1 00:00:00,760 --> 00:00:04,440 Speaker 1: On airbm ondav All listen to your heartskin sent on 2 00:00:04,600 --> 00:00:09,960 Speaker 1: iHeart Radio It's clazy and Lisa rewound at ninety six AIRFM. 3 00:00:09,680 --> 00:00:12,200 Speaker 2: Coming up on the podcast from where the Core Dad 4 00:00:12,320 --> 00:00:14,280 Speaker 2: sing Taylor John Smith been o'shee. 5 00:00:14,320 --> 00:00:16,439 Speaker 1: Our movie man checks out the movie and. 6 00:00:16,520 --> 00:00:18,720 Speaker 3: We asked, what have be bought and never used? 7 00:00:18,880 --> 00:00:20,200 Speaker 1: You still want me to take that thing back to 8 00:00:20,239 --> 00:00:20,599 Speaker 1: a kid? 9 00:00:20,680 --> 00:00:21,280 Speaker 4: Yeah. 10 00:00:21,320 --> 00:00:24,160 Speaker 2: So, a man who is transforming himself into a quote 11 00:00:24,239 --> 00:00:28,720 Speaker 2: unquote black alien has I don't even know why, has 12 00:00:28,800 --> 00:00:31,680 Speaker 2: revealed he can't get a job oh girls of prise 13 00:00:31,760 --> 00:00:34,200 Speaker 2: thanks to his extreme look saying a lot of people 14 00:00:34,240 --> 00:00:37,800 Speaker 2: simply don't understand. The pictures of this guy are like 15 00:00:37,920 --> 00:00:41,800 Speaker 2: nothing I have ever seen. He makes that the enigma 16 00:00:41,920 --> 00:00:45,000 Speaker 2: from the Jim Rose Circus look like the guy next door. 17 00:00:45,400 --> 00:00:45,640 Speaker 1: Yeah. 18 00:00:45,840 --> 00:00:48,400 Speaker 3: Yeah, it makes him a guy you'd let you know, 19 00:00:48,400 --> 00:00:49,120 Speaker 3: look after you kids. 20 00:00:49,120 --> 00:00:51,240 Speaker 1: It's like a girl on them. Then maybe the voice. 21 00:00:51,680 --> 00:00:55,000 Speaker 2: Anthony Lifredo has covered most of his body in dark tattoos, 22 00:00:55,040 --> 00:00:59,080 Speaker 2: including his eyeballs. He's had implants installed under the skin 23 00:00:59,160 --> 00:01:01,840 Speaker 2: on his bald head to make it unnaturally lumpy, and 24 00:01:01,880 --> 00:01:04,800 Speaker 2: he's had implants installed under his arms to give them this. 25 00:01:04,720 --> 00:01:06,040 Speaker 3: Weird ridged effect. 26 00:01:06,440 --> 00:01:08,720 Speaker 2: His teeth are blue, and he's had two fingers, parts 27 00:01:08,760 --> 00:01:11,600 Speaker 2: of his nose and both ears amputated. 28 00:01:11,959 --> 00:01:13,319 Speaker 1: Amputated, colorful character. 29 00:01:13,440 --> 00:01:16,880 Speaker 2: Lefredo, who documents his transformation on Instagram, says there's a 30 00:01:16,880 --> 00:01:19,520 Speaker 2: lot of negative reaction to his unique style, not only 31 00:01:19,520 --> 00:01:22,640 Speaker 2: from people in the street, but also prospective employers, and 32 00:01:22,680 --> 00:01:26,400 Speaker 2: he seems genuinely surprised when he says this. He says, 33 00:01:26,480 --> 00:01:29,240 Speaker 2: it is a constant fight, because every day you find 34 00:01:29,319 --> 00:01:31,720 Speaker 2: new people who just don't understand and they just want 35 00:01:31,720 --> 00:01:34,560 Speaker 2: to judge. She was Anthony, I can't imagine. Why did 36 00:01:34,600 --> 00:01:36,720 Speaker 2: I mention? He also got his tongue split down the 37 00:01:36,720 --> 00:01:39,000 Speaker 2: middle create a forked defect. And now he's planning to 38 00:01:39,000 --> 00:01:40,160 Speaker 2: have his penis split. 39 00:01:40,000 --> 00:01:41,200 Speaker 1: In half of a lace. 40 00:01:41,319 --> 00:01:42,960 Speaker 3: He's heard that, right, penis split in half. 41 00:01:42,959 --> 00:01:43,840 Speaker 1: You're making this stuff up. 42 00:01:43,880 --> 00:01:45,479 Speaker 3: He might as well, because I doubt he's ever. 43 00:01:45,400 --> 00:01:47,920 Speaker 1: Going to need it for bugger. 44 00:01:48,120 --> 00:01:51,760 Speaker 3: Break the flick with Benoche on ninety six m. 45 00:01:52,120 --> 00:01:53,920 Speaker 5: How the Australians do you think know what a crawl 46 00:01:53,960 --> 00:01:54,360 Speaker 5: dad is? 47 00:01:56,280 --> 00:01:58,559 Speaker 3: Do you know what a crow was? Like a shrimp 48 00:01:58,640 --> 00:02:01,320 Speaker 3: or something? It's like a be from you know, like 49 00:02:01,040 --> 00:02:02,040 Speaker 3: a like a jugie. 50 00:02:02,160 --> 00:02:03,160 Speaker 1: As we might say here in. 51 00:02:04,840 --> 00:02:07,600 Speaker 3: Ji, I spent my own time. 52 00:02:09,080 --> 00:02:10,360 Speaker 5: So if you think a crawl dad, if you think 53 00:02:10,360 --> 00:02:11,919 Speaker 5: a crawdad is a weird name, it's like the same 54 00:02:11,960 --> 00:02:12,440 Speaker 5: as Juggie. 55 00:02:12,520 --> 00:02:14,920 Speaker 3: So, by the way, it's a bird, not a jogie 56 00:02:15,600 --> 00:02:18,400 Speaker 3: crawl dad, a crawdad. No, it's a bird. Isn't it 57 00:02:18,440 --> 00:02:19,080 Speaker 3: a crustacean? 58 00:02:19,120 --> 00:02:20,480 Speaker 5: It's a freshwater crustacean. 59 00:02:20,560 --> 00:02:21,000 Speaker 1: Do they sing? 60 00:02:22,160 --> 00:02:25,000 Speaker 5: That's that's pretty The confusing thing about the title of 61 00:02:25,080 --> 00:02:27,880 Speaker 5: the book, right be honestly, I thought it was how 62 00:02:27,960 --> 00:02:29,560 Speaker 5: far do you have to go to hear the crawdad? 63 00:02:30,440 --> 00:02:31,080 Speaker 3: It's a crawdad. 64 00:02:31,520 --> 00:02:33,000 Speaker 5: It's not much of it. It's not much of a song. 65 00:02:33,040 --> 00:02:36,919 Speaker 5: It's like clipping their claws. But so anyway, we've digressed 66 00:02:37,080 --> 00:02:39,959 Speaker 5: for a long way away from the film. So I 67 00:02:40,040 --> 00:02:42,079 Speaker 5: think there's good news and bad news when it comes 68 00:02:42,160 --> 00:02:45,000 Speaker 5: to the movie where the crawl dads sing, and the 69 00:02:45,080 --> 00:02:47,760 Speaker 5: good news which will come as as relief to all 70 00:02:47,840 --> 00:02:49,680 Speaker 5: of the people who've read the book. And there are 71 00:02:49,919 --> 00:02:52,040 Speaker 5: so many people who've read this book. So it's been 72 00:02:52,080 --> 00:02:54,000 Speaker 5: on the New York Times bestseller list for one hundred 73 00:02:54,000 --> 00:02:56,760 Speaker 5: and fifty weeks, right there, you go, sold more than 74 00:02:56,840 --> 00:02:59,600 Speaker 5: twelve million copies, and two years in a row it 75 00:02:59,720 --> 00:03:02,440 Speaker 5: was the top selling book on the New York Times Bestsellers. 76 00:03:02,520 --> 00:03:05,720 Speaker 5: So it is an insanely popular book, right, and so 77 00:03:06,560 --> 00:03:08,359 Speaker 5: in adapting it you have to make it. You have 78 00:03:08,400 --> 00:03:10,560 Speaker 5: to make some choices, right like do you stay faithful 79 00:03:10,680 --> 00:03:14,239 Speaker 5: to the original material and keep the readers happy, or 80 00:03:14,280 --> 00:03:16,959 Speaker 5: do you kind of focus on making a movie, in 81 00:03:17,040 --> 00:03:19,160 Speaker 5: which case maybe you divert a little bit from the 82 00:03:19,240 --> 00:03:21,359 Speaker 5: plot you leave. You have to leave things out because 83 00:03:21,560 --> 00:03:23,680 Speaker 5: you know, your average screenplays about one hundred pages long. 84 00:03:23,760 --> 00:03:25,880 Speaker 5: Your average books probably about three undred and fifty pages long. 85 00:03:25,960 --> 00:03:27,919 Speaker 5: So you're gonna have to leave stuff out no matter what. 86 00:03:28,600 --> 00:03:31,240 Speaker 5: And in this case, they've chosen to stay very faithful 87 00:03:31,440 --> 00:03:34,880 Speaker 5: to Delia Owens's book, which I think is good news. 88 00:03:34,760 --> 00:03:35,680 Speaker 1: For people who like the book. 89 00:03:36,360 --> 00:03:39,880 Speaker 5: And so I think readers of the book will enjoy 90 00:03:39,960 --> 00:03:43,000 Speaker 5: the film. I think they'll appreciate the casting, which is 91 00:03:43,600 --> 00:03:46,680 Speaker 5: probably lesser known actors like they even though they could have, 92 00:03:46,920 --> 00:03:49,360 Speaker 5: you know, sort of cast big names in some of 93 00:03:49,400 --> 00:03:52,720 Speaker 5: these roles. They opted for Daisy Egga Jones, who if 94 00:03:52,760 --> 00:03:56,960 Speaker 5: you've seen Normal People, the Irish kind of romantic drama series, 95 00:03:57,400 --> 00:04:00,800 Speaker 5: people love her as KaiA the central character here, who 96 00:04:01,320 --> 00:04:03,240 Speaker 5: for people who don't know the book, she is this 97 00:04:03,600 --> 00:04:07,040 Speaker 5: girl who grew ups kind of a traumatic upbringing in 98 00:04:07,200 --> 00:04:10,560 Speaker 5: this remote marshlands of North Carolina in the nineteen fifties, 99 00:04:12,040 --> 00:04:16,480 Speaker 5: sending for her siblings take off because her dad's abusive 100 00:04:16,960 --> 00:04:19,280 Speaker 5: and then he kind of disappears and she's left on 101 00:04:19,320 --> 00:04:23,039 Speaker 5: her own. And as a result of kind of that upbringing, 102 00:04:23,160 --> 00:04:25,560 Speaker 5: the local town just call her the Marsh Girl. You know, 103 00:04:25,680 --> 00:04:27,640 Speaker 5: she's kind of this this weirdo that lives out in 104 00:04:27,680 --> 00:04:32,920 Speaker 5: the swamp and yeah, exactly. And then when there's a 105 00:04:33,080 --> 00:04:36,520 Speaker 5: murder of the local heart throb and he would former 106 00:04:36,640 --> 00:04:39,880 Speaker 5: high school quarterback scene all American kid, the big star 107 00:04:40,000 --> 00:04:42,120 Speaker 5: of the town, Chase, who's played in this film, but 108 00:04:43,160 --> 00:04:45,360 Speaker 5: of course played by Harris Dickinson, who was in The 109 00:04:45,440 --> 00:04:47,920 Speaker 5: King's Man a couple of years ago, up and coming 110 00:04:47,960 --> 00:04:50,680 Speaker 5: young British actor. Of course, who else is the town 111 00:04:50,760 --> 00:04:53,080 Speaker 5: going to play him except for the Marsh Girl. And 112 00:04:53,200 --> 00:04:55,440 Speaker 5: so then it turns into you know, like a kind 113 00:04:55,440 --> 00:04:58,400 Speaker 5: of a legal procedural, both in the book and in 114 00:04:58,440 --> 00:05:01,520 Speaker 5: the film, in which she's got a kind of fight 115 00:05:01,600 --> 00:05:04,960 Speaker 5: for her innocence in the court with amongst the jury 116 00:05:05,000 --> 00:05:07,760 Speaker 5: of these townsfolk who hated her and who don't really 117 00:05:07,880 --> 00:05:09,800 Speaker 5: know it from a bar so let's be honest, you 118 00:05:09,800 --> 00:05:12,760 Speaker 5: didn't have one, and you kind of piece it all 119 00:05:12,839 --> 00:05:15,680 Speaker 5: together through a series of flashbacks that happened in the 120 00:05:15,720 --> 00:05:17,960 Speaker 5: film as well. Her lawyer and then movie is played 121 00:05:17,960 --> 00:05:21,520 Speaker 5: by the great David straight Then, who is awesome and 122 00:05:22,400 --> 00:05:25,719 Speaker 5: he although he does really pump up the killer Mockingbird 123 00:05:25,839 --> 00:05:30,520 Speaker 5: vibes because he's very Atticus Finchy in this film, and look, 124 00:05:30,520 --> 00:05:32,560 Speaker 5: the book is a bit like it as well, with 125 00:05:32,760 --> 00:05:35,360 Speaker 5: Kaya kind of like, you know, the poor guy who 126 00:05:35,480 --> 00:05:38,520 Speaker 5: was accused of the of the rape in to kill 127 00:05:38,560 --> 00:05:40,240 Speaker 5: a Mockingbird. And she's also got a bit of Boo 128 00:05:40,320 --> 00:05:42,279 Speaker 5: Radley about her as well. I reckons sort of combination 129 00:05:42,400 --> 00:05:46,320 Speaker 5: of Tom and Boo. But then that's not the only 130 00:05:46,360 --> 00:05:47,880 Speaker 5: thing going on in this film. There's also a love 131 00:05:48,000 --> 00:05:53,239 Speaker 5: triangle that emerges between an unlikely kind of Kaya Chase 132 00:05:53,480 --> 00:05:56,560 Speaker 5: kind of romance and maybe it's happening, but also also 133 00:05:56,680 --> 00:05:59,120 Speaker 5: with Tate, who's kind of more of a kindred spirit 134 00:05:59,240 --> 00:06:02,000 Speaker 5: with Kaya, who she loves nature, she loves and she 135 00:06:02,120 --> 00:06:05,600 Speaker 5: becomes a naturalist right and starts sketching all of the 136 00:06:05,680 --> 00:06:07,919 Speaker 5: shells and feathers and things that she sees in the marsh. 137 00:06:08,760 --> 00:06:11,960 Speaker 5: And Tate is played by Taylor John who you got 138 00:06:12,000 --> 00:06:14,120 Speaker 5: coming up on the show, which is pretty exciting. 139 00:06:14,520 --> 00:06:15,440 Speaker 1: And so you've got the love. 140 00:06:15,360 --> 00:06:18,320 Speaker 5: Triangle going on with the court case, you've got the flashbacks, 141 00:06:18,839 --> 00:06:21,760 Speaker 5: you've got a lot of sunset shots of the marsh, 142 00:06:22,440 --> 00:06:24,359 Speaker 5: which is you know, kind of like a what are 143 00:06:24,400 --> 00:06:26,520 Speaker 5: you with, like a mangrovy kind of thing, I guess 144 00:06:26,760 --> 00:06:30,400 Speaker 5: for us here in Australia as alligators and birds and 145 00:06:30,480 --> 00:06:33,120 Speaker 5: lots of nature going on there. If you haven't read 146 00:06:33,160 --> 00:06:36,160 Speaker 5: the book, I think the movie might be a bit 147 00:06:36,200 --> 00:06:40,200 Speaker 5: of a struggle. It's because they're so slavishly devoted to 148 00:06:40,279 --> 00:06:43,400 Speaker 5: the source text. You know, they try and fit in 149 00:06:43,560 --> 00:06:47,360 Speaker 5: so much plot, they don't really dig into too much detail, 150 00:06:47,800 --> 00:06:48,200 Speaker 5: and so the. 151 00:06:48,279 --> 00:06:50,800 Speaker 3: Character development is probably not where it. 152 00:06:50,920 --> 00:06:54,280 Speaker 5: Needed to be as a standalone movie, and so it 153 00:06:54,360 --> 00:06:55,920 Speaker 5: kind of comes across as one of those kind of 154 00:06:56,000 --> 00:07:00,960 Speaker 5: breezy midday movie kind of vibes. But look, if you 155 00:07:01,000 --> 00:07:03,480 Speaker 5: haven't read the book, you know, maybe maybe you probably. 156 00:07:03,320 --> 00:07:05,920 Speaker 3: Wouldn't go take It's a movie for the people who 157 00:07:05,960 --> 00:07:06,200 Speaker 3: love them. 158 00:07:06,279 --> 00:07:08,320 Speaker 5: Yeah, it's a movie, absolutely a movie for the people 159 00:07:08,360 --> 00:07:10,360 Speaker 5: who love the book, and everybody that I know in 160 00:07:10,440 --> 00:07:13,320 Speaker 5: the industry, who in the cinema industry who've seen the 161 00:07:13,360 --> 00:07:15,160 Speaker 5: movie read the book, they're super happy. 162 00:07:15,200 --> 00:07:17,160 Speaker 1: They're happy, They're happy the happy. I haven't read the book, 163 00:07:17,200 --> 00:07:18,760 Speaker 1: but it felt like a TV movie to make. 164 00:07:18,800 --> 00:07:23,960 Speaker 3: But I love the cinematography of cinema. It's beautiful. Definitely, 165 00:07:24,400 --> 00:07:28,120 Speaker 3: she's too clean. She's also too smart and sassy. Yeah, 166 00:07:28,600 --> 00:07:31,360 Speaker 3: there's grow in the mark, I think. But this is 167 00:07:31,400 --> 00:07:31,640 Speaker 3: the thing. 168 00:07:32,520 --> 00:07:34,800 Speaker 5: Some things are just really hard to translate from the 169 00:07:34,880 --> 00:07:38,680 Speaker 5: page onto the screen. Because you're reading something, you've got 170 00:07:38,760 --> 00:07:40,960 Speaker 5: chapters and chapters to build your own picture in your 171 00:07:41,000 --> 00:07:43,160 Speaker 5: mind of what a character is. In a film, you've 172 00:07:43,200 --> 00:07:45,440 Speaker 5: got maybe one scene to do that to set things up. 173 00:07:45,560 --> 00:07:47,320 Speaker 5: It's just really hard to do. And we've seen so 174 00:07:47,400 --> 00:07:49,600 Speaker 5: many adaptations in recent years that's just not that great, 175 00:07:49,920 --> 00:07:51,760 Speaker 5: like The Girl on the Train, the Woman in the Woman. 176 00:07:52,840 --> 00:07:55,640 Speaker 5: It's just so hard hard to do, and so at 177 00:07:55,720 --> 00:07:58,560 Speaker 5: least in this case, it's a movie that won't disappoint 178 00:07:58,600 --> 00:08:00,520 Speaker 5: the fans of the book, which I think it probably 179 00:08:00,600 --> 00:08:01,840 Speaker 5: is the most important thing, right. 180 00:08:02,200 --> 00:08:04,080 Speaker 1: Ben, what was your take near the end of the film. 181 00:08:04,120 --> 00:08:06,120 Speaker 1: We won't give anything away, but the aging process seemed 182 00:08:06,200 --> 00:08:07,840 Speaker 1: very rush. Is that sometimes in the edit and you 183 00:08:07,920 --> 00:08:09,320 Speaker 1: lose a bit because it's very very. 184 00:08:09,360 --> 00:08:13,120 Speaker 5: Quick, not the pacing at the end, And it's not amazing, 185 00:08:13,560 --> 00:08:16,400 Speaker 5: I say. But the interesting thing for me is the 186 00:08:16,520 --> 00:08:19,680 Speaker 5: screenplay was written by Lucy Alaba, who wrote Beasts of 187 00:08:19,720 --> 00:08:21,920 Speaker 5: the Southern Wild, which is an OSCAR nominated film, A 188 00:08:22,040 --> 00:08:26,440 Speaker 5: fantastic film set in the same I'd say, like, if 189 00:08:26,480 --> 00:08:29,120 Speaker 5: you haven't read Where the Crawdad Seen, go see Beasts 190 00:08:29,160 --> 00:08:32,240 Speaker 5: of the Southern Wild stream that it's probably a better 191 00:08:32,280 --> 00:08:35,040 Speaker 5: movie set in the same world. But you know, if 192 00:08:35,040 --> 00:08:36,840 Speaker 5: you read the book, go along and see it. Grab 193 00:08:37,080 --> 00:08:39,560 Speaker 5: grab your friends, probably girlfriends, because I don't know if 194 00:08:39,600 --> 00:08:42,400 Speaker 5: it's if it's really something that blokes will get into. 195 00:08:42,320 --> 00:08:43,720 Speaker 3: As much it is a chick flip. 196 00:08:43,760 --> 00:08:44,400 Speaker 1: I wouldn't tell me. 197 00:08:46,679 --> 00:08:47,120 Speaker 3: Chick lit. 198 00:08:47,440 --> 00:08:48,000 Speaker 1: Yeah they got it. 199 00:08:48,040 --> 00:08:49,960 Speaker 5: I didn't want to say that, but yeah, I think 200 00:08:50,040 --> 00:08:52,240 Speaker 5: I think you probably hit the nail on the chick flips. 201 00:08:52,280 --> 00:08:55,439 Speaker 1: And we both thought, I know, I just spies them. 202 00:08:55,880 --> 00:08:58,480 Speaker 3: But this one was different, and David stre so what 203 00:08:58,559 --> 00:08:59,079 Speaker 3: are you giving it? 204 00:08:59,400 --> 00:09:02,959 Speaker 5: So this one for me look as purely from a 205 00:09:03,000 --> 00:09:05,719 Speaker 5: film perspective, it's probably it's probably a two and a 206 00:09:05,760 --> 00:09:06,720 Speaker 5: half right in the middle. 207 00:09:06,559 --> 00:09:10,400 Speaker 1: Cave two and a half crawdads, and isn't that funny? 208 00:09:10,760 --> 00:09:12,800 Speaker 5: No, so two and a half crawdads, or maybe give 209 00:09:12,840 --> 00:09:13,960 Speaker 5: a five jiggies if you've read the. 210 00:09:13,960 --> 00:09:16,559 Speaker 1: Book, throw them on the barbie and love it. Thank you, 211 00:09:16,640 --> 00:09:25,360 Speaker 1: Beds Guys, More Lisa More podcasts Soon ninety six there's 212 00:09:25,440 --> 00:09:28,000 Speaker 1: sure report on ninety six air fam. 213 00:09:29,880 --> 00:09:31,800 Speaker 3: You know your horror film must be doing something right 214 00:09:31,880 --> 00:09:33,319 Speaker 3: when the cameraman faints. 215 00:09:33,080 --> 00:09:36,960 Speaker 2: From Fright fifty cent and director Josh Stolberg have an 216 00:09:37,000 --> 00:09:41,880 Speaker 2: instant promo for their upcoming horror flick Skillhouse tm z Z, 217 00:09:42,160 --> 00:09:43,880 Speaker 2: as we say, hip hop, has got hold of the 218 00:09:43,920 --> 00:09:46,600 Speaker 2: footage of the camera guy's reaction while filming a particularly 219 00:09:46,679 --> 00:09:49,480 Speaker 2: bloody scene or whoever's behind the lens has a very 220 00:09:49,520 --> 00:09:52,199 Speaker 2: weak stomach because he passed out on the spot. The 221 00:09:52,280 --> 00:09:55,400 Speaker 2: clip opens up with an extremely bloody actor and you 222 00:09:55,480 --> 00:09:59,199 Speaker 2: can see the camera become wobbly almost immediately. Hollywood Special 223 00:09:59,200 --> 00:10:04,360 Speaker 2: effects Legends Steve Johnson is credited or blamed for creating 224 00:10:04,400 --> 00:10:07,160 Speaker 2: the scene. He worked on the last two Saw movies 225 00:10:08,000 --> 00:10:10,360 Speaker 2: and seems hell bent on pushing the. 226 00:10:10,360 --> 00:10:14,679 Speaker 3: Limit on this one. Steve Yes, Steve will be and 227 00:10:14,800 --> 00:10:15,800 Speaker 3: Fiddy is the producer. 228 00:10:15,840 --> 00:10:18,120 Speaker 2: By the way, he's not Claire, is he one of 229 00:10:18,160 --> 00:10:19,920 Speaker 2: the many things you and I share a fondness for 230 00:10:20,120 --> 00:10:23,400 Speaker 2: his eighties rock band The Cult, definitely, and they're still going. 231 00:10:23,480 --> 00:10:26,240 Speaker 2: They're still doing live shows and in Washington, d C. 232 00:10:26,480 --> 00:10:29,240 Speaker 2: This week, lead singer Ian Astbury took a take no 233 00:10:29,360 --> 00:10:32,760 Speaker 2: prisoner's approach during his performance, jumping into the crowd to 234 00:10:32,840 --> 00:10:36,040 Speaker 2: break up a scuffle, then calling out the aggressor back 235 00:10:36,120 --> 00:10:39,120 Speaker 2: up on stage. Ian was performing the song Rain when 236 00:10:39,200 --> 00:10:42,280 Speaker 2: things erupted. Apparently a tall guy in the front was 237 00:10:42,320 --> 00:10:44,679 Speaker 2: blocking the view of the guy behind him, and the 238 00:10:44,760 --> 00:10:47,319 Speaker 2: two got into it. Based on what Ian says, the 239 00:10:47,440 --> 00:10:49,480 Speaker 2: tall guy put the other guy at a choke hold. 240 00:10:50,360 --> 00:10:53,280 Speaker 1: Never never put a choke hold on some of the 241 00:10:55,280 --> 00:10:58,240 Speaker 1: That's what the pic does, which want to sit down 242 00:10:58,400 --> 00:11:01,839 Speaker 1: and start quin He's not happy. 243 00:11:02,400 --> 00:11:05,120 Speaker 3: Stop crying. It's a rock shoe. 244 00:11:05,320 --> 00:11:06,760 Speaker 1: Those bloody tall guys at gigs. 245 00:11:07,600 --> 00:11:10,400 Speaker 3: Especially the ones that start crying. After he broke up 246 00:11:10,400 --> 00:11:11,840 Speaker 3: the fight, he got back on stage and picked up 247 00:11:11,840 --> 00:11:13,480 Speaker 3: the song exactly where he'd left off. Oh He's a 248 00:11:13,520 --> 00:11:16,920 Speaker 3: pro love it Where the crawl Dad's singers. 249 00:11:16,960 --> 00:11:19,160 Speaker 2: In cinemas, the movie is an adaptation of the Delia 250 00:11:19,240 --> 00:11:23,920 Speaker 2: Owens novel, which has sold twelve million copies worldwide. Taylor 251 00:11:24,000 --> 00:11:26,440 Speaker 2: john Smith plays Tate Walker and he's joining us now. 252 00:11:26,520 --> 00:11:27,960 Speaker 2: Good morning, Taylor. 253 00:11:28,000 --> 00:11:29,200 Speaker 6: Good morning. How are you going? 254 00:11:29,400 --> 00:11:29,880 Speaker 4: Very good? 255 00:11:30,000 --> 00:11:34,319 Speaker 3: Thank you? Congratulations, Yes, congratulations. It's a beautiful film. 256 00:11:34,960 --> 00:11:37,559 Speaker 2: It is set, as so many of us who have 257 00:11:37,640 --> 00:11:41,079 Speaker 2: read it, no in the Marshals in North Carolina. But 258 00:11:41,200 --> 00:11:44,920 Speaker 2: you filmed it in Louisiana. How was filming in the 259 00:11:45,000 --> 00:11:45,679 Speaker 2: Deep South? 260 00:11:46,160 --> 00:11:49,160 Speaker 6: It was incredible. I mean, the whole story itself is 261 00:11:49,440 --> 00:11:51,559 Speaker 6: one of the main characters, is the Marshal. Getting a 262 00:11:51,640 --> 00:11:55,880 Speaker 6: film in Louisiana, in New Orleans where it's just teeming 263 00:11:55,920 --> 00:11:58,120 Speaker 6: with wildlife was perfect. It was easy to walk on 264 00:11:58,280 --> 00:12:01,640 Speaker 6: sat every day and totally immersed in the story, like 265 00:12:01,679 --> 00:12:02,840 Speaker 6: you're right back reading the book. 266 00:12:03,520 --> 00:12:05,040 Speaker 3: You spot on not you it is. It is a 267 00:12:05,160 --> 00:12:06,720 Speaker 3: character in itself. 268 00:12:07,240 --> 00:12:09,280 Speaker 6: Absolutely, yeah, it was. There was a couple of challenging 269 00:12:09,360 --> 00:12:11,680 Speaker 6: moments because we were filming, you know, kind of towards 270 00:12:11,720 --> 00:12:14,599 Speaker 6: the end of hurricane season, and there was you know, 271 00:12:14,720 --> 00:12:17,400 Speaker 6: lots of gators roaming around where you're in the middle 272 00:12:17,400 --> 00:12:19,360 Speaker 6: of takes and you're trying to ignore them as they 273 00:12:19,880 --> 00:12:21,920 Speaker 6: swim right past you and you're in the you're in 274 00:12:21,960 --> 00:12:25,040 Speaker 6: the flops, so it makes it makes you definitely be 275 00:12:25,160 --> 00:12:27,000 Speaker 6: on your toes. An interesting experience. 276 00:12:27,520 --> 00:12:29,880 Speaker 1: The world's got a lot of superhero my movies in life, 277 00:12:29,880 --> 00:12:31,600 Speaker 1: but we've been craving in a movie like this one 278 00:12:31,679 --> 00:12:34,360 Speaker 1: and take it. Very little c G I was required. 279 00:12:34,880 --> 00:12:40,880 Speaker 6: Yeah, I mean maybe one scene required CGI. With the 280 00:12:41,679 --> 00:12:51,120 Speaker 6: block of birds, I'm sure it'd be hard to wrangle. Yeah, 281 00:12:51,320 --> 00:12:53,439 Speaker 6: and what's so great about this film too, is that, 282 00:12:53,520 --> 00:12:56,040 Speaker 6: you know, most superheroes I know are just regular people 283 00:12:56,080 --> 00:12:59,240 Speaker 6: that do extraordinary things, and Kaya, who's played by da 284 00:12:59,320 --> 00:13:01,360 Speaker 6: j Ecker Jones, just does that perfectly. 285 00:13:01,520 --> 00:13:01,720 Speaker 1: Yeah. 286 00:13:02,000 --> 00:13:05,559 Speaker 6: She survives against all odds and is able to fight 287 00:13:05,679 --> 00:13:08,600 Speaker 6: for her right to be there and to not only 288 00:13:08,679 --> 00:13:10,080 Speaker 6: exist but thrive in this world. 289 00:13:10,400 --> 00:13:10,640 Speaker 3: Yeah. 290 00:13:10,920 --> 00:13:12,800 Speaker 2: How many things bit you during the shoot? I just 291 00:13:12,880 --> 00:13:14,320 Speaker 2: kept thinking about the mesquadoes. 292 00:13:14,600 --> 00:13:18,959 Speaker 6: Oh, eating alive very much. Yeah, it was hard not 293 00:13:19,080 --> 00:13:20,800 Speaker 6: to smack your face at the back of your neck 294 00:13:20,880 --> 00:13:23,199 Speaker 6: in the middle of the take and you're just you know, 295 00:13:23,320 --> 00:13:25,560 Speaker 6: grinding through it. You could tell they're having such a feast. 296 00:13:26,720 --> 00:13:28,760 Speaker 1: Yeah, the gun in the blood, I might You've worked 297 00:13:28,760 --> 00:13:30,960 Speaker 1: with some impressive people, laced guys, and I speak over 298 00:13:31,040 --> 00:13:33,680 Speaker 1: the ease of Amy Adams and Patricia Clarkson. But David 299 00:13:33,720 --> 00:13:35,520 Speaker 1: Strathan is just one of those actors, is and he 300 00:13:35,559 --> 00:13:37,840 Speaker 1: with his incredible body of work, it must be wonderful 301 00:13:37,880 --> 00:13:39,800 Speaker 1: to be rubbing his shoulders with such guides. 302 00:13:41,080 --> 00:13:43,880 Speaker 6: I mean, it's incredible. They're they're so talented. This whole 303 00:13:43,960 --> 00:13:47,679 Speaker 6: cast and crew is so talent, especially producers and our 304 00:13:47,720 --> 00:13:50,800 Speaker 6: amazing director Livy Newman. Just getting the show up on 305 00:13:51,000 --> 00:13:54,800 Speaker 6: set and taking notes. I mean I was constantly learning 306 00:13:55,120 --> 00:13:57,760 Speaker 6: on this shoot and honored to be working with them. 307 00:13:58,160 --> 00:14:01,319 Speaker 2: Yeah, you and Daisy Edga Johns plays Kaya have a 308 00:14:01,480 --> 00:14:02,480 Speaker 2: very easy chemistry. 309 00:14:02,600 --> 00:14:04,360 Speaker 3: Did you know each other before this? 310 00:14:04,800 --> 00:14:07,160 Speaker 6: No, but we felt like old friends so quickly. I 311 00:14:07,240 --> 00:14:10,880 Speaker 6: mean even over the chemistry, which was over Zoom. I 312 00:14:11,000 --> 00:14:13,960 Speaker 6: was actually in Melbourne, Australia, filming a movie at the time, 313 00:14:14,040 --> 00:14:16,520 Speaker 6: so I you know, during COVID, I couldn't really fly 314 00:14:16,720 --> 00:14:18,959 Speaker 6: out and come back, so we did it over Zoom, 315 00:14:19,000 --> 00:14:21,880 Speaker 6: and I could feel an instant connection to her, even 316 00:14:21,920 --> 00:14:24,360 Speaker 6: through a bunch of megapixels. So when we got to 317 00:14:24,520 --> 00:14:26,520 Speaker 6: see each other finally for the first time in PS, 318 00:14:26,680 --> 00:14:27,840 Speaker 6: it was just like this degree and. 319 00:14:28,200 --> 00:14:30,600 Speaker 1: You really felt you knew each other. This sounds we 320 00:14:30,680 --> 00:14:33,480 Speaker 1: have good young talent combillion. This Jojo Regina, who plays 321 00:14:33,480 --> 00:14:37,320 Speaker 1: young Kaire is just amazing, brilliant. 322 00:14:37,560 --> 00:14:40,360 Speaker 6: Oh, she's so brilliant. She steals the show. She truly 323 00:14:40,800 --> 00:14:43,960 Speaker 6: the show. She's incredible and she's got a huge, huge 324 00:14:44,200 --> 00:14:47,520 Speaker 6: future and career. I hope she keeps out and she's 325 00:14:47,560 --> 00:14:49,480 Speaker 6: just looks to her family around the book. 326 00:14:49,880 --> 00:14:50,240 Speaker 1: Brilliant. 327 00:14:50,760 --> 00:14:54,760 Speaker 2: Now, Rece Witherspoon has such a great eye for you know, 328 00:14:54,920 --> 00:14:57,640 Speaker 2: these stories. She's a producer for the film. She's very 329 00:14:57,640 --> 00:15:00,440 Speaker 2: big on strong female leads like Kaya, a big portrayed 330 00:15:00,480 --> 00:15:01,520 Speaker 2: in TV and films. 331 00:15:01,680 --> 00:15:04,520 Speaker 6: Was it was it good to work with Race incredible. 332 00:15:04,560 --> 00:15:06,800 Speaker 6: I don't think I think there's anybody else that could 333 00:15:06,800 --> 00:15:09,440 Speaker 6: have championed this film better than her. She wanted to 334 00:15:09,520 --> 00:15:11,960 Speaker 6: make sure it was such a loyal adaptation, and the 335 00:15:12,040 --> 00:15:14,440 Speaker 6: film was a low adaptation of the book because so 336 00:15:14,480 --> 00:15:17,680 Speaker 6: many people care about it. She was always making sure 337 00:15:17,760 --> 00:15:20,400 Speaker 6: that plot points and the characters and the storylines were 338 00:15:20,680 --> 00:15:22,960 Speaker 6: as true to the book as possible, so that everyone 339 00:15:23,600 --> 00:15:25,520 Speaker 6: fell in love with it. When they see it, they're 340 00:15:25,560 --> 00:15:27,600 Speaker 6: going to be, you know, just as happy as we were. 341 00:15:27,760 --> 00:15:29,440 Speaker 6: Well that and then we got to finally see it 342 00:15:29,760 --> 00:15:30,080 Speaker 6: that's the. 343 00:15:30,120 --> 00:15:32,520 Speaker 3: Thing I mentioned before I read the book. I loved 344 00:15:32,560 --> 00:15:34,920 Speaker 3: the book. I know so many people who loved the book. 345 00:15:35,440 --> 00:15:39,040 Speaker 2: Do you feel a certain type of responsibility to the 346 00:15:39,160 --> 00:15:40,440 Speaker 2: story in that kind of instance? 347 00:15:40,840 --> 00:15:44,000 Speaker 6: Absolutely? Absolutely? It was funny. Is the first thing that 348 00:15:44,040 --> 00:15:46,360 Speaker 6: I ever did that my sisters cared about or showed 349 00:15:46,440 --> 00:15:49,000 Speaker 6: some sort of interesting And I told them I was 350 00:15:49,080 --> 00:15:51,240 Speaker 6: doing for the crowd act saying. They're like, okay, okay, 351 00:15:51,320 --> 00:15:55,840 Speaker 6: stop talking. They're like, oh thank god. And I'm like, 352 00:15:55,880 --> 00:15:58,120 Speaker 6: if my sisters care, which they don't care about anything 353 00:15:58,120 --> 00:16:00,920 Speaker 6: else that I do, they care, so did it about this? 354 00:16:01,120 --> 00:16:02,760 Speaker 6: The rest of the world must as well. And then 355 00:16:02,800 --> 00:16:04,680 Speaker 6: I finally got a chance to read the book and 356 00:16:04,680 --> 00:16:07,400 Speaker 6: I understood, it's a phenomenon. What's happening with it? 357 00:16:08,120 --> 00:16:10,200 Speaker 1: Isn't that funny? That passion? Because there were three women 358 00:16:10,200 --> 00:16:11,960 Speaker 1: around me at work all saying the same thing, And 359 00:16:12,120 --> 00:16:14,040 Speaker 1: my wife was so jealous that we got to see 360 00:16:14,240 --> 00:16:17,960 Speaker 1: the movie yesterday, the incredible passion. But yeah, the responsibility 361 00:16:18,040 --> 00:16:18,720 Speaker 1: was there for all of you, I. 362 00:16:18,760 --> 00:16:20,720 Speaker 6: Guess for sure. Absolutely. I mean, it's such a a 363 00:16:20,760 --> 00:16:22,720 Speaker 6: love book. It's very important that we got it right, 364 00:16:22,760 --> 00:16:25,480 Speaker 6: because when you read a book, like everybody else you 365 00:16:25,600 --> 00:16:27,640 Speaker 6: create the movie in your mind as you're reading it, 366 00:16:27,840 --> 00:16:29,480 Speaker 6: and you know. When I got to see it for 367 00:16:29,560 --> 00:16:31,880 Speaker 6: the first time a couple of weeks ago, I just 368 00:16:31,960 --> 00:16:33,880 Speaker 6: kept thinking to myself, Thank God him in this movie. 369 00:16:34,000 --> 00:16:36,440 Speaker 6: I got to really watch it as an audience member. 370 00:16:36,480 --> 00:16:38,400 Speaker 6: I knew what the story was going, I knew how 371 00:16:38,440 --> 00:16:40,480 Speaker 6: it ended, but for some reason, it just stuck me 372 00:16:40,600 --> 00:16:42,840 Speaker 6: back in and I had kind of forgotten, you know, 373 00:16:42,960 --> 00:16:44,840 Speaker 6: everything up until that point. And I got to watch it. 374 00:16:45,000 --> 00:16:46,320 Speaker 6: I got of seeing it for the first time. 375 00:16:46,720 --> 00:16:48,440 Speaker 2: I was curious about whether they had read the book, 376 00:16:48,440 --> 00:16:51,400 Speaker 2: because a lot of actors don't read, you know, the 377 00:16:51,440 --> 00:16:54,160 Speaker 2: book that a movie is based on. And you also 378 00:16:54,280 --> 00:16:57,200 Speaker 2: played John Keene in Sharp Objects, which is another fantastic 379 00:16:57,280 --> 00:16:59,880 Speaker 2: book translated to the screen the TV screen is this. 380 00:17:00,480 --> 00:17:01,560 Speaker 3: Did you read that one as well? 381 00:17:01,800 --> 00:17:01,960 Speaker 7: Yeah? 382 00:17:02,000 --> 00:17:03,640 Speaker 6: I read that had a little bit more time. But 383 00:17:03,760 --> 00:17:06,280 Speaker 6: for where the croducts saying I was again I was. 384 00:17:06,440 --> 00:17:08,760 Speaker 6: I was in Melbourne filming and I had two days 385 00:17:08,800 --> 00:17:11,240 Speaker 6: to prepare for the chemistry reading. I couldn't find a 386 00:17:11,320 --> 00:17:17,080 Speaker 6: bookstore and Amazon was not doing overnight deliveries, and so 387 00:17:17,760 --> 00:17:20,399 Speaker 6: I had to buy the audiobook. Made the mistake of 388 00:17:20,720 --> 00:17:22,960 Speaker 6: trying to cram it all in in two days, so 389 00:17:23,040 --> 00:17:24,800 Speaker 6: I put it off one and a half time. 390 00:17:27,480 --> 00:17:30,720 Speaker 3: Yeah, reading it by audio, I. 391 00:17:30,880 --> 00:17:33,440 Speaker 6: Was trying, Yeah, and I only got halfway through the book. 392 00:17:33,800 --> 00:17:36,680 Speaker 6: They kept rewinding during these beautiful portions of the of 393 00:17:36,840 --> 00:17:39,480 Speaker 6: the book, and I never made it the whole way through. 394 00:17:39,600 --> 00:17:43,000 Speaker 6: But finally, on flight home back to the Fact of 395 00:17:43,080 --> 00:17:45,959 Speaker 6: the States, I let it cover to cover, and right 396 00:17:46,040 --> 00:17:49,440 Speaker 6: before we were about to land, I was very emotional 397 00:17:49,480 --> 00:17:50,040 Speaker 6: and distraught. 398 00:17:50,480 --> 00:17:50,639 Speaker 8: You know. 399 00:17:50,760 --> 00:17:54,639 Speaker 6: It was this you know, whirlwind of emotions. And the 400 00:17:54,680 --> 00:17:56,720 Speaker 6: air suitors came and checked on me and tapped on 401 00:17:56,800 --> 00:18:00,800 Speaker 6: my shoulder and make I shuttered the book. She seemed 402 00:18:00,800 --> 00:18:03,800 Speaker 6: to understand that. She nodded and laughed at me like 403 00:18:03,920 --> 00:18:04,399 Speaker 6: she had read it. 404 00:18:05,280 --> 00:18:06,920 Speaker 1: That is a weird experience, especially it might be a 405 00:18:07,040 --> 00:18:09,160 Speaker 1: gentle love miking scene with butterflies around, and you'll listen 406 00:18:09,200 --> 00:18:12,400 Speaker 1: to it like someone's been sucking healing exactly. 407 00:18:13,040 --> 00:18:15,920 Speaker 6: I'm speed walking around, you know. The Jana River tried 408 00:18:15,960 --> 00:18:18,760 Speaker 6: to smoke it all in, looking like a crazy person. 409 00:18:19,640 --> 00:18:22,840 Speaker 2: Thymas Swift has written the original song Carolina for the film. 410 00:18:23,080 --> 00:18:25,960 Speaker 2: It certainly has an appropriate haunting. 411 00:18:25,960 --> 00:18:29,720 Speaker 6: Feels absolutely haunting. I got to hear all the way 412 00:18:29,760 --> 00:18:32,240 Speaker 6: through at the end of the movie, the credits role, 413 00:18:32,440 --> 00:18:36,600 Speaker 6: and there's something about this song, especially how the movie ends, 414 00:18:36,680 --> 00:18:40,520 Speaker 6: that captured the essence of it. She did a brilliant, 415 00:18:40,560 --> 00:18:42,680 Speaker 6: brilliant job. And I heard today funny enough that she 416 00:18:43,080 --> 00:18:48,680 Speaker 6: only used instruments that were around before nineteen fifty three 417 00:18:49,000 --> 00:18:51,800 Speaker 6: and did it all in one take. Yeah, she did 418 00:18:51,800 --> 00:18:55,520 Speaker 6: it all as the way it would be recorded back then. Yeah, 419 00:18:55,560 --> 00:18:57,920 Speaker 6: she's brilliant, and we're so thankful and grateful. It was 420 00:18:57,920 --> 00:18:59,960 Speaker 6: a wonderful surprise. She was a fan of the boa 421 00:19:00,400 --> 00:19:02,000 Speaker 6: was like, I want to write a song for the movie. 422 00:19:03,320 --> 00:19:06,080 Speaker 2: Are there people that lived the way Ki did in 423 00:19:06,200 --> 00:19:06,600 Speaker 2: that area? 424 00:19:07,119 --> 00:19:09,840 Speaker 6: I'm sure there are. Oh yeah, we came across a 425 00:19:09,880 --> 00:19:13,040 Speaker 6: couple of like houses in the the middle of the swamps, 426 00:19:13,080 --> 00:19:16,399 Speaker 6: and there's plenty of people that love that, which makes 427 00:19:16,440 --> 00:19:19,680 Speaker 6: her story get me more amazing, because, yeah, that's somebody's 428 00:19:19,720 --> 00:19:22,640 Speaker 6: life at some point or another, you know, existed any 429 00:19:23,320 --> 00:19:26,680 Speaker 6: surviving and driving in that US environment. 430 00:19:26,960 --> 00:19:29,399 Speaker 1: Yeah, I getting judged by the whole the whole district. 431 00:19:30,080 --> 00:19:33,280 Speaker 1: We really appreciate your time this morning, and once again, congratulations, 432 00:19:33,359 --> 00:19:35,600 Speaker 1: it was. It was a great, great morning for us. 433 00:19:35,880 --> 00:19:37,760 Speaker 6: Yes, thank you so much for having me, guys, so 434 00:19:37,840 --> 00:19:39,359 Speaker 6: nice seeing you and having a wonderful day. 435 00:19:39,520 --> 00:19:44,160 Speaker 3: Thank you all more Lisa more podcasts. 436 00:19:46,800 --> 00:19:49,520 Speaker 1: Early in the holidays, Laurie and I went shopping together, 437 00:19:49,560 --> 00:19:53,240 Speaker 1: which is always fun fun for fun for me, not 438 00:19:53,320 --> 00:19:55,359 Speaker 1: for her so much. She has to put it with me. However, 439 00:19:56,080 --> 00:19:58,040 Speaker 1: Laurie was obsessed with my wife was obsessed with me 440 00:19:58,119 --> 00:20:01,560 Speaker 1: buying a green puffer jacket while on holidays. Laurie loves 441 00:20:01,560 --> 00:20:04,520 Speaker 1: a puffer jacket. She's dark green, sort of dark green. Yeah, 442 00:20:05,000 --> 00:20:06,720 Speaker 1: bulky thing and all she goes, you look good in 443 00:20:06,760 --> 00:20:08,320 Speaker 1: the green puffer jacket, so I'll put it on it 444 00:20:08,480 --> 00:20:10,200 Speaker 1: at my hover. I reckon. I put it on about 445 00:20:10,200 --> 00:20:12,840 Speaker 1: four times, and I wasn't really convinced. I ended up 446 00:20:12,960 --> 00:20:15,240 Speaker 1: we ended up buying the green puffer jacket because it 447 00:20:15,320 --> 00:20:20,280 Speaker 1: was fifty percent off. Yeah, well that also is a lure. Absolutely. 448 00:20:20,600 --> 00:20:22,800 Speaker 1: So we get the green puffer jacket home and it 449 00:20:22,960 --> 00:20:25,119 Speaker 1: hangs in the cupboard. It's been there for three weeks 450 00:20:25,160 --> 00:20:28,600 Speaker 1: with the tag still on. Oh, you hadn't worn it, 451 00:20:28,800 --> 00:20:29,320 Speaker 1: hadn't worn it? 452 00:20:29,560 --> 00:20:30,320 Speaker 2: Was she getting annoyed. 453 00:20:30,480 --> 00:20:32,200 Speaker 1: She was getting annoyed and kept going, you bought that 454 00:20:32,320 --> 00:20:33,159 Speaker 1: for me, didn't you? 455 00:20:33,320 --> 00:20:33,560 Speaker 8: For you? 456 00:20:34,080 --> 00:20:36,720 Speaker 1: For me? As in to make me to appease me, 457 00:20:37,359 --> 00:20:39,800 Speaker 1: and I went, I've got to admit I get really 458 00:20:39,840 --> 00:20:41,399 Speaker 1: hot really quickly, and every time I put it on 459 00:20:41,480 --> 00:20:43,440 Speaker 1: to test it out, I went, I'm just too hot 460 00:20:43,480 --> 00:20:46,760 Speaker 1: too quickly. She took it back yesterday it's gone skip. 461 00:20:46,560 --> 00:20:47,280 Speaker 3: But a chance. 462 00:20:47,359 --> 00:20:47,959 Speaker 1: Yeah, that's a thing. 463 00:20:48,040 --> 00:20:49,879 Speaker 3: So she brought herself a puffer jacket with. 464 00:20:49,960 --> 00:20:53,119 Speaker 1: The Yeah she has, she's brought a couple of things. 465 00:20:53,119 --> 00:20:54,639 Speaker 1: She went on line, brought a couple of goods to 466 00:20:54,800 --> 00:20:57,680 Speaker 1: get that. However, good you love good for her. But 467 00:20:57,800 --> 00:20:59,240 Speaker 1: it was that example and the end when the tag 468 00:20:59,320 --> 00:21:01,119 Speaker 1: that's the telt signed it, the tank stays on for 469 00:21:01,119 --> 00:21:02,920 Speaker 1: a week or two, it's probably going back. 470 00:21:03,280 --> 00:21:05,560 Speaker 3: That would have annoyed me. Yeah, sorry that you shouldn't 471 00:21:05,560 --> 00:21:05,879 Speaker 3: have bought it. 472 00:21:06,040 --> 00:21:09,159 Speaker 1: Sorry to all concerned. Puffa jacket's going back. I'm not 473 00:21:09,240 --> 00:21:10,120 Speaker 1: going to be seen in green. 474 00:21:11,119 --> 00:21:11,439 Speaker 3: Okay. 475 00:21:11,560 --> 00:21:13,560 Speaker 2: Yeah, it sounded like green was your issue because you 476 00:21:13,600 --> 00:21:15,280 Speaker 2: said green every time you said puffa jacket. 477 00:21:16,520 --> 00:21:19,200 Speaker 3: What have you bought and never used? There's been a 478 00:21:19,280 --> 00:21:22,760 Speaker 3: few home exercise items over the years. 479 00:21:22,920 --> 00:21:24,600 Speaker 1: Have you done the bike thing where it becomes. 480 00:21:24,760 --> 00:21:27,280 Speaker 2: Becomes a clothes one can do with a bit more 481 00:21:27,320 --> 00:21:30,800 Speaker 2: clothes rack space. But also I bought a push bike once. 482 00:21:31,520 --> 00:21:33,200 Speaker 2: I might have written it around the block with that 483 00:21:33,400 --> 00:21:34,040 Speaker 2: look at me, I'm going. 484 00:21:34,000 --> 00:21:35,119 Speaker 1: A bike hands. 485 00:21:35,680 --> 00:21:39,719 Speaker 3: Then you realized hills aren't your friend. No, No, one 486 00:21:39,880 --> 00:21:40,360 Speaker 3: likes a hill. 487 00:21:40,480 --> 00:21:40,520 Speaker 8: No. 488 00:21:40,760 --> 00:21:44,920 Speaker 2: And it probably sat in the shed yeah for a while. 489 00:21:45,040 --> 00:21:47,040 Speaker 2: Be came home for some red back spiders or something. 490 00:21:47,800 --> 00:21:49,760 Speaker 3: So I want to sit on it because there might 491 00:21:49,800 --> 00:21:50,520 Speaker 3: be a spider on it. 492 00:21:50,600 --> 00:21:51,720 Speaker 1: Did you leave it on the verde to bring it 493 00:21:51,800 --> 00:21:56,280 Speaker 1: your data? Something like that? Eventually someone probably picked it up. Well, 494 00:21:56,320 --> 00:21:58,600 Speaker 1: I hope I've got a second life at my place 495 00:21:58,640 --> 00:22:02,440 Speaker 1: at the moment least, I've got a scratching ball thing 496 00:22:02,680 --> 00:22:04,960 Speaker 1: which is like made of string that goes round and 497 00:22:05,000 --> 00:22:06,480 Speaker 1: around her and cat scratch it. 498 00:22:06,520 --> 00:22:08,520 Speaker 2: It's like a post, but it's a ball that goes 499 00:22:08,840 --> 00:22:12,120 Speaker 2: like a hamster wheel. It looks fantastic. 500 00:22:12,200 --> 00:22:13,200 Speaker 1: Yeah, where did that come from? 501 00:22:13,680 --> 00:22:17,040 Speaker 2: I bought it online all it had to come all 502 00:22:17,080 --> 00:22:19,159 Speaker 2: the way from America, And I bought it for my 503 00:22:19,320 --> 00:22:22,840 Speaker 2: cats because my cat, one of them, particularly loves her 504 00:22:22,840 --> 00:22:23,600 Speaker 2: scratching post. 505 00:22:24,119 --> 00:22:27,560 Speaker 3: But I thought this looks so cool. She wouldn't have 506 00:22:27,640 --> 00:22:29,959 Speaker 3: a bar. She just looked at it and looked at 507 00:22:30,000 --> 00:22:31,480 Speaker 3: me like, what is that? 508 00:22:31,760 --> 00:22:34,560 Speaker 1: So then said, scratching ball made of string became a 509 00:22:34,600 --> 00:22:35,840 Speaker 1: hand me down at my place. 510 00:22:35,840 --> 00:22:37,399 Speaker 2: Because you got a new kitten, and I thought, well 511 00:22:37,480 --> 00:22:39,800 Speaker 2: from scratch, and also because it was a little bit 512 00:22:39,880 --> 00:22:42,560 Speaker 2: small for my cat, but it was perfect kitten size. 513 00:22:43,520 --> 00:22:46,240 Speaker 1: Angel. The cats looked at it about three times and gone, 514 00:22:46,240 --> 00:22:49,119 Speaker 1: what the hell is that? Dad? So that's one of 515 00:22:49,160 --> 00:22:51,760 Speaker 1: those things you purchased. You did, the hand me down 516 00:22:51,800 --> 00:22:54,840 Speaker 1: thing you didn't use, you recycled, never used. I love 517 00:22:54,880 --> 00:22:57,399 Speaker 1: to hear your story this morning. Cats. They do it 518 00:22:57,480 --> 00:23:00,320 Speaker 1: so fussy. Have you bought used? 519 00:23:00,520 --> 00:23:05,800 Speaker 2: Annie in Honeywood? Good morning, Hi guys. 520 00:23:05,920 --> 00:23:06,919 Speaker 3: Where is Honeywood? 521 00:23:06,960 --> 00:23:07,879 Speaker 1: That's a new one to me. 522 00:23:08,520 --> 00:23:11,800 Speaker 7: Oh well, it's really the estate name, but it's actually 523 00:23:11,920 --> 00:23:13,000 Speaker 7: the suburb WONDI. 524 00:23:13,359 --> 00:23:16,520 Speaker 8: Oh okay, I just like to talk it up a bit. 525 00:23:16,960 --> 00:23:20,560 Speaker 1: Yeah, sounds good. That's like a Hollywood and of Honeywood. 526 00:23:21,200 --> 00:23:22,720 Speaker 3: What have you bought and never used? 527 00:23:23,600 --> 00:23:27,520 Speaker 6: I have bought a knitting machine and a river to 528 00:23:27,680 --> 00:23:28,280 Speaker 6: go with it. 529 00:23:29,960 --> 00:23:32,840 Speaker 4: When COVID came, because I thought that would be a 530 00:23:32,920 --> 00:23:34,520 Speaker 4: good thing to keep me occupied. 531 00:23:34,800 --> 00:23:37,520 Speaker 8: Yes, a couple of years. 532 00:23:37,359 --> 00:23:40,840 Speaker 6: Later, still sitting in the spare room, still sitting in 533 00:23:40,960 --> 00:23:44,159 Speaker 6: the box delivery stressing. 534 00:23:43,760 --> 00:23:46,160 Speaker 1: A test Oh you haven't. You haven't open it any 535 00:23:49,080 --> 00:23:49,879 Speaker 1: You're a shocker. 536 00:23:51,119 --> 00:23:51,600 Speaker 3: I move it. 537 00:23:51,640 --> 00:23:53,600 Speaker 6: Around the room with it so that I can do 538 00:23:53,800 --> 00:23:54,720 Speaker 6: in jar things. 539 00:23:54,920 --> 00:23:56,359 Speaker 7: But haven't. 540 00:23:57,640 --> 00:23:58,440 Speaker 3: You never know? 541 00:23:59,200 --> 00:24:01,679 Speaker 1: Maybe yeah, more like the twelfth or ever. 542 00:24:01,960 --> 00:24:04,560 Speaker 9: Yeah, I'm never parting with it. 543 00:24:04,680 --> 00:24:09,400 Speaker 7: And I hope my sons aren't listening to this because typical. 544 00:24:09,720 --> 00:24:10,280 Speaker 3: I told you so. 545 00:24:10,760 --> 00:24:12,760 Speaker 8: Yeah, exactly. 546 00:24:14,240 --> 00:24:15,880 Speaker 1: I won't keep it because. 547 00:24:17,200 --> 00:24:17,720 Speaker 3: You never know. 548 00:24:17,920 --> 00:24:19,800 Speaker 1: Yeah, the family will be wanted you to put it 549 00:24:19,840 --> 00:24:20,800 Speaker 1: on marketplace. Anie. 550 00:24:22,800 --> 00:24:25,320 Speaker 2: Thanks Annie, Okay, thanks guys. 551 00:24:25,960 --> 00:24:28,440 Speaker 1: Isn't that funny you too? Is that funny how we 552 00:24:28,600 --> 00:24:30,920 Speaker 1: have that resistance to actually get rid of something. It 553 00:24:30,920 --> 00:24:32,920 Speaker 1: will just sit there for pages, or like you said, 554 00:24:32,960 --> 00:24:33,639 Speaker 1: the bike in machine. 555 00:24:35,080 --> 00:24:38,040 Speaker 2: When I moved house last year, I couldn't decide whether 556 00:24:38,119 --> 00:24:40,320 Speaker 2: to keep the river. I couldn't decide whether to keep 557 00:24:40,359 --> 00:24:43,680 Speaker 2: my sewing machine, that's right, which I haven't hadn't threaded 558 00:24:43,720 --> 00:24:44,960 Speaker 2: for about seven years. 559 00:24:45,359 --> 00:24:47,439 Speaker 1: You did a poll with us, and we said, if 560 00:24:47,480 --> 00:24:50,720 Speaker 1: there's any chance you'll ever use it, you've ever become 561 00:24:50,720 --> 00:24:52,480 Speaker 1: the seamstress of the band, you've got to keep it. 562 00:24:53,400 --> 00:24:56,720 Speaker 2: Lisa and Les Murdy, Hello, Hi, Hey, you going good? 563 00:24:57,000 --> 00:24:58,840 Speaker 3: What what did you buy? Never used? 564 00:24:59,520 --> 00:25:01,359 Speaker 4: I thought an electric skateboard. 565 00:25:01,680 --> 00:25:07,600 Speaker 9: Oh okay recently Lisa a little while ago, which got 566 00:25:07,680 --> 00:25:11,119 Speaker 9: the kids skiing of Divorce Creek a few times. 567 00:25:12,080 --> 00:25:15,280 Speaker 4: Couldn't quite get the skiing parts, so I thought, next 568 00:25:15,320 --> 00:25:18,360 Speaker 4: time I go, I'll do some snowboarding. So I thought 569 00:25:18,359 --> 00:25:20,920 Speaker 4: I'd buy an electric skateboard to practice. 570 00:25:22,560 --> 00:25:24,600 Speaker 1: Snowboarding your skills. 571 00:25:24,880 --> 00:25:27,200 Speaker 9: Yeah, yep, I didn't take off. 572 00:25:28,119 --> 00:25:31,240 Speaker 2: But Lisa, I grew up in les Mardy, so I 573 00:25:31,600 --> 00:25:35,240 Speaker 2: know that those hills can result in a lot of 574 00:25:35,359 --> 00:25:38,760 Speaker 2: macure chrome on the knees if you've got a skateboard involved. 575 00:25:39,240 --> 00:25:42,399 Speaker 3: Absolutely, we didn't electric ones in those days, but. 576 00:25:43,040 --> 00:25:47,280 Speaker 1: Less Lisa, did you use it like Lisa Lisa with 577 00:25:47,359 --> 00:25:48,600 Speaker 1: her bike, you know, like once. 578 00:25:49,480 --> 00:25:52,160 Speaker 4: Yeah, maybe one we went down, probably down to Booze. 579 00:25:52,160 --> 00:25:57,600 Speaker 4: Wouldn't get a little yeah, yeah, a little bit flatter. 580 00:25:57,680 --> 00:25:59,919 Speaker 4: But so I didn't get the snowboarding at all. 581 00:26:00,240 --> 00:26:02,000 Speaker 8: And the scheme is not very good either. 582 00:26:02,080 --> 00:26:05,440 Speaker 1: So what happened? What happened to the skateboard? Did get 583 00:26:05,480 --> 00:26:06,000 Speaker 1: sold or something? 584 00:26:06,440 --> 00:26:07,520 Speaker 4: Oh yeah, got I'm sold. 585 00:26:09,200 --> 00:26:09,920 Speaker 1: Someone got some joy. 586 00:26:10,080 --> 00:26:10,800 Speaker 2: Thank you, Lisa. 587 00:26:11,440 --> 00:26:12,760 Speaker 4: You're welcome every great day. 588 00:26:13,080 --> 00:26:15,440 Speaker 1: Talking about those things that you bought and never used. 589 00:26:15,680 --> 00:26:18,080 Speaker 3: Linda in Serpentine, what what is it for you. 590 00:26:18,800 --> 00:26:19,560 Speaker 7: Good morning, please. 591 00:26:20,320 --> 00:26:20,720 Speaker 8: How are you. 592 00:26:23,000 --> 00:26:27,119 Speaker 7: I've got an obsession with electrical appliances. No, just just 593 00:26:27,359 --> 00:26:31,199 Speaker 7: bear with me. I buy kitchen appliances and never use them. 594 00:26:31,359 --> 00:26:33,760 Speaker 7: You never ever take them out of the box. There's 595 00:26:33,800 --> 00:26:36,640 Speaker 7: still in the box. My husband says, I've got enough 596 00:26:36,720 --> 00:26:40,760 Speaker 7: to start my own Harvey Norman store. Yes, I've got 597 00:26:41,240 --> 00:26:46,600 Speaker 7: a steamer, electric minca, a food dehydrator, an air purifier, 598 00:26:46,840 --> 00:26:51,080 Speaker 7: electric knife, a vegetable steamer, a hand mixer, a stick mixer, 599 00:26:51,119 --> 00:26:52,320 Speaker 7: and a George Forman grill. 600 00:26:53,520 --> 00:26:57,560 Speaker 2: Oh, happy, George, George once and I have a knife 601 00:26:57,560 --> 00:26:58,680 Speaker 2: that never came out of the box. 602 00:26:59,760 --> 00:27:01,800 Speaker 7: And I just don't use them. I buy them, bring 603 00:27:01,880 --> 00:27:05,200 Speaker 7: them home, put them in the cupboard. And my husband says, 604 00:27:05,280 --> 00:27:07,040 Speaker 7: are you starting a Harvey Norman store? 605 00:27:08,359 --> 00:27:10,119 Speaker 1: Do you have an ice cream maker or a breadmaker? 606 00:27:10,760 --> 00:27:10,800 Speaker 8: No? 607 00:27:11,080 --> 00:27:12,600 Speaker 7: I got rid of those to my son. 608 00:27:12,760 --> 00:27:13,479 Speaker 1: So you did have them? 609 00:27:14,600 --> 00:27:15,760 Speaker 7: I did many years ago. 610 00:27:16,960 --> 00:27:20,360 Speaker 3: Yeah, that looks so good on the bench. This isn't 611 00:27:20,440 --> 00:27:21,280 Speaker 3: enough bench space. 612 00:27:21,520 --> 00:27:24,280 Speaker 7: Yeah, they're still in boxes in capboards. 613 00:27:24,400 --> 00:27:25,800 Speaker 1: Yeah. Do you like the look of them in the 614 00:27:25,840 --> 00:27:27,639 Speaker 1: shop in the boxes as well? Linda is at the 615 00:27:27,680 --> 00:27:28,320 Speaker 1: appeal If. 616 00:27:28,200 --> 00:27:31,440 Speaker 7: You're not really the appeal is I need them and 617 00:27:31,720 --> 00:27:33,159 Speaker 7: I intend to use them. 618 00:27:33,080 --> 00:27:33,680 Speaker 1: But I never do. 619 00:27:34,160 --> 00:27:37,119 Speaker 2: Intention Yeah, this is this is a this is a thing. 620 00:27:37,760 --> 00:27:41,360 Speaker 2: There is an addiction for kitchen appliants. It's definitely, definitely. 621 00:27:41,000 --> 00:27:45,920 Speaker 7: And considering I don't cook that much, there's an issue 622 00:27:46,080 --> 00:27:49,919 Speaker 7: right there. Yeah. Yeah, but that's my obsession is kitchen 623 00:27:49,960 --> 00:27:53,040 Speaker 7: appliances and I never used them. But I'm not selling 624 00:27:53,119 --> 00:27:53,480 Speaker 7: them either. 625 00:27:53,640 --> 00:27:55,600 Speaker 3: No, it could be worse. 626 00:27:56,600 --> 00:27:58,359 Speaker 7: That's right, Okay, thank you. 627 00:28:00,000 --> 00:28:00,760 Speaker 3: It's a great day. 628 00:28:01,520 --> 00:28:03,720 Speaker 1: I've been in therapy with it is. 629 00:28:03,840 --> 00:28:06,000 Speaker 3: Absolutely there should be self help groats for it. Really, 630 00:28:06,119 --> 00:28:09,000 Speaker 3: I think it sit in a circle and Linda and I. 631 00:28:09,040 --> 00:28:12,639 Speaker 1: Am a person with that stuff. And I would imagine 632 00:28:12,680 --> 00:28:14,480 Speaker 1: when she's looking at the catalogs or through the paper 633 00:28:14,480 --> 00:28:16,480 Speaker 1: and you see the Harvey Norman, Adam, look at that. 634 00:28:16,600 --> 00:28:17,200 Speaker 1: That looks nice. 635 00:28:18,200 --> 00:28:22,840 Speaker 3: He can in every good morning, good morning. So very well, 636 00:28:22,880 --> 00:28:25,119 Speaker 3: you're dubbing and your sister, I am. 637 00:28:25,359 --> 00:28:27,680 Speaker 8: Yeah, I'm too tight with my money to do this 638 00:28:27,840 --> 00:28:31,000 Speaker 8: that my little sister does something that actually benefits me. 639 00:28:31,080 --> 00:28:34,720 Speaker 8: So I probably shouldn't be doubling on her chronic habits 640 00:28:34,760 --> 00:28:38,320 Speaker 8: for buying clothes and shoes that she never wears. So 641 00:28:38,560 --> 00:28:40,840 Speaker 8: every couple of months she goes through a wardrobe and 642 00:28:40,920 --> 00:28:43,160 Speaker 8: and does her hand me down for my daughter and I, 643 00:28:43,920 --> 00:28:46,280 Speaker 8: and at least half of it still got its tags. 644 00:28:46,320 --> 00:28:48,920 Speaker 8: I've never been worn. And it's good quality stuff as well, 645 00:28:49,080 --> 00:28:50,240 Speaker 8: so I'm not complaining. 646 00:28:50,440 --> 00:28:52,960 Speaker 3: So her sh addiction is your game? 647 00:28:53,720 --> 00:28:53,920 Speaker 8: Yeah? 648 00:28:54,040 --> 00:28:54,680 Speaker 5: Absolutely? 649 00:28:54,960 --> 00:28:56,720 Speaker 1: How the size is taking you pretty close? Is it 650 00:28:56,800 --> 00:28:57,080 Speaker 1: all good? 651 00:28:57,240 --> 00:28:57,440 Speaker 9: Yeah? 652 00:28:57,520 --> 00:29:00,280 Speaker 8: Pretty good? So between my teenage daughter and I, yeah, 653 00:29:00,440 --> 00:29:03,120 Speaker 8: I mean shoe sizes were all the same, So that's fantastic. 654 00:29:04,680 --> 00:29:05,120 Speaker 6: Most of it. 655 00:29:05,240 --> 00:29:07,800 Speaker 8: We can make it work. So it works well for us. 656 00:29:07,960 --> 00:29:10,000 Speaker 1: And some people just don't like sending things back because 657 00:29:10,040 --> 00:29:11,120 Speaker 1: it was just hard work. 658 00:29:11,760 --> 00:29:15,160 Speaker 3: When you're saying that, I was looking away, I'm talking 659 00:29:15,200 --> 00:29:16,160 Speaker 3: about I'm lazy. 660 00:29:18,640 --> 00:29:20,920 Speaker 8: She'll try this on in the shop and you like 661 00:29:21,000 --> 00:29:22,720 Speaker 8: it at the shop, but then just doesn't like it 662 00:29:22,760 --> 00:29:24,440 Speaker 8: when she gets at home. I don't know if it's 663 00:29:24,480 --> 00:29:27,600 Speaker 8: for lighting or what, but it's not all online purchases. 664 00:29:27,680 --> 00:29:29,320 Speaker 8: She does make them, you know, in the shop. 665 00:29:31,040 --> 00:29:32,040 Speaker 3: Well, don't argue with it. 666 00:29:32,120 --> 00:29:37,400 Speaker 1: Keep the trend. Thanks guys, a great day. I was 667 00:29:37,440 --> 00:29:37,960 Speaker 1: talking about you. 668 00:29:38,280 --> 00:29:41,840 Speaker 2: I know, I'm a shocker. I admit I don't. I 669 00:29:41,920 --> 00:29:44,640 Speaker 2: have a thing with taking stuff back. Well, it's called 670 00:29:44,720 --> 00:29:45,560 Speaker 2: being lazy. 671 00:29:46,840 --> 00:29:49,320 Speaker 1: To take a couple of things back for you. You went, 672 00:29:49,440 --> 00:29:50,120 Speaker 1: I don't bother. 673 00:29:52,080 --> 00:29:55,000 Speaker 2: That was that was difficult to find another use for it. 674 00:29:55,160 --> 00:29:56,600 Speaker 2: I didn't think I was ever going to get out 675 00:29:56,640 --> 00:30:02,160 Speaker 2: of my kea. I was sing, I was to operate 676 00:30:02,240 --> 00:30:04,000 Speaker 2: the emergency call on my phone. 677 00:30:04,400 --> 00:30:07,160 Speaker 1: I told you about the little you know escape exits 678 00:30:07,240 --> 00:30:09,200 Speaker 1: you can get and do the shortcuts through I can. 679 00:30:09,240 --> 00:30:11,080 Speaker 3: I thought they might have thought I was pinching something. 680 00:30:11,160 --> 00:30:12,640 Speaker 1: Quite possibly start the car. 681 00:30:13,160 --> 00:30:14,800 Speaker 3: Joel in lower chittering, Hello. 682 00:30:15,440 --> 00:30:17,200 Speaker 9: Good morning, How are we good? 683 00:30:17,800 --> 00:30:18,120 Speaker 1: What'd you go? 684 00:30:19,080 --> 00:30:19,280 Speaker 3: Oh? 685 00:30:19,520 --> 00:30:22,600 Speaker 8: Guys? Fruit? It's all I can say is fruit. 686 00:30:23,640 --> 00:30:28,600 Speaker 1: Okay, Yeah, I just go in the bin. 687 00:30:28,720 --> 00:30:29,040 Speaker 6: I just go. 688 00:30:29,320 --> 00:30:30,240 Speaker 9: I'm going to get healthy. 689 00:30:30,280 --> 00:30:31,960 Speaker 8: I'm going to do smoothies, you know. 690 00:30:32,040 --> 00:30:35,600 Speaker 9: I'm going to get all bananas and oranges and get 691 00:30:35,640 --> 00:30:38,880 Speaker 9: all all healthy for summer and that, and then they 692 00:30:39,000 --> 00:30:40,720 Speaker 9: just go growing in the in the fruit. 693 00:30:40,800 --> 00:30:43,240 Speaker 1: Well, get a bit of fuzzy. 694 00:30:43,680 --> 00:30:45,640 Speaker 8: Gingers are beauty so when you come back, you know, 695 00:30:45,680 --> 00:30:48,080 Speaker 8: and you go overseas and you get those welcome drinks 696 00:30:48,120 --> 00:30:51,360 Speaker 8: when you're in your hotel, like ginger tea and all that. 697 00:30:51,800 --> 00:30:54,320 Speaker 8: Grab a bit of ginger and make. 698 00:30:54,200 --> 00:30:55,640 Speaker 7: All this healthy tea. 699 00:30:55,880 --> 00:30:58,920 Speaker 6: And yeah, no fruit ginger, that sort of stuff. 700 00:30:58,960 --> 00:30:59,280 Speaker 9: That's me. 701 00:30:59,440 --> 00:30:59,880 Speaker 3: I'm gone. 702 00:31:01,480 --> 00:31:05,800 Speaker 1: You're not alone there. I've got an apple. I've got 703 00:31:05,800 --> 00:31:07,800 Speaker 1: an apple. It's being back and we called it the Traveler. 704 00:31:07,840 --> 00:31:09,640 Speaker 1: It's been back and forth to work and never gets eaten. 705 00:31:09,680 --> 00:31:11,600 Speaker 1: So I'm with you, Joe, we get it. 706 00:31:12,240 --> 00:31:16,960 Speaker 3: Travel Thanks Joe, have a great day. Last call Dying 707 00:31:17,080 --> 00:31:17,680 Speaker 3: Mount Helena. 708 00:31:17,760 --> 00:31:20,040 Speaker 9: Hello, Hello, how are you guys? 709 00:31:20,800 --> 00:31:22,320 Speaker 3: What have you never used? 710 00:31:23,160 --> 00:31:27,000 Speaker 9: Oh? I can relate with the last caller definitely, But 711 00:31:27,240 --> 00:31:30,680 Speaker 9: mine is I've got a number of sets of little 712 00:31:30,720 --> 00:31:38,160 Speaker 9: dumbbells and during the summer they used as doorstops windows open, 713 00:31:38,360 --> 00:31:41,640 Speaker 9: so they stop the doors from closing. So they're just 714 00:31:41,720 --> 00:31:44,600 Speaker 9: putting back into a rebel sports shopping bag. 715 00:31:45,160 --> 00:31:48,160 Speaker 3: Okay, yeah, sous. 716 00:31:48,520 --> 00:31:49,960 Speaker 1: Have you ever done a few curls with them? 717 00:31:50,040 --> 00:31:50,200 Speaker 8: Die? 718 00:31:50,320 --> 00:31:52,320 Speaker 1: And not really only when you pick them up to 719 00:31:52,480 --> 00:31:53,320 Speaker 1: use them as doorsteps? 720 00:31:54,280 --> 00:31:55,840 Speaker 8: Just about Yeah. 721 00:31:56,240 --> 00:31:59,360 Speaker 9: Yeah, I look at them and think, yeah, one day, 722 00:31:59,640 --> 00:32:02,360 Speaker 9: should I do something about that? But no, it never happens. 723 00:32:02,640 --> 00:32:04,960 Speaker 1: It could be like that, Kayla. Check you're lifting stuff 724 00:32:05,000 --> 00:32:06,360 Speaker 1: every day and showing off on Instagram. 725 00:32:06,960 --> 00:32:12,000 Speaker 3: Yeah, to try that, thanks DIY, Thanks guy, you too. 726 00:32:12,480 --> 00:32:15,880 Speaker 1: The exercise equipments that, Yeah, it's terrible. 727 00:32:16,400 --> 00:32:17,560 Speaker 3: I don't even know why we bother. 728 00:32:17,640 --> 00:32:20,320 Speaker 2: And and it slides easily under the bed, No it doesn't. 729 00:32:20,640 --> 00:32:23,440 Speaker 2: It doesn't ever seen anything that slides easily. 730 00:32:23,200 --> 00:32:23,800 Speaker 3: Under the bed. 731 00:32:23,920 --> 00:32:25,960 Speaker 1: Yeah, you'll fit that giant machine under there, and now 732 00:32:26,000 --> 00:32:26,320 Speaker 1: you won't. 733 00:32:26,400 --> 00:32:31,280 Speaker 3: Yeah, taking up the whole room. More more Lisa, More 734 00:32:31,360 --> 00:32:32,400 Speaker 3: podcasts soon. 735 00:32:32,920 --> 00:32:33,640 Speaker 8: Ninety six