1 00:00:00,400 --> 00:00:03,040 Speaker 1: Jumb Mission with joon Z and Amanda. 2 00:00:03,160 --> 00:00:05,640 Speaker 2: Our next guest is the Icon, who sold more than 3 00:00:05,800 --> 00:00:10,280 Speaker 2: thirty million albums worldwide. He is the soundtrack to all 4 00:00:10,280 --> 00:00:12,799 Speaker 2: our eighties Endless Summer Nights. See what I did that 5 00:00:13,000 --> 00:00:15,440 Speaker 2: I did well. This Grammy Award winning songwriter has finally 6 00:00:15,480 --> 00:00:18,520 Speaker 2: written a memoir called Stories to Tell. We are thrilled 7 00:00:18,520 --> 00:00:20,920 Speaker 2: to have him on the show. Richard Marx, Hello. 8 00:00:22,600 --> 00:00:24,800 Speaker 3: My friends, how are you. I missed you guy, Well. 9 00:00:24,680 --> 00:00:26,800 Speaker 1: We miss you. It's been some time since we chatted, 10 00:00:26,800 --> 00:00:28,920 Speaker 1: and I'm pretty sure last time we chatted, you didn't 11 00:00:28,920 --> 00:00:30,680 Speaker 1: mention anything about writing a book. 12 00:00:32,960 --> 00:00:36,000 Speaker 3: Well, it was top secret, my friend. It was, you 13 00:00:36,040 --> 00:00:38,880 Speaker 3: know it was. It was not even probably the last 14 00:00:38,880 --> 00:00:41,440 Speaker 3: time we spoke. I wasn't even sure if I would 15 00:00:41,440 --> 00:00:44,360 Speaker 3: ever released the book, you know it was. It was 16 00:00:44,400 --> 00:00:49,320 Speaker 3: always just a work in progress, just even my even 17 00:00:49,360 --> 00:00:51,800 Speaker 3: my families and my family didn't know I was working 18 00:00:51,800 --> 00:00:53,760 Speaker 3: on it until I got really serious about it and 19 00:00:53,760 --> 00:00:56,880 Speaker 3: then partnered up with a great publisher here in the 20 00:00:56,880 --> 00:00:59,600 Speaker 3: States Callsigner and Schuster, And then then I got real 21 00:00:59,640 --> 00:01:02,400 Speaker 3: serious about it, and so I wasn't really you know, 22 00:01:02,440 --> 00:01:05,039 Speaker 3: I'm like one of those people who doesn't talk too 23 00:01:05,120 --> 00:01:07,560 Speaker 3: much about what I'm working on until it's really real, 24 00:01:07,600 --> 00:01:09,120 Speaker 3: because I don't want somebody to come back to me 25 00:01:09,160 --> 00:01:11,080 Speaker 3: and say, hey, what about that thing? And I go, oh, yeah, 26 00:01:11,160 --> 00:01:12,200 Speaker 3: that never happened. You know. 27 00:01:12,720 --> 00:01:15,360 Speaker 2: I love how you said to you, mate Springfield, when 28 00:01:15,360 --> 00:01:17,720 Speaker 2: he wrote an autobiography. You texted him and said, you're 29 00:01:17,760 --> 00:01:20,679 Speaker 2: either the bravest guy I know or the dumbest So. 30 00:01:24,600 --> 00:01:27,280 Speaker 3: Jerry, and the jury is still out, ladies and gentlemen. 31 00:01:29,040 --> 00:01:32,080 Speaker 3: When Rick well, when Rick wrote his book, he sent 32 00:01:32,120 --> 00:01:35,080 Speaker 3: it to me and I that was my response to it, 33 00:01:35,120 --> 00:01:42,760 Speaker 3: because it was incredibly brave in that he he went there. 34 00:01:42,840 --> 00:01:46,039 Speaker 3: You know, he really he did not leave anything to imagination, 35 00:01:47,520 --> 00:01:51,240 Speaker 3: and he was that was his uh, that was that 36 00:01:51,440 --> 00:01:53,160 Speaker 3: he was. That was his truth, and that was how 37 00:01:53,200 --> 00:01:55,840 Speaker 3: he was going to do it. And I I respect that. 38 00:01:55,960 --> 00:02:00,040 Speaker 3: I just you know, I approached my book differently and 39 00:02:00,040 --> 00:02:04,880 Speaker 3: at I think, as I said to somebody the other day, 40 00:02:05,400 --> 00:02:09,120 Speaker 3: I wrote my book in a way that never violated 41 00:02:09,160 --> 00:02:12,880 Speaker 3: the integrity of my own privacy in that you know, 42 00:02:13,520 --> 00:02:16,080 Speaker 3: for people who want some kind of really tawdry Tello, 43 00:02:16,240 --> 00:02:18,560 Speaker 3: that's fine, but you're not going to get that from me. 44 00:02:19,040 --> 00:02:22,040 Speaker 1: Well, you get anyone that follows you on Twitter sees 45 00:02:22,080 --> 00:02:25,200 Speaker 1: yourself deprecating sense of humor, and there's a bit there way. 46 00:02:25,480 --> 00:02:28,080 Speaker 1: You know, you talk about having ten years where everything 47 00:02:28,480 --> 00:02:30,400 Speaker 1: you put out was a success, and then you put 48 00:02:30,400 --> 00:02:32,639 Speaker 1: out a record and you even joked that it went 49 00:02:32,680 --> 00:02:35,400 Speaker 1: double plywood. You know that must be hot as an. 50 00:02:35,280 --> 00:02:41,840 Speaker 3: Hostile it is, you know, But I think one of 51 00:02:42,040 --> 00:02:44,000 Speaker 3: one of the best compliments anybody ever gave me was 52 00:02:44,280 --> 00:02:47,800 Speaker 3: a friend of mine, maybe five or six years after 53 00:02:47,880 --> 00:02:51,040 Speaker 3: I'd sort of stopped having chart hits as an artist, 54 00:02:51,080 --> 00:02:53,600 Speaker 3: but I was now full on into writing and producing 55 00:02:53,639 --> 00:02:55,639 Speaker 3: for the people and having a great career doing that 56 00:02:56,080 --> 00:02:59,919 Speaker 3: and still performing here and there. We ended up having 57 00:03:00,080 --> 00:03:05,320 Speaker 3: conversation about the ebbs and flows of careers, and he 58 00:03:05,360 --> 00:03:08,160 Speaker 3: said to me, I think you, of all of all 59 00:03:08,160 --> 00:03:10,080 Speaker 3: the people I know, you were the most ready for 60 00:03:10,160 --> 00:03:13,040 Speaker 3: the fall. And I took that as a great compliment, 61 00:03:13,080 --> 00:03:17,640 Speaker 3: because there are some people I know who they still 62 00:03:17,680 --> 00:03:21,400 Speaker 3: can't really get over not being a star anymore, or 63 00:03:21,560 --> 00:03:24,160 Speaker 3: you know, having every record be on the charts or 64 00:03:24,520 --> 00:03:27,160 Speaker 3: And I always viewed that period of time, that ten 65 00:03:27,240 --> 00:03:31,760 Speaker 3: years or whatever, as finite. I always figured there was 66 00:03:31,800 --> 00:03:35,840 Speaker 3: some expiration date on it in terms of being you know, 67 00:03:35,880 --> 00:03:38,880 Speaker 3: having hits on the radio. That's for the most part, 68 00:03:38,960 --> 00:03:42,320 Speaker 3: that's a young person's game. And it was my turn 69 00:03:42,560 --> 00:03:44,520 Speaker 3: when I was young, and then I reached a point 70 00:03:44,520 --> 00:03:46,680 Speaker 3: where it wasn't my turn anymore. It was other people's turn. 71 00:03:46,720 --> 00:03:48,840 Speaker 3: And I you know, you can eat a bitch and 72 00:03:48,840 --> 00:03:50,680 Speaker 3: moan about it, or you can just carry on and 73 00:03:51,200 --> 00:03:51,720 Speaker 3: keep working. 74 00:03:52,200 --> 00:03:56,080 Speaker 2: Well, it's been a forty plus year career. Just extraordinary. 75 00:03:56,280 --> 00:03:58,840 Speaker 2: And it's interesting that you're writing about some experiences that 76 00:03:59,200 --> 00:04:01,920 Speaker 2: even your family don't know. Is it true that when 77 00:04:01,960 --> 00:04:03,920 Speaker 2: after reading the book, your son said, Hey, Dad, I 78 00:04:03,920 --> 00:04:06,800 Speaker 2: didn't know you held up at gunpoint in taiwan How casual? 79 00:04:08,920 --> 00:04:12,960 Speaker 3: Yeah, it was like, how could you have not told 80 00:04:13,040 --> 00:04:15,360 Speaker 3: us a story? Because I told them so many stories, 81 00:04:15,840 --> 00:04:18,040 Speaker 3: you know, even though I wrote in the book about 82 00:04:18,080 --> 00:04:23,160 Speaker 3: that experience in Taiwanan and it was a harrowing, frightening 83 00:04:24,080 --> 00:04:27,040 Speaker 3: a couple of days, I think I kind of blocked 84 00:04:27,040 --> 00:04:28,440 Speaker 3: a lot of it out. I mean, it is a 85 00:04:28,480 --> 00:04:30,400 Speaker 3: great story and it's a comb you know. I was 86 00:04:30,440 --> 00:04:33,240 Speaker 3: writing it, I was thinking, man, it feels like I'm 87 00:04:33,240 --> 00:04:35,599 Speaker 3: writing a Liam Neeson movie in this chapter, you know, 88 00:04:37,640 --> 00:04:39,719 Speaker 3: But I guess I must have had to have some 89 00:04:39,839 --> 00:04:41,960 Speaker 3: distance from it, because all I remember for a long 90 00:04:41,960 --> 00:04:44,520 Speaker 3: time was being terrified. It was, you know, there were 91 00:04:44,520 --> 00:04:47,560 Speaker 3: guys with machine guns, and our lives were being threatened, 92 00:04:47,560 --> 00:04:50,880 Speaker 3: and we we knew that these people could do whatever 93 00:04:50,920 --> 00:04:53,120 Speaker 3: they wanted to us and get away with it because 94 00:04:53,720 --> 00:04:54,720 Speaker 3: we were helpless. 95 00:04:54,800 --> 00:04:57,039 Speaker 2: If we're going to make a movie from the book, 96 00:04:57,160 --> 00:04:59,760 Speaker 2: Liam Neeson style, who should be playing you? You think. 97 00:05:01,440 --> 00:05:05,760 Speaker 3: John Stamos. I'm going to go with John. He's the 98 00:05:05,800 --> 00:05:08,000 Speaker 3: only guy that could do the hair correct. 99 00:05:09,880 --> 00:05:12,200 Speaker 1: And if John Stamos was to make a movie, you 100 00:05:12,240 --> 00:05:14,960 Speaker 1: could play him exactly. 101 00:05:15,000 --> 00:05:17,880 Speaker 3: He and I sort of have that deal. We if you, 102 00:05:18,040 --> 00:05:20,880 Speaker 3: if you follow either of us on Twitter. Every couple 103 00:05:20,920 --> 00:05:24,000 Speaker 3: of weeks, he and I have a Twitter battle. We 104 00:05:24,040 --> 00:05:27,160 Speaker 3: have a Twitter feud, and we insult each other relentlessly, 105 00:05:27,240 --> 00:05:28,599 Speaker 3: but only because we love each other. 106 00:05:28,839 --> 00:05:30,960 Speaker 1: And that's and that's the best way to be well. Richard, 107 00:05:31,000 --> 00:05:32,919 Speaker 1: it's always great to talk to you. The new memoir, 108 00:05:33,120 --> 00:05:36,880 Speaker 1: A Story to Tell is in all good bookstores today, Richard. 109 00:05:36,680 --> 00:05:41,720 Speaker 3: Thank you, My pleasure. Jonesy and Amanda's Domination