1 00:00:00,920 --> 00:00:05,200 Speaker 1: This is gem Nation. We're Jones. Well, we may be 2 00:00:05,320 --> 00:00:07,400 Speaker 1: going into our third line Ninia, but our next guest 3 00:00:07,440 --> 00:00:10,800 Speaker 1: has given us nothing but endless summer nights like what 4 00:00:10,840 --> 00:00:13,600 Speaker 1: I've done that. Richard Marx has sold more than thirty 5 00:00:13,720 --> 00:00:17,799 Speaker 1: million albums worldwide. He was last in Australia in twenty eighteen. 6 00:00:18,280 --> 00:00:21,760 Speaker 1: We spoke to him when he was releasing his book, 7 00:00:22,120 --> 00:00:26,239 Speaker 1: and now he's announcing a new album and an Australian tour. 8 00:00:26,239 --> 00:00:27,400 Speaker 1: We could not be more thrilled. 9 00:00:27,480 --> 00:00:32,960 Speaker 2: Hello Richard, my friends, I want you. I see behind 10 00:00:33,000 --> 00:00:36,080 Speaker 2: you because we're on Zoom. I see the sort of 11 00:00:37,200 --> 00:00:40,919 Speaker 2: muppet like caricatures of you, and I want one of 12 00:00:40,960 --> 00:00:43,680 Speaker 2: my own. I want I want somebody to create that 13 00:00:43,760 --> 00:00:44,000 Speaker 2: for me. 14 00:00:44,240 --> 00:00:47,800 Speaker 1: Well great, we have an ad campaign that these so 15 00:00:47,840 --> 00:00:49,440 Speaker 1: we didn't have to turn up for the filming, which 16 00:00:49,479 --> 00:00:50,920 Speaker 1: was just a way of giving us a day off 17 00:00:51,280 --> 00:00:54,760 Speaker 1: and ours sat lounging around a fireplace, which was lucky 18 00:00:54,800 --> 00:00:55,920 Speaker 1: because I could have melted. 19 00:00:56,040 --> 00:00:58,320 Speaker 3: You can know, there are little dollies. I wanted to 20 00:00:58,320 --> 00:01:00,960 Speaker 3: call them action figures, but a man said their dollies. 21 00:01:01,400 --> 00:01:03,560 Speaker 3: But they were on a TV. So if you've ever 22 00:01:03,640 --> 00:01:06,960 Speaker 3: if you're ever board and your YouTube Jonesy Demander, Dolly Ad. 23 00:01:07,720 --> 00:01:09,319 Speaker 3: You'll see what they're about. 24 00:01:09,840 --> 00:01:12,360 Speaker 2: They're kind of cute. Check it out, but a little 25 00:01:12,360 --> 00:01:14,640 Speaker 2: I'm a little jelly jelly. 26 00:01:14,760 --> 00:01:17,120 Speaker 1: We're getting measured for them? Is interesting. Yes, you know, 27 00:01:17,240 --> 00:01:19,200 Speaker 1: I don't know how. I couldn't hold my stomach in 28 00:01:19,240 --> 00:01:21,280 Speaker 1: for very long, so I had to say, quick, quick, 29 00:01:21,360 --> 00:01:23,800 Speaker 1: do it now. They use one of those electronic tape 30 00:01:23,800 --> 00:01:24,520 Speaker 1: measure things. 31 00:01:24,840 --> 00:01:27,280 Speaker 3: Gotcha, And we've both got mounds. 32 00:01:27,520 --> 00:01:31,960 Speaker 1: Yeah, yes, it was just a mound. Look, what's thrill 33 00:01:32,040 --> 00:01:35,959 Speaker 1: that you're coming here? When's the last time that you 34 00:01:36,040 --> 00:01:37,959 Speaker 1: toured here? Was that twenty eighteen? 35 00:01:38,000 --> 00:01:38,920 Speaker 3: Yeah? Before everything? 36 00:01:39,840 --> 00:01:42,520 Speaker 2: Yeah, the end of twenty eighteen, I came and did 37 00:01:43,000 --> 00:01:46,120 Speaker 2: a tour of my own. But also I did some 38 00:01:46,160 --> 00:01:50,640 Speaker 2: shows on the Green whatever on the Green right, yep, 39 00:01:50,760 --> 00:01:56,040 Speaker 2: with mister Farrenham. And yeah, and you know, I've been 40 00:01:56,040 --> 00:01:59,040 Speaker 2: reaching out to I hear good things. I hear he's 41 00:01:59,200 --> 00:02:02,920 Speaker 2: recovering and we're all thinking of him, and you know, 42 00:02:03,080 --> 00:02:04,800 Speaker 2: just so you guys know, he's not just a treasure 43 00:02:04,840 --> 00:02:06,360 Speaker 2: to you, He's a treasure to me as well. 44 00:02:06,320 --> 00:02:06,720 Speaker 3: Of course. 45 00:02:06,760 --> 00:02:09,640 Speaker 2: And so yeah, that's that's the last time I was there. 46 00:02:09,720 --> 00:02:12,840 Speaker 2: And I think it was during the Arias. I showed 47 00:02:12,880 --> 00:02:14,920 Speaker 2: up at the Arias and presented on a word and 48 00:02:14,960 --> 00:02:17,960 Speaker 2: got to see our buddy Keith, and it was a 49 00:02:18,000 --> 00:02:20,119 Speaker 2: great couple of weeks there. But yeah, that's the last 50 00:02:20,120 --> 00:02:23,040 Speaker 2: time I'm there, so I'm it's it's time always. 51 00:02:23,120 --> 00:02:25,720 Speaker 3: Time we've missed you. And I just love this the 52 00:02:26,080 --> 00:02:28,680 Speaker 3: two new songs that were just listening to them before. 53 00:02:29,080 --> 00:02:31,440 Speaker 3: But Same heart Break, Different Day. You've written that with 54 00:02:31,919 --> 00:02:36,160 Speaker 3: Katy Perry, which sounds fantastic, but also I love shame 55 00:02:36,240 --> 00:02:38,960 Speaker 3: on you and this is with your son co written 56 00:02:39,040 --> 00:02:40,240 Speaker 3: with Jesse. 57 00:02:42,160 --> 00:02:47,400 Speaker 2: Well, you're gonna have to either fire or severely penalize 58 00:02:47,440 --> 00:02:51,360 Speaker 2: whoever gave you your your information, because you're right about 59 00:02:51,360 --> 00:02:54,079 Speaker 2: the latter. Shame on you. I wrote with my youngest 60 00:02:54,120 --> 00:02:57,520 Speaker 2: son Jesse. Same Heartbreak, Different Day, I wrote with my 61 00:02:57,800 --> 00:03:02,840 Speaker 2: middle son Lucas wrote us four Katie par last year, right, 62 00:03:02,919 --> 00:03:05,800 Speaker 2: So it wasn't it's not like a complete like what 63 00:03:05,840 --> 00:03:08,480 Speaker 2: are you talking about? But it was definitely lost. 64 00:03:09,200 --> 00:03:10,240 Speaker 3: Its deriveted bit. 65 00:03:10,560 --> 00:03:12,760 Speaker 2: But it was the first time that I collaborated with 66 00:03:12,280 --> 00:03:15,600 Speaker 2: my baby boy Jesse, who's a great rock artist and 67 00:03:15,720 --> 00:03:20,040 Speaker 2: rock guitarist, and we wrote a couple of songs and 68 00:03:20,080 --> 00:03:22,880 Speaker 2: one of them was shame on you. And we ended 69 00:03:22,960 --> 00:03:24,960 Speaker 2: up getting Taylor Hawkins from the Hoo Fighters to play 70 00:03:25,000 --> 00:03:26,760 Speaker 2: drums on it. He was a dear friend of mine. 71 00:03:27,280 --> 00:03:28,840 Speaker 3: Well, I was going to say about the song, I 72 00:03:28,880 --> 00:03:32,880 Speaker 3: love the drums in it. Wow, right, And also the 73 00:03:32,960 --> 00:03:37,480 Speaker 3: song takes me back to I Don't Need Nothing. 74 00:03:38,840 --> 00:03:40,240 Speaker 2: Yeah, yeah, it's nothing. 75 00:03:40,400 --> 00:03:43,160 Speaker 3: It's got that great. I heard it and I went, WHOA, 76 00:03:43,280 --> 00:03:45,320 Speaker 3: that's uh, because a lot of people when they think 77 00:03:45,320 --> 00:03:48,000 Speaker 3: of Richard Marx, you know you have this rock side 78 00:03:48,320 --> 00:03:51,480 Speaker 3: that I don't think people appreciate and don't need nothing. 79 00:03:51,640 --> 00:03:54,080 Speaker 3: To me, it was when I first discovered you all 80 00:03:54,120 --> 00:03:55,160 Speaker 3: those years ago. 81 00:03:55,960 --> 00:03:58,440 Speaker 2: Yeah, I mean that was my first single in America 82 00:03:58,480 --> 00:04:02,000 Speaker 2: and I started my my career started at rock radio. 83 00:04:02,120 --> 00:04:04,640 Speaker 2: The first six months of my career was just all 84 00:04:04,880 --> 00:04:09,040 Speaker 2: rock stations and rock clubs. And it wasn't until I 85 00:04:09,200 --> 00:04:12,280 Speaker 2: released this sort of emotional rock ballad called Hold onto 86 00:04:12,280 --> 00:04:14,200 Speaker 2: the Nights that the rock stations went, well, we're not 87 00:04:14,200 --> 00:04:17,599 Speaker 2: playing him anymore. He's a pop guy. But I didn't 88 00:04:17,600 --> 00:04:20,359 Speaker 2: stop me from continuing to do rock music throughout the years. 89 00:04:20,960 --> 00:04:22,960 Speaker 2: But I will say that it's been a while since 90 00:04:22,960 --> 00:04:27,640 Speaker 2: I've done anything as heavy as guitar heavy and drum 91 00:04:27,680 --> 00:04:30,760 Speaker 2: heavy as these tracks on the new album, and as 92 00:04:30,800 --> 00:04:32,680 Speaker 2: we were about to finish it and we were about 93 00:04:32,720 --> 00:04:34,800 Speaker 2: to mix it, which is the last part of the process, 94 00:04:36,040 --> 00:04:38,719 Speaker 2: I just thought, look, the worst that Taylor would say 95 00:04:38,800 --> 00:04:40,240 Speaker 2: is now, I don't want to play on it. And 96 00:04:40,279 --> 00:04:42,600 Speaker 2: I played him the track and he said, oh my god, 97 00:04:42,600 --> 00:04:44,320 Speaker 2: I love this song. I'd love to play on it. 98 00:04:44,760 --> 00:04:46,200 Speaker 2: And so Jesse and I went over to his house 99 00:04:46,240 --> 00:04:48,320 Speaker 2: and spent the day with him, and I knew him. 100 00:04:48,680 --> 00:04:50,520 Speaker 2: I knew him pretty well, and he was just the 101 00:04:50,560 --> 00:04:54,960 Speaker 2: sweetest kind of He was just amazing. So it's very 102 00:04:55,000 --> 00:04:58,240 Speaker 2: bittersweet because I think about him every day. I miss him, 103 00:04:58,800 --> 00:05:02,880 Speaker 2: and it was very untimed, but I'm also incredibly grateful 104 00:05:02,880 --> 00:05:04,479 Speaker 2: that I got to make music with him and that 105 00:05:04,520 --> 00:05:05,520 Speaker 2: he's part of this record. 106 00:05:06,440 --> 00:05:09,080 Speaker 1: Is a dream for you to tour with your sons, 107 00:05:09,920 --> 00:05:10,720 Speaker 1: That's a good question. 108 00:05:10,839 --> 00:05:13,200 Speaker 2: They haven't. I mean, they've sat in with me, my son, 109 00:05:13,279 --> 00:05:16,560 Speaker 2: Lucas and Jesse. They're actually Lucas and Jesse happened to 110 00:05:16,560 --> 00:05:18,520 Speaker 2: be in London with me now and I think they're 111 00:05:18,520 --> 00:05:20,600 Speaker 2: going to sit in with me tomorrow night. Lucas got 112 00:05:20,680 --> 00:05:24,360 Speaker 2: up with me in Amsterdam and in Edinburgh when I 113 00:05:24,440 --> 00:05:27,360 Speaker 2: was there. As far as touring with me, I mean, 114 00:05:27,400 --> 00:05:29,880 Speaker 2: it's something that I've thought about, but I think that 115 00:05:29,960 --> 00:05:33,000 Speaker 2: they're just happy doing their own thing, you know, just 116 00:05:33,040 --> 00:05:36,320 Speaker 2: like I had tremendous love and respect for my father 117 00:05:36,880 --> 00:05:38,920 Speaker 2: when I was young, but I wanted to do my 118 00:05:38,960 --> 00:05:41,240 Speaker 2: own thing. You know, he'd said, hey, come out and 119 00:05:41,440 --> 00:05:43,080 Speaker 2: work with me, and I mean he tried to get 120 00:05:43,080 --> 00:05:45,560 Speaker 2: me to like he was a jingle writer and producer, 121 00:05:45,600 --> 00:05:47,880 Speaker 2: and he tried to get me to sort of take 122 00:05:47,920 --> 00:05:51,640 Speaker 2: over his business. And I said, man, I'm so grateful, 123 00:05:51,680 --> 00:05:53,440 Speaker 2: but I like, that's your thing. I want to do 124 00:05:53,520 --> 00:05:55,640 Speaker 2: my thing. And I think my sons are in the 125 00:05:55,680 --> 00:05:57,440 Speaker 2: same same place. 126 00:05:57,279 --> 00:05:59,200 Speaker 3: Because that right, you did a jingle when you're a kid, 127 00:05:59,279 --> 00:05:59,600 Speaker 3: didn't you. 128 00:06:01,240 --> 00:06:03,080 Speaker 2: I did a bunch of jingles when I was a kid, Yeah, 129 00:06:03,120 --> 00:06:06,760 Speaker 2: for like candy bars and bubble gum and breakfast Cereal. 130 00:06:07,200 --> 00:06:09,680 Speaker 2: As a songwriter, as a pop songwriter, I have the 131 00:06:09,800 --> 00:06:13,239 Speaker 2: luxury of three and a half four minutes. My father 132 00:06:13,839 --> 00:06:16,159 Speaker 2: had no luxury. He had to get to the hook 133 00:06:16,200 --> 00:06:17,520 Speaker 2: within thirty seconds. 134 00:06:17,839 --> 00:06:22,400 Speaker 3: Well, in Australia, we've got lub lubemobile and I'm not 135 00:06:22,480 --> 00:06:24,719 Speaker 3: even to lubemobile. 136 00:06:24,680 --> 00:06:26,240 Speaker 1: It's a van that comes to your home. And what 137 00:06:26,320 --> 00:06:27,400 Speaker 1: do I even I don't. 138 00:06:27,200 --> 00:06:29,080 Speaker 2: Even want to, I don't This is going to go 139 00:06:29,160 --> 00:06:31,920 Speaker 2: down a whole, very dangerous road right now. I'm going 140 00:06:31,960 --> 00:06:33,640 Speaker 2: to tell you right now, what what do you. 141 00:06:33,640 --> 00:06:37,040 Speaker 3: Think Lubemobile does. It's a mobile van that comes around 142 00:06:37,400 --> 00:06:42,800 Speaker 3: and the jingle goes called thirteen thirty thirty two, Loo Mobile, 143 00:06:43,160 --> 00:06:43,800 Speaker 3: Loo Mobile? 144 00:06:44,640 --> 00:06:47,160 Speaker 2: What do you think they do? I know what they do, 145 00:06:47,400 --> 00:06:53,000 Speaker 2: but it's still dangerousous topic found that out the hard way. 146 00:06:53,839 --> 00:06:56,080 Speaker 2: Say the word you stay, the word lube and I'm 147 00:06:56,120 --> 00:06:57,080 Speaker 2: going to be twelve years old. 148 00:06:57,240 --> 00:06:59,599 Speaker 3: Of course you are. Of course you are well, Richard. 149 00:06:59,640 --> 00:07:02,160 Speaker 3: It's great to talk to you. The Songwriter Tour Australian 150 00:07:02,200 --> 00:07:05,840 Speaker 3: twenty twenty three tours on sound Now, Frontier Touring dot Com. 151 00:07:06,240 --> 00:07:08,440 Speaker 3: Richard Marx is always a trait to catch up with you. 152 00:07:09,520 --> 00:07:12,360 Speaker 2: You guys are great. I can see you hopefully, hopefully 153 00:07:12,400 --> 00:07:13,840 Speaker 2: I'll get in there and we can hang out in person. 154 00:07:14,080 --> 00:07:14,560 Speaker 3: I love it. 155 00:07:14,720 --> 00:07:15,440 Speaker 2: Thank you, Richard,