Speaker 2: I've got a German chipperd dogs. These are supposed to

1006
00:45:48,360 --> 00:45:51,399
Speaker 2: be really intelligent track of dogs. This dog's constantly getting

1007
00:45:51,440 --> 00:45:51,799
Speaker 2: in the way.

1008
00:45:52,560 --> 00:45:52,759
Speaker 15: Yeah.

1009
00:45:52,840 --> 00:45:54,480
Speaker 16: Well, I had a part of boiling water in my

1010
00:45:54,600 --> 00:45:58,400
Speaker 16: hand at the time. Oh no, I was so mortified.

1011
00:45:58,560 --> 00:46:02,960
Speaker 16: It wasn't even funny. Ended up the tiniest amount of

1012
00:46:03,000 --> 00:46:05,640
Speaker 16: mats fell on him. But I'm I'm sure it was

1013
00:46:05,680 --> 00:46:07,960
Speaker 16: like a darkly of water on its feathers that just

1014
00:46:08,040 --> 00:46:08,839
Speaker 16: bounced straight off.

1015
00:46:08,920 --> 00:46:13,239
Speaker 2: But yeah, I don't think water bounces off. I think,

1016
00:46:13,560 --> 00:46:16,640
Speaker 2: no scientist, but I don't think water bounces off, do know?

1017
00:46:16,880 --> 00:46:19,480
Speaker 16: But like I was in my mind trying to make

1018
00:46:19,520 --> 00:46:19,879
Speaker 16: it better.

1019
00:46:20,120 --> 00:46:20,880
Speaker 2: Sure, yeah, I.

1020
00:46:20,880 --> 00:46:22,680
Speaker 5: Think even Dax would not as boiling water.

1021
00:46:25,000 --> 00:46:29,480
Speaker 2: All right, thanks Emma and Angela. Yes, good morning, Good morning, Angela.

1022
00:46:29,520 --> 00:46:30,279
Speaker 2: What did you trip over?

1023
00:46:31,400 --> 00:46:33,640
Speaker 14: I had my grandson's sleeping with me. This was a

1024
00:46:33,680 --> 00:46:36,480
Speaker 14: couple of years ago, and he wanted the light on. So,

1025
00:46:36,640 --> 00:46:39,239
Speaker 14: for some deaf reason, I went to the spare room

1026
00:46:40,160 --> 00:46:41,920
Speaker 14: and I put I went to turn the light on,

1027
00:46:42,080 --> 00:46:45,000
Speaker 14: but his bike was which I didn't realize, fell over,

1028
00:46:45,680 --> 00:46:49,640
Speaker 14: bashed my head on the side of the table, and

1029
00:46:49,800 --> 00:46:52,640
Speaker 14: then for some reason I was an agony.

1030
00:46:54,480 --> 00:46:57,640
Speaker 2: On the floor. He trip your bike? That was the reason.

1031
00:46:58,360 --> 00:47:02,680
Speaker 14: Yeah, it was is by So anyway, I thought, okay,

1032
00:47:02,840 --> 00:47:05,040
Speaker 14: get off the floor, go back to bed. Next morning,

1033
00:47:05,120 --> 00:47:09,200
Speaker 14: got up, I looked I'd ripped machine, I'd got two knees.

1034
00:47:10,320 --> 00:47:11,560
Speaker 2: So I went to the hospital.

1035
00:47:13,120 --> 00:47:14,000
Speaker 14: Hey what do you say?

1036
00:47:14,440 --> 00:47:17,759
Speaker 2: I said this gold one of four point three. Good morning. Yes,

1037
00:47:18,120 --> 00:47:20,600
Speaker 2: do you damage your knees? Yeah?

1038
00:47:21,080 --> 00:47:23,200
Speaker 14: So where are we at? Because I've lost it now.

1039
00:47:25,080 --> 00:47:27,440
Speaker 2: Mornings you're taking yourself to the hospital because you fell

1040
00:47:27,440 --> 00:47:28,439
Speaker 2: over the grandson's bike.

1041
00:47:29,080 --> 00:47:32,360
Speaker 14: Yeah, because I bashed my head against the the side table,

1042
00:47:33,040 --> 00:47:35,000
Speaker 14: but decided to go back to bed, thought I was

1043
00:47:35,000 --> 00:47:38,280
Speaker 14: all right. Next morning, I get up, I've I've ripped

1044
00:47:38,320 --> 00:47:42,080
Speaker 14: all machinebone. I've looked like I've got two knees. So

1045
00:47:42,440 --> 00:47:44,600
Speaker 14: get my grandson off. We go to the hospital. I've

1046
00:47:44,600 --> 00:47:47,600
Speaker 14: got this lump on my forehead, I've got a black eye,

1047
00:47:49,320 --> 00:47:52,000
Speaker 14: and I've got my grandson right and everybody's looking at

1048
00:47:52,040 --> 00:47:55,160
Speaker 14: me because I'm thinking I've been bashed up. Yeah, but

1049
00:47:55,280 --> 00:47:59,480
Speaker 14: I was in agony, my leg my shine was in agony.

1050
00:47:59,719 --> 00:48:01,799
Speaker 2: The whole body. I mean, you know, that's a terrible story.

1051
00:48:01,840 --> 00:48:03,759
Speaker 2: With Usten Angela. I hope you're okay now, thanks giving

1052
00:48:03,800 --> 00:48:04,160
Speaker 2: us a call?

1053
00:48:04,760 --> 00:48:06,160
Speaker 14: Oh good, yeah, thanks very much.

1054
00:48:06,280 --> 00:48:08,480
Speaker 2: Fine's Angela still got concussion.

1055
00:48:08,560 --> 00:48:11,879
Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

1056
00:48:11,960 --> 00:48:12,439
Speaker 1: point three.

1057
00:48:12,680 --> 00:48:16,560
Speaker 2: We do have one last incredible story about somebody who's

1058
00:48:16,600 --> 00:48:23,440
Speaker 2: tripped over something unusual. Aaron, good morning, Good morning. So

1059
00:48:25,920 --> 00:48:28,560
Speaker 2: you tell the story. Let's see how you can use

1060
00:48:28,640 --> 00:48:31,560
Speaker 2: the right word to describe what you tripped over.

1061
00:48:33,760 --> 00:48:36,239
Speaker 9: I tripped over a sex story at work.

1062
00:48:36,560 --> 00:48:42,000
Speaker 2: Okay, just come and say that then, and what was it?

1063
00:48:42,080 --> 00:48:44,600
Speaker 2: Do you work in a factory that produces these items?

1064
00:48:46,000 --> 00:48:52,080
Speaker 9: No, I'm a mechanic, so I get to be the evil.

1065
00:48:52,880 --> 00:48:56,560
Speaker 9: But we come across them all the time that I'm

1066
00:48:56,560 --> 00:48:59,000
Speaker 9: a mechanic. I work in landfill. So I fixed the

1067
00:48:59,360 --> 00:49:03,680
Speaker 9: Rabbish compoun is a very the rubbish of Melbourne quite

1068
00:49:03,680 --> 00:49:04,359
Speaker 9: a kinky bunch.

1069
00:49:06,840 --> 00:49:08,360
Speaker 2: So hang on it did it for?

1070
00:49:08,840 --> 00:49:08,880
Speaker 5: So?

1071
00:49:09,000 --> 00:49:11,000
Speaker 2: It was at the rubbish chip at the landfill site.

1072
00:49:11,200 --> 00:49:16,160
Speaker 2: Was uh uh old toy? Yes, I guess you can't

1073
00:49:16,160 --> 00:49:19,040
Speaker 2: recycle them? Can You can't lead them out in the

1074
00:49:19,040 --> 00:49:20,440
Speaker 2: front of your house. You know you always leave that,

1075
00:49:20,520 --> 00:49:23,279
Speaker 2: you know, chairs and a big old they're not hand

1076
00:49:23,360 --> 00:49:27,960
Speaker 2: me down. No, let's get out of this.

1077
00:49:28,320 --> 00:49:31,799
Speaker 1: The Christian Old Connall Breakfast Show on Gold one oh

1078
00:49:31,960 --> 00:49:35,640
Speaker 1: four point three. The Christian o'connall Breakfast Show, Melbourne's Gold

1079
00:49:35,760 --> 00:49:36,879
Speaker 1: one oh four point three.

1080
00:49:37,040 --> 00:49:38,680
Speaker 2: All right, so let me tell you about the world's

1081
00:49:38,680 --> 00:49:42,120
Speaker 2: biggest breakfast show. WhatsApp group, it's here in Melbourne. I

1082
00:49:42,200 --> 00:49:44,359
Speaker 2: gave up my mobile number on Friday and the reason

1083
00:49:44,400 --> 00:49:45,960
Speaker 2: I did that is I generally wanted to see if

1084
00:49:46,000 --> 00:49:47,960
Speaker 2: you were up for forming a WhatsApp group. You know

1085
00:49:48,040 --> 00:49:50,080
Speaker 2: we can bring you involved, get involved in the show,

1086
00:49:50,400 --> 00:49:52,000
Speaker 2: and there are about two hundred people in there at

1087
00:49:52,000 --> 00:49:53,440
Speaker 2: the moment. I can get up to two hundred and

1088
00:49:53,480 --> 00:49:57,080
Speaker 2: fifty six, and it's fascinating. I chat to leave. I

1089
00:49:57,160 --> 00:49:59,120
Speaker 2: leave a couple of messages during the day. People leave

1090
00:49:59,200 --> 00:50:01,040
Speaker 2: messages for me, not all of them are for the

1091
00:50:01,120 --> 00:50:03,439
Speaker 2: radio shows. On a little bit chat back and forth.

1092
00:50:03,880 --> 00:50:05,960
Speaker 2: And then yesterday evening I get one from a guy

1093
00:50:06,640 --> 00:50:10,560
Speaker 2: who says he's a private investigator. Do we fancy hearing

1094
00:50:10,680 --> 00:50:12,920
Speaker 2: him on the show with a fake name? I'm like, yeah,

1095
00:50:12,960 --> 00:50:14,399
Speaker 2: as long as you're not going to be any trouble

1096
00:50:14,560 --> 00:50:16,719
Speaker 2: with your job. So he comes up with a faint name,

1097
00:50:17,400 --> 00:50:22,040
Speaker 2: big ol. We have this message that was left when

1098
00:50:22,080 --> 00:50:24,160
Speaker 2: I woke up this morning. This is message number one

1099
00:50:24,239 --> 00:50:25,880
Speaker 2: from a private investigator here in.

1100
00:50:25,920 --> 00:50:29,320
Speaker 7: Melbourne by forty four in the morning and I'm currently

1101
00:50:29,400 --> 00:50:31,640
Speaker 7: sitting off his house in the back of my car.

1102
00:50:31,840 --> 00:50:33,920
Speaker 8: All my cameras are ready. Let's see if we can

1103
00:50:34,000 --> 00:50:35,319
Speaker 8: catch this guild doing the wrong thing.

1104
00:50:35,960 --> 00:50:37,880
Speaker 2: So we were wondering about the tools that you have

1105
00:50:38,080 --> 00:50:40,640
Speaker 2: for such a job. It's always in movies or TV

1106
00:50:40,719 --> 00:50:43,759
Speaker 2: shows when they confront somebody, it's the envelope with the

1107
00:50:44,000 --> 00:50:47,320
Speaker 2: always black and white photos within and that's the cheaper package.

1108
00:50:47,520 --> 00:50:49,160
Speaker 2: If you've got to shout out in more money from

1109
00:50:49,160 --> 00:50:51,359
Speaker 2: one of these pi's, you know, hide in the back

1110
00:50:51,440 --> 00:50:53,759
Speaker 2: of his motor, then you've got to go for step

1111
00:50:53,840 --> 00:50:56,000
Speaker 2: up another couple of thousand bucks to get color photos.

1112
00:50:56,640 --> 00:50:59,479
Speaker 2: He has let me know, color images is all filmed

1113
00:50:59,520 --> 00:51:01,759
Speaker 2: in four K. Now, no photos. People want.

1114
00:51:01,800 --> 00:51:03,919
Speaker 5: We live in photos. He doesn't have the long lens camera.

1115
00:51:04,120 --> 00:51:06,640
Speaker 2: They don't want anymore. It's got to be in video now.

1116
00:51:06,760 --> 00:51:08,480
Speaker 2: People want videos, so well, do I guess we live

1117
00:51:08,480 --> 00:51:09,920
Speaker 2: in now? Isn't it? You don't see the video of

1118
00:51:09,960 --> 00:51:11,200
Speaker 2: it doesn't exist, It didn't happen.

1119
00:51:11,360 --> 00:51:13,560
Speaker 5: Not as impactful when you open that a four envelope.

1120
00:51:16,520 --> 00:51:22,080
Speaker 2: What's the WiFi is a capital or and that squiggly one? Okay,

1121
00:51:22,280 --> 00:51:24,800
Speaker 2: all right? And I need your HDMI cables is unplug

1122
00:51:24,800 --> 00:51:27,080
Speaker 2: it in your TV. And then he's also something some

1123
00:51:27,120 --> 00:51:30,320
Speaker 2: more photos of a pair of glasses that has a

1124
00:51:30,400 --> 00:51:31,080
Speaker 2: hidden camera in.

1125
00:51:32,080 --> 00:51:32,960
Speaker 5: No, he doesn't.

1126
00:51:33,040 --> 00:51:35,120
Speaker 3: He does, Ary Maxwell smart?

1127
00:51:35,400 --> 00:51:36,360
Speaker 2: Isn't it anyway?

1128
00:51:36,920 --> 00:51:39,040
Speaker 5: Is he hoping to get face to face with the

1129
00:51:39,360 --> 00:51:41,160
Speaker 5: culprit or he's investigating.

1130
00:51:41,200 --> 00:51:43,280
Speaker 2: You wouldn't know if you were sat in a restaurant

1131
00:51:43,360 --> 00:51:45,160
Speaker 2: having a coffee and there's a guy who's got these

1132
00:51:45,280 --> 00:51:48,080
Speaker 2: these special glasses on and suddenly he's filming you. We

1133
00:51:48,160 --> 00:51:52,040
Speaker 2: wouldn't know anyway. This is the latest message from Big

1134
00:51:52,120 --> 00:51:52,759
Speaker 2: Al the PI.

1135
00:51:53,200 --> 00:51:57,040
Speaker 17: Higgins were on the move, mane. She's packed up some bergs.

1136
00:51:57,400 --> 00:52:00,400
Speaker 17: She looks like she's jumped into an uber with a

1137
00:52:01,080 --> 00:52:05,560
Speaker 17: gentleman that is not her husband, and looks like we're

1138
00:52:05,560 --> 00:52:06,320
Speaker 17: heading for the airport.

1139
00:52:06,520 --> 00:52:07,360
Speaker 8: We'll keep you posted.

1140
00:52:08,400 --> 00:52:09,960
Speaker 3: Wow, she's fleeing the country.

1141
00:52:10,360 --> 00:52:12,040
Speaker 2: What do you let me know? Yesterday evening? Obviously her

1142
00:52:12,120 --> 00:52:15,280
Speaker 2: husband has hired him, and he did divulge yesterday. That's

1143
00:52:15,719 --> 00:52:18,600
Speaker 2: by his calculations work he found out so far two

1144
00:52:18,719 --> 00:52:21,880
Speaker 2: to three two to three men she's involved with.

1145
00:52:22,160 --> 00:52:25,399
Speaker 5: Yeah, but the guy who hired him hired a private investigator.

1146
00:52:25,680 --> 00:52:27,279
Speaker 5: And now you can tune into the radio and go,

1147
00:52:27,760 --> 00:52:29,920
Speaker 5: you spill on our case all over the airwaves.

1148
00:52:31,719 --> 00:52:34,240
Speaker 2: Just listen to this again. You can tell he's driving Higgins.

1149
00:52:34,480 --> 00:52:37,680
Speaker 17: We're on the move, mate. She's packed up some bags.

1150
00:52:38,040 --> 00:52:41,040
Speaker 17: She looks like she's jumped into an uber with a

1151
00:52:41,719 --> 00:52:45,960
Speaker 17: gentleman that is not her husband, and were looks like

1152
00:52:46,040 --> 00:52:46,960
Speaker 17: we're heading for the airport.

1153
00:52:47,160 --> 00:52:48,000
Speaker 8: We'll keep you posted.

1154
00:52:48,480 --> 00:52:50,560
Speaker 2: How do you even follow someone in the car? Have

1155
00:52:50,680 --> 00:52:53,320
Speaker 2: you ever tried to follow a mate? What's the longest

1156
00:52:53,360 --> 00:52:56,640
Speaker 2: distance you've ever gone before you go, hey, I'm in

1157
00:52:56,760 --> 00:52:58,600
Speaker 2: five cars behind you get angry with the guy that

1158
00:52:58,680 --> 00:53:01,239
Speaker 2: cuts in front of you, cheer cheerz idiot.

1159
00:53:01,280 --> 00:53:03,800
Speaker 5: Or your friend takes a yellow light and leaves you behind.

1160
00:53:04,640 --> 00:53:06,279
Speaker 2: I know you bring them, you got they've got to

1161
00:53:06,320 --> 00:53:09,440
Speaker 2: pull over the furthest you've ever gone is about four

1162
00:53:09,560 --> 00:53:13,480
Speaker 2: hundred meters before you get split up. How would you especially, well, actually,

1163
00:53:13,560 --> 00:53:15,680
Speaker 2: in the morning Melbourne traffic, you're not going very far anyway,

1164
00:53:16,080 --> 00:53:18,040
Speaker 2: headed out to the airport, you could just walk on foot.

1165
00:53:18,120 --> 00:53:22,440
Speaker 1: Follow that The Christian O'Connell breakfast show Melbourne's Gold one

1166
00:53:22,520 --> 00:53:23,560
Speaker 1: oh four point three.

1167
00:53:23,719 --> 00:53:26,040
Speaker 2: Christian, what happens if the uber driver is listening to

1168
00:53:26,120 --> 00:53:28,920
Speaker 2: you guys and Gold one of three point three is

1169
00:53:29,000 --> 00:53:32,000
Speaker 2: the mission over for the PI? And I thought about that.

1170
00:53:33,040 --> 00:53:35,240
Speaker 5: Well, if you're traveling in a car right now, listening

1171
00:53:35,280 --> 00:53:37,279
Speaker 5: to this show, and you're having an affair and the

1172
00:53:37,400 --> 00:53:39,279
Speaker 5: person you're having affair with sitting next to you, and

1173
00:53:39,600 --> 00:53:42,160
Speaker 5: we had a p I say I'm trailing those two

1174
00:53:42,200 --> 00:53:44,400
Speaker 5: people right now, you would start to think maybe.

1175
00:53:44,440 --> 00:53:46,040
Speaker 2: Yes, that's me. Just head your bets.

1176
00:53:46,120 --> 00:53:47,879
Speaker 5: Yeah yeah, maybe I'll look out the review mirror.

1177
00:53:47,920 --> 00:53:50,400
Speaker 2: And but you're going to see a man in the

1178
00:53:50,400 --> 00:53:53,160
Speaker 2: big old Roy Orbison filming glasses. You don't know if

1179
00:53:53,200 --> 00:53:54,759
Speaker 2: that's the guy You're going to look round at the

1180
00:53:54,800 --> 00:53:57,480
Speaker 2: car next to you don't know. Anyway, I think, do

1181
00:53:57,520 --> 00:53:59,759
Speaker 2: you know what, if you are conducting an affair, you're

1182
00:53:59,800 --> 00:54:07,600
Speaker 2: more likely to listen to Fox. Put that on your billboard, Fox.

1183
00:54:08,360 --> 00:54:09,759
Speaker 5: We have virtuous listeners here.

1184
00:54:09,920 --> 00:54:13,319
Speaker 2: Yeah. All right, then, so take us through your last

1185
00:54:13,400 --> 00:54:15,920
Speaker 2: night you're on TV. True Stories is back, brilliant show

1186
00:54:15,960 --> 00:54:18,680
Speaker 2: with Hami Shenandi back for the second season, second episode

1187
00:54:18,760 --> 00:54:21,000
Speaker 2: last night they want to put all the big guns out.

1188
00:54:21,320 --> 00:54:21,960
Speaker 2: They call on you.

1189
00:54:22,360 --> 00:54:22,960
Speaker 5: Did you watch it?

1190
00:54:23,280 --> 00:54:24,839
Speaker 2: Yeah? It's great, thank you? Yep.

1191
00:54:24,880 --> 00:54:26,000
Speaker 5: What do you think of my acting?

1192
00:54:26,360 --> 00:54:29,439
Speaker 2: I thought it was interesting casting. That's what acting is, really,

1193
00:54:29,560 --> 00:54:33,200
Speaker 2: it's interesting casting. It was interesting. Why did they cast

1194
00:54:33,280 --> 00:54:35,239
Speaker 2: you in that role? So if people, if people, did

1195
00:54:35,280 --> 00:54:35,600
Speaker 2: you see it?

1196
00:54:35,640 --> 00:54:37,600
Speaker 3: Pats I did, he did a great job.

1197
00:54:37,680 --> 00:54:40,040
Speaker 5: I thought, yeah, trainer, I don't think.

1198
00:54:40,640 --> 00:54:43,840
Speaker 2: I don't think Pats saw it. I did describe it.

1199
00:54:44,360 --> 00:54:46,239
Speaker 3: It was very good. It was brief, but it was.

1200
00:54:48,000 --> 00:54:50,880
Speaker 2: Descriptive, described well, you.

1201
00:54:50,920 --> 00:54:51,720
Speaker 3: Know, I was half asleep.

1202
00:54:51,760 --> 00:54:52,400
Speaker 2: It was rather.

1203
00:54:55,640 --> 00:54:58,960
Speaker 3: Of typed because I wanted to savor it.

1204
00:54:59,480 --> 00:55:01,800
Speaker 4: I wanted to his favorite when I got home this

1205
00:55:01,960 --> 00:55:04,439
Speaker 4: afternoon when the house was quiet, no one else was home.

1206
00:55:05,480 --> 00:55:07,960
Speaker 2: It's a nice lie though, you know, like you tell

1207
00:55:08,040 --> 00:55:09,879
Speaker 2: to a kid. Yeah, I watched it at Sports Day.

1208
00:55:09,960 --> 00:55:15,880
Speaker 2: Wait wait yeah, so I thought it'll be interested to

1209
00:55:15,960 --> 00:55:18,359
Speaker 2: find out, you know, why you were cast? Why did

1210
00:55:18,400 --> 00:55:21,520
Speaker 2: they call you up? So got Andy Lee to leave

1211
00:55:21,560 --> 00:55:25,359
Speaker 2: a message. Let's hear it from Addie who makes the show.

1212
00:55:25,520 --> 00:55:30,040
Speaker 21: Obviously, Jack Post featured in last night episode of True Story.

1213
00:55:30,840 --> 00:55:33,440
Speaker 21: When I sat around with the producers and they said,

1214
00:55:33,680 --> 00:55:38,920
Speaker 21: we need someone who can plain the role of someone

1215
00:55:39,239 --> 00:55:43,359
Speaker 21: who has no experience. Who is Wooden? Oh we can't

1216
00:55:43,400 --> 00:55:47,960
Speaker 21: remember lines? Immediately I came up with Jack Post. He

1217
00:55:48,160 --> 00:55:53,200
Speaker 21: was the go to guy. Having said that, I think

1218
00:55:53,360 --> 00:55:56,759
Speaker 21: he took four hundred and eighty five takes to get what.

1219
00:55:59,160 --> 00:55:59,520
Speaker 2: It cost.

1220
00:55:59,600 --> 00:56:02,400
Speaker 21: The product put a hell a lot of money, and

1221
00:56:03,120 --> 00:56:06,120
Speaker 21: we all agreed as produces that it was a regretful decision,

1222
00:56:07,400 --> 00:56:10,600
Speaker 21: and boy with the editors kind to him because yeah,

1223
00:56:10,640 --> 00:56:11,759
Speaker 21: it seemed to come up quite well.

1224
00:56:12,880 --> 00:56:15,080
Speaker 5: Now I haven't been in acting very long. This is

1225
00:56:15,120 --> 00:56:18,279
Speaker 5: only my second day. The term wooden, Is that a

1226
00:56:18,400 --> 00:56:18,960
Speaker 5: positive one?

1227
00:56:19,160 --> 00:56:21,400
Speaker 2: No, it is because what you don't want is to be,

1228
00:56:21,719 --> 00:56:24,239
Speaker 2: you know, just sort of flowing around. You want to

1229
00:56:24,280 --> 00:56:27,080
Speaker 2: be solid, trustworthy. What's more reliable than what?

1230
00:56:27,320 --> 00:56:30,040
Speaker 5: Yeah, it's solid. Robert Henio is a wooden actor.

1231
00:56:30,160 --> 00:56:33,600
Speaker 2: No, don't say that. No solid, he's solid, like cheek,

1232
00:56:33,719 --> 00:56:37,600
Speaker 2: like like a tree, like a watering actor. Yes, it's

1233
00:56:37,640 --> 00:56:40,240
Speaker 2: a great thing. What a compliment to say about You're more.

1234
00:56:40,200 --> 00:56:41,800
Speaker 3: Like plyboard or something like that.

1235
00:56:42,520 --> 00:56:43,279
Speaker 2: You didn't even see it?

1236
00:56:43,320 --> 00:56:49,080
Speaker 1: What The Christian O'Connell breakfast Show, Melbourne's Gold one oh

1237
00:56:49,200 --> 00:57:04,080
Speaker 1: four point three, The Bachelor seven Nights, FU Channel, Dann't.

1238
00:56:59,400 --> 00:57:05,040
Speaker 2: God, Can't Wait, can't wait Wait, good stuff? Hey, good

1239
00:57:05,040 --> 00:57:07,279
Speaker 2: morning everyone. It's a Christian and Comor breakfast shower on

1240
00:57:07,360 --> 00:57:10,080
Speaker 2: God one oh four point three. Coming up. It is

1241
00:57:10,200 --> 00:57:13,520
Speaker 2: the midweek mixtape this hour, all the songs picked by

1242
00:57:13,560 --> 00:57:15,200
Speaker 2: you we give you. The theme is songs with a

1243
00:57:16,040 --> 00:57:22,360
Speaker 2: in them like these and this stone Cold classic. That's

1244
00:57:22,360 --> 00:57:29,600
Speaker 2: a great song, Edwin start. That's more. Yeah, that's more

1245
00:57:29,600 --> 00:57:35,640
Speaker 2: of a Okay, we don't need you renate tog.

1246
00:57:35,840 --> 00:57:39,480
Speaker 5: I'm just fixing it so I can fit in the parameters.

1247
00:57:39,040 --> 00:57:41,280
Speaker 2: All right, then today we've been talking a lot about

1248
00:57:41,400 --> 00:57:44,280
Speaker 2: Vienna and stop all this city. It's number one most

1249
00:57:44,320 --> 00:57:47,480
Speaker 2: liberal city in the world. With the Lord Mayor on earlier,

1250
00:57:48,040 --> 00:57:51,320
Speaker 2: she's given her full backing to a meet commissioning actor

1251
00:57:51,520 --> 00:57:54,560
Speaker 2: Jack Post to write a great anthem for this city

1252
00:57:54,840 --> 00:58:00,040
Speaker 2: to totally smash ultra boxes Vienna. Today's time waster, that

1253
00:58:00,200 --> 00:58:02,080
Speaker 2: work time. Wantster for you is we're looking for your

1254
00:58:02,880 --> 00:58:09,600
Speaker 2: made up facts about Vienna. The people of Vienna have

1255
00:58:09,720 --> 00:58:14,480
Speaker 2: all other operations and they fart perfume. Chuck Norris fears

1256
00:58:14,520 --> 00:58:19,000
Speaker 2: only one city, Vienna. Eddie McGuire is the president of

1257
00:58:19,080 --> 00:58:24,240
Speaker 2: Vienna forty Club, Jack your made up fax about Vienna.

1258
00:58:24,600 --> 00:58:27,440
Speaker 5: Fifty percent of Vienna's tourism comes from people who have

1259
00:58:27,560 --> 00:58:32,040
Speaker 5: mistaken it for Venice. The famous Australian film The Castle

1260
00:58:32,160 --> 00:58:35,439
Speaker 5: was filmed entirely in Vienna. To know that, and when

1261
00:58:35,520 --> 00:58:38,520
Speaker 5: Michael Bolton tours Austria, he changes the lyrics from when

1262
00:58:38,560 --> 00:58:45,840
Speaker 5: a man loves a woman to Vienna man loves a woman, Tom,

1263
00:58:45,880 --> 00:58:49,439
Speaker 5: get a shot of me, Vienna, man loves a woman, Tom,

1264
00:58:49,480 --> 00:58:53,720
Speaker 5: get a shot at me. She's doing a thumbs up

1265
00:58:53,760 --> 00:58:54,200
Speaker 5: to the camera.

1266
00:58:55,720 --> 00:58:58,320
Speaker 2: Yes, all right then text yours in then your fun

1267
00:58:58,400 --> 00:59:01,480
Speaker 2: made up facts about the city Vienna now number one.

1268
00:59:01,560 --> 00:59:02,760
Speaker 2: Most of it will city in the world. You can

1269
00:59:02,840 --> 00:59:06,040
Speaker 2: text us for seven five three one O four three

1270
00:59:06,280 --> 00:59:08,480
Speaker 2: oh four seven five three one o four three. Jack

1271
00:59:08,520 --> 00:59:10,560
Speaker 2: will mark them in ten minutes time. All right, let's

1272
00:59:10,560 --> 00:59:13,640
Speaker 2: begin our hour of songs with in with this one.

1273
00:59:20,880 --> 00:59:24,240
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1274
00:59:24,320 --> 00:59:24,800
Speaker 1: point three.

1275
00:59:29,560 --> 00:59:30,800
Speaker 12: There it is rightly in there.

1276
00:59:31,680 --> 00:59:36,480
Speaker 2: One of rock and Rolls Gay is Huh, Guns and Roses.

1277
00:59:36,520 --> 00:59:40,560
Speaker 2: Welcome to the Jungle. This week's Midweek mixtape where we

1278
00:59:40,840 --> 00:59:42,920
Speaker 2: picked the theme you pick all the songs is Songs

1279
00:59:42,920 --> 00:59:45,000
Speaker 2: with Her instead of come between now and ten.

1280
00:59:45,560 --> 00:59:47,880
Speaker 5: James Brown, it's just a damn beat hurt.

1281
00:59:50,400 --> 00:59:56,680
Speaker 2: Teenage you got. Frankie goes to Hollywood's Wow We Springsteen

1282
00:59:56,800 --> 00:59:59,440
Speaker 2: and Elvis, Presley, the Boss and.

1283
00:59:59,680 --> 01:00:01,360
Speaker 5: The k What did they team up to do?

1284
01:00:02,000 --> 01:00:04,720
Speaker 2: They didn't just team up to do any song. Trust me,

1285
01:00:04,840 --> 01:00:08,720
Speaker 2: if they've done a song together, we play so there'll

1286
01:00:08,720 --> 01:00:11,360
Speaker 2: be too much for me. If they teamed up whol Looes,

1287
01:00:11,640 --> 01:00:15,000
Speaker 2: Elvis and the Boss on song I Die, it will

1288
01:00:15,000 --> 01:00:17,200
Speaker 2: be too much for me. All right, turn them RK

1289
01:00:17,240 --> 01:00:19,160
Speaker 2: this then today's that word time where it's to being

1290
01:00:19,200 --> 01:00:23,000
Speaker 2: busy with these fun made up facts, made up facts

1291
01:00:23,120 --> 01:00:25,959
Speaker 2: about the new most livable city in the world, putting

1292
01:00:26,000 --> 01:00:28,280
Speaker 2: Melbourne into number two, number one. It's Vienna, all right,

1293
01:00:28,760 --> 01:00:32,080
Speaker 2: you're ready to mark ready Gold, Silver, Bronx. Judge is

1294
01:00:32,400 --> 01:00:35,479
Speaker 2: Jack every day. The main street in Vienna is named

1295
01:00:35,520 --> 01:00:39,360
Speaker 2: Steven Cigar Boulevard, after the action actor who is from Vienna.

1296
01:00:39,680 --> 01:00:43,840
Speaker 2: It has recently been widened the back on that.

1297
01:00:46,040 --> 01:00:46,720
Speaker 5: For a callback.

1298
01:00:47,200 --> 01:00:50,120
Speaker 2: Everyone's in Vienna is amberdextrous, which means they can pick

1299
01:00:50,200 --> 01:00:51,920
Speaker 2: both sides of their nose at once. That comes from

1300
01:00:51,920 --> 01:00:53,000
Speaker 2: Emberly's Silvil.

1301
01:00:53,040 --> 01:00:53,320
Speaker 5: Plus.

1302
01:00:53,880 --> 01:00:57,240
Speaker 2: Vienna is the capital of the world goat herding championships.

1303
01:00:57,280 --> 01:01:01,680
Speaker 2: That's from Lucan Noos Silver. Jimmy Barnes was once leeed

1304
01:01:01,760 --> 01:01:07,120
Speaker 2: soprano of the Vienna Boys Choir Civil plus h Vienna

1305
01:01:07,200 --> 01:01:09,160
Speaker 2: coffee actually comes from Melbourne.

1306
01:01:09,920 --> 01:01:10,840
Speaker 5: What's Vienna coffee?

1307
01:01:11,040 --> 01:01:18,160
Speaker 2: No idea bronze dull. It's the harshest one ever. Oh

1308
01:01:18,280 --> 01:01:23,920
Speaker 2: Old Anthony and Greensboro. You tried, buddy. Arnold Schwarzenegger once said, Vienna,

1309
01:01:24,040 --> 01:01:25,320
Speaker 2: I leave, I'll be back.

1310
01:01:26,160 --> 01:01:27,480
Speaker 5: Oh yeah, because he's from Austria.

1311
01:01:29,280 --> 01:01:34,280
Speaker 2: Silver no joke in Stradas is good. Vienna actually one

1312
01:01:34,320 --> 01:01:38,600
Speaker 2: most livable city because they thought it was Australia, not Austria.

1313
01:01:39,400 --> 01:01:41,360
Speaker 5: And stolen joke from you yesterday.

1314
01:01:41,440 --> 01:01:42,760
Speaker 2: And I wouldn't even call that a joke. No one

1315
01:01:42,840 --> 01:01:43,840
Speaker 2: laughed yesterday when I did it.

1316
01:01:44,880 --> 01:01:48,960
Speaker 5: There was already a bronze dull when you delivered it. Yes, sorry, sir.

1317
01:01:49,040 --> 01:01:52,360
Speaker 2: I would enjoyed your acting yesterday as well. The famous

1318
01:01:52,440 --> 01:01:54,880
Speaker 2: Vienna dancing horses can actually do somersaults.

1319
01:01:55,560 --> 01:01:57,960
Speaker 5: Don't know them? Do no somersaults?

1320
01:01:58,000 --> 01:02:00,440
Speaker 2: So silver, that's great. He knows Jack Post, the actor.

1321
01:02:00,560 --> 01:02:05,080
Speaker 2: He knows somersaults hard it is, it is hard. Hipster's

1322
01:02:05,400 --> 01:02:07,640
Speaker 2: originated from Vienna, Jude and Lara.

1323
01:02:09,040 --> 01:02:11,760
Speaker 5: No, I feel like hips is a punchline of yesterday year,

1324
01:02:12,600 --> 01:02:13,760
Speaker 5: so runs down.

1325
01:02:14,920 --> 01:02:16,800
Speaker 2: Know what you're gonna make of this wolf? We are

1326
01:02:16,920 --> 01:02:19,600
Speaker 2: really scraping the batt off with these now. Christian is

1327
01:02:19,680 --> 01:02:22,680
Speaker 2: rumored that Ed Shearing got most of his tattoos in Timbuctoo,

1328
01:02:22,720 --> 01:02:25,600
Speaker 2: but in fact they are mainly Hennah from Vienna.

1329
01:02:28,800 --> 01:02:31,400
Speaker 5: We've had two little gold so gold.

1330
01:02:31,320 --> 01:02:35,240
Speaker 1: Well done, Steven Brizzy The Christian O'Connell breakfast show, Melbourne's

1331
01:02:35,280 --> 01:02:36,760
Speaker 1: Gold one oh four point three.

1332
01:02:37,000 --> 01:02:40,760
Speaker 2: Midway through today's mixtape songs with Hurting Now, I know

1333
01:02:40,880 --> 01:02:44,000
Speaker 2: that you've got some other ones that didn't quite make

1334
01:02:44,040 --> 01:02:45,919
Speaker 2: the cup. Get ready for the comedy, everyone, get ready

1335
01:02:45,920 --> 01:02:46,400
Speaker 2: for the comedy.

1336
01:02:46,560 --> 01:02:49,360
Speaker 5: It's not comedy, it's just something that is.

1337
01:02:53,120 --> 01:02:55,040
Speaker 2: All I know is for the last three hours you've

1338
01:02:55,080 --> 01:02:57,280
Speaker 2: been going, Hey, don't forget, I've got a couple of

1339
01:02:57,320 --> 01:03:01,560
Speaker 2: funny clips. I funny and then he winks at me, like,

1340
01:03:01,680 --> 01:03:04,040
Speaker 2: get ready for it's going to be big with.

1341
01:03:04,120 --> 01:03:07,360
Speaker 5: The midstay this week we're doing songs with the songs,

1342
01:03:07,400 --> 01:03:11,040
Speaker 5: and I thought, hm, funny that we didn't do Jeff

1343
01:03:11,080 --> 01:03:12,360
Speaker 5: Buckley's Hallelujah.

1344
01:03:12,640 --> 01:03:14,439
Speaker 2: I'm not sure, but if that one's got a yeah,

1345
01:03:14,440 --> 01:03:14,680
Speaker 2: it does.

1346
01:03:14,760 --> 01:03:15,000
Speaker 5: Listen.

1347
01:03:15,480 --> 01:03:39,720
Speaker 2: Listen the Babood King composing Hell. You gotta remember all

1348
01:03:39,800 --> 01:03:41,880
Speaker 2: times he went to the studio and did that and

1349
01:03:41,960 --> 01:03:44,520
Speaker 2: made another adult process it and edit it as well.

1350
01:03:45,120 --> 01:03:46,880
Speaker 3: He directed song Jack.

1351
01:03:47,080 --> 01:03:49,760
Speaker 2: Three or four adults have been involved in the making

1352
01:03:49,840 --> 01:03:56,200
Speaker 2: of that powerful comedy. You got, you got another? You

1353
01:03:56,320 --> 01:03:58,400
Speaker 2: want to sing this show. We're all going down with this.

1354
01:03:59,000 --> 01:04:00,800
Speaker 2: So what about this one? Heaven has a place on

1355
01:04:00,880 --> 01:04:01,840
Speaker 2: Earth comedy.

1356
01:04:02,000 --> 01:04:06,720
Speaker 5: Play it, baby, didn't know what that's work.

1357
01:04:09,120 --> 01:04:09,480
Speaker 1: Place.

1358
01:04:15,120 --> 01:04:18,320
Speaker 5: I should I should listen to them myself before bringing

1359
01:04:18,400 --> 01:04:20,520
Speaker 5: them in here and then edit.

1360
01:04:20,960 --> 01:04:22,560
Speaker 2: What want you to do is from now on, any

1361
01:04:23,000 --> 01:04:26,040
Speaker 2: funny ideas, write them down on a piece of paper

1362
01:04:26,120 --> 01:04:29,920
Speaker 2: and stare at it for an hour. Pats, how did

1363
01:04:29,960 --> 01:04:31,680
Speaker 2: you get on yesterday? Then you met up with one

1364
01:04:31,720 --> 01:04:32,320
Speaker 2: of our listeners.

1365
01:04:32,680 --> 01:04:37,280
Speaker 4: Yes, who's a lovely grandma out west and she had

1366
01:04:37,280 --> 01:04:39,240
Speaker 4: a little grandson, Vinnie.

1367
01:04:39,040 --> 01:04:40,960
Speaker 2: With her, and we did He was running back up

1368
01:04:41,000 --> 01:04:42,560
Speaker 2: sort of security in case Pats turned.

1369
01:04:43,280 --> 01:04:45,800
Speaker 3: It's like, who's this crazy woman? And we did the

1370
01:04:45,840 --> 01:04:47,160
Speaker 3: swap down in the freezer section.

1371
01:04:47,320 --> 01:04:49,880
Speaker 2: So these were the cold collectibles in the Melbourne Agard

1372
01:04:50,000 --> 01:04:50,400
Speaker 2: nuts for.

1373
01:04:50,800 --> 01:04:53,800
Speaker 4: And we had potato gems yet to collect and she

1374
01:04:53,960 --> 01:04:57,520
Speaker 4: needed the Milo, so we both had one another's needs.

1375
01:04:57,600 --> 01:04:59,560
Speaker 5: And I saw you you your photos. You had a

1376
01:04:59,600 --> 01:05:02,920
Speaker 5: little pay bags undercover. We hated paper bags to it.

1377
01:05:03,160 --> 01:05:05,400
Speaker 5: We were did you any part of you think I'll

1378
01:05:05,560 --> 01:05:07,120
Speaker 5: just do a decoy here and put a rock in

1379
01:05:07,160 --> 01:05:08,080
Speaker 5: the bottom and run away.

1380
01:05:08,080 --> 01:05:10,200
Speaker 4: Who was staring at us thinking is that legal what

1381
01:05:10,880 --> 01:05:13,440
Speaker 4: they're doing? So yeah, we had to be quick because

1382
01:05:13,480 --> 01:05:15,640
Speaker 4: her grandson was running out the front of the shop.

1383
01:05:15,800 --> 01:05:17,800
Speaker 2: You need to see the photos. It's like something out

1384
01:05:17,800 --> 01:05:20,840
Speaker 2: of an old nineteen fifty sort of detective cartoon strip.

1385
01:05:21,040 --> 01:05:21,400
Speaker 3: Is it good?

1386
01:05:21,480 --> 01:05:23,800
Speaker 2: It's still amazing A lot of fun. The photos of

1387
01:05:24,080 --> 01:05:25,720
Speaker 2: Peanut and pats Check them out. They sounds like a

1388
01:05:25,840 --> 01:05:28,760
Speaker 2: cagnein lacy Peena and Patsy. Check it out on our

1389
01:05:28,760 --> 01:05:30,760
Speaker 2: Facebook page. OC one O four to three The.

1390
01:05:30,800 --> 01:05:34,520
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

1391
01:05:34,720 --> 01:05:37,760
Speaker 2: Al Right, we are back tomorrow morning. Today you're gonna

1392
01:05:37,760 --> 01:05:38,360
Speaker 2: have a busy day.

1393
01:05:38,760 --> 01:05:41,480
Speaker 5: I'll be writing the Melbourne anthem. Well, I've just started

1394
01:05:41,520 --> 01:05:44,520
Speaker 5: to collect a few ideas. I went stuff written by tomorrow.

1395
01:05:44,760 --> 01:05:45,960
Speaker 3: He'll leave it to the last minute.

1396
01:05:46,080 --> 01:05:49,840
Speaker 2: Listen, I'm interviewing Jimmy Barnes tomorrow morning, eleven am. When

1397
01:05:49,840 --> 01:05:52,080
Speaker 2: I interviewed Jimmy, I wanted him to be able to

1398
01:05:52,200 --> 01:05:54,840
Speaker 2: just add some lyrics that you've already written. So you've

1399
01:05:54,920 --> 01:05:58,520
Speaker 2: got twenty five hours to write one line for Jimmy Barnes.

1400
01:05:58,560 --> 01:06:01,160
Speaker 2: Surely you can pro just one line in twenty five hours.

1401
01:06:01,000 --> 01:06:02,560
Speaker 5: I promise you, sir, one line?

1402
01:06:02,880 --> 01:06:06,080
Speaker 2: Thank you? Okay. At this rate, his anthem should be

1403
01:06:06,120 --> 01:06:10,480
Speaker 2: ready in January. Tyler, Today's show is kill me. I'm

1404
01:06:10,520 --> 01:06:13,400
Speaker 2: in heaven. Huggy's coming up next. Remember keep listening. If

1405
01:06:13,440 --> 01:06:16,320
Speaker 2: you hear Electric Blue, you could be winning ten thousand dollars.

1406
01:06:16,480 --> 01:06:19,840
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1407
01:06:19,920 --> 01:06:20,400
Speaker 1: point three