1 00:00:00,440 --> 00:00:03,800 Speaker 1: Well and Woody podcast many they got years back on 2 00:00:03,800 --> 00:00:11,080 Speaker 1: your TAMS seven thirty back where it belongs Channel ten 3 00:00:11,480 --> 00:00:17,479 Speaker 1: ten play. The host Celia Pacuola now seals excited, mate. 4 00:00:17,520 --> 00:00:20,320 Speaker 1: I mean, you know your show is big, big time 5 00:00:20,440 --> 00:00:22,160 Speaker 1: when you're on the front page of the Green Guard. 6 00:00:22,320 --> 00:00:26,639 Speaker 1: Oh yeah, you know that. And I got to say, 7 00:00:26,800 --> 00:00:29,280 Speaker 1: I mean, I obviously the big part of the show 8 00:00:29,400 --> 00:00:31,360 Speaker 1: is the door. You got to walk through the door. 9 00:00:31,360 --> 00:00:33,520 Speaker 1: You're ready to walk through the door. Have they changed 10 00:00:33,560 --> 00:00:35,279 Speaker 1: the color of the door. I mean, I know this 11 00:00:35,320 --> 00:00:38,240 Speaker 1: is a small scale question, but I just was walking 12 00:00:38,800 --> 00:00:41,000 Speaker 1: the red door, didn't it? It was blue? Was? It was? Always? 13 00:00:41,720 --> 00:00:49,800 Speaker 1: Think I think you need to see actually actually a. 14 00:00:51,240 --> 00:00:52,680 Speaker 2: Way to make me make fun of you. What do 15 00:00:52,680 --> 00:00:53,040 Speaker 2: you have it? 16 00:00:54,480 --> 00:00:56,920 Speaker 1: Sink the hills in I reckon right in there. 17 00:00:58,400 --> 00:01:01,800 Speaker 2: I was right through the door into that one. The 18 00:01:01,840 --> 00:01:03,840 Speaker 2: door has always been blue. It's weird because it's something 19 00:01:03,880 --> 00:01:05,559 Speaker 2: you know in Sex of the City they talk about 20 00:01:05,560 --> 00:01:09,160 Speaker 2: like New York is another character in the shot. But 21 00:01:09,360 --> 00:01:12,040 Speaker 2: the door really is sort of a third character and another. 22 00:01:12,160 --> 00:01:14,440 Speaker 2: The only other thing that it's the same. The door 23 00:01:14,440 --> 00:01:16,399 Speaker 2: has got its own dressing room. The door is getting 24 00:01:16,880 --> 00:01:19,880 Speaker 2: a buff and polish after every show. The only other 25 00:01:19,920 --> 00:01:22,759 Speaker 2: thing that is different this season is that you remember 26 00:01:22,840 --> 00:01:24,520 Speaker 2: Tom Gleisner would sit in the audience and be the 27 00:01:25,640 --> 00:01:29,720 Speaker 2: he's not back this year in the show. He's not 28 00:01:29,840 --> 00:01:31,920 Speaker 2: in the show because he had a falling out with 29 00:01:31,959 --> 00:01:33,360 Speaker 2: the door and the door was like, I can't be 30 00:01:33,800 --> 00:01:35,080 Speaker 2: with him. He's out. 31 00:01:35,920 --> 00:01:38,000 Speaker 1: So it was Glas the door and you've gone for 32 00:01:38,040 --> 00:01:38,320 Speaker 1: the door. 33 00:01:39,280 --> 00:01:41,520 Speaker 2: The door people can't walk through Tom Guider every week. 34 00:01:41,560 --> 00:01:46,880 Speaker 2: That's just weird. Okay, so we're on the door, but no, 35 00:01:46,920 --> 00:01:48,920 Speaker 2: it turns out he's quite busy. But so what we 36 00:01:49,080 --> 00:01:54,720 Speaker 2: do have is we have a guest special judge every week. 37 00:01:54,840 --> 00:01:56,680 Speaker 2: I can't tell you. That's the one secret that we're 38 00:01:56,680 --> 00:01:59,760 Speaker 2: holding back. It's a very big name pretty much. They're 39 00:01:59,800 --> 00:02:04,560 Speaker 2: kind of legends leads every week it's a different one 40 00:02:04,640 --> 00:02:06,560 Speaker 2: and I can't tell you. But if you just imagine, 41 00:02:06,560 --> 00:02:09,600 Speaker 2: like who is like Australian Comedy Royalty, it's them. 42 00:02:09,960 --> 00:02:11,440 Speaker 1: It's a few names, but I want to say it 43 00:02:11,480 --> 00:02:13,600 Speaker 1: just ins I give it away, just to remind everybody 44 00:02:13,600 --> 00:02:15,960 Speaker 1: the standard that's in the show there is already outstanding. 45 00:02:15,960 --> 00:02:20,600 Speaker 1: So tonight through the Door. Aaron Chan, Julius Zimiro and 46 00:02:20,639 --> 00:02:25,200 Speaker 1: Mark Bonanca, Auntie Donna. So that's a very high bar 47 00:02:25,360 --> 00:02:27,960 Speaker 1: and you're going to behind than there in terms of 48 00:02:28,280 --> 00:02:32,360 Speaker 1: royalty status. It's really krem de la creme of And 49 00:02:32,360 --> 00:02:35,760 Speaker 1: obviously you hosting as well, seals are you? What's what's 50 00:02:35,760 --> 00:02:37,440 Speaker 1: the vibe going to be like on zet? I kind 51 00:02:37,480 --> 00:02:39,080 Speaker 1: of feel a bit sorry for the improv actors. 52 00:02:39,880 --> 00:02:42,760 Speaker 2: They've got the toughest job will they're allowed to laugh 53 00:02:43,840 --> 00:02:46,120 Speaker 2: for them? They are, They're right up close to it 54 00:02:46,280 --> 00:02:48,600 Speaker 2: and in front of them is a five hundred person 55 00:02:48,680 --> 00:02:52,760 Speaker 2: audience who are allowed to absolutely laugh their butts off. 56 00:02:53,720 --> 00:02:56,239 Speaker 2: And the Yeah, that's a tough gig. Which is where 57 00:02:56,280 --> 00:02:58,600 Speaker 2: if you remember, that's where Ed Kavalie, Well that's where 58 00:02:58,600 --> 00:03:01,280 Speaker 2: I first became cozy with Chably. He was one of 59 00:03:01,280 --> 00:03:04,799 Speaker 2: the core ensembles and he was amazing. I never saw 60 00:03:04,880 --> 00:03:08,720 Speaker 2: him full inch, but yeah, that ensemble cast they have to, yeah, be. 61 00:03:08,720 --> 00:03:10,720 Speaker 1: Nice to put back the curtain a little bit here. 62 00:03:10,760 --> 00:03:14,760 Speaker 1: So he got some sort of a roadmap to follow, 63 00:03:15,200 --> 00:03:17,280 Speaker 1: like they know the different beats that are going to 64 00:03:17,360 --> 00:03:23,280 Speaker 1: come up in the sketch, right, but the person yeah, absolutely. 65 00:03:22,800 --> 00:03:25,560 Speaker 2: The performers don't have no idea, but the ensemble have to. 66 00:03:25,639 --> 00:03:28,000 Speaker 2: Because if you remember, as well, sometimes in the old 67 00:03:28,160 --> 00:03:30,399 Speaker 2: there's like there was pirate Technicus that would go off, 68 00:03:30,840 --> 00:03:33,440 Speaker 2: animals were brought in, like so there needs to be 69 00:03:33,760 --> 00:03:35,960 Speaker 2: but that's all in the ensemble tep I can tell 70 00:03:36,000 --> 00:03:39,960 Speaker 2: you hand on heartt the performers, I swear have no 71 00:03:40,080 --> 00:03:43,640 Speaker 2: idea clue. 72 00:03:44,000 --> 00:03:46,560 Speaker 1: She will show at that roadmap so quickly, like good 73 00:03:46,640 --> 00:03:49,360 Speaker 1: luck to any ensemble cars trying to control of the time. 74 00:03:50,240 --> 00:03:53,680 Speaker 2: I don't yeah, you know, I don't know. But what 75 00:03:53,720 --> 00:03:55,360 Speaker 2: you're going to come out of, which is what's great 76 00:03:55,400 --> 00:03:57,360 Speaker 2: about this show is like would make them into a 77 00:03:57,440 --> 00:03:59,680 Speaker 2: ridiculous thing that they would never do in their life. 78 00:04:00,000 --> 00:04:03,120 Speaker 2: And then also, how is your favorite performer going to react? 79 00:04:03,200 --> 00:04:05,240 Speaker 2: Like we can all speculate about what Eartha was going 80 00:04:05,320 --> 00:04:07,800 Speaker 2: to do, but she might go really quiet and do 81 00:04:07,840 --> 00:04:11,240 Speaker 2: one line. She might try and climb the furniture. She 82 00:04:11,320 --> 00:04:14,440 Speaker 2: might try and you know, make out with an audience member. 83 00:04:14,560 --> 00:04:17,640 Speaker 2: I don't know, nobody knows how anyone's going to react. 84 00:04:17,880 --> 00:04:19,239 Speaker 2: And that's part of the front. 85 00:04:19,279 --> 00:04:21,440 Speaker 1: The genius of that's the genius of it. That's why 86 00:04:21,480 --> 00:04:23,479 Speaker 1: it was such a great idea, and that's why it's 87 00:04:23,560 --> 00:04:26,120 Speaker 1: so so wonderful that it's going to be back on 88 00:04:26,120 --> 00:04:28,560 Speaker 1: your TV Tonight seven thirty, Channel ten and ten play 89 00:04:28,600 --> 00:04:32,200 Speaker 1: Thank God You Hear returns to TV. Celia Pokwalla is 90 00:04:32,240 --> 00:04:34,840 Speaker 1: hosting If Anything, make sure you're just watching for her. 91 00:04:35,040 --> 00:04:37,440 Speaker 1: Lovely to hear your voiceeals, good luck you. 92 00:04:37,440 --> 00:04:40,240 Speaker 2: Jo, thanks for having me. Now hear more of the 93 00:04:40,320 --> 00:04:44,120 Speaker 2: boys on the Full Show podcast, all on the iHeartRadio app. 94 00:04:44,279 --> 00:04:46,040 Speaker 2: Oh worry Me Get your Podcast