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Speaker 1: Well this one went very quickly.

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Speaker 2: Yeah, so there was still quite a lot more to

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Speaker 2: talk about.

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Speaker 3: It was just a wink wink, and wasn't We both went, yeah,

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Speaker 3: this is right now, wheelhouse check. An envelope contains the

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Speaker 3: music topic to discuss.

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Speaker 2: This five minutes on the clock to field and this

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Speaker 2: no times of pread. This is banter with Clezy and Lisa.

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Speaker 2: All right, are we ready for the reveal?

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Speaker 3: I think we're ready for you to rip open that

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Speaker 3: giant envelope and say the winner is the winner, and

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Speaker 3: then I'll start the time out, which will be five

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Speaker 3: minutes the winner job.

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Speaker 1: Oh, now you're talking vandel Ballet.

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Speaker 2: You're talking Spanderbelly.

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Speaker 3: And we've spoken to two members of spender Ballet in

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Speaker 3: the past six months. We have Tony Haddles Hadley and

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Speaker 3: Gary Kemp master songwriter.

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Speaker 1: Bookends of the band. You could perhaps say in terms

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Speaker 1: of how far apart they really were. Yeah, there just

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Speaker 1: there everything. There's no secret that spander Ballet have a

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Speaker 1: you know, been as close as they maybe once were.

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Speaker 1: And I blame that frontman syndrome. I don't blame Tony Hadley.

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Speaker 1: I love Tony Hadley. I think he is fantastic and

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Speaker 1: he can't help her if and especially when you're in

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Speaker 1: a beautiful boy band from the eighties with people like

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Speaker 1: me putting their picture on my bedroom wall, and as

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Speaker 1: you know, we'd kiss just Simon Labond or Tony Hadley

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Speaker 1: good night if he went to bed at night, because

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Speaker 1: that's what a teenage still does. I was twenty nine,

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Speaker 1: but you know that's what That's what a teenage girl does.

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Speaker 1: They can't help it if they're the ones that get

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Speaker 1: the attention. I mean of two words. Jim Morrison talked

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Speaker 1: to Ray Manzarek about it. Yes, they might not be

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Speaker 1: the one who are actually writing the songs. And I

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Speaker 1: mean everyone in Spana Balley was involved, but Gary Kemp

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Speaker 1: was the main guy. And I think there was a

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Speaker 1: little bit of bitterness on Gary Kemp's, you know part,

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Speaker 1: that he'd didn't get all the attention because you.

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Speaker 2: Can't tell me.

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Speaker 3: The Jimmy Page at times were going, look how good

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Speaker 3: I am a guitar. But he's got this guy with

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Speaker 3: a long mane of hair, Robert planning out front with

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Speaker 3: the shirt off, and everybody look at this somehow.

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Speaker 1: That's what I said to Ray Manzarek in the doors.

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Speaker 4: He was the real talent.

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Speaker 1: And there's Jim just swanted about you know.

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Speaker 2: Yeah, let's be honest. Keith Richard is the only one

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Speaker 2: who don't have any things.

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Speaker 4: I want to say it all of them a bit rude.

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Speaker 2: Keith Richard's the only one who never read a cared

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Speaker 2: about Mick being out there.

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Speaker 1: Absolutely what's the way it is, and you're going to

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Speaker 1: have to accept that. But for spander Ballet it went

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Speaker 1: so far as to drive them apart.

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Speaker 3: Okay, So the first time I heard about spand Our

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Speaker 3: Ballet was a boy called Shane Van Luin at Greenwood

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Speaker 3: High and he said he was in this band called

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Speaker 3: Spandau Ballet, And at the time I went, who the

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Speaker 3: hell is that? And then I went and discovered it.

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Speaker 3: And he was listening to the Journeys to Glory and

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Speaker 3: to cut a long story short, that really hit single. Yeah,

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Speaker 3: I had no idea, and then I went and discovered

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Speaker 3: who they were, and all of a sudden it became

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Speaker 3: one of my favorite bands.

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Speaker 2: They became one of my faves.

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Speaker 1: Well same I mean same era of course, and like

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Speaker 1: so many things that happened with watching an episode of Countdown.

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Speaker 1: So there I am mine in my own business, watching countdown,

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Speaker 1: there's all the kind of things that brother and sister

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Speaker 1: are into, and maybe me not so much. I was

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Speaker 1: already a bit of a sort of like that new

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Speaker 1: romantic kind of look without even realizing that I did,

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Speaker 1: And there I am, and all of a sudden, on

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Speaker 1: comes to cut a long story short, one of those

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Speaker 1: music moments that changed my world. I thought, who is this?

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Speaker 4: What is this?

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Speaker 2: Who is he? What are they wearing?

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Speaker 1: Sorry, Kemp, not talking about you, talking about maybe talking

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Speaker 1: about tiny? Could you get any more puff in a

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Speaker 1: puffy shirt? But they were beautiful and the way everything.

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Speaker 1: It would have taken them an hour and a half

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Speaker 1: just to get their.

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Speaker 2: Clothes, especially with their pants and you.

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Speaker 1: Know, all their little attachments and buckles and all that

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Speaker 1: sort of thing. Skinning their shoes on would have.

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Speaker 2: Been a lot of that.

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Speaker 3: In the documentary they made just six years ago, which

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Speaker 3: was incredible to watch.

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Speaker 1: I can't remember that was.

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Speaker 3: Something boys in the Western world. Yes, it was really good,

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Speaker 3: and of course then you know, obviously they had some

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Speaker 3: early albums, but the success really kicked in with a

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Speaker 3: massive album that took them around the world, and it

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Speaker 3: was called True and there was so much on there

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Speaker 3: including the singles Gold, Communication, Lifeline.

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Speaker 1: Unpopular opinion, True and Gold would be my least favorite

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Speaker 1: band our ballet songs and I love.

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Speaker 2: So what do they call it?

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Speaker 1: Something? Number nine chat chat chat number nine bring the

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Speaker 1: pressure down like Communication? But yeah, I mean people go,

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Speaker 1: including her boss.

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Speaker 4: Go mad for True and I like Lifeline and Communication

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Speaker 4: off that album better. Yeah, there is totally totally because

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Speaker 4: it was very smooth stuff. And of course the huge

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Speaker 4: hit single that Gary Wright. We know it became a

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Speaker 4: national and international number one. We knew when he was

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Speaker 4: writing the listening to Marvin Gaye all night long and

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Speaker 4: all those little lines in there. But yeah, there's the

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Speaker 4: only song I didn't really love with their was muscle Band.

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Speaker 4: I thought that sounded so different.

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Speaker 2: To everything else.

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Speaker 1: Funny the first time I heard Tony Hadley speak yes

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Speaker 1: because I wasn't expecting so actually caught the accents. Yeah,

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Speaker 1: that mouth, But of course, you know, why wouldn't it.

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Speaker 3: Well, John Keeble the drummer, sounds even more so, you know,

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Speaker 3: it just sounds like he's off the street and he's

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Speaker 3: hanging out with Fagan. But what a band and continue

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Speaker 3: to tour on and off, but they've had their issues

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Speaker 3: They've had their times in court, mainly Tony, and it

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Speaker 3: was Tony in a couple of other members going to court.

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Speaker 2: They tried to.

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Speaker 1: Deny him being able to do the songs that audiences wanted. Yeah,

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Speaker 1: when he was out there money Zone is that how

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Speaker 1: pretty much he was.

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Speaker 3: The initial court case was because Tony a couple of

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Speaker 3: the boys were saying, look, we helped write these songs

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Speaker 3: in the process, and Gary was saying, well, yeah, I've

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Speaker 3: got the rights because my name was next to it

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Speaker 3: and get G camp songwriter and Gary Kemp won and

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Speaker 3: that caused a huge rift and it was surprising.

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Speaker 2: They ever got back together. They did for a while.

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Speaker 2: It won't happen again. Fans, the time is over. It

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Speaker 2: felt like about three minutes. It did ninety six afm

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Speaker 2: clezi and Lisa